CONCLUSION TO TRITHEEYA CHARITA_ GLORY 3

Story-11
The devas led by Indra and Agni praise Koshi!i" This prayer i# $hi%h $e &i#d 'he poplar
verse Sarva mangala maangalye %o#'ai#s a series o& praises 'o 'he devi addressed as Naraya#i"
All her vibh'is are also praised here" She is re%o(#i)ed as 'he sbs'ra'* &or *obile a#d
i**obile o%%pa#'s o& %rea'io#" She is re%o(#i)ed as 'he very sap o& li&e" She is *os' evide#' i#
'he &e*ale o& 'he spe%ies" +I#%ide#'ally yo all shold &a*iliari)e yorsel& $i'h 'he $or!s o&
,oseph Ca*pbell" He %learly e-plai#s ho$ 'he %rea'ive pro%esses behi#d 'he %rea'io# a#d
#iverse are bes' represe#'ed by 'he &e*ale o& 'he spe%ies". Her be#i(# a#d her *alevole#' &or*s
are bo'h appealed 'o &or pro'e%'io#" /leased $i'h 'heir prayers 'he devi as!s 'he* 'o re0es' &or
boo#s" All 'hey re0es' is 'ha' &or 'he be#e&i' o& 'he 'hree 1orlds + bhoor2 bhvar2 svarlo!as. she
be 'here2 'o des'roy all %ala*i'ies a#d e#e*ies o& 'he devas2 i# 'he sa*e *a##er as she did
Sh*bha a#d Nish*bha"
The# 'he devi2 as i& 'o reassre 'he devas2 (oes o# 'o des%ribe o'her si'a'io#s a#d 'i*es $he#
she $old be *a!i#( hersel& appare#'" 3ri#( 4aivasva'a *a#va#'ara2 bor# &ro* 'he $o*b o&
Yashoda2 she $old des'roy '$o o'her Sh*bha Nish*bha asras $hile s'ayi#( i# 'he
4i#dhya%hal *o#'ai#s" The# she $old !ill a' a#o'her 'i*e 'he asras bor# &ro* 4aipra%hi''a"
A' 'ha' 'i*e she $old be %alled Ra!'ada#'i as her 'ee'h $old be red li!e po*e(ra#a'e $i'h
'heir blood" The# dri#( a period o& severe dro(h'2 %alled po# by 'he despera'e *#is2 she
$old appear $i'h a h#dred eyes + Sha'aa!shi. a#d &eed 'he* $i'h (ree#s bor#e &ro* her
+ Shaa!a*bari." A' 'ha' 'i*e she $old !ill 3r(a*asra $ho %ased 'his %ala*i'y a#d
he#%e&or'h she $old be !#o$# as 3r(a" I# 'he Hi*alaya# area she $old appear i# a (i(a#'i%
&or* %alled 5hi*a 'o save 'he *#is &ro* de*ise" A(ai# i# 'he &or* o& a s$ar* o& bees she
$old !ill Ar#asra" She $old be 'he# o# %alled 5hraa*ari" So i# 'his *a##er she $old
appear a(ai# a#d a(ai# &or 'he pro'e%'io# o& 'his $orld"
RELEVANCE
1. NARAYANI- There are many defnitions for this name however the one
that sits with me well is Naraanaam Aayanum that is the Refuge or Resting
place for man. ur ultimate rest is when we completely identify with the
!ivine in and around us.
". #tories pertaining to $hima% Ra&tadanti% !urga% $hraamari and
Yogamaya are found in the !evi $haagavata puranam.
SANKALPAM
SARVAA BAADHAA PRASHAMANAM TRAILOKSYAAKHILESHVARI,
EVAMEYVA TVAYAA KAARYAM ASMAD VAIRI VINAASHANAM
OH EMPRESS OF ALL. MAY IT BE YOUR WORK TO PLEASE DESTROY
OUR ENEMIES AND AFFLICTIONS, IN ALL THE THREE WORLDS, JUST
AS YOU HAVE OBLITERATED THE ASURAS NOW.
'e need to send a message to the universe in a collective way putting aside
issues amongst us that divide rather than unite us. It is the greater picture
that we have to address and the answer will surely come. (er assurance is
there. )very day a little at a time% increasingly we must learn to *ow with
the cosmic order% in our daily lives. This way the appeal +ecomes stronger.
The sanka!a" #$%en a&'%e $s n'( )*s( +', *s a'ne. We "*s( ,e-*es( $( +',
a, +', (he &ene.( '+ a.
PARAYANAM
Shakti pranava hreem kaarini namoh
Kaarana shareera nivaasini namoh
Taamasi devi namoh namoh
Shri taamasi devi namoh namoh
Madhukaitabha naashini namoh namoh.
Shakti pranava hreem kaarini namoh
Sthoola shareera nivaasini namoh
Tvishaa devi namoh namoh
Shree Tvishaa devi namoh namoh
Mahishaasura mardini namoh namoh
Shakti pranava hreem kaarini namoh
Sookshma shareera nivaasini namoh
Koushiki devi namoh namoh
Shri Koushiki devi namoh namoh
ShumbhaNishumbha Ghaatini namoh namoh.
q BOLO BHAGAVATI VISHNU MAYAA AMBAAJ !I JAI
CONCLUSION PART II
The devi %o#'i#es 'o 'he# elabora'e o# her $orship" Here is ho$ i' %a# be (roped"
TI6E
The bes' 'i*es 'o $orship are ash'a*i + 7
'h
l#ar day. o&'e# %alled dr(a ash'a*i2 #ava*i2 + 8
'h

l#ar day. %alled %ha#di!a #ava*i a#d %ha'rdashi + 9:
'h
l#ar day." The #avara'ri o& spri#( a#d
espe%ially 'ha' o& a'*# are (ood" 3ri#( epide*i%s a#d %ala*i'ies i' is par'i%larly be#e&i%ial"
6ANNER
O#e %a# do poo;as2 &eed 'he #eedy a#d 'he (ood2 %o#d%' hava#s i"e" <ire o&&eri#(s2 a#d bali
+a#i*al sa%ri&i%e o& 'he a#%ie#' days." All 'ha' is re0ired is #o' s!ill as *%h as 'he ri(h' a''i'de
&or her 'o a%%ep' s%h a orship"
5ENE<ITS
/rovides a (ood li&e2 &reedo* &ro* pover'y2 &a%ili'a'es &a*ily bo#di#( a#d re#e$al o& los'
&rie#dships" Graha a&&li%'io#s par'i%larly &or %hildre# $ill be allevia'ed" I' is be''er 'o %all (rahas
as %eles'ial (rippers 'ha# %all 'he* as pla#e's=
6OST I6/ORTANT <ACT "
The devi says 'ha' $he#ever 'his 'e-' is read a#d lis'e#ed 'o $e *s' !#o$ 'ha' her prese#%e is
ri(h' 'he# a#d 'here i'sel&" +This to me is the most important part of this entire text for this has
been my experience time and time again.)
Sayi#( 'his 'he 'he devi va#ishes i#$ards" No'i%e2 i# every i#s'a#' 'he disappera#%e o& 'he
3evi is (ive# i# Sa#s!ri' $i'h $ords s((es'i#( a disappeara#%e i#'o o#esel&" So 'here is #o'hi#(
o' 'here 'ha' is #o' &or*ed &ro* $i'hi# s"
Rishi 6edhas %o#'i#es 'o pi%! p 'he &irs' 'hread $here he rei'era'es 'ha' 'he devi is e'er#al a#d
#li*i'ed ye' she appears a(ai# a#d a(ai# &or agatah paripaalanaaya! &or 'he pro'e%'io# o& 'he
$orld" ,s' li!e Shri!rish#a i# 'he Gi'a $ho says dharma sumstthaapanaartthaaya
sambhavaami yugey yugey. 6edhas says 'ha' she bri#(s abo' 'his $orld a#d she %ases 'he
i#&a'a'io# $i'h 'his $orld " She is 6ahaa*aari + 'he (rea' !iller. dri#( 'he dissol'io#2 A;aa
+ 'he #bor#.dri#( i's bir'h a#d is Sa#aa'a#i+'he e'er#al. dri#( i's &#%'io#i#(" 1e shold
resor' 'o her &or a#y resol'io#"
RELEVANCE
Let us ponder over these thoughts.
,y world has me as an important individual. 'ith this triple +ody I am
engaged in this world. I e-perience the coming of things% the lasting of
things as well as the disappearance of the same.
I &now then whom to resort to who dwells within me and who manifests
outside of me too% for ultimate resolution.
q BOLO BHAGAVATI VISHNU MAYAA AMBAAJ !I JAI
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"ON"LUSION #INAL
Rishi 6edhas %o#'i#es 'o s((es' 'ha' bo'h 'he !i#( a#d 'he *er%ha#' 'a!e re&(e i# 'he devi
par'i%larly re*i#di#( 'he* o& 'he &a%' 'ha' i#'elli(e#'>$ise perso#s li!e 'he* are bo#d 'o be
delded by her po$er"
<or 'hree years 'he '$o s'ay #ear 'he ba#!s o& a river2 $orship her i# a varie'y o& $ays2 by p;a2
by &as'i#( a#d by blood le''i#(" <i#ally she appears a#d as!s 'he* 'o re0es' boo#s" Sra'ha as!s
&or 'he re'r# o& his !i#(do* a#d a&'er 'his bir'h 'o be able 'o have a !i#(do* 'ha' %old #ever be
'a!e# a$ay &ro* hi*" Sa*adhi $ishes &or s%h a !#o$led(e 'o be able 'o ha#dle 6y?#ess 'ha'
leads 'o bo#da(e" The 3evi 'ells Sra'ha 'ha' he $old re(ai# his !i#(do* i# a &e$ days" A&'er
his dea'h he $old be bor# 'o 4ivasva'a deva +'he s#. a#d be%o*e 'he 6a# Savar#i" A
*a#do* %a# #ever be sei)ed= Sa*adhi is (ra#'ed !#o$led(e 'o #ders'a#d 'he sel&" A&'er 'ha'
she *er(es i#'o 'he*" 6ar!a#deya %o#%ldes by 'he (ra%e o& 'he 3evi2 Sra'ha be%o*es 'he
*a# Savar#i.
PARAYAN
..............................................................................
.....
q BOLO BHAGAVATI VISHNU MAYAA AMBAAJ !I JAI
SH$ GU$U OM
Note to those doing the Uttama Upasana Padhati.
You have come this far only by Her Grace. Now I am going to share with you in all
humility that knowledge that is not covered in public sermons. At each important step
in this sadhana I would check with appropriate authorities in Kerala to make sure that
I was not ust imagining things. According to them I was going on a path not hitherto
revealed to those who had included the upasana of the !evi "ahatmyam in their
repertoire of upasanas including themselves. #hey also corroborated the authenticity
of the details of the manasa pua. $imilar uni%ue upasanas on other devatas & though
the e'ploration of these were shorter in duration( had yielded complete manasa pua
rituals that were very consistent with the devata. )'ample the *orship of
+aalanaaraayana, the Infant on the -ipal .eaf and $haakaambari. )ach upasana
paddhati was formali/ed into writing only after several years of abhyaasa and
anubhava.
I was advised in 0112 that it was time I released the !evi "ahatmyam pua to those
fit to receive. I was still very hesitant however after the Kalame/huthu 33that took
place in 4anuary in Kerala I realised that indeed if I did not do so I would be negligent
in my duty. #his 5ttama upasana was then decided6 strengthened by the needs of a
handful of students who love the "other.
I take no credit for any such knowledge that has come to me. I have the habit of giving
all the credit to my Kuladevata $hri "ukambika since the 7891s. $hree "ukambika is
an icon or murthi associated with my family starting with my father. #he temple is
located in Kollur6 $outhern Karnataka6 India. $he opened for me secrets of Her Glory
not known even to the priests who worship her in Kollur. $ince then any te't in any
religion6 that I wish to pursue6 would open up hidden truths. $o too any devata I
wished to do upasana to6 would facilitate entry and bonding. $he indeed facilitated
my entry into :arayana +uddhism and the Kabbalah too and now the $ufi tradition.
I do not consider myself a Guru instead I like to think I am a $ahacharee, a travelling
companion who will be on the path with the sadhak for the time being.
"y love for $anatana !harma as practiced in India has concretised itself into the
!evi6 an icon of $hree "ukambika that is now in )ugene6 whom I often call )5G)NIA.
After conducting 7; years of intense worship in .os Angeles. I have given Her away as
a foster mother would give away her precious daughter in the Indian custom. $hri,
:idya mukambika and is housed in a temple with other deities6 under the total loving
care of Arsha :ignana "andiram6 )ugene. #hrough the many traditional activities
conducted here6 $he continues to serve the needs of those who are from the land of
+harat and those who are drawn to its rituals in a deep way. #hough the connection is
deep I am no longer involved in the workings of the #emple there.
<ver years of sadhana in many paths originating from many lands I have the
conviction that some form or other of $anatana !harma has e'isted all over the
world. )ven though some mercenary religious movements have suppressed these
traditions6 they are not altogether lost. It is the essence of all of these that has been
concretised in the Goddess of the Green "ovement6 "other $haakaambaree& the =loud
that rains the Greens(.$he is an icon e'%uisitively carved complete with no e'traneous
adornments. Her residence is in -etaluma6 =alifornia6 in an Adobe !ome "editation
$hrine since 0171. #he emphasis here is not ritual but rather total and silent surrender
while seated singly within. #he shrine area also has a subterranean Yoni kundam for
fire offerings. A shrine to the ancestors of the land and the installation of Karma
purusha6 $ickle holding protector representing Karma are both to be installed soon.
Here in the privacy of Her presence6 one can
7. $eek refuge in the =omfort
0. +ask in the .ove
>. "editate in the -eace
?. Get charged with the )nergy that only the @eminine !ivine -rinciple can
provide.

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33
%%!alame&'(t'(
O# ,a#ary @'h2 A'h a#d 7'h2 BCC72 'he a#%ie#' ri'al o& Kala*e)h'h $as %o#d%'ed i# 'he villa(e o& Kla#(ara!o#a*
i# Thirva#a#'hapra* 3is'ri%'" <or 'he &irs' 'i*e 'he 'hree devis o& 'he Holy 3evi 6aha'*ya* as (lea#ed &ro* 'he 3@ D
years o& pasa#a by 4asa#'hi Gopi#a'h ,ayas$al +Cali&or#ia2 USA.2 $ere bro(h' 'o li&e by ri'alis's Shri A*balap)ha
4i;aya!*ar a#d <a*ily" Shri Sai /rasad Saras$a'ar o& 6ele*o# 6a''o* $as 'he Ta#'ri $ho o&&i%ia'ed" 3evi Shree
Thaa*asi2 3evi Shree Thvisha a#d 3evi Shree Koshi!i $ere dra$# a#d i#vo!ed $i'h &ll pa%haras as s'ipla'ed by
'his a#%ie#' ar' o& ri'al &loor %rea'io#s"
/raises s#( i# Sopa#a sa#(ee'a* las'ed #'il 'he $ee hors o& 'he #i(h'" Ea%h year a' 'his 'i*e #a*ely 3ha#*asa2 o#
,yesh'a2 6oola a#d /oorado* days2 o# 'his si'e $here Shri 6oo!a*bi!a 3evi S'ha#a* $ill be bil'2 'he lo%al villa(ers
pla# 'o %o*e**ora'e 'his sa%red eve#' 'ha' bro(h' %opios blessi#(s 'o 'he*"
EE
A si*ilar ri'al $as do#e &or Shree Shaa!aa*baree o# 'he &ll *oo# day o& posha *aasa* i# ,a#ary o& BCC8 i#
A*balap)ha a' 'he ho*e o& Shree 4i;aya!*ar $hi%h bro(h' 4asa#'hi a**aFs #i0e pasa#a 'o 'he real &or* o&
Shree 3r(a 'o %o*ple'io#"
Shubham bhooyaat
Updated on May- 3- 2010
Vasantiji