Liston Death Death is an imperative part of every individuals life. However, perspective on death is relative to differing cultures, religions, and geographic regions. Religion and its culture shape many of the tendencies surrounding death and the period thereafter. Also, perception of death can be reflected through popular culture, such as Disney movies, which is especially evident in western societies. Many external factors play a role in how one views and copes with death. Regardless of religious beliefs or cultural values, the concept of death is subjective to the environment. In chapter 12, Stephen Hunt shows how different religions cope before, during, and after someones death. Religion plays a strong role in dealing with many of the problems resulting from death. In the religious context, death is a very communal and individualistic event. Death can be very socially significant in religions. To ensure eternal prosperity, certain measures needed to be taken throughout ones life until their passing. Therefore, many view death with great importance. Before death, many religions have a call to action to ensure eternal bliss in the afterlife. For example, in Jewish tradition, it is decreed that the deceased should leave the world on good terms in order to truly receive forgiveness from God. Religions also have methods used near and at the moment of death. In Buddhist tradition, the dyings final thoughts should be directed towards Buddha and scripture to bring overall good to their reincarnated self. Following the actual event of the death, religions also have dictated the proper way to dispose of the body. In Hindu culture, numerous forms of ceremonies and rituals take place immediately upon death. To ensure a positive afterlife, the deceased are sung sacred songs and ultimately cremated. The religious idea of an afterlife is often the reason specific measures are taken during the process of death. Most religions have positive and negative consequences depending on the actions taken by an individual when they are alive. Finally, most religions also have a methodology to deal with mourning after death. For example, in Islam, the deceased are mourned for three days and relatives increase their overall devotion during this period. Altogether, religion and its beliefs greatly influence how adherers proceed with death because they all want to ensure a satisfactory rite of passage for the departed. In chapter 19, Gary Laderman shows how Walt Disneys films represented the values of contemporaneous America. Death in American society is traditionally viewed as taboo and the reality of it is often denied or refused. Due to a rising lack of attention towards religion and medical advances, death is often not shaped spiritually in American culture. However, many representations of death and cultural values can be seen in Disney movies at the time. Disneys film history exemplifies his fascination with death. One of Disneys initial animated shorts was very macabre and contained a comical personification of death. Death was apparent in Disneys life outside of animation as well. Disney started to completely avoid funerals after a fortuneteller proclaimed that he would die at the age of 35. It was also rumored that Disney had a strong interest in cryogenics, which was the process of freezing ones corpse until medical advances become sophisticated enough to rejuvenate lost life. Disney was also notorious for emphasizing the sentiments of the people of the era in his films. Disneys movies contained many messages and values to be instilled similar to how a religion would. Many of his films overlaying plots revolve around the battle between innocent good and corrupted evil. Ultimately, death results when that evil defeats the good. Examples of the prevailing evil forces include men, stepmothers, and witches. Overall, through Disneys focus on the concept of death, he communicated his eras fears towards it and conveyed the virtues that could be learned from it. The main purpose of chapter 12 is to exemplify religions perception on death and the processes that take place during death. There are many phases during the process of death. Stephen Hunt depicts numerous examples of religious practices and what they symbolize for the deceased. Generally, the event of death has great significance and deeply affects a community in religious societies. While in western countries, death is not viewed as important. In order to achieve this purpose, Hunt addresses the question of how do different religions interact with death? The most important information in the chapter is the fact that many of the rituals engaged before, during, and after death is due to a belief in some sort afterlife. Some religions believe in a heaven or hell, while others believe in reincarnation. Regardless, the belief of an afterlife shapes many of the methods performed by adherers during death. This piece of information is very important, because it answers why many of the rituals are being performed. In order to ensure a blissful afterlife or properly facilitate the transition of reincarnation, adherers perform certain ceremonies and procedures. In other words, tranquility after death can be more readily attained if the proper religious measures are taken. The main conclusion Hunt draws in the chapter is that death is an integral part of life and religion is ultimately utilized as a mechanism to deal with it. In order to understand Hunts line of reasoning, we need to understand the significant and imperative nature of death. Death occurs to everyone and individuals usually have to face some form of death around them. Therefore depending on ones cultural environment, how one handles and copes with the effects of death differs. If we take this line of reasoning seriously, the consequences may be that individuals start to be more spiritual regarding death and understand its essential significance. If we fail to take this line of reasoning seriously, individuals can be more fearful of something inevitable, rather than deal with the situation adequately. However, Hunt does make the assumption that a disproportionate majority of Westerners marginalize death. This is an unfair assumption due to the fact that many westerners still hold strong religious beliefs and view death with great significance. Western cultures still hold funerals and processions, and also have a mourning process that many go through. Stephen Hunt ultimately is looking at death in the religious and secular context. Hunt perceives that secularity has marginalized the process of death, while religion continues to showcase death as socially significant. The main purpose of chapter 19 is to exemplify Americans sentiments toward death and how Walt Disney depicted this preoccupation in his work. The key question that Gary Laderman is addressing is how does Disneys films reflect the American view on death during his time? In answering this question, Laderman can analyze the difference in how westerners perceive death. The most important information in this article is that many of the themes in Disneys movies were relevant ideologies at the time. Death serves as a plot point in many of Disneys animated films. Death would result when evil would defeat good. However, most of his films still ended in a positive note. In other words, despite living in a wicked world, hope and bliss still prevail. In totality, the main conclusion Laderman hones in on is that death was indeed significant in American culture. Regardless of Americas silence towards death, it is still a thought that heavily preoccupies the country. In order to understand Ladermans line of reasoning, one must recognize the period of time when the chapter takes place. Walt Disney and many of his animated films arose from the 1930 to 1940s. During this time period, America was struggling and facing many woes. The economy was disparaging and the nation was in between wars. Americans actually were facing death in a grand scale overseas during this period. So when Walt Disney captured death and its repercussions in his films, Americans felt a connection with the stories. The resolution to Disney films often contained a sense of hope and certainty that American culture desired in reality. The main assumption Laderman makes is that Americans did not view death as taboo. In the beginning of the chapter, he refutes the fact that Americans avoided to think about death. However in times of such grief and hardship, many individuals may choose to avoid negativity like death altogether for the sake of optimism. If we take Ladermans line of reasoning seriously, we can truly understand the historical and cultural sentiments towards one of the greatest phenomenas. Generations were facing 3 consecutives decades of crisis. Both World Wars were conflicts between 2 opposing forces, similar to a Disney movie plot. Disney often depicted death and sorrow in his movies, only to conclude with an uplifting mood. Similarly, Americans longed to find a similar uplifting sentiment after prolonged conflict. If we fail to take this line of reasoning seriously, we would be preventing ourselves from truly learning the westernized perception of death. Elements and themes from Disneys films decades ago continue to remain relevant today. Ultimately, Gary Landerman is looking at death in the more unorthodox way. Rather than conclude that Westerners have marginalized death, he exemplifies how Westerners embraced its components. In terms of writing, chapter 12 uses a sociological methodology, while chapter 19 uses a more historical methodology. Hunt elaborates on the topic of religion and death by going through numerous examples of religions dealing with the process involving death. The chapter is then broken down to the different phases that occur during death. Hunt focuses on how the structure of religion results in certain practices and rituals varying from culture to culture. Sociologically speaking it is religion that differs how cultures function and cope with inevitable death. In other words, Hunt exemplifies the roots and origins of established social behavior pertaining to death. However, chapter 19 follows a more linear and historical approach. Laderman utilizes the timeline of Disney and his film career to facilitate the connection between death and American culture. Also, Laderman refutes the presumed preconceptions that many think Americans had during the thirties and forties. While Hunt chooses not to pungently dictate his purpose as an argument. Overall, Hunts chapter does not reinforce a truth like Laderman does. It is already quite known that religion and death have a relationship shaped by traditions. Religions have been incorporating their methods, values, and mindsets for centuries. However, American cultures relationship with death is not nearly as evident. During Ladermans conclusion, he does incorporate a philosophical approach as well. The purpose of using Disneys filmmaking history ultimately was to conclude a rational truth about the principals of Americans. True to the definition, Laderman theorizes like a philosopher would on one of the largest components in life, death itself. Although, chapter 12 and chapter 19 centrally focus on the idea of death, both still vary in content greatly. In chapter 12, Hunt establishes that Westerners have overall devalued death and its spirituality almost completely. It is religion that brings death to the forefront of a community and allows for the best coping mechanisms. Conversely, in chapter 19, Laderman establishes that Westerners are preoccupied by death significantly. Rather than brush death off, Americans are captivated and embraced it. Very much so, that Walt Disneys career arguably would not have been as successful if he did not incorporate elements of death in his productions. Chapter 12 elaborates that through modern medicine and diminishing adherence to religions overall, Westerners tend to mask their thoughts of death. Modern science continues to prolong lives, especially in more developed countries. Individuals start to receive certain procedures and make lifestyle changes all in the hope of prolonging death. Speaking about death is usually taboo in most contexts and children are often sheltered from the grave topic. While in the rest of the world, death is a substantial part of life and very socially significant. Chapter 19 elaborates that through alternative mediums, death is still a very significant topic in Westerners minds. Religion may have less of an influence in Western cultures, but Westerners still strive to make sense of death just like everywhere else in the world. Rather than through religious teachings, Americans often look at popular culture and mass media to help articulate their sentiments toward death. Despite the differences between the two chapters, a major similarity encapsulates both. Death is inevitable and something that we all attempt to derive profound meaning from. Regardless of beliefs or differences in geography, death occurs to all. It is a concept that has been apparent for as long as living organisms have habituated the earth. However, it is something so perplexing, we all deduce our own ways to make sense of it. Stephen Hunt highlights how religions influence different cultures to adapt to death. Traditionally, religions have built customs and rituals to help prepare for the mysterious stage after death. Furthermore, religions also create measures for individuals to properly cope with a death around them. Gary Laderman demonstrates how forms of media, specifically Disney movies, exemplify how Americans perceive death and grief. Americans are preoccupied with death regardless of religious beliefs because it ultimately creates a rupture in the status quo. Disney and his movies helped reaffirm common fears and values displayed during the course of life through death. In the end, death is one of the only certainties of life, and therefore results in reflection by all able-minded individuals. Ultimately, death is the great equalizer. Regardless of socioeconomic conditions, location, or status it is imperative to all. Though, the physical and social act of dying is still something not entirely understood. In order to make sense of death, its causes, and its results, individuals turn to some sort of set of beliefs. Regardless of belief in a particular religion or no religion at all, an individuals perspective on death is molded by the culture surrounding them. In areas where religion is all encompassing, cultures establish a connection between their religious principles and death. In areas where religion has less influence, cultures still establish a connection between their own cultural values and the concept of death. Therefore overall perception of the act of dying, death itself, and what occurs after death is subjective to the person and their environment
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