al)l)ot of Clugiiy in the rei,<!;ns of Francis I. and Henry II. Its proportions are not much dissimilar from tlie two last examples. Fli'. 975. FiK. 974. Fig. 975. 2761. Fig. 974. is a window constantly used by Palladio. Tlie opening is a double square, the breadth of the architrave equal to one sixth of the aperture, and the frieze and cornice together equal to double the height of the architrave. The breadth of the con- soles equal to two thirds the width of the architrave. The breaks over the consoles in tlie hod mouldings of the cornice are perhaps not strictly correct, but are deviations from pro- priety which may be tolerated. The breaks in the upper vertical parts of the architrave would perhaps be better omitted. The practice generally should be avoided, except in cases where a greater length of cornice is wanted for the purpose of filling the bare walls to wliich the windows are applied. 2762. Fi(j. 975. is from the Banqueting House at Whitehall, by Inigo Jones. Th aperture is a double square, the entablature one fourth of its height, and the architrave somewliat more than one sixth of its width. 276,'?. Fig. 976. is by Michael Angelo, and executed at the Farnese palace at Rome. It possesses all the wildness and fancy of the master, and though abounding with faults, is redeemed by its grandeur and originality. 2764. In fig. 977. is given the design by Ludovico da Cigoli of a window from the ground floor of the Renuccini palace in Florence. It can scarcely be properly estimated without its connection with the fa9ade, to the character whereof it is in every respect suitable. 2765. Fig. 978. is a design of Palladio, nearly resembling tliat executed in the Barbarano palace at Vicenza. It has been imitated by Inigo Jones, and perhaps improved on by him, in the flanks at Greenwich Hospital. Fi. W6. Fig- 9-. 7. Mg. 978. T\g. 979. 2766. Fig. 979. is also by Palladio, and executed by him in the Porto palace at Vicenza. 2767. Fig. 980. is the design of Raffaclle Sanzio, and worthy of the reputation of that