American & European Prints & Photography - Skinner Auction 2749B

Sale 2749B September 19, 2014 Boston
Fine Prints &

Photography
View all lots online at www.skinnerinc.com
COVER: 150; FRONTI SPI ECE: 45; BACK COVER: 70
Auction Information
Auction 2749B

Friday, September 19
12PM
followed by Fine
Paintings & Sculpture
at 4PM
63 Park Plaza
Boston, MA

Absentee Bidding

T: 617.874.4318
F: 617.350.5429
General Inquiries:
617.350.5400
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Wednesday, September 17
12 to 5PM

Thursday, September 18
12 to 8PM

Friday, September 19
9 to 10AM
Specialists
Department Inquiries: 508.970.3206
Michelle Lamunire
508.970.3264
Robin S.R. Starr
Department Director
508.970.3259
Elizabeth C. Haff
508.970.3258
Fine Prints &
Photography
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Table of Contents
1 Auction & Specialist Information
2 Web Site & Online Bidding
4 Glossary of Terms
5 Lots 1220
112 Artist Index
113 Conditions of Sale
114 Map & Driving Directions
115 Absentee Bid Form
116 Company Directors & Specialty Departments
117 Administrative Staff & Client Services
119 Subscription Form
Please Note: All lots sold subject to our Conditions of Sale.
Please refer to page 113 of this catalog for the full terms and conditions governing your purchase.
Copyright Skinner, Inc. 2014
All rights reserved
MA/Lic. #2304
DS Graphics, Inc.
120 Stedman Street, Lowell, MA 01851
800-536-8283 dsgraphics.com
Proudly printed by
DS Graphics, Inc.
120 Stedman Street, Lowell, MA 01851
800-536-8283 dsgraphics.com
Proudly printed by
4
All items in this catalog are described according to the following table of terminology.
Please note that all statements in this catalog as to Authorship, Period, and Origin, are
qualified statements subject to the Conditions of Sale.
Authorship will be described in the following ways:
John Joseph Enneking
In our judgment, the work is by the artist.
Attributed to John Joseph Enneking
In our judgment, the work may be ascribed to the artist on the basis of style, but leaves some
question as to actual authorship.
School of John Joseph Enneking
In our judgment, a work of an unknown follower executed in the style of the artist and
contemporary in period.
Manner of John Joseph Enneking
In our judgment, a work executed in the style of the artist by an unknown hand and probably from
a later period.
After John Joseph Enneking
In our judgment, an intended copy of the work of the artist.
American School, 19th Century
In our judgment, the work of an unknown hand that can only be identified as to period and
culture.
Other terms:
Bears Signature
In our judgment, the signature not of the artist. This term is generally used separately, or together
with a description of the work as attributed to, school of, manner of, or after the artist.
Measurements are given as height x width and refer to the size of the support unless otherwise
indicated.
Glossary of Terms
Fine Prints & Multiples
Lots 1151
5 Online bidding at www.skinnerinc.com
1
Josef Albers (German/American, 1888-
1976)
WLS - IX, from WHITE LINE SQUARES
(SERIES II), 1966, edition of 125, published
by Gemini G.E.L., Los Angeles (Danilowitz,
172.1). Monogrammed and dated A 66
in pencil l.r., titled and numbered ...26-125
in pencil l.l. Screenprint in grays on paper,
image size 15 3/4 x 15 3/4 in. (39.8 x 39.8
cm), framed.
Condition: Toning, pale mat burn, not
examined out of frame.
N.B. Although this is considered the frst plate
of the second White Line Squares series,
Albers numbered it as IX, denoting it as a
continuation of the frst series into the second.
$300-350
2
1976)
WLS X, from WHITE LINE SQUARES
(SERIES II), 1966, edition of 125, published
by Gemini G.E.L., Los Angeles (Danilowitz,
172.2). Monogrammed and dated JA 66 in
pencil l.r., titled and numbered ...34 - 125 in
pencil l.l. Color screenprint on paper, image
size 15 3/4 x 15 3/4 in. (39.9 x 39.9 cm),
framed.
Condition: Possible subtle toning to sheet,
not examined out of frame.
$800-1,200
2
1
3
1976)
Gray Instrumentation IIe, from GRAY
INSTRUMENTATION II, 1974-75, edition
of 36, published by Tyler Graphics, Bedford
Village, New York (Danilowitz, 228.5). Signed
JAlbers in pencil l.r., titled and numbered
...20/36 in pencil l.l., artists and publishers
dry stamps l.r., identifed on a label from the
Harcus Krakow Gallery, Boston, affxed to the
backing. Color screenprint on paper, image
size 11 x 11 in. (27.8 x 27.8 cm), framed.
Condition: Subtle bleed-out at edge of image,
$800-1,200
4
Vera Andrus (American, 1896-1979)
Two Quebec Shore Views: Les Trois
Soeurs, 1936, edition of 25; and On the
Road to Manche dEpe, 1937, edition of
25. Both signed and dated Vera Andrus...
in pencil l.r., both titled and numbered in
pencil l.l. Lithographs on Rives paper with
watermark, image sizes 10 x 13 5/8 in. (25.4 x
34.4 cm), unmatted, unframed.
Condition: Margins approximately 3/4 inches
with deckled edges, scattered fox marks.
$300-500
6 Additional information and photos at www.skinnerinc.com 7 Online bidding at www.skinnerinc.com
5
Richard Anuszkiewicz (American, b. 1930)
Plate V, from SEQUENTIAL, 1972, edition
of 200, published by Sanmore Editions,
New York. Signed, numbered, and dated
ANUSZKIEWICZ 167/200 1972 in pencil l.r.,
inscribed V in pencil l.l. Color screenprint
on paper, image size 26 1/8 x 19 1/8 in. (66.3
x 48.5 cm), unmatted, unframed, shrink-
wrapped.
Condition: Minor crease and soiling to corner
of margin u.r. and l.l., not examined out of
wrap.
$300-500
6
John Taylor Arms (American, 1887-1953)
Battle Wagon - U.S.S. Alabama Outftting
at Norfolk Navy Yard, Crane Ship Kearsage
Alongside, 1942-43, second state of 6
(Fletcher, 376). Signed and dated John Taylor
Arms 1943 in pencil l.r., inscribed II in pencil
l.l. Etching with aquatint on paper, plate size
12 x 17 7/8 in. (30.4 x 45.3 cm), framed.
Condition: Several minute fox marks, subtle
rippling, not examined out of frame.
Provenance: Descended through the family
of Clarence G. Michalis to the present owner
(according to the inscription on the backing
paper).
$300-500
3
4
6
5
9
Fred Becker (American, 1913-2004)
Five John Henry Subjects: Birth of John
Henry; John Henry Building a Railroad
1936; John Henry + the Witch Woman;
John Henrys Death; and John Henrys
Funeral. Each signed ...Becker in pencil
l.r., stamped FEDERAL ART PROJECT
NYC WPA l.l., and titled in pencil l.c. Wood
engravings on Basingwerk Parchment with
watermarks, image sizes to 6 x 4 1/2 in. (15.2
x 11.4 cm), unmatted, unframed.
Condition: Margins over 1/2 inch with some
deckled edges, masking tape to upper edges
on verso (with accompanying staining to
recto).
Provenance: From the collection of WPA artist
Maxwell Mandell, by descent to the current
owner.
$600-800
10
Hans Sebald Beham (German, 1500-1550)
The Seven Liberal Arts/A Collection of
Seven Prints. Each identifed within the
plate. Engravings on paper, image/sheet sizes
approximately 3 9/16 x 2 5/16 in. (9.0 x 5.8
cm), presented in a common frame.
Condition: Trimmed to/within the borderlines,
$1,200-1,800
7
Richard Avedon (American, 1923-2004)
Psychedelic Beatles/Set of Four Posters,
1967, from a limited edition produced
exclusively in the Netherlands for VARAGIDS,
published by Cowles Education Corporation
in co-operation with Richard Avedon Posters,
Inc., printed by Waterlow & Sons LTD,
England. Unsigned. Offset posters, image
sizes 25 3/4 x 18 1/2 in. (65.4 x 47.0 cm),
unmatted, unframed.
Condition: Minor handling crimps.
$600-800
8
John Rankine Barclay (British, 1884-1962)
Paris Dance Hall. Signed John R Barclay
in pencil l.l., inscribed No 27 in pencil l.r.
Drypoint on paper, plate size 8 x 10 in. (20.3 x
25.4 cm), framed.
Condition: Not examined out of frame.
$300-500
8 9 Additional information and photos at www.skinnerinc.com Online bidding at www.skinnerinc.com
9
10
7
8
14
Frank Weston Benson (American, 1862-
1951)
Snowy Herons, 1917, published state of 150
(Paff, 118). Signed FrankWBenson. in pencil
l.l., numbered 28 in pencil l.r. Etching on laid
paper, plate size 5 x 4 in. (12.5 x 10.1 cm),
unmatted, unframed.
Condition: Margins over 2 3/4 inches with
deckled edges, pencil annotations to lower
margin, subtle soiling marks.
Provenance: Descended within the family of
the artist.
$500-700
15
1951)
Supper, 1920, published state of 150 (Paff,
182). Signed FrankWBenson. in pencil l.l.
Etching on paper, plate size 6 13/16 x 4 7/8
in. (17.2 x 12.3 cm), unmatted, unframed.
Condition: Margins over 2 1/4 inches with two
deckled edges, pencil annotations l.l.
the artist.
$1,000-1,500
16
1951)
Boats at Dawn, 1920, published state of
150 (Paff, 190). Signed FrankWBenson. in
pencil l.l. Etching on vellum paper, plate size
7 3/4 x 10 7/8 in. (19.6 x 27.5 cm), unmatted,
unframed.
Condition: Margins approximately 1 1/4 inches
with deckled edges, pencil annotations l.l.,
soiling and ink fngerprints.
the artist.
$800-1,200
11
1951)
The Lobsterman, 1915, edition of 50 (Paff,
64). Signed FrankWBenson. in pencil l.l.,
numbered 23/50 in pencil l.r., label from The
Guild of Boston Artists affxed to the backing
paper. Etching on paper, plate size 7 7/8 x 10
in. (19.8 x 25.4 cm), framed.
Condition: Toning, not examined out of frame.
N.B. The lot is accompanied by an aquatint
signed by Herbert George.
$700-900
12
1951)
Two Impressions of Marshes at Long
Point, 1916: trial proof a, and published
state, edition of 45 (Paff, 107). Both signed
FrankWBenson. in pencil l.l. and annotated
in the lower margin. Etchings (trial on Shogun;
published state on laid paper), plate sizes
8 15/16 x 13 15/16 in. (22.5 x 35.3 cm),
unmatted, unframed.
Condition: Margins over 1 inch with some
deckled edges, subtle soiling, creases to
margins.
the artist.
$1,000-1,500
13
1951)
Wild Geese, 1917, published state, edition
of 152 (Paff, 112). Signed FrankWBenson.
in pencil l.l., numbered 125 in pencil l.r.
Etching on paper, plate size 6 3/4 x 10 7/8 in.
(17.1 x 27.4 cm), framed.
$700-900
11
12
13
14 15
16
20
Thomas Hart Benton (American, 1889-
1975)
Making Camp, 1972, edition of 250,
published by Associated American Artists,
New York (Fath, 86). Signed Benton in
pencil l.r. Lithograph on paper, image size 11
7/8 x 14 3/8 in. (30.0 x 36.3 cm), framed.
Condition: Gentle rippling, not examined out
of frame.
$1,200-1,800
21
Richard Bosman (American, b. 1944)
Survivor, 1983, edition of 10, published by
Brooke Alexander, Inc., New York. Signed
Bosman in white pencil within the image l.l.,
numbered 7/10 in white pencil within the
image l.r., identifed on label from the publisher
affxed to the backing. Woodcut in black and
red on tan paper, image size 38 x 24 in. (96.5
x 61.0 cm), framed.
Condition: Deckled edges, gentle handling
creases to edges, not examined out of frame.
$400-600
22
No lot.
17
1951)
Riverman, 1920, published state of 150 (Paff,
195). Signed FrankWBenson. in pencil l.l.
Etching on vellum paper, plate size 6 1/8 x 4
Condition: Margins 2 3/4 inches or more with
deckled edges, pencil annotations l.l.
the artist.
$1,200-1,800
18
1951)
The Bridge, 1923, trial proof B-1 (Paff, 227).
Signed FrankWBenson. in pencil l.l. Drypoint
on paper, plate size 13 13/16 x 10 7/8 in.
(35.0 x 27.5 cm), unmatted, unframed.
Condition: Margins over 1/2 inch, pencil
annotations to lower margin, subtle soiling
marks, hinges/residue to edges.
the artist.
$1,200-1,800
19
1951)
Deer Hunter, 1924, published state of 150
(Paff, 229). Signed FrankWBenson. in pencil
l.l. Etching on laid vellum paper with F.G.
Head & Co. watermark, plate size 7 7/8 x 10
7/8 in. (19.8 x 27.4 cm), unmatted, unframed.
Condition: Margins approximately 1 1/4 inches
with deckled lower edge, pencil annotations
l.r.
the artist.
$800-1,200
20
21
17 18
19
25
Giovanni Benedetto Castiglione (Italian,
1609-1664)
The Entry of the Animals into the Ark,
c. 1650, only state (Bartsch 1; Bellini, 61).
Signed within the plate. Etching on laid
paper with textual watermark, plate size
cm), matted, unframed.
Condition: Trimmed to or just within the plate
mark, repairs to edges (some into the image),
foxing (visible primarily to verso).
Provenance: M. Roy Fisher, New York; by
family descent to the present owner.
$600-800
26
Bernard Cathelin (French, 1919-2004)
Grand Tokonoma aux roses blanche, 1990,
edition of 30. Signed Cathelin in pencil
l.r., numbered 30/30 in pencil l.l. Color
lithograph on paper, image size 91 1/4 x 45 in.
(231.8 x 114.2 cm), framed.
Provenance: A private New York and
Massachusetts collection.
$2,000-3,000
23
Three Venetian Views:
Giovanni Antonio Canale called Canaletto
(Italian, 1697-1768), The Little Monument
(De Vesme 30; Bromberg, 33), etching;
Antonio Visentini (Italian, 1688-1782)
After Canaletto, Two Platece D. Marci
Prospectus..., engravings. Plate sizes to
16 3/4 x 23 in. (42.4 x 58.2 cm), unmatted,
unframed.
Condition: Each on laid paper with crescent
moons watermark, repair to image of
Canaletto; repairs to edges of Visentinis.
$600-800
24
Giovanni Benedetto Castiglione (Italian,
1609-1664)
The Nativity with Angels and God the
Father, c. 1647, only state (Bartsch 7; Bellini,
22). Signed within the plate. Etching on
laid paper with textual watermark, plate size
Condition: Trimmed to or just within the plate
mark, minor creases and repairs near edges
(some into the image), pale foxing.
$600-800
23
24
25
26
28
Marc Chagall (Russian/French, 1887-1985)
LArtiste la chvre, 1984, edition of 50
(Mourlot, 1026). Signed Marc Chagall in
pencil l.r., numbered 8/50 in pencil l.l. Color
lithograph on Arches paper with watermark,
image size 12 3/4 x 9 5/8 in. (32.3 x 24.3 cm),
framed.
deckled edges to two sides, faintly light-
struck.
Provenance: Castle Fine Arts, San Ramon,
California, to the current collection.
$4,000-6,000
27
Paul Czanne (French, 1839-1906)
Les Baigneurs (grande planche), 1896-97,
frst (black) state of three, published by Vollard,
Paris (Cherpin, 7; Venturi, 1157). Signed
within the matrix. Lithograph on Arches Ingres
paper with watermarks, image size 16 1/4 x
20 in. (41.1 x 50.7 cm), framed.
deckled edges, pale mat burn and toning,
several soft fox marks.
N.B. This work was printed in both a black
edition and in color, and was meant to be part
of LAlbum dEstampes Originales de la Galerie
Vollard. The album never came to fruition.
Czanne based the composition on his
1875-76 painting, Baigneurs au repos, which
currently resides in the Barnes Foundation,
Philadelphia.
$10,000-15,000
27
28
31
Antoni Clav Sanmartin (Spanish, 1913-
2005)
Untitled, edition of 90. Signed Clav in
pencil within the image l.r., numbered 71/90
in pencil l.l. Color etching with aquatint and
carborundum on paper, image/plate size 30 x
22 3/8 in. (76.2 x 56.8 cm), framed.
Condition: Deckled edges, foated within the
mat (with broken hinge), not examined out of
frame.
$700-900
32
Salvador Dal (Spanish, 1904-1989)
Flower Magician, from TWO EXQUISITE
FLOWERS, 1972, total edition of 302 plus
proofs (Field, 72-3; Michler & Lpsinger,
1385). Signed Dal in pencil l.r., inscribed
E.A. in pencil l.l. Color lithograph on paper,
image size 29 7/8 x 21 3/4 in. (75.8 x 55.2
cm), framed.
Condition: Deckled edges to two sides,
unhinged, not examined out of frame.
N.B. The composition is derived from one of
Dals gouaches.
$1,000-1,500
29
Eduardo Chillida (Spanish, 1924-2002)
Barcelona I, Poster for Exhibition, Sala
Gaspar, Barcelona, 1971, from the edition
before letters of 75, published by Sala Gaspar,
Barcelona (Koelen, 71018). Signed in pencil
l.r., numbered 51/75 in pencil l.l. Lithograph
on Guarro paper, image size 28 1/8 x 19 5/8
Condition: Minor handling crimps.
$1,500-2,000
30
Eduardo Chillida (Spanish, 1924-2002)
Untitled, edition of 1,000. Signed Chillida in
pencil l.r., numbered A901/1000 in pencil l.l.
Lithograph in black and tan on shaped paper,
image size 17 3/4 x 12 3/4 in. (45.0 x 32.4
cm), unmatted, unframed.
Condition: Subtle soiling to verso.
$300-500
29
30
31
32
35
Stuart Davis (American, 1892-1964)
Detail Study for Clich, 1957, edition of 40
(Cole & Myers, 24). Signed Stuart Davis
in pencil l.r., numbered 16/40 in pencil l.l.
Color lithograph on paper, image size 12 3/4 x
14 3/4 in. (32.2 x 37.5 cm), framed.
Condition: Margins over 1 inch with deckled
edges, mat burn, registration holes to side
margins, minor soiling to lower margin,
masking tape at corners on verso.
$4,000-6,000
36
After Stuart Davis (American, 1892-1964)
Ivy League, 1953 (Cole & Myers, 79). Signed
with stencil signature, identifed on a label from
Childs Gallery, Boston, affxed to the backing.
Color screenprint on paper, image size 5 x 7
7/8 in. (12.6 x 20.0 cm), framed.
$300-500
33
Andr Daud (French, 1897-1979)
Pianos Daud, 1926, printed by PAG, Paris.
Identifed within the matrix. Color lithographic
poster, image size 59 x 43 1/4 in. (149.7 x
109.7 cm), framed.
Condition: Creases (from folding), not
$800-1,200
34
Alan Davie (British, 1920-2014)
Zurich Impression XIII, 1965, edition of
25, published by Editions Alecto, London.
Signed and dated Alan Davie 65 in pencil
l.r., numbered and titled 9/25 XIII in pencil
l.l., publishers dry stamp l.r. Color lithograph
on Rives paper with watermark, image size 21
5/8 x 30 5/8 in. (77.7 x 54.8 cm), framed.
Condition: Deckled edges with subtle wear,
gentle toning, foated within the frame, not
$500-700
33
34
35
36
40
Albrecht Drer (German, 1471-1528)
The Turkish Family, c. 1496 (Bartsch, 85;
Meder, 80 d/d; Hollstein, 79). Monogrammed
within the plate. Engraving on heavy paper,
sheet size 4 1/2 x 3 1/8 in. (11.3 x 7.9 cm),
framed.
Condition: Trimmed to or just within the outer
borderline, diagonal crease to image, glue/
residue, pencil annotations and old hinges to
verso.
$800-1,200
41
St. John the Baptist and St. Onuphrius, c.
1504 (Bartsch, 112; Meder, 230e/f; Hollstein,
230). Monogrammed within the block.
Woodcut on paper, image size 8 3/4 x 5 3/4
in. (22.2 x 14.5 cm), framed.
Condition: Margins 1/8 inch or more, very
pale staining, not examined out of frame.
$700-900
37
Maurice Denis (French, 1870-1943)
Ce fut un religieux mystre, 1892-99, plate
iv from AMOUR, published 1911 by Ambroise
Vollard, Paris, edition of 100 (Cailler, 111).
Signed Maurice Denis in pencil l.r., titled
within the matrix. Color lithograph on paper,
image size 16 3/4 x 11 5/8 in. (42.4 x 29.3
cm), framed.
Condition: Unobtrusive mat burn, not
$700-900
38
Jim Dine (American, b. 1935)
Art, 1968, edition of 144. Signed, numbered,
and dated Jim Dine 129/144 1968 in pencil
within the image u.r., titled within the matrix.
Offset color lithograph on paper, image/
sheet size 35 x 24 3/4 in. (88.7 x 62.8 cm),
unmatted, unframed.
Condition: Good.
$300-500
39
Werner Drewes (German/American, 1899-
1985)
Arizona Evening, 1956, edition of 30 (Rose,
III.175). Signed and dated Drewes-56- in
pencil l.r., numbered 11/XXX in pencil l.l.
Color woodcut on paper, image size 11 1/2 x
21 in. (29.2 x 53.3 cm), framed.
N.B. The view depicts Red Rock State Park
in Arizona.
$700-900
37
38
39
40
41
44A
James Ensor (Belgian, 1860-1949)
Coup de vent la lisire, 1888, second state
of two, possibly from a 1913 edition (Delteil,
47). Signed and dated within the plate.
Etching on Van Gelder Zonen laid paper with
watermark, plate size 6 5/8 x 9 1/2 in. (16.7 x
24.0 cm), framed.
Condition: Toning, staining, margins 3 inches
or more.
$1,000-1,500
45
M.C. Escher (Dutch, 1898-1972)
Encounter, 1944, edition of 50 (Bool et al.,
331). Signed and numbered MCEscher
No 14/50 IV in pencil l.l., initialed and dated
within the matrix. Lithograph on paper with
partial Holland and fgural watermarks,
image size 13 3/8 x 18 1/4 in. (33.8 x 46.3
cm), framed.
Condition: Margins 1 3/4 inches or more,
gently light-struck, minor creasing to margin
near corner u.l., several bits of Scotch tape
to edges, thinned area to edge of right margin
and corner u.r.
$7,000-9,000
42
The Lamentation, 1507, from THE
ENGRAVED PASSION (Bartsch, 14; Meder,
14c/c; Hollstein, 14). Monogrammed and
dated within the plate. Engraving on fne laid
paper, image/sheet size 4 9/16 x 2 13/16 in.
(11.4 x 7.1 cm), framed.
Condition: Trimmed to or just within the
borderline, pale toning/staining, wear to
edges.
$800-1,200
43
St. Jerome in a Cave, 1511 (Bartsch, 114;
Meder, 229 I/II [still with date of 1512 but after
the book edition b/c]). Dated within the block.
Woodcut on paper, image size 8 3/4 x 5 3/4
in. (22.2 x 14.5 cm), framed.
Condition: Margins 1/4 inch or more, not
$800-1,200
44
Melancholia, 1514 (Bartsch, 74; Meder, II/
II; Hollstein, 75 IIa/IIb). Monogrammed and
dated within the plate. Engraving on laid
paper, image/sheet size 9 3/8 x 7 5 1/6 in.
Condition: Trimmed to or just within the
image, prevalent insect damage, unobtrusive
staining, ink annotations to verso.
$1,000-1,500
45
44A
42
43
44
49
Shepard Fairey (American, b. 1970)
Andre the Giant Triptych, 2013. Each
initialed and dated SF 13 in pencil l.r.
Screenprints on paper, image sizes 28 3/8 x
24 in. (72.0 x 60.8 cm), unmatted, unframed.
Condition: Good.
$1,000-1,500
50
Imperial Glory, 2013. Initialed and dated SF
13 in pencil l.r. Color screenprint on cream
paper, image size 33 3/4 x 22 5/8 in. (85.5 x
Condition: Good.
$700-900
46
Richard Estes (American, b. 1932)
Pressing Machinery, from URBAN
LANDSCAPES II, 1979, edition of 100 plus
proofs (Arthur, p. 118). Signed RICHARD
ESTES in pencil l.r., inscribed A.P. in pencil
l.l. Color screenprint on paper, image size 19
5/8 x 13 in. (49.7 x 32.9 cm), framed.
$1,000-1,500
47
OBEY/Cant Stop the Bum Rush, 2001.
Initialed and dated SF 01 in pencil l.r. Offset
lithograph in black and red on paper, image/
sheet size 36 1/2 x 24 1/2 in. (92.5 x 62.4
Condition: Soft crease to corner u.r.
$300-350
48
Evolve/Devolve, 2009. Initialed and dated
SF 09 in pencil l.r. Color screenprint on
cream paper, image size 23 x 35 in. (58.2 x
Condition: Good.
$400-600
47
46
48
49
50
53
Antonio Frasconi (Argentinian, b. 1919)
Self Portrait - New York, 1946, edition of
15. Signed and dated Frasconi 46 in pencil
l.r., titled in pencil l.l., inscribed ed.15 in
pencil l.c., monogrammed within the block.
Woodcut on rice paper, image size 9 11/16 x
8 1/8 in. (24.5 x 20.5 cm), matted, unframed.
Condition: Margins over 1 inch, pale fox
marks.
$500-700
54
Eliza Draper Gardiner (American, 1871-
1955)
Two Landscape Views: Passaconway,
before 1920, edition of 40 (Cywin et al.,
26); and The River. The former signed and
numbered E.D. Gardiner 31/40 in pencil
within the image l.r.; the latter unsigned, titled
in pencil l.c. Color woodcuts on paper, image
sizes approximately 10 x 7 1/2 in. (25.4 x 19.0
cm), framed.
Condition: Pale fox marks, River faded and
with gentle toning, not examined out of
frames.
N.B. Passaconway is a mountain in New
Hampshire named for a chieftain of the
Pennacook tribe.
$500-700
51
Henri Fantin-Latour (French, 1836-1904)
Un morceau de Schumann, 1864, published
by Cadart & Luquet, Paris. Signed, dated,
and identifed within the plate, publishers dry
stamp l.c. Etching on heavy laid paper with
AQUA FORTISTES watermark, plate size
7 3/8 x 11 in. (18.8 x 27.5 cm), unmatted,
unframed.
Condition: Margins over 3 inches with
deckled edges to all but the top, toning, pale
soiling, and foxing to margins.
N.B. The work depicts a duet between artist
Edwin Edwards and his wife, Elizabeth Ruth
Escombe Edwards. Fantin-Latour stayed with
the couple at least twice while they lived in
Sunbury-on-Thames.
$200-300
52
Sam Francis (American, 1923-1994)
Lyre Eight, 1972, edition of 50, published by
Gemini G.E.L., Los Angeles (Lembark, S.5/
SFS-134; NGA/Gemini, 18.18). Numbered
and signed 33/50 Sam Francis in pencil
within the image l.r., publishers and copyright
dry stamps l.r. Color screenprint on paper,
image size 42 1/4 x 54 in. (107.3 x 137.1 cm),
framed.
Condition: Pale mat burn, gentle rippling, not
$3,000-5,000
52
51
54
53
57
Keith Haring (American, 1958-1990)
The Kutztown Connection, 1984, published
by The New Arts Program, Kutztown,
Pennsylvania. Signed K Haring in red felt-
tip pen l.c., inscribed 241 in pencil on the
reverse, information from the publisher affxed
to the backing mat. Offset lithographic poster
on paper, sheet size 33 1/8 x 20 1/8 in. (84.0
x 51.0 cm), framed.
Condition: Minor soiling to corner l.l.
$1,200-1,800
55
David Gerstein (Israeli, b. 1944)
Double-sided Floral Still Life, edition of 295.
Signed and numbered Gerstein 103/295
in felt-tip pen on the vase. Polychrome
decorated plywood, height 17 1/4 in. (43.7
cm), with an engaged base.
Condition: Good.
$800-1,200
56
Red Grooms (American, b. 1937)
Mid Rat, 1981, edition of 88, published by
Vermillion Editions, Minneapolis (Alexander
& Cowles, 54). Signed Red Grooms 81 in
purple pencil within the image l.r., numbered
22/88 in red pencil within the image l.r.
Color lithograph on paper, image/sheet size 22
3/8 x 29 3/4 in. (56.7 x 75.4 cm), unmatted,
unframed, shrink-wrapped.
Condition: Deckled edges, not examined out
of wrap.
$300-500
57
56
55
60
Friedensreich Hundertwasser (Austrian,
1928-2000)
Irinaland Over the Balkans, plate seven from
the LOOK AT IT ON A RAINY DAY Portfolio,
1971, edition of 3,000 (Koschatzky, 50).
Identifed within the matrix and with various
chops to the margins, stamped 02023
l.c. Color screenprint with metal imprints on
paper, image size 16 1/4 x 23 in. (41.5 x 58.5
cm), framed.
Condition: Pinpoint foxing, not examined out
of frame.
$400-600
61
Friedensreich Hundertwasser (Austrian,
1928-2000)
10,002 nights homo humus come va how
do you do, 1983, edition of 10,002 plus
proofs (Koschatzky, 83). Identifed within the
matrix and with various chops to the margins.
Color screenprint on paper, image size 25 1/4
x 18 3/4 in. (64.0 x 47.5 cm), framed.
Condition: Deckled upper edge, foated within
the mat, not examined out of frame.
$400-600
62
Louis Icart (French, 1888-1950)
Miss California, 1927 (Holland et al., 326).
Signed Louis Icart in pencil l.r., artists dry
stamp l.l. Color etching with aquatint and
stencil coloring on paper, oval format, plate
size 21 x 16 3/4 in. (53.0 x 42.4 cm), framed.
Condition: Pale water staining to lower
margin, not examined out of frame.
$800-1,200
58
Childe Hassam (American, 1859-1935)
The Chimneys, Portsmouth, 1915,
probably an edition of 100 (Cortissoz, 16).
Monogramed and inscribed ...imp. in pencil
l.r., monogrammed and dated within the
plate, identifed on a label from the Kennedy
Galleries, Inc., New York, affxed to the
backing paper. Etching with drypoint on
paper, plate size 5 x 8 1/4 in. (12.5 x 20.6 cm),
framed.
$1,500-2,000
59
Stanley William Hayter (British, 1901-1988)
Gemini, 1970, outside of the edition of
100, published by A.B. Lublin, New York
(Black & Moorhead, 343). Signed and dated
SWHayter 70 in pencil l.r., titled in pencil l.c.,
numbered XII/XX in pencil l.l. Color etching
and aquatint on Rives paper with watermark,
plate size 19 1/8 x 23 1/4 in. (48.4 x 59.0 cm),
matted, unframed.
edges, gently light-struck, masking to edges
on verso.
$300-500
58
59
60
61
62
65
Max Klinger (German, 1857-1920)
INTERMEZZI (Radierung Opus IV)/Portfolio
of Twelve Images, 1881 (Singer, 52-63).
Each identifed in the plate, set identifed on
the portfolio cover. Etchings with aquatint
on chine coll, sheet sizes 24 3/4 x 17 5/8
in. (62.8 x 44.6 cm), presented in the original
portfolio (wear, toning, cover of spine missing).
Condition: Toning and wear to edges and
corners, several with fox marks and minor
tears.
Provenance: From Paul Horst-Schulze (1876-
1937), Klingers student, to his niece, then by
descent to the present owner.
$1,200-1,800
66
Max Klinger (German, 1857-1920)
EVA UND DIE ZUKUNFT (Radierung Opus
III)/Portfolio of Six Images and Title Page,
1898, printed by Friedrick Felsing, Munich.
Set identifed on the portfolio cover. Etchings
with aquatint on chine coll, sheet sizes 24
7/8 x 16 3/4 in. (63.3 x 42.5 cm), presented
in the original portfolio (wear, toning, breaks to
interior faps).
Condition: Toning and minor wear to edges
and corners.
Provenance: From Paul Horst-Schulze (1876-
1937), Klingers student, to his niece, then by
descent to the present owner.
$1,200-1,800
63
Albert Irvin (British, b. 1922)
Octavia, 1992, edition of 225. Signed and
dated Irvin 92 in pencil l.l., titled in pencil
l.c., numbered 26/225 in pencil l.r. Color
screenprint with embossing on paper, image
$700-900
64
Ellsworth Kelly (American, b. 1923)
Dark Blue with Red, from SUITE OF
TWENTY-SEVEN COLOR LITHOGRAPHS,
1964-65, edition of 75 plus proofs, published
by Maeght diteur, Paris (Axsom, 10). Signed
Kelly in pencil l.r., numbered 11/75 in
pencil l.l., identifed on a label from the Harcus
Krakow Rosen Sonnabend Gallery, Boston,
affxed to the backing. Color lithograph on
38.5 cm), framed.
$1,500-2,000
64
63
65
66
69
Sol LeWitt (American, 1928-2007)
Plate 6, from SQUARES WITH COLORS
SUPERIMPOSED WITHIN A BORDER WITH
COLORS, 1991, edition of 25, published
by Parasol Press Ltd., New York (Krakow,
1991.01). Signed and numbered LeWitt
13/25 in pencil l.r. Color etching and aquatint
on wove paper, plate size 23 3/4 x 23 3/4 in.
Condition: Margins over 2 1/2 inches,
unobtrusive surface rubs to blue ink, 1/2 inch
repaired tear to edge of lower margin, old
hinges and pencil annotation to verso.
$800-1,200
67
Kthe Kollwitz (German, 1867-1945)
Brustbild einer Arbeiterfrau mit blauem
Tuch, 1903, fnal state of three (Knesebeck,
75IIIa; Klipstein, 68IIIa). Signed Kathe
Kollwitz in pencil l.r. Lithograph in blue and
tan on paper, image size 14 1/8 x 9 3/4 in.
(35.7 x 24.6 cm), matted, unframed.
deckled edges, nicks to sheet along edges,
gentle toning, staining to verso.
$800-1,200
68
John Lennon (British, 1940-1980)
Untitled, from BAG ONE, 1970, edition of
300. Signed John Lennon in pencil within
the image l.r., numbered 7/300 in pencil
within the image l.l. Lithograph on paper,
image size 22 x 27 in. (55.7 x 68.5 cm),
framed.
$1,000-1,500
69
68
67
71
Robert Peter Mangold (American, b. 1937)
Distorted Square within a Circle 2, 1973,
edition of 75, published by Max Protech,
Inc., New York. Signed and dated R.
Mangold 1973 in pencil l.r., titled in pencil l.c.,
numbered 48/75 in pencil l.l., publishers dry
stamp l.l. Color screenprint on paper, image
size 20 1/4 x 20 1/4 in. (51.3 x 51.3 cm),
unmatted, unframed.
Condition: Deckle to all but the left edge,
subtle soiling near some edges.
Provenance: From the estate of Joan
Sonnabend, Boston, Massachusetts.
$250-350
70
Roy Lichtenstein (American, 1923-1997)
Still Life with Windmill, from the SIX STILL
LIFES Series, 1974, edition of 100, published
by Multiples, Inc. and Castelli Graphics,
New York, printed by Styria Studio, New
York (Corlett, 132). Numbered, signed, and
dated 96/100 Rf Lichtenstein 74 in pencil
l.r., printers dry stamp l.r., stamped by the
publishers on the reverse. Lithograph with
screenprinting and debossing on wove paper,
image size 29 1/2 x 38 1/4 in. (74.8 x 97.0
Condition: Surface rubs with several breaks
to ink surface, pale staining to upper edge of
margin.
$15,000-20,000
71
70
74
Roberto Matta (Chilean, 1911-2002)
Il Explose, 1976-77, from HOMMERE III -
LERGONAUTE, edition of 100 plus proofs,
published by Georges Visat, Paris. Signed
Matta in pencil l.r., numbered 27/100
in pencil l.l., identifed on a label from Latin
American Masters, Beverly Hills, affxed to the
backing. Color etching and aquatint on Japan
paper, plate size 19 1/2 x 14 3/4 in. (49.4 x
37.3 cm), framed.
Condition: Deckled edges with gentle
creases/wear, foated within the frame, not
$500-700
75
Jean Franois Millet (French, 1814-1875)
La Bouillie, 1861, fourth state of fve (Delteil,
17). Signed and dated within the plate.
Etching on chine coll, plate size 7 7/8 x 6 3/8
in. (19.8 x 16.2 cm), framed.
Condition: Subtle toning, not examined out
of frame.
$700-900
72
Henri Matisse (French, 1869-1954)
Danseuse assise en haut, plate 1 from DIX
DANSEUSES, 1927, published by La Galerie
dArt Contemporain, Paris, total edition of 150
plus proofs (Duthuit, 480). Numbered and
signed 33/130 Henri Matisse in pencil l.r.
Lithograph on paper, image size 17 1/8 x 10
7/8 in. (43.3 x 27.4 cm), framed.
Condition: Margins 1 inch or more with
deckled edges, laid down, mat burn, pale
toning and staining to image, minute nicks and
creases to edges.
$7,000-9,000
73
Henri Matisse (French, 1869-1954)
La Cit - Notre-Dame, 1937, edition of
500 (Duthuit, 248). Signed within the plate.
Etching on paper, plate size 13 3/8 x 10 3/16
in. (33.8 x 25.8 cm), framed.
$300-500
72
73
74
75
78
Joan Mir (Spanish, 1893-1983)
Le bijou, 1969, outside of the edition of 75,
published by Maeght diteur, Paris (Dupin,
491). Signed Mir. in pencil l.r., inscribed
H.C. in pencil l.l. Color aquatint with
carborundum, etching, and embossing on
paper, plate/sheet size 9 1/8 x 11 1/4 in. (23.0
x 28.5 cm), framed.
foated within the mat, not examined out of
frame.
$1,500-2,000
79
Poster for the Exhibition Tres Libros,
Osaka, 1970, from the edition before letters
of 500 (Mourlot, 680). Signed Mir in the
stone in black at center, monogrammed M
in the stone in blue l.r., numbered 301/500
in pencil l.l. Color lithograph on Guarro paper
with Sala Gaspar watermark, image/sheet
size 29 7/8 x 22 1/4 in. (76.0 x 56.6 cm),
unmatted, unframed.
Condition: Unobtrusive toning especially at
edges, minor crease u.c., light staining u.l.
corner.
$500-700
76
Keiko Minami (Japanese, 1911-2004)
Horned Owl. Signed Keiko Minami in pencil
l.r., inscribed epreuve dartiste in pencil l.l.
Color etching on paper, plate size 13 9/16 x
11 3/8 in. (34.4 x 28.8 cm), framed.
N.B. Minami was named the offcial artist of
the United Nations in 1959. She was married
to fellow printmaker Yozo Hamaguchi.
$500-700
77
Danse Barbare, 1963, edition of 90,
published by Maeght diteur, Paris (Mourlot,
282). Signed Mir in pencil l.r., numbered
75/90 in pencil l.l. Color lithograph on paper,
image size 16 5/8 x 21 15/16 in. (42.1 x 55.6
cm), framed.
Condition: Subtle toning, not examined out
of frame.
$3,000-5,000
79
78
77
76
82
Cover for Portfolio M de Proverbis, 1970,
edition of 1,100, printed by Arte Adrien
Maeght, Paris (Cramer, 139). Monogrammed
M in blue ink l.r., inscribed H.C. (hors
de commerce) in pencil l.l. Lithograph on
synthetic canvas or similar, image/sheet
size 33 1/8 x 26 7/8 in. (84.2 x 68.3 cm),
unmatted, unframed.
Condition: Good.
$600-800
83
Sobreteixims I Escultures, 1972, edition of
150, printed and published by Sala Gaspar,
Editor, Barcelona (Mourlot, 849). Signed
Mir in pencil l.r., numbered 140/150 in
pencil l.l. Color lithograph on paper, sheet
size 14 7/8 x 22 3/8 in. (37.8 x 56.8 cm),
unmatted, unframed.
Condition: Two unobtrusive foxing marks at
very edge of sheet u.c., three subtle horizontal
indentations at l.l.
$1,800-2,200
80
Poster for the Exhibition Mir, Sala
Pelaires, Palma de Majorca, 1970, from
the edition before letters of 75 (Mourlot, 684).
Monogrammed M. and numbered 61/75 in
pencil l.r. and l.l., respectively. Color lithograph
on Guarro paper with Sala Gaspar watermark,
sheet size 29 3/4 x 21 7/8 in. (75.6 x 55.6
Condition: Possible toning with subtle
discoloration or staining at edges, especially
the left and right sides, scattered minor
handling crimps.
$1,500-2,000
81
Poster for the Exhibition Mir el Tapis de
Tarragona, Sala Gaspar, Barcelona, 1970,
from the edition before letters of 200 (Mourlot,
686). Signed Mir in the matrix in black
l.c., monogrammed M in the matrix in blue
lithograph on Guarro paper with Sala Gaspar
watermark, image/sheet size 29 7/8 x 21 3/4
Condition: Discoloration and possible foxing
at edges, scattered minor handling crimps
especially at u.l. corner.
$800-1,200
83
82 80
81
86
Poster for the Film Umbracle, 1973,
edition of 50 before lettering, printed by
Puresa, Barcelona, and published by Sala
Gaspar, Barcelona (Mourlot, 922). Signed
Mir in pencil l.r. and in the stone in black
in the image l.l., inscribed H.C. in pencil l.l.
Color lithograph on paper with Sala Gaspar
watermark, image/sheet size 29 1/4 x 22 1/8
Condition: Scattered minor handling crimps,
subtle toning mostly at very edges.
$800-1,200
87
Plate from LENFANCE DUBU, 1975, total
edition of 140, published by Triade diteur,
Paris (Mourlot, 1010). Signed Mir in pencil
l.c., numbered 76/120 in pencil l.l. Color
lithograph on paper, image size 12 1/4 x 18
7/16 in. (31.0 x 46.5 cm), framed.
foated within the mat, gentle rippling, not
Provenance: Purchased from Graphics 1 and
Graphics 2, Boston, by the current owner.
$2,000-3,000
84
Plate from EL TAPIS DE TARRAGONA,
1972, edition of 1,100, published by
Sala Gaspar, Barcelona (Mourlot, 881).
Monogrammed M. in white pencil or similar
and with an embossed signature l.r. Color
lithograph on paper, image/sheet size 11
5/8 x 17 1/4 in. (29.5 x 43.8 cm), unmatted,
unframed.
Condition: Possible unobtrusive toning, blue
transfer on the left side of the verso, vertical
central crease and text to verso (as published).
$400-600
85
Plate from SRIE MALLORCA XII, 1973,
edition of 50, published by Sala Peliares,
Palma de Mallorca (Dupin, 614). Signed
Mir and numbered 31/50 in pencil l.r.
and l.l., respectively. Etched engraving and
aquatint on Guarro paper, plate size 21 1/2
x 27 1/2 in. (54.5 x 69.9 cm), unmatted,
unframed.
Condition: Scattered handling crimps
especially at margins.
$2,500-3,500
84
87
86
85
90
Henry Moore (British, 1898-1986)
Womans Head, 1981, edition of 50 plus
proofs, published by Raymond Spencer
Company Ltd. for The Henry Moore
Foundation, Much Hadham, 1983 (Cramer,
630). Signed Moore in pencil l.r., numbered
9/50 in pencil l.l. Color lithograph on paper,
framed.
Condition: Margins over 1 1/2 inches, not
$1,000-1,500
91
Six Heads Olympians, 1982, outside of
the edition of 50, published by Raymond
Spencer Company Ltd. for The Henry Moore
Foundation, Much Hadham, 1983 (Cramer,
657). Signed Moore in pencil within the
image l.r., numbered XXV/XXXV in pencil
within the image l.l. Color lithograph on paper,
sight size 32 3/8 x 22 1/4 in. (82.1 x 56.4 cm),
framed.
$1,200-1,800
88
Reclining Nude II, 1978, edition of 50
(Cramer, 483). Signed Moore in pencil l.r.,
numbered 22/50 in pencil l.l. Etching in
brown on paper, plate size 5 7/8 x 8 in. (14.8 x
20.2 cm), framed.
Condition: Margins 1 inch or more, not
$800-1,200
89
Reclining Woman I, 1981, edition of 50
(Cramer, 591). Signed Moore in pencil
lithograph on paper, image size 20 1/2 x 23
1/4 in. (52.0 x 59.0 cm), framed.
Condition: Margins 1 1/2 inches or more, faint
mat burn, not examined out of frame.
$1,000-1,500
90
91
88
89
95
Beverly Pepper (American, b. 1922)
Abstract Composition: Plate #5, 1964-65,
edition of 50. Signed and dated Beverly
Pepper 64 in pencil within the image l.r.,
numbered 40/50 in pencil within the image
l.l., identifed on a label from Marlborough
Graphics Gallery, New York, affxed to the
backing. Color etching with carborundum
on paper, plate/sheet size 18 3/4 x 25 1/8 in.
(47.5 x 63.7 cm), framed.
$500-700
95A
Pablo Picasso (Spanish, 1881-1973)
Birth of the Centaur, plate 1 from DOS
CONTES, 1947, edition of 250 (Bloch, 468;
Cramer, 44). Unsigned, dated within the plate,
identifed on a label from Associated American
Artists, New York, affxed to the backing.
Engraving on Lana wove paper with a rams
head watermark, plate size 12 x 10 1/8 in.
(30.4 x 25.5 cm), framed.
Condition: Deckled edges to three sides, mat
burn, toning, corrugation staining to verso.
$300-500
92
Shiko Munakata (Japanese, 1903-1975)
Head of a Woman, 1959, edition of 70.
Signed and dated Munakata...1959. in
pencil l.r., numbered 2/70 in pencil l.r. Color
woodcut with additional applied color on fne
laid paper, image size 12 1/8 x 8 7/8 in. (30.5
x 22.5 cm), framed.
Condition: Margins over 1 inch, foxing,
staining, toning, prevalent cockling.
$1,000-1,500
93
Zoran Antonio Music (Italian, 1909-2005)
Lieu ouvert, 1961, edition of 100, Atelier
Lacourire, Paris (Schmcking, 80). Signed
and dated Music 61 in pencil l.r., numbered
54/100 in pencil l.l. Color etching and
aquatint on Arches paper with watermark,
plate size 18 13/16 x 25 9/16 in. (47.7 x 64.8
cm), framed.
deckled edges, unobtrusive mat burn and light
striking, corrugation staining to verso.
$400-600
94
Adriaen Jansz van Ostade (Dutch, 1610-
1685)
The Angler, c. 1653 (Hollstein, 32).
Monogrammed within the plate. Etching on
laid paper with partial watermark, plate size
4 1/2 x 6 1/2 in. (11.3 x 16.3 cm), matted,
unframed.
Condition: Margins 1/16 inch.
$700-900
95A
95
92
93
94
96
Tte de femme de trois quarts, 1953,
edition of 50 (Bloch, 730). Signed Picasso in
red pencil l.r., numbered 30/50 in pencil l.l.,
dated within the matrix. Lithograph on paper,
image size 21 5/8 x 17 3/4 in. (54.8 x 45.0
cm), framed.
Condition: Toning, not examined out of frame.
$3,500-5,500
97
Fumeur. V, 1964, edition of 50, published by
Galerie Louise Leiris, Paris, 1965 (Bloch 1176;
Baer 1176Bb). Signed Picasso in pencil l.r.,
numbered 5/50 in pencil l.l., dated within the
plate. Aquatint on laid Richard de Bas paper
with watermarks, plate size 16 3/8 x 12 3/8 in.
(41.5 x 31.3 cm), framed.
deckled edges, toning, pencil annotations to
verso.
$7,000-9,000
98-101
No lots.
52 Additional information and photos at www.skinnerinc.com
97
96
102
After Pablo Picasso (Spanish, 1881-1973)
Faunes et Flore DAntibes/Portfolio of
Twelve Lithographs, 1960, number 52 from
the American edition of 125, printed by Daniel
Jacomet, Paris, published by New York Graphic
Society, Greenwich, Connecticut, and Au
Pont Des Arts, Paris. Portfolio includes title
page, preface by Jaime Sabarts, and edition
justifcation, missing one plate. Offset color
lithographs, sheet sizes 25 1/2 x 19 3/4 in.
(64.8 x 50.2 cm), presented in the original linen
portfolio folder (minor soiling to cover, interior
fap of folder torn).
Condition: Minor wear, scattered unobtrusive
pinpoints of foxing.
N.B. The prints reproduce Picassos paintings
known as La Joie de Vivre suite made at
Antibes from August to September, 1946.
$2,000-3,000
102
105
LAttente, 1966, from the BARCELONA
SUITE, from the edition before letters of
60, printed by Foto-Repro S.A., Barcelona,
published by Museo Picasso, Barcelona
(Czwiklitzer, 233). Signed Picasso in
pencil below the plate l.r., numbered 44/60
in pencil below the plate l.l. Offset color
lithograph on Arches paper, image size 22 1/2
x 18 in. (57.2 x 45.7 cm), unmatted, unframed.
Condition: Margins to 1 3/4 inches, scattered
areas of minor discoloration/foxing on the
recto (especially l.c.) and verso.
$3,000-5,000
103
Harlequin, 1966, from the BARCELONA
SUITE, from the edition before letters of
60, printed by Foto-Repro S.A., Barcelona,
published by Museo Picasso, Barcelona
(Czwiklitzer, 230). Signed Picasso in
pencil below the plate l.r., numbered 22/60
in pencil below the plate l.l. Offset color
lithograph on Arches paper, image size 22
5/8 x 17 1/4 in. (55.0 x 43.8 cm), unmatted,
unframed.
Condition: Margins to 2 1/4 inches, scattered
areas of minor discoloration/foxing on the
recto, especially at left, upper, and right
margins, and on the verso, piece of white tape
affxed to the verso l.r.
N.B. The Barcelona Suite was produced in
honor of Picassos eighty-ffth birthday.
$3,000-5,000
104
Mother and Child with Shawl, 1966, from
the BARCELONA SUITE, from the edition
before letters of 60, printed by Foto-Repro
S.A., Barcelona, published by Museo Picasso,
Barcelona (Czwiklitzer, 231). Signed Picasso
in pencil below the plate l.r., numbered
48/60 in pencil below the plate l.l. Offset
color lithograph on Arches paper, image size
18 x 16 1/8 in. (45.7 x 41.0 cm), unmatted,
unframed.
Condition: Margins to 2 3/4 inches, possible
subtle toning, light discoloration at edges,
scattered minor foxing at margins.
$3,000-5,000
105
104
103
107
Plate from PORTRAITS IMAGINAIRE, 1969,
from the French edition of 250, printed by
Marcel Salinas. Signed and dated within the
matrix, numbered F 10/250 in pencil within
the image l.l., printers dry stamp to verso.
Color lithograph on paper, image/sheet size
25 7/8 x 19 3/4 in. (65.6 x 50.1 cm), framed.
Condition: Deckled edges to three sides.
$1,500-2,000
108
Toros, 1952, edition of 500 (Ramie, 161).
Inscribed and stamped EDITION PICASSO
and stamped MADOURA all on the
underside. Turned white earthenware clay
plate decorated with engobes, blue, green,
white, and black glazes, diameter 7 3/4 in.
(19.5 cm).
Condition: Very minor soiling, masking tape
adhered to underside.
$1,500-2,000
106
The Dwarf Dancer, 1966, from the
BARCELONA SUITE, from the edition before
letters of 60, printed by Foto-Repro S.A.,
Barcelona, published by Museo Picasso,
Barcelona (Czwiklitzer, 234). Signed Picasso
in pencil below the plate l.r., numbered
37/60 in pencil below the plate l.l. Offset
color lithograph on Arches paper, image
size 22 1/2 x 12 1/2 in. (57.2 x 31.8 cm),
unmatted, unframed.
Condition: Margins to 3 inches, minor
handling crimps at top of sheet, slight, uneven
discoloration on the verso.
$3,000-5,000
108
107
106
111
Giovanni Battista Piranesi (Italian, 1720-
1778)
Veduta del Mausoleo dElio Adraino (ora
chiamato Castello S. Angelo), 1754 (Hind,
I/IV). Identifed within the plate. Engraving on
56.3 cm), framed.
Condition: Unobtrusive mat burn, not
$400-600
112
Camille Pissarro (French, 1830-1903)
Soleil Couchant, 1879, fnal state of four
(Delteil, 22). Signed C. Pissarro in pencil l.r.,
inscribed no 1 ep dart. Soleil couchant in
pencil l.l. Etching, aquatint, and drypoint on
paper, plate size 4 5/8 x 6 3/8 in. (11.5 x 15.9
cm), framed.
Condition: Unobtrusive mat burn and toning,
$700-900
113
Mavis Pusey (American, b. 1928)
City View 7, edition of 35. Signed M Pusey
in pencil l.r., numbered 4/35 in pencil l.l.,
titled in pencil l.c. Etching and aquatint in
silver and black on paper, plate size 12 7/8 x
11 13/16 in. (32.6 x 30.0 cm), framed.
of frame.
N.B. A native of Jamaica, Pusey moved to
New York and studied at the Art Students
League. Her style was greatly infuenced by
her mentor, Robert Blackburn, and she is
considered to be a highly infuential African
American painter and printmaker.
$1,000-1,500
109
Four Faces, 1959, edition of 300 (Ramie,
437). Inscribed EDITION PICASSO 217/300
MADOURA and stamped EDITION
PICASSO and MADOURA all on the
underside. Turned white earthenware clay
pitcher decorated with engobes, brown, and
black matte glazes, height 9 in. (22.7 cm).
Condition: Minor soiling.
$4,000-6,000
110
Yan Black Headband, 1963, edition of
300 (Ramie, 514). Inscribed EDITION
PICASSO 108/300 MADOURA and stamped
EDITION PICASSO and MADOURA all
on the underside. Turned red earthenware
clay pitcher decorated with engobe, knife
engraving, and black matte glaze, height 10
1/4 in. (26.0 cm).
Condition: Minute surface loss to handle.
$3,000-4,000
110
109
111
112
113
116
Robert Rauschenberg (American, 1925-
2008)
Artists Rights Today, 1981, edition of
200, published by Styria Studios, New
York. Signed, numbered, and dated
RAUSCHENBERG 185/200 81 in pencil
within the image l.c., publishers dry stamp l.l.
Color offset lithograph with collage on paper,
image/sheet size 39 3/4 x 27 1/8 in. (100.8 x
68.7 cm), framed.
Condition: Deckled edges with minor wear
to corners, foated within the frame, not
$700-900
117
2008)
Winner Spinner, from the MARRAKITCH
Series, 2000, edition of 50, published by
Gemini G.E.L., Los Angeles (NGA/Gemini,
41.245). Signed, numbered, and dated
RAUSCHENBERG 26/50 2K in pencil (within
the image) l.l., publishers and copyright dry
stamps l.r., identifed on a label from the
Meyerovich Gallery, San Francisco, affxed to
the backing. Color screenprint on Fabriano
paper with watermark, image/sheet size 27
3/4 x 19 5/8 in. (70.3 x 49.7 cm), framed.
Condition: Deckled upper and lower edges,
foated within the mat, not examined out of
frame.
$3,000-4,000
114
Demolishment, edition of 30. Signed M
Pusey in pencil l.r., numbered 11/30 in
pencil l.l., titled in pencil l.c. Color lithograph
x 56.2 cm), framed.
Condition: Subtle mat burn, not examined out
of frame.
$1,200-1,800
115
Progression AC 7. Signed M Pusey in
pencil l.r., inscribed AP in pencil l.l., titled in
pencil l.c. Color aquatint on paper, plate size
5 x 7 7/8 in. (12.5 x 19.9 cm), framed.
of frame.
$700-900
115
114
117
116
119
Rembrandt van Rijn (Dutch, 1606-1669)
The Baptism of the Eunuch, 1641, an 18th
century impression (Hind, 182; Bartsch/
Hollstein, 98). Signed and dated within the
plate. Etching on thin cream laid paper, plate
size 7 3/8 x 8 1/2 in. (18.5 x 21.4 cm), framed.
Condition: Margins 1/8 inch or more, foxing,
pale staining, pencil annotations to lower
margin and verso, several minute thin spots
to sheet.
$800-1,200
120
The Goldsmith, 1655 (Bartsch, 123; Hind,
285; Hollstein, 123 i/ii). Collectors stamps to
verso (see below). Etching on layered Japan
cm), framed.
Condition: Margins 1/8 inch or more, several
minute pale stains (more visible to verso),
gentle toning.
Provenance: Johann Karl Brnner (German,
1738-1812) (Lugt, 307); probably bequested
to the Museum of the City of Frankfurt through
to the Stdel c. 1870 [duplicate stamp from
the Stdelsches Kunstinstitut, Frankfurt-am-
Main (Lugt, 2396)]; through to J.E. de Wit
(Portland, Maine, c. 1895) (Lugt, 1451).
$6,000-8,000
118
2008)
Appointment, from the MARRAKITCH
Series, 2000, edition of 54 plus proofs,
published by Gemini G.E.L., Los Angeles
(NGA/Gemini, 41.247). Signed, numbered,
and dated RAUSCHENBERG 25/54 2K in
pencil (within the image) l.r., publishers and
copyright dry stamps l.l., identifed on a label
from the Meyerovich Gallery, San Francisco,
affxed to the backing. Color screenprint on
Fabriano paper with watermark, image/sheet
mat, not examined out of frame.
$3,000-4,000
118
120
119
123
Pierre-Auguste Renoir (French, 1841-1919)
La pierre aux trois croquis, c. 1904, second
state of two, from DOUZE LITHOGRAPHIES
ORIGINALES DE PIERRE-AUGUSTE
RENOIR, published 1919, total edition of
1,000 (Stella, 41). Signed within the matrix.
Lithograph on paper image size 9 1/8 x 11 3/8
in. (23.2 x 28.8 cm), framed.
$500-700
124
Femme nue couche (tourne droite),
2e planche, c. 1906, probably from the 1909
edition (Stella, 14). Unsigned. Etching on laid
Condition: Margins over 2 inches with
deckled edges to all but the upper edge, very
pale mat burn and light-striking, hinges to
upper edge verso.
$800-1,200
125
Claude Renoir, de trois-quarts droite,
c. 1908, second state of two (Stella, 18).
Unsigned, numbered 26/50 in pencil l.l.
Soft ground etching on gray/green laid paper,
plate size 6 1/2 x 5 3/16 in. (16.4 x 13.0 cm),
framed.
Condition: Pale pinpoint fox marks, not
$300-500
121
Christ and the Woman of Samaria, 1657, an
18th century impression (Hind, 294; Bartsch/
Hollstein, 70 iii/III). Signed and dated within
the plate. Etching on laid paper, plate size
5 1/8 x 6 3/8 in. (12.9 x 16.0 cm), matted,
unframed.
Condition: Margins over 1/8 inch, repaired
tear to left edge (just into image), several
thinned spots, minor soiling.
$1,000-1,500
122
Portrait of Lieven Willemsz. Van Coppenol,
Writing Master (Larger Plate), 1658, a later
impression (Hind, 300; Bartsch/Hollstein, 283
iv/IV [the head only]). Unsigned. Etching on
Condition: Margins 1/8 inch or more, glue
residue and staining to corners, thin spots to
upper right corner, staining and foxing (visible
primarily on verso).
$600-800
122
121
123
124
125
128
Georges Rouault (French, 1871-1958)
Son Avocat, en phrases creuses, clame
sa totale inconscience, 1922-27, from
MISERERE, published in 1948, edition of 425
plus proofs (Wofsy, 126). Initialed and dated
within the plate. Etching with aquatint on
40.8 cm), framed.
Condition: Pale foxing, rippling, not examined
out of frame.
$400-600
129
George Segal (American, 1924-2000)
Gazing Woman, from American Portrait,
1776-1976, published by Transworld Art,
edition of 175. Signed, dated, and numbered
g. segal 75 135/175 in pen l.l. White-
painted cast resin, 26 x 19 x 3 1/2 in. (66.1 x
48.3 x 8.9 cm), within a Plexiglas case.
Condition: Not examined out of case.
$1,000-1,500
130
Paul Signac (French, 1863-1935)
Paris: Le Pont des Arts avec Remorqueurs,
1927, edition of 250, published by XX
e
Sicle,
Paris (Kornfeld, 24). Signed within the plate.
Etching and aquatint on paper, plate size 5 x 7
1/2 in. (12.5 x 19.0 cm), framed.
Condition: Gentle rippling, extremely faint mat
burn, not examined out of frame.
Provenance: Skinner, Inc., March 3, 2006,
Sale 2310, Lot 177.
$400-600
126
David Roberts (Scottish, 1796-1864), Louis
Haghe, lithographer (British, 1806-1885)
Approach of the Simoon - Desert of Gizeh,
1849, published by F.G. Moon, London.
Identifed within the matrix. Color lithograph
x 48.4 cm), framed.
$1,500-2,000
127
David Roberts (Scottish, 1796-1864), Louis
Haghe, lithographer (British, 1806-1885)
The Citadel of Cairo, Residence of
Mehemet Ali, 1849, published by F.G.
Moon, London. Identifed within the matrix.
Lithograph in black, buff, and tan on paper,
image size 13 1/8 x 19 3/8 in. (33.2 x 49.1
cm), framed.
Condition: Staining to lower margin, not
$800-1,200
127
126
128
129
130
133
Rufno Tamayo (Mexican, 1899-1991)
Hombre 1, 1981, proof edition outside of the
edition of 250 (see Pereda, 293-295). Signed
R. Tamayo in pencil within the image l.r.,
numbered HC 19/25 in pencil within the
image l.l., identifed on a label from Galeria del
Circulo, Mexico City, affxed to the backing.
Color mixograph on paper, image/sheet size 9
1/2 x 6 3/4 in. (24.0 x 17.0 cm), framed.
Condition: Deckled edges, possible fading,
foated within the frame, not examined out of
frame.
N.B. Pereda mentions that a fourth inking of
this image exists but does not describe the
coloration.
$1,000-1,500
134
Mascara, 1984, outside of the edition of 99,
Ediciones Polgrafa, Barcelona (Pereda, 318).
Signed R. Tamayo in pencil within the image
l.r., numbered HC 2/15 in pencil l.l. Color
etching on paper, image/sheet size 29 3/4 x
22 in. (75.4 x 55.8 cm), framed.
mat, not examined out of frame.
$2,000-3,000
131
Cary Smith (American, b. 1955)
GREY PRINT SUITE/Three Works, 1998,
edition of 27. Each signed, dated, titled,
and numbered CARY SMITH . 1998 .
GREY PRINT SUITE #1, 18/25... in pencil l.r.
Aquatint in colors on paper, image sizes 12 x
12 in. (30.4 x 30.4 cm), framed.
frames, not examined out of frames.
N.B. Smith was born in Puerto Rico, and
currently lives in Hartford, Connecticut.
$500-700
132
Dos Nias Mexicanas, 1925 (Pereda, 1).
Signed Rufno Tamayo in pencil l.r. Woodcut
on paper, image size 3 5/16 x 3 1/2 in. (8.3 x
8.8 cm), framed.
Condition: Staining u.c., not examined out of
frame.
N.B. This is Tamayos earliest documented
print.
$1,500-2,000
134
133
132
131
138
Gustavo Torner (Spanish, b. 1925)
EQUIVALENCIAS/Three of Six Serigraphs
with Nine Informational and Divider Sheets,
1969, edition of 60, printed by Abel Martin.
Signed Gustavo Torner and numbered 20
in red and dedicated in blue on the title page,
the three serigraphs are numbered 20/60
and signed below the matrix l.l. and l.r.,
respectively. Screenprints on paper, image
sizes to 18 3/4 x 13 3/8 in. (47.7 x 34.0 cm),
presented in the original portfolio case.
Condition: Margins to 3 inches, minor scuff
marks to title page and portfolio case.
$600-800
138A
Henri de Toulouse-Lautrec (French, 1864-
1901)
Tristan Bernard, 1898, printed in 1920,
probably from the third edition of 200 (Adriani,
249). Monogrammed within the plate.
Drypoint on laid paper, plate size 6 3/4 x 4 1/8
in. (17.1 x 10.3 cm), framed.
deckled lower edge, mat burn, staining.
$400-600
135
Antoni Tpies (Spanish, 1923-2012)
Poster for the Exhibition Nocturn Matinal,
Sala Gaspar, Barcelona, 1970, from the
edition before letters of 100, published by
Foto-Repro, Barcelona (Galfetti, 246). Signed
tapies in pencil l.r. and in the matrix in
black l.r., inscribed P.A. in pencil l.l. Color
lithograph on Guarro paper, sheet size 29
3/4 x 21 7/8 in. (75.7 x 55.6 cm), unmatted,
unframed.
Condition: Minor handling crimps, subtle
toning, one-inch piece of white tape affxed to
the verso l.l., minor discolorations at top edge
of sheet, pencil annotation to the verso.
$500-700
136
Sense Ttol, 1971, edition of 100, published
by Foto-Repro, Barcelona (Galfetti, 285).
Signed tapies in pencil l.r., numbered
81/100 in pencil l.l. Color lithograph on
Guarro paper, image size 9 1/2 x 14 in. (24.2 x
Condition: Creases at u.l. of sheet, bend in l.l.
corner, discoloration at edges.
$400-600
137
Pied et collage, 1976, edition of 50 plus
proofs (Galfetti, 567). Signed and inscribed
...Tpies in pencil l.r., numbered 30/50 in
pencil l.l., identifed on a label from Galerie
Adrien Maeght, Paris, on the backing. Etching
with aquatint and collage on paper, image size
5 x 7 1/2 in. (12.5 x 19.0 cm), framed.
Condition: Rippling, not examined out of
frame.
$800-1,200
138A
138
135
136
137
143
After Andy Warhol (American, 1928-1987)
Three Skate Decks from the Alien
Workshop. Identifed within the matrix, and
authorized by The Andy Warhol Foundation
for the Visual Arts, Inc. Color screenprints on
curved laminated boards, length 32 in. (81.2
cm), in original shrink-wrap, containing original
stickers.
Condition: Not examined out of wrap.
$600-800
144
Stow Wengenroth (American, 1906-1978)
Lighthouse, Ten Pound Island, 1935,
edition of 38 (Stuckey, 55). Signed Stow
Wengenroth in pencil l.r., titled in the lower
margin (partially erased), identifed on a
fragmentary label from The F.H. Bresler, Co.,
Milwaukee, affxed to the mat. Lithograph on
32.4 cm), matted, unframed.
Condition: Margins over 3/4 inches with
deckled lower edge, gently light-struck.
N.B. Ten Pound Island is at the eastern end of
Gloucester Harbor.
$350-550
139
John Henry Twachtman (American, 1853-
1902)
Mouth of the Seine, c. 1884-89, probably
from the Keppel edition of 22, printed in 1921
(Baskett, 18). Initialed J.H.T. per A.T. in
pencil l.r. Etching on paper, plate size 3 1/4 x
4 5/8 in. (8.1 x 11.6 cm), framed.
Condition: Pale foxing, not examined out of
frame.
N.B. The A.T. in the initials refers to Aiden
Twachtman, who signed off on many of the
posthumous editions of his fathers prints.
$1,000-1,500
140
Jean-Pierre Vasarely, called Yvaral (French,
1934-2002)
Untitled, edition of 200, published by Denise
Ren diteur, Paris. Signed Yvaral in
pencil l.r., numbered 164/200 in pencil l.l.,
publishers dry stamp l.l. Color screenprint on
62.2 cm), framed.
N.B. Yvaral was the son of artist Victor
Vasarely.
$300-500
141
Victor Vasarely (Hungarian/French, 1906-
1997)
Untitled, edition of 200. Signed Vasarely-
in pencil l.c., numbered 120/200 in pencil l.l.
Color screenprint on paper, image size 19 5/8
x 12 in. (49.7 x 30.5 cm), framed.
$700-900
142
Victor Vasarely (Hungarian/French, 1906-
1997)
Gold and Black Mirror Image, 1979,
edition of 150, published by Denise Ren
diteur, Paris. Signed Vasarely- in pencil l.r.,
numbered 123/150 in pencil l.l., publishers
dry stamp l.l. Color screenprint on paper,
image size 27 5/8 x 13 3/4 in. (70.0 x 34.8
cm), framed.
of frame.
$500-700
139
140
141
142
143
144
148
James Abbott McNeill Whistler (American,
1834-1903)
Old Hungerford Bridge, fnal state of three
(Kennedy, 76). Signed within the plate,
identifed on a label from Frederick Keppel &
Co., New York, affxed to the backing board.
Etching on laid paper, plate size 5 1/2 x 8 3/8
in. (13.9 x 21.2 cm), framed.
edges, laid down, gentle toning, not examined
out of frame.
$400-600
149
William Thomas Williams (American, b.
1942)
HKL Portfolio/A Suite of Four Works, 1970,
edition of 144. Each signed and numbered
...52/144 in pencil l.r. Color screenprints on
heavy wove paper, image sizes 16 1/8 x 11
Condition: Good.
$1,500-2,000
145
Stow Wengenroth (American, 1906-1978)
Old Harbor (Rockport, Massachusetts),
1964, edition of 35 (Stuckey, 292). Signed
Stow Wengenroth in pencil l.r., numbered
Ed/35 in pencil l.l. Lithograph on paper,
framed.
Condition: Subtle toning, rippling, not
$300-350
146
1834-1903)
Billingsgate, 1859, sixth state of eight or later
(Kennedy, 47). Signed and dated within the
plate. Etching on laid paper, plate size 6 x 8
7/8 in. (15.0 x 22.4 cm), framed.
Condition: Margins 2 1/2 inches or more with
deckled edges to two sides, gentle toning,
masking tape to center of upper edge (recto),
staining near lower edge (recto).
$800-1,200
147
1834-1903)
Vauxhall Bridge, 1861, second state of two
(Kennedy, 70). Signed and dated within the
plate. Etching on laid paper, plate size 2 3/4 x
4 1/2 in. (6.8 x 11.3 cm), framed.
Condition: Unobtrusive toning, not examined
out of frame.
$600-800
149
148
145
146
147
152
Ansel Adams (American, 1902-1984)
Fifty-Seven Photographs Documenting the
Massachusetts Womens Defense Corps,
c. 1942. Numbered M.W.D.C. #... in ink
and stamped PHOTOGRAPH BY ANSEL
ADAMS on the reverse of each mount.
Gelatin silver prints in original plywood box
with leather bindings (purportedly made by
Adams himself), image/sheet sizes to 10
1/4 x 13 1/8 in. (26.0 x 33.3 cm), unmatted,
unframed.
Condition: Mounted, most with unobtrusive
silver mirroring at print edges and several with
minor foxing on mounts.
N.B. Active between 1941 and 1946, the
Massachusetts Womens Defense Corps
(MWDC) comprised a group of volunteer
women dedicated to providing war-related
and emergency services during World War
II. In the spring of 1942, Ansel Adams was
commissioned to document members
of the MWDC training for assistance in
fve main areas: Medical, Transportation,
Communications, Canteen, and Air Raid
Protection/Warden Services. The ffty-seven
photographs selected by Adams to represent
this project capture corps members reviewing
maps, preparing meals, practicing rescue
missions, and standing in formation, among
other subjects.
A departure from his majestic landscape
photographs made with natural light, Adamss
MWDC works reveal carefully composed
groupings and exhibit strong contrast with
dark, rich blacks, especially the interior views,
which were made with artifcial lighting.
According to his biographer Mary Street
Alinder, Adams had very recently codifed
his Zone System of exposure. He was able
to expose each negative to the maximum
effectiveness. Indeed, these works were
made at the peak of Adamss career. The
previous fall he had executed what is arguably
his most famous photograph Moonrise,
Hernandez, New Mexico.
While the negatives for Adamss MWDC
project are housed at the Center for Creative
Photography, University of Arizona, Tucson,
prints of this series are rare, and in fact,
Adams himself had none in his possession at
the time of his death in 1984.
$15,000-20,000
150
Zao Wou-Ki (Chinese/French, 1921-2013)
Untitled, 1963, edition of 90 or 95, published
by Atelier Lacourire et Frlaut, Paris (gerup,
152). Signed in pencil l.r., numbered 75/90
in pencil l.l., publishers dry stamp l.l. Color
etching with aquatint on cream Arches paper
with watermark, plate size 19 1/2 x 17 in.
(49.4 x 43.2 cm), framed.
deckled edges, pale mat burn, handling
creases and minute nicks to edges of side
margins, staining to verso.
$2,500-3,500
151
Anders Zorn (Swedish, 1860-1920)
August Strindberg, 1910, second state
of two (Asplund, 231). Signed and dated
within the plate, stamped HANFSTAENGLS
STUDENT PROOF on verso. Etching on
Condition: Toning, foxing, minor breaks to
paper along plate mark.
$700-900
152
151
150
Fine Photography
Lots 152220
156
Harry Callahan (American, 1912-1999)
Providence (Unpublished #178), 1963,
printed c. 1980. Signed Harry Callahan in
graphite below the image l.r. Gelatin silver
print, image size 9 3/8 x 9 1/4 in. (23.8 x 23.5
Condition: Unmounted, slight rippling to sheet
at top.
Provenance: Estate of Tennyson Schad, New
York.
N.B. One of the most signifcant American
photographers of the 20th century, Harry
Callahan was chair of the photography
department at the Rhode Island School of
Design in Providence from 1961 until 1973.
$2,000-3,000
157
Providence, 1963, printed c. 1980. Signed
Harry Callahan in graphite below the image
l.r. Gelatin silver print, image size 9 1/4 x 9
Condition: Unmounted, slight rippling at top
of sheet.
$2,000-3,000
153
Ansel Adams (American, 1902-1984)
Yosemite Falls, Spring, Yosemite National
Park, California, 1983, printed later.
Unsigned, The Friends of Photography
(Carmel, California) Special Edition stamp on
the verso. Gelatin silver print, image/sheet
size 9 3/8 x 7 3/8 in. (23.8 x 18.8 cm), framed.
Condition: Mounted, slight lifting of u.l. corner.
$1,000-1,500
154
Virginia Beahan (American, b. 1946) and
Laura McPhee (American, b. 1958)
Sluices at a Reservoir near Badulla, Sri
Lanka, 1993. Signed Laura McPhee Virginia
Beahan in felt-tip pen below the image l.r.,
titled and dated in felt-tip pen below the image
l.l. Chromogenic print on Kodak Professional
51.0 cm), framed.
Condition: Unmounted, fading.
$1,000-1,500
155
Alice Boughton (American, 1865-1943)
Three Photographs of the Fuller Sisters, c.
1914. All signed Alice Boughton in graphite
l.l. or l.r. Gelatin silver prints, image/sheet
sizes to 8 1/8 x 6 1/4 in. (20.7 x 15.8 cm),
unmatted, unframed. Condition: Two of three
mounted, the unmounted print with adhesive
residue in upper corners of the verso, lightly
faded, minor accretions and pinpoint fox
marks.
Provenance: From the collection of Percy
MacKaye, by descent to the current owner
Marion MacKaye Ober, Massachusetts.
N.B. Alice Boughton was associated with
Alfred Stieglitzs Photo-Secession, a group
of photographers who sought to elevate the
mediums status to that of other fne arts like
drawing and printmaking. The Fuller sisters
hailed from Dorset, England, and were
pioneers in the collection and performance of
folk songs from England, Scotland, Ireland,
and Wales. They frequently toured America,
frst visiting the town of Cornish, New
Hampshire, at the invitation of Percy and
Marion MacKaye.
$300-500
153
154
155
156
157
161
David Douglas Duncan (American, b. 1916)
Portrait of Pablo Picasso with Snow Owl
Mask, 1957. Inscribed and signed Photo by/
David Douglas Duncan/prohibited to copy/
or reproduce in ink on the backing. Gelatin
silver print, image/sheet size 8 7/8 x 13 3/16
in. (22.6 x 33.5 cm), unmatted, framed.
Condition: Mounted, small chemical stain u.r.,
N.B. Photojournalist and combat
photographer David Douglas Duncan
published seven books of photographs of
Picasso between 1958 and 2006. Duncans
archive is housed at the Harry Ransom Center,
University of Texas at Austin.
$2,000-3,000
162
David Douglas Duncan (American, b. 1916)
Pablo Picasso Wearing a Bolo Tie. Signed
David Douglas Duncan in felt-tip pen l.r.
Chromogenic print, image/sheet size 13 3/8 x
9 1/8 in. (33.8 x 23.2 cm), framed.
Condition: Mounted, faded, chemical
(fngerprint) stains u.c., additional chemical
stains at u.r. edge and area of subjects
mouth, chin, and neck, scattered minor
surface abrasions.
$1,000-1,500
158
Cape Cod, 1973, printed c. 1980. Signed
l.r., titled and dated in graphite on the verso
along the bottom. Gelatin silver print, image
size 9 1/4 x 9 1/8 in. (23.5 x 23.3 cm),
unmatted, unframed.
Condition: Unmounted, minor handling
crimps at u.l. edge of image and l.l. corner,
small indentation u.c. of sheet.
York.
$2,500-3,000
159
Cape Cod, 1972, printed c. 1981. Signed
Condition: Unmounted, two unobtrusive
pinpoint areas of spot toning in u.c. of image,
slight rippling to sheet at left.
$3,000-5,000
160
Cape Cod, 1972, printed 1970s. Signed
l.r. and on the verso u.c. Gelatin silver print,
image size 6 x 7 7/8 in. (15.3 x 20.0 cm),
unmatted, unframed.
Condition: Unmounted, 1/4 inch emulsion
loss and repair l.l., slight crease at l.l. corner.
$1,000-1,500
162
161
158
159
160
164
Harold E. Doc Edgerton (American, 1903-
1990)
Spouts (Cranberry Juice Dropping into
Milk and Water Dropping Into Water),
c. 1960 and 1978, respectively, printed c.
1985. Numbered and signed 5/25 HAROLD
EDGERTON in ink on the verso, titled, signed,
and dated Spouts...M.I.T. 1985 in graphite
on the backing. Dye destruction print, image
size 8 1/8 x 13 7/8 in. (21.2 x 35.3 cm),
framed.
Condition: Unmounted, unobtrusive
fngerprints at edges, light surface scratches.
$1,000-1,500
165
Alfred Eisenstaedt (American, 1898-1995)
Talmudic Scholar and His Pupils,
Jerusalem, 1955, printed 1988. Signed
Eisenstaedt in ink below the image l.r.,
identifed in Time, Inc. inscription in graphite
on the verso, including reproduction and
copyright restrictions. Gelatin silver print,
image size 12 x 8 11/16 in. (30.5 x 22.1 cm),
matted, framed.
Condition: Unmounted, minor crease u.l.
corner, unobtrusive chemical stain to u.l.
corner of sheet.
$800-1,200
163
Harold E. Doc Edgerton (American, 1903-
1990)
Seeing the Unseen: Twelve Photographs
by Harold Edgerton, 1934-73, printed 1977,
edition of 60. All numbered and signed
22/60 HAROLD EDGERTON in graphite on
the verso. Seven gelatin silver prints and fve
dye transfer prints with frontispiece in a black
portfolio case, image sizes to 13 7/8 x 10
15/16 in. (35.3 x 27.8 cm), matted, unframed.
Condition: Unmounted, prints hinged with
archival Filmoplast P tape, several with very
minor handling crimps.
N.B. Described by National Geographic as
the man who made time stand still, Harold
Doc Edgerton was an engineer and scientist
who developed a strobe fash that enabled
him to photographically freeze the motion of
a tennis player hitting a ball, a bullet piercing
an apple, and other high speed actions such
as those represented in this portfolio. The
titles of the individual photographs are as
follows: Shock Waves from Impact (c. 1965);
A Girl and Her Horse (1941); Action at the
Rodeo (1940); Tennis Serve (1952); Football
Placement Kick (1934); Swirls and Eddies of a
Tennis Stroke (1939); Golf Drive by Densmore
Shute (1938); Splash of a Milk Drop (1957);
Vortex at a Fan Blade Tip (1973, with Kim
Vandiver); Pole Vaulter, David Tork (1964);
Cutting the Playing Card Quickly (c. 1964);
and Bullet and Apple (c. 1964).
$12,000-18,000
163
164
165
168
Ernst Haas (Austrian/American, 1921-1986)
Albert Einstein, Princeton, New Jersey,
1951, printed 1992. Titled, dated, and
numbered 49/100 on the verso within the
estate stamp. Gelatin silver print, image
size 16 3/4 x 12 3/8 in. (42.6 x 31.5 cm),
unmatted, unframed.
crimps, scattered areas of unobtrusive spot
toning.
Provenance: Ernst Haas Estate, New York.
N.B. Although perhaps best known as one
of the pioneers of color photography (his
1962 retrospective at New Yorks Museum
of Modern Art was that institutions frst
color photography exhibition), Ernst Haas
was a passionate photojournalist and one-
time member of the photography collective
Magnum. He was named one of the worlds
ten greatest photographers in a 1958 issue of
the magazine Popular Photography.
$1,500-2,000
169
On the Set of The Misfts, Nevada, 1960,
printed 2013. Titled, dated, and numbered
44/50 in graphite with estate stamp and
printers stamp on the verso. Gelatin silver
print, image size 17 3/4 x 11 15/16 in. (45.6 x
Condition: Unmounted, slight rippling to
paper.
$1,500-2,000
166
Alfred Eisenstaedt (American, 1898-1995)
Winston Churchill, Liverpool, 1951, printed
1979. Signed Eisenstaedt in ink below
the image l.r., numbered 26/50 in ink
below the image l.l., identifed in a Time, Inc.
stamp indicating reproduction and copyright
restrictions on the verso l.r. Gelatin silver print,
matted, framed.
Condition: Unmounted, minor handling crease
u.r.
$3,500-5,500
167
Arnold Genthe (German/American, 1869-
1942)
Five Photographs of the MacKaye Family,
including Percy MacKaye, his brother Robert
Keith MacKaye, his young daughters Arvia
and Christy, and Percy and Robert with their
mother, Mary. All signed Arnold Genthe in
ink l.l. or l.r. Gelatin silver prints, image/sheet
sizes to 9 1/2 x 7 3/16 in. (24.2 x 18.3 cm),
unmatted, unframed.
Condition: Four of fve unmounted, scattered
minor accretions and light silver mirroring.
N.B. Although perhaps best known for his
photographs of San Franciscos Chinatown,
Genthe was a skilled portraitist, as these
works demonstrate. He ran successful
studios frst in San Francisco and then in New
York where his clientele included politicians,
socialites, and literary fgures.
$300-500
169
168
166
167
173
Martha Holmes (American, 1923-2006)
Jackson Pollock Working in His Barn
Studio, Springs, New York, 1949, printed
1999. Signed Martha Holmes in ink below
the image l.r., titled and inscribed with Time,
Inc. copyright in graphite on the verso. Gelatin
silver print, image size 14 3/4 x 14 1/8 in.
(37.5 x 35.8 cm), framed.
Condition: Good, rippling to sheet.
N.B. Holmess photograph of Jackson Pollock
demonstrating his famous drip technique
was published in the August 8, 1949, issue
of LIFE magazine. In 1999 the Postal Service
drew on the portrait for a stamp, asking the
artist who copied it to leave out the ubiquitous
cigarette dangling from Pollocks mouth.
$1,000-1,500
174
Lotte Jacobi (German/American, 1896-
1990)
Kaiser Wilhelm Memorial Church, Berlin,
1932, printed later. Signed Lotte Jacobi in
pencil l.r. Gelatin silver print, 12 7/8 x 10 in.
(32.8 x 25.4 cm), framed.
Condition: Good, unmounted, hinged with
linen tape on the reverse u.r. and u.l.
$2,000-3,000
170
Positano Priest, Italy, 1953, printed 1996.
Titled, dated, and numbered 36/100 on the
verso within the estate stamp. Gelatin silver
paper.
$1,500-2,000
171
Karel Hjek (Czech, 1900-1978)
Untitled, 1926. Dated and inscribed Photo
Hajek on the verso, stamped PHOTO K.
HJEK and with a Paris studio stamp for the
photographer Pawel Barchan on the verso.
Gelatin silver print, image/sheet size 6 3/8 x 4
Condition: Unmounted, unobtrusive surface
scratches, breaks in emulsion c.l. and l.l.,
crease l.l. corner, minor soiling on verso.
N.B. The photograph was included in the
exhibition 1900 To Now: Modern Art from
RI Collections, at the Museum of Art, Rhode
Island School of Design, January 22 to May
1, 1988.
$500-700
172
Masumi Hayashi (Japanese/American,
1945-2006)
Hebrew Cultural Garden (Cleveland, Ohio),
1988. Signed and dated Masumi Hayashi...
in black ink l.r., titled and numbered 4/5 in
black ink l.l. Photocollage with chromogenic
prints, sight size 24 3/4 x 79 in. (63.0 x 200.6
cm), framed.
$800-1,200
170
171
172
173
174
177
Gyrgy Kepes (Hungarian/American, 1906-
2001)
Oval canvas, 1986. Signed and dated
Gyorgy Kepes... below the image l.r.
Polacolor print, sheet size 30 x 22 in. (76.3 x
Condition: Unmounted, minor cracks in
emulsion at l.l. corner.
$1,000-1,500
178
Denny Moers (American, b. 1953)
Bannister 3, from ARCHITECTURE AS
A STATE OF MIND, 1979. Signed and
dated Denny R. Moers 79 in ink below the
image l.r., titled in ink below the image l.l.
Photographic monoprint, sheet size 16 1/2 x
15 in. (41.9 x 38.2 cm), framed.
Condition: Unmounted, minor lifting of
emulsion layer at l.l.
Provenance: Purchased from the Jeb Gallery,
Providence, Rhode Island, by the current
owner.
N.B. The artist describes his work as
photographic monoprints because he
starts with a traditional silver print that he
then manipulates with light and chemistry.
Although he is able to produce additional
prints using the same negative, each has its
own unique visual properties.
$400-600
175
Michael Kenna (British, b. 1953)
Sunset, Middleton Cheney,
Northamptonshire, England, 1974, printed
1980. Signed Michael Kenna in graphite
below the image l.r., dated 1974 in graphite
below the image l.l., titled and dated on the
reverse of the mount. Gelatin silver print,
image/sheet size 5 3/8 x 8 7/8 in. (13.7 x 22.6
cm), matted, framed.
Condition: Mounted, good.
$600-800
176
2001)
leafs, port..., 1983. Signed and dated
Gyorgy Kepes... below the image l.r.
Polacolor print, sheet size 32 1/4 x 22 in. (82.0
Condition: Unmounted, cracks in emulsion
at l.l. corner of sheet, minor creases and
pinpricks in upper corners.
N.B. In 1984 the Polaroid Foundation invited
Gyrgy Kepes, who experimented with
photography throughout his career, to use the
20x24 Polaroid camera. The resulting carefully
staged compositions summarize many of his
artistic concerns, employing such objects
as prisms, fowers, and graphic papers to
manipulate the effects of light and form.
$1,000-1,500
178
177
175
176
180
Nicholas Nixon (American, b. 1947)
View of Copley Square, Boston, 1974,
printed c. 1980. Titled, dated, and signed
...Nicholas Nixon in graphite on the verso
along bottom. Gelatin silver print, image size
7 5/8 x 9 5/8 in. (19.4 x 24.5 cm), unmatted,
unframed.
Condition: Unmounted, unobtrusive spot
toning u.l., minor emulsion losses at corners
and edges.
York.
$1,500-2,500
181
David Prifti (American, 1961-2011)
Matriarch. Incised and branded PRIFTI....
and titled in ink on the reverse. Liquid
photographic emulsion on wooden fence
fragment, 35 x 24 in. (88.9 x 61.0 cm),
unframed.
Condition: Surface grime, minor cracks in
emulsion due to normal aging of the wood and
the embedding of the emulsion into the grain.
N.B. David Prifti combines family photographs
with found objects to create assemblages
that refect both his personal history and the
passage of time. This work portrays the artists
grandmother, Margaretha Prifti, who emigrated
from Albania to America.
$800-1,200
179
Nicholas Nixon (American, b. 1947)
View of Boston from M.I.T., 1976, printed c.
1980. Titled, dated, and signed ...Nicholas
Nixon in graphite on the verso along the
bottom. Gelatin silver print, image size 7
5/8 x 9 5/8 in. (19.4 x 24.5 cm), unmatted,
unframed.
Condition: Unmounted, unobtrusive spot
toning in u.l. corner, minor crease at l.r. corner.
York.
$1,200-1,800
179
180
181
184
Aaron Siskind (American, 1903-1991)
Morocco 93, 1982. Signed Aaron Siskind
in ink below the image l.r., titled and dated in
ink below the image l.l. Gelatin silver print,
image size 14 1/2 x 14 3/8 in. (36.9 x 36.5
Condition: Mounted, crease in u.r. corner.
$1,000-1,500
182
Arizpe, 1966, printed c. 1980. Signed Aaron
Siskind in black ink below the image l.r., titled
and dated in black ink below the image l.l.
Gelatin silver print, image size 17 1/4 x 22 3/8
Condition: Unmounted, several unobtrusive
handling crimps.
York.
$1,500-2,500
183
Chicago 42, 1952, printed later. Signed
Aaron Siskind in ink below the image l.r.,
titled and dated in ink below the image l.l.
Gelatin silver print, image size 13 3/4 x 17 1/2
in. (34.9 x 44.5 cm), matted, unframed.
Condition: Unmounted, good.
$2,000-3,000
184
182
183
186
Doris Ulmann (American, 1882-1934)
Portrait of Marion Homer Morse MacKaye.
Signed Doris Ulmann in graphite below the
image l.r. Platinum print, image/sheet size 8 x
6 in. (20.3 x 15.3 cm), matted, unframed.
Condition: Small inpainted indentation at l.c.
N.B. Marion Homer Morse MacKaye (1872-
1939) was the wife of the American poet and
playwright Percy MacKaye (1875-1956) and
was related to the artist Winslow Homer on
her fathers side.
$300-500
187
Bradford Washburn (American, 1910-2007)
After The Storm, Climbers on the East
Ridge of the Doldenhorn in the Swiss Alps,
1960, printed c. 1993. Signed and dated
Bradford Washburn/August 1993 in ballpoint
pen at the center of the verso. Gelatin silver
print, image size 17 5/16 x 21 15/16 in. (44.0
crimps, gentle rippling to sheet.
N.B. Bradford Washburn masterfully
combined his love of mountaineering and
aerial photography, traveling the world
for eight decades to document dramatic
landscapes ranging from Arizonas Grand
Canyon to the Matterhorn in the Alps. He was
one of Americas foremost mountaineers in the
frst half of the 20th century, leading several
frst ascents and establishing new routes on
many major Alaskan peaks (often with his wife,
Barbara Washburn, a pioneer among female
mountaineers). Washburn was also one of the
founders of Bostons Museum of Science and
served as director for over forty years.
$1,000-1,500
185
Paul Strand (American, 1890-1976)
Paris from Notre Dame, c. 1912. Titled and
signed ...Paul Strand in graphite below the
image, blindstamped 1912 BY P. STRAND
l.l. Hand-colored platinum print, image/sheet
size 8 7/8 x 6 15/16 in. (22.5 x 17.7 cm),
unmatted, framed.
Condition: Tipped to original mount along top
edge, gently light-struck.
N.B. With its unusual birds-eye view and
emphasis on geometric patterns, this print
from c. 1912 bridges Strands early adoption
of a Pictorialist style and his embrace of the
modernist, straight photography aesthetic
championed by the infuential photographer
and modern art promoter Alfred Stieglitz.
$2,000-3,000
185
186
187
191
Carrie Mae Weems (American, b. 1953)
Two China Plates with Photographic
Portraits (Front and Back) of a Young
Woman, 1990. Both signed and dated
Carrie M. Weems... in ink on the reverse.
Photographic prints affxed to American
Limoges china plates, diameter 10 in. (25.4
cm), unframed.
Condition: Tacky surfaces from a transparent
coating have attracted dust and hair, possible
fading, Front print lifting from plate at l.c.,
discoloration from coating residue around
image of Back, especially on the left side.
$300-350
188
Mt. Huntington, North Face, Alaska. Signed
Bradford Washburn in graphite on the verso
crimps.
$800-1,200
189
Two Photographs: Mt. Huntington, Looking
West at Twilight and Sunset at 41,000 ft,
Mt. McKinley, 1964 and 1978, respectively,
printed later. Both signed Bradford
Washburn in graphite on the verso l.r. Gelatin
silver prints, image sizes to 17 1/2 x 22 1/8 in.
Condition: Unmounted, both with minor
handling crimps.
$800-1,200
190
Two Photographs: Mt. McKinley and
Shadow and View of Glacier, Alaska. Both
signed Bradford Washburn in graphite
on the verso l.r. Gelatin silver prints, image
sizes 17 1/8 x 22 1/8 in. (43.5 x 56.3 cm),
unmatted, unframed.
Condition: Unmounted, minor handling crimps
on Shadow, minor crease at l.r. corner of
Glacier.
$800-1,200
191
188
189
190
194
Barbara Bosworth (American, b. 1953)
Squam Lake, 2003, edition of 10 produced
for the PRC Print Program. Titled and
numbered ...1/10 and signed Barbara
Bosworth in graphite on the verso l.l. and l.r.,
respectively. Gelatin silver print, image size 14
3/8 x 18 1/8 in. (36.5 x 46.0 cm), framed.
sheet.
$1,000-1,500
195
Barbara Bosworth (American, b. 1953)
Carlisle, from the series Meadow, 2004,
printed 2008, edition of 35, from The PRC
Portfolio published by the Photographic
Resource Center at Boston University. Signed
Barbara Bosworth in graphite on the verso
l.l. and numbered 16/35 l.r. Pigmented inkjet
print on Harman matte paper, image size 13
7/8 x 17 3/4 in. (35.3 x 45.6 cm), matted,
unframed.
$800-1,200
196
Paul DAmato (American, b. 1956)
Isela, Chicago, 1993, edition of 10 produced
for the PRC Print Program. Signed P.
DAmato and titled and dated in ink on the
verso l.r. and l.l., respectively. Chromogenic
print, 12 1/4 x 10 in. (31.2 x 25.4 cm),
unmatted, unframed.
$500-700
192
J.H. White (American, f. late 19th Century)
Five Photographs of Western Views,
including El Capitan and Excelsior Geyser in
Yellowstone Park, and Spanish missions in
Monterey and San Juan Capistrano, California.
Several with descriptive titles and PHOTO.
BY J.H. WHITE, Boston. inscribed in the
negative. Albumen silver prints, sight sizes to
7 1/4 x 9 1/4 in. (18.4 x 23.5 cm), unmatted,
unframed.
Condition: Mounted (some loosely) to two-ply
mat board, faded, several with minor chemical
inconsistencies, rippling to sheets.
$600-800
193
Minor White (American, 1908-1976)
Tom Schuler, Lakeville, Connecticut, 1973.
Titled, signed, and dated ...Minor White
June... in pencil on the verso at the bottom.
Unique Polaroid print, image size 4 1/2 x 3 1/5
Condition: Unmounted, minor surface
accretions from processing, slight crease
to l.l. corner, bottom edge at verso lightly
discolored.
$2,000-3,000
193
192
194
195
196
Since 1976, the Photographic
Resource Center (PRC) at
Boston University has served,
as their mission states, as a
vital forum for the exploration,
interpretation, and celebration of
new work, ideas, and methods
in photography.
Lots 194-220 are being sold to
benefit the PRC and its goal of
furthering the advancement of
photographic art.
200
Henry Horenstein (American, b. 1947)
Asiatic Elephant, Elephas maximas, 1995,
edition of 10 produced for the PRC Print
Program. Signed Henry Horenstein in ink on
the verso u.l. Ilfochrome (Cibachrome) print,
image size 19 1/4 x 13 in. (48.9 x 33.0 cm),
matted, unframed.
$700-900
201
Henry Horenstein (American, b. 1947)
Melody Sweets, New York, NY, 2008, edition
of 35, from The PRC Portfolio published by
the Photographic Resource Center at Boston
University. Signed Henry Horenstein and
numbered 16/35 in graphite on the verso l.r.
and l.l., respectively. Pigmented inkjet print on
Harman matte paper, image size 14 7/8 x 14
$800-1,200
197
Frank Gohlke (American, b. 1942)
Playground of Crockett Elementary School,
where I attended grades 1-7, from the
series Texas Memories #2, 1984, printed
2008, edition of 35, from The PRC Portfolio
published by the Photographic Resource
Center at Boston University. Numbered, titled,
dated, and signed PRC 16...Frank Gohlke...
in graphite on the verso along the bottom.
Fiber-based gelatin silver print on Ilford paper,
image size 14 7/8 x 18 1/2 in. (37.8 x 47.0
$800-1,200
198
Frank Gohlke (American, b. 1942)
The Sudbury River, Ashland,
Massachusetts, September 1989, 1989,
printed 1990, edition of 30 produced for
the PRC Print Program. Titled, numbered,
signed, and dated ...16/30 Frank Gohlke...
in silver ink below the image along the bottom.
Chromogenic print, image size 15 7/8 x 21 3/4
$800-1,200
199
David Hilliard (American, b. 1964)
The Braves, from the series Catch and
Release, 2002, printed 2008, edition of 35,
from The PRC Portfolio published by the
Photographic Resource Center at Boston
University. Signed David Hilliard in graphite
on the verso l.l. and numbered 16/35 l.r.
Pigmented inkjet print on Harman glossy
$800-1,200
200
201
197
198
199
204
Jim Marshall (American, 1936-2010)
Hazard, Kentucky, 1963, probably printed c.
1990. Titled and dated in ink on the verso l.l.,
signed with copyright date 1990 in ink on
the verso l.r., artist stamp with San Francisco
address, copyright date, and inscription
2318-29 on the verso at center. Toned
gelatin silver print, image size 11 1/4 x 16 3/4
Condition: Unmounted, scattered handling
crimps, creases at u.r. corner and u.c.
$500-700
205
Susan Meiselas (American, b. 1948)
Before the Show, Tunbridge, Vermont, from
the series Carnival Strippers, 1974, printed
2008, edition of 35, from The PRC Portfolio
published by the Photographic Resource
Center at Boston University. Titled, dated,
signed, and numbered ...S Meiselas 16/35 in
graphite on the verso along the bottom. Fiber-
based gelatin silver print on Ilford glossy paper,
matted, unframed.
N.B. Carnival Strippers, Susan Meiselass
frst major photography project, documents
the public and private lives of striptease
performers at fairs and carnivals in New
England from 1972 to 1975.
$800-1,200
206
Arno Rafael Minkkinen (Finnish/American,
b. 1945)
Abbaye de Montmajour, Arles, 1983, printed
2007, edition of 10 produced for the PRC
Print Program. Titled, dated, and signed
...Arno Minkkinen in graphite on the verso
along the bottom edge. Fiber-based gelatin
silver print, image size 12 3/4 x 17 3/4 in.
(32.4 x 45.6 cm), matted, framed.
$1,000-1,500
202
2001)
Solid Forms, 1939, printed c. 1988, edition
of 10 produced for the PRC Print Program.
Signed Gyorgy Kepes in ink below the
image l.r. Gelatin silver print on Agfa paper,
unmatted, unframed.
inconsistencies in surface sheen along edges
of sheet.
$1,000-1,500
203
David Levinthal (American, b. 1949)
Untitled, from the series Wild West, 1994,
edition of 10 produced for the PRC Print
Program. Signed, dated, and numbered
David Levinthal...9/10 in ink below the image
l.r. Polaroid print, image size 9 3/8 x 7 1/2 in.
processing marks at lower edge.
$1,500-2,500
203
202
204
205
206
209
John OReilly (American, b. 1930)
Recliner and Spanish Dog, 1991-92, edition
of 10 produced for the PRC Print Program.
Titled, dated, numbered, and signed ...7/10
JOHN OREILLY in graphite on the verso
along the bottom. Gelatin silver print on Agfa
Condition: Unmounted, slight rippling of
sheet, minor wear at u.r. corner.
N.B. This is an unusual editioned print by
John OReilly, who is known for his intimate,
complex, and unique photographic montages
that reference history, autobiography, and
fantasy.
$1,000-1,500
210
Robert and Shana ParkeHarrison
(American, ac. 1996-present)
Dark Rain, 2008, edition of 35, from The
PRC Portfolio published by the Photographic
Robert ParkeHarrison Shana ParkeHarrison
and titled in graphite below the image l.r. and
l.l., respectively, numbered 16/35 in graphite
on the verso l.r. Pigmented inkjet print on
Somerset Velvet paper, image size 11 1/8 x 11
$800-1,200
207
Arno Rafael Minkkinen (Finnish/American,
b. 1945)
Waiting for the Snake, Jianfengling Nature
Preserve, Hainan Island, China, 2007,
printed 2008, number 16 from an edition of
35, from The PRC Portfolio published by the
Photographic Resource Center at Boston
University. Titled, signed, and dated ...Arno
Minkkinen... in graphite on the verso along
the bottom. Fiber-based gelatin silver print
on Ilford matte paper, image size 14 7/8 x 19
$800-1,200
208
Abelardo Morell (Cuban/American, b. 1948)
Metropolitan Opera: Romeo and Juliet,
2005, printed 2008, edition of 35, from The
Abelardo Morell in graphite on the verso l.l.,
Pigmented inkjet print on Ilford glossy paper,
image size 14 1/4 x 17 3/4 in. (36.3 x 45.1
$800-1,200
210
209
208
207
213
Eugene Richards (American, b. 1944)
Hospice, Harlem, New York, c. 1994,
possibly a later print. Titled and signed ...
Eugene Richards in graphite on the verso l.r.
Gelatin silver print on Agfa paper, 11 7/8 x 17
$500-700
214
Victor Schrager (American, b. 1950)
Untitled (Works on Paper Assemblage),
1980. Signed and dated Victor Schrager...
and numbered 3/7 in ink below the image l.r.
and l.l., respectively. Polaroid print, sheet size
32 x 21 7/8 in. (81.3 x 55.6 cm), unmatted,
unframed.
Condition: Unmounted, loss at l.r. corner of
sheet, cracks in the emulsion at l.l. and u.r.
and along top edge of sheet including u.l.
corner.
$500-700
211
Olivia Parker (American, b. 1941)
Bleeding Heart, 2007, edition of 10 produced
for the PRC Print Program. Numbered, titled,
signed, and inscribed 1/10...Olivia Parker
2005 in graphite below the image. Pigment
48.0 cm), framed.
Condition: Unmounted, minor crease in sheet
l.c.
$500-700
212
Eugene Richards (American, b. 1944)
Grandy, Lima State Hospital for the
Criminally Insane, 1981, from the portfolio
NEW WORKS BY 10 MASSACHUSETTS
PHOTOGRAPHERS, 1981-82. Titled,
signed, and dated ...Eugene Richards...
in graphite on the verso l.r. Gelatin silver
print, image size 8 x 12 in. (20.3 x 30.5 cm),
unmatted, unframed.
Condition: Minor wear to corners and a ding
at sheet edge u.c.
$700-900
211
212
213
214
215
Patti Smith (American, b. 1946)
The River Ouse, East Sussex, England,
2003, printed 2008, edition of 35, from The
Resource Center at Boston University.
Titled and signed ...Patti Smith in graphite
below the image l.l. and l.r., respectively,
Pigmented inkjet print with graphite inscription
on Harman matte paper, image size 9 x 6
N.B. Around the image Smith has written the
following: On March 28, 1941 Virginia Woolf
took her life by drowning in the River Ouse
near her home Monks House in Sussex with
heavy stones in the pockets of her long coat.
$700-900
216
Sage Sohier (American, b. 1954)
British Redcoat Re-enactor, Battle of
Concord and Lexington, Lexington, MA,
from the series Perfectible Worlds, 2002,
printed 2008, edition of 35, from The PRC
Portfolio published by the Photographic
and dated Sage Sohier... in graphite on the
verso l.l. and numbered 1/16 l.r. Pigmented
inkjet print on Harman glossy paper, image
size 13 7/8 x 17 1/4 in. (43.8 x 45.6 cm),
matted, unframed.
$800-1,200
217
Michael Stipe (American, b. 1960)
Patti, 1995, edition of 10 produced for the
PRC Print Program. Titled, dated, and signed
...michael stipe in graphite on the verso l.r.
Gelatin silver print, image size 5 1/8 x 7 5/8 in.
$500-700
215
216
217
219
Ernest C. Withers (American, 1922-2007)
Dont Buy Gas Where You Cant Use the
Restroom, Bumper Sticker Campaign,
1952, printed later, edition of 35 produced
for the PRC Print Program. Titled, dated,
numbered, and signed ...1/35 ltd. Ed. Ernest
Withers in graphite on the verso along the
bottom. Gelatin silver print, image size 8 5/8 x
10 7/8 in. (21.9 x 27.7 cm), matted, unframed.
N.B. For over ffty years, the African American
photographer Ernest Withers documented
black social life and the music scene on
Beale Street in his home town of Memphis, in
addition to capturing key moments of the Civil
Rights movement.
$700-900
220
Ernest C. Withers (American, 1922-2007)
Elvis Presley, Backstage with Brook
Benton, WDIA Goodwill Review, Memphis,
1957, printed 2004, edition of 35. Signed
Ernest C Withers and numbered AP1 in
graphite on the verso l.r. and l.l., respectively.
Gelatin silver print, image size 9 7/8 x 9 7/8 in.
(25.6 x 25.6 cm), matted, framed.
$800-1,200
End of Sale 2749B
218
Joyce Tenneson (American, b. 1945)
Sleeping Beauty and Flowers, 1994.
Signed and dated Joyce Tenneson... and
numbered 1/5 in ink below the image l.r. and
l.l., respectively. Polaroid print, sheet size 29
3/4 x 21 7/8 in. (75.6 x 55.6 cm), unmatted,
unframed.
Condition: Unmounted, red sticker fragment
below image l.r., small tear in l.l. corner, crease
in u.l. corner with crack in the support visible
on the verso, rippling of sheet at top and
bottom.
$1,000-1,500
218
220
219
112 113
Adams, Ansel ................................... 152, 153
Albers, Josef .............................................1-3
Andrus, Vera ................................................ 4
Anuszkiewicz, Richard .................................. 5
Arms, John Taylor ........................................ 6
Avedon, Richard ........................................... 7
Barclay, John Rankine .................................. 8
Beahan, Virginia........................................ 154
Becker, Fred................................................. 9
Beham, Hans Sebald ................................. 10
Benson, Frank Weston .............. 11-15, 17-19
Benton, Thomas Hart ................................. 20
Bosman, Richard ........................................ 21
Bosworth, Barbara ........................... 194, 195
Boughton, Alice ........................................ 155
Callahan, Harry ..................................156-160
Canale, Giovanni Antonio ........................... 23
Canaletto .................................................... 23
Canaletto (After) .......................................... 23
Castiglione, Giovanni Benedetto ........... 24, 25
Cathelin, Bernard........................................ 26
Czanne, Paul ............................................ 27
Chagall, Marc ............................................. 28
Chillida, Eduardo .................................. 29, 30
Clav Sanmartin, Antoni ............................. 31
DAmato, Paul .......................................... 196
Dal, Salvador ............................................. 32
Daud, Andr ............................................. 33
Davie, Alan ................................................. 34
Davis, Stuart ............................................... 35
Davis, Stuart (After) ..................................... 36
Denis, Maurice ........................................... 37
Dine, Jim .................................................... 38
Drewes, Werner.......................................... 39
Duncan, David Douglas .................... 161, 162
Drer, Albrecht ......................................40-44
Edgerton, Harold E. Doc .................. 163, 164
Eisenstaedt, Alfred............................ 165, 166
Ensor, James ...........................................44A
Escher, M.C. .............................................. 45
Estes, Richard ............................................ 46
Fairey, Shepard .....................................47-50
Fantin-Latour, Henri .................................... 51
Francis, Sam .............................................. 52
Frasconi, Antonio ....................................... 53
Gardiner, Eliza Draper ................................ 54
Genthe, Arnold ......................................... 167
Gerstein, David ........................................... 55
Gohlke, Frank ................................... 197, 198
Grooms, Red .............................................. 56
Haas, Ernst .......................................168-170
Hjek, Karel .............................................. 171
Haring, Keith .............................................. 57
Hassam, Childe .......................................... 58
Hayashi, Masumi ...................................... 172
Hayter, Stanley William ............................... 59
Hilliard, David ........................................... 199
Holmes, Martha ........................................ 173
Horenstein, Henry ............................. 200, 201
Hundertwasser, Friedensreich .............. 60, 61
Icart, Louis ................................................. 62
Irwin, Albert ................................................ 63
Jacobi, Lotte ............................................ 174
Kelly, Ellsworth ........................................... 64
Kenna, Michael ......................................... 175
Kepes, Gyrgy .........................176, 177, 202
Klinger, Max ......................................... 65, 66
Kollwitz, Kthe ............................................ 67
Lennon, John ............................................. 68
Levinthal, David ........................................ 203
LeWitt, Sol .................................................. 69
Lichtenstein, Roy ........................................ 70
Mangold, Robert Peter ............................... 71
Marshall, Jim ............................................ 204
Matisse, Henri ...................................... 72, 73
Matta, Roberto ........................................... 74
McPhee, Laura ......................................... 154
Meiselas, Susan ....................................... 205
Millet, Jean Franois ................................... 75
Minami, Keiko ............................................. 76
Minkkinen, Arno Rafael ..................... 206, 207
Mir, Joan .............................................77-87
Moers, Denny ........................................... 178
Moore, Henry ........................................88-91
Morell, Abelardo ....................................... 208
Munakata, Shiko ........................................ 92
Music, Zoran Antonio ................................. 93
Nixon, Nicholas ................................ 179, 180
OReilly, John ........................................... 209
van Ostade, Adriaen Jansz ......................... 94
ParkeHarrison, Robert and Shana ............ 210
Parker, Olivia ............................................ 211
Pepper, Beverly .......................................... 95
Picasso, Pablo .................... 95A-97, 108-110
Picasso, Pablo (After) ........................102-107
Piranesi, Giovanni Battista ........................ 111
Pissarro, Camille ....................................... 112
Prifti, David ............................................... 181
Pusey, Mavis .....................................113-115
Rauschenberg, Robert ......................116-118
Rembrandt van Rijn ...........................119-122
Renoir, Pierre-Auguste ..................... 123, 124
Richards, Eugene ............................. 212, 213
Roberts, David ................................. 126, 127
Rouault, Georges ..................................... 128
Schrager, Victor........................................ 214
Segal, George .......................................... 129
Signac, Paul ............................................. 130
Siskind, Aaron ...................................182-184
Smith, Cary .............................................. 131
Smith, Patti ............................................... 215
Sohier, Sage ............................................. 216
Stipe, Michael ........................................... 217
Strand, Paul ............................................. 185
Tamayo, Rufino .................................132-134
Tpies, Antoni ...................................135-137
Tenneson, Joyce ...................................... 218
Torner, Gustavo ....................................... 138
Toulouse-Lautrec, Henri de ....................138A
Twachtman, John Henry .......................... 139
Ulmann, Doris ........................................... 186
Vasarely, Jean-Pierre ................................ 140
Vasarely, Victor ................................. 141, 142
Visentini, Antonio ........................................ 23
Warhol, Andy (After) .................................. 143
Washburn, Bradford ..........................187-190
Weems, Carrie Mae .................................. 191
Wengenroth, Stow ........................... 144, 145
Whistler, James Abbott McNeill .........146-148
White, J.H. ............................................... 192
White, Minor ............................................. 193
Williams, William Thomas.......................... 149
Withers, Ernest C. ............................ 219, 220
Yvaral ....................................................... 140
Zao Wou-Ki .............................................. 150
Zorn, Anders ............................................ 151
Artist Index
Conditions of Sale
1. Some of the lots in this sale are offered subject to a reserve. The reserve is a confidential minimum price agreed upon by the consignor and Skinner, Inc. below
which the lot will not be sold. In most cases, the reserve will be set below the estimated range, but in no case will it exceed the estimates listed. A representative of
Skinner, Inc. will execute such reserves by bidding for the consignor. In any event and whether or not a lot is subject to a reserve, the auctioneer may reject any bid or
raise not commensurate with the value of such lot.
2. All property is sold as is, and neither the auctioneer nor any consignor makes any warranties or representation of any kind or nature with respect to the property,
and in no event shall they be responsible for the correctness, nor deemed to have made any representation or warranty, of description, genuineness, authorship,
attribution, provenance, period, culture, source, origin, or condition of the property and no statement made at the sale, or in the bill of sale, or invoice or elsewhere shall
be deemed such a warranty of representation or an assumption of liability.
3. Except as provided in paragraph 1 above, the highest bidder as determined by the auctioneer shall be the purchaser. In the case of a disputed bid, the auctioneer
shall have sole discretion in determining the purchaser and may also, at his or her election, withdraw the lot or reoffer the lot for sale. The auctioneer shall have
sole discretion to refuse any bid, or refuse to acknowledge any bidder. Any bidder that plans on spending in excess of $100,000 should make arrangements with the
accounting department at least five (5) days in advance of the sale, as a deposit may be required to participate.
4. All merchandise purchased must be paid for and removed from the premises the day of the auction. Skinner Inc. may impose, and the purchaser agrees to pay, a
monthly interest charge of 1.5% of the purchase price of any lot or item lot not paid for within thirty-five (35) days of the date of sale.
Skinner, Inc. shall have no liability for any damage or loss to property left on its premises for more than three (3) days from the date of sale. If any property has not been
removed within three (3) days from the date of sale, at the option of Skinner, Inc. (a) Skinner Inc., may impose, and the purchaser agrees to pay, a monthly storage
charge of 1.5% of the purchase price of any lot or portion of a lot not removed within the three days, and/or (b) Skinner Inc. may place the merchandise in a subsequent
auction, without Reserve, to be sold to the highest bidder, and after deducting the standard commission and any additional charges that may apply, remit the proceeds
to the purchaser.
5. Skinner accepts cash or check for payment. Personal checks will be acceptable only if credit has been established with Skinner, Inc. or if a bank authorization has
been received guaranteeing a personal check. Skinner, Inc. reserves the right to hold merchandise purchased by personal check until the check has cleared the bank.
The purchaser agrees to pay Skinner, Inc. a handling charge of $25.00 for any check dishonored by the drawee. Please contact Accounting for additional payment
methods. Skinner does not accept payment by credit card for merchandise purchases.
6. If the purchaser breaches any of its obligations under these Conditions of Sale, including its obligation to pay in full the purchase price of all items for which it was
the highest successful bidder, Skinner Inc. may exercise all of its rights and remedies under the law including, without limitation, (a) canceling the sale and applying any
payments made by the purchaser to the damages caused by the purchasers breach, and/or (b) offering at public auction, without reserve, any lot or item for which the
purchaser has breached any of its obligations, including its obligation to pay in full the purchase price, holding the purchaser liable for any deficiency plus all costs of
sale.
7. In no event will the liability of Skinner, Inc. to any purchaser with respect to any item exceed the purchase price actually paid by such purchaser for such item.
8. Shipping is the responsibility of the purchaser. Upon request, our staff will provide the list of shippers who deliver to destinations within the United States and
overseas. Some property that is sold at auction can be subject to laws governing export from the U.S., such as items that include material from some endangered
species. Import restrictions from foreign countries are subject to these same governing laws. Granting of licensing for import or export of goods from local authorities
is the sole responsibility of the buyer. Denial or delay of licensing will not constitute cancellation or delay in payment for the total purchase price of these lots.
9. All purchases are subject to the Massachusetts 6.25% sales tax unless the purchaser possesses a Massachusetts sales tax exemption number. Exemption numbers
from other states are accepted in Massachusetts if presented with a business card or letterhead. Dealers, museums, and other qualifying parties can apply for a
Massachusetts exemption number prior to the auction by contacting the Massachusetts Department of Corporations and Taxation at 100 Cambridge Street in Boston.
10. A premium equal to 23% of the final bid price up to and including $100,000, plus 20% of the final bid price from $100,001 up to and including $1,000,000, plus
12% of the final bid price from $1,000,001 and over will be applied to each lot sold, to be paid by the buyer as part of the purchase price.
11. Bidding on any item indicates your acceptance of these terms and all other terms printed within, posted, and announced at the time of sale whether bidding in
person, through a representative, by phone, by Internet, or other absentee bid.
12. Skinner, Inc. and its consignors make no warranty or representation, express or implied, that the purchaser will acquire any copyright or reproduction rights to any
lot sold. Skinner, Inc. expressly reserves the right to reproduce any image of the lots sold in this catalog. The copyright in all images, illustrations and written material
produced by or for Skinner, Inc. relating to a lot, including the contents of this catalog, is, and shall remain at all times, the property of Skinner, Inc. and shall not be
used by the purchaser, nor by anyone else, without our prior written consent.
13. These conditions of sale shall be governed by the laws of the Commonwealth of Massachusetts (excluding the laws applicable to conflicts or choice of law).
The buyer/bidder agrees that any suit for the enforcement of this agreement may be brought, and any action against Skinner in connection with the transactions
contemplated by this agreement shall be brought, in the courts of the Commonwealth of Massachusetts or any federal court sitting therein. The bidder/buyer consents
to the exclusive jurisdiction of such courts and waives objections that it may now or hereafter have to the venue of any such suit.
Revised January 8, 2014
162
Name (Please Print) Business Name
Address check if change in address
City State Zip Code
Phone # Alternate # email
Sale Title Sale Date
I wish to place the following bids in the sale listed above. I understand that Skinner, Inc. will execute bids as a convenience, and
will not be held responsible for any errors or failure to execute bids. I understand that my bids are executed and accepted as per
Conditions of Sale as printed in the catalog of this sale.
Absentee Bid Form
Marlborough Boston Phone Fax Mail Person Employee:
FOR OFFICE USE
Lot # Description Bid Price
Signature (Required) Date
63 Park Plaza
Boston, MA
02116
617.350.5400
Fax 617.350.5429
274 Cedar Hill Street
Marlborough, MA
01752
508.970.3000
Fax 508.970.3100 www.skinnerinc.com
First Time Bidder? YES NO Customer #
Bid confirmation via email? YES NO
Directions to Skinners Boston Gallery/63 Park Plaza, Boston, MA 02116
617.350.5400

From the West:
Take the Massachusetts Turnpike to the Prudential/Copley exit located in the Prudential tunnel. Once on the exit ramp, stay in the right hand
lane and follow the signs for Copley. The ramp exits onto Stuart Street. Drive straight through five sets of lights and take a left onto Charles
Street South. Take your first left off of Charles St. South onto Park Plaza. Skinner is at 63 Park Plaza, one block up on the right.
From the South:
Take 93-N to Exit 20 for I-90 W toward Worcester. Follow signs for Chinatown/South Station. Bear left at the fork to continue towards Kneeland
Street. Turn left onto Kneeland Street. Kneeland Street becomes Stuart Street. Turn right onto Charles Street South. Turn left onto Park Plaza.
Skinner is at 63 Park Plaza, one block up on the right.
From Logan Airport:
Take the Ted Williams Tunnel. Take Exit 25 toward South Boston and bear left at the fork in the ramp. Bear right onto B St. Turn left onto
Northern Ave which becomes Seaport Blvd. Turn left onto Surface Rd. Turn right onto Kneeland Street which becomes Stuart Street. Turn right
onto Charles Street South. Turn left onto Park Plaza. Skinner is at 63 Park Plaza, one block up on the right.
From the North:
Take I-93 South towards Boston. Take exit 26 towards Storrow Drive. Merge onto MA-28 South via the ramp on the left. Turn left onto
Beacon Street. Turn right onto Arlington Street. Turn left onto Boylston Street. Turn right onto Hadassah Way. Skinner is on the right at 63
Park Plaza.
117 116
Marlborough: Warehouse Manager - Fred Trottier, 508.970.3261
Auction Coordinator - Melanie Trottier-Mitcheson, 508.970.3103
Boston: Auction Coordinators - Jessica R. Lincoln, 617.874.4308,
Benjamin Evans, 617.874.4329
Marlborough: Accounts Receivable - Denise Johnson, 508.970.3269
Accounts Payable, Consignment - Kathleen Hayes, 508.970.3268
Accounts Payable, Trade - Kevin Rota, 508.970.3283
Credit Supervisor - William Madden, 508.970.3266
Marlborough: 508.970.3240
Advertising/Production Manager - Pamela Van de Houten
Appraisal & Auction Services - LaGina Austin, Christine E. Finn, Rachel Kingsley,
Ava Pandiani
Boston Gallery Director - Laura V. Sweeney
Assistant Gallery Director: Paige Lewellyn
Gallery Assistant: Ryan OHara
Consignment Services - Patricia Walker King, Carol Zeigler, Kealyn Garner
Customer Relations - Carol McCaffrey
Human Resources - Carol McCaffrey
Image Editor - John Cornelius
Information Technology & Internet Auctions - Kerry Shrives
Assistant: Melissa Riebe
Institutional Relations - L. Emerson Tuttle
Lead Designer - Kristina Harrison
Managing Director - Marie C. Keep
Marketing & Public Relations - L. Emerson Tuttle, Kathryn Gargolinski
Photographers - Stanley P. Bystrowski, Jeffrey R. Antkowiak
Receptionists - Marlborough: Katie Fitzgerald
Boston: Bridget Spears
Regional DirectorFlorida - April L. Matteini, G.G.
Staff Portraits - Cheryl Richards Photography
Transportation - Eric Jones
Service
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& Property
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Subscriptions
63 Park Plaza
Boston, MA 02116
617.350.5400
Fax 617.350.5429
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Marlborough, MA 01752
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Fax 508.970.3100
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305.503.4423
www.skinnerinc.com
Chairman of the Board - Stephen L. Fletcher
Richard Albright
John Deighton
Barnet Fain
Karen M. Keane
Andrew Payne
Chairman Emerita - Nancy R. Skinner
President/Chief Executive Officer - Karen M. Keane
Chief Financial Officer - Don Kelly
Executive Vice President - Stephen L. Fletcher
Vice Presidents - Eric Jones, Marie Keep, Gloria Lieberman, Carol McCaffrey,
Kerry Shrives, Stuart G. Slavid, Robin S.R. Starr
20th Century Design - Jane D. Prentiss
American & European Paintings & Prints - Robin S.R. Starr
Assistants: Kathy Wong, Elizabeth C. Haff, Michelle Lamunire
American Furniture & Decorative Arts - Stephen L. Fletcher
Deputy Director: Chris Barber
American Indian & Ethnographic Art - Douglas Deihl
Antique Motor Vehicles - Jane D. Prentiss
Asian Works of Art - Judith Dowling
Assistants: Helen Eagles, Suhyung Kim
Books & Manuscripts - Devon Gray
Bottles, Flasks & Early Glass - Stephen L. Fletcher
Ceramics - Stuart G. Slavid
Clocks, Watches & Scientific Instruments - Robert C. Cheney
Assistant: Jonathan Dowling
Couture - Melissa Riebe, Kyle Johnson
Discovery Auctions - Melissa Riebe, Kyle Johnson
European Furniture & Decorative Arts - Stuart G. Slavid
Assistants: Leah Kingman, Stephanie Opolski
Fine Wines - Marie Keep
Assistant: Michael J. Moser
Historic Arms & Militaria - Joel Bohy
Jewelry - Victoria Bratberg, G.G.
Assistants: John Colasacco, G.G., Katie Simonetti
Judaica - Kerry Shrives
Musical Instruments - Director Pro Tem: Jill Arbetter
Oriental Rugs & Carpets - Lawrence Kearney
Assistant: Erika Jorjorian
Silver - Stuart G. Slavid
Toys & Dolls - Melissa Riebe, Kyle Johnson
Auctioneers - LaGina Austin, Chris Barber, Robert C. Cheney,
John Colasacco, Stephen L. Fletcher, Karen M. Keane, Marie C. Keep,
Gloria Lieberman, Jessica R. Lincoln, Kerry Shrives, Stuart G. Slavid,
Robin S.R. Starr, Laura V. Sweeney
Board of Directors
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118
Name Business Name
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email address Tel: ( )
Quarterly Brochure (Included with catalog subscription) No charge No charge
American Furniture & Decorative Arts $120 $143
European Furniture & Decorative Arts $120 $143
American & European Paintings & Prints (two books) $135 $158
American & European Fine Prints & Photogrpahy $60 $73
American & European Fine Paintings & Sculpture $110 $133
Fine Jewelry $120 $143
20th Century Design $60 $73
Asian Works of Art $60 $73
Fine Oriental Rugs & Carpets $18 $25
American Indian & Ethnographic Art $60 $73
Fine Books & Manuscripts $30 $36
Fine Ceramics $60 $73
Fine Musical Instruments $60 $73
Science, Technology & Clocks $60 $73
Fine Wines $60 $73
All Above Departments $750 $915

Subtotal
MA residents 6.25% sales tax
Total
Please enclose payment with subscription form and mail or fax to:
Skinner, Inc., Subscription Department, 274 Cedar Hill Street, Marlborough, MA 01752 508.970.3100
Please check the appropriate boxes: U.S./Canada Foreign (payable in U.S. dollars only)
Catalog Subscription Form
Prices effective January 17, 2014. Catalog subscription price includes quarterly brochure.
Subscription effective one year from date processed. No refunds for previous subscriptions. Renewal notice will be sent one month prior to expiration.
Subscriptions do not include Discovery, Estates, and other special sales. Post-auction prices are available online at www.skinnerinc.com
MasterCard/VISA # Exp. Date
Signature Check enclosed
Mabel May Woodward (American, 1877-1945), A Colorful Group, oil on paperboard
Upcoming Auctions
January 23, 2015, Boston, MA
Consignment Deadline: November 7, 2014
For more information, please contact the American & European Works of Art department
at 508.970.3206, or email prints@skinnerinc.com/paintings@skinnerinc.com
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