These movements are not really tricks but are essential basics for learning more advanced moves on the trapeze. The student should make sure their body is prepared by spending time on the conditioning exercises already shown. Then learn the following movements until they are perfect before advancing onto the trapeze skills.
These movements are not really tricks but are essential basics for learning more advanced moves on the trapeze. The student should make sure their body is prepared by spending time on the conditioning exercises already shown. Then learn the following movements until they are perfect before advancing onto the trapeze skills.
These movements are not really tricks but are essential basics for learning more advanced moves on the trapeze. The student should make sure their body is prepared by spending time on the conditioning exercises already shown. Then learn the following movements until they are perfect before advancing onto the trapeze skills.
These movements are not really tricks but are essential basics for learning more advanced moves on the trapeze. The student should make sure their body is prepared by spending time on the conditioning exercises already shown then learn the following movements until they are perfect before advancing onto the trapeze skills. Swingstand (art 1) Start from sitting Shoulders back, slide bar to hocks Bend 1 leg and put toes on bar ull into ropes and push straight leg down to floor Swingstand (Part !) Slide hands up the ropes ull up and push with the leg lace other leg on bar Basi" #ang P$siti$n The scapulae should be depressed in hang so the neck is !long" #irst two pictures show correct position Third picture shows incorrect position Basi" Beat Start from pike Beat the legs downwards and backwards keeping tension in the lower back and legs $% T%"k t&r$%g& t$ ike This should be performed from a beat first and then from static The legs should be brought up to the bar without pulling to much in the shoulders in order to allow the legs to s&uat through P$'$(( ()ent legs) #rom sitting to pike erform with bent legs in hock first 't(s important to keep contact with the bar )o not let the shoulders fall back P$'$(( (straig&t legs) *s above, keep the legs straight and in contact with the bar Beat in &$"ks &ang t$ sit +ocks beat, arms parallel, reach high at the end of the swing ush down into the bar with the legs Skinners #rom pike, hocks on, reach under the bar, grasp the ropes, pull backwards into backward roll to sit on the bar $, Skinners (r$* &$"ks )eat #rom beat bring the chest to the bar -each under the bar to hold ropes .ontinue as for normal skinners One leg $'$n /se the free leg to swing and help momentum One leg skinners The free leg can help with the momentum 0eep the hocks leg tight on the bar until sitting Ba"kward r$ll (r$* sitting -each high with straight arms 1ift the legs, pull up and back roll to toes on bar, then roll body up to stand +$rward r$ll (r$* stand t$ sit #old in half to pike 1ift feet off bar and forward roll ull up in the arms to arrive in sit $2 , and $-er (r$* )eat *im the knees to the bar, and at the same time start to pull up with the arms Bring the hips to the bar, as the feet go over and down raise the upper body to a straight position , and $-er wit&$%t )eat This re&uires more strength than above $3 !. Basi" .$-es Birds Nest (,nder )ar) 1egs should stay straight There should be a smooth curve all the way from the shoulders to the hips Birds Nest (On r$es) Same position as under bar with hands on ropes .er*aid (,nder )ar) .er*aid (a)$-e )ar) #al( angel ($rwards The foot on the rope should be flexed but not syckled 45 #al( angel )a"kwards *s above )rop the lower leg to maximum stretch /a0elle Turn the body to the side, bar between cheeks 6icture 17 8pen the hips slightly with the bent leg Straighten the other leg and lower the body down into position A*a0$n (wit& s%$rting &and) A*a0$n (wit&$%t s%$rt) 41 1. #angs #$"ks #ang +ips should be pressed forward 9rip bar with the backs of the knees Ankle &ang #eet should be flexed ush the ropes inwards with the feet T$e #ang The hips should be pressed forwards The bar goes across the upper part of the foot, near the ankle #eel #ang Begin this on lunge 8pen out slowly .ome up head first 4$ 2. Balan"es +r$nt )alan"e 0eep the chest up S&ueeze the buttocks Balance under hip bone 6this can vary from person to person7 Seat )alan"e Balance on the base of the pelvis Sit back and lift the knees Tighten the stomach 0eep balance with a minimal movement of the legs Ba"k Balan"e :xtend from the rib cage to the toes The shoulders should be vertically downwards Balance on the coccyx 6this can vary7 3aist )alan"e Balance in the middle of the lumbar spine *rch over the bar 0eep the hips in alignment Knee Balan"e Balance on head of tibia +ips should be back *rms forwards
44 4. Basi" dr$s 5r$ t$ (r$nt angel #rom sitting take 1 leg to side )o not pike, maintain dish ;ove the shoulders back Sitting t$ ankle &ang Take the shoulders back )o not pike, maintain a dish Skinner t$ ankles 8pen out from skinners, straddling legs )rop to ankles +r$nt )alan"e t$ "at"&ers *s you drop forwards start to open legs )on(t bend legs until they touch the ropes :xtend forwards as you drop +r$nt )alan"e t$ 1 leg &$"ks *s you drop open one leg to the side The other leg goes forwards 4< #$"ks dire"t #rom sitting lower the hips to hocks 0eep the back straight +ocks beat to sit 4=