ALL

ROMANCES
Ml.
0k^
K
OCTOBER
10*
*
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'^'
"N
HEART
BANDIT
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ENGAGEMENT
and at^tr 'iscinafir
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COMICS
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ROMANCE
BUY ALL 8 AT YOUR NEWftTAND
ALL ROMANCES, October 1949, No. :
Springfield 1, Mhks. Editorial and
class mutter pending, it the Tost Office t SprlnKfivld. Mass.
arc baaed on tact, but names and placet
bi-monthly l.y A. A. Wvn, Inc. Om<-e of |iui>l i. Mt , 29 Wortlitiielon Street.
23 West 47ili Street. Syw York 1, N.
=
V. Ain'J m:U i.,n f-.r entry second
fictitious. Printed In the U.S.A. Copyright, 194U. by A. A. Wyn, Inc.
Gjapse--abbivep the Fouomns wegtr.
IT WAS WONPEBRIL TO SEE HEB ASAIHf
SHE WAS AS SBABXLIHS, LOVELY, AMP
VIVACIOUS AS EVEJC/
SO BO I.' BUT
WE'LL EITHER HAVE
10 PA MCE WITH
EACH OTHEE OK PIMP
us anotheb man!
SEOKSE H4T6STO
WINCE/ HE'S HOT
PERFECT/ JUST
mf
VOU'VE SOT A
BEAUTIFUL HOME, SUE/
^Ll GATHER SEOZSE IS
J
^m- JUST AS SUCCESSFUL
M AS HE IS HANP60ME.'
^L I
ENVY YOU.'
f
' 1 HOPE YOU'LL
Y^
like youk toe*.! X'.i
IT'S THE 6UNNIEST
p
^
W THE HOUSE/ /==
p-
j-^c'j
V
7?~^?^
B^-
. .: r
i
5
1
_s 2.1
jj
S
ffjAPSE WAS A BIT TOO SENEBOUS WTTH HEB FLATTgB1~
AMP MOKE THAU ONCE SEOZSE BEPPENEP/ BUT I'M
SUItE Kg BATHgB UKEP IT.'
ElAPSE WASN'T A SIM. TO TAKE NOFOB AN ANSWEB!
1 HAP TO LAUGH WHEN I THOUSHT Of HEB TBYINS TO
TEACH SEOBSE TO BUMIA, BUT THAT'S WHAT SHE WAS
COINS/
I
\
/'[III
tluT WHEN I CAME OUT OP THE KITCHEN A LITTLE
LATEX, THE LAUGH WAS ON ME! GEOeGE WAS NOT
ONLY COINS THE ZUMBA, BUT HE WAS OUITE OBVIOUSLY
ENJOYING Iff
i ~~^y
V I
THIS MAN
f
IP 1 P17N'T >^
OaPSE MONOPOLIZEP GEORGE'S ATTENTION ALL
EVENING ANO PeACTICALLY IGNOREP ME/ IT GRADU-
ALLY PAWNEP ON ME THAT SHE WAS BE/NO MCBE
THAN JUST SOCIABLE/
Hs THE PAY KOBE
ON, I BEGAN TO
WONPEE F 1
HAPN'T BEEN A
BIT SILLY THE NEUT
SEFOEE-THINKING
THAT MAP6E WAS
MAKIIW5 A PLAY
roe geoese. she
MI6HT SIMPLY HAVE
BEEN A LITTLE OVEE-
EASEK IN HEK
ATTEMPT TO WIN
HIS APPEOVAL.
BUT SHE WOULPNT
BE SO ENEESETIC
THIS EVENING/
IT WAS EVIPENT
THAT SHE WAS
WEAK AMP TIEEP.
I HAP TO WAIT
ON HEE ALL PAY/
I'P LIKE TO WEAK THIS
AT PINNEE, SUE, BUT IT'S
WEINKLEP. WOULP YOU BE
A PEAK ANP RUN AN
IBON OVEE IT WHILE
I TAKE ASMOWEEf
B
F&-T A BIT PEEVEp- AT MAP**
POB SIVINS ME EXTBA \xbk,
BUT 1
BEMINPEP MYSELF THAT SHE WASN'T
WELL. WHEN SHE PELT BETTEB, SHE'P
PITCH IN ANP SIVE
ME
A HANP/
BAP6E CEBTAINLY MAPS A OUCX BSCOVEBY/ NOW THAT
MY HUSBANP WAS HOME, SHE SIMPLY OVEKPIOWEP WITH
CHASM ANP ENEBSY.-'
HOW IT'S SEOeSE PAKLINS.'
1
HAP MAPSE'S NUMIEK KkSHT
IN THE REST PLACE/ SHE IS
YOU CATCH ONOUICK/
YOU'SE POINS A PERFECT
SAMBA, SEOSSE
PAELINS
Mapse was as cleveb as she was unscrupu-
lous.' SHE'P PELIBEBATELY FE/SNEP TIBEPNESSJUST
TO KEEP ME ON THE GO ALL PAY SO J WOUIPN'T
HAVE TIME TO SHOWEB, PO MY HAlk, ANP CHANGE
INTO A FBESH PBESS BY THE TIME GEOBGE SOT
HOME!
^T^^
O
WAS SLAP WHEN SATIXPAY CAMS/ SE0Z3E ALWAYS
WENT FISHING ON SAWCPAYS WHEN THE WEAJHEZ mS MCE.
AT LEAST MAPSE WOULPN'T MONOPOLIZE HIS ENTIgE WEEK-
ENDASSHE PIP HIS EVENINGS.'
'
well/ \W goop
GQOP I THIS
IS A SuePZ'SE.'
If
MOKNINS,
MOBNINS// A YOU UP SO eazly/ A I mabse.'
gHAT COULP 1 PO* WHAT COULP 1 SAY? I COULP
ONLY STXDSSlE TO UOLP BACK THE TEARS! NOW
MAPSB WAS SHOWING HIM SHE WAS A BETTEKCOMmN-
IOH THAN 1!
O'P NEVER PELT MOKE MISERABLE IN Ml UPS-OK
MOKE PKVHTENBP AHP HELPLESS.' 1 COULPN'T MAKE
A SCENE-6E0K6E WOULP ONLY THINK 1 WAS JEALOUS,
SUSPICIOUS, UNREASONABLE! MAPSE WAS TKYINB TO
SOAP ME INTO MAKINSAICBNE POK JUST THATREASON.'
what coulp i per i
BBoese was falling in love
mm neb! z was logins him-^anp
THEBE WAS NOTHING I COULD PO OB
SAY WITHOUT MAKING THINGS HOUSE
Foe MYSELF/
J/UNtUY mobning somethius cup-
PENLY HAPPENEP TO TAKEMYMINP
Ope MY OWH HEABTACHE..
0HECHILPBEN WEBE FUN TO NAVE ANP WOBTH THE
EXTBA WOBK/ GEOBGE LOVEP THEM.' HE PLAYEP WITH
THEM FBOM THE MINUTE HE SOT HOME IN THE B/ENIHSS
UNTIL THEY WENT TQ
SEP- - IGNOBING MAPGE ANPME...
YOU' BE LUCKY.' Y0U
(
HAVE THE KIPS ALL I
MY L0N6-- I SET ONLY
A FEW HOUK MTH THEM
THEY'fJE WONPEBFUL,
AKHn THEY?
YB-/(NC YOU'BE
J
WJNPEKRJL, TOO! I
<
>
UIP CS4NCE WITH
)
I YOU POTEVEK/ 7
ii[1rai
'
KfJ
d
-XIF 7 l^*^H
^ffr^M: / rf/
R
Jvimdm
^^b^v^^^k ^d
^?_
w
Mm\^
gs
L^H
rffc\l JI 1 u
I^lS
^(/7 SHAPGE PIPN'T THINK THE CHILPBEN WEgE SO
W6HPEBFUL WHEN GEOBGE WASN'T HOME! IN FACT, ONE
PAY... _
YOU OUSHtJ OH. I PIPN'T HIT HIM SO
TO 8E *"V HAEP.' JUST KEEP THEM
THOEOUSHLY ) AWAY FEOM MY THIKJSS
ASHAMEP OF
N
IN THE FUTURE.'
YOURSELF, MAPSE.'
STEIKINS A LITTLE
CHILP/
^^
/^,,
w
i*)|r&
7v?>wu2r^
^^M^%Jv
pL^ic^k
//1 u'*Ll
3 a
T SAIP HOTHINS TO SEOiSE ABOUT THE
INCICENT- ANP Z PIPN'T HAVE TO! THAT
EVENING..
/(EEN'TCHIIPREN AMAZIWS?
JUST BEMUSE 1 HAP TO
EEPEIMANP THEM THIS MOEH-
INS, THEIE IMAGINATION'S HAVE
BUILT ME INTO AN OSEE.' IT
MUST BE THOSE STORIES
YOU EE4P TO THEM/
Bheze was no pahcins that NISHT.' MAPSE SAIP
SHE HAP A HEAPACHE ANP WENT TO SEP EAgtv... IT'S MAOSE
WHO'S TRYINS
TO MAKE SOME-
THINS ELSE OUT
OF IT, NOT l/
YOU'VE JUST
BEEN TOO BUNP
TO SEE IT/
YOU MUST BE WEONS /ABOUT THAT/ AFTER -ALL, MAPSE
KNOWS I'M NOT ONLY MAZBIEP, BUT VEEY MUCH IN LOVE
WITH A1Y WIFE/ BUT SETTING BACK TO THE EEAL
PZOBLEM-- PON
1
T YOU THINK WE SHOULP HINT .ABOUT y-
HEE LEAVINS? IT'S TOO MUCH FOE YOU TO TAKE \
CAZE OF HEE ANP THE KIPS, TOO -ANP THEY PO
BELONS TO US.' THEY NEEP/ATTENTION--NOT MAPSE/ Jt
J
K&W
"
^^Hi^P^^i
W^S^J^f /X
'^^ifP^v^
SrM^MPIS??
YOU, MY POPEY PARLINS,
tYOULPN'T UNPEE5TANP/
BUT
vl LOVE YOU VERY MUCH/
I'M LESLIE
BLAINE. My
MOTHER MARRIED]DESOLATE. .
.
yOUB FATHER A
WEEK AGO, VOU
KNOW. WELCCME
HOME.'
J
KNEW BY THE WAY ROSSSTEPPED BACK EffOM ME,
TMT IT WAS GOING TO BE WAS SETWEEAI US/ -T WAS
SO yOLTJJE THE DAUGHTER
OF THAT SCHEMING WOMAN
WHO MARCIED MY POOR
SICK FATHER TO GIVE
HEGSELF A SOFT LIFE/
tf
'
walked toward kirby house together, but
/ve WERE A MILLION MILES APART. .
.
Twit's how the feud between us began, /rsor
NO BETTER IN THE TWO WEEKS ROSS WAS ATHOME..
IF THAI
-
CRACK ABOUT DAD'S BEING LONELY IS
INTENDED FOR ME, SKIP IT.' I KNOW I WAYEN'T
BEEN HOME FOR Ok"ER THREE yEARS, BUT DAD
UNDERSTANDS I LIKE TO TRAVEL <.
APOUND. HE ALWAYS UNDERSTANDS. /NOBODY
UNDERSTANDS
LONELINESS.'
ACTUALLY I
PRACTICALLY HAD
\TO SHANGHAI 'YOU
1 TO GET YOU TO
BE My WIFE.'l'lA
GOING TO SEE TO
IT ROSS /AND
LESLIE BECOME
GOOD FRIENDS.'
/knew uncle jim would make things worse
if he tried to force ross to like me, so
/said:
would go powmstaigs to the party, instead t
went out into the rose garden in bach of
the house.
FORGOT THAT ROSS WAS MY
ENEMYAND THATHE'P SAID
HORRIBLE THINGS ABOUTUS.' /
GAVE MYSELrcOMPLETELY TO THE
ECSTASY Of THATHISS.' BUT
SUDDENLY ROSS PUSHEDME
AWAY FROM HIM AND BEGAN TO
LAUGH/
you HATE ME
t
YET you
COULD KISS ME LIKE THAT.'
YOU'RE JUST LIKE YOUR
/miEDHAPO TO HATE DOSS IN THE WEEKS
THAT FOUOWEQ BUTMV TPEACUEeol/S HEA2T
KEPTON BEING IN LOVE W/FMMM. THENONE
NIGHT, UNCLE JIM DIEP IN MS SLEEP. BOSS MS
SOMEWHEPE ON THE high seas, hov/eveh, HE
GOT HOME IN TIME FOe FUE FUNERAL
.
YOU'D BETTER WAIT A BIT, ROSS, WITH THOSE
HIGHHANDED ORDERS
.'
YOUR FATHER MADE A
NEW WILL SIX WEEKS AGO. EXCEPT FOR TEN
THOUSAND DOLLARS, HE LEFTALl HIS MONEy
TO HIS WIFE.' AND YOU ONLY GE7 THAT WoNEY>i
IF yOU STAy HERE AT ^-
~

C
k'lesy house for s jim left everything
TWO yEARS.' ( TO ME ? r DON'T BE-
LIEVE IT.'
Sav/s was oriiiihsa lows come&tisle'avo
she mao heh suitcases with hex! i woa/oeged
if she aaid ross were fai6a6eo. how my
heart sank at the very /ota/
IFELT LIKE SCREAMIAI6 OUTA DEHIAL, BUT/
FORCED MYSELF TO PRETEHD I HAON'T HEARD.
IN THAT CRAZy WILL BAD MADE HE OIDNT SAY ANY
-
THIN6 ABOUT /AY HOT HAVING COMPANY IN MY TWOA
WAR EXILE HER67 SO IVE
^

-<1
INVITED MAVIS KIRBy TO
f
GF COURSE. ROSS..
WE'RE GLAD TO HAVE
VOL/ HERE MISS KIRBy.'
COME RIGHT UPSTAIRS
WITH ME.'
"
I KNOW
THE WAY.
B
dont know how loagwss had bs&v
STANDING IN THE DOORWAY l/STEW/MG sur
PlSiVr THEW HE CAME WAND JO/NEO /N THE
FIGHT. ,
J/\W/S AND r THINK we
YOUR FATHER LEFT EVERYTHING TO ME, ROSS BECAUSE
HE WANTED US TO HELP YOU BECOME THE FINE
MAN HE HOPED YOU'D BE.' SOME0AY WHEN YOU SHOW
YOU CAN HANDLE /MONEY, EVERYTHING >
LjOSS SAID HE HAD A DATS M TOIWAI AMD LEFT.
MAVIS MAD A MESS OF GETT//VG TOAST AMD
COFFEE FOR HERSELF. THEN SHE WENT
UPSTAIRS. A LITTLE LATER T SAW HER WALK-
1MB TOWARD THE RIVER. HALF ANHOUR
LATER ROSS CAME HOME.
(SOSS SET OUT ON A RUN TOWARD THE SUSPENSION
BR/QBE. I WENT ALONB. I'M NOT SURE WHY.'
DONT, ROSS.' TAKE
THE BOAT OUT.' THE
CURRENT'S TOO
SWIFT!
AND FLUNG OFF N/S COAT AND D/^D /WFO TN
6WH&.IN6, re&a/eoi/s e/vee...
D/P G/PAS MAWS, gVTSU WAS FB4NT/C AND
foughtnmf
rueyeom u/entdowm. ..I .
paddled we cexzyAND somenow t
REACHED TNEMf
WHAT IF LESLIE IS LISTENING?
IT'LL BE HER WORD AGAINST
OURS
.'
AND I'VE SEEN
SPREADING GOSSIP IN THE
VILLAGE THAT THE/ HAD
A HAND IN yOUR
.*-""
FATHER'S DEATH, ZiMAVIS .'/LESLIE
ROSS.
(
SAVED >OLII?
LIFE
4 NEVER DID KNOW WHAT ROSS
SAID NE*r BECAUSF ALL OFA
SUDDEN r FELT THE GROUND
COMING UP TO N/TM. TME
EXERTION OF FIGHTING THE
SWIFT CURRENTNAD BEEN
TOO MUCH FORME. / FAINTED...
LESLIE RISKED HER OWN LIFE
TO SAVE /MAVIS AND ME/
AND THEN MAVIS
,
WANTED TO-- /'SHE'S
COMING
TO.'
las I watched poss cappy hepsuitcases to
HER CAP, r THOUGHTMY HEAPT WOULD BP&UT.
BOSS WAS GOING AWAY WITH MAVIS.' I'D
NEYE& SEE MMAGAIN.'
UHAT NIGHT
<LS po&s
AND T WENT
DOWNBY
THE PIVE&.
WE LOOKED I
AT THEBROKEN [i
SUSPENSION
f
BODGE
DRAGGING IN
THESWIFT.
SW/PLING
mree. .
.
SUDDENLY
eOSSTOOK
ME IN HIS
ASMS...
su*&m&@
gm@&?
flvPMZi
-
$QB
g*fK/Z-
$g
g'-P*/Z~-
*$S
W
<3"/>fi/Z
$S-
l
h WIN
A CAS" PRIZE FOR JUST
A SHORT
LETTER OF NOT
MORE
THAN
50 WORDS TELLING
US
WHICH STORY IN ALL
ROMANCES
WU UKE
BEST, r
-
BEST,3"'BEST,ANDWHy.
ALSO
WH'CH OTHER
MAGAZINE*
YOU READ
RE&ULAR
LY. . ____
.
JBNDIT TOUS POSTMARK
ED NO
LATER THAN SEPTEMBER
29,1919 .ALONG WITH YOUR NAMEAND
ADDRESi AND AGE. IN CASE OP A TIE DUPLICATE
PRIZES
WILL BE AWARDED.
DO ITNOWMH
URRV
! !
ALL ROMANCES -
<23 WEST M7 ST. N.V. iq. N.V.C.
mi ALWAYS NESVOUS WHENMP. BUPH,
**
THE OWNEG, LEFTME IN CHARGE OF
THE STOBE, WITH SO ML/CM EXPENSIVE
JEWELHY TO LOOK OUT FOlP. BUT THESE
WAS NOTHING SUSPICIOUS ABOUT THIS
MAN. IN FACT. . .
WHAT PBICE _
would you Bi
IN?
I REALIZED WITHSUDDEN EXCITEMENT THAT
HE WAS JU6T THE HIND OFMAN I'D HOPED 1
MEET WHEN I CAME TO THE CITY.
'MV> to get the bracelets ourof the saps.
^urinstead of looking at the bracelets,
HE L OOKEDAF ME. I KNEW IT WAS SIL f/ OF
ME TO FL SO THRILLED BY A PERFECT
STRANGER. . .
I'D HAD CUSTOMERS BEFORE WHO'D TRIED
to Flier mmme. and italmys annoyed
ME. MEN WHO ARE BUYING JEWELRY FOR
OTHER WOMEN SHOULDN'T FLIRT WITH THE
SALESGIRL . . . BUTSOMEHOW THIS WAS
DIFFERENT. .
.
HE ACTED AS THOUGH HE
FELT THE SAME WAY ABOUT
ME AS r DID ABOUT HIM.
HOW WONDE6FUL IT WOULD
BE TO HAVE A MAN LIKE
THAT TALL IN LOVE WITH
you/
'F COURSE,
SUCH A
THING WAS NOT
LIKELY TO HAPPEN,
my PERSONAL
LIFE DID NOTIN-
CLUDE YOUNG MEN
WHO WENTAROUND
MAKING CASUAL
SELECTIONS OF
DIAMOND BRACE-
LETS WORTH
THOUSANDS OF
DOLLARS. EDDIE,
WHO WAS ENGAGED
TO MYRTLE, MY
ROOMMATE, HAD
GIVENHERA DIA-
MOND RING AND A
DIAMOND WRIST
WATCH-- BUTALL
THEDIAMONDS IN
THE WORLP WOULD
NOT HAVE MADE ME
LOVE SOMEONE
LIKE EDDIE f
3*
75 s
FOREI HAD TIME TO COLLECTMY TUOUGHTS Off T#y
SOUND ANALA&M . -
.
DON'T TRY AN/ FUNNy BUSINESS,
SISTER. JUST STAy WHE(?E you
ARE AND KEEP yoUR HANDS
ON THE COUNTER.'
^HAT NIGHT t TOLD MYBTLE, MY BOOMMATE,
about THE bobbebk
you ought to be grateful
FOR A lime EXCITEMENT.
IF >OU ASK ME KID, VOU
LEAD A PRETTY DULL LIFE.
EVEN A ROBBERY SHOULD
BE A CHANGE.'
I've told you
BEFORE, MYRTLE,
r'M sorry, but i
DON'T LIKE EDDIE,
AND I DON'T LIKE
WELL. THAT'S TOUGH.' BUT IT DOESN'T
BREAK My HEART. r'M JUST SORRY FOR
yOU BECAUSE >OU DON'T HAVE ANY
FUN. EDDIE'S A GOOD GUY, AND r'M
CPAZX ABOUT HIM. r DON'TSEE ANY
BODy GIVING YOU DIAMONDS.'
)(/rr DIDN'T WANT TO EVEN THINK ABOUT DIAMONDS
IF THEY COULD MAKEA
CRIMINAL OFA MAN HUETHE
ONE WHO HAD COME INTO THE6TOBE,
I'M A FOOL TO KEEP THINKING
ABOUT HIM ... T HOPE I NEVER
SEE HIM AGAIN. IT WOULD
BE AWFUL TO HAVE TO
IDENTIFY HIM.'
_
"
WAS SHOCKED WHEN HE WALKED INTO THE STOEE
THE NEXT DAY... I KNEWT OUGHT TO CALL THE
POLICE, AND YET. .
.
'
HELLO.' I CAME BACK TO TELL YOU I
'
WAS FORCED TO PURCHASE THE BRACE-
LET ELS.EWHEBE. A FI?IEND OF
MINE HAD ALREADY ORDERED
J0AS HE TESTING ME ? WAS HE TBYIN6 TO
SEE IF T BECOGNIZED HIM AS THE BANDIT?
WE WERE HELD UP I'*>j
\
RIGHT AFTER YOU WEfJT
^
JOUT YESTERDAY, AND THE.
J
/BRACELETS YOU LOOKED/
^AT WERE ALL STOLEN/^
i*fl5*>5fn/
r
'"^"^S
^(
f\
dy
iffa/
i
JiS^r
I
8&
L
/3s WE TALKED ABOUT THEPOBBEDY, T REALIZED
^
WllMAN COULD NOT HAVE BEEN WETHIEF WHO
HAD SEEMED FAMILIAR TO ME. . . HOWSILL Y T'D
BEEN TO LET My IMAGINATION PUN AWAY WITH
ME
_r
I'M SORRy ABOUT THE
BOBBER/. IT MUST HAVE
BEEN A HORRIBLE EX-
PERIENCE FOB VOU. BUT
THE REASON I CAME BACK
was to ask you IF you'D
THIMk
-
r WAS PUSHING
things ift asked you
TO HAVE DINNER WITH
ME.
OH, I--I
COULDN'T.'
V^
IS IT BECAUSE WE HAVEN'T BEEN INTRO
DUCED ? I'M SORPy ABOUT THAT BUT r
KNEW yESTERDAV I WANTED TO KNOW
you EVEN IF WE HAD TO
INTRODUCE OURSELVES,
I'M LOBEN GALE.
r-r'M
BARBARA
LAWRENCE.
\
PLEASE, BARBARA LAWRENCE, FORGET
THE CONVENTIONS JUST ONCE AND
MAKE BELIEVE WE'VE BEEN PROPERLV
INTRODUCED. T CANT
lose you when I've/ i--i don't
JUST FOUND yOU. / USUALLy DO
THINGS LIKE
w
THIS.
IKNEW IT DIDN'T MAKE SENSE, BUT THAT NIGHT T
[WENT DANCING WITH THEMANI'D SUSPECTED OF BEING
'A BANDIT.' I HOPED HE'O NEVER GUESS T'D BEEN
SILLY ENOUGH TO SUSPECT HIM.'
WHEN I SAW yOU yESTERDAV SOMETHING TOLD
ME VOU WERE AS SWEET AND WONDERFUL AS
YOU LOOKED AND NOW I KNOW THAT'S
TRUE. OH. BARBARA, I'M SO
GLAD r FOUND VOU
.'
j4s THE DAYS PASSED, IT SEEMED LIKEA MIRACLE
THAT A MAN LIKE LOPEN GALE HAD FALLEN IN LOVE
WITH ME. r STILL KNEW VERY LITTLE ABOUT HIM EX-
CEPT THATHE WAS WONDERFUL, BUTT WAS SURE
THATMY SUSPICIONS HAD BEEN ABSURD.'
YOU'VE ASKED ME
to marry you,
LOREN, BUT I
STILL KNOW SO
LITTLE ABOUT
you

THAT'S TRUE, DARLING. I'VE.

BEEN SO BUS/ TRYING TO
SELL VOU ON THE IDEA OF
LOVE AT FIRST SIGHT, THAT
I'VE FORGOTTEN TO FILL
IN OTHER IMPORTANT
GAPS.
WE'LL CATCH UP ON T\-
THINGS TOMORROW N
TO MEET MY OLDER B
BUSINESS TOGETHER
THE FAMILY I HAVE.
GOOD NIGHT, CABLING
UNTIL TOMORROW

OSE IMPORTANT
IGHT.
I
WANT >OU
ROTHER. WE'RE IN
, AND HE'S ALL
./UNTIL "^M
I TOMORROW-
J
r^TTi
W>^$$ti$m
jJSsm
^^^^
,/
Z
mS DKEAMINS IHONDESFUL DREAMS OF LOBEN
when Myerie came in. she seemed ref/se and
EXC/rED.
EDDIE AND T WERE
MARRIED TONIGHT, KID,
AND WE'RE GOING
AWAV ON A HONEY-
MOON. SURPRISED? r
FEEL BADLY ABOUT LEAVING
YOU LIKE THIS, BUT YOU'LL
GET ANOTHER ROOMMATE
TO HELP PAY THE
RENT BARBARA
SAY, KID, AS t
CAME1
IN, SOME GUY DOWN
ON THE STOOP GAVE
ME THIS PACKAGE
FOR YOU AND SAID
YOU SHOULD KEEP
IT WITHOUT OPENING
]
IT UNTIL HE CALLED
FOR IT.
CLEVER WORK, BUT NOT
CLEVER ENOUGH. IT LOOKED
LIKE AN INSIDE J08 FROM THE
i
FIRST, r THOUGHT THOSE
BANDITS GOT AWAV
PSETTY EASILV. WE
KNOW SILKY SMITH
GAVE YOU ALL OF
IT. MIS PALS SQUEALED
ON HIM AFTER. HE
DOUBLE-CROSSED
THEM.
jcouldn'tbelieve it but it musr be
true.' loreiv gale wasa thief, after
all.' he'd felt the netof thelaw
closing in oai him and had tried to
get e/d of thejewels. amd the"
police bel/eyed z was h/saccom
-
PLices
Suddenly these was a commotion in
THE HALL . .
.
IF YOU GENTLEMEN WILL STEP OUTSIDE,
YOU'LL FIND
A POLICEMAN HAS ARRESTED
THE GIRL yOU REALLy WANT. HEP NAME
IS MVRTLE, AND SHE JUST MARRIED
EDDIE "SILKy" SMITH
ONE OF THE MEN WHO
BOBBED THE 8URP,
A
LOffCfY/
JEWELRy STORE.
fo
WONDER I'D THOUGHT THESE WAS SOME-
THING FAMILIAR ABOUT THE BANDIT. HE WAS
MYRTLE'S BOY FRIEND.'
When the police had gone, taking
wrtle and eddie with them..
.
ffflj
r STILL DON'T V'M
AN INSURANCE IN-
UNDERSTAND. VeSTIGATOP. WE'VE BEEN
who ace you?;
trving TO CATCH EDDIE
UOW
DO you /
AND HIS CROWD c&r a
THEN IT WASN'T ALL BUSI
ness with you ? you
REALLy MEANT THE
things you
TOLD ME 1^
IT
STOPPED
I THOUGHT AT FIR< r you
WERE ABANDIT- -AND
vou are. you
^
STOLE MY
S
"no
N
S. HEART
.'
'
/ DARLING--
FIGUCE IN
THIS? .
LONG TIME. IT'S MY BUSI-
NESS TO KEEP MY BYE.
ON CERTAIN JEWELRy
STORES. TONIGHT I
RECOGNIZED EDDIE,
AND r FOLLOWED H/M
AND MyRTLE SACK TO THIS
HOUSE. I DIDN'T REALIZE
MV SWEETHEART WAS
INVOLVED/
BEING BUSI-
NESS THAT FIRST
|
DAV I WALKED
into youc
'
STORE
-
AFTER THAT
I WAS JUST
A MAN IN
LOVE.'
I JUST
EXCHANGED
IT FOB y
OWN.'
SHORT-CUTS
TO GLAMOR
'
POSTURE, POISE, AND PERSONALITY
Queens have no monopoly on queenliness. You,
too, can have the regal carriage, the. sure grace of
movement, the poise in repose that commands respect
and admiration ! You'll find, too, that once you have
acquired a queenly bearing, your mind, freed from
self-consciousness, will begin expanding and your
personality developing.
STAND AND SIT "TALL"
The queenly bearing starts in the mind. First, you
must feel that your carriage adds to your power and
inner poise. Feel that your posture attracts attention
to yourself. Always think of yourself as a picture.
Try to visualize the picture you make when you
stand, sit, walk. At first this will be difficult for you
who are not used to standing and sitting "tall." But
after a while it will become easy, natural, automatic,
and you will find that your mind has greater freedom.
YOUR VOICE IMPROVES
Your posture has a direct effect on your voice.
When you are slumped or hunched, it is impossible
for you to breathe correctly and to give the full tonal
range to your voice. Try it. Sit in a cramped position
and read a passage from a book aloud. Now, straight-
en up and read that passage again. This time your
voice is smoother, tones rounder, more musical. Es-
pecially, remember this effect of posture on your
voice when you are fatigued. Fatigue heightens the
tendency to harsh tones, but good posture will relieve
this.
A MODEL STAND
Our advice to you is to think of yourself as an
actress who has just received the cue to walk onstage.
Try to touch the ceiling with the very crown of your
head. This automatically pulls your stomach up and
in, lifts your chest and gives an easy set to the
shoulders. Flex your knees slightly. Now your entire
body appears vital, alive, perfectly balanced.
Here's an exercise to .strengthen the muscles you
need to slip into and maintain this posture easily:
Stand "tall" with your back against the wall, with
your head; shoulder, small of back (if possible) and
heels touching the wall. Pull your stomach in and
up. Now walk away from the wall, keeping this
position. Walk about the room this way. Go .ibout
your work holding this posture. Return to the wall
every few minutes to check up on your posture and
start again.
GRACEFUL WALKING
Master some of these tips and you'll be walking
with the sure, proud ease of a fashion model. First,
resolve to eliminate all unnecessary motion in walk-
ing. Don't bounce or wiggle!
Second, hold your body erect and move your legs
from your hips. Your hipbones and your breastbones
are the points of your body to keep in mind. In
walking, you have some flexibility of knees and
ankles. You roll or rock from the center back of your
heel across the length of the floor and off the second
toe. The weight is supported by the ball of your feet
and your heel is only a prop. Don't forgetthe
major movement comes from the hip joints.
Third, point your feet straight ahead in walking
but don't try to walk a chalk line. Keep your feet
parallel. Your steps should be reasonably close to-
gether. If they are too long, you will have to reach
for them, and this will cause a wiggle or a sideward
motion.
SITTING WITH POISE
Just look about you and make a mental note of the
gracelessncss of the sitting postures of some girls, and
you'll find yourself automatically sitting straighter.
Approach the chair and try to feel it with the side
of your leg without turning to sec if it is there. Now
Cross your feet at the ankles and seat yourself.
Keep your weight centered on your hips and hold
your spine in a straight line, once you are seated.
Let any movement come from your waist as though
your backbone were pivoting in the socket of your
hips.
HAND MOVEMENTS
Your hands should be well-groomed, or you'll
find yourself hiding them from sight. This will
naturally distract from your poise. No hand move-
ment should be jerky. In general, all hand movement
begins witn the wrist. The hands themselves should
be relaxed and limber. Avoid all fluttcry, fidgety
motions with your hands. Bony or large hands appear
to best advantage when seen, from a side view or angLe.
Practice holding your hands in this manner until it
becomes a habit. When you cross join arms, tuek your
thumbs in and slide your fingers up the sides of your
upper arms.
Your pretty face can be appreciated only when
someone is close to you, but a queenly carriage
attracts admiration from a distance. The homeliest
face appears confident, regal when the carriage is
good. A good carriage makes you look important and
attracts people to you.
HOW TO GET THAT SECOND DATE
Usually it's easy enough to get the first date. A
boy sees you, likes your looks, wonders what you're
like. The only way he can find out is to see you again
so he asks you for a date. The first date is largely
a matter of experiment with him, tried on almost any
girl who, at first glance, seems worth an evening's
time. But the second

It's just a matter of being yourselfand avoiding

certain pitfalls that put an end to future dates. If
you've been wondering why your telephone doesn't
ring after first dates, cluck up on your rating tech-
nique:
1. Do you give a false impression of yourself? When
you go out with a boy for the first time, do you
feel it necessary to act more sophisticated or
clinging or bold or innocent or anything else
than what you really are? Don't ! You can fool a
boy once, but the chances are that you can't fool
him twice.
2. Are you sufficiently entertaining? Just because a
boy has asked you fot a date, don't think the job
of interesting him is over! Don't make him do
all the entertaining, bear the full burden of
keeping up a conversation'. Keep awake! Try to
please him! Sparkle! Have a good time, and
show you're having it!
3. Are you too possessive? Remember, one date
doesn't give you an option on a boy. It's a bad
idea to make plans for the future that include
him, to assume that you're going to see a lot of
him from now on, and to let him know you
assume that you're going to see a lot of him from
now on. Take nothing tor granted. Let him make
all the first moves. If he's interested, he will.
4 Are you too expensive? There are a dozen. ways
in which a girl may make a man spend more
money than he wants to or intended to op- a
first date, but if she does she'll never get a
second. Keep within what seems to be his budget.
5. Do you stay out too late? Being the life.of the
party is all rightbut it's a wise girl who knows
when to go home. If you keep a boy out so late
on his first date with you that he's dead on his
feet the next day at the office, he probably won
'J
date you again. At the same time, the girl who
spoils an entire evening by worrying about what
time she's going to get home isn't very appeal-
ing either. Try to strike a happy medium.
6. Are you too suspicious? Do you think every boy
you dale has dishonorable intentions? If you're a
nice girl and date nice boys, you need no other
safeguard than your reputation. Don't do or say
anything to give him the wrong impression of
your morals. Don't date in the constant fear
that the next minute will bring a suggestion from
. your escort that you'll resent. You can always
say no.
7. Are you always late for a date? Don't be! Take
plenty of time to dress. Be sure you're well-
groomed. Don't keep him waiting. Dress, as if
you wanted to please himand you probably
will!
8. Do you boast of other conquests? You want a
boy to think you're popular, of coursebut don't
be obvious about it! Don't keep comparing this
date with others you've had. Don't tell him
about the other boys in your life. If you're
popular, he'll hear about it.
9- Are you too shy? Do you start out on a date
wondering what on earth you'll talk about? If
so, make your date do the talking. Ask him about
himself. Discover your mutual interests.
10. Do you kiss and tell? The next time you're
%
tempted to tell a friend the full details of your
date, think how you'd feel if it all got back to
the boy. No boy likes to think that his evening
with you is going to be the town topic for con-
versation the next day. Be discreetnot only
about kissing, but about telling!
PUZZLED ABOUT PRESENTS?
You've spent a lovely week-end down at the shore
with your best friend, and you'd like to say thank you
in a way that will really show your appreciation to
your friend and her mother. You realize, of course,
that it was Judy's mother who looked after your com-
fortso if you can afford only one gift, make sure
that it is sent to her.
You might look around for a nice brooch or clip,
either by itself, or as part of a set with earrings. She
would probably appreciate sweet scents and soft
creams. Try some cologne, or bath sets with bath
crystals and delightful floral perfumes.
For your girl friend, if your money stretches that
far, you can get a little change purse with compart-
ments for different coins <"nd an attached key ring.
Lingerie clips, sachet bags, stockings, handkerchiefs
and glove boxes are all suitable and inexpensive. A
personalized address or date book is handy, and a pile
of fluffy powder puffs in a dainty cellophane container
is attractive for her dressing table. Even a nice hankie
will always find a welcome.
XLAYNE PAYES/NGS WITH FPEPDIE'S OSCHESTeA. SUE'S
The k/np oeG/ei ruAthasto have EYseymanabound
cpazy aboutheps SHEFuers oureAGEOt/siy with
BOTH FSEPP/EAMP B/U...
I THINK r OUGHT TO TELL
ELAyNE WE'RE ENGAGED.
THEN SHE'LL LEAVE YOU
ALONE. IT ISN'T NECESSAB/'
rOB HEP TO RUMPLE VOUR
HAIR AND FUSS WITH
youe TIE WHILE SHE'S
SINGING THOSE TOCCH
SONGS/
SHE DOESN'T MEAN A
'
THING BY IT HONE/.' IT'S
JUST THAT ELAVNE KNOWS
HEP AUDIENCES, AND STLTFF
LIKE THAT GOES OVER BIG !
BUT /OUMUSTN'TSAyANy-
'
THING ABOUT US yET.'
\^\
YOU'VE BEEN SAVING THAT SO LONG,
CABLING.' HOW LONG DO WE HAVE TO
KEEP PRE-
TENDING
? /I'D BE PROUD TO HAVE
THE WHOLE WORLD KNOW
HOW I FELT ABOUT -^
YOU. BUT YOU SEE HOW IT
"^
IS, BAB/. I'VE GOT MyCAREER
TO CONSIDER. THE MORE
MONEy I MAKE AND THE
MORE FAMOUS I GET; THE
MORE I'LL HAVE TO OFFER
yOU.' PLEASE BE PATIENT,
JANIE
.'
K
/hunted somucmto beueye fpepdiesasr
WENTFPOM TABLE TO TABLE THAT NIGHT. // STILL
DISTUPBEP ME TO SEE THE WAY FEEDDIE AMD
ELAYME LOOKED AT EACH OrHEPf
I WAS SOBUSY WATCHING THEM THAT7 SCA2CE-
X PAID ANYATTENTION TO THE PAPTY
OF
PBOSPEPOUS- LOOKING MEN WHO
SATAT A PWGS/PE TABLEAND BOUGHT MY
MOST EXPENSIVE C/GAPS.
;'D BEEN A C/GAg-
TTEGiei LONG
ENOUGH TOMOW
THE ANSYYEPS TO
MOSTLINES. THIS
WAS ONEOF THE
OLDEST ONES I
HAD TD CONTEND
WITH THE HOLLY-
WOOD GAG.'
yOU'RE ASMARTGIRL.' DON'T PAyANV
ATTENTION TO MAC. HE'S &OT ONLY A TEN-
CENT COMPAMY, ANyHOW. BUT t CAN GET yOU
A TEST WITH SUPREME FILMS.' I OWN TEN
PERCENT OF
THE STOCK. A GIRL LIKE YOU
SHOULD HAVE A FIVE-yEAR CONTRACT AT
FIVE THOUSAND
IT WOULD SCACCELy BE
V.
A
WEEK.'
yOU THINK WE'RE KIDDING, DON'T
>OU ? BUT WE'RE ON THE LEVEL I ALL
OF US HAVE STUDIO CONNECTIONS,
AND WE'VE BEEN NOTICING yOU.
yOU'VE GOT WHAT IT TAKES.'
TERRIBLY SORRy; GENTLEMEN, BUT I THINK
SOMEONE AT THE NEXT TABLE WANTS TO Buy
SOME CIGARETTES. I'M SURE yOU WON'T MIND
IF THE LITTLE GIRL DOES SOME BUSINESS.
THINK THOSE GUYS SlUU-Y MEANT
WHAT THE* SAID.' MAyBE YOU SHOULD
HAVE A TALK WITH THEM, JANIE.
ttle dizzy.' i neyer thoughtaboutbill
LIKE THAT! I'DREALIZEP HE WAS HANDSOME,
BUT TO ME, B/L L TOLLIVER HAPS/MPL Y BEEN
A VERY NICE EMPLOYER. IT WAS FREDDIE
I
LOVEP.'
IT- IT'S SORT OF SECRET. PLEASE DON'T
SAV ANYTHING ABOUT IT, SILL.' YOU
KNOW FREDDIE HAS A NO-MARRIAGE
CLAUSE IN HIS CONTRACT. AND BESIDES,
IT WOULD HURT HIS POPULARITY IF
PEOPLE KNEW HE WAS ENGAGED. BUT
AS SOON AS HE'S SURE OF HIS
PUBLIC AND GETS A
NEW CONTRAO",
J
I SEE. OH, WELL,
WE'LL BE ._^-^WHAT'S A KISS
AMONG FRIENDS,
JANIE r WE'LL JUST
FORGET THE WHOLE
THING HAPPENED.'
I y LIPS STILL QUIVERED FROM BILL 'S KISS.' IT WAS
FUNNY HOW UPSETTINGAN UNEXPECTED KISS COULD
BE.' / GLANCEP OYERATFREDDIE, BUTHE WAS LOOKING
EAGERL Y ATELA YNEf
tWnEPPIE USUALLY TOOKME HOME. BUT TONIGHT
LI HE WASN'TAPOUNP.' I FOUND MYSELF WONDER-
ING IF HE'P GONESOMEPLACE MTU ELAYNE. BUT
[SCOLPED MYSELFFOP EVEN THINKING SUCHA
THING.' WHEN YOU LOVED A PERSON, YOU HAP
to trusthim, roo.
The nextmorning i called freppie/ weusually
tooka walkand had breakfast together. bui
this morningno oneanswerepmsphone. /
was worried sicht.' / waited around all pay.
but he dipn't call me
.'
FREDDIEALWAYS PROYEMETO WORK, SOT miTEP UNTIL
THELAST
MINUTE. WHEN HEPIPN'TCOME, I HAD TO
PUSH. IMAGINEMYSURPRISE WHEN IGOTTO THE CLP
BAKA!
ANDFOUND FPEDDIE THERE WITH ELAYNE.'
\Y EYES SOUGHTFREDDIE'S. SEEKING AN
EXPLANATION FOR HIS ACTIONS OFLAST NIGHT
AND TODAY. BUTFREPPIE WOULDN'TMEET
MY GLANCE.' ELAVNE'S EYES, HOWEVER,
WERETRIUMPHANF.'

WE'RE CELE8PANNG
THE BEGINNING OF MY
/
coulpn't geueve freppie was going to holl ywood
withela/net what about our engagement? what
ABOUT Que LOYE7
BILL.' DON'T LIGHT /OUR CICABETTE WITH THE SAME MATCH
yOU LIGHTED MINE AND FREDDIE'S.' THREE ON A MATCH.'
DO you WANT TO BRING ME^
BAD LUCK T .
/^
I DON'T USUALLY SMOKE,
BUT LIGHT A CIGARETTE TOR
ME, TOO, BILL
.'
WE DON'T
WANT TO BEING ELAYNE--
AND FREDDIE
-
ANYTHING
BUT SUCCESS.'
1GUESS THAT'S THE WAY IT IS WHEN YOU
L OVESOMEONE.' yOU JUSTCAN'T HURT
HIM. TKNEWEOUGHTTO LASH OUTAT
FREPPIE- BUTSOMEHOW I COULPN'T
!
I DON'T KNOW WHY IT SHOULD MATTER X WHY DON'T YOU
TO JANIE WHAT FREDDIE DOES.' FREDDIE J ASK FREDDIE ?
AND I BECAME ENGAGED LAST NIGHT,
y
AND BY THE WAY,
I CAN HELP HIS CAREER,AND HE
CAN HELP MINE. WHERE DOES
JANIE COME IN ?
I'VE HEARD ENOUGH OF THIS NON-
SENSE.' FREDDIE/ DID YOU ASK ME
TO MARRY YOU LAST NIGHT JUST SO
THAT yOU'D BE ON THE GROUND
FLOOR IN CASE I WAS A SUCCESS ?
HAVE yOU BEEN TWO-TIMING ME
WITH JANIE ?
DON'T BE SILLy ELAyNE.' BILL WAS KIDDING yOU.'
FREDDIE DOESN'T MEAN A THING TO ME/ AND AS FOR
A HOLLyWOOD CONTRACT-- WHAT WOULD I DO IN
HOLLYWOOD? T'MA CIGAUETTE
GIRL, NOT AN ACTRESS
.'
7HYSPOIL ELAYNE'S TRIUMPH IN HER HOLLY-
bop contractby letting her knowit
COULP HAVE BEEN M,INSTEAP, t THOUGHT
WEARILY. AS FOR FREDDIE-! HAD LOSTHIM
ANYHOW. HOW FUNNY LIFE WAS! IF [HAD
TAKEN THOSE MENSERIOUSLY LASTNIGHTAND
MADE ARRANGEMENTSFORASCREEN TEST,
THEY PR08ABL Y NEVER WOULD HAVE BOTH-
ERED WITHELAYNE. AND FREDDIE WOULD STILL
BE
MNE !
E
coulpntsleep rt/ArweHr/iFreefSEMrMY
eiN6 back ro fpeop/e. r hap guarmy ppeams
teoi/Np hmroe so long, it was HEAereeeM/NG
TO THINK THAT EVEeVTHING WAS OVFf?/
OMEN BILL LEFT HIS OFFICE, T WENT BACK AND
looked fop n/ECONreAcr. as t'd thought-
bill was peAcr/CALLy fopcing Feeooie
w
MAeey me/ hs was offering him a fabu-
LOUS SAlAgyTO STAyATTHE OL0 OAgN- BUT
oni y if he weee mappied ro me.'
J
hm/tepfopfpedoie outside and rmadehim
ADMIT WHATHAPPENED LAST MGNr.
. .
In bill's officeagain. BECAUSE NOT ONE
GIBLIN A HUNDBED
WOULD HAVE DONE
WHAT YOU DID LAST
NIGHT", you let
ELAYNE HAVE HER
PETTY TBIUMPH, AND
VOU LEr FREDDIE GET
AWAV WITH AS LOW A
TRICK AS A MAN EVER
PLAYED ON A GIRL.'
I KNOW NOW WHY I COULD DO THAT,
BILL.' IT CAME TO ME QUITE SUDDENLY
AFTER FREDDIE CALLED ME LAST NIGHT.
WHEN you KISSED ME YESTEBDAy,
SOMETHING HAPPENED TOME. I TRIED
TO KEEP THINKING OF FREDDIE AS THE
ONLY MAN IN MY UFE, BUT INSTEAD, I
STARTED THINKING
THEN AT THE TABLE LAST NIGHT I
REALIZED THE KIND OF PERSON
FREDDIE REALLY IS. AND I DECIDED
ELAYNE WAS THE BIGHT
,
GIRL FOR HIM. SE\
H '
FREDDIE AND ELAYNE
'ABE BOTH TOO SELFISH
AND SELF-CENTERED, r
GUESS THEY'LL GET ALONG
TOGETHER, THOUGH. BUT
YOU, JANIE-- YOU'RE SO
SWEET/ r WANTED YOU
TO BE HAPPY EVEN IF
IT MEANT LOSING YOU,
BUT IF YOU'RE TRYING
TO TELL ME YOU DON'T
LOVE FREDDIE ANY
MORE-
NO, T DON'T LOVE FREDDIE, BILL.' I
LOVE YOU
.'
WHAT r FELT FOR FREDDIE
'
. .WAS JUST A POOR
SWEETHEART, I'M /SUBSTITUTE FOR
THE LUCKy ONE
THAT YOU DID.'
I ADORE
you
.'
LOVE... BUT WASN'J
IT LUCKY I FOUND
IT OUT IN TIME?
IT CAN BE DONE
. . . but don't try it!
Sometimes it's possible to break all the
rulesand get away with it.
The famous Tower of Pisa, for instance,
has successfully defied both sound engi-
neering practice and the law of gravity for
over 800 years.
But for most of us, most of the time, the
rules hold.
That is particularly true when it comes
to saving money.
The first rule of successful saving is
regularity . . . salting away part of every
pay check, month after month.
Once in a blue moon, of course, you'U
come across someone who can break that
rule and get away with it. But the fact is
that most of us cannot.
For most of us, the one and only way to
accumulate a decent-size nest egg for the
future and for emergencies is through reg-
ular, automatic saving.
In all history there's never been an
easier, surer, more prpfitable way to save
regularly than the U. S. Savings Bond way.
Those of us on a payroll are eligible to
use the wonderful Payroll Savings Plan.
The rest of us can use the equally wonder-
ful Bond-A-Month Plan through our local
bank.
Use whichever is best for you. But

use
one of
them!
AUTOMATIC SAVING
IS SURE SAVING-
U. S. SAVINGS BONDS
Cantrii
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