The birth of Cinema in India can be attributed to the Lumiere brother`s. Only a few months after the Lumiere brothers introduced the art of cinematography in Paris in 18!" cinema made it`s presence felt in India. The Lumiere brothers` held their #rst public showing at $umbai`s %atson`s &otel on 'uly (" 18). The Lumiere brothers thus pioneered the art of flm-making in India with the astonishing invention of CINE! The Lumiere brothers` Cinematographe #rst show was a silent mo*ie for 1+ minutes. ,i- items" . /ntry of Cinematographe" The ,ea 0ath" 1rri*al of a Train" 1 2emolition" Ladies 3 ,oldiers on %heels" and Lea*ing the 4actory played at the %atson &otel. 5i*en the `magic` 6uality normally associated with #lms and the potential mass appeal of cinema" it came as no surprise that Indians soon entered the domain of #lmma7ing. The frst Indian to make a flm was Haris"handra #$ %hatvadekhar& popularly known as #ave 'ada. &e was a still photographer" a dealer in e6uipment and an e-hibitor of #lms. &is interests led him naturally to the art of cinema. The public re"eption a""orded to (rangler )aran*pye at Chowapatty on his return from /ngland with the co*eted distinction he got at Cambridge was "overed by %hatwadekar. &e was the #rst Indian to produce a #lm. !ll he had with him was a pro*e"tor" but he didn`t ha*e a camera" so he got one from London and shot only + s"enes of , minutes ea"h& whi"h were titled 'o )ahalwanon -i -ushti and %andar -o Na"hata Hua adaari$ It was released in 2ecember 18... the birth of the frst Indian topi"al or a"tuality flm. In /01/& Hiralal #en made his mark as a flm produ"er with a deep interest in Indian history and mythology. The frst de"ade of the +1th "entury saw live and re"orded performan"es being "lubbed together in the same program. The strong in8uence of traditional arts" music" dance and popular theatre on the cinema mo*ement in India in its early days is probably responsible for its characteristic enthusiasm for inserting song and dance se6uences in Indian cinema" e*en today 0y now" Indian audiences were increasingly being e-posed to %estern #lms. &ence" the fascination with longer narrati*es and the desire to see Indian e-periences and characters on screen resulted in the #rst e*er mythological #lm produced in India by 9.5. Tomey`s" which was :Pundali7:. It was shown in 11; and based on the legend associated with a well. 7nown $aharashtrian saint. The honour of ma7ing the #rst Indian feature #lm by an Indian goes to 2hundira< 5o*ind Phal7e. &is 9a<a &arischandra released on =rd $ay 11=" was totally Indian in terms of production" and was shown as an independent and self.contained wor7 in its own right. &is !+.minute #lm 9a<a &arischandra" which was instantly successful" due to the splendid special e>ects he created. It laid the foundation for a thri*ing #lm industry in India and for a *astly popular genre of mythological #lms. 1s cinema began to grow more and more popular among the masses and a lucrati*e industry was established" a number of indubitably gifted #lm directors made their debut? among them ,uchat ,ingh" 2hiren 5anguli" &imansu 9ai and @. ,hantaram. $any good #lms made during this initial period were greatly inspired by the two celebrated epics . the 9amayana and the $ahabharata. The coming of the Talkies Antil now all #lms were silent. 1t the beginning of the Bth decade" the #lm *iewers were bestowed with a surprising gift" the silent era had ended" and #lms now had sound" so we could hear actors and actresses tal7ing. In 1=1 came the #rst Indian tal7ieC 1lam 1ra. Produced by Imperial 4ilm Company and directed by 1rdeshir Irani. It was dubbed in both &indi and Ardu. The #lm too7 months to ma7e because of recording diDculties? with no sound.proof studios" shooting was done indoors and at night. $icrophones had to be hidden in incredible places to a*oid being captured in the *isual recording of the mo*ie. It was a costume drama full of fantasy and with many melodious songs to intensify the audience`s emotions and it was a stunning success. The #lm had ( songs and the music director was 4iroEeshah $. $istri. The second tal7ie #lm released in India was ,hirin 4arhaad" on =+th $ay 1=1. It was produced by $adan Theatres" Calcutta and directed by its owner $r. '.'. $adan. It had 18 songs. Indra ,abha which was released in 1=; had as much as ) songs in itF It was produced by $adan Theatre" Calcutta %ith the spreading popularity of this new medium of mass entertainment" #lm directors became more audacious and e-plored new areas. The 1=+s saw the emergence of a fascination with social themes that a>ected day to day li*ing. @. ,hantaram" for e-ample" in his #lm 1mritmantha G1=BH. 0y the 1B+s" howe*er" a winning formula for success at the bo- oDce had been forged" consisting of song" dance" spectacle" rhetoric and fantasy. 1 close and signi#cant relationship between the epic consciousness and the art of cinema had been established. $oreo*er" #lm was increasingly being recogniEed as a *ital instrument of social criticism. It was against this bac7ground that #lm directors li7e @. ,hantaram" 9a< Iapoor" $ehboob Ihan" 0imal 9oy had chosen to ma7e their #lms" #lms that were to generate not only national but also international interest. %hile the popular tradition of Indian #lmma7ing was de*eloping with undiminished *igour" by the mid 1!+s" a distinctly `artistic` cinema too7 shape" than7s to the pioneering e>orts of the 0engali #lmma7er ,atya<it 9ay. &is Pather Panchali G,ong of the 9oadH of 1!! won for Indian cinema great international recognition and critical acclaim. It was gi*en the `best human document` award at the 1!) Cannes #lm festi*al and went on to win awards at #lm festi*als in ,an 4rancisco" @ancou*er" Ontario and elsewhere. @ery 6uic7ly" a number of highly talented directors" including $rinal ,en" 1door 5opala7rishnan" 5. 1ra*indan" $ani Iaul" Iumar ,hahani" 0uddhadeb 2asgupta" 5autam 5hose" Ietan $ehta" 1parna ,en" 5o*ind Jihalani" ,hyam 0enegal" @i<aya $ehta" ,ha<i Iaron emerged as able e-positors of artistic cinema. Their body of wor7 is normally referred to as Jew Cinema" as characterised by the 6ualities established by 9ay The Golden Era: It is the post independence period that saw the golden era of Indian cinema with melodious socials 3 melodramas. 9a< Iapoor G9I 4ilmsH was one e-ample. 1wara" made 0y 9a< Iapoor set the agenda for popular cinema and was a hit within India as well as o*erseas. 1fter 9a< Iapoor" 2e* 1nand set up Ja*7etan in 1B with his brother Chetan 1nand. 4ilms with *arious themes were now being made. The theme of lost brothers was being repeated Gas many as !+ #lmsH. ,ide by side went on the tear.<er7ing melodrama" mostly in the #lms of the genre of $eri 0ehan" Choti 0ehan and the li7e. The humble position of the Indian bride was highlighted in pictures li7e 5umasta G1!1H and the decoity aspect in #lms li7e 5anga 'ammuna" 'is 2esh $ein 5anga 0ehti &ai and $u<he 'eena 2o. In recent years this has produced a *ertable har*est of crude dacoit #lms" spurred on by the spectacular success of ,holay. These did create some sort of an o>beat cinema but" the #rst International recognition came with ,atya<it 9ay`s Pather Panchali G1!!H" 1para<ito G1!)H" and 1pur ,ansar G1!8H. ,atya<it 9ay is considered as one of the greatest directors of all times. &e was awarded an Oscar for life time achie*ement shortly before his death in 1!. ,o" the (+`s saw the birth of the parallel cinema which promoted realistic cinema. 1t around the same time was born the long lasting trend on the angry young man pitted against the /stablishment as represented by 1mitabh 0achchan" the superstar of the Indian 4ilm Industry. 1mitabh 0achchan was *irtually a one man industry and this trend lasted till the late eighties. The 1d*ent of the @ideo and Cable Tele*ision in the late 8+`s resulted in a dip in the bo- oDce collections but the industry managed with a force" few people had e-pected. The Present Scenario: The Indian flm industry is the largest in the world in terms of tic7et sales and number of #lms produced annually India accounts for (=K of mo*ie admissions in the 1sia.Paci#c region" and earnings are currently estimated at A,L8. billion. The industry is mainly supported by the *ast cinema.going Indian public Indian #lms are popular in *arious parts of the world" especially in countries with signi#cant Indian communities One third of the IndiaMs #lm industry is mostly concentrated in $umbai G0ombayH" and is commonly referred to as :0ollywood: as an amalgamation of 0ombay and &ollywood The remaining ma<ority portion is spread across west 3 south India Gin $arathi" Tamil" $alayalam and Telugu spea7ing areasH. Indian #lms are made #lled with action" romance" comedy" dance and an increasing number of special e>ects.The &indi #lm industry" based in $umbai Gformerly 0ombayH" is the largest branch of Indian cinema. &indi #lm Industry is often called M0ollywoodM 0ollywood has been recently greatly criticiEed for *iolation of Indian cultural *alues and its discussion of contro*ersial topics. It is considered the most liberal out of the Indian language #lm industries. 1lthough 0ollywood may not distribute as many #lms" it can be considered to be the largest in terms of *iewers. 0ollywood mo*ies are watched by a ma<ority of Indian mo*ie goers. It also has international recognition" especially in %estern countries such as the AI" A,1" Canada and 1ustralia" where there are large ,outh 1sian communities. In the ;+++s" 0ollywood began in8uencing %estern cinema" and played a particularly instrumental role in the re*i*al of the 1merican musical #lm genre. 0aE Luhrmann stated that his successful musical #lm Moulin Rouge! G;++1H was directly inspired by 0ollywood musicals. Lagaan G;++1H was nominated for the 1cademy 1ward for 0est 4oreign Language 4ilm? and two other 0ollywood #lms Devdas G;++;H and Rang De Basanti G;++)H were nominated for the 014T1 1ward for 0est 4oreign Language 4ilm. 2anny 0oyleMs Slumdog Millionaire G;++8H" which has won four 5olden 5lobes and eight 1cademy 1wards" it has also won 8 Oscars in its name" it was also directly inspired by 0ollywood #lms" and is considered to be a :homage to &indi commercial cinema:. What now?? The ;+++s saw a growth in 0ollywoodMs popularity in the world. This led the nationMs #lmma7ing to new heights in terms of 6uality" cinematography and inno*ati*e story lines as well as technical ad*ances such as special e>ects" animation etc. ,ome of the largest production houses" among them Nash 9a< 4ilms and 2harma Productions were the producers of new modern #lms. The opening up of the o*erseas mar7et" more 0ollywood releases abroad and the e-plosion of multiple-es in big cities" led to wider bo- oDce successes in India and abroad" including Devdas" Koi... Mil Gaya" Rang De Basanti" Lage Raho Munnabhai" Krrish" Dhoom 2" Om Shanti Om and Ghajini" deli*ering a new generation of popular actors G&rithi7 9oshan" 1bhishe7 0achchanH and actresses G1ishwarya 9ai" Preity Ointa and 9ani $u7er<iH" and 7eeping the popularity of actors of the pre*ious decade. The Indian #lm industry has preferred #lms that appeal to all segments of the audience and has resisted ma7ing #lms that target narrow audiences. It was belie*ed that aiming for a broad spectrum would ma-imise bo- oDce receipts. &owe*er" #lmma7ers may be mo*ing towards accepting some bo-.oDce segmentation" between #lms that appeal to rural Indians" and #lms that appeal to urban and o*erseas audiences. The Indian 4ilm Industry has o*er the years come a long way from <ust being mere entertainers. In todayPs society cinema plays a *ery important role in shaping up the minds of the common man particularly the youth Lets e-plore the ad*antages and the disad*antages of the Indian Cinema o*er our society and the country as a whole. Advantages: Indian Cinema usually is of two types one whi"h provides wholesome entertainment and the other whi"h leave us thinking and enlightens us with a strong message by highlighting a fa"t prevailing in our so"iety that otherwise had never stru"k us$ Chandni ar dire!ted by Madhur Bhandar"ar belongs to the latter !ategory. On the #hole $%&'D'( B&R e)*lores the dar"er side o+ so!iety and is slightly heavy and de*ressing in its narration ho#ever it has its share o+ entertaining moments as #ell. Moreover there,s no denying that it,s a #ell-made .lm / that it !onveys a strong message +rom the numerous girls #ho have been *ushed into the 0esh trade and are made to do inhuman a!tivities. 2or most Indians& "inema is the enduring sour"e of the image of their nation as a vast and diverse land$ 2or them its also the primary sour"e of knowledge about our national heroes& martyrs& the struggles and sa"rif"es of our forefathers& the work of our so"ial reformers& the wars of the pre-and-post- Independen"e era& in"luding the re"ent and ongoing war against "ross-border terrorism& and our a"hievements as a free and demo"rati" nation. & Movie li"e La"shya de*i!ted the im*ortan!e o+ having a goal in li+e and standing u* +or it and also gave us a taste o+ the (ndian &rmy1s 2hum*ing 3i!tory over the Kargil against 4a"istan. 5urther a movie li"e the Legend O+ Bhagat Singh !learly made us +eel *roud o+ our +reedom .ghters and also lighted u* a sense o+ res*e!t and res*onsibility to#ards our o#n !ountry. Jow a mo*ie li7e $y 0rother Ji7hil starring ,an<ay ,uri and 'uhi Chawla re*ol*es around a topic which sent out a *ery stri7ing and strong message to all. The mo*ie is based on the true.life e-periences of a gay man in the southern state of 5oa in the late 18+s" "omes at a parti"ularly opportune time as India "onfronts not only a disease threatening millions of lives but also a serious legal "hallenge to the "riminali3ation of homose4uality in this so"ially "onservative "ountry$ This mo*ie had a *ery deep impact on the minds of the *iewer and con*eyed the plight of an 1I2, patient$ It also "onveyed a subtle message to the youngsters and also the "ommon man about Homose4uality and the dangers involved if pre"autions are not taken$ Indian Cinema is the re5e"tion of the Indian so"iety$ It re5e"ts many of the trends& "urrent virtues& so"ial struggles and patterns of living in a so"iety$ To a great e4tent "inema and "ulture are interrelated and go hand in hand$ 6ur Indian "inema portrays the essen"e of our so"iety ie our "ulture. The ethnic and traditional *alues of the Indian society" its cultural di*ersity and abo*e all" its unity among the *aried cultural and religious sects" is highlighted by the Indian cinema. It not only pro<ects but also promotes Indian cinema both in India and abroad. 5ilms li"e 4ather 4an!hali Kalyug 6ater $ho"her Bali Devdas and many more are some o+ the .nest movies #hi!h have de*i!ted the ri!h !ulture o+ (ndia not only to its o#n !ountry men but has also made a mar" over seas. !isadvantages: The originality and "reativity that e4isted in earlier "inemas is missing in todays movies$ ost of the movies are either a "opy of a movie made in Hollywood or a "opy from the south "inema$ 5or instan!e- the movie Kaante starring &mitabh Ba!h!han Sunil Shetty and Sanjay Dutt released in De! 2772 #as an absolute !o*y o+ 2 holly#ood .lms.2he .rst hal+ o+ the *lot is !o*ied +rom Brian Singer1s 2he 8sual Sus*e!ts and the se!ond hal+ is !o*ied +rom 9uentin 2arantino:s Reservoir Dogs. The Hindi flm Industry does not only take its 7inspiration8 from Hollywood but also from our "inema down #outh. Li"e the movie Bhool Bhulaiya starring &"shay Kumar and 3idya Balan #as a !o*y o+ the Malyalam movie M&'( $%(2R& 2%&;%8 <=>>?@ +or #hi!h 4riyadarshan #as the assistant dire!tor. Its very rare to see a movie that is not a "opy or a so-"alled-inspiration$ Its sad be"ause most of these movies whi"h do e4"eptionally well and are dire"ted by well known dire"tors are not someone8s original idea$ 1s an audience sometimes we witness that for some mo*ies a lot of hype is "reated whi"h has no drama& no a"tion& absolutely nothing in it but still "ompels us to go and wat"h it and it doesnPt really li*e up to our e-pectations. The hype is primarily because of the caste or the director or simply because of the songs and the production house. ,o for us as an audience itPs a complete waste of time and money. /gC The recently released Billu Barber Ahoom Baraber Ahoom Saa#ariya etc. The newest addition into the art of flmmaking in India is- "tem Songs. If itPs a 0ollywood mo*ie" then there has to be songs. Jow there is a new trend. The trend of hot item songs. /*ery 0ollywood mo*ie has an item song. They are basically songs which ha*e nothing to do with the story of the #lm but are a ma<or crowd puller. Their lyrics donPt ma7e much sense either" unli7e the old times where the lyrics of the song played a *ital role in 7eeping and enhancing the mood of the story. The music was pure" creati*e and de*oid of any sign of technology. 0ut the songs now days ha*e brought in the trend of remi-es which 7ills the *ery essence of the #lm. The costumes shown are loud and garish. Its all about showing s7in and dancing to some sleaEy song which doesnPt ma7e much sense or rather no sense at allF $ost of these item songs are used as #llers basically done to 7eep the audience glued to their seats for = hours. The youth of today are the main "inema goers and they get 9uite in5uen"ed with the things that are showed on the big s"reen$ 4or egC #ght se6uences" the gangsters" the rape scenes" abduction" smo7ing and drin7ing on screen etc. are some of the wrong mo*es. 1nd not to mention these are #lmed in such a way that it adds a lot of style and glamour to these unsocial acts. 4or instance the mo*ie ,hootout at Lo7hanwala had nothing but *iolence in it. 1greed it was a #lm based on goons" but so much brutality is a big turn o>F $o*ies not only in8uence people in terms of things that are shown on screen its also the characters that are played that ha*e a huge impact on the audience particularly the youngsters. 0ig stars li7e ,haru7h Ihan" 1mitabh 0acchan" 17shay Iumar" 'ohn 1braham etc doing things li7e getting drun7" smo7ing etc does not lea*e a *ery healthy impact on the minds of Noung boys. Indian Cinema now days is not *ust an art but has emerged as a business hub where money simply 5ows. &owe*er loo7ing at it from the producerPs point of *iew" a lot of money goes into ma7ing mo*ies" considering the s7y.roc7eting rates of our actors and the huge budget set aside for costumes and *arious technologies used in the #lms. Jot all of these big budget mo*ies ma7e an impact at the bo- oDce. ,ome of them fail miserably and hence this is a huge loss for a producer or the production house. They in*est in a pro<ect thin7ing it would do well with the audience due to its di>erent approach" but it does not. 4or e-ample #lms li7e BLove story 27C71 as #e "no# had a lot o+ visual eDe!ts unusual !ostumes huge sets made to give us the +eel li"e #e1re gone into the +uture. (t didn1t really live u* to its e)*e!tation. Other movies #hi!h have made disaster are- &so"a "aal Drona Ba!hna &e haseeno et!! C#$C%&S"#$: The Indian 4ilm Industry thus has come a long way since its inception" from silent mo*ies to tal7ing mo*ies" from blac7 and white low resolution to coloured and ad*anced graphics. The Indian 4ilm Industry o*er the years has grown both in siEe and 6uality. This has facilitated the coming of many new technologies. /-ample. the 2igi 4Q surround until ;++1 used to happen o*erseas but then in ;++= N94 studios came up with its in.built and much elaborate sound set.up and following which numerous other studios now ha*e it ma7ing India self suDcient of producing #lms with same 6uality than any other international #lm. In today s time the Indian Cinema is ruling the media industry. It has made deep impact on the *arious other sectors of the industry. 4or e-ample. numerous tal7 shows are being broadcasted in the Television where #lm directors" actors" producers are in*ited. 2edicated channels are being aired which broadcast the #lmy songs day and night. On the other hand 'adio channels continuously play the #lmy songs and inter*iews of the 4ilm stars are aired regularly where they spea7 about their upcoming mo*ie etc. This is not the end e*en the $ews(a(ers are 8ooded with articles related to the #lms and its stars. There are dedicated pages and sections designed primarily for the #lm and the entertainment industry. /*en on the "nternet e*ery second website will either ha*e an ad*ertisement of an upcoming mo*ie or a re*iew or some e-clusi*e photos. &ence we see that in our society. Cinemas ha*e gained the most widespread popularity. Its actually fueling the other streams of the media and helping them run the business. $o*ies in India are basically made with a lot of spices. In India a mo*ie has to ha*e song" dance" romance" thrill" suspense" comedy" action" family drama etc. People in India wor7 for ten hours a day and that too during the main part of the day and so many of them return to a home with no entertainment. The only a*ailable entertainment is mo*ies. %hether a business tycoon or a cycle ric7shaw dri*er all want to watch mo*ies. Indian cinema has impro*ed drastically and now the audience is *ery mature too. They still want song and dance but not the running around tree se6uences. ,o now there is a new mar7et for item songs. This is where a nice fast trac7 is made only for a great dancer to dance and increase the sales. ,ome of the top songs ha*e been 0abu<i Eara dhere chalo" 7hallas etc. $o*ies were made particularly for the masses and the multiple- crowd. 0ut now the *iewers want to see good mo*ies with great stories. /arlier the hero carried the entire mo*ie on his shoulders but now the load is e*enly spread. 1 mo*ie will do well e*en if you donPt ha*e a great star cast but ha*e a great story and your actors do a <ob. 1 good e-ample for this would be Ihosla Ia 5hosla. There is nobody you can call the hero of the #lm but itPs realistic and humorous.