$e was born into a strongly independent Irish Protestant family in Dublin on June 13,1!"#$e was the eldest of fi%e &hildren# $e was sensiti%e and artisti&# $e had an unhappy 'hildhood# $e says in his autobiography,' 'i remember little of 'hiddhood but its pain#'# $e went to (ondon in 1++,# Yeats mi-ed with the literary
$e was born into a strongly independent Irish Protestant family in Dublin on June 13,1!"#$e was the eldest of fi%e &hildren# $e was sensiti%e and artisti&# $e had an unhappy 'hildhood# $e says in his autobiography,' 'i remember little of 'hiddhood but its pain#'# $e went to (ondon in 1++,# Yeats mi-ed with the literary
$e was born into a strongly independent Irish Protestant family in Dublin on June 13,1!"#$e was the eldest of fi%e &hildren# $e was sensiti%e and artisti&# $e had an unhappy 'hildhood# $e says in his autobiography,' 'i remember little of 'hiddhood but its pain#'# $e went to (ondon in 1++,# Yeats mi-ed with the literary
Anne Gregory & Don !y the "a##ey Gardens . Life and $imes William Bulter Yeats, Irelands greatest poet, dramatist and essayist was born into a strongly independent Irish Protestant family in Dublin on June 13,1!"#$e was the eldest of fi%e &hildren# $is father was an artist and a man of %ery firm opinions# $is influen&e on his young son was strong# Yeats was sensiti%e and artisti&# $e had an unhappy &hildhood# $e says in his autobiography,' I remember little of &hildhood but its pain#' In his early years Yeats was tutored at home by his father# When his parents mo%ed to (ondon, Yeats attended s&hool there# $e &ontinued at a high s&hool in Dublin after his parents returned# $olidays were spent in )ounty *ligo with his grandparents# Yeats then studied painting for a while, but when some of his poems and arti&les were published in Irish periodi&als, he de&ided to be a writer# $e went to (ondon in 1++,# Yeats mi-ed with the literary &ir&le in (ondon and .oined a religious so&iety# In 1++, he published his first boo/ of poems, 0he Wanderings 1f 1isin# *hortly afterward he fell in lo%e with 2aud 3onne, a beautiful woman and an ardent Irish nationalist# Yeats was interested in the myths and legends of an&ient Ireland# In his early youth, he &olle&ted %olumes of fol/ tales and wrote his own %ersions of the old legends# $e also helped organi4e the Irish (iterary *o&iety in (ondon and in Dublin# 5fter some years of .ournalism and &ontributions to periodi&al, he be&ame a&ti%e in establishing the Irish 6ational 0heater and wor/ed 4ealously for the 5bbey 0heater in Dublin 7189:, where (ady 5ugusta 3regory, a playwright and a great friend of Yeats, was named &o;dire&tor of the heater with him# 0hey en.oyed wor/ing together for many years# Yeats be&ame a familiar figure in Dublin# $e dire&ted the 5bbey, wrote and published, and e-pressed honest and often unpopular opinions on %arious issues of the day# $e desired to raise national &ons&iousness by &ultural means# Irish rebellion of <aster, 11!, mo%ed him 1 deeply# In 11,, he married 3eorgie $yde;(ees, who bore him a daughter and a son# In 1== he be&ame a senator of the founded Irish >ree *tate# >or si- years he ser%ed as 2inister of >ine 5rts in the Dublin )abinet# In 1=3, Yeats re&ei%ed the 6obel Pri4e for (iterature# Yeats &ontinued to play an a&ti%e role in Irish life for the following se%eral years# In 13=, he made the last of se%eral trips to the ?nited *tates# In 13+, his health began to fail, he mo%ed to *outh >ran&e# $e died on January =+, 13 and was buried near 6i&e# In 19+, his body was returned to Ireland and was laid to rest in Drum&ilff )hur&hyard, near the town of *ligo# Yeats was proud, sensiti%e, &ourageous and independent as a great poet and playwright# Yeats su&&essfully made his poetry embody the truth of his life# 5s if to &arry this truth beyond the gra%e, he wrote his own famous epitaph on his tombstone# 0hey are the last words in his )olle&ted Poems@ A )ast a &old eye on life, on death, $orseman, pass byB ' .$he Poem For Anne Gregory W# B# Yeats was the greatest figure in the poetry of the early part of =8th &entury# $is wor/ &o%ered fifty years# Yeats early lyri&al poetry and drama drew inspiration from Irish legend and a&&ult learning, but his later writing be&ame in&reasingly engaged with his own time# In his later wor/, his themes be&ame more uni%ersal# $is main sub.e&t was the way in whi&h the world and the people in it are di%ided, and how they &an be made a whole# 0he following were two poems written in his old age# 0he first poem is li/e a &on%ersation ta/ing pla&e between the elderly poet and the lo%ely young girl, 5nne 3regory, *he was, in fa&t, the grand;daughter of (ady 3regory, Yeats friends and patron# F%& A''( G&(G%&Y Never shall a young man, Thrown into despair By those great honey-coloured Ramparts at your ear Love you for yourself alone = And not your yellow hair . But I can get a hair-dye And set such colour there, Brown, or lac!, or carrot, That young men in despair "ay love me for myself alone And not my yellow hair. I heard an old religious man But yesternight declare That he had found a te#t to prove That only $od, my dear, %ould love you for yourself alone And not your yellow hair . In this poem, the girl has &onfessed to her older friend, the poet, a &ommon feeling of young women# *he wants to be lo%ed for her essential self, her inner nature rather than for her physi&al beauty# 0he yellow hair, in the poem, is the symbol of her e-ternal physi&al beauty# $owe%er, in the first stan4a the poet says that young men will always fall in lo%e be&ause of her physi&al beauty# $e is also saying that it is impossible for a lo%er to distinguish a womans physi&al Cualities from her inward self# *he may be able to feel a differen&e between A herself alone A and her A yellow hair, A but ne%er &an a young man in lo%e ma/e this distin&tion# 0he poet wonderfully uses the s/ills of A metaphor A and A image A in this stan4a# 0he girl replies in the se&ond stan4a in a natural %oi&e, inno&ent way# *he argues that she will &hange the &olor of her hair, dye it some other &olor@ A brown, or bla&/, or &arrot# A *he supposes that if she is unattra&ti%e in appearan&e, young men will turn to her true inner self# $er argument shows how little women understand the feeling and thoughts of men# 0hrough 3 the absurd argument, the poet shoes us the mystery of lo%e and beauty# >inally, in the last stan4a, Yeats gi%es himself the last word on the &on%ersation# $e pretends that he has tal/ed with a person full of religious /nowledge and wisdom# 0he religious man has found some written authority that supports Yeats position# Yeats is right, and the girl is mista/en# 6o one e-&ept 3od &an lo%e her alone# Young men are but flesh and blood, &annot go &ompletely beyond flesh and blood in their lo%e# 0he poet is really tal/ing about human beings generally, and his theme is %ery mu&h in the tradition of Domanti& literature# $is last stan4a e-presses the truth of our human &ondition# 0his poem is one of Yeats lighter pie&es, a delightful dialogue between a young, lo%ely girl and a wise friend;ob%iously an older man# 0hough it is light and humorous, it also e-presses Yeats &onstant, serious themes@ the relation between physi&al beauty and lo%e, and on other hand, spiritual beauty and lo%e# In this poem, Yeats has done e%erything so lightly and s/illfully that we hardly reali4e how mu&h has gone into his poem# 1n the surfa&e is .ust the gentle, human &on%ersation of a young girl and an older man about the theme of lo%e and beauty# Beneath the surfa&e, howe%er lies the poets &ommentary on human nature# . $he Poem Don !y the "a##y Gardens 0he young and the old often ha%e %ery different ideas about life# 0he young, are full of energy and ready to grasp the moment# 0he old, who ha%e been made wiser by e-perien&e, are generally more &autious# Perhaps this is most true when it &omes to lo%e# 1ften, a young boy or girl will easily fall in lo%e and easily fall out of lo%e# 5 more mature person, will /now that true lo%e ta/es time to grow and that lo%e seldom happens Cui&/ly# 5 more mature person also /nows that lo%e &an bring not only happiness, but also sorrow and regret# But how do older people /now these thingsE It is be&ause they were on&e young also# 0hey made their own mista/es in life and in lo%e# *o young people should listen &losely to the ad%i&e that the elders gi%e# 0he following poem offers some words of wisdom about falling in lo%e too early# 9 Don !y the "a##ey Gardens &own y the salley gardens my love and I did meet' (he passed the salley gardens with little snow-white feet' (he id me ta!e love easy, as the leaves grow on the tree' But I eing young and foolish, with her would not agree. In a field y the river my love and I did stand, And on my leaning shoulder she laid her snow-white hand. (he id me ta!e life easy, as the grass on the weirs' But I was young and foolish, and now am full of tears. In this poem, Yeats used A parallelism A s/illfully# 0he first stan4a and the se&ond stan4a parallel ea&h other# A *he bid me ta/e life easy, as the lea%es grows on the tree A parallels A *he bid me ta/e life easy, as the grass grows on the weirs# A 5lso, A with her would not agree A parallels A and now am full of tears# A Yeats arranged the words, senten&es and paragraphs perfe&tly in the poem# 5t the end of the poem the narrator feels regret for ha%ing been young and foolish and is now full of tears# It is really a good ad%i&e#