jjropL'r proportions, soor. leaving notliing to be desired
; but in England they were for a l(nig time engrafied on Gothic plans and forms. 4:58. The %vork. of Andrew Borile has lieen before mentioned; huttlie earliest publiuHtion in England relative to practical architecture was, " Tl'.e first and cliiefe Grounds of Arelii- lectiire used in all tlie ancient and famous Monyments witii a fartlier and more ample Discourse uppon the same than lia> hitherto been set forihe by any other. Hy Jolin Sliute. paynter and archi ecte." '' Printed by John INIarshe, fol., 1563." Tliis John Shute iiad been sent by Dudley, Duke of Nortliumlnrl uid. to Tt:ily, probal)ly with the intention of afterwards emplov ing him upon the works wliicl) he was projecting. His work, though re|)ublished in 1579 pnd 15S4, is now so rare tliat only two copies are known to exist, one of which is in the library of the Royal Institute of British Architects, and the otlier in the Bodleian Library at Oxford. From tliis and tiiany other circumsiancfs, it is easy to disjovtr that doinestio architecture under Elizabeth had assuiued a more scientific cliaracter. Indeed, there is ample evidence that no building was now under- taken without the previous arrangement of a digesttd and regulated plan ; for early in the reign of this sovereign the treatises of Lomazzo and many otliers ere translated into English ; and in the construction of the palatial houses of the aristocracy, the architects had begun to act upon a system. The principal deviation from the plans of the earlier Tudor houses was in the bay windows, parapets, and porticoes, whereof the two latter were intensely carved with all the forins that the most fantastic and grotesipie imagination could supply. The exteriors of these porticoes were covered with carved entablatures, figures, and armorial bearings and devices. The galleries were loft)', wide, and generally more than a hundred feet in length ; and the staircases were spacious and magnificent, often occupying a considerable portion of the mansion. Elizabeth herself does not appear to have set, during the passion of the period for architecture, any example to iter subjects. She might have thought her father had done sufficient in building palaces ; but, however, be that as it may, she encouraged tlie nobles of her court in great expenditure on their residences. With the exception of the royal gallery at Windsor, siie herself did actually nothing ; whilst on Kenilworth alone. Lord Leicester is supposed to have expended no less a sum than 60,000/., an almost royal sum of inoney. 439. Before proceeding further, it becomes our duty here to notice a peculiar construction which prevailed in the large manor houses of the provinces, and more especially in the counties of Saloj), Chester, and Staflbrd, the memory of many whereof, though several are still to be seen, is chiefly preserved in engravings ;
we allude to those of timber frame-
work in places where the supply of stone or brick, or both, was scanty. The carved pendants, and the barge-boards of the roofs and gables, which had, however, made their appearance at a rather earlier jieriod, were executed in oak or chesnut with much beauty of design, and often with a singularly pleasing effect. The timbered style reached its zenith in the reign of Elizabeth, and is thus illustrated in Harrison's description of England : " Of the curiousnesse of these piles I speake not, sith our workmen are grown generallie to such an excellence of devise in the frames now made, that they farre jiasse the finest of the olde." And, again : "It is a worlde to see how divers men being bent to buildinge, and having a delectable view in s])ending of their goodes by that trade, doo dailie imagine new devises of thylr owne to guide tlieir workmen withall, and those more curious and excellent than the former." (p 336.) The fashion was no less prevalent in cities and towns than in the country ; for in them we find that timber-framed houses abounded, and that they also were highly ornamented with carvings, and exhibited in tlieir street fronts an exuberance of extremely grotes<]ue figures performing the office of corbels. The fashion w^s imported from the Continent, which supplies numberless exainiiles, especially in the cities of Rouen, Bruges, Ulm, Louvain, Antwerp, Brussels, Nuiem- burg, and Strasburg, very far surpassing any that this country can boast. We have, however, sufficient r.niains of them in England to prove tliat tlie wealthy burgess affectfd an ornamental display in the exterior of his dwelling, rivalling that of the aris- tocracy, and wanting neither elegance nor elaborate finishing, whilst it was productive of a highly picturesque effect in the street architecture of the day. "Tliis manner," says Daliaway, " was certainly much better suited to the painter's eye than to comfortable liabitation ; for the houses were lofty enough to admit of many stories and subdivisions, and being generally jiiaced in narrow streets were full of low and gloomy a])artments, overhanging each other, notwithstanding that they had fronts, which with the projecting windows and the interstices were filled for nearly the whole space with glass." Fiy. 201 is a representation of Moreton Old Hall, Cheshire, built circa 1550-59, partly rebuilt 1602. 440. A better ide i of the architecture of this age cannot be obtained than by a notice of the principal architects who have furnished materials for the toregning observations ; for this purpose we shall refer to Walpole's Anecdotes A folio book of drawings, belonging to the Earl of Warwick in the time of VValpole, enabled him to bring to the knowledge of the world, and pi rpetuate the memory of, an artist of no mean powers, whose name, till that author's time, was almost buried in oblivion, and of