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HENRY HAMP LE , TIM TONOOKA '-
P ETER URBAN

a)
K & T INC .

TIM YOHANNAN
Nothing in our zine is copyrighted.
Feel free to rip us off, as we'll take
it as acompliment - information and
dialogue are free.
M AX I M UM ROCK'N'ROLL PROJECTS ARE NON-PROFI T,
AND ARE M EANT TO RI TTER C)FU'UNI CAYI ON AND I N-
CREASE ACCESS TOTHE MEDIA FUR PEOPLE OF THE
PUNK COMMUNITY . W E W ILL PUBLISHALL OUR FIN-
ANCIAL RECORDS IN THIS RAG 3 TItW S A YEAR.
M A X I M U M P U C K ' N ' R u h I
violence and is afraid of knowledge or
political action, is not athreat at
all, but has gone over to the enemy. Punk
was originally amimicry, asatire of
the disturbing nature of Western cul-
ture. But it threatens to become more
and more are-enactment of those same
values and thereby cross over the line
fromrejection to concealed acceptance,
however well-disguised it may be by mo-
hawks, shaved heads, leather, etc.
Of course, arebellious countercul-
ture isn't an organized political move-
ment with one set of "acceptable" ideas,
but rather amixture of values under one
banner
. Unfortunately, in abasically
illiterate society such as ours, music
is
one of the only ways newideas get
disseminated,

and it is within this


What has two legs, hangs out on street sphere that the real battles for minds
corners, panhandles, sells dope, says are being fought
. Will the reactionary
"That's cool, man", is apolitical, anti- mentality of the mainstreamculture find
historical, anti-intellectual, and just areincarnation within punk (there are
wants to get fucked-up and have agood afewbands that already exemplify that
time? A Hippie? Nope, apunk!

Outside idiocy), or will punk become atrue


of the differences in appearance -sub- ternative? It is the ideas behind the
stitute boots for sandals, chains for music, the dress,

the 'tines that. are


love beads, no hair for long hair, etc
. important,

not the leather-clad bands


-the only way you can tell the differ- and haircuts
. If we reach that point,
ence Is that most hippies passively em- then the battle is lost, and we will have
brace certain values, and most punks are the next formof mass-entertainment
. It
vehement about them
.

This, of course, is on these principles that MaximumRnR


is agross generalization, but it does is dedicated.
seemthat the values of both counter-
cultures have more in common nowthan
not . If being political is out, and hav-
ing fun is in, what's the dif?
Originally, there were many types in-
volved with the 60's counter-culture:
cultural radicals, politicos, poets,
dreamers, walking wounded, hustlers,
etc. Eventually, one strain became the
most prevalent - the apolitical petit-
bourgeoise. They were anti-intellectuals
who rejected the past, claiming that
there was nothing to learn fromit ; who
advocated one emotion (in this case,
love) ; who pushed the "do-your-own-thing'
line
. And that's exactly what they did,
becoming self-Indulgent, isolated from
reality, and decimated by drugs, cults,
and greediness
. Many became small busi-
nessmen, the "hipeoise" . They left so-
ciety alone, but eventually Imitated all
the aspects they once rejected. And that
led to their eventual incorporationinto
the mainstream. The threat was coopted.
When punk came along, it was largely
arejection of the failures of the 60's
kids. Punks were going to be different-
confrontational . Once again, it was a
mixture of types -rebels left over from
the 60's,youngcynics, political punks,
fun-seekers, etc
. But as time passes,
certain strains are again becoming pre-
valent and, as in the 60's,

it is the
anti-intellectuals, the rejectors of
history, the advocates of one emotion
("hate", this time), and the embracers
of "do-your-own-thing" that prevail
. It
Is frightening to see howrapidly history
is indeed repeating itself for those who
do not care to learn fromthe mistakes
of the much-abused Hippie; howclose to
mainstreambourgeoise values of Self
they are mo v i n g
; howturned-off to puli-
ticsthey ate. The cooption is well under
way.
The only thing that threatens asociety
based on dividing and conquering-pitting
sex against sex, race against race,sub-
culture against subculture-is unity
. If
the systemstresses anti-intellectual-
ism, then we must become intellectuals.
If it stresses' isolation and ignorance
of each other, then we must learn to
trust . If it stresses individualism, we
must collect ourselves . If it stresses
blind respect for authority, we must only
give respect to those who earn it . If
punk fs to be a threat, different from
society, then any so-called punk who
flirts with racism and sexism, proudly
displays ignorance, resorts to physical
The first federal indict-
ments for evading draft regis-
tration are expected next
week.
Echo of the ' 60s:

'I refuse to register as an


Growing protests agent of the military madness'
against the draft
404444
wm.
. abq
LETTERS
LETTERS
Even though Argentina's motivations in
invading were the same as Britain's when
it invaded in 1833, if Argentinahad the
Falklands, there would be one less mili-
tarily strategic place in the hands of
the global superpowers.
Casey Beer
of the Afflicted
You, yes you!
I hate newblood coming into the scene
tainted will, the old morays of commer-
cial society. Muzak controlled minds
unwittingly forcing the values of cor-
porations and corporate vomit in the
guise of heavy metal (hang Howie Klein),
rock and roll per se, poseurs and Haight-
Trashbury fallout . There arc those who
truly don't care for themselves or oth-
ers, misfits and outcasts, - castes,
-siders. These are truly those that the
scene needs.
I hate the mediaand the mind control
for which it stands. I hate its stereo-
typing punks as somebody you would meet
at the Old Waldorf on Metal Monday or
at the Stone any night.
I hate Patriotism, Communism, Capi-
talism, Catholicism, Protestantism, Ju-
daism, Socialism, Democracy, Totalitar-
ianism, Monarchies, Sentimentalism, and
all other -isms and -cies and un-'s and
suffixes and prefixes that move our minds
on an Orwellian chessboard with that sham
of alanguage.
I hate groups and cliques.
I hate the pigs and dogs and sheep
and rats and puppets and mannequins and
clones that populate the world, thinly
disguised as human beings.
I hate refugees fromthe seventies,
burn outs fromthe sixties and other
hangers-on and clingers to lost causes.
I hate their ability to breed and flood
the gene-pool with mass produced replicas
of themselves. I hate lost causes such
as El Salvador and nuclear dis-armament.
They feel as if marching fromUnion
Square to the Civic Center will cure
cancer, end unemployment, etc. Politics
and power mate with each other to pro-
duce the mass societal bureaucracy
. Ha.
I hate the breakdown over which I tot-
ter each night.
1 long for the utter collapse of this
so-called civilization so I might vent
my rage upon it in full force'
. Iao Omega!!
I hate society, society that has made
me an idiot! Society that has made me
amadman. I hate the middle class, the
upper class, the lower class and class
and classes of all types. I hate their
forcing their values upon me.
I hate not having aphone so I may not
try to rammy values down their throats
for achange.
I hate aworld that has stripped me
of many emotions, save lust and hate.
Stripped or burned, what does it mat-
ter?
I hate God, and the simplistic comfort
he affords the masses, sucking the minds
fromhis worshippers as they suck the
semen fromhis holy genitalia.
I write this on money and pass it in
all the stores and BART stations as I
an, hoping someone will read this.
I hate hope, it is the ultimate sado-
asochismbesides religion.
Hate' Hate! Hate! Their god cannot
save them, their government cannot pro-
tect them!
The systemshall destroy itself, an-
archy shall reign.
I hate sunset rockers who think an
encircled A means acid. I hate the San
Joaquin Valley.
I hate grafitti being washed off of
walls. Art bin
LETTERS
Dada, anarchy of thought and action,
what is left? Nil, null, void. The stark
greyness of conformity. I hate conform-
ity. I hate redundancy. I hate pot . I
hate the lack of newobscenities with
which to express myself.
I hate. . .

sr
E_)ere
47 /iw_ ,

pI'
Sib' F-Zn' i % /C/feo
P.S
. I hate sportscasters. I hate Bank
of America! I hate mass produced music
for mass produced minds
. I hate newro- '
mantics. I hate baseball . Ihate Shirley
MacLaine. I hate publishers who reject
my genius
. I hate not finding people to
workwith me. I have tons of material.
I hate weekend warriors
. I hate money.
I hate the poverty trance. I hate danc-
ing to the poverty trance. Its muzak is
the clink of coinbags over the shoulders
of congressmen's corporate cronies.
for ero
You have problems
. Get agirlfriend.
Blowup Howie Klein's car
. Or go see a
shrink.
MaximumRockMan,
Totally glad to hear you guys are put-
ting out this man. Hope it ' s as good as
the radio show. Should be, cos you won't
have to put up with Tim's laughing, ha
ha. I'mgrounded, being held prisoner
at home, so your mag is one of the few
things I look forward to. No shows, no
parties, no nothing cos I didn't kiss
ass to my' fascist Biology teacher
. The
whole fuckin school systemoperates on
fear .

Cottaknowthe answer when the


teacher calls on you, or have himmake
as ass out of you
. Cottaturn in your
assignments by adeadline or it's an F.
Then they make sure your folks find out
so they can set you straight
. They get
you to kiss their ass by saying good
grades will make you aleader or some
fuckin money hungry professional or at
least ano name in the working class.
But if you fuck up then you are doomed
to be aslave of poverty. Learning a-
bout what's really going on around you
and being an open minded individual is
not what they're concerned about ; they
just want to keep you quiet and obedi-
ent . Since authority in school is main-
tained by those outside

your

family
(whose authority you mostly accept since
it's been exercised since birth), the
teacher, who you don't knowpersonally,
is training you to respect an authority
which is totally astranger to you: the
fucking government. That's why we have
student body governments,

to get us
ready for

the fact

that our

equals,
even basically equal in age, will be our
masters. This democracy bullshit is
based on majority rule and majority con-
sent which means minority slaves and mi-
nority dependence on decisions made from
"up there".

Our Learning process not


only prepares us for this shit, but we
have no vote and this fucking

school
systemexists without any of our con-
sent . Surtf, you can always quit school,'
but howeasy to find ajob without a
piece of paper saying you've passed gov-
ernment standards? But hey! Youcanal-
ways join the Army!
Mark Sistbull
Nobody rules o.k.!
P .S.

Try and get interviews with

the
Fartz & MDC.
Dear Timand the Gang,
We have seen afew"scenes" (Boston,
L .A
., NewYork), and if you think about
it, we really have the best . The scene's
small enough so you can get to knowpeo-
ple and not lose touch with themafter
Dear Readers,
The reason we have aletters column is
so you can have aplace to tall us your
problems, ideas, vendettas, gossip, etc.
This is
your scene, so get involved.
Write alot of letters so I will have
something to do and I won't have to stay
stay at home and watch General Hospital
and Leave it to Beaver.
22 Seconds
Deleted by
braid OPnsciss
To the Readers of MaximumR'n'R:
You might not be very concerned about
what Is happening in the Falklands right
now, but I think that you should pay at-
tention because if this small war esca-
lates, Reagan might decide to send us
draft-age people down there to help our
British friends.
I was surprised to find that some punks
think that Britain is afine country and
that its right in trying to win back the
islands
. After all, England gave us the
Pistols, Sham, Di, etc., right? Well, if
you haven't noticed, most British bands
are opposed to their country's govern-
ment
. But alot of people I talked with
still thought Argentinawas wrong in in-
vading the islands.
One reason that justified the invasion
by the Argentines is that Britain did
almost the exact same thing about 150
years ago
. Britain had control of the
islands until 1774, when it withdrewfrom
themand gave themto Spain. The Span-
ish abandoned the islands in 1811, and
the Argentines took control in 1829
. But
in 1833, England decided that it wanted
the Falklands back and forcibly removed
the Argentine settlers.

At that time,
Argentinacouldn't compete with the Eng-
lish navy,

so there was nothing they


could do about the takeover.
The main reason supporting Argentina
's
invasion will appeal to most anarchists
and to anyone who don't like war -Britain
is an imperialist country, just like the
U.S. and Russia
. These governments are
always trying to increase their wealth
and territories (right nowthey're bick-
ering about howto carve up Antarctica).
When countries with this type of govern-
ment get big enough, they have plenty of
money (fromtaxes) for bombs and large
armies
. That is what has brought this
world to its present state -big countries
with money enough to have acontest to
see which one have the most destructive
force
. But if all the small countries
(like Argentina) were to invade the big
countries' territories little by little,
soon there would no longer by any big
countries, only small ones without money
enough to make big destructive mechan-
isms. And there would be alot less wars,
or at least less bloody ones. When the
issues are considered, I think most punks
would probably be on Argentina's side.
This crisis is not over.
Can you name any of the
other wars happening now?
LETTERS
LETTERS
LETTERS
agig.

Lot'sabands come through S.F.

P.S. Welcome MDC.


and there are some really great newlocal

P.P.S
. Bye Ziggy. We'll miss ya!
bands starting up all the time -like Bad
Posture, Deadly Reign, Juvinel Justice, Michelle and Lynn
Intensified Chaos, Free Beer, etc.

If more people thought the way you do,


Nowto address afewproblems
.

this scene would be alot better


. People
1) Violence- Yeah, it's fun to thrash, ao around talking about anarchy

and
but that is what it should be -fun
. It freedom, those same people don't think
should not lead to needless violence
. A about the responsibility that goes along
rot of the fighting that goes on is petty with it . Vandalismand violence might be
and stupid. It also seems that people "cool" but then the owners don'
t want to
go to shows looking for any excuse to book punk bands anymore and then what?
fight
. Fighting will not put an end to You're right, there are alot of prob-
your problems
. A lot of younger kids will lems
. If people used their heads for
really get hurt one of these days if they something other than bandannaracks, we
don't learn to solve their arguments with really could do something.
words rather than blows
. Find out the
source of your frustration and deal with
it directly, don't try to put it on some-
one else's shoulders.
2)
Vandalism- If we want to keep the
fewclubs that we have open, the point-
less vandalismwill have to stop; other-
wise we' ll end up just like L.A
., down
the tube.
If you find it physically necessary
to grafitti, do it where It won't pre-
vent another showfromhappening. Leave
the surrounding areaalone. We almost
lost anewclub -Ruthie's Inn -because
of the damage done to anearby church
and broken windows of buildings near the
parking lot . This also raises security
prices and, therefore, ticket prices
.

(
W4 ONLY 01 0114' .5.6- oip* . 5. 6-
,
NOT
601
3)
Attitude- liardcore is inthemind,
not in the dress
; it's an attitude, not Dear "Timand The Cang":
afashion
. We've seen too many people To introduce myself, t ema17 year
ragged on for not dressing cool
. There old skateboarder . Skate punks shred! I
are people out there who are not punks, Amtemporarily living in ban Francisco,
but have the same values.

Is there a !
tut in acouple months or so,

have to
uniformor dress code that one must ad- ;
hip my butt hack down to Modesto. .
.oh
here to in order to be accepted?

ruck. . .for reasons 1'


Il not go into or
Punkwas supposed to be amovement of bore you with
. I've been listening to
rebellion against asystemthat sucks
. your showfor quite awhile and it even
NowIt Is hollowminded, cliquish, un- reaches Modesto, believ
e it or not! It's
directed, fashion oriented. .
. If any- really great cuz Icon keep in touch with
thing is to be accomplished, there needs reality while living in limit blasted lame
to be some serious awakening to what is "alley
. MainstreamMoral Majority rules
going on, what's wrong. We need some co-

here, no question
. It rucks, but T do
herence to get something, done.

mike it up for shows and stuff . So while


There are concrete things to rebel a-
'5 living up here for the meantime, I'm
gai nst . It seems that people jump on the
t'
`rl ly get t inq aload of t
. he Bay Area
bandwagon and say "I'mpunk, I '
mcool, '`tent and m,rkinq the most of it while I
fuck you
." Well, the state of America's c'''n, going to (very showI can
. Back in
pretty bad.

This is no democracy
; the the valley 'here is life,

but I think
American way is afarce
. For Christ's group of five people is all
t
here
sake, the U.S. government is not repre- ir
. . We have agarage band and we've been
sentative. It's afucking oligarchy run together about 2, years
. The first punk
by afewcorporate executives who can band ever to come out of Modesto I'd be
pump billions of dollars into Capitol willing i venture
. If you must pin la-
Hill and get anything they want accom- bets, we
'
re ahardcore thrash band. We
pushed. Their goal is profit
; they could have 5 members
: vocalist, Kris Korrup-
not give adamn about the people. They Lion
; gui :orist,Keith; other guitarist,
want awar in order to fill their pock- Paul
; bas3lst, Ronny Ripper,

and the
ets. The DK's song on the Warc)asmLP is drummer which is me, Melissa
. Our ages
scary because It is true.

Everything range front 17 to 23. We do not have a


Jello says can happen NOW
. The people demo tape or "")lhinq else, sorry to say.
either can't comprehend or ignore what We tried recording on the bare minimum
would happen if Reagan did push that sh"t we have, and it ended up sounding
button (which by .the way is never more li
ke agarbage disposal with afewwords
than afewyards fromhimin abrief- thrown in
. We played once for aschool
case)
. The FBI and CIA have infiltrated talent show, but we had no more gotten
every radical group in America
. Any ac- through the first song -"Capita] Hill"-
quaintance of yours could be an FBI a- than the school officials got massively
gent
. Your pone could be tapped. All
i p
set and threwus out
. It was ariot!
the activities of the FBI and CIA that Violent Riot is the name of our band,
have been exposed since the Freedomof by the way
. None of the students appre-
Information Act pre still going on
. The rioted our efforts either . They're minds
CIA is even linked with the Mafia
. This ire all locked, back at Wood-stock with
government is corrupt to the core and their heads rip their ass
. We've all been
the majority of Americans choose toig- Into punk for about years
. We all know
nore it
. Don't you ignore it -we could Modesto ain't the place to be for that
have power -use your mind
. If you're old scene
. Ilene are NOclub
:, "hands, 110
enough, register to vote and make sure fanzines
.

Absolutely

IIl)THTiIGhalfway
of what you're voting for.

alternative comes out of Modesto Holt


The message here is -yes, there are awe knowof
.

And we knowalot
., having
lot of concrete problems. Let's do some- lived,

or existed rather, there for 3


thing about it - THINK - please
.

years. Before that I lived in L.A. The


punk scene there is great and I prefer
Lynn and Michelle
Z
L .A. over S.F. except for the matter of
the cops akaGoon Squad
. They're really
heavy down in L .A. S.F. and the entire
Bay Areais much looser and out of the
heat than L
.A
. for sure. But the L.A.
punks, as individuals, are much closer
and friendlier than the punks in the Bay
Area. S.F
. seems much more cliquey and
snobby than L .A. Why is this? I've no-
ticed the Bay Areascene has more apa-
thetic attitudes than L .A. Apathy kills,
remember . Yeah! Maybe I'mwrong about
this, but that's just the way it seems
tome.I am, however, open for criticism
on the subject
. I just see alot more
individual ideals and opinions exchanged
in the L .A . area. Everybody seems to know
everybody else and newcomers to the scene
are welcomed, and at the first gig I went
to, which was at the Whiskey, I met gobs
of people
. At my first, second and third
in S.F. I met absolutely nobody. I'll
take that back, Imet one guy, but that
is the extent of my social connections.
I introduced myself to one girl and she
stared at me as if I had leprosy! What's
wrong with you Bay Areapunks anyway?
Stuck up or what!? I thought you were
supposed to be against all that cliquey
snobbery but I guess I was wrong.
It seems to me that alot of people ad
'orate dropping out of school and that
it's the cool thing to do
. This is ri-
tliceloiis
. I think that you can get alot
out of the educational systemthat we
hive, as lacking as it is, and not put
ep with the general bullshit . You have
to knowand learn howto work it but it's
entirely possible
. An uneducated world
and society is not what this world needs.
You see what it is, nowdon't you? Stu-
pidity and'ignorance are not keys to
success. I can't buy that . I'mopen to
arguments but I still say dropping out
is not the way to go. I do not see how
you can hope to achieve much with aquit-
ter's attitude just cit., things get tough
or students rind teachers hassel you about
your mode of dress, your attitudes, etc.
If you drop out, it only proves their
theory right about today's generation:
that we-arc nut going anywhere, do not.
have much upstairs, that the only things
we care about are dope, sex and general
fun. Not that fun doesn't
. have its place.
Shit yeah! But there's atime for work
:end dedication too
. I graduated and am
attending college in S.F. and I'mdef-
initely getting alot out of it
. Oh yeah,
they try to get you to conformand follow
the masses -don't rockthe boat and upset
the apple cart criz it makes waves -there
is that shit, but you don't have to buy
it. I don't! If people mannadrop out
of school, that's their prerogative, but
I personally don't see howit could help
your situation. You CAII get SOMLTHItIC
out of this fucked up system! You just
have to go,
at it alittle differently.
Take anALTLRNATIVE APPROACH TOMATTERS.
About Nazi Punks (whomI don't consider
punks at all), go SOAK YOUR BEAD! Or fuck
off, as Jello says! Anarchy and swastikao
are complete and total opposites and
really can't grasp howwearing the two
together makes much sense. It is HYPO-
CRITICAL to the max! If you stop an
t
i
think of what swastikas symbolize and
put it up alongside the theory of Anar-
chy, you do have opposites. Noquestiu;
about it . So like, why wear swastikas,
claimto be aNazi and condone Anarch,,
simultaneously? It looks real stupid'
Face facts! If you are for the general
theory of Anarchy you couldn't possible
be aNazi and if you're aNazi then yrol
ain't no punk cuz it goes against ever-
thing punkcondones.

The two element-,


have nothing whatsoever in common other
THERE ARE NOT MANY PUNKS IN ATTENDENCE AT POLITICAL
ULMONSTRATIONS
. THIS MAY BE DUE TO APATHY OR CYNIC-
ISM, OR MAY
BE BECAUSE PUNKS ARE PUT OFF BY THE DE-
CIDEDLY 60'S CULTURAL ATMOSPHERE . IF THE LATTER HE-
'ASON IS WHY YOU HAVE NOT PARTICIPATED, THEN MAXIMUM
R'N'A WOULD LIKE TO HELP BY ORGANIZING PUNK CONTIN-
GENTS THAT WOULD MEET SEPERATELY AND JOIN MASS DE-
MONSTRATIONS AS A CROUP
. IF INTERESTED, KEEP WATCH
IN THESE PAGES OR LISTEN TO THE RADIO SHOW FOR INFO.
S5
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S-FRAwc1sco
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LETTERS
than they are both two strong forms ; ,f
action
. Regardless of the direction, he
it positive or negative . Think about
that.
Another gripe : all you people who rut
their hair and buy punk records and think
you're punk make me see RED! A haircut
do not mean a fucking thing! Too many
mindless dummies running around, looking
and acting stupid and therefore, making
the entire scene look equally mindless
and stupid
. Like just another trendy fad.
Fuck that . Those little morons cutting
their hair, buying spiked wristbands and
wearing old levis are representing the
punk scene and are making us who have
reasons for doing what we do look just
as dumb . ' Use your heads for something
other than to sport spiked hair, and
THINK! Looking different is not the nari
of the game . Thinking different IS . Lrt
us get it together.
14, 11 , 1 think you've probably had enuf
of me and mine, so I will shut up for a
little while . Good luck on your mag and
radio program and may you always have an
ALTERNATIVE to this fucked up system.
Terminally yours,
Meliss a CC~mille
Violent Riot, Modesto '
P . S
. Oh no, not more crap! Yeah, well,
where do people get off on the supposed
"fact" that the L . A . scene is so mas-
sively violent?

Not true! That's only


a lotta bullshit hype from the media!
Sure we have our occasional hassels but
it's all blown way out of proportion by
the press . Believe what you see, not
what you read (in the case of mass media
especially)!
EASTERN
FRONT
AQUATI C PARK BERKELEY
(JULY, AUGIJS't, SEPT.)
SATURDAY
'JULY 31
Gu ars'
!DISCHARGE!
s/jATr p
F4/741 LW/ ASr ED YOL/ TN
a4 rNI v
D A'
sq/ivrs'
c%ftccz-
oVE 47ODr 'OSr ItR
IS
mYr
LE

DEA DL)
-

/i$N
C h i4 N n/Et 3
tickets available at bass
`I wanted to see more done, more freedom for
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ASSAULT
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CAROL WAS
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HELP PR OM CUAV_ODMMUNITY
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THEHfi~AYAITINC
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"

, . i Pa u l e t t e De n is
'PEOPEE 0o AREMESUbICCp DONT GIV E A Fvc v. Ad o vT L1 - NAT'S
6o In I' 0N )
Do O
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. E IEILL
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6 To SIT g51 t IE A
AND w AT(H 6OV Ea N
1 1AENTS
CHANGE WAT(1 1 THEIR OWN GOV CRN -
'AENT AOFJ(KEDTHn
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FECT THEM. THESEAP -ETHEP EOP LEIT'SMos
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r ZMP OATANT TOGET
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,
Whenwego onstage, J1
:VIN-
L,INAJL'
WOR LD E FASCISTANDLAME
'

EVER Y
WHEN WE
w e h a ve 1 5 min utes
WEFIND ITR EYTOTAKECIVELE
US
LA SFUCKIN~CHANCr~ .
JUVENIL INJUSTICE
FOOLS
\'~''a '+1 ` \` w ` ~I\\'~\'

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Y OL
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OUARE ROW ,
E GORE
WITRO
II(
Y OUR Y 1 A
TO
WAY
1 01 3
'1 3,
D
ASIDE,
U
OTT
G ' A
W
OUT,
S
BIN

l l ZE ~
SE
3u s
T
BEFORE EN- E
.
OU,
RE
S
A
Bo O
l A
R
WHER E' S
OUR FUCKING R IG HTS
COR POR ATE INJUSTICE
AG AINST THIS WEFIG HT
o f
f a ggre ssio n

HISNCANNOTUE ICE
LEGALISE
ME
TRY ING TO GET A DECENT JOB
SAME OLD STORY , I'M JUST TOO Y OUNG
I FEEL LIKE I'M BEING DRAINED
FOR MY OBEDIENCE :AGONY AND PAIN
(CHORUS)
GO TO SCHOOL, OBEY THE RULES
TO FIND OUT THAT WE'RE BEING MADE
WE KEEP FALLING FLAT ON OUR FACE
AREN'T WE PART OF THE HUMAN RACE?
On the night of March 15 over a hun-
dred local musicians and fans squeezed
inside the Sound of Music fora meeting.
Tension filled the air as meeting coor-
dinator Johnathin Formula

(ex-Damage
writer) began to talk
. Understandable
since the topic was police harassment
of punks at the Sound of Music and other
venues .

Both audience and performers


felt it was time something should be
done . Topics covered included
: estab-
lishing a dialog with the police ; join-
ing with groups already involved against
police brutality
; the dismal shape of
the club "scene ;" and what should be
done for minors who can't get into shows.
Toward the end of the evening the con-
sensus was that an organization to deal
with these problems be formed . A seven
member board was nominated and elected.
Their job would be to help organize fu-
ture meetings, deal with publicity and
work towards solving problems
.

Notable
personalities elected included Olga De
Volga (of the Lewd),

Jeff 'M111er

(of
Bad Posture), and Sid Terror (of Undead
fame) .

The next meeting was scheduled


for April 5th.
Two weeks later the elected board met
at the S of M for a closed meeting
. They
spoke a great deal about what their pri-
mary goals should be . There was talk of
organizing committees to do the booking
and security at the Sound of Music (an
idea embraced by Celso, club owner), for
researching cases of police harassment,
and formation of a musicians' switch-
board for sharing of equipment, trans-
portation and lodging for touring bands.
The name Sound of Music Artists Associ-
ation was chosen (through lack of imag-
ination?) before this evening came to
a close . A board meeting was scheduled
for a day before the next general meet-
ing . Unfortunately, it never occurred.
Then, the April 5th general meeting
ran into difficulty
. Chairperson Melissa
reported on the Board's meeting . Board
members were introduced and several of
them described their research so far;
including Sid Terror who spoke about his
work towards creating,' switchboard . He
said that his band (the Undead) would
be doing a benefit for S .F .'s cable cars,
to shine some good publ ici ty on the SMAA.
This was strongly opposed by the crowd
and board members who saw such a media
plug as contrary to their beliefs and
values . The meeting degenerated into a
debate as to whether or not d benefit for
the cable cars would misrepresent

the
organization.
Three months have passed since the
April 5th meeting and the SMAA has taken
no action nor held another meeting . It
is difficult to pinpoint the reasons for
this stagnation . To get a better per-
spective, I spoke to three of the board
members.
Jeff (of Bad Posture) feels that one
problem was the lack of communication
after the last meeting
. Another was that
some board members were living in pover-
ty ; lack of jobs, money, food or health
led to lack of incentive .

Jeff

still
feels that something can be accomplished
but is uncertain as to how and when.
Cathie Olson and Christie feel that
the reason that nothing is happening is
that there was no clear definition of
what the SMAA stood for . People did not
analyze the problems to be tackled by
the SMAA carefully, or they let their
emotions or self-serving interests cloud
the issues . This prevented any lasting
structure from being built
. Structure,
not in the sense of bureaucracy but in
the sense of people taking on responsi-
bility . They
.feel a lot of things need
to be cleared up before they could take
on an active role in the SMAA again.
Celso, owner of the Sound of Music,
was the only real optimist . He believes
it is possible for the SMAA to function
in the future, even though meetings have
not been held and board members have not
remained in contact with each other
. He
has been working with his lawyer to get
non-profit status for the group (giving
it access to grants, free postage, etc .).
.Me
thinks It is ,only a matter of time .
We shall see . But for now there are
no easy answers as to why the SMAA has
stalled . All I know is that bunch of
people were pissed one day
. They decided
to get together and talk about their
problems . Someone said organize and a
board was elected . Some people on that
board were sincere about doing something
positive for the music scene, and som
had other intentions . But if anythinc
is responsible, it's everyone's hasti-
ness . Things happened much too quickly.
No one bothered to find out if there
was a better way to solve the problems
or a better way to organize.
Without fully understanding the issues
(police harassment, minors, booking,
etc
.), or clearly agreeing on the common
goals, a united attack is hopeless . Hey,
better luck next time, but remember your
Rules of Parliamentary Procedure
. Anar-
chy does not have to be one-to-one com-
bat between paleolithic punk-beasts --
let's go after the dinosaurs!
- No ise Bu sh
P .O . BOX 27
RHEEM VALLEY
.CA
94570
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23091 /2 Tel egra p h Aven u
L L L L L L L L L L L L L L L L L L L L L L L L L L
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CONGRATULATIONS TO DEADLY REIGN
FOR GETTING ON THE SAMPLER!
DANGEROUS RHYTHM
'RECO11I7 5TuTi3.
MATT WALLACE
CHIEF EN GIN EER
(415) 284.2771
SCENES
BAY AREA
-Tim Y.
Bands in the Bay Area continue tomul-
tiply faster than we can keep up with,
and here's how it adds up . In San Fran-
cisco proper, the most popular bands in
the punk-H .C . scene seem to be the DK's,
Flipper (probably much to their chagrin),
Code of Honor and MDC . All have albums
out by now (as has the Lewd, whose pres-
ent status is in limbo)
. Up and coming
bands include Bad Posture,

Fuck Ups,
Domino Theory, and Free Beer (ex-Re-
venge) . Other newer bands these days are
Juvenil Justice, 5th Column, and Urban
Assault (not the So . Lake Tahoe gang).
No Alternative reformed, War/one mutated
Into Vicious Circle, with Jeff joining
remnants of the Fried Abortions to form
Lennonburger
. Impatient Youth still ex-
ist, but rarely play . Arsenal is off to
the U .K . to record for Crass, and the
Undead are rumored to have had stakes
driven through their hearts . The Tanks,
Hellations, God, and Wild Women of Borneo
all have something in common . And then
there's the Pop-o-Pies, who trucked here
from New Jersey.
The Fast Bay scene has finally come
alive, as have all the suburbs . The de-
mographics of the scene show a shift to
the outlying areas, and a constant drop
in the average age . We have no accurate
statistics on any possible drop in I .Q.
Crucifix, now veterans, are joined by
Deadly Reign, Intensified Chaos, Fang,
Ghost Dance, and Shut-Up . From the North
hail the great Naked Lady Wrestlers (for-
merly the False Idols), Pariah, Karnage,
Demented Youth, and UXB . And from the
Eastern fringe, Social Unrest. continues
to hold sway, although they too hardly
ever perform . They are joined now by
Vengeance, Anti-Social, and everybody's
favorite most-hated band, Church Police.
And the Southern flank Is brought up by
the Afflicted, Whipping Boy, Killjoy,
and PLH
. I'm sure that by the time this
paper goes to press, there'll be 10 more
new ones, but next issue for them .
RENO
-Fletch
In May, Domino Theory and Vicious Cir-
cle travelled over the mountains for a
gig with Urban Assault from Tahoe and
Seven Seconds, one of the oldest bands
from Reno
. I decided to follow along to
see if Reno could produce a show as mem-
orable as the time I saw Black Flag at
a house at the Paiute Indian Reserva-
tion.
We entered the geriatric city and fol-
lowed some local punks to a bar behind
an oriental restaurant, a new venue dis-
covered by one of Seven Seconds . It was
a hick bar with a strange pit area for
the audience, and an equally strange
raised area for the stage . Since we had
arrived early, and due to a huge garbage
bin near the door, most of us migrated
to the parking lot (upwind, to avoid
being assaulted by blasts of foul air).
Unfortunately, the neighbors didn't ap-
preciate seeing so many punks out in the
open, and a Reno motorcycle cop soon
arrived . He gave us five minutes to get
inside the bar, or he'd create problems
for the show.
few hours after everyone was inside,
the narcs arrived and threatened to stop
the show unless the owner put away all
the liquor (because of all the minors in
the crowd)
. Amazingly enough, the owner
put all the booze into the back room,
losing his best source of money.
A pretty decent garage thrash band,
Urban Assault, played first. I was glad
to see that punks in mellow Tahoe were
raking up some trouble. They had some
problems with equipment, but they soon
had the people tumbling around.
Next, Domino Theory blew them away
with one of the best sets I have ever
heard . The bass player growled out the
lyrics while the rest of the band moved
with the deliberation of a hone-crushing
tank . They've added new songs and rear-
ranged their set, and they are now very
powerful.
Vicious Circle came next .

Their set
was loose .

A substitute drummer made


them play too fast,

but the

audience
appreciated all of the bands anyway,
flinging themselves

about until

they
were exhausted.
Curfew rolled around, and Seven Sec-
onds still had not played, so the band
decided to move the show . Everyone threw
themselves into a dozen cars and tore
through the streets in search of a place
to play . After cruising through dark,
suburban horderlands, we ended up in a
backyard only two blocks from the casino
st ri p . I veryone got ripped and staggered
ahoul the yard figuring out escape routes
In case the cops came and got violent.
Seven Seconds set up their equipment
on the lawn and started playing . The
sound quality was better than in the
bar . They ripped through their tight,
fast songs, proving that they could get
a crowd moving . This is where the real
Reno attitude appeared
. Social barriers
dropped, cliques broke up and everyone
acted how they pleased
. More people fell
on their asses from swilling beer and
grinding up the sod than I've seen in a
long time.
The bash broke up when Reno's finest
Arrived after Seven Seconds started
playing their songs a second time around
but they
were quiet about it, and gave
everyone twenty minutes to pack up and
leave
. The only person to get carted
away was a guy who puked on one of the
patrol ears
. The rest of us slipped off
to a party on the other

side of town.
Our Reno visit ended the next morning
as we, still drunk, drove off into the
worst heat wave of the season .
P .S . The owner of the bar had a heart
attack, so no more shows there
. I'm sure
the Reno punks will gel. bored enough to
find a new place
. They always do.
FRESNO
-Dale Stewart
Finally, some punk gigs in Fresno! We
found a warehouse on the outskirts of
town . It had been about 9 months since
the last public gig, with only parties
and trips to SF and LA to sustain us,
but somehow the number of tough, street-
wise Fresno punks grew anyway.
About 80 kids initiated the new place,
thrashing their buns off . First up were
the Frigidettes, who have an interesting
twist in their line-up : 3girls on the
instruments -and a guy on vocals . They
had been around for several months with
an all-girl line-up, but without the
hard, fast sound they have now.
Next was Capitol Punishment, playing
a stable set buttressed by a new drummer,
Mike . They had only practiced for 2 weeks
but Mike added a power and tightness they
never had before
. High points were "EL
Salvador" and "Wrong Direction" . Also
"Theory of Poverty " , a song about the
Trickle-Down Theory which claims that
wealth will trickle down to the poor due
to the honesty and generosity of Big
Business . Don't hold your breath.
After C
.P ., a few jam bands got going.
X-Ray Dog did a couple of punked-out old
rock covers and a slow PiL-Like song
. A-
couple guys from the Authorities and the
Young Pioneers came down from Stockton
and jammed on a few numbers -one of which
urged people to go piss on something.
Finally the Cambodian Kids (ex Zero
Population Growth) cranked out a couple
of their vicious, Lightning-fast songs.
Anyone interested in Fresno gigs, or
a cassette of Capitol Punishment ($3.00)
write Dale Stewart, 400 W
. Gettysburg
11236A, Clovis CA 9361?.
For a Frigidettes cassette, send $3
.00
c/o Corrine, 4779E
. Dwight Way, Fresno
CA 93702 .
-He nry Ha mple
Ha v ingb e e nth e unf o rtuna te slo b wh o
pro mo te dth is pre po ste ro us e v e nt,I o nly
ca ugh t b its a ndpie ce s o f th e b a nds a s
I wa s b usy runninga ro und,tryingto
ke e p th e sh o w o nsch e dule a ndpra ying
th a t th e sh e e tro ckwa lls wo uldco ntinue
to sta nd.Luckily,th e wh o le th ingwa s
pre se rv e df o r po ste rity b 'y a v ide o cre w,
so I' mgo ingto mo re o r le ss b a se th is
re v ie w o nth e mira cle o f insta nt re pla y.
Ryo t,a b ra nd-ne w b a nd,o pe ns th e sh o w.
Hmmm .Pre tty sta nda rdh a rdco re .Go o d
cle a nso und.I4-ye a r-o lddrumme r (Pe te r)
wh o sh re ds .Le a dsinge r (Da v e ) lo o ks
de ta ch e df ro mth e pro ce e dings ; ma yb e a
little ne rv o us.De f ina te ly so me po te n-
tia l in th is b a nd.
Yo ungAlco h o lics a re up ne xt .S kinh e a d
guita rist (th e le ge nda ry MykErxn) h a s
pa inte d-o nh a ir(? !) .Ba ss pla ye r (Bruce )
in ja il ; ne a re st inno ce nt b ysta nde r re -
cruite dto ma ke no ise inh is ste a d.If
th e se guys h a v e re h e a rse dInth e la st
sixmo nth s,th e nI' mpre side nt o f Lo ck-
h e e d.Flippe r mo v e o v e r .N o so ngs th a t
a re writte no r a rra nge d; YA just ma ke s
up so ngtitle s a ndf ro mth a t po int o n
it is e v e ry ma nf o r h imse lf .Be st so ng
is wh e re le a dsinge r (Je rry) scre a ms
"Wa sh Ro b ' s pa n; it' s yo urre spo nsib il-
ity!" a dinf initum.Ba ndme mb e rs ma king
a tro cio us so unds with th e ir re spe ctiv e
instrume nts
.Audie nce la ugh inga nda p-
pla uding.Ma yb e it wo uldn' t b e so f unny
if I didn' t kno w th e se guys,b ut a s f a r
a s I' mco nce rne d,th e y' v e go t th e Th re e
S to o ge s b e a t h a nds do wn.
Fa lse Ala rmne xt .Fro mMo nte re y .Th is
Is punkro ck,b o ys a ndgirls .Ca nyo u
sa y "punkro ck"? Th e le a dsinge r h a s
do ne h is h o me wo rk; sta ge div e s o f f no n-
e xiste nt sta ge no t ra dica l e no ugh ,so
h e a ppe a se s h is a ppe tite f o r ma yh e mb y
b re a kingdo wna do o r .Fa r o ut .Th is b a nd
se e ms sligh tly a ngry a b o ut so me th ing.
Le t' s h e a r it f o r M .A .D
.,th ra sh b a nd
o f th e ce ntury .Ev e ryb o dy' s o nth e f lo o r.
Be dla m
.Le t' s f a ce it,th e se guys smo ke .
S te v e ' s b la zingguita r so undpitte da -
ga inst Clif f o rd' s b a rkingv o ca ls ("co ps
suuuuck!") is e no ugh to ma ke yo ur h a ir
sta ndo ne nd.Cle a n.Tigh t
.Fre nzie d.
Th e y pla y "S te ppingS to ne " a t e ndo f se t,
se v e ra l pe o ple h e lp sing.Ge e ,th e y e v e n
ge t inte rv ie we df o r "Rippe r
;" ne e d1sa y
mo re ?
By th e time I h it th e sta ge to clo se
th e sh o w with my b a nd,th e S ca pe go a ts,
b e inga pro mo te r h a s driv e nme to th e
b rinko f insa nity a ndI' mgo o da ndre a dy
to spill my guts
.We b la st o ur wa y th ro ugh
a disjo inte dse t o f b la ring,to rme nte d
so ngs,h igh ligh te db y th e f a ste st v e rsio n
o f "S h itca n" we ' v e e v e r pla ye d
.By th e
e ndo f th e se t I' mh o a rse ,da ze d,so a ke d
inswe a t a ndstumb linga b o ut like ddrunk
e pile ptic
.S o me o f th e pinh e a ds ina t-
te nda nce do th e ir b e st to a ct ja de da nd
unimpre sse d.Fuck' e m.S o unde dgre a t to
me .
BARRINGTON HALL (6/6/82) MDC/
WHIP P ING BOY/DEADLY REIGN/
VACANT/UP TONES
-P eter DiMaria
Be rke le y' s a ma zingBa rringto nHa ll,
th a t a lwa ys inv itingh o me f o r Ea stb a y
punks,pro v ide dth e a tmo sph e re f o r a
f unif no t me mo ra b le nigh t h e a dline db y
MDC .Th e sh o w wa s sta rte do f f b y De a dly
Re ignwh o h a il f ro mth e h a rdco re h o tb e d
o f Orinda ,Ca
.Th e b a ndre ce iv e dwh a t
turne do ut to b e th e mo st e nth usia stic
re spo nse o f th e sh o w .Ho we v e r,th e que s-
tio ninth e minds o f th e a udie nce wa s
wh y th e se guys a lwa ys lo o ke dso b e wil-
de re d.Va ca nt sa idth e y we re f ro mS a c-
ra me nto ,a s if th is wa s a ne xcuse f o r
th e ir uninspire da ttitude .A f e w so ngs
we re e xciting,b ut o v e ra ll th e y didn' t
mo v e a nyo ne .Wh ippingBo y h a s a go o d
typica l 9th ge ne ra tio npunkf ro ntma n-
muscula r b uild,a ngry f a ce ,no sh irt,
no h a ir - b ut th e b a ndb e h indth is f e l-
lo w is no t quite to ge th e r .Th e ir ma in
a ttrib ute wa s a se t list wh ich co uld
co v e r a ne ntire ta b le .MDC a re a lo t like
Disch a rge ,inth a t th e y pla y o ne so ng
we ll a ndv e ry distinctiv e ly,b ut th e n
a re de te rmine dto re pe a t it o v e r a nd
o v e r cre a tinga sub tle ,ye t ple a sing,
de ja -v ue f f e ct . Th e se guys h a v e a re a lly
gre a t a ttitude a ndpla y with a ninte nsity
o nth e le v e l o f o ur na tio n' s f ine st punk
b a nds,b ut I wish th e y wo ulda ddso me
v a rie ty to th e ir music.Th e singe r re a l-
ly b uilt up a go o d-na ture db o ndwith
th e a udie nce th ro ugh h is since rity a nd
cle a r h e a d- a go o de xa mple to f o llo w
f o r th e millio nmindle ss mo h a wks .Th e
Upto ne s f ina lly a ppe a re da ro und3,o r
4,o r 5 inth e mo rninga ndpro duce da
se t o f te e na ge ska th a t wa s a we lco me
ch a nge o f pa ce f o r th o se wh o h a dn' t a l-
re a dy go ne h o me o r f a lle na sle e p.
SACRAMENTO
Th e punksce ne inS a cra me nto is still
de v e lo ping.It is lo o ke da t like so me
psych o ticcult
.N e v e rth e lirss it is gro w-
ingf a st.
Thepunks hereareinto d non-violent
scene
. Wejust dress different, look
different and arebasically crazy
. The
punks hereareintoskateboarding, skim-
ming, and beachbummingontheriver.
Th e re a re no t v e ry ma ny pla ce s to pla y
inS a cra me nto .Th e re f o re th e re a re no t
v e ry ma ny b a nds
.S o me o f th e b a nds h e re
a re Re b e l Truth ,S qua re Co o ls a nda f e w
o th e r ga ra ge b a nds .

Luckily we a re o n
th e ma p,

so we ge t a go o dsh o w a b o ut
o nce a mo nth
.Th e De a dKe nne dys pla ye d
h e re inMa y,

a ndFlippe r is co mingin
th e e ndo f June .

-Jim
Do no v a n
VALENCIA TOOL AND DIE (6/5/82)
MDC/BAD P OSTURE/FUCK-UP S
HATED /JUVENIL JUSTICE k -Tim Y.
Gre a t sh o w! Lo t o f ya h o o ingdo wnsta irs
a ndlo ts o f ya kkingupsta irs .Ple nty o f
pe o ple a t th is giga rra nge db y MDC,a nd
th e cro wdwa s pre tty f rie ndly - no re a l
f igh ts (wh ich se e mto b e o nth e de cline ),
a nda lo t o f wo me nth ra sh ing.Th e re '
s no
sta ge a t th e T&D,so it' s re a l "inti-
ma te ".J.J.sta rte dth ings o f f with a n
a ma zingly tigh t H.C.se t .It wa s o nly
th e ir se co ndgig,b ut th e y re a lly pulle d
it to ge th e r f a st .Gre a t lyrics,inte r-
e stingly e cce ntricguita r - a b a ndto
ch e cko ut .Th e nth e Ha te df ro mH
.B.did
a gue st mini-se t,pla yingslo we r TS OL/
Ado le sce nts type punk,ge ttinga go o d
cro wdre a ctio n.
Ba dPo sture f o llo we d- a gre a t b a nd-
b o th f una ndse rio us a t th e sa me time .
S tro ng,po sitiv e lyrics a ndh e a )y me ta l
po sturing(sa tirica l) a ndgre a t e ne rgy
ch a ra cte rize th e ir pe rf o rma nce s
.Da rre n
f ro mth e D .K .' s sa t ino ndrums .High -
ligh t o f th e se t wa s De nzHa v o criding
piggy-b a cko nJe f f ,B
.P .' s 7f o o t ta ll
singe r,with Je f f do ingth e sa me to De nz
la te r .Re sult : De nzgo t th e wo rst o f it,
crush e dto th e f lo o r a ndkno cke do ut
co ld.Minute s la te r,re v iv e db y a b e e r,
h e wa s b a cko ut sla mming.Also ,Je f f
a lwa ys se e ms to e ndup singinginjust
h is sh o rts,b a re f o o t.
N e xt,Fuck-Ups pla ye dth e ir 1976ish
style .S o me o .k
.music,b ut didn' t like
mo st o f th e lyrics - th e "Yo uf ucke dme ,
a ndno w I' mgo nna f uckyo uup" syndro me .
MDC ca me o n,a ndpre se nte dth e ir supe r-
tigh t,h e rky-je rky th ra sh -v e ry po liti-
ca l lyrics .S inge r Da v e is ra ppingmo re
b e f o re so ngs so yo uca nh e a r th e wo rds
b e tte r
.Ve ry inte nse pre se nta tio n,mir-
ro ringth e ir co mmitme nt to th e sce ne
a ndth e ir lif e style .Da v e ' s e ye s b ugging
o ut,Ro nh unch e do v e r h is guita r - gre a t!
Th e y a re ge ttingpo pula r f a st,h a v ing
re ce ntly mo v e dh e re f ro mTe xa s,a ndco m-
ma ndth e re spe ct o f b o th th e "po liti-
ca l" punks a ndth e "stre e t" punks (a re
th e y mutua lly e xclusi)e ? ) .
0
Th e sce ne inth e Fo o th ills is sa d,b ut
a t le a st th e re ' s a f e w e nco ura gingwo rds
f ro ma co uple o f b a nds th a t' re just no w
h ittin' th e club s .It ca n b e v e ry dis-
co ura gingf o r th e se b a nds,wh o h a v e to
tra v e l to S a cra me nto o r f urth e r to pla y.
Th e re d-ne cka tmo sph e re inth e Fo o th ills
ma ke s it h a rdto liv e th e wa y yo uwa nt
to ,b ut th is a dds to th e a ggre ssio no f
th e ir so und.
De a dPle dge f ro mAub urnCa
.a re a b unch
o f yo unga ngry a dv e ntists ;a h igh -e ne rgy,
stro ngso undingb a nd.De b utinginS .F.
a t th e b e ginningo f July.
J.I .A .(Justice inAme rica ) f ro mGra ss
Va lle y Ca .a re a b unch o f ska te rs,wh o
kill,b o th o nth e h o a rda ndth e sta ge .
A f a st h a rdco re so und.
Bo th b a nds sh re d-' e m-up a ndkno ck!e m
do wn! Bo th a re re co mme nde dwh e nth e y h it
ye r to wn!

-K & T Inc.
SANTA. CRUZ
FOOTHILLS
SOUTH BAY
Thin gs a re sl o w l y bu t su re l y st a rt -
in g t o k ic k d o w n he re in t he So u t h Ba y .
No t c o u n t in g w a vo id c ra p, w e 've o n l y
ha d 1 2 go o d sho w s he re e ve r, a n d a l l o f
t he m ha ve be e n w it hin t he l a st y e a r a n d
a ha l f.
The mo st re c e n t sho w w a s Ju n e 5t h
a t Sa n Jo se St a t e 's Wo me n 's Gy m
. It
w a s a be n e fit fo r t he R . C . P. , t ho se
Co mmie s w ho ha ve t his a n n u a l ha bit o f
ge t t in g t he mse l ve s a rre st e d o n Ma y d a y ,
t he n t he y n e e d t o be ba il e d o u t , t he re -
fo re t he be n e fit
. The re w a s a go o d
t u rn o u t o f l o c a l pu n k s, a bo u t 1 50.
TONGUE AV ULSION o pe n e d u p w it h a
ve ry u n e n t hu sia st ic pe rfo rma n c e .
WHIPPING BOY c a me n e x t , t he ir l a st
gig be fo re go in g o n n a t io n a l t o u r . This
t ime t he y se e me d t o d o a l o t o f t he ir
sl o w e r so n gs o r e l se t he y pl a y e d
sl o w e r, a t a n y ra t e I've se e n t he m pl a y
a l o t be t t e r t ha n t his
. The UNAWARE
t u rn e d in a l ive l y pe rfo rma n c e t ha t go t
t he c ro w d go in g, t he y 've go t po t e n t ia l .
Wra ppin g u p t he sho w w a s LOS OLV I-
DADOS, t he y w e re ha rd , fa st , a n d ho t !
The ir gu it a r pl a y e r w o re a T- shirt t ha t
ha d a ha mme r a n d sic k l e c ro sse d o u t
by a sw a st ik a . It ju st go e s t o sho w t ha t
gigs a re sc a rc e e n o u gh he re t ha t y o u
c a n ge t t he ba n d s t o pl a y fo r a l mo st a n y
c a u se , w he t he r o r n o t t he y re a l l y l ik e
it
. WE NEED MORE SHOWS! An y w a y s,
t his o n e w e n t re a l smo o t h, w it ho u t t he
u su a l c o p ha ssl e s w e 've be e n ge t t in g in
Sa n Jo se sin c e l a st y e a r's " pu n k rio t . "
A w e e k e a rl ie r, o n Ma y 29t h, t he re
w a s a gre a t sho w in Su n n y va l e a t t he
Co mmu n it y Ce n t e r . It w a s a fre e sho w
pu t t o ge t he r by t he ba n d s. The y d id n 't
pu bl ic ize it mu c h be c a u se t he ro o m
LOS OLV IDADOS
St o ry a n d pho t o by Tim To n o o k a
t he y w e re su ppo se d t o ge t w a s pre t t y
sma l l , bu t a t t he l a st min u t e t he y w e re
give n t his re a l n ic e big ro o m t ha t w a s
t e rrific fo r t hra shin g a n d sl a mmin g
a ro u n d . Abo u t 1 00 l o c a l pu n k s t u rn e d
o u t t o se e ba n d s fro m Su n n y va l e ,
Cu pe rt in o , a n d Ca mpbe l l . The MODS
o pe n e d u p, d o in g mo st l y c o ve rs
. Ne x t
u p w a s DISCHORD, a gre a t ba n d t ha t 's
re a l l y in t o t he Oi! so u n d
. The n GRIM
REALITY d id o n e so n g, t he y so u n d e d
go o d , w ish I c o u l d ha ve he a rd mo re .
The n c a me MINORITY
. The y a re ho t !
Fa st l o u d ha rd c o re t ha t in spire d so me
w il d a c t io n o u t o n t he fl o o r
. This is a
ba n d y o u 've d e fin it e l y go t t o go se e .
The fin a l ba n d o n t he sho w w a s t he
OTHERS, t he y d id l o t s o f c o ve rs l ik e
Se x Pist o l s, Cl a sh, Ge n e ra t io n X,
Bl a c k Fl a g
. Ove ra l l t he sho w w a s a l o t
o f fu n , w it h n o re a l ha ssl e s.
Co min g u p o n Ju n e 26t h is a sho w a t
Sa n Jo se Cit y Co l l e ge w it h Sa n Fra n -
c isc o ba n d s NO ALTERNATIV E, CODE
OF HONOR, t he FUCK- UPS, a n d a
ba n d fro m Sa n t a Cl a ra c a l l e d HAMER-
SLAG. Sho u l d be a ho t sho w . Ot he r
So u t h Ba y ba n d s I've he a rd go o d t hin gs
a bo u t in c l u d e EXECUTIONER, t he
STINGRAY S, a n d t he LIV ING ABOR-
TIONS . The o t he r big n e w s is t ha t
RIBSY ha s fin a l l y fo u n d a n e w sin ge r,
a n d w il l re su me pl a y in g a ga in , w it h
so me n e w ma t e ria l t o o .
On e u pc o min g sho w y o u 'l l w a n t t o
w a t c h fo r is t he RIPPER FANZINE
BENEFIT . Tw o d o ze n ba n d s ha ve
vo l u n t e e re d fo r it so fa r, so e x pe c t
o n e he l l o f a ho t sho w ! Obvio u sl y a l l
t he se ba n d s c a n 't be o n o n e bil l , bu t
so me t hin g w il l be w o rk e d o u t so o n .
Spe a k in g o f fa n zin e s, be sid e s
RIPPER, a n a t io n a l l y c irc u l a t e d ra g
t ha t c o ve rs ha rd c o re in sl e a zy se n sa -
t io n a l ist ic d e t a il (No w t ha t su mme r's
he re y o u c a n re a d it w it ho u t ge t t in g
su spe n d e d fro m sc ho o l
: Rippe r, 1 494
Te re sit a Drive , Sa n Jo se CA 951 29)
t he So u t h Ba y a l so ha s FORGET IT!
fa n zin e (PO Bo x 23073, Sa n Jo se CA
951 23) . Al so SPLAT GOES THE CAT
fa n zin e , w hic h I ha ve n 't se e n y e t .
An o t he r c o o l o n e is SKATE PUNK MAG
(31 84 Ha ga Drive , Sa n Jo se CA 951 1 1 ).
It 's e d it e d by sk a t e bo a rd c ha mp St e ve
Ca ba l l e ro .
Lo c a l pro mo t e rs fo rme rl y k n o w n a s
NWS a re squ a rin g a w a y t he fin a l d e t a il s
o n a c l u b fo r d o w n t o w n Sa n Jo se , so
a n y ba n d s o u t t he re w ho w a n t t o pl a y
fo r a fre sh y o u n g sc e n e , c o n t a c t Sa n d ra
She ffie l d , 2460 Mc La u ghl in Ave n u e ,
Sa n Jo se CA 951 21 . The re a re mo re
pu n k s n o w t ha n e ve r in t he So u t h Ba y ,
so c o me o n d o w n a n d ha ve a w il d t ime .
Se e y a l a t e r!
WARc ic e rC
BATTALION OF SAINTS
4 SONG E
. P.
FIGHTINGBOYS
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T I M ' S S T U P I D C O L U M N
jter
AK47

r
.
KNOW
YOUR
W1'A1)N
Lots of changes in the venue scene
. thing or have a good time playing (for
First, Paul Rat is going out of bust- 8 Tenderloin burnouts while the minors
ness, ending his RRZ shows at the Elite are out front where the docrman can stab
Club, Russian Center, etc . He attributes 'em).
this to rising overhead costs, fewer

Dirk, at the On Broadway, made a com


people paying (200 less per show than mitment to the scene to have the same
last year), and higher door prices (be- proportion of punk and H .C . shows that
cause of the higher guarantees demanded he had at the Mab (the less said about
by the new "stars" of punk rock) - all Ness' sell-out to new wave the better).
of this at a time of economic depression Unfortunately,

it hasn't quite worked


(there area few exceptions to the guar- out that way
.

There are occassional


antees, like Black Flag and Dead Kennedys mid-week local-group shows, and Flipper
who take a percentage,

believing they and D


.K
.'s shows, but it's not like it
are only worth what they
can draw - in was just a year ago .

Dirk's in rough
contrast to bands like Fear, Misfits, shape financially, due to old Mab debts,
X, and other bands who demand up to expenses to the O
.B ., and his unflagging
$2500) . Rat '
s quitting is a blow to the commitment to the artistic aesthetic of
local scene, as his shows always gave smaller shows . He didn't "go for the
lesser known bands a chance to play - bucks" and forsake punk . As always, Dirk
although recently they tended to be the will keep a club open for us, with plans
same few bands over and over again . for summer shows and more.
Minors will lose too, as they can't get

Outside of Ruthies (probably the best


in to most clubs
. Rat will continue to venue for H
.C .), the "guerilla" shows
do occasional shows at the On Broadway, remain the most true-to-form punk
. Cigs
and will concentrate more on doing shows at legendary Barrington Hall in Berkele
in the suburbs .

New Method Industries in Oakland, and


Wes Robinson still does his shows at the occasional party at Valencia Tool
the Elite Club, Ruthies Inn, and the & Die are the rowdiest (the heart of
Eastern Front . Wes' strong point is his the scene) with a full cast of day-to-
real love for the H .C . scene,

and he day regulars . "Previews" had potential,


continually gives good new bands gigs
. but that seems to have gone by the
Unfortunately, he is not the greatest boards
.

Finally, there is

the lovely
businessman, and sometimes the support- Berkeley Square, which is expanding and
ing bands don't get paid much
. This opening its doors to minors . Unfortu-
happens with all promoters who indulge nately nothing can overcome the "trendy"
"stars" by paying them the outrageous new wave atmosphere, the "chic" clien-
amounts they ask for
. In Wes' case tele, and the steep door prices . Hey!,
though, this doesn'
t seem to be out whatever became of the $3-tops on club
of greed or maliciousness, but out of tickets?
stubborn miscalculation of draw, and

Speaking of which, MaximumR'n'R and


general spaciness .

MDC spoke to Dirk about the lack of good


H .C . shows at the On Broadway, asking
Alternative Tentacles puts on shows if we could do some booking (without
now too . They make a point of bringing our taking a cut) to get gigs for the
in lots of the better new bands (thanks new local bands
. Dirk agreed to let us
to Jello, who keeps up on the scene) do every Wednesday night in July, and
and have the best record of dividing lower the door price to $2
. These shows
the door fairly amongst all the bands . will probably have one out-of-town trav-
Unfortunately their shows, sometimes elling band, and several local groups.
with 2 or 3 name acts, tend to get over- If these gigs are successfull (they
crowded, resembling Bill Graham style should be, given the low door price
arena shows - masses of punks in huge which will allow kids to go to 2 or 3
stadiums, mindlessly consuming enter- shows a week instead of 1 high-priced
tainment
. I hope it's just my paranoia, bill), then we will

be booking more
and not the next step .

shows in August and the fall, and not


The Sound of Music, despite all the just onmid-weeks
. Once Dirk stabilizes
hoopla about "community input",contin- financially, he can open a smaller club
ues to suffer because they still have in North Beach, more suitable to punk.
not made minors a priority
. As long as Meanwhile, we will have to make good
the can't get in, bands won't make any- with what we have
- ~~erlcan mo74oly cap
tinues to create problems it cannot
solve
. Our elected leaders are only
making things worse with their increa-
singly fascistic approaches to human
life, both at home and abroad . The
colleges have been transformed into
post-adolescent day care centers, and
most of the Old Left is using a static
analysis unsuited to a world undergoinc
change.
"Nazi Punks" have nothing to do with
either fascism or punk . Their pathetic
worship of Nazi symbols and/or ideas
N
truu,rASA

only contributes to the world's prob-


This section contains information I lems
. They are not Punks, and there is
think you should have and that you

no reason to think of them as such . If


won't necessarily find elsewhere
. So

they call themselves "vegetarian meat-


pay attention
. My opinions don't al-

eaters", no one else would . Too much


ways coincide with others
on Maximum

time is being given to discussion about


R'n'R, at their loss
.

where they fit into the community,


Crawford was a founding member of

given that the answer is so obvious.


G .O .D ., one of the more innovative

They don't . They certainly aren't part


bands of the past year
. She was a

of the solution, and since they have


friend who I hoped I would get to know very little influence, they should be
better . She had problems, as do most

ignored . We have enough enemies of a


of us . I'll miss her
.

.more serious nature .

-Mickey Creep
on
Punk in San Francisco has meant poli-
tical since its dawning . It was here in
July' 1978 that every punk band in the
city, except Crime, played three days
of benefit concerts for striking coal
miners, where two months later the Mab
was filled for a benefit for striking
railroad workers
. We drew 1,000 people
to a concert to benefit jailed Black
Panther leader, Ceronimo Pratt
. We play-
ed for the F .M .L .N ./F .D .R
., the I .R .A .,
American political prisoners and on and
on
. The summer of 1978 also saw bands
organize and fight private promoters '
like Maniacts and later New Youth . Rock
Against Racism had an active chapter
here
. In the White Riot of May '79 punks
turned out in a direct assault on the
state . We were communists, socialists,
situationalists, anarchists . We were a
threat.
It is with great pride that this punk/
red/pet rocker recalls those days
. As
manager of the Dils, Negative Trend, The
Zeros, and The Toiling Midgets, I did my
part, but past glory is just that -past.
Now you and I are confronted with new
fights, and far too many that are left
over . Nuclear bombs, imperialist wars,
and capitalist austerity are not going
to miss each and every mohawked head.
It is a fight for survival we are en-
gaged in.
The world is a battle ground and we
are all combatants . When the Zionist,
hiding their fascism behind yellow stare
.,
march into Lebanon to commit genocide
against the Palestinian people, they are
doing it with 1 .5 billion dollars a year
in military aid from the U
.S ., and that
money is coming from you
. It is coming
from food stamp cut offs, welfare cut-
backs, higher college tuitions, loss of
funding for the arts, etc
. etc . As the
bodies of Palestinians pile higher and
higher, the dividend checks of the people
who own the factories that make Side-
winder missies gore larger and larger.
Lebanon is your backyard, you have been
drafted whether you know it or not . Like
it or not, this is your war, every war
is,your war
. Choose what side you are
on, and when the fight begins, know your
weapon .
Herb C pen is on vacation
LATE NEWS FLASH!! CONTRARY TO
RUMOR, POLICE HAVE NOT SHUT DOWN
THE TOOL & DIE THEY HAVE WARN-
ED KATRINA ABOUT MINORS DRINKING
IN FRONT, AND BROKEN BOTTLES . IF
YOU WANT GIGS THERE, PLEASE CO-
OPERATE. ALSO, CLUBFOOT IS STILL
HAVING SHOWS, DESPITE THE RECENT
DRUG BUST. RUMOR HAS IT THAT THE
COPS RAIDED CLUB GENERIC, SHUT-
TING DOWN FUTURE SHOWS THERE
. FOR
LACK OF A CABARET LICENSE
. . .
UNCONFIRMED AT PRESS TIME.
C harles M cC abeis on vacation
C R AS S C HR I S T
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CCCCCCCCCCCCCCC ION_
B Y IN S OL U B L E
P
ROB L EMS
)

2 yrsagoat
Natoma St
. I fell
asleep in the truck
outside.
-did you get cold?
-no, I was out of it
.
. . . h e ' s
aswe ll guy&
he really tried hard &
we're lucky in s .f that
/'

we're not like 1 .a . or


new york where there's
only big things -
, we're lucky to have
I
such a sweet guy
even if he is
gonna quit.
Marzy Quazar
The first Rat show
I ever went to was
at the Pit - UXA
and KGB played.
It was great . I
got really fucked
up and I can't
remember anything
else
about it.
Stannous Flouride
- Rat? What can I say?
Let me think a second.
-Like the most fucked
(up you ever got at a
'Rat show?
-Is that a goal to
strive for? (laughs)
My mind's a blank -
wait til I'm drunk -
WHO ARE ALL THESE
\ PEOPLE? I DON'T
KNOW ANY OF THEM!
Curtis
Rat's getting out at the
right time because he's
done a lot to the scene
. ..

F
I

I
and done a lot of great
shows (by great I mean I've
had fun at them) . Tonight's
show's been a drag so far -
I saw a friend of mine get
punched out outside . ..
If this was a real cool
show they'd be
playing
Johnny Thunders'

tapes i n

: f1+ ~f1 r 1j
JJ
fff
jj
jj tt~~14
11
/
} tt
7
{ (j
/
f
)
f
t
J
{ 1
}
)
f
between bands.
I guess people stopped going to his shows
in the same quantities they were before.
so he's gotta stop . It's terrible.
I'm grateful for what he did .

ri1
Mickey Creep
desperately.
-What about S
.F .?
-We need it too but
someone else can
always pop up and take
his place.
In L .A . they've all
been sucked up by
commercials for
designer jeans and
dating services
.
You gonna
miss Rat?
-Yeah . He'll
probably
do
other shows though,
somewhere
. He can't just
go away.
-
if he goes to L .A .?
-Oh I feel betrayed.
Why should they get him.
7

I feel betrayed
now.
\
,LLt .
~

.
.He'll get sick of
* 01
he' 11 have to come back.
Spike
WHAT YOU
'
RE TAUGHT IN SCHOOL IS WHAT THEY WANT YOU TO KNOW. AND ONCE YOU GRADUATE
YOU GO PICK A ROLE AND APPLY FOR A JOB AND THE NEXT STEP IS WHEN YOU GET MARRIED
HAVE A KID- YOU
' RE
SUCKED INTO THE JOB, AND AFTER THAT YOU GOTTA WORK TILL
RETIREMENT AND IT '
S LIKE YOUR WHOLE LIFE IS A COG IN THE SYSTEM
. YOU DON' T HAVE
TIME TO WORK FOR YOURSELF, OR TO TAP INTO YOUR OWN CREATIVE INTELLECT
. SATIS-
FACTION BECOMES JUST RELATED TO MONEY.
D E A D C O P
D ead cops (chorus)
D own on the street
Giving poor the heat
With their clubs and guns
D oin' it all for fun
(chorus)
Big bad and blue
They're in the Klan too
Brutality is their sport
We'll put 'em to the torch
(chorus)
Rebel, rebel on the street
Makeup on my face
Stockings on my feet
A ll the straights asking me wh
I'm not a normal A merican guy
What makes A merica so straight
and me so bent? (chorus)
C all
this the land
of the free
Say its the home of the brave
You know they call me a queen
Just another human being
(chorus)
Your authority and power
Has turned us sick and sour
A nd your justice is a lie
We're gonna fight until you di
D ead cops (chorus)
Whatcha gonna do
The Mafia in blue
Huntin' for queers
Niggers and you
(chorus)
Time for a switch
A rmy of the rich
Macho fuckin' slaves
We'll iss on your graves
went to scho
ol
s
f
o o l
I REME
MBER
They
s bdr, Don'tlbei Cejokethe {eno
hea
te
forb Y
ou
on't be
e
ple
They
sai
expect your coun
try
fathers tlo ed you
e
Don't
Butt
Is
watc
hed
fioreletsioft a
the

at

the
s
A nd I

P butc

un
sun
stay away
There

up thhinul l
c o u l d
d o o u r c han
c e s
If y o u p l a
n
w as
n A . Y
o u g o t t a
f re e
In the
They call

take y
l i v i ng

m e
l at hi s t he t o m ak e a d e ad m an o u t o f
Bu t t he y ' re t ry i
ng
(ch
orus)

I
f i rs t hi t t he ro a
d

I remember when

t h e m o ne y 1 o w e
d
I C ame to nA ustinfrheardealand
Ikmaru
niia a
o i tehaP P ened yet
C rossed another bord
er
15e to forg
et
They time
to remember
but
get away
It's
Nothin' I could

bout d

a bir
d
(chorus)
all the stones
I
bhear as free as
to be
I reme
mber
supP pSeds o
my fath
er's
on my he
man's

ad
MYwbr
mhtirediO fP livanplaeehtoa fella like me
Me,
I n th e
wholetwide1
country
on
T
.
Y.
Names in the
an do but et awa
Nothin' I
c
't was
adyear
for cops
staggered by
JO HN Wayne was a Naz
i
John
He like to
play of
S
Adol ph
t
Kept a pict
ure
Sure
Tucked
he
nw o hi s c o w b
o y
u l d s t ri ng
e u p l e u ru t ,o t he r
w al l
l
Su r
e
he w o u l d m arc h y o u u p
y o u r l as t b al
l
Su r
e
he
would hang you
Bu t
* no
t
a
any m o re
(cho
rus)
He was a
n s a t he
5 c o re
s l au g ht e re d o u r Ind i an

o t h e rs
Life

their moth
ers
John
a has g i y e9n
t he m t h
` he
w hi t e
o r
d
Now

man's lor
d
Live
he
by hthis, or die by
L

in the wa
r
(ch
orus
John Way
ne
iv
l
e
l
a
e
fuc
kea bfufbloodnand
wh ore
We don
't
gor
e
We all
a
her
ph
awntfor
the capit
alist
Jus

(chorus)
a
an arm
y
f ag s t hat d i d n' t c nf
r
Jo hn Way
ne
Gre at
h e t
h
e w l ang e r
t
han
o he u d e s e rv e d ,
Liv
ed
(chorus)

or Mexican die
s
Late show I
ndian
l
e g i t i
m i z e d
a re al f i g
ht
Kla
n ProPacoward neves
hamedhto real de
I
John I'm

owe
Death i
see
Christian of ro
astinu n
oa w
If Go d ' s
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Wel

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E,
MILLIONS OF DEAD COPS, formerly the
of Austin, T exas, nowlivein
SanFrancisco
andhaveagreat newself-producedalbumto
their credit
.T hey arevery outspoken,
and
thefollowingareexcerpts of arecent can-
lidinterviewwithMAXIML RCCK'N'_tOLL.
K l a n e r n a
t o r c o r e r
a n d - K l a n c r o w d f r
t h r o w ' r o d s
a n d b o t t l e s .
C
ORPORAT
SEAT
MU RD E
RE D '
I'M GE TTIN
G
KILL
INE
BITC H IS_
THIS
I'dii' D AD BE F O RE YO U
h
oo
GE T
t HE RE
Ip~ayed he
pulled the trigg
er.
Ill THE LIGHT
through
fear yea
r
I con
trol
s
hackl
ed
all
1dese Y
You
teorue bought ndwere born
w In hell before
is ort
gaged
d sweat
Your life an
So groel
aid for my ego
It's
Ke pt
you in debt
cas'' c
a sh
d thoughts,l
cash
and s
teal
Hee

dea
heel
F ee
ding nou
u
slust
a yes
It'
You'{euat
rac
e
a ves
in your
gr
Half
e11
I'm a canc
er
tell
Here to
ed me
Yost n
e
I
dense
. ve the lig
ht
ar ound
i
^
d wet
C ol
da
put o f woTate
de
sp
A nd
U ri
ne
subways puke
stench of
The
alley
s
E mpty
beggar's
dis
ea 5e
Swc
a '
o n m y co t

,ti
n
l got
illn
ess
surv
ive
fight to s ry
dust sta
y
set
I',
wnmy T
. V
.
no cegte h,me
Gotta m ome hop e
Shoat the
warmth
fee
l
l the lig
ht
Kil
C O RP O RA TE D E A THBU RGE R
Ronald laughs as millions starve
A nd profits forever increase
Your stenching farts as they smile
They say they try to please
P lastic chairs and fake shakes
To help it all go down
P olluting your children with their lies
A nd trying to destroy your mind
C orporate deathburger, Ronald McD onald
C hange from your five
A nkles deep in blood
Make it your career
Sell billions every year
Golden arches and Ronald smiles
Ronald laughs as billions starve
A nd profits forever increase
F eeding all your grain to cows
D ead children rest in peace
The stench of humans rotting
Smells just like fish filet
Your sign neglects to mention
50,000 starved today
C orporate deathburger, Ronald
hange from your five
Torture camps for cows
Slaughter and starvation
F rom death corporation
Golden arches and Ronald smiles
You say you're C hristians but you're a fak
Multinationals on the take
tarvin . children deserve a break today
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The police are the

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Si
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Klan, are
t e

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stands

a
a,
encoura
ges
y ' the
m
acho against the
,o You ' etter
law
on the people
to
take a jobferloritY and
police re
pres
a ss
wher e
t o
s
t r i
su
fered
11Yi hef
p o l i ce
a t l t he
ha
n d r
o f
i gn i t y
.
Who

n 't
un ece

k
k
i ck
the mind

are th e
the arm

se

use
the

p
al
of
leaders whbforc e

the
erman
shepherds,
tthe
he
stung arm of
-
r
enf
orce
the
been
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and
cu
lture
h Y c
ontrl

represi

reh
e
roles
. With th
ao overson,
through
of

w
ich
as

ag
ainst

society, to

ugh fear
behaviors
and
into
r
ats caP e
tthaelismugl
n ,
lthe
krestfr
tusgaveStSociale m
foofhtl e
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se,
maze

each otheo
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the

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a
.

P iece

9in
per-
petuated
.

of
withi
believers, Hate

anti_ brotherh

or the
r
ich,
ers '
queers, niggers

sod is
e They ourselves

forel

created
and
piece

say
the

all
learn
goers,
women

P er_
soldier'
a

P ower
only
way
to deal

to f
ear the

non
w
ith it
of the

structure
. So be a
,~usti
be
othebusines s wmen
. Ta
ke thei powe o
r
an
a siaw
gain
aut
hor-
ity.
your

E
ven

of these are
su
bvert

inte
ntioned
we k
and use
we
er,
er
a
ins
tead
tneth
e
ogues,
thedpompousmisedeekerteed
Posayr t
who are

position to Initiate
poi
tiv
t
God in heaven5sogetooff
your
u a kn
e
t
heirsr
ulee dcheobe es
ebsayers
Fuck
the
Mu
lti-
w
ith
We' re
gonna' fight until
th
ere in
Misguided

Death Cor
s
Mill

Deadut

Pora
tion
Millions of

C hris
tians
A narchy
Individualism,
p a i n a n d

M i l l i o n s o f
D
ea d

Co n
r ess
m
i s mi
sery
idua
lesm

cry of

D
ead

Co
9
men
Social
C onsciousness, of D ead

C hil
dren
Wh
o' ve
ca
used
M
. D ,C C onsciousness, E qualIt

ii
dren
Liber ty
SEXISM IS ANOTHER RELIGIOUS PROBLEM
. "
GOD MADE MAN IN HIS OWN IMAGE
"
, IT JAYS RIGHT
IN THE BIBLE
. BE SUBSERVIENT TO YOUR HUSBAND
. IT' S A
WAY
FOR MEN TO FEEL SUPERIOR.
IF YOU GAN SHIT ON SOMEBODY ELSE, IT MAKES YOU FEEL SUPERIOR
. IT
' S BEEN INSTITUT-
IONALIZED TO MAKE AN EASY SCAPEGOAT OF THE PEOPLE WHO ARE IN THE LEAST POWER TO
AMERICANACHIEVEMENTS
Ab and o ne d c hi l d , no o ne s b ab y
Ward o f t he s t at e , a hu m an m i s t ak e
Ins t i t u t i o nal l i v i ng w i l l d ri v e y o u c raz y
Gre y b u i l d i ng s , g re y p e o p l e , g re y f o o d , g re y w al l s
Li f e has ju s t s t art e d , ro o m m at e i s re t ard e d
Fri e nd s y o u g o t no ne ,' t re at e d ju s t l i k e s c u m
No w he re t o g o , no w he re t o hi d e
"Ai n' t no l o v e , ai n' t no p i t y
Ya s t o l e m e aw ay f ro m m am a' s t i t t y "
Gre y b u i l d i ng s , g re y p e o p l e , g re y f o o d , g re y w al l s
Tu rne d 1 8, s e e any ho p e
Thi nk y o u ' l l f i t , no o ne g i v e s a s hi t
Fo rg e t y o u r p as t , c au s e no t hi n' l as t s
Se e s o m e d i e , s e e s hal l o w l i e s
No g o i ng b ac k
No g o i ng ho m e
It ' s al l p i t c h b l ac k
St u c k o n d ru g s
Co i n' d ri nk i n'
Fe e l i n' nu t s
Co i n' c raz y
Fe e l l i k e s hi t
Fe e l i n' qu e e r
The y g o t a l ab e l
Cal l t hi s l i v i ng
Co i n' d ri nk i n'
Cal l t hi s l i v i ng
Thi nk I' m d y i ng
No w he re t o g o
No w he re t o hi d e
No o ne t o t ru s t
No o ne t o c o nf i d e i n
No g o i ng b ac k
No g o i ng ho m e
It ' s al l p i t c h b l ac k
Bi g b ro t he r' s a s p y and he ' s w at c hi ng y o u
Say s d o as y o u ' re t o l d and f i t i n t he m o l d
Tre at y o u c o l d , e at y o u r s o u l
He ' s y o u r g u ard i an ang e l , he ' s t he m as t e r o f c o nt ro l
Gre y b u i l d i ng s , g re y p e o p l e , g re y f o o d , g re y w al l s
No g o i ng b ac k
No g o i ng ho m e
It ' s al l p i t c h b l ac k
And t he re ' s no Go d i n he av e n
WE '
RE ALL CO' EJi ?D BY ONE
WOR
D-POVERTY!
HIPPIES WERE CAUGHT UP IN
HIPPIES BECAUSE WE' RE

A
TIME WARP, NOTHING STAYS
HIP TES
JUST

AND HAVE

THE SAME
. YOU CAN SAY
ER
`
RE
UST AN
OVE
R-USED WORD, PUNK

ANOTHER
COMMUNAL
V
ALUES BY
' IDLE' S
IT
' S
P
LENTY TO REBEL ABOUT
.

UNK
IS
AHER

LIVING
TOG
ETHER, i
A 1 S64 PLENTY
SITUATION.
REBEL

THE RIGHT-WING GA
ADMINIS
TRATION
,
IT' S A
O
BE ' RE
r
AND
T
1
; AR.

AS
THE WORLD GETS WORSE, THE PUNK
C
CAN
IT' S
HAP
PENING IN EUROPE,

THE P

t i ' ER WE' RE S
ITTING ING I
. AND
HAP
PENING
FINDING IT' S HAPPENING HERE, HE SCENE

ES ONLY
P
PO
S- IGPER
,
AND
LEVEL
. .

OUT WHAT EVERYBODY

T
HERE' S
DOING
. IT' S M
S MORE A
U
REA
T
IT' S GETTING STRONGER
.

ELSE IS DOING.
t hi s b e hav i o r
THE S
.F
. SCENE IS A GOOD SCENE, ALOT OF TOGETHERNESS
. THE RADIO IS REAL SUPPORTIVE.
BUT IT'
S TOO SPREAD OUT
. THERE
'
S NOT ENOUGH INFORMATION COORDINATED SO THAT THE
PUNK COMMUNITY CAN GET TOGETHER EXCEPT AT A DK-TSOL-BAD
BRAIN TYPE GIG
. YOU SAY"WOW,
WHERE DID ALL THESE PUNKS COME FROM
"
, AND HOW COME YOU HAD ONLY 1 0 PUNKS AT
' RENO
NIGHT' TO CHECK OUT SECTION 8, 7 SECONDS, AND THE WRECKS, WHO ARE ALL GREAT
. AND
Al F

WHAT ABOUT BANDS LIKE SOCIAL UNREST WHO NEVER GET GIGS
. THERE SHOULD BE ALOT MORE
COOPERATION. THERE
'
S NO BIG SPOT WHERE IT' S KINDA COMMUNAL, WHERE A F

' e s '
WILL DO THE BENEFITS TO KEEP THE WHOLE THING GOING, YET THEY SLICE UP THE PIE
RIGHT-KINDA LOOK OUT FOR THE PLACE LIKE" IT
' S OUR PLACE
. RUTHIE'
S IS CLOSED BECAUSE
THEY FUCKED UP THE BATHROOMS AND WROTE ON THE CHURCH NEXT DOOR.
JELLO IS REAL GOOD FOR THE S
.F . SCENE
. BUT PEOPLE ARE JEALOUS, SOUR GRAPES
. BIAFRA
STICKS HIS NECK OUT
. HE MUST HAVE KNOWN WHEN HE WROTE
'
NAZI PUNKS FUCK OFF' WHAT
WOULD HAPPEN
. HE' S NOT JUST BITCHIN
'
AT REAGAN AND HAIG, WHO NEVER HEARD HIS SONGS.
BIAFRA DOES ALOT MORE FOR THE SCENE THEN ALOT OF PEOPLE GIVE HIM CREDIT FOR
. WE
DON'
T GET AS MUCH FLAK AS HE DOES BECAUSE WE
' RE o
THERE' S A WORLD CONSCIOUSNESS MOVEMENT HAPPENING
. HOPEFULLY IN 1 00-200 YEARS WE
'
LL
HAVE A SOCIALIST UTOPIA WE ALL KINDA WISH FOR
. WE
'
RE JUST ANOTHER STEP IN THAT DIR-
ECTION
. WE REFLECT NIHILISM BECAUSE IT' S THERE BUT WE OFFER HOPE
.
CHURCH AND STATE
Nat i o nal i s m i n s c ho o l
Pe rp e t rat i ng t he i r ru l e
Ly i ng t e xt b o o k s rant
The i r p at ri o t i c s l ant
"Yo u r c o u nt ry ' s g re at "
Cry t he c hu rc h and s t at e
Al l t hat ' v e d i e d
We re o n Co d ' s s i d e "
Pre s i d e nt and p o p e
Yo u r p ri d e and ho p e
Fam i l i e s b u i l d
Chri s t i an e t hi c i ns t i l l e d
The b i b l i c al t ru t h?
Fai t h no t p ro o f '
Wi e l d a s w o rd
Wal k w i t h t he l o rd
Be a m an
Pro t e c t y o u r l and
He ar y o u r c al l
Mart y rs al l
Yo u r l i f e ' s l o s t
Nai l e d t o a c ro s s
De ad o n f o re i g n s o i l
Fo r y o u r Go d
(And t he i r o i l )
YOU CAN
C
OMPLAINABOUTTHE RICHCOR
PO
RATIONS, THEN THEIRFRAT
C
HILDREN, THEN
LOWERMIDDLE CLASS
G
REASERS,
THENTHE
NON
-COMMITTEDNEWWAVE
FERENTKINDS OF PUNKS-NAZI PUNKS
RS
;THEN THERE' S THE DIF-
, CRASS PUNKS, ETC
.
THEY DIVIDE THE
THE LONGBEACHERS
F
IGHTINGTHE H
M
SELVES
. IN L
.A.
.B
.ERS .
THEY
ALL
YEAR
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S
CANNERS, YET
THEY' RE
L LOOK THE SAME, ALL
BOY
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CAUSE T,

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THEY CA LLED HIM A FA GGOT, BUT CONTINUED TO STA Y THERE
.

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' '~
HOLY ROLLERS
. THEY THOUGHT WE WOULD KEEPSMILING A T THEM WHEN THEY CA LLED US '
"
BLOOD CLOT FA GGOTS "
, JUST BECA USE WE WERE A SMA LLER GROUPA ND WA NTED A CHA NCE.
THEY HAD TOLD US THATTHEY WOULD TAKE US ACROSS COUNTRY WITHTHEM-THEY HAD $500
4

GUARANTEES IN 35CITIES-THAT
'
S A WHOLE LOTOF EXPOSURE FORUS
. THEN REACHN.Y.,
WHERE THEY PROMISED TO PUTOUT2000 COPIES OF OURSELF-PRODUCED ALBUM, DISTRIB-
UTE 1 000 IN ENGLAND' AND
MAYBE TAKE US THERE TOO
. WE WOULD HAVE ALL THATNOTERIETY
ANDRETURNACROSS COUNTRY BEHINDTHE ALBUM
. SO THEY THOUGHTWE WOULD JUSTCAVE IN
TOTHEM
. THEY WERE REALLY CONFUSED WHENWE STUCK UP FOROURFRIENDS
. THEY SCREAM-
EDANDYELLED '
BLOODCLOTFAGGOT
' OVERANDOVER
. THEY HADNEVERHEARDANYONE
OBJECTTOTHEIRHOMOPHOBIC AND SEXISTATTITUDES
. EVEN AFTERALL THAT, THEY STILL
WANTED US TO CONTINUE ON TOURWITHTHEM, THATTHIS LITTLE (FORMER) TEXAS BAND
AS GONNACONFORMAND HITCHTHEIRWAGONTOTHE STARTRAIN
.
M A X I M U M R O C K N R O L L
. a r t
1-THIS IS BOSTON NOT L.A .-LP(VA)
2-MDC-MILLIONS OF DEAD COPS-LP
3-REPLACIPENTS-STINK-EP
4-SS DECONTROL-KIDS . . . .-LP
5-FLEX YOUR HEAD-LP(VA)
6-ZERO BOYS-VICIOUS CIRCLE-LP
7-HEADCIEANERS-DISINFECTION-EP
8-CHARRED REMAINS-CASSEITE(VA)
9-CHESTERFIELD KINGS-HEY . . .-45
10-REJECTORS-THOUGHTS OF WAR-EP
11-BEAVER-EP
12-HUSKER-DU-IN A FREE IAND-45
13-
DREAM
SYNDICATE-EP
14-CONFLICT-HOUSE THAT MAN BUILT-45
15-WIPERS-ROMEO-45
t6-RUDIMENTARY PENI-FARCE-EP
17-LOST CAUSE-BORN DEAD-EP
18-KARNAGE-WORKING SUCKS-TAPE
19-CH 3-FEAR O F LIFE-LP
20-NEOS-END DISCRIMINATION_EP
(No particular order
of preference)
1-HETNO-SUPER HITS-LP
2-SAVAGE REPUBLIC-LP
3-MINOR THREAT EPa
4-M
.D.C .-LP
5-D
.I .-TAPE
6-RUDIMENTARY PFNI EPs
7-NEOS-END DISCRIMINATION-EP
8-FLIPPER-GENERIC FLIPPER-LP
9-SPK-L.ETCHENSCHREI-LP
10-WE THE PEOPLE-YOU BURN ME . . .45 (60s)
11-DETONATORS-TAPE
12-HUSKER DU-IN A FREE LAND-EP
13-FEEDERZ-LIVING ROOM-TAPE
14-ALL FLESHEATERS
15-WAR ZONE-AMERIKA . . .EP
16-FARTZ-WORLD OF HATE-FP
17-CBII-LEATHERS. . .EP
18-RUMBLERS-I DON'T NEED YOU-45 (60s)
19-7 SECONDS-SKINS. . . NP
20-UNLVERS ZFRO-CEUX . . .LP
1-FLIPPER-GENERIC FLIPPER-I3
2-DISCHARGE-HEAR NOTHING . . .LP
3-EINSTURNZENDE NEUGAUTEN-SCHWARZ-LP
4-DISORDER-DISTORTION TO DEAF. . .45
5-FALL-HEX UNDUCTION-
6-FLEX YOUR HEAD-LP(VA
7-RUDIMENTARY PENI-FARCE-EP
8-DIAMANDA GALAS-LITANIES-LP
9-SPK-LEICHENSCHREI-LP
10-MILKSHAKES-PLEASE DON'T TELL . .45
11-DREAM SYNDICATE-SURE THING-EP
12-WIRTCHAFTSWUNDER-DERKOMMISAR-45
13-MAUREEN TUCKER-PLAYIN POSSUM-LP
14-JESSIE MAE HEMPHILL-SHE WOLF-LP
I5-KRANKHAFTE PHANTASTEN-DON'T . .45
16-RED CROSS-BORN
INNOCENT-LP
17-SMASHCORDS-DEEP & DUMB-CASSETTE
18-EX-HISTORY IS WHAT'S . . .LP
19-NE
W
ORDER-TEMPTATION-45
20-MECANIK DESTRUCTIV-KOMMANDER-45
1-DEAD WRETCHED-NO HOPE-45
2-MIA-LP
3-HOSE-DOPE FIEND-EP
4-SYSTEM-WARFARE-EP
5-EFFIGIES-BODY BAG-45
6-HUSKER-DU-IN A FREE IAND-45
7-SADISTIC EXPOLITS-APATHY-45
8-SYMBOL 6-EGO-EP
9-BATTALION OF SAINTS-EP
10-100 FLOWERS-PRESENCE. . . .45
11-VIOLATORS-GANGLAND-45(UK)
12-REBEL TRUTH-ALL I KNOW-CASSETTE
13-ABRASIVE WHEELS-ARMY SONG-45
14-MISGUIDED-STATE OF WAR-CASSETTE
15-CONFLICT-HOUSE THAT MAN BUILT-45
16-INSTANT AGONY-THINK OF ENGIAND-45
17-BIACK HUMOR-LP
18-PARAMEDIC SQUAD-MOVEMENTS-45
19-FITS-YOU SAID
WEED NEVER . .EP
20-EXPLOITED-ALTERNATIVE-45
1-CHESTERFIELD KINGS-I CAN ONLY
. . .45
3
2-WIPERS-ROME0 45
3-DREAM
SYNDICATE-EP

m
4-MISUNDERSTOOD-I.P

r
5-1
00 FLOWERS-PRESENCE. . .45
6-SALVATION
ARMY-LP
7-FLEX YOUR
HEAD-LP(VA)
8-UNCLAIMED-CASSETTE
9-LAST-FADE TO BLACK-EP
10-MILKSHAKES-PLEASE DON
' T TELL. .45
11-HUSKER-DU-IN A FREE IAND-45
12-PLASTICLAND-COLOR
APPRECIATION-45
13-PLAN 9-FRUSTRATION-EP
14-MOE TUCKER-I'M STICKING . . .45
15-CUNTS-ELECTRICAL FILAMENTS
. .-45
16-ROBYN HITCHCOCK-GROOVY DECAY-LP
17-BANGS-GETTING OUT OF HAND-45
18-ASWAD-NEW CHAPTER
OF DUB-LP
19-THIS IS BOSTON NOT L.A .-LP(VA)
20-BLUE
ORCHIDS-GREATEST HIT-LP
1-M.D.C .-LP
2-REJECTORS-THOUGHTS OF
WAR-EP
3-SS
DECONTROL-KIDS . . . .-LP
4-INSTANT AGONY-WORKING CRASS-45
5-THIS IS BOSTON NOT L.A
.-LP(V/A)
6-GBH-CHARGED-45
7-RIOTOUS ASSEMBLY-LP(V/A)
8-HUSKER-DU-IN A FREE LAND-45
9-VARUKERS-. .VICTIM-45
10-DISCHARGE-HEAR NOTHING . . .LP
11-CH 3-I'VE GOT A GUN-45
12-YOUTH CONE MAD-EP
13-BLACK FLAG-MY RULES-45
14-EXPLOITED-TROOPS. . .-LP
15-RUDIMENTARY PENI-FARCE-EP
16-BATTALION OF SAINTS-EP
17-WIPERS-ROMEO-45
18-MINUTEMEN-BEAN SPILL-EP
19-CRACKED ACTOR-NAZI SCHOOL-45
20-INSANE-EL SALVADOR-45
FOR WHAT IT'S WORTH, HERE'S
THE MAXIMUM R'N'R D .J. ' S
CURRENT FAVES PLEASE SEND .
US YOUR MUSIC-RECORDS OR
CASSETTES-2 COPIES OF EACH
IF POSSIBLE(1 FOR THE RADIO
- SHOW, 1 FOR MAGAZINE REVIEW).
N TOsMAXIMUM ROCK'N'ROLL
P.O. BOX 288
~'N
BERKELEY, CA 94701
1-DISORDER-YOU COTTA BE SOMIX)NE-45
2-CRASS-FUCK OFF TO FALKIANDS-FIEXI
3-SPK-LEICHENSCHREI-LP
4-MINOR THREAT-ANYTHING AT ALL
5-FLIPPER-GENERIC FLIPPER-LP
6-DISCHARGE-HEAR NOTHING. . .-LP
7-BLACK FLAG-TV PARTY-45
8-VICE SQUAD-STAND S T R O N G .
. .-LP
9-YOUTH BRIGADE-THE POSSIBLE-EP
10-CHELSEA-EVACUATE-LP
11-EFFIGIES-CONTENTS NONVIEWABLE-EP
12-KRAZERHEAD-SHE CAN DANCE-45
13-EXPELLED-NO LIFE NO FUTURE-45
14-MDC-MILLIONS OF DEAD COPS-LP
15-WRECKS-TEENAGE JIVE-CASSETTE
16-SUBHUMANS-BIG
CITY(UK)-45
17-SADISTIC EXPLOITS-FREEDOM-45
18-CONFLICT-HOUSE THAT MAN BUILT-45
19-GBH-SICK BOY-45
20-THIS IS BOSTON NOT L
.A .-LP(VA)
H
a
A l Ha ig O ut of Wor k
Finding a N ew
job
as
c h i e f of Arge nti ne
Junta ?
4
I l
0
;
.I l
COND HAND
VINTAGE GUITAR QUALITY
at low prices
Second Hand Guitar Co. offers authen-
ti c , r e p r o d u c ti o n s o f a l l th e f a m o u s v i n -
ta ge e l e c tr i c gu i ta r s a n d ba sse s. We
u ti l i ze th e sa m e a ge d wo o d s, f i n i sh e s,
p i c ku p wi n d i n g te c h n i qu e s, a n d bo d y/
n e c k c o n to u r s a s th e o r i gi n a l s . Th e n e c ks
a n d f r e tbo a r d s a r e e xtr e m e l y p l a ya bl e
a n d gu a r a n te e d to be str a i gh t . Th e se
gu i ta r s r e p r e se n t th e h i gh e st qu a l i ty o f
m o d e r n m a n u f a c tu r i n g te c h n i qu e , a n d
a r e a v a i l a bl e to yo u a t f a c to r y d i r e c t
p r i c e s o f
$250 to $350. We offer trial
periods with ful l refunds for mail -order
customers Send $1 for guitar catal ogue.
PARTS
We also offer vintage quality replace-
ment parts for modern and older instru-
ments like guitar/bass bodies finished
and routed $180,
finished and fretted
necks $120, seated gears
$25, pickups
$20, pickguards $10 . We stock almost
every conceivable part at comparable
prices
. These parts, like our guitars, are
the highest quality available anywhere.
Send $1 for parts catalogue.
HIGHEST PRICES PAID
for older Gibson, render, Martin and
Mosrite guitars. Also Selmer MK 6, 13al-
anced Action, and Hammond 13-3.
Cal l or write
: Second Hand Guitar Co.,
1345 Grove St ., Berkeley, CA 94709
(415) 524-9590.
GUITAR CO.
SUBTERRANEAN RECCIR,DS
577 valencia st.
ALBUM OUT INAUGUST
s
.f
. c a
he)
QJ` *
k5Q
I
k i k u
.
}~

.
PSYCHOLOGY

R
F`J"

V
C ult ur eof "U ninvolved"
Will SucceedBea t niks
1 THE "LONELY CROWD" will prub-
ably give way to the "uninvolved one," a
New York psychiatrist has predicted.
The Angry Young Men and the Beatniks
will be followed by a generation that does
sot protest any more because it will no
longer have a need for deep permanent
relations.
Dr
. Leopold Bellak of City Hospital at
Elmhurst, New York City, said that by
adapting to a constant flow of changing
stimuli, modern man is losing his identity.
He sees a character structure developing in
American society that has no strong identi-
fication, similar to children reared in many
different foster homes and orphanages.
"This type of character has also been
seen in people exposed to overwhelming
experiences, such as in former inhabitants
of concentration camps.
"They may appear well functioning
enough, but hardly anything seems to go
more than skin deep
; there is a strong
armor that wards off all more intense feel-
ings."
Dr. Bellak foresees amiable relations, a
kind of "cocktail party" sociability, with
greater interdependence alongside a "prob-
ably still higher standard of living." But
this smooth, urbane culture will be unin-
volved, with no sense of belonging, he said
in the Archives of General Psychiatry, Aug.
1961, published by the American Medical
Association.
Scienw News Letter, 80 :137 August 26, 194,i
"Death for Profit"
War is a killing toy to human life
. So leaders can add
more profit to their realm of stupidity -Humans are
nothing but armed puppets
. Conquest for power -the
scales are balanced -Life and Profit as War/Death
laughs with his bloody tool .

-Pushead
Actually, he was "disappeared" by
his parents -sent to a mental institu-
tion, then to a military "school" in
Utah . He cannot be visited by friends,
or receive mail
. He's lucky . In Guate-
mala, El Salvador,Chile and Argentina
the "disappeared" stay that way -dead.
This is
,
just a sneaky way to get
you to see the movie MISSING . It is
about the U.S . cover-up of the CIA's
role in the fascist military coup in
1974 against the democratically elect-
ed Socialist government, and how the
"rules" only apply when they serve
Capitalist interests.
The book MISSING, by Thomas Hauser
is even'better . After you read it,
think about the Junta's announcement
this Spring that, yes, MILITARY RULE
WILL CONTINUE. . .as it does in so many
nations friend]y to the U .S . .
1
TOP PRICES PAID FOR USED LP's
1415 Upper Grant Ave,. North Beach 11-10 Daily 982-5442
1377 Haight at Masonic. San Francisco 11-7 Daily 626-4075
550 Cowper at Hamilton. Palo,Alto 11-7 Daily 321-3806
MAR k
PAU L I L I e,
WHose
Wei
R D ,
VIUzYT
MP! Ala
<uKe

t+s_
aN~

r `
l(
' I~
DANNt
5' seJ 1~l~
NSfIR
50
M A O ,
V P
Ns
4}M1 .
Je W
ONe 5?
I
. If a fetus is a person, why does it look like a steamed prawn?
2.
Are billboards "commuter programming"?
3. Were the Pilgrims the first boat people?
4. Does the Silent Majority believe in Harpo Marxism?
5.
Will banning cheap handguns produce a better class of criminal?
6. Haven' t punks become boring young farts?
7. Do pooper-scooper ordinances mean more law, less ordure?
8.
If J esus is coming again, what was His refractory period?
9.
If there' s a right to property, where can I sign up for mine?
0. Why do vegetarians bite their nails?
I
. Can Reagan tell the truly needy from the truly greedy?
2. Aren' t bosses the
real"Time Bandits' "?
3. If God wanted us to suck cock
. wouldn' t He have given us lips?

\AT V]/
4.
Do whales cause cancer?
5.
Is Rcaganomics the science of holocaust-benefit analysis?
6.
Did the Polish Pope attend the College of Cardinals on a football scholarship?
7. Why do people who say "there'
s no free lunch" have expense accounts?
8. If sisterhood is powerful
. shouldn' t feminists douche more often?
9. Why don' t people take frivolity seriously^
.
r-Ntn . ..l
0
. Why not cut class society? S
F YOU would like to see less posers and more opposers:
recoiless from rifles than you used to,
are too poor for the ritual;
throw temper tantrics:
are more tactile than tactful:
think Christianity is the Greatest Story Ever Sold:
long for an alternative alternative;
have no patience with patients:
enjoy ' 6669' ;
oppose a first strike and propose a general strike:
HENyou already know that
Can You Tel l A Cutthroat
From A Tracheotomist?
R . COBB DID POLITICAL CARTOONS FOR THE UNDER
GROUND NEWSPAPERS OF THE
1960
' S. WE FEEL HIS
DRAWINGS ARE J UST AS
RELEV ANT TODAY . THE CON-
TRADICTIONS THAT SPAWNED THE PROTESTS THEN
HAV E NOT GONE AWAY . IF ANYTHING, THEY'V E GOT
TEN EV EN MO R E APPARENT . WATCH FOR MORE!
cZy

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H
PUNK PROPAGANDA
m .,.

PROTEST OR PROSELYTISM
Punk means question authority, right?
Live by your own rules, not the govern-
ments
. We have too many people telling
us what to do and how to do it-parents,
,teachers, preachers and the government.
After dealing with all these assholes
telling us what to do, we don't want to
go to a show and hear a punk band tell
us how to act.
Not everyone feels this way, but some
people do
. They feel that certain bands
(most notably the Dead Kennedys)

are
telling people how to act . It can be
argued that punk is basically political
in nature, but other people feel that
1 politics should be left up to the indi-
vidual . Most musicians from hard-core
bands feel that politics should be dic-
tated by the individual, not bands and
see themselves as an outlet for dissem-
inating ideas, not guidelines
. I inter-
viewed both band members and audience
to see how they felt.
Maria
: What do you think about bands
that are political? Do you get the im-

and they (the audience) don't like it.


pression these bands are trying to tell bands have their acts
. If you don't like They were calling us hippies, " go back
you what to do?

their politics, start your own political to the sixties," but I was a fucking
band
. It's human nature to disagree
. For hippy for years . Fuck that .

My older
Erica : Well, I think that a lot of the every coin you got a flipside .

sister was a hippy . I don't care . I


political bands are
. Older bands-older
people in the bands . A lot of times they Peter
: What do I think of them? I have not give a shit.
get on the younger people, and that is strong doubts about their actual influ- Maria (to Darron, drummer for the' Dead
what I don't like about them
. A lot of ence upon people
. I think most of them Kennedys)
: Do you think people resent
times I agree with the political bpin_ are fun to go to, as far as energy goes the fact your band is political?
ions but sometimes they tell people to I've seen the DK's far too often
. It s
grow up because they just do not know all right that they are around
. . .
.am I(Darron :

I think that most of the cats


anything
. But a lot of times people do beginning to sound like Biafra
.

that are saying things about us


. . .they
not know what their views are .

Maria : Shut up
. Well, what about bands w
d
h
o
e
n'
r
t
e they us

be in the parental spot


y have e been brought up from.
Juneko : It depends on the band .

like the Fuck Ups-people jump all over Their parents have been telling them
them for not fitting into their defini- what to do
. Punk is supposed to be this
Maria : A lot of people get on the Dead tion of political
.

anarchistic thing '


where you can do what
Kennedys saying they ' re too political,
that they try to tell people what to do
. Peter
: People like Tim Yohannon? I think you want and they feel that they don't
that it's not just because they're apo- need to be told what to do
. If they have
Juneko
: Well, that's their style
. They litical
. I think it's because of a lot enough self confidence, they can do what
would not be the Dead Kennedys if they of other things
. The drummer from the they want to do anyway, and they're all
weren't political
. They're just stating DK's once hada run-in with Bob Noxious, gonna do what they want to do anyway.
their opinion,

the lead singer from the Fuck Ups


. Bob Maria

(to Joe Dirt, guitarist for the


Cheryl
: But they know what they're talk- was wearing a " Kill Niggers" T-shirt
. Fuck Ups) :

Are the Fuck Ups non-poll-


ing about . Lots of people probably like So you can figure out right there what tical?
it (the politics) .

turns off the DK's


. I think it's misun-
derstanding on both parts . The Fuck Ups Joe
: Not really . We're just poor people,
Sweet : Everyone's got their own thing and their crowd may misunderstand where so we're political in that way
. The sys-
to do, I think . They should all do it . people like the DK's and Tim Yohannon tem Is against us
. We're just poor people
Some people resent everything
. Political are coming from, I think
. Tim Yohannon livin . on the streets.
and other folks are confused about where
the Fuck Ups are coming from.
Maria (to Jeff, singer from Bad Posture):
Your band doesn't have any overtly poli-
tical songs.
Jeff
: Yeah, and it ' s pretty obvious to
me, because MDC is one of my favorite '
bands
. I went to Texas with them once
and I really dig them and they like us,
but they're always singing about poli-
tics
. We like to sing about the things
,that happen to us, day to day, everyday.
Things that happen to us when we get up
and walk around - that is what we sing
about . We don ' t sing about politics be-
cause if you're a punk and you do not
know you're getting fucked in the butt
by the government, then why the fuck are
you here? I mean, the hippies were say-
ing, " Shit is gonna hit the fan, so be
careful ." We don't need to say that be-
cause it's already hit the fan and eve-
rybody knows that, from your financial-
district person to people in the Tool
and Die . We do not have to sing about
that . We're not worried about politics
., JEFF of . Bad Posture
We can leave that to the people who go
on television and tell us how wonderful
they are because they're running for gov-
ernor . As far as I'm concerned, I'd rath-
er talk about me, my girlfriend, or my
friends
. It sounds real petty, but it's
not .

Darron from the DK's played with


us because our drummer quit
. The DK's
are one of my favorite bands . Jello gets
up there and talks about Reagan and all
that, and I am glad he does . The DK's,
that's their trip and they are really
good at it . They believe in it, so that
is fine
. But we don't believe in talk-
ing about that, because to me it's not
worth it.
Maria : Do you think people get on Bad
Posture for this attitude?
Jeff
: Tonight we got quite a bit of shit.
We always do, because a lot of my lyrics
talk about how unless kids get united
they're always gonna get fucked
. We're
not united . I do not care if you're a
Nazi Punk, or not . It's a bunch of shit,
.! Mark Berlin
Maria : So, in your songs you don
' t make Maria : Do you think people resent the reflect sociological views, combined
any specific references? political nature of your songs? with their emotions . With carh song I
Joe : Not in particular . Like, we're not Dave
: It has not happened to us yet
. I might not share every exact emotion, but
politicians or anything . We're just peo-don
'
t try to preach to people, I'm just I know it's coming from deep inside . It
pie, down home people .

laying on them where I am coming from, is not coming from some cheap place.
I don't go around saying, " do this, do They're not this National Front's right-
Joe : Yeah, I think it's cool to be poll-
that,'' or tell them how to vote
. I think wing group that other people have painted
tical and everything, so long as it does

them out to be . I may relate more on a n


not overwhelm . You can only be political
W
aynehave se
a
a Nazi,
afew political
Born to Die, But
ButJ
n
n
o-
o-
word-to-word basis to what Ian McKaye
so much of the time .

The rest is just body taunts me about it, ''< ir,


you guys (Minor Threat) is saying,

but I

find
living . Unless you can do something to cop to that political shit
. . '
It's been Bob Noxious totally valid . What I'm say-,
change things you have to accept reality,e0ol
.

ing is, to each his own.


for what it i s .

,`___,
Maria : Are bands that don't sing about
Maria (to Dave, lead singer for MDC)
: politics as political as you ate?

MANY OF THE OPINIONS


EXPRESSED IN THIS
Is MDC a political band?

Dave : Everyone has their way of convey- ARTICLE


TYPIFY THE
WISITY-WASHY ESCAPIST
Dave : Yeah, the whole nucleus of why we ing their messages . Coming from their
MENTALITY SO PREVALENT
TODAY . PLEASE
formed was for political reasons .

hearts and their spirit . The Fuck Ups READ INTRO ON PAGE 3
. TY
G,pN ANY oNe
. TRAN5L47
E
#! ;~'.:!o

Tom \ P . +
P.Lts reW 'Zi,k
Warsaw
Polish police have arrested the
organizers of an illegal Solidarity
union radio station, including the
.announcer and a Belgian who
sm uggled the transm itter Into the
country, state television said yes-
terda. -
IT WON
'T
HA PeNHee?
General Efrain Rios
Montt'
s m ilitary regim e yes- .
terday banned political aetiv-
tty and ordered censorship of
all sews about leftist guerril-
las fighting for power in Gua
-
tem ala.
IllE

t e'

l'DG
F,l' D1
a HuNc&RNOEA!
INOER ~ Aj
Kz
NAK}
DIE$TARL<
AA
PUNX/
9
tltlz
S Av
.
The Church Police are Walnut Creek,
a suburban paradise of spacious malls
and Taco Bells
. The vacancy of their
environment is suitable yeast for the
mold of their songs . In the beginning,
Eric said he wanted the Church Police
to be the most depressing band ever.
In the eyes of mariy,they've succeeded.
BRU CE: It rules.

I don't understand
all these SF people who are afraid to
go beyond the Caldecott Tunnel . The
East Bay is really where it's at if
you want calmcraziness.
TIM
: Well, it's not that great .

It's
kind of boring.
BRU CE :

It's boring but it rules.


A cold night in San Francisco, and
Tim is telling his version of the cre-
ation myth of the Church Police.
TIM : One day at this show in Concord
I said "I'm gonna start a band called
the Church Police
. Who wants to be in
it?" Eric was standing around and. ..
ERIC: We had a bass. Bruce had a bass
amp and we didn't.
MAXR-R : Is that the only reason you
used him?
ERIC: Basically.
TIM : I wanted to be the frontman . That
was the real idea behind the group,be-
cause at the time I was drumming for
the Maroons. Bruce and Dave formed
that band when we were all going to
City College . I first saw Dave walking
down the steps of the administration
building wearing these red pants
. I
said"This guy looks like a jerk." Then
later on we went to Bruce's writing
class once and you did that thing
called "The Chair
."

,
DAVE : Oh Jesus.
BRU CE
: We're going to emberrass Dave.
TIM : This was written before anybody
knew anybody.
DAVE: I left my Stepmom's chair out
in the rain and she got pissed, so I
wrote a poemabout it.
TIM : I happenned to go into this wri-
ting class
. ..
DAVE : I had problems.
TIM : . .And there was this guy doing
this thing' called "The Chair ." We all
thought it was real stupid. We did.
The Church Police recently reunited
after an overly long period of non-ac-
tivity, which caused much speculation
as to the reality of their existence.
But they never really broke up,because
they never officially got together.
For awhile Dave and Timdidn't play--
they felt they "had better things to
do ." That's all over now, Timand Dave
are back fromMexico and ready to play.
TIM : We went to the gulf of Mexico,
the Yucatan, and the Mayan ruins. It
was a literary journey, 'cause I read
lots of books. Do you know why it was
inspiring? Down in Mexico we kept say-
ing, Fuck, what're we doing here, we
;should be in San Francisco, practicin'
and playin' shows .
DAVE: The center of the universe, San
Francisco man.
TIM
: When we were driving through
Texas, Arizona,Mexico, we kept saying,
"All these people here are morons.
They don't know anything
." These res-
taraunts in Arizona had these pamphlets
that are kinda like religion but kinda
like Burroughs control system
. The
control systemis something that you're
sucked into as you get older, go to
College and GET A JOB which pays like
20-30 thousand a year increasing by 3
thou a year.
ERIC: Hey Tim, wouldn't you rather be
making 20 thousand a year than fuckin'
-Eric Bradner
3 dollars and 50 cents or whatever?
TIM : But Eric, what would you say if
they tell you if you do this you gotta
quit the band, and you gotta quit' wri-
tin' . If you get a telephone operator
job, or like a PG&E job, they want you
to go home and not even do nothing.
(Bruce comes back fromthe bathroom)
BRU CE
: What are you talking about? I
work as a recieving clerk for this com-
pany that makes buttons and trim, and
I also deliver stuff.
ERIC: I work at Acclimation, this tax
place, putting taxes together
. Like,
I could fuck people up, but I don't
know who I'mfucking up
. I can't take
no money.
DAVE
: I amunemployed and proud of it.
TIM : I'munemployed right now too.
ERIC: No
way! You work at that shitty
little place.
TIM
: I went in there the other day and
said,"Hey, I'mback," and they said
. ..
PLL: Who cares?
)AVE
: That's OK, we both read Henry
Hiller, we both want to be bums.
FIM : Yeah, literary bums.
DAVE
: No, just bums.
TIM :

Remember when we played that


'Ihobbing Gristle show?

Will, from
FLIPPER, said to
: me early and play.
They said, "U se our equipment
.

It's
cool ." We went there and Ian said,
"You guys can't play,get the fuck outte
here."
DAVE :

Ted's guitar hung down to my


knees.
TIM : Then later those big bouncers
they had with long hair and beards were
trying to beat Dave up.
DAVE : They stomped me pretty good.
ERIC: When?
DAVE
: At Throbbing Gristle.
ERIC: No way.
TIM : You wanna bet, you just sat up-
stairs and smoked pot,but when Flipper
was playing we were running across the
stage.
DAVE : Some fat guy stomped on my foot.
TIM : And, later Ward goes, "Hey, let's
,rip out their sink
." So we did. We
;went back in about 20 minutes and the
(whole bathroomwas in, like, 3
inches
lof water.
It's March 6, 1982, and the Church
Police are scheduled to play with the
Dead Kennedys in,of all places, Walnut
Creek.

It's the great take-it-to-the


f'lsuburbs tour, with the local boys fi-
nally playing on home turf
. The crowd
is groundbreakingly stupid, and go to
outrageous extremes to show how "punk"
they are.

Hey, there's no convenient


war,so let's pretend,kids! It's mainly
composed of made-up suburban kids pos-
ing in an obnoxious manner which they
suppose qualifies them for some kind
sf rebel status.
Unfortunately, along
with their lack of humor comes a lack
of originality, which negates taking
any of their copycat antics seriously.
The Church Police play and everyone
stares woodenly.

What is this shit,


man? We thought this was gonna be a
Punk rock show
. To put it lightly, the
Church Poloce are not your garden var-
iety thrash band
. Not knowing what to
do with this strange emanation, the
crowd takes the easiest way out and
snarls its' hate
. They spit,yell, make
gestures, throw things, hit, you know,
your typical type
A look-in-your-punk-
textbook-do-I-look mean-enough bullshit
The band reacts in an exemplary manner
and just go about their business . After
all, they were asked
to play, noone
asked the crowd to come and make trou-
ble
. And 'twas surely a loutish crew.
I mean, ready to kill
. They really
loved the band (even if they wouldn't
see it that way), simply because they
hated themso much
. Finally the Church
Police were pulled offstage, which was
wise
. I would like to have them live
to play again. Their steadfast behavior
at this show again proves the motto:
Church Police is God.

Church Police
is Disco.
MAX R-R :

Are the Church Police a fun


band?
BRU CE : Always never fun.
DAVE
: I think at our shows you have to
take notes to really appreciate them.
BRU CE : PARTY!
"SIZE 10. Size 7. ,li
g.f
. 4 .
Where this Land of Plenty grows so
little of value to us, we punks thrive
in the darkness of moral America's ugly
imagination, like exotic, noxious mush-
rooms growing on the rotten wood of its
Dreams -but hashing heads and breaking
bottles on the dance floor in the name
of Anarchy won't change the world. What
will?Dope?Guns?Crafitti?Or can punk
rock be really political?
Military governments like
Pakistan, El Salvador and
Korea are
beingbudgetedvast amounts of military aid (aid:
aEuphemism
for destructionandmisery. Aidoncemeant,
" to
help," as in toprovide food,Aelter andsuccor) to
defend
themselves against the "World Terrorism" evil
Russia has brought to their dominions. I fail to see the
difference between
a Commie bullet ana a Yankee bullet;
which is moredeadly?Whenbothleft-wing and right-wing
gunmen
drag people
out of their houses to blowtheir
brains out andevenPakistan might havea "bomb" among
the
thousands andthousands of nuke-ular weapons scat-
tered aroundtheglobe,
it hardly matters who pulls the
trigger. The stench of death is foul no matter which way
the
wind blows. During WWI idealistic Dada and Futurist
artists ran off to fight, as an artistic act of greatness. The
amount of aid that Reagan has already sent to El Salvador
is much more than the amount he wants to cut Arts
programs. So. artists, musicians and dancers, join the
fight! ThatrebornChristian and humanitarian Jimmy Car-
ter approveda whopping $910 million in military aid in
1979. Under Reagan wecanhopefor a Carte Blanche to
the battlefield.
"I don't want it Reagan
' s way. I want
it like anarchy
. No way, no rule over
anything. Freedomof thought
. We're just
pawns in Reagan's chessmatch
. . .he used
us to
get into power . He's like Hitler
.he promises one thing, then he changes
his mind.

Hitler was an anarchist at


first
. Reagan is a kind of anarchist.
He promised a lot of things, but nowhe
is going back
on his word. . .I hate the
fuckin' shit, man. I'd shoot the bas-
tard
. He's gonna send us to war over the
(Falklands)
shit . . .all that nuclear bomb
shit, man.

I do not wanna die for the


United States' mistakes
.
-Deny Havoc
Rebellion Against Authority
Does Haigravation bother you?
Someone offers youa
" line" but it
turns out to be the politically correct
kind
. Youturn on the radio, and some-
body is telling you that your favorite
bands are too racist and sexist
. A punk
writes a grafitto saying that the radio
show's staff are a bunch of white male
supremists laying a sexist, misogynist
tripbn us. Do youhate the Government
but have friends who hate all political
bands. Are you an activist, anarchist,
or an apathist?Does it matter?
Anarchy?Most punks agree that it's
the only answer -the hope for survival
in this crazy World; but confusion and
disagreement about what anarchy really
means as an active (or passive)
way to
change this culture and destroy all of
its dangerous power keeps us, the Punk
Underground, split apart and unable to
get anywhere with our manic revolt . We
use the word "
anarchy" so freely, draw-
ing the symbol (A) everywhere, but the
U
.S .Government still holds our fraoile
future in its bloody hands. Our "scene"
is the only real alternative, a motley
bunch of misfits who've built a social
vanguard of radical political and art-
istic attitudes that has so much hard-
core anger, a crazy, zealous rage that
just might deal America a painful blow
where all the hippies, Yippies and New
Left passivactivists only made the Im-
perialist Dog itch a little. But how?
Anarchy is an absence of government,
or it is political disorder, or a con-
flict of opinions; all three describe
our scene, right?Between all the Nazi
punks, commie punts, middleclass punks,
art punks, Zen punks, industrial punks,
surf punks, psychobilly punks, drugged
dunks, week-end punks, old-timer punks
and freshly mohawked newcomers we have
3 weird, wide variety of attitudes and
ideas. . .like, hey, we don't even agree
that there reallyisan exciting scene,
n'ch less a unified cultural and polit-
ical movement . There've been constant,
stupid debates/sermons on the subject.
No one likes people shouting atopsoap
hoes -self-righteaous dogmatics with a
hair up their ass; but what if they're
right?I mean, maybe youexpect to die
young, but do you worry a little, just
a bit, about El Salvador, the ERA (too
late!) and the starving punks in Brixton?
I dunno. Punks are so "right-on", so
intelligent, political and radical, but
w~ don't seemto make much of a dent in
the armor of amoral America. Then again,
even Denz Havoc, self-styled Nazi Punk,
sees some of the problems, saying some
unexpected things. . .
We could appeal to
your patriotic feelings
'tuft
0
about America.
" . .pogoing, slamming . .
.it's gener-
ally the same, but about the politics,
like, uh, people call me and a fewmem-
bers of my group, call us Nazi Punks. ..
Like, we're against what Jello (Biafra)
stands for . . .like, '
Nazi Punks,FuckOff!'
He has the wrong idea . First he sings,
'Nazi Punks, Fuck Off,' then he sings,
'California Uber Alles,' which is like
Nazi concentration camps, youknow. We
aren't prejudiced against nobody that's
not prejudiced against us
. We like eve-
rybody, man. We just like the symbol ,
the Nazi armband

the swasSika.
now1 won t be accepted in the
Army, because every military person I
have ever seen called me a freak. They
don't accept freaks
. People like me. ..
we wear earrings and leathers and shit.
Like. I've been this wav since '76.
"They want us to, uh, fight for our
country. I'mnot gonna fight on foreign
soil . . .if I'mgonna have to fight, I'm
gonna fight here, where I knowwhere I
amat . If anyone invades, I knowevery
little street . I got my chains. . . like
this one with a lock on it
. Man, ain't
nobody gonna fuck with me. I'll fuckin'
backstab a guy, hit himacross the back
of his head if he comes in my territory.
I'll steal his weapon
. I'll protect my
fuckin' family, man
."
Washington
Pat Boone led some of Washington's best-
known politicians and socialites in gospel
songs at-the Kennedy Center Wednesday night
songs that gave the Concert Hall, at least
temporarily, the air of a Christian revival.
%3oone, who opened his act in a satiny green jacket
with "Heaven" written across the back, sane to the
crowd:
"He's got the president of the United States in his
hand.
Punk patriotism?Armed garage-guer-
illa bands?Territorial Imperative, or
improbable terrorists?His macho brav-
ado almost forgives his political con
fusion. Next, we have some different,
to say the least, ideas fromMikeMani-
avowed Communist . ..
"This scene is a scene of rebellion;
in the sense of rebellion against the
status quo. I think that all people who
want to abolish class distinctions and
exploitation should support this rebel-
lion. Not just say, 'it's alright,' and
let it go at that, but raise people's
consciousness. . .see that it's not just
mindless rebellion. . .to direct it even
higher
. The s%stemhas thrown these kids
into revolt.
"It's time to join the international
movement to prepare for revolution. It
(Marxism) isn't just an armchair philo-
sophy; It's a philosophy of action. It
is okay to rebel . The youth fares auth-
oes wron: have' rofia . I 'tat thou: ht of som
r y romcops, teachers, the economic
system. . .no future. . .teenage suicide Is
the highest
. . .their culture is constant-
ly being attacked. .
.this is the World
they have to fare, and that is why I'm
here."
Manifesto obviously digs the polit-
ical bands and can be seen at many shows
selligq Revolutionary Worker papers an
talking to anyone who doesn't walk awa
fromhimabout Communism, current event
and things like historical dialectics.
Our scene is a melting pot of social
,rejects whose apparent common purpose
is to get fucked-up, freak people out,
destroy the State and (iB possible) die
young in the process
. Some kids work to-
wards a Marxist revolution. Others feel
that staying in bed
' all day is revolting
enough. I dunno. Some work. Some get SSI
and some steal or deal . It doesn't make
any goddamn sense
. I mean, who are we,
and what the hell are we trying to get
done in this sick society?Or amI sick?
Does It Make Any Difference?
I didn't find any answers; punks are
chaotic with their ideas -but something,
keeps us together . Our politics, by de-
finition, are determined by what we, as
a group, do with ourselves: the action,
the state-of-being, the purpose and the
structure of the many different kids who
make upour scene
. No one else wants us,
so we're stuck with each other
. What we
are, what we're gonna do and howwe'll
work together is a mystery. One punk in'
prison, whose letter Is printed on
p.25
sent us a questionnaire that goes over
the whole gamut of punk ethics and es-
thetics. Read his letter, respond to his'
questions (c/o Max R-n-R Box 288 Berk.
CA 94701) and we'll print the results.
Who knows?Maybe it'll do something a-'
bout our alcoholic atrophy, aggressive
antipathy and artistic angst . Act, you
a .athetic assholes!
ne the can b e i o
.)y,.~
WHAT b l o o d y
noses, broken
limbs . . .
ouwill spoil your child
If yousparetherod,
But "lickin's and love"
Helplead himto God!
"It's a hairline younormally
see onlyona childor aeunuch."
says Dr. NormanOrentreich. the
inventor of thehair transplant, who
has studiedmen's scalps for three
decades andstill has ahardtime
accounting for Ronald Reagan's
hairline.
EXHAUSTED
?
Reverse
the aging process.
In depriving yourself
of sufficient
sleep and rest
you will accomplish
not more, but less..
MADE IM
are afraid to out their font down usually have children w
o step on t eir toes.
.was.frafa
1r

Our newgovernment, with shoot-'em-up-cowpoke


I~Iil~ ` RonaldReaganand the
"Strangelovean" Alexander Haig
at the helm, proposes to slash the budget, cut taxes and
put an end to World Terrorism
. Foreign aid will be cut,
mostly infood, medical and business support, leaving the
flowof guns and bullets at virtual flood force. Our invest-
ment tipfor today: buy steel; Congress approved $136
billion for Defense in 1981/1982
. Hey, maybe the
400.000 who will lose their CETAjobs could join the Army!
Unemployment and food stamps are being cut back
. Social
Security, legal aid, Medicaid, Educational and Arts &
Humanities programs all face big cuts or elimination
. Only
the "truley needy" need apply
. As the respected
economist Milton Friedman said, "If youpay people to be
poor, , you'regoing toohaveal
lot of poor people. " If you're
old, sick, uneducated and out of work, just lookin the
want-ads! There's lots of jobs
. Hey, the Army will feed and
clothe you, and if youget backin one piece they will send
,youto school
. That kidney cancer, though, had nothing to
' dowithall theAgent Orangeyouusedbackin'Nam
. If guns
scare you, go to workin Ronnie's $6billion nuclear
weapons industry.

-
I wante" to write about all the news
on the wars around the World -not just
the obvious ones (Lebanon, the Malvina
Falklands, El
Salvador, Afghanistan &
Cambodia)butall
the battles throughout
the Piddle East, South
and Central and
North America, US and USSR satefl to
countries and everywhere in between
. ..
everywhere the gun, the Media and the
mighty dollar/ruble controls the lives
of so many. .
.the fight in the streets,
the Courts, the Congress, the under-
ground Press and
Radio, the workplace
and the schools. .
.BUT THE STORY IS TOO
FUCKIN' BIG!
Putting together this magazine has
been exhausting
. Iget home fromwork
and spend the night working with the
rest of the staff, dreaming in my
sleepabout xerox, proofreading and
photographs -waking _upfromthe dream
to get more donT, before I
leave
again.
All of us
do. Nut because of fame, SS
or power
-we have all
the power we
need
in
what we think,say and do
. 11)
personal
politics are based on my art
my work
and all the creative
flleryy T
can put Into informing, amusing,
feed
ing and
helping anyone
who can Ala my
,product- -end un
.tasking,denou
n
ei ng
and
destroying
the blind, violent, vulgar
people
who would rather put me to work
in a coal mine,
auto plant,chain-gang
or a battlefield
.
My art, my writing,
my photos, my strong-minded struggle
to edit, re-work and produce the stuff
In
this magazine is work they cannot
tax we for .
WE get all
the reward
even
if our courage kills us
. If I've
alienated
a friend or two criticizing
and chopping up
their work, it is be-
cause this guerilla band can't slow
down for stragglers
.
Tis
not communist
Or democratic about everything
. 1 am
damn single-minded and egotistical . I
believe
in what we are doing
and any
decisions and aotions,,I've
made (no
natter howgood
- or bad, they've been)
I Oade
.because of my belief in
the
Punk scene, and ourcriticism
ofour
scene is
made to help_kee-pail or us
One Dadaist dodged
the
draft, narrowly
escaping from
the," ..
.police Tsyrmidcns who,
for their so-called patriotic pur
poses,
were massing men in the trenches of Northern
France and giving themsteno to eat
. .
.None
of us had much appreciation for the kind of
courage it takes
to get shot
for the idea of
a nation which is at be
.^.t a cartel of pelt
merchants and profiteers in leather, at
worst a
cultural ssociation of psychopaths
. . .
HAIG
DEBATES
ORLD WAR
STRATEGY
WITH ALT,
R
Diplomats' Language Course
Makes YOU Bilingual
. ..
ALMOST OVERNIGHT

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COSTA
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Ii THE NEXT ISSUE, WE
WILL CONTINUE THIS TALE
OF HUMAN HORRORS . AS WE
,GO TO PRESS TODAY, THE
PLAGUE AREAS BELOW ARE
STILL INFECTED. TOMORROW?
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TAPE
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ROCK T-SHIRTS-IMPORT SI
!APU1TT
El
rru,iur:
What is this?
The Kill
Caught!
ROUGHTRADE
FAULTY

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2
Pp,
R
a
vicious
MRR : Since there a ren't so ma ny shows
for off-a nd-on-a ga in ba nds to pla y,
why
do you guys sta y together?
Ma rk : We're a bowling tea m.
Ronny : La ck of a nything else better to c
do.
Ma rk : Beca use I ca n ea t burritos be-

~.
fore I come here.
Llia m: . . .or you ca n get free beer .

; ! .
0
Ronny: We do this beca use there a re no
shows to go to, so we pla y for our-

7
selves a nd whoever wa nts to come a nd
wa tch us pra ctice.
MRR : There a re a lot of other ba nds
a round tha t a re a lot like you. Ca n
you think of a nything you guys could
do to get some shows going?
Kurt : We're going to get Moha wks a nd
ta ke a lot of drugs.
Llia m
: No, seriously, I think ha nds
should sta rt getting together to put
on their own shows.
Ma rk : They do, but the sa me ba nds get
the sa me other ba nds. There a re a bout
six ba nds tha t pla y a ll the time.
Llia m
: Yea h, but it's still up to you
rea lly. You should sta rt setting up
your own shows
. Then things would sta rt
ha ppening.
Ma rk
: There a re not enough hea dlining
ha nds out here though. There's a bout
three ba nds tha t could hea dline a sho
especia lly on a weeknight.
Ronny
: The Dea d Kennedys pla y a nd every-
body goes.
MRR
: Why ha ve a hea dline ba nd? Why ca nt
a bunch of people get together a nd
then ha ve fun?
Ma rk : There's rea lly no pla ce
. If you
ha ve a ma jor club a nd they ha ve to
meet their overhea d, a nd if you sta rt
ha ving shows tha t nobody goes to, then
they're not going to ha ve you pla y
there a nymore. They'll get new wa ve
ba nds or something so people will come.
So you got to ha ve it in somebody'
s
ga ra ge. Anybody got a ga ra ge?
Llia m: TSOL cha rge $1,000 to
pla y.
Mark : Black Flag and the Dead Kennedys
are the only ones who have played up
here in the past year that don't chart)
They'll take a percentage, but all the
others demand a guarantee.
Llia m: Flipper doesn't cha rge
. they
get ripped of like everyone else.
MRR : Kurt told me tha t TSOL wa s pissed
off a bout your na me. Tha t it used to
be their old na me.
Ma rk
: The only ma in thing is tha t we
don't ha ve a ny big birds in our ba nd,
tha t's the only difference
. We don't
wea r fuzzy suits a nd pra nce a round.
Llia m
: Well, I thought they were rip- >,
pin' us off 'ca use they ha ve a drummer, o,
a nd we thought of tha t first
. We ha d a
ba nd with a drummer wa y before them.

o
Ronny : Supposedly, we hea rd a bout this
'
coming out of Reno
. They sa id something.;
a bout tha t TSOL wa s ca lled Vicious

c
Circle, a nd we ha d no idea
. They ha d
no records out a nd we don't like to
rea d fa nzines a nywa y, beca use ha lf of
thema re just boring bullshit.
Ma rk
: But we're cha nging our na me to
TSOLnext week.
MRR
: Why didn't you put pictures on
the flyer tha t's coming out with the
record? (Not So Quiet On The Western
Front compila tio
n. )
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.i
[ JUST
Lia m
: Being positive a bout things,
Kurt a nd I ca n a gree
. It's like people
ould be in the right direction, but
they're so busy. I wrote a song ca lled
"Religion"
a bout people getting
drugged with politica l bullshit
. I a m
completely a ga inst politics wha tsoever
I'mnot a n a na rchist, not a Rea ga nist,
I'mnot a Buddhist . ..
Ma rk
: Tha t's a religion. ..
Llia m: It's true, it's a ll religion
a nd it's a ll technology. It's a ll
religion. People a re so drugged by
this, people gettin' it a nd doing it
to themselves, a nd fitting into ca te-
gories, a nd we're hungry, a nd a ll we
get is this fuckin' religion. People
a re a positive force if they ca n get
over a ll the bullshit tha t's getting
cra mmed down their throa ts
. Tha t's
wha t's good a bout punk rock . This ba nd
tells people tha t tha t is cra p. We're
not telling people to go out a nd shoot
up drugs or pa int the town.
Kurt
: We're just tryin' to tell people
to figure out wha t's going on.
Ma rk : Wha t's wrong with drugs?
Llia m: Drugs a s fa r a s television.
Fuck, you go to a rest home a nd wha t
do they do? They give a ll the pa tients
drugs so they fuckin' sit a round a nd
zombie out a nd they ca n do wha tever
they wa nt
. Tha t's wha t this country is
it's like a gia nt rest home. . .a nd they
a re getting younger a nd younger . It's
true. The a ge for elderly people is
now sixteen. . .The 14 -yea r olds a re
jumping a round, a nd the 16-yea r olds
a re going, "Yea h ma n
. I'mbeing cool,
I'mwea ring my lea ther. I pa id $15 for
these spikes a nd ha lf my money just
went to ma ke bombs, but I'mcool, I'm
a n a na rch- . . ." Uh-Unh. They're Elderly,
They're a ll ta king their pills.
Rea ga n's got thema ll in their wheel-
cha irs, right where he wa nts them.
MRR : Do you ha ve a nything to sa y a bout
the Fa lkla nds or the wa rs in the Mid-
dle Ea st?
Ronny : It's not a wa r. There' s only
going to be one wa r to end a ll wa rs.
It's just politica l bullshit.
Kurt
: It's so we ca n get used to see-
ing something like this in the pa per.
When we go in somewhere, we won't be
outra ged. People a re going to sa y,
"Oh yea h, it's just a nother one of
those," a nd we're going to get our-
selves into the sa me thing. You see it
in the hea dlines a s you're wa lking
down the street.
Llia m: It's more drugs. Get used to
this, get used to this.
Ma rk : Politics a re fighting the wa r
there. Not people, politics.
MRR : Ma rk, why do you continue to pla y
in two ba nds? I know it's enjoya ble,
but wha t else?
la rk : It's only one ba nd a nd a bowling
tea m. I used to live in the suburbs
a bout 6 or so yea rs a go a nd I sta rted
listening to punk music a nd listening
to the lyrics. It wa s something so new
to me a nd it fit my persona lity. I wa s
the only one tha t I knew who liked it
a nd everybody wa s tota lly a ga inst it,
which ma de me like' it ever) more. Then
I sta rted listening more a nd listening
to the words
. I' ma rea lly hyper per-
son, a nd I like rea l fa st loud music -
I a lwa ys ha ve - so I've just been fol-
lowing it ever since a nd now I'mdoing
a n inteview for a ma jor ma ga zine'
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ONI1JIJ%OB
"A
man that should call everything
by its right name would hardly pass
the streets without being knocked
down as a common enemy
."
George Saville,
17th century philosopher-statesman
A truism and a warning, but one that
I will not heed
. In this section, all
the reviewers will risk the status of
"common enemy" by being as honest as
possible and attempting to call every-
thing by its right name, no matter how
painful that may be for the parties in
question
. Stepping on toes is an occu-
pational hazard for a critical reviewer:
so if you're looking for sycophancy or
payola, read Creem and Rolling Stone.
We've never been timid or subtle on the
MAXIMUM ROCK'n'ROLL radio show, and I
see no reason to change just because we
are now operating in the medium of print .
There, don't say I did not warn you
in
advance.
Since this is our first issue,I guess
it's my responsibility as review editor
to clarify our review policy
. We will
be covering records, demo tapes, live
concerts, films, books and anything else
we deem interesting enough to waste ef-
fort and space on
. To avoid inducing
boredom, the format will normally con-
sist of numerous short reviews rather
than a few in-depth pieces (though there
may be occasional exceptions if some-
thing really grabs us)
. This approach
suits our volatile personalities better
and will hopefully enable us to strike
a balance between the tedious intellec-
tual masturbation that currently passes
for conventional pop journalism and the
typical "yeah, wow, fuckin' cool" fan-
zine style.
Brevity is especially necessary in the
case of recorded music, because the num-
5er of worthy new releases makes it Im-
possible to consider many at length with-
out neglecting scores of others . Hence,
our goal is to cover lots of territory
and give exposure to as many good hands
as possible
. Why waste a page overana-
lyzing the latest Joy Division release
when you can cover 20 new Indies in the
same space?
At this point, I '
d like to define some
commonly-used descriptive categories for
various subgenres of punk music
. Most
punks will already be aware of the dis-
tinctions between these categories (al-
though they often overlap in practice),
but since this magazine is intended to
bridge the gap between political people
unfamiliar with punk culture and punks
unfamiliar with political realities, it
is necessary to define them for the for-
mer's benefit.
1) Thrash punk
: ultra fast 2- or 3-
chord rock with screamed vocals, often
with political themes.
2)
'77 or "classical" punk: mid-tempo
but still very fast by conventional rock
standards) 2-or 3- chord rock with sung
or screamed vocals, often containing
catchy choruses and political themes.
3) Garage punk
: raunchyprimitive rock
with sneering vocals, often with humor-
ous or just plain stupid themes ; akin
to 60's punk rock.
4) "01" or skinhead punk : relatively
slow or mid-tempo 2 or 3-chord rock, with
raw sandpaper vocals and soccer-chant
choruses.
5) Heavy Metal (HM) punk
: slow to mid-
tempo punk with HM chord progressions and
relatively long guitar solos based on
blues riffs.
6) Punky pop : pop melodies backed with
heavily distorted ("punk") guitars,
often featuring vocal harmonies, hook-
laden choruses, and typical teenage
themes.
7) Post-punk : a term originally ap-
plied to more experimental derivations
of punk ; it now encompasses a broad range
of styles from abrasive noise with heavy
rhythms to sophisticated forms of pop
to many varieties of "progressive" and
art-damage music .
Two other often-used terms deal with
content rather than musical style
. "Pol-
itical punk" obviously refers to punk of
any musical variety thathasa political
theme
. In the punk context, this gener-
ally implies an anarchist or leftist
perspective . "Funnypunk" is punk of
any
type that has overtlysatirical or goofy
lyrics
. Needless to say, these terms are
intended merely as guideposts to simoli-
fy description, not as descriptions per
se.
That's it for the boring introductions
If you want your stuff reviewed, please
send all records and tapes to JEFF BALE,
MAXIMUM ROCK REVIEW EDITOR/BOX_ 22571/
CARMEL, CA 93922,tf you want it reviewed
and given airplay on the show, send two
copies to that address or to Tim/Box 2AS
Berkeley . Ca 9470
U .S.
Everyone familiar with alternativ
musical developments knows that we are
in the midst of a renewed explosion of
punk culture, one that is unprecedented
in size and scope
. It is happening every-
where in the industrialized West, but
currently its most vital manifestatio
is right here in the U
.S . The America
hardcore scene has developed a much
stronger political conscience in the
last two years, and the music it has
produced Is generally more frenetic and
intense than that of its international
counterparts
. I say this without the
slightest degree of patriotic sentiment,
but only to counteract the deep-seated
feeling of those who have been brain-
washed into believing that English rock
and roll is inherently superior . That
may have been true in 1977, but It sure
as hell isn't in 1982 . Moreover, as con-
ditions in the U .S . worsen -as they un-
doubtedly will under the
. Reagan admin-
istration -we can expect American punk
to get even better in the forseeable
future.
0
0

A side is B .F. '


s most commercial song, and features
current drummer Emil
. B side' s "I' ve Got to Run" and
"My Rules," sound more like the L.P ., with fill-in

/
drummer Bill. Production is even cleaner though.
Bring back Robo! (TY)
(SST Records-P.O .B
. 1-Lawndale. CA90260)

_4
BEAVER - "Trendy" EP
A
new 10-song EP from the D .C . area . Half of it
is the standard D .C . thrash- pretty good but not
outstanding . The other half consists of short bursts /
of concentrated noise with a stop/start arrangement,
sort of like the MINUTEMEN
. Mail away for it, because
you probably won't find it in the stores . (JB)

/
0
BLACK FLAG - TV Party" EP "TV Party" EP
(Choice Cut-4911 Cordell Ave .-Bethesda, MD 20814)
0
r
4
Yes, they do have a lot of GANG OF FOUR influence,
which often becomes boring . Such is the case with the
two B sides. But the A side is blessed with a much
more raw and aggressive sound- the redeeming side of
' post-punk' . (TY)
0
(B Team-2642 22nd Ave.-San Francisco, CA94116)
0
0 BATTALION OFSAINTS - "Fighting Boys" EP
Fast HM punk with good political lyrics . The tunes
~
0
arestrong, but there's a bit toomuchleadguitar
wankingfor my taste, especially on "I'mGonna Make
You Scream." Still, it's a promisingdebut. (JB)
(Nutrons-20 15 MeadeAve.-SanDiego, CA 92116)
B
TEAM - "What is This?"
y BLACK HUMOR - LP
These guys are some sort of S .F . studio concoction,
and they are lunatics . They swing from music for
nightmares to rhythmic jungle rock . Recommended for
the flexible . Check out their individually designed
sleeves and enclosed worms! (RS)
(Fowl Records-P.O.B. 1821-San Francisco, CA 94101)
CHESTERFIELD KINGS
is"I
Can Only Give You Everything/
Hey Little Bird"
Greg Prevost and company again come through with
great 60's punk from the 80's . The "monaural" sound
and snot-nosed vocals give this 45 an amazingly
authentic feel, so much so that I'm actually remin-
iscing . But you don't have to have been a teenage
asshole in 1966 to enjoy it today- it'll still drive
your neighbors crazy . (JB)
(Living Eye-53 Fairway Dr
.-Rochester, NY 14612)
CHILD MOLESTORS - "
Wir lieben die jugendliche Madchen
"
EP
Cover your ears, the CHILD MOLESTORS have been res-
urrected! The band that brought you "I ' m the
Hillside
Strangler"
is back, at least on vinyl
. This material,
originally recorded in 1978, is like the movie Plan
Nine from Outer Space- it has enormous appeal pre-
cisely because it ' s so awful
. With titles like "I'm
Gonna Punch you in the Face" and the most amateur
musicianship imaginable, I've got to recommend it.
(JB)
(Ace & Duce-P .O
.B. 691-South Pasadena, CA 91030)
CODE OF HONOR/SICK PLEASURE - LP
Glad S .P
. bit the dust, this being a posthumous
release- too H
.M . for my taste, with lyrics of equal
mentality . CODE OF HONOR side is much better- still
traces of metal (Mike Fox being guitarist in both
bands) but the thrash cuts are tight, with inter-
esting variations
. Jonithin Christ's (ex-SOCIETY
DOG) lyrics and vocals make all the difference here-
he '
s graduated from nihilism to advocacy of peace,
unity, and political action . (TY)
(Subterranean Records-577 Valencia-S
.F . 94110)
CRAP DETECTORS - Superficial World LP
Jim Jacobi, one of the American indie pioneers of
the late 70 '
s, has come up with an eclectic mixture
in this new incarnation of his CRAP DETECTORS
. An
underlying intelligence is evident throughout this
album, but the music, which ranges from garage punk
to garage reggae ("Phenominal Technical
" ), is only
sporadically engaging . (JB)
(Permanent Press-3401 Otoe-Lincoln, NE)
DA - "Time Will be Kind" 12" EP
EFFIGIES - "Body Bag/Security"
I normally hate HM punk, but the EFFIGIES do it so
well that categories become meaningless. "Bodybag"
is appealingly
straightforward while "Security" has
a dance-oriented beat with layers of metallic guitar
and an occasional dubbed vocal . The production here
doesn't compare with their earlier EP, but they do
include some hilariously uninformed literature about
punk rock by right-wing (U .S . Labor Party) and left-
wing (Progressive Labor) retards . (JB)
(Ruthless-P .O .B
. 1458-Evanston, IL 60204)
FARTZ - "Because this Fuckin' World Stinks " EP
My favorite release of 1981, and that's saying a lot
given the quality of the competition
. The FARTZ thrash
so hard and fast that they leave most hardcore bands
behind in a cloud of dust, but they still manage to
exercise a lot of brainpower . This EP is as intelli-
gent, frenetic, and intense as any you ' re likely to
hear, so get it now before it's out of print
. (JB)
(Fartz-3915 S .W . Lander-Seattle, WA 98116
The hype surrounding FLIPPER has already reached
nauseating proportions, and I have no intention of
adding to it . If you ' re downed out, you ' ll like their
abrasive slow numbers and if you ' re straight-edge,
you ' ll probably prefer the fast abrasive tracks
( "Living for the Depression, " "Nothing" ) that they sel-
dom do these days
. FLIPPER was much better back when
this albun was recorded, before they started taking
themselves too seriously . After all, any joke - no mat-
ter how effective - ceases to be amusing if it's told
too often . (JB)
(Subterranean-912 Bancroft Way-Berkeley, CA 94710)
FUCK-UPS - "
Negative Reaction" EP
Mediocre 77-style punk, including one song ( "White
Boy") about a dumb white guy trying to be as ignorant
as some dumb low-rider types . Unfortunately, it's not
a satire, as singer Bob Noxious constantly finds new
ways to act out his insecurities and aggression in
public
. Ignore . (TY)
(Fowl Records)
GET SMART - "Words Move" EP
0
Lightweight post punk with sparse guitar and "modern"
0
vocals
. There are some interesting arrangements and
i
hooks here, but they could use a heavier, more abra-
/ sive backing . (JB)
5 (Syntax-P.O
.B . 493-Lawrence, KS 66044)
A marked improvement over their debut . This time
around their influences- SIOUXIE, GANG OF 4, etc-
aren ' t as obvious, so if you
' ve got a hankering for
sophisticated guitar-oriented post-punk, DA is for
you . "Strangers
" is an especially haunting song, and
the guitar work is exquisite throughout . (JB)
(Autumn-2427 N . Janssen-Chicago, IL 60614)
"Fallout" DEGENERATES -

EP
c,lafa~
i'.
'77-style punk from Texas
. It
'
s real good in a
vaguely nostalgic way,. with lyrics ranging from
intelligent ( "Fallout " ) to stupid ( " Scrungy Girl
" ).
"Radio Anarchy"
is a particularly catchy track with
slightly muddled sentiments . (JB)
(Hit & Run-2542 Palo Pinto-Houston, TX 77080)
DISCHORDS - "Dirty Habits" EP
What an anomaly! An English clone punk group from
California
. Even if the singer is English, and he'd
better be with an accent like that, there's no excuse
for the other members aping their Britpunk counter-
parts when they
' re from a state known for superior
hardcore bands . "Truth Comes Out" and "When You're
Young" work pretty well due to their speed, but the
others aren't worth talking about
. (JB)
(Reckless-no address)
DRED FOOL AND THE DIN - "So Tough/Sanctuary"
A
remarkably distinctive record, combining
the best
elements of the VELVET UNDERGROUND, LOVE,
and the
LEGENDARY STARDUST COWBOY
. With these raunchy points
of reference, this can only be described as "
psycho-
delic ." Wow! (JB)
0
0
FLIPPER - Generic Flipper LP
/ HEART ATTACK - "God is Dead" EP

Not Resur
rected
%
MEATMEN - "Blood Sausage " EP
/

A strong debut by a young New York band, "God is

Garage punk at its finest


. Only someone as smart as
Dead" is the first thrash punk song from the Big

Touch and Go fanzine editor Tesco Vee could be respon-


Apple, unless you consider the BAD
BRAINS
a New York / sible for something this trashy . With its gritty

/
outfit
. The other songs are fast but more traditional / sound and themes like infanticide, repressed sexuality,/
stylistically
. (JB)

/ and Beatlephobia, this EP is guarenteed to offend any- /


0
(Damaged Goods4l Wyngate Place-Great Neck, NY 11021)

one with a speck of decency, so buy two and send one


HUSKER DU "In A Free Land" EP
This band is one of the hottest, most awesome bands /

~ I "
to ever walk onto a stage
. They are not to be missed .

MERCENARIES - For Hire"


q Their first single was weak, and their LP was hard to
/

Medium tempo SF punk with anti-war lyrics (I think), /


/ make out, but this new single comes closest to cap-

0 a few experimental touches (especially on "Mercs for /


/ turing their raw, grating, high-speed velocity.
Great! (RS)

0 Hire"), and a guitar that could use a helluva lot


more distortion . The main problem here is the lack
(New Alliance-P .O.B
. 21-San Pedro, CA 90733)

of any discernable passion


. (JB)
/

% (no address)
JODY FOSTER'S ARMY - "Blatant Localism" EP

/
/ to the moral puritan of your choice . Me, I'm sending
MINOR THREAT - "In My Eyes" EP

e
'y
e
/

Weirdly-structured guitar raunch crammed with cyni- /


/ sents the better aspects of the current line-up :

/ cism
. Some of the cuts are fast ("Red Brigade
"
) and

/
more thrash out songs with good social commentary

some are slower with herky-jerky rhythms, but all of

/
/ lyrics . A pleasant surprise
. Side 2, on the other

them stimulate thought . The vicious critique of fash- 0


$ hand, is a live recording, and is more typically

ion-clone punks ( "Mohawk Man") is alone worth the

/
heavy-handed and nihilistic . At least most of the

price . (JB)
0
good songs are all on one side . (TY)

: 1 /A (Pravda-P.O.B. 9609-Seattle, WA 98109)


(I .C.I . Records-P.O
.B . 321-Hollywood, CA 90028)
"/ MISUNDERSTOOD - Before the Dream Faded LP

/
/ LOS REACTORS - "Be a Zombie/Laboratory Baby "
/

An extremely talented 60's band from Riverside, CA

/
Like their first 7", this is garage pop from the

/ that eventually emigrated to England to seek fame,

/
deep midwest. I'd classify it as garage punk if the

/ fortune, and appreciation. This album, which contains 0


guitar overwhelmed the Farfisa-type organ, but it

/ some valuable unreleased material, showcases their

0
/
doesn't so I won't
. Pretty good in an unremarkable
0 powerful, guitar-oriented group with Asian influences /
way, and the critical anti-conformist lyrics to

in the YARDBIRDS' vein . Innovative records like this


"Zombie" prove that these Okies aren't from Muskogee
.

-don't age with the passage of time . (JB)

/
(JB)

(Cherry Red-53 Kensington Gardens Square-London W25BA) 0


0 (P.O.B. 14046-Tulsa, OK 74104)

0
LOST CAUSE - "Born Dead" EP

/ OCTOBER
DAYS - "West Coast/Don't Give Yourself Away"
0

Superior thrash punk from So .'Cal . with a roaring

/ A really cool debut


. "West Coast" is a satirical

0
0
0 sound and more punch than most in a genre known for

/ look at the California punk phenomenon which paradies 0


hitting power
. Need I say more? Highly recommended .

/ the ADOLESCENTS' "Kids of the Black Hole ." The flip


i
/
is more strong mid-tempo punk with a short bridge
(High
(JB)
Velocity/no address)

/ that reminds me of the TURTLES! Recommended


. (JB)
mmmt miii

0
(Clutch-12 Marvel Rd
.-New Haven, CT 06515)
q
mtimm 4 $'III
MDC - Millions of Dead Cops LP

NNNNNN mi
/

MDC, formerly the Texas STAINS, are one of the most / 100 FLOWERS -
"Presence of Mind" EP

/
0
politically-aware punk bands around today, and this
0
record has enough food for thought to gorge the aver-

I read that the URINALS decided to change their name /


0 age listener with ideas . The music is exceptionally

/ so they could get gigs, but apparently it also sig-

naled a change of musical direction . Only the speedy

0
0
attack, a combination that can be disorienting until
0 "
Dyslexia" reminds one at all of the old URINALS on

0
the material becomes more familiar . My one complaint / this EP : the others are examples of their slower neo-
/ is that the mix emphasizes the vocals at the expense / psychedelic approach . Personally, I'd prefer the

/
0
of the guitars, but this is still one of the year
'
s

return of the greatest garage band in the world, but

/
best albums . (JB)

'then what do I know?


(2440 16th Street-Box 103-San Francisco, CA 94103)

0 (Happy Squid-P .O.B . 64184-L


.A ., CA 90064)
/ a copy to Senator Jesse Helms (R-North Carolina).
(JB)
0 (Touch and Go-P .O.B. 26203-Lansing, MI . 489091
0

Phoenix skateboarders thrash


out and come up with

/
Awesome thrash punk from D .C . This band has the

/
0
an EP full of classy teenage punk anthems
. The guitar
0 kind of power and commitment that most groups only

/
0
0
could be more grating, but the songs are fast, catchy, / dream about
. Not only does this blast right off the

/
and pretty damn funny ("Beach Blanket Bong-Out") .

0
turntable, but the songs really stand out . One of
Check it out today, and skate your troubles away .
(JB) / the two or three best releases of 1981, no doubt
(JFA-c/o M. Cornelius-PHENIS-527 W
. 13th St .-Tempe,

/ about it. (JB)


AZ 85281)

/ (Dischord-3819 Beecher Street NW-Washington, DC 20007)


MR . EPP AND THE CALCULATIONS - "Of course I'm Happy,

/
LEWD - American Wino LP / Why?" EP /
0

First release from them in two years


. Side 1 pre-
4
/ORBITS - "Make the Rules/Phenomenal World"
t
If you long for those great Irish punky pop groups
/like the UNDERTONES, RUDI, and the MOONDOGS, you'll
t
love this one
. In addition, this Wisconsin bunch is
p
that rarest of birds- a political pop band ("Make
O
the Rules") . A minor classic in a currently neglected
/ subgenre . (JB)
O (No . 1-no address)
0
O
OOUTLETS -
"
Best Friends/Bright Lights"
Power pop with real power
. Loud, jangling guitars
O
and exceptional catchiness make "Friends" one of the
/
best examples, of this style in a long time
. The flip
is more mundane, but the OUTLETS are getting better
/with each release . (JB)
O (Modern Method-268 Newbury Street-Boston, MA 02116)

% TSOL - "Weathered Statues" EP


0
OVENMEN - "Collector's Edition" EP

A huge disappointment . This is so lame it's hard


to believe TSOL put out one of the best punk EPs
q
Fast synth-drum machine music with politicized / of 1981
. "Man & Machine"
is alright punk,"Statues"
O
lyrics, sort of like punk without guitars . Interest-

/ is embarassingly wimpy and pretentious, and the


/ ing, but not for the narrow-minded . (JB)

others sound like substandard out-takes from the LP.


0(L.
Lopes-144 Broadway-6th floor-Williamsburg, NY 11211)

(JB)
(Alternative Tentacles-P .O .B . 11458-S .F ., CA 94101)
q REJECTORS - "Thoughts of War" EP
q
Wild thrash punk in the FARTZ tradition, minus the
/ distinctive songwriting
. For some reason, only "Fight

A strong release of exceptional historical interest, /


/ Establishment" and "Go Die"
really stick in my head

0 but one that's a bit erratic and not always up to the


0
q
later, probably because of their strong choruses
. / standards set by Dischord's awesome 7" catalog . This /
/ Still, this EP is raw as hell and has great lyrics
.

record includes out-takes from all the core bands, as


well as a sample of material by defunct bands like
0
the UNTOUCHABLES and newer outfits like those on Side /
2 . The thrash material ranges from good to great
(MINOR THREAT, YOUTH BRIGADE) and the experimental
punk of RED C and VOID is noteworthy for its power
and originality . Oi clones IRON CROSS are a bad joke
and the grooves are too compressed to yield maximum
power, but these are minor gripes about a hot comp-
ilation . (JB)
(Dischord)
(JB)
PA
0
VARIOUS ARTISTS - Someone Got Their Head Kicked In LP
0

An anti-violence compilation from the kids at


/ Better Youth Organization- the folks that put on show : /
0 at Godzillas . Features tracks from L .A ., Santa Barbar, /
0 and San Diego bands SOCIAL DISTORTION, JONSES, YOUTH

0
/ BRIGADE, AGRESSION, ADOLESCENTS, BLADES, BATALLION OF /
SAINTS, and BAD RELIGION . Strong album, but not as
/ thrashed-out as one might expect- tending more toward /
0 the melodic, but still hard
. Great production
. Pick /
0
it up . (TY) i
/(BYO-P .O.B. 67A64-L .A ., CA 90067)
/
/ VARIOUS ARTISTS - This is Boston, Not L
.A
. LP
0
This one ' s probably the best U .S . harcore compi-
lation available . The material of course varies in
/ quality, but all of it cooks . It's pretty hard to
0
choose, but GANG GREEN has the fastest and most
intense thrash attack, though JERRY'S KIDS come
0 close . On the other hand, the PROLETARIET and
Bikini
Bomb
SOLIDARITY - "Disarm/Destiny
"
0
0

A ska-ish band from So Cal . I was prepared to hate
this, but it's not all bad
. "Disarm" is fairly
0
straight ska, but "Destiny" is an engaging ska-punk
/ fusion with a super fuzz guitar
. Progressive lyrics
provide a further bonus, so check it out
. (JB)
/ (Marco Tostado-2604 Vuelta Grande Ave .-Long Beach,
/ CA 90815)
TEENAGE POPEYE - "Modern Problems" EP
0

"Life is Cheap"
is cool garage punk with hilarious
lyrics, and "Expectations" is punky enough to be OK.
0 The rest is basic rock of the most boring type . (JB)
0
(Alien Nation-716 W. Yardell #8-El Paso, TX 79902)
VARIOUS ARTISTS - Flex Your Head LP
/
A thinking person's punk 45 from Philly
. Two polit-
ically sophisticated songs, one a thrasher ("Apathy
" ),
O
land the other slow and measured with a focus on the
q
half-spoken, half-sung vocals . Recommended . (JB)
q (P .O .B . 37-Upper Darby, PA 19082)
SAVAGE CIRCLE - "Kill Yourself" EP
q
Short snatches of New York thrash with heavy echo
q
on the vocals . Not particularly original, thematically
/ ("Hardcore Rules") or musically, but such efforts
still deserve support.
/ (2329 Vance Street-Bronx, NY 10469)
q
SEDITIONARIES - "Wherewolf/Shapes "
/
"Wherewolf"
is yet another entry in the So Cal
shock-humor-punk sweepstakes
. It's pretty good if
/ you like that genre, and I guess it was inevitable
q
that LA punk would branch out somewhat . "Shapes" is
q a pedestrian punk cover of the old YARDBIRDS'
q classic . (JB)
/ (Rabid-no address)
/ SHELL SHOCK - "Your Way" EP
A strong new release from the only real underground
/
0
0
label in New Orleans . This EP offers ' 77-type punk
with a bite . Worth your attention
. (JB)
/ (Vinyl Solution-4304 James Dr .-New Orleans, LA 70003)
SOCIETY SYSTEM DECONTROL - The Kids Will Have Their Say
/ LP
/ Boston is happening! SS DECONTROL fired the shots
/ heard ' round the world and generated a thriving hard-
0 core scene . This great album shows why, with its fer-
/ ocious thrash assault, committed delivery, and
intelligent radical lyrics
. Fan the flames! (JB & TY)
(X Claim/Dischord-8 Longwood Rd .-Lunn . MA 01904)
(1112 South 21st Place-Seattle, WA 98148),
/ SADISTIC EXPLOITS - "Freedom/Apathy
"
/
We ' re in no position to be objective about this one, /
since we compiled it . All we'll say is that it fea-
tures 47 No
. Calif . & Nevada bands (a few known else-
where, most not), and ranges from hardcore to garage . /
All cuts previously unreleased
. Comes with 48-page
0
zine on the bands . (TY)
(Alternative Tentacles/Faulty)
- VARIOUS ARTISTS - Not So Quiet on the Western Front
Double LP
0
F .U.'s (especially "Preskool Dropouts "
) have the most ! YOUTH GONE MAD - "Oki Dogs" EP
/perceptive lyrics
. The FREEZE combine original
lyrics with intelligent content, and DECADENCE weigh
0

LA punk with female lead vocals


. Stylistically,
0 in with a critique of mindless, ultra-violent

0 it fluctuates between modern thrash and more tradi-


0
slamming . All in all, a great introduction to

tional punk . Surprisingly good for unknown band,


0
Boston's finest (excepting SS DECONTROL, who don't

and the song about Oki Dog- the infamous punk


/ appear here) . (JB)

grazing ground- is hilarious . (JB)


/ (Modern Method)

0 (no address)
0
ZERO BOYS - Vicious Circle LP
/

The best band from Hoosier territory since the PANICS


/

LA Satanic chic by 45 GRAVE ' S lesser shadow


.

/ and the early GIZMOS The ZERO BOYS have managed to


/ "Become a Pagan" is a fast haunting chant with

0
combine elements from the 60's punk-STOOGES axis of

/
0
spooky vocals that would provide an excelllent

0
their first EP (especially the great vocals) and 80's /
soundtrack for pagan ritual dancing . The rest are

/ thrash without losing anything in the process


. This

/
/ slower dirges better suited to luded-out covens
. (JB;

well-recorded album is varied enough to hold the


0 (Mystic-6277 Selma-Hollywood, CA)

/ interest of punk afficiondos from all eras, no small

0
/ achievement . (JB)

/
WHOOM ELEMENTS- "Of Love/Men in Politics
" / (Nimrod-P.O .B
. 20052 Indianapolis . IN 46220)

/
A fantastic group with a chunkier sound and a
0
slightly slower thrash attack than MINOR THREAT.
"Pay No Attention" is an awesome musical steamroller
/ and this EP would be perfect if they'd included the
0 classic " I Object, "
but you can ' t expect everything.
0
(JB)
/ (Dischord)
0
ANTI-ESTABLISHMENT - "Future Girl/No Trust"
Standard UK punk, slow and passionless . "Future

Girl" has a unique intro and a cool 60's guitar break,


/ but on the whole this effort isn '
t as strong as their
/ " 1980" debut . The vocals sound like Gene October of
CHELSEA . (JB)

/
(Glass-4 St
. Chads Road-Chadwell Heath-Romford-Essex
RM6 6JB)

/
ANTI-NOWHERE LEAGUE - "I Hate People/Let's Break the
p
Law"

/
0
Reactionary bikers posing as punks put out a second /
/ heavy metal 45 as pathetic as their first . All the
record industry hype and rich backers in the world
won't make these do-dos popular unless punks have
e ome as un s rimina ng as co
(JB)
/
(WXY-distributed by Faulty)
/,,
ANTI-PASTI - "East to the West/Burn in Your Own
0, Flames"
b c di c ti nventional rock fans
.
CHAOS - "Burning Britain" EP
A wild thrash attack makes this one a necessity.
Better than 90% of the current crop of Britpunk . Why
are there so few bands like this over there? (JB)
(Riot City)
/
VOX
POP - "The Band, the Myth, the Volume " 12" EP
q
This female trio from Austin play melodic, harmonic
/ music . But underneath that soft exterior are fine

The ZIPPERS return with a whimper rather than a


/ poets who say the obvious but not so obvious . "Men it
/ bang, as might have been expected
. This is undis-
Politics" is a gem . (RS)

0 tinguished pop-rock without the faintest glimmer


(ESG-Austin, TX)

/ of originality . Ray Manzarek ought to be ashamed


of his sickly production . (JB)
0
0
WIPERS - "Romeo/No Solution "
(Rhino-11609 West Pico Blvd.-L .A
., CA 90064)
q
This band sucessfully combines punk and hardrock, /
much like early generation X and SUICIDE
. Some tasty
0
guitar work and nice fuzz, One of the few bands to
/ make longer songs tolerable
. B side is weak, (TY)
i (Trap Records-P .O .J. 42465-Portland, OR 97242)
0 YOUTH BRIGADE - "Possible" EP
0
0
/

/
'AP
ZIPPERS - "I'm in Love" Mini LP
British Weakness Draws Attack
U
.K.
I'm not all that impressed with cur-
rent Britpunk . There are loads of new
English releases, but most of them lack
ferocity or originality . This is not
meant as a blanket condemnation, only
as a general observation . There are some
incredible UK groups, but they can eas-
ily get lost in the shuffle of unorig-
inal material ,a situation which is par-
tially attributable to the uncritical
attitude adopted by people like Giry
Bushell.
This is an accepted hart of
the English masochistic
life"
/
/
ATTAK - "Today ' s Generation " EP

Representative English punk circa 1982, with gruff


Oi-influenced vocals grafted onto a typical punk

/
background . "
No Escape " is fucking hot, the rest
merely ordinary . (JB)
(No Future-3 Adelaide House-21 Wells Rd .-Malven,

/
/
/
/
/
/
/
///
Worcs .)
BLITZ - "Never Surrender/Razors in the Night"
The best of the "skunk" bands comes up with a
second terrific release . On this one the guitar
sound isn't quite as heavy and dense, but it's more

than compensated for by the accelerated tempo.

A must . (JB)

(No Future)
7
/ Another excruciatingly boring release from this

/
/ over-rated band . Their attack is a slow-motion one, /
/ and I can hardly stay awake till its conclusion . The
/ wimpy pop sound on this 45 makes it even worse than
their usual offerings . (JB)
/ (Rondelet-98 Marples Ave .-Mansfield Woodhouse- /
Nottinehamshire)
4
BUSINESS - "Smash the Discos" EP
Generic Oi with a five-year old theme and a banal
sound
. Too little, too late . (JB)
(Secret)
0
CHRON GEN - "Jet Boy, Jet Girl" EP

/ EXPLOITED - "
Attack/Alternative"
y Super lame
. Boring songs, weak guitar, and a general
00
The new release by the UK version of the PLASMATICS
/ lack of imagination make this a waste of vinyl
. CHRON

may contain the best song ever written ( "Alternative") ,O


GEN were much better on their debut EP, before they

with its snappy hook-laden chorus, raw power, and-

~ 0
allowed themselves to be
overproduced . Live
and learn .

perhaps strangest of all- intelligent lyrics . Unfor- /


(JB)

/ tunately, the flip exemplifies their usual mediocre

/
/ (Secret)

'7 standards . (JB)


(Secret)
DEADMAN'S SHADOW - "Bomb Scare " EP

I
/ EXPLOITED - Troop of Tomorrow LP
/ This group's first EP had a certain charm which they /

can't /
/ have now replaced with a leaden sound like that of

Lots of really fast H .C . stuff here, but you c


/

tell what they're singing about- no lyrics sheet . But


label-mates ANTI-PASTI . The result is pretty non-
/ descript
. maybe it's better this way
. I'm afraid to know what
(Rondelet)(JB) these 'geniuses' are saying. Cover says it all
. (TY)
(Secret)

.
GBH - "NEP
/

A
great record that sounds exactly like CRASS at
/ their vitriolic best
. I'd swear it was CRASS if I
/

GBH are real fast and real powerful, but for some/
didn't know better, but I am convinced that CRASS
/ reason I'm not wild about them
. Their songs just are /
have mastered the cloning process. Seriously, this-
not that distinctive and I have a nagging feeling
/ is intelligent raw noise with a militaristic beat,

that they're all form and no content . Even so, "No


so march out and buy it .

Survivors" is one of their best efforts to date . (JB)


/ (Crass-c/o Rough Trade)
(Clay)
0
DISCHARGE - Hear Nothing See Nothing Say Nothing LP

7
GONADS - "Pure Punk for Row People"
EP
Doom with a very fast beat
. Don't say that these

Very clever and very funny, but all too typical


guys didn't warn us if someone drops the big one,

/ from a music standpoint . Except for the thrashed-out /


/ because this is the second LP (they also have four

"Got any Wriggleys, John?", it's the humor that makes


/ 7"ers) that hammers away without mercy at the poten-

/
/

/ this one stand out


. (Note the award-winning title :

/
/ tial hell of nuclear holocaust
. The songs here tend

/ "I Lost my Love to a UK Sub") . (JB)


/
to be a bit similar (repetitive riffs and some heavy- / (Secret)
/ metal guitar), but the delivery is so powerful, the
/ words so convincingly committed, that it's a winner .

/
/

/ INFA-RIOT - "The Winner/School's Out"


Much like watching a huge fire- horrifying, but
/ riveting at the same time
. (TY)
By no means special, but a vast improvement over
/ (Clay Records)
their first HM-punk release . Increased speed is the
differentiating factor rather than improved song-
/

but it's too slow to keep up with their first thrash /


/ (Disease-559 Merrier Rd .-Sheffield)

/
/ EP . Thematically sound but musically average, and I

/
could do without another version of the HEARTBREAKERS'
/ DISORDER - "
Distortion to Deafness" EP

"
Chinese Rocks . " (JB)
/
A bona fide
classic, manic thrash punk of the most

(No Future)
is
EP demonstrates that DISORDER is

"Think of England" EP

/ /
intense kind . 'th
/ the very best punk group in the UK and the only one

INSTANT AGONY -
/
that can even approach Yank outfits like MINOR THREAT Your basic English punk here- steady beat, drone
and the FART`!, in terms of sheer power
. If you get
only one English

/ guitar, political protest lyrics


. B side "Working
/

record from 1981, this should be


/

/ Class" is catchy . Good looking sleeve, but best part /


it . (JB)
/ is the name of the label . (TY)
/ (Disorder-18 Woodburgh Rd
.-Easton-Bristol)
A/d
/ (Half Man, Half Bisquit-no address)
ERAZORHEAD - "Shell Shock/She Can Dance"

LORDS OF THE NEW CHURCH - "New Church/Livin on Livin'"


RAMONES clones who sound more like the LURKERS
except for some obvious vocal touches
. Even so, these
are the type
of good poppy tunes that "
da brudders"
don '
t seem capable of producing these days
. I guess
that ' s a recommendation
. (JB)
q
(Flicknife-82 Adelaide Grove-London W12)

EXPELLED - "
No Life, No Future"
EP
I would have thought
it premature, but here ' s a
/ band that ' s
inspired by VICE SQUAD . Even though "What
/ Justice"
is super fast and catchy, one VICE SQUAD is
enough, thank you . (JB)

(Riot City)

DISEASE - "No Future/I Know How"


Disappointing . Tha sound is certainly

Y
enough,
/

A bunch of losers from the DAMNED, DEAD BOYS, and


/ DIRT - "Object Refuse, Reject Abuse"
EP
/
writing . (JB)
to sue them for
false advertising . (dB)

With a name like DISEASE and a song title like "No


V
(Secret)
Future, "
this record has to be punk, right? Wron
g, / INSANE - "El Salvador" EP
it's weak post-punk with squeaky-clean guitars
. This

/
is about as wimpy as ORANGE JUICE, so someone ought
heav

/
/ SHAM 69 band together and prove they
' re not has-
beens
. This is a really original record featuring

/
irresistable hooks, tasteful psychedelic guitar work /
and enough snottiness in the vocals to hold down the
/ pretension . A pleasant surprise
. (JB)

(Illegal)

PARTISANS - "17 Years of Hell" EP


4

Its got those UK punk choruses OK


. Straight ahead
/
delivery, but not as supercharged as their first
release. (TY)
(No Future)
1 :

- . .nne . rom t e
ET . 'I
Pub" EP

S
/

(
l
Great funnypunk with a powerful sound and Oi
0
vocals
. This is the kind of record that it's up-
g
0
roariously fun to sing along with, especially if
you.'re drunk . (JB)
(No Future)
REVIEW - "England's Glory/Greatest Show on Earth
"
A mod-punk hybrid which is kind of catchy but too
0
wimpy to have much impact . At least it
' s different.
0
(JB)
g (All the Madmen-47 Hallam Rd
.-Clevedon, Avon)
RIOT/CLONE - "There's No Government like No Government
"
O
EP
q
A new political punk group whose music isn't yet
/ wild enough to shake you up, though
"
Death to Hu-
0
manity" comes close
. "Bottled Oi" is notable for
4
its ironic feel and its vicious critique of Oi
mindlessness
. (JB)
p
(401 Normanhurst-Feltham Hill Rd
.-Ashford, Middlesex)
q
RIOTOUS ASSEMBLY - LP
4
Cuts by UK groups VICE SQUAD, ORGANIZED CHAOS,
/ ABRASIVE WHEELS, COURT MARTIAL, CHAOS UK, DEAD KATSS,
j RESISTANCE '77, HAVOC, MAYHEM, EXPELLED, T .D .A .,
UNDEAD, LUNATIC FRINGE, CHAOTIC DISCHORD . A few
previously-released tracks, most not . Pretty good
. collection . Favorites are by HAVOC and CHAOTIC D.
(TY)

.
(Riot City)
A better recorded 11-song follow-up to their first
release, but loses speed and rawness in the process.
A bit more post-punk influence here, and a bit more
repetitive, but still strong . (TY)
(Crass Records)
SPECIAL DUTIES - "Police State" EP
The third 7" from one of my favorite Oi bands.
Though their amazingly gruff vocals and speedy
tempo again lift them above the usualfare, none of
these tracks is as irresistably catchy as "Violent
Society . " (JB)
SUBHUMANS - "Big City" EP
"Big City" is a really outstanding
with a ' 77-style chorus
. The rest is generic English
punk rock.
(Spider Leg-distributed by Rough Trade)
TOTAL CHAOS - "There are no Russians in Afghanistan
"
An oddball release from a new funnypunk group
featuring brilliant satire ("
No Russians" ) and a
snarling song sans guitars and bass ("Revolution
#10")
. Atypical and recommended for that reason.
(JB)
(Volume- distributed by Red Rhino)
TRANSISTORS - "Riot Squad" EP
A strong debut for this group
. Real fast stan-
dard punk throughout, none too original,but better
than most
. (JB)
(Open Circuit-no address)
Depressing . Once a great guitar-heavy pop band,
RUDI has now resorted to sickening keyboards . Just
because the UNDERTONES added strings doesn't mean
that it's OK for other Irish groups to get wimpy.
Shoot the synth player . (JB)
(Jamming-45-53 Sinclair Rd .-London W14)
RUDIMENTARY PENI - "Teenage Time Killer
" EP
One of the truly magnificent records of 1981,
which inexplicably received almost no media atten-
tion. 12 thrash garage tunes (a new subgenre) like
the best of the MEAT PUPPETS, but with political
themes
. It's really too great for words, so get it
if you can find it.
(no address)
Other

,gy
m
This section includes releases from
Canada, continental Europe, Scandinavia,
Australia, New Zealand, South Africa (! ),
Mexico and anywhere else
. This section
will invariably be smaller than the oth-
ers, mainly because records from these
areas are poorly distributed and we often
have trouble getting ahold of them
. I`ve
liked a
lot of what I have heard, but I
can not do much unless more people send
us copies to review . Please contact us!
A band that's really deteriorated since their first
two EPs
. This new one, though not as bad as its
immediate predecessor, barely halts the downward
spiral
. Beki seems bent on taking the same route as
Siouxie, and the band appears content to follow
lamely along
. Only "Tomorrow's Soldier" packs a
real wallop because of its straightforward nature
and louder guitars
. (JB)
(Riot City)
VIOLATORS - "Gangland/The Fugitive "
Whether you call this slow punk or fast post-punk,
it's got a certain flare
. The buzzing guitars in
"Fugitive" are attention getting, and the melody
line sticks in your head . Give it a listen . (JB)
(No Future)
Manic thrash punk with gravelly Oi singing . With
its speed and intensity, this is probably the best
record yet from Sweden
. They thank BLACK FLAG, the
DEAD KENNEDYS, DISORDER, and Dischord Records on
their info sheet, which should give you some idea
of their influences . (JB)
(Malign Massacre-Box 9004-Uppsala 9-Sweden)
Possibly the fastest thrash garage punk ever re-
corded
. So fast that the music cannot be structur-
ally confined and sometimes degenerates into total
noise . Some might think it ' s too fast, but I really
like the NEOS
'
combination of aural chaos and poli-
tical conscience
. (JB)
(c/o Steve-1706 Mortimer-Victoria, BC-Canada V8P 3A8
NO T L
.A.
D
A DP
BOSTON
HARDCORE EP
B songs by
Jerry's Kids, The
O ~~0 PEED
Freeze,
F
.U
.'s, The Groin-
Modern Method Records o
;ds_and pang
268 NewburySt .

Green
Boston, MA 0 2116

$3
.0 0 ppd.)
THIS IS
BO STO N
30 Hardcore
tracks from Bos-
ton's Best
Available now
65
.0 0 ppd
.)
( The F .U .'s
MAX IMU MRO C K N RO LL
ews
K PF AS.F . BAY AREA 94.1 F M TU ES 9PM
K F C F F RESNO C A 88.c F M TU ES 9PM
K PF K LO S ANGELES C A 90 .7 F M SAT MIDNIGHT
K PF THO U STO N TX 90 .1 F M WED 1PM
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PAESEATS
PRESENTS
NO T So
QUIET oN
M
DUUII Ir I~U1L R O C X 'N'R O II
A X IM UM
DIE WESTF
. 1f oMT
47
N
.- calif.
0
NEVADAPUNK
Bands
LEADKENNEDYS/FLIPPER/INTENSIFIEDCHAOS/SOCIAL UNREST
VICIOUS CIRCLE/CHURCH POLICE SECTION8 VENGEANCE/NBJ
DEADLY REIGN/NO ALTERNATIVE URBANASSAULT/SCAPEGOATS
LOS OLVIDADOS/CODE OF HONOR 7 SECONDS/IMPATIENT YOUTH
CAPITOL PUNISHMENT/RIBSY/ FIX/SQUARE COOLS/WRECKS
BADPOSTURE/PARIAH/LFMNOWER/DEMENTEDYOUTH/MANIAX
JUVENIL JUSTICE/TONGUE AVULSION/UXB/ANGST/MIA/KARNAGE
UNAWARE/5thCOLUMN/CHOST DANCE/REBEL TRUTH/BENT NAILS
M.A
.D
./NAKEDLADY WRESTLERS KILLJOY/FANG/FRIGIDErTES
DOMINO THEORY/WHIPPING BOY FREE BEER/MDC/k50 PG, ZINE
S6aNnT
`,-
~
HARDC O RE
JULY 21
HUSKER-DU fromMinnesota
REJECTORS fromSeattle
DOMINO THEORY fromS.F.
FRIGIDETTES fromFresno
CAMBODIANKIDS fromFresno
O N BRO ADWAY
AT the
JULY 28
SOCIAL UNREST fromHayward
BATTALIONOF SAINTS fromSanDiegc
KARNAGE fromFairfield
INTENSIFIEDCHAOS fromEerkeley
MINORITY fromCupertino
AUGUST 4
SOCIAL DISTORTIONfromL.A
.(tent.)
YOUTH BRIGADE fromfromL
.A.(tent .)
AUGUST 11
GOVERNMENT ISSUE fromD.C.
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. C.
T
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