Jubilee church, sebuah gereja yang dirancanag oleh Richard Meier yang terketaj di luar pusat Roma. Paved sagrato to the east of the church extends into the heart of the housing complex. The materials used in the portico--the paving, the wall cladding and the liturgical furniture--allude to the body of Christ's church.
Jubilee church, sebuah gereja yang dirancanag oleh Richard Meier yang terketaj di luar pusat Roma. Paved sagrato to the east of the church extends into the heart of the housing complex. The materials used in the portico--the paving, the wall cladding and the liturgical furniture--allude to the body of Christ's church.
Jubilee church, sebuah gereja yang dirancanag oleh Richard Meier yang terketaj di luar pusat Roma. Paved sagrato to the east of the church extends into the heart of the housing complex. The materials used in the portico--the paving, the wall cladding and the liturgical furniture--allude to the body of Christ's church.
Jubilee Church, sebuah gereja yang dirancanag oleh Richard Meier yang terketaj di luar pusat Roma.
Tapaknya yang berbentuk segitiga diartikulasikan dengan tiga cara,
1. Membagi wilayah suci di selatan, dimana nave terletak 2. Memisahkan pejalan kaki dari perumahan disebelah timur 3. Memisahkan pejalan kaki dari area parkir di barat
The paved sagrato to the east of the church extends into the heart of the housing complex and provides an open plaza for public assembly. The northern half of the site is divided into two courts: the eastern one is below ground by a full story, providing light and access to the lowest floor of the community center. Behind the church, the elevated western court is separated from the adjacent meditation court by a paved walkway that leads to the parking area. The proportional structure of the entire complex is based on a series of squares and four circles. Three circles of equal radius generate the profiles of the three concrete shells that, together with the spine-wall, make up the body of the nave. While the three shells imply the Holy Trinity, the reflecting pool symbolizes the role played by water in the sacrament of Baptism. The materials used in the porticothe paving, the wall cladding and the liturgical furnitureallude to the body of Christs church while referencing the fabric of the adjacent residential area. Glazed skylights suspended between the shells are lit by zenithal sidelight, and the nave is enlivened by a constantly changing pattern of light and shade. The light is diffused over the inner volume of the church and varies according to the hour, the weather, and the season, imparting a particular character to the aspects of the
In the Jubilee Church, the three concrete shells define an enveloping atmosphere in which the light from the skylights above creates a luminous spatial experience, and the rays of sunlight serve as a mystic metaphor of the presence of God The Church's site is divided into four main parts: first, the precinct, including the church and community center; second, the northeast terrace; third, the northwest recreation court; fourth, the west parking area. Design and construction
Papal Coat of Arms of Benedict XVI The south side of the church features three large curved walls of pre-cast concrete. (The walls form segments of spheres.) Meier claims to have designed the church to minimize thermal peak loads inside. The large thermal mass of the concrete walls control internal heat gain; the result is less temperature variation, and supposedly more efficient use of energy. The walls also contain titanium dioxide to keep the appearance of the church white. Enrico Borgarello, the director of research and development for Italcementi, the company that designed the cement, claims that the cement destroys air pollution. According to Borgarello "When the titanium dioxide absorbs ultraviolet light, it becomes powerfully reactive, breaking down pollutants that come in contact with the concrete. It is particularly good at attacking the noxious gases that come out of a cars exhaust pipe.