Location and subject For our shoot we visited Cotswold Wildlife Park in Oxfordshire. Wildlife portraits are great for demonstrating how the aperture affects depth of eld; youll generally want a wide aperture, somewhere between f/2.8 and f/5.6, in order to capture a shallow depth of eld that makes subjects stand out from surroundings that are often busy and similar in colour. Aperture Priority mode To get to grips with aperture without having to worry about the shutter speed, set your D-SLR to Aperture Priority mode Av on your cameras mode dial. The great thing about Aperture Priority mode is that you can take full control of the aperture setting, and the camera will set an appropriate shutter speed to deliver a well-exposed image. Aperture and depth of eld To understand how aperture affects depth of eld, start by selecting the widest aperture available (the smallest f number). Take a shot, stop down to a medium aperture such as f/8 or f/11 and take another shot, then dial in a narrow setting such as f/22 and take another youll see a big difference between the shots in terms of how much of the scene is in focus. Shutter speed and ISO For optimum image quality set the ISO to 100. The camera will set the shutter speed, but if youre shooting handheld youll need to keep an eye on the shutter speed to ensure its fast enough to avoid camera shake and capture sharp shots. If your shots are coming out blurry, you can increase the ISO to get a faster shutter speed at a given aperture setting. Clone out distractions Duplicate the Background layer. The foliage in front of the red pandas face is distracting, so take the Spot Healing Brush tool and zoom in on this area. Tick Content Aware, and set the brush size to around 70 pixels. To clone out a long stalk, click at one end of it, then hold down Shift and click at the other end to clone out the whole stalk in one go. F-stops Aperture values are measured in f-stops, also referred to as f-numbers; f/2.8, f/4, f/5.6, f/8, f/11, f/16, f/22 and so on. Moving from one f-stop to the next doubles or halves the amount of light entering your camera. Shutter speeds operate on the same principle, so if you narrow the aperture by one stop, youll need to slow the shutter speed by one stop, say from 1/100 sec to 1/50 sec, to record the same exposure. The amount of light entering the camera will be the same at 1/250 sec and f/5.6 as at 1/125 sec and f/8, for example. Fast lenses Youll often see lenses referred to as fast or slow. How fast a lens is depends on its maximum aperture setting, and a lens with a wide maximum aperture, such as f/1.4 or f/2, is called a fast lens because it enables you to capture a good exposure while using relatively fast shutter speeds to prevent camera shake, which is a benet if youre shooting handheld or in low lighting. Fast lenses also enable you to capture a shallower depth of eld than standard lenses, so theyre popular for portrait photography. Phrase Book ACR adjustments Open the start image in ACR. On the Basic panel set Temperature to 4650 to warm up the image, and set Exposure to +0.55 to brighten it. Set Shadows to +54 and Blacks to +43 to lighten the shadowed areas, and set Contrast to +9, Clarity to +23 and Vibrance to +38 to boost the contrast and colour. Click Open to open the image in Elements main editor. PhotoPlus June 2014 | 67 Clone Stamp tool To remove the foliage obscuring the more detailed areas of the pandas face select the Clone Stamp tool. Make the brush a little bigger than the area you want to retouch, then Alt-click to sample clean areas of fur, and click-and-drag to clone these over the foliage. Dodge the shadows
Take the Crop tool, select Use Photo Ratio from the Crop menu, and crop in to remove some of the foliage on the left and make the panda larger in the frame. To bring out more detail in the dark fur, select the Dodge tool. Set Range to Shadows and Exposure to 15%, and dodge the darkest shadows, then set Range to Midtones and dodge the lighter areas of shadow. Add a vignette Next well add a vignette to darken the corners of the image and help draw the eye to the subject. Go to Filter > Correct Camera Distortion, set Vignette Amount to -43 and Midpoint to +35, and click OK to apply. Add a Levels adjustment layer, and set the Shadows slider to 9, Midtones to 1.04 and Highlights to 237 to boost the contrast. Sharpen the shot
Add a Brightness/Contrast adjustment layer, and set both Brightness and Contrast to 6. Next target the top layer, and press Ctrl+Alt+Shift+E to create a merged layer containing all the visible layer content and effects. Go to Enhance > Unsharp Mask, set Amount to 64%, Radius to 2 pixels and Threshold to 2, and click OK. Its not just the aperture setting that affects the depth of eld the focal length of your lens also plays a role, with longer focal lengths producing a shallower depth of eld. This is because, compared to short zoom settings, at longer focal lengths the frame will be lled with a smaller area of background, and so any background blur will be magnied too. A combination of a wide aperture and a long focal length will create a shallow depth of eld that will knock the background out of focus, but you still need to think about the background, and how far your subject is from it. The further a subject is from its background the more youll blur the background, but unless youre working with an obedient pet you cant position animals exactly where you want them,so youll need to think about the angle and viewpoint youre shooting from. Super Tip! Super Tip! How aperture affects depth of eld Only the subjects face is fully sharp areas such as the rear legs are slightly out of focus Wide Next issue Master shutter speed for great action shots Most of the scene is sharp, with only very near or distant areas noticeably out of focus Narrow Subject is sharp, and foreground and background areas are progressively defocused Medium