Art September 2014

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Naeemeh Naeemaei - Dreams Before Extinction
Perceval Press 2014 ISBN 9780989561631 Acqn 23374
Hb 26x36cm 35pp 12col ills 9.25

Dissolving the artificial boundary between human society and wild nature is the goal of Dreams
Before Extinction, a series of twelve remarkable paintings of endangered species by the Tehran-
based Iranian artist Naeemeh Naeemaei. Painted in a dream-like, figurative style that is
disarming in its sincerity, her artworks bring a distinctly Muslim perspective to environmental art
and activism. Through a deeply personal narrative that is disturbing for both its intimacy and its
boldness, Naeemaei bravely crosses the dividing line between humans and wild nature to
awaken emotional concern not only for the animals in question, but also for the environment as a
whole. "I use my dreams, wishes, memorabilia and legends, plus information about the species,
to extend my imagination. In each painting, I've lived with an animal in my mind. It is a deep
connection." With illuminating comments on each painting by the artist, a preface by the Iranian
environmentalist Kavous Seyed-Emami, and an introduction by the historian and graphic artist
Paul Semonin, this beautiful bilingual book speaks across the cultural barriers existing today
between the Muslim world and Western societies.

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Jim Lambie - Not Just For Me. A Sample of The Poetry Club
Fruitmarket Gallery 2014 ISBN 9781908612298 Acqn 23866
Hb 15x21cm 176pp 75ills 50col 17.95

Known for his visually compelling, generous and beguiling work which attracts both popular and
critical acclaim, Jim Lambie came to prominence with Zobop (1999), a floor-based sculptural
intervention that consists of continuous lines of multi-coloured vinyl tape laid in concentric circuits
of a room from its outside edges to its centre. First shown in Transmission in Glasgow in 1999, it
is now in several major international collections.
Lambies work makes its magic from relatively humble materials tinfoil and coat hangers,
jackets, mirrors, records, turntables, potato sacks, plastic bags and household paint. Bringing
together early sculptures like The Kid with the Replaceable Head (1996), Ultra-Low
(1998/2007), Stakka (1999), Roadie (1999), and Zobop (1999), with more recent work including a
spectacular new version of Shaved Ice (2012/14) that fills the ground floor of the Gallery with a
forest of floor to ceiling, brightly coloured mirrored ladders, this exhibition offers the opportunity to
trace the development of Lambies exuberantly intelligent and visually arresting sculptural
language.
The exhibition is accompanied by this new publication that celebrates one of Jim Lambies most
generous sculptures: a poetry club he established in Glasgow in 2012. Including poetry from Patti
Smith, Richard Hell, Liz Lochhead, John Giorno, Soul Williams and Gerard Malanaga, the book
presents a sample of The Poetry Club, a rich assemblage of some of the people who, in Lambies
words, give us our dreams.
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Jim Lambie - Exhibition Film DVD
Fruitmarket Gallery 2014 ISBN 9781908612304 Acqn 24143
DVD 14x19cm 8.33 +VAT

Known for his visually compelling, generous and beguiling work which attracts both popular and
critical acclaim, Jim Lambie came to prominence with Zobop (1999), a floor-based sculptural
intervention that consists of continuous lines of multi-coloured vinyl tape laid in concentric circuits
of a room from its outside edges to its centre. Lambies work makes its magic from relatively
humble materials tinfoil and coat hangers, jackets, mirrors, records, turntables, potato sacks,
plastic bags and household paint. Bringing together early sculptures like The Kid with the
Replaceable Head (1996), Ultra-Low (1998/2007), Stakka (1999), Roadie (1999), and Zobop
(1999), with more recent work including a spectacular new version of Shaved Ice (2012/14) that
fills the ground floor of the Gallery with a forest of floor to ceiling, brightly coloured mirrored
ladders, this exhibition offers the opportunity to trace the development of Lambies exuberantly
intelligent and visually arresting sculptural language.

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Magiciens De La Terre - Retour Sur Une Exposition Legendaire
Centre Georges Pompidou 2014 ISBN 9782844266934 Acqn 24024
Hb 20x26cm 400pp 410col ills 62
Text in French

This book, commemorating the 25th anniversary of Magicians of the Earth (Magiciens de la
terre), is a remarkable account of what this largely debated exhibition truly was and the role it
played in contemporary art history. This volume offers for the first time a complete overview of the
1989 scenography in both venues (Centre Pompidou and Grande Halle de la Villette, Paris)
through more than 410 previously unseen photographs and artists words. In the second part, the
players of the time explain the genesis and conception of Magicians of the Earth : Mark Francis,
Andr Magnin and Aline Luque, associated curators, as well as Hou Hanru, who provides an
insiders perspective of the research and discovery of Chinese artists. Chief curator of the
exhibition, Jean-Hubert Martins preface for the 1989 catalogue as well as his post-face 25 years
later, enlighten the reader about his approach. An interview with Raymonde Moulin and a
perspective by Annie Cohen-Solal expand on this account.
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Yael Bartana - Two Minutes of Standstill
Sternberg Press 2014 ISBN 9783956790614 Acqn 24070
Pb 21x30cm 80pp 20col ills 15.95

Edited by Florian Malzacher and Stefanie Wenner
With contributions by Yael Bartana, Christina von Braun, Boris Buden, Galit Eilat, Florian
Malzacher, Ihab Saloul, Stefanie Wenner

Inspired by the Israeli memorial day Yom HaShoah, the holiday that commemorates victims and
resistance fighters of the Holocaust, Yael Bartanas Two Minutes of Standstill took place on June
28, 2013, at 11 a.m., as part of the Impulse Theater Biennale in the city of Cologne. A symbolic
interruption of everyday life, Two Minutes of Standstill was a political act, a social sculpture, and a
collective performance. Historically, the act of a silent standstill is a way to commemorate the
dead. Bartanas artwork, however, also calls for a reflection on the present. During the
preparation for the performance a range of reactions occurred that were both positive and critical.
What does the specific way this history is told in Germany tell us about the country today? And
why did Bartanas performance provoke such strong reactions?

This catalogue is a documentation of Two Minutes of Standstill, revealing the ideas behind the
work and the process that led to its realization. The book includes several essays that discuss
possible interpretations and consequences of the artwork, questioning the role of history and
commemoration in Germany today.
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The Art of Smallfilms - The work of Oliver Postgate & Peter Firmin
Four Corners Books 2014 ISBN 9781909829022 Acqn 24110
Hb 26x28cm 320pp 340col ills 25

Foreword by Stewart Lee, Introduction by Jonny Trunk.

Working from a barn in Kent, Postgate and Firmin produced some of the best-loved childrens
television of the 1960s and 1970s, including Bagpuss, The Clangers, Ivor The Engine and Noggin
The Nog. This book presents the Smallfilms archive the puppets and cut-outs from these series,
along with insights into how they were made. Its a book full of pipe cleaners, cotton wool, wire
and ping-pong balls, and celebrates the imagination and ingenuity of two artists who shaped the
childhoods of a generation.

Jonny Trunk has taken the astonishingly thorough archive of Smallfilms and presented it as
one would a collection of artefacts in an exhibition detailing some much-admired 20th century art
movement, like Fluxus or Dada. The Smallfilms partnerships sacred relics repay his trust, and
our repeated viewings. - Stewart Lee, from his introduction.
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Richard Forster Modern
Ingleby Gallery 2014 ISBN 9780956669285 Acqn 24115
Hb 21x17cm 88pp 61ills 18col 15

Richard Forsters approach is seemingly straightforward, a deliberate choice of the most ordinary
of mediums, but his resulting pencil drawings, made with an intense level of skill and a lonely
determination over many months, ask awkward questions about the transition of such a deeply
private activity into the public realm. Forster draws from photographs rather than from life either
using his own snapshots, or images found in magazines, books, or on the internet. At a glance
his choice of subject can seem quite diverse (pastoral nudes from the 1920s, seascapes from the
coast near his home in the north of England and the meeting points of architecture and social
change) but they are brought together by his extraordinary technique and by an underlying
interest in measuring his experience of the world. Common to them all is a sense of the place of
the individual within the collective: the private within the public. This extensively illustrated
hardback book explores the development of Richard Forsters work over the past decade. The
publication includes new essays by Claire Gilman, Curator at The Drawing Center, New York and
Richard Ingleby.

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Howard Hodgkin
Gagosian Gallery (NY) 2014 ISBN 9781938748028 Acqn 24116

Exploring the very nature of painting as both cultivated language and sheer expression, Hodgkin
disregards the classical polarities of past and present, abstraction and representation, surface
and frame. Assertive, compressed gestures, a lush palette, and the dynamic interchange of light
and dark are all traits of his distinctive style.
In each painting, Hodgkin's subject is a presence that is sensed rather than apprehended, and
remains allusive and fragmentary. New works produced between London, Normandy, and
Bombay, represent vibrant traces of location and experiencetranscriptions of everyday
encounters and memories into layered, richly coloured textures. This fully illustrated catalogue
includes texts by Julian Barnes, James Fenton, and Susan Sontag, and a discussion of Hodgkins
work between Jean-Pierre Criqui and Jeff Wall.

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Maurizio Cattelan Lucio Fontana
Gagosian Gallery (NY) 2014 ISBN 9781935263982 Acqn 24117
Pb 15x21cm 28pp 8col ills 58

This exhibition puts in play two key artworks by two epochal artists who have probed the
inextricable relationship of the sacred and profane to dramatic effectLucio Fontana, with his
radical spatial propositions in the post-war period, and Maurizio Cattelan, with his dystopian
pranks for the new millennium.
The exhibition takes its title from Fontana's climactic painting of the early sixties, its hot pink, egg-
shaped surface savaged by the thrusts of a sharp knife. Here Concetto spaziale, La fine di Dio is
the altar at which Cattelan's HIM, the figure of small boy visible only from the back, turns out to be
none other than Adolf Hitler, kneeling in impossible supplication before an impossible atonement.
With a single, deft juxtaposition, the history of iconoclasm takes an exponential leap.
With by Francesco Bonami.

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Peter Liversidge - Selected Proposals

This 284 page publication looks back at the last 8 years of Liversidges practice, and includes
facsimiles of Liversidges original proposals for different artworks and performances alongside
full-colour illustrations of their realisations.
The book includes the transcript of a discussion between Peter Liversidge and Whitechapel
Gallery curator, Daniel F. Herrmann and a new essay by writer and curator Clive Phillpot.
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Ed Templeton - Wayward Cognitions
Um Yeah Press 2014 ISBN 9780985361129 Acqn 23881
Hb 20x27cm 160pp col ills 31.50

Wayward Cognitions is a collection of photographs by Ed Templeton (born 1972), chosen from
his archives spanning 20 years. For this volume, Templeton selected photographs that do not fit
into his usual manner of organizing by theme or subject. In past publications he has arranged his
work in straightforward groupings such as Teenage Kissers, Teenage Smokers, or photographs
shot from a moving car (as in his book The Seconds Pass). In Deformer he presented the
photographs under the theme of suburbia. Wayward Cognitions represents the in-between
moments that arise when shooting in the streets without theme or subject. "It's about looking,
people watching, finding pleasure in the visual vignettes we glimpse each day," says Templeton.
When those moments are removed from the context in which they were shot, dynamic stories can
be told or imagined in book form. The photographs in Wayward Cognitions were printed by
Templeton in his darkroom; he then created the layout and design himself, building the book from
scratch in his home studio.

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The Emperor Of China, The Mute Canary & The Executioner Of Peru
Wakefield Press 2014 ISBN 9781939663054 Acqn 23889
Pb 15x23cm 234pp 1ills 12.50

This volume collects three savage plays from the man Andr Breton designated as one of the
only "true Dadas" (alongside Tristan Tzara and Francis Picabia): The Emperor of China (1916),
The Mute Canary (1920) and The Executioner of Peru (1928). The first two have long been
acknowledged as highpoints in the Dada movement's contribution to the theatre, but in their
brutal depictions of violent sexuality and nightmarish tyranny, and their casts of manipulative
bureaucrats, murderous henchmen, insane dictators, lascivious virgins, Ubuesque cuckolds and
nonsense-spewing enigmas, these plays also echo the work of such other dissident surrealists of
the era as Georges Bataille and Andr Masson. These unsettling theatrical works were significant
anticipations of Antonin Artaud's Theater of Cruelty and the Theater of the Absurd of the 1960s.
Georges Ribemont-Dessaignes (1884-1974) was a French writer and artist, and one of the
fiercest adherents of the Paris Dada movement, acting as the group's secretary, and for which he
authored some of its most vitriolic texts. Disenchanted with the Surrealist movement that
followed, Ribemont-Dessaignes allied himself instead with such other Surrealist dissidents as
Ren Daumal and the Grand Jeu. Throughout his long life, Ribemont-Dessaignes authored a
sizable oeuvre of novels, plays, poetry, essays and memoirs, none of which has to date been
translated into English.

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The Creator by Mynona
Wakefield Press 2014 ISBN 9781939663078 Acqn 23891
Pb 12x18cm 160pp 19ills 1col 9.95

Billed by its author--the pseudonymous Mynona (German for anonymous backward)--as the
most profound magical experiment since Nostradamus, The Creator tells the tale of Gumprecht
Weiss, an intellectual who has withdrawn from a life of libertinage to pursue his solitary
philosophical ruminations. At first dreaming and then actually encountering an enticing young
woman named Elvira, Weiss discovers that she has escaped the clutches of her uncle, the Baron,
who has been using her as a guinea pig in his metaphysical experiments. But the Baron catches
up with them and persuades Gumprecht and Elvira to come to his laboratory, to engage in an
experiment to bridge the divide between waking consciousness and dream by entering a mirror
engineered to bend and blend realities. Mynonas philosophical fable was described by the
legendary German publisher Kurt Wolff as a station farther on the imaginative train of thought of
Hoffmann, Villiers, Poe, etc., when it appeared in 1920, with illustrations by Alfred Kubin
(included here). With this first English-language edition, Wakefield Press introduces the work of a
great forgotten German fabulist.
Mentioned in his day in the same breath as Kafka, Mynona, aka Salomo Friedlaender (1871
1946), was a perfectly functioning split personality: a serious philosopher by day (author of
Friedrich Nietzsche: An Intellectual Biography and Kant for Children) and a literary absurdist by
night, who composed black humoured tales he called Grostesken. His friends and fans included
Martin Buber, Walter Benjamin and Karl Kraus.
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Bad Luck, Hot Rocks - Toward a Geologic Conscience
The Ice Plant 2014 ISBN 9780989785914 Acqn 23896

The Petrified Forest National Park in Northeast Arizona protects one of the largest deposits of
petrified wood in the world. Despite stern warnings, visitors remove several tons of petrified wood
from the park each year, often returning these rocks by mail (sometimes years later),
accompanied by a "conscience letter." These letters often include stories of misfortune attributed
directly to their theft: car troubles, cats with cancer, deaths of family members, etc. Some writers
hope that by returning these stolen rocks, good fortune will return to their lives, while others
simply apologize or ask forgiveness. "They are beautiful," reads one letter, "but I can't enjoy
them. They weigh like a ton of bricks on my conscience. Sorry." Bad Luck, Hot Rocks
documents this ongoing phenomenon, combining a series of original photographs of these
otherworldly "bad luck rocks" with facsimiles of intimate, oddly entertaining letters from the park's
archives.
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David Hammons/Yves Klein Yves Klein/David Hammons
Aspen Art Press 2014 ISBN 9780934324656 Acqn 23932
Hb 20x26cm 208pp 70col ills 38.50

This volume offers a compelling examination of the surprising conceptual and visual
correspondences between the works of these two pivotal artists known for their innovative
practices. Klein (1928-1962) was a major figure in post-war art who opened up new possibilities
for material, conceptual and performative expression, often touching on the metaphysical.
Hammons (born 1943) is a conceptual artist whose works in performance, installation, sculpture,
printmaking and other media confront contemporary realities with an often hard-hitting wit. This
publication aims not to draw out any notion of influence or direct correlation between these bodies
of work, but rather to elucidate a resonance between two artists who both engage transformative
processes to invest the humblest of everyday materials with deep aesthetic significance.
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Arcana VII - Musicians on Music
Hips Road/Tzadik 2014 ISBN 9780978833749 Acqn 23987
Pb 17x21cm 348pp 156ills 24.95

John Zorn's acclaimed Arcana series, now in its seventh installment, is a major source on new
music theory and practice in the twenty-first century. The most varied collection to date, Arcana
VII includes personal essays by New Music luminaries Pat Metheny, Bryce Dessner, Irvine Arditti,
Thurston Moore, Kenny Werner, Eugene Chadbourne and David Krakauer alongside articles on
musical theory and practice by veterans Joe Morris, Matt Shipp, Ben Goldberg, Ches Smith,
George Steel, Billy Martin, Hilda Paredes and Gloria Coates and insightful new views by younger
musicians Chris Otto, James Moore, Theresa Wong, Shanir Blumenkranz, Jay Campbell, Du
Yun, James Ilgenfritz, Chuck Bettis, Aya Nishina and many others. A kaleidoscope of
manifestoes, scores, interviews, critical papers, musical studies, rants and more, Arcana VII is a
fascinating compendium from first word to last.
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Mark von Schlegell. Ickles, Etc. - Critical Spatial Practice 5

Edited by Nikolaus Hirsch, Markus Miessen
Featuring artwork by Louise Lawler

Its the late twenty-first century. Technological, environmental, and social catastrophes have
changed the meanings of culture, nature, and landscape forever. But in what remains of the
international urban scene, architecture still refuses to admit it hasnt been modern since the early
twentieth century. Enter Ickles, Etc.

Helming Los Angeless most misunderstood info-architecture practice is Henries Ickles, the man
without self-concept. Time and again Ickles offers practical solutions to the most impenetrable
theoretical entanglements of art, architecture, and science in the 2090s.

In the fifth book in the Critical Spatial Practice series, Mark von Schlegells fusion of theory and
fiction puts the SF back in notions of speculative aesthetics. A collection of interconnected
comical sci-fi stories written for various exhibitions, Ickles, Etc. explores the future of architectural
practice in light of developments in climatology, quasicrystalography, hyper-contemporary art,
time travel, and the EGONET. Occupying New Los Angeles, visiting the Danish Expansion,
Nieuw Nieuw Amsterdam, and 1970s St. Louis, the practice finds selves embroiled in very spicy
mustards indeed, redefining info- architecture and jettisoning the burdensome self-concept of
the Western tradition in the process. Just dont expect a visit to the ruins of Disney Hall!
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Fear of Language - Poetic Series 3

Edited by Fiona Bryson, Keren Cytter
Contributions by Judith Goldman, Eileen Myles, Katja Perat; artwork by Willem de Rooij

The third issue in the Poetic Series takes its title Fear of Language from the work of emerging
Slovenian poet Katja Perat, featured alongside poetry by Judith Goldman and excerpts from
Eileen Myless forthcoming memoir, Afterglow. Artwork is provided by Willem de Rooij, whose
series comprises collected images from the Internet displaying the aftermaths of destroyed and
looted cultural heritage sites in conflict zones such as Iraq, Mali, Egypt, Syria, and Bosnia-
Herzegovina.

The Poetic Series brings together works of poetry and literature in combination with visual art,
introducing young as well as established writers concerned with challenging the boundaries of
traditional forms of narrative. Initiated by Keren Cytter and co-edited with Fiona Bryson, the
quarterly publications focus on three experimental writers or poets per issue, and image content
is supplied by one artist.

Co-published with A.P.E (Art Projects Era)
Design by Keren Cytter
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Calder After the War
Pace London 2013 ISBN 9781909406032 Acqn 24113

A major catalogue, Calder After the War, with an introduction by Sir Norman Foster and an
important new essay by American art historian Barbara Rose, accompanies the 2013 Pace
Gallery exhibition in London. It includes illustrations of the works in the exhibition as well as a
chronology of the period, with dozens of never-before-published photographs documenting the
artist, his studio, and his practice. Photographs of the important exhibitions that marked the
period, as well as related documentation, will also be reproduced in the chronology. Also included
is Jean-Paul Sartres celebrated essay from 1946 Les Mobiles de Calder, in the original French
as well as in the English translation.

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Frank Walter
Pb 17x21cm 40pp 44ills 43col 5

Francis Archibald Wentworth Walter was born in Antigua in 1926. He was prodigiously talented
as both a writer and artist, but his undeniable genius was flawed by delusions of aristocratic
grandeur, namely a belief that the white slave owners in his ancestry linked him to the noble
houses of Europe, from Charles II to Franz Joseph of Austria and the Dukes of Buccleuch. As a
young man, aged just 22 in 1948, Walter tasted success as the first man of colour to manage an
Antiguan sugar plantation, but although hugely revered on the island for his intellect and
achievements he left it all behind to tour Europe in pursuit of new skills and his own increasingly
convoluted genealogical meanderings.
Walters remarkable gifts were the product of a fertile, but fragile, mind and having returned to the
Caribbean he spent the last twenty five years of his life in an isolated shack on an Antiguan
hillside, surrounded by his writings, some 25,000 closely-typed pages of history, philosophy and
autobiography, and by the extraordinary paintings and carvings that speak with such an
unmistakable and visionary voice.
This publication provides an introduction to Frank Walters life and work. It includes numerous
colour reproductions of Walters paintings and essays by Barbara Paca, Art Historian, Landscape
Architect and close friend of Frank Walter. The book also includes photographic portraits of Frank
Walter taken by Sean Donnola.

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Quentin Blake - Nos Compagnons
Quentin Blake 2014 ISBN 9780992892302 Acqn 24124

In a career of some sixty years Quentin Blake has illustrated over three hundred books, and his
collaboration with Roald Dahl and many other writers have made him internationally celebrated.
In this new suite of drawings Quentin Blake gathers together some characteristic observations
from the beaches of a parallel world; one that, nevertheless, can in some respects strikingly
resemble our own.

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Christo and Jeanne-Claude - In/Out Studio
Verlag Kettler 2014 ISBN 9781938922510 Acqn 24125
Hb 20x27cm 312pp 275ills 87col 39.50

Christo and Jeanne-Claude have created some of the most visually breathtaking works of the
twentieth and twenty-first centuries. Their projects have traversed and transcended the
boundaries of painting, sculpture and architecture. This lavishly designed, epic volume brings
together a wealth of archival material and photographic documentation, put together in close
collaboration with Christo, to offer an intimate behind-the-scenes view of the monumental
installations with which the couple have dazzled the public.
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Zetesis - Research Generated by Curiosity - Vol. 1 No. 1 The Cruelty of the Classical Canon
ARTicle Press 2014 ISBN 9781873352069 Acqn 24126

With this debut volume of Zetesis, the artists, philosophers, designers, technicians and scientists
involved with this project and committed to an old fashioned kind of research that which is
generated by a curiosity and deep commitment to know (the whatever) declare a new
Daybreak.
It is one that intends to take as a given, complexity and the irrational/imaginary in art and
the sciences, physics and metaphysics, culture and its economies, skin and the pleasures of the
flesh. It steps to the atonal rhythms of the mimetic patterns of camouflage and the flneur. It
aligns itself with the history of those who were (and remain) willing to ask and act upon this basic
question: Supposing it could be otherwise, what would this otherwise look like, become, be, now?

Preface: We Libidinal Economists! Daybreak: version 2 | Johnny Golding: The Paradoxical
Economy of Crisis | Mattia Paganelli: The 9th Technology of Otherness | Johnny Golding:
Discourse in a Coma | Daniel Rubinstein: Tape Plays Teletribunals | Lynn Turner: Becoming Gay
| Norbert Finzsch: All about my Mothers Shame | Henry Rogers: Echostate | Stephen Kennedy: A
Paradoxical Architecture | Hannah Lammin: Mimetic Rationality | Mark Walker: Intimate
Strategies | Perry Zurn: She-wolf | Sarah Mann-O'Donnell: Jennuflectings II | Virgil Brower:
Artworks Regrettee Norm | Meryl Donoghue: Guilt is a Terrible Ghost | Meryl Donoghue:
TALEPIEJ | Jakub Ceglarz: Imagination Constructs | Liam Worth: Queer Anatomy | Hannah
Honeywill: My body is Your Body | AMAE
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Zetesis - Research Generated by Curiosity - Vol. 1 No. 2 - Wet-Dry-Thick-Thin
ARTicle Press 2014 ISBN 9781873352076 Acqn 24127

The second issue of Zetesis includes:

Beyond the Cooked and the Raw: Abjection and art as transgression | Estelle Barrett
The Japanese Jewel Beetle: A painters challenge | Franziska Schenk, Bodo D. Wilts and
Doekele G. Stavenga
Painting. Materials. Matters. Pip Seymour in conversation with the painter Yvonne Hindle |
Yvonne Hindle
The Archive and Public Art: Archiving the materialities of our times | Sian Everitt Vaughan
Material: Photography: Art that draws on, with, and against photography | Andrea Jespersen
[Un]common Sense and [Un]disciplined Gestures | Sheena Calvert
There is a gardener that works night and day... | David Cheeseman
Through the Looking Glass: The cryptesthesia of photography | Grace Williams
The Anti-Materialist Ontology of Mystical Realism: How speculation can work against the
speculative absolute | Ole Hagen
At Every Given Moment | Dane Worallo
Pixelpaisleyportal: The materialisation of imagination in 8 pixelated steps| Jennifer Wright
Becoming Grey (the unending of) | Samira Nejad
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Frans Hals - A Phenomenon
nai010 publishers 2014 ISBN 9789462081680 Acqn 24026

The Haarlem painter Frans Hals is, like Rembrandt and Vermeer, one of the greatest painters of
the Dutch Golden Age. In this book, art historian Antoon Erftemeijer acquaints the reader with
Frans Hals in an accessible and surprising way: what did he look like, who were his predecessors
and contemporaries, and what makes him so unique?

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Acid 3 Surfrelated Publishing Project
19 80 Editions 2014 ISBN 9782919159123 Acqn 24167
Pb 17x24cm 128pp col ills 13.50

The magazine about surfing and all things tangential thereto returns with a new issue featuring
short stories, what its like to become a surfer in Slovenia, figurative coffins in Ghana, a catalogue
of surfing linguistics and slang, the hidden life of weather buoys, photography by Will Adler, music
about surfing from the collection of Franck Trouet, personal perspectives on the winter season in
Hawaii and Roger Jardines candid view of Durban, all interspersed with generous helpings of
surfing photography and artwork.
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Aesthetic Politics In Fashion
Pb 17x22cm 260pp 74ills 47col 17.95

Texts by Endora Comer-Arldt, Ilka Becker, Tanja Bradaric, Martina Fineder, Eva Flicker, Elke
Gaugele, Birgit Haehnel, Alicia Ku hl, Michael R. M ller, Sabina Muriale, Taro Ohmae, Barbara
Schrdl, Ruby Sircar, Birke Sturm, Monica Titton

Aesthetic Politics in Fashion outlines critical studies in the present cross-sections of fashion, art,
politics, and global capitalism. Critically examining contemporary collaborations of artists, media,
and fashion labels, this groundbreaking anthology locates fashion within ecological and ethical
discourses, postcolonial styles, and critical reflections on whiteness. Contributions from a
distinguished group of international scholars debate fashion as a cultural phenomenon at the
intersection of artistic, creative, economic, and everyday practices.

Aesthetic economies, the production of space, and alternative aesthetic politics are explored from
interdisciplinary angles: art history, cultural science, sociology, design, and fashion studies.
Aesthetic Politics in Fashion advances theorizing of fashion as an aesthetic metapolitics.

Art September 2014

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