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I actually felt some relief to see that Mammals is written with little dialogue.
It’s all interior monologue of sorts, written in the second person. Dick used the
method of splitting himself in two as in Valis and Albemuth, written earlier, for
much needed perspective as he put it, even saying in the novel, Valis, that he and
Horselover Fat were the same person. Aren’t they all, considering other people
are only projections of ourselves and every novelist can only write about how he
interprets the world. For me to have stated all of this long in advance only gives
the game away in a way. But to discover the world is an illusion has more than
enough psychological and metaphysical permutations to hold its own. What
brings it alive for me is the interlinking connections and synchronicities over a
lifetime so far, where the penny slowly begins to drop as suspicion sneaks in and
what was formerly solid and real takes on the quality of a repeated story, a dream.
I went out earlier, it being a Saturday, and typically, come back with a pile
of books as I say. I did stop of at the burger joint for a milkshake – it's just liquid
ice-cream – and to watch the talent from the front window. It can be a fine art
meeting and avoiding the looks. When you’re inside it seems ridiculous, almost
pathetic just how curious people can be, as if the sight of someone eating a burger
or drinking a milkshake in a burger joint is the strangest, most outlandish thing
they’ve ever seen. But when I’m on the other side of the glass – any glass, my
first awareness is that people in cafes and restaurants use it as an excuse to stare
of course; watch other people passing. And when you look in and meet their
stare, the territorial instinct comes into play and they treat it as if you’re invading
“their” space; “What’s he/she looking at?” when the sense of entitlement is all
theirs. On the inside I both try and be somewhat subtle and inoffensive about it
or I’ll smile, or least as best I can. Some days I’m quite good at it, especially
from a distance. And it’s better to smile than unsettle or freak them out with what
could be taken as cold, Martian-like interest, though I’m my own favorite
Martian, and the aliens are so easily alienated after all. If I’m passing a café, but
especially a restaurant and I see some confident bald businessman or playboy
type or just about any bloke at all anticipating me about to have a good look as
I'm going by, when the looking is all about himself of course, and I might not
have noticed him or his comely wife or mistress or whatever, I’ll keep looking
straight on, only with a fixed Herman Munster-like, but humorless grin on my
face, from ear to ear; “like” a crazed Whatsername (Heck, I went to see Erin
Brokovitch three times, though it was on a membership ticket)? Only a fraction
of the psychological subtlety needed for the most trivial of days. Oh and a slim
girl in a lowish top sensed me looking at her I think, and came over, this in
another cheap bookstore, but I didn’t want to be standing there obviously eying
the nice tits in case I was mistaken, so I turned to the wall shelves behind and she
came by me, and slightly in front, and sideways, showing of her small-size
cleavage; she was anything from 19-22. I She had a friend around in the shop
somewhere. Then a bloke moved into the gap and in front of me a bit as people
will, so I moved away from him, and it was amusing to see her look sideways at
him, slightly surprised and less pleased, assuming I was still there. Her mobile
went off, and it was for her friend. She couldn’t seem to find her. I’ve only ever
approached women on their own; not true, but I’ve never attempted to pick up or
expect one to dump their buddy. I’m far too self-conscious for that, and I’d feel
for the other girl. Why come between them, even potentially, no pun intended.
I’d thought there might be a remote chance of getting some painting done
on Sat; it’s now very early Sunday morning, and no, I’m not living the healthy
life but have yet to go to bed and will after a bath and a stretch, though not in that
order. As I say, I prefer to paint in the daytime, and there’s no getting away from
that, then all I want to do is go out and get some exercise, whatever that might
entail, whether it’s a combination of book-browsing and groceries or even taking
in an exhibition. Invariably, by the time I get back, a combination of browsing
what I bought, with a cup of tea, shitting, or food, takes me up to whatever I
Want to see on TV. Earlier it was the third installment in this updated version of
Stevenson’s Jekyll and Hyde. It’s been quite interesting. Is he a split personality
or a clone of himself? I don’t know as I lost track of the plot. I let my mind
wander too much. I blame it on MTV myself. I expect it to come together next
time. The story of my life. Later, I watched Man on Fire, starring Denzel
Washington. This was gripping if flashy. The fancy filmic effects, or gimmicky
visual touches had the effect of reminding you that you’re watching a film;
though rather than come up with the usual easy objection that this only gets in the
way, I found it made an interesting contrast to the brutal realism of the story.
'Denze' plays an alcoholic ex-government agent/operative who’s hired as a
bodyguard to protect the young daughter of a rich industrialist in Mexico City.
She’s played by “the endearing…whatsername... fortunately it’s in the Radio
Times…Dakota Fanning,” who was also excellent in Spielberg’s remake of The
War of The Worlds. He – Washington, is emotionally guarded and quite severe,
but she wins him over. She’s kidnapped, and he’s badly injured in the attack and
goes out for a ruthless revenge when told she’s dead, by buddy, Christopher
Walken, and after much bloodshed and great set-pieces, finds out she’s still alive.
Which is exactly what we want to hear of course. There are many clever twists
and turns to hold our interest, or certainly mine, though I had the inkling it was a
set-up when a police chief insists on being involved through the higher
authorities – as two corrupt cops were killed during the kidnapping; they just
happened to be there on their day off in full uniform – as the resident female
journalist points out during what I took to be a press conference.
Well, enough of this. I was beginning to feel a bit queasy at the end when,
after giving up his freedom for her release, he’s in the hands of the gangsters, a
willing choice on his part, but alls well that ends well in death. As always in this
ego-world, it has to be one or the other. A life for a life, as the extortionist says.
One of the good-guy older cops and friend of the journalist gets to him in the end.
The film, released in 2004, was made by Tony Scott, brother of Ridley, he of
Blade Runner and Gladiator. Swapping himself on behalf of the girl presented
the question; how far would you go or be willing to do the same for someone you
loved? Or professed to love. The situation with Burton/John Hurt as Winston in
the movie of Orwell’s 1984 comes to mind, when, about to have his face eaten
into by a rat, he screams for them to put her in his place.
That explains Sylvia Plath's lack of faith in anyone or anything right there,
with her head – mind – full of Nazi horrors... medical experiments on kids,
women eviscerated alive. It's there in her poetry and the extract on the BBC
Open Uni prog I watched a few times. But a study of the Gita and the
Upanishads as I did when I was 23 would have told her the world is maya,
nothing more than a dream. I'd take off for walks on Arthurs Seat, knowing I had
to get some time alone or I'd go crazy. That and to tighten up my brain... follow
some intuitions... (Standing at the edge of a rock, facing into the wind and rain,
looking across over the town, playing the role of the eternal artist, Plato's
philosopher king via Bernard Shaw and feeling unexpectedly light, laughing at
my the silly concerns of the hundreds and thousands of little people and their
little concerns, but as much at myself for thinking that and being there). But you
forget that when the chips are down or that's how it looks, and pain is the big
solid block to integrity and good intentions, its easy to lose ones moral,
motivation, then the plot if you're not careful, and the insidious part is as much
that pleasure is pain in disguise... but what is pain but fear and projection, based
on forgiveness? And many people have described a cessation of pain under
torture, the increasing presence of a healing light of love etc. And you don't need
to have a mystical/numinous experience to read about it. You only need to pick
up a book and read with a relatively open mind. A bit less writing and a bit less
selective reading perhaps. I see I have her Letters Home too. Another 500 pages
for godsakes. I wrote a lot of letters in my mid-20's.... must be about the same or
not far off... and mainly to the same person, two years older than me. It was good
to be in love, but painful too, under the circumstances. But as usual I came to
feel she didn't understand the complexities of the situation. Neither did I. The
'vulnerable'; the poor me look how I've been treated all my life purveyors of....
victim consciousness, the 'fragile', are a whole lot tougher than they make out; it
can be as much just another form of controlling, of manipulation. That was
always my problem. Or part of it. That I bought it. And the crisis in conscience
was in never seeing it for what it was; almost pure self-interest in the guise of
love. If I had recognized it was hatred that underlay it I could have dealt with it
sooner and more decisively, instead of this silly and agonizing vacillation... but
when you think someone else's intentions are blameless, however tedious, you
tend to blame yourself; it isn't their fault for being boring or static or insecure or...
a million other excuses. So you let your life be subtly, gradually circumscribed,
because you 'don't want to hurt their feelings'. When the safest thing you can do
is look after and pay close attention to your own, because otherwise, you're on
the slippery slope to not even making mistakes on your own behalf in the process
of leading your own life; then it just becomes a part of their insane story,
childishly distorted. And that's the road to hell, from which you might never
extricate yourself. In short, don't let anyone make you feel guilty about pursuing
your dreams; if it's real, you'll grow into it, and if it isn't, you made your own
mistakes, not theirs, and another will form itself in any case. Nor do they have
your particular talents, intuitions, specific life-experience. No one can tell you
what's good for you, you have to find it out for yourself, and no one can do that
or knows that better than you. And if they love you they'll still be there; as long
as they know you love them. But if they don't – if they think hatred is love, it
will never work out, whatever the circumstances and compromises. And standard
notions of affection, loyalty, fidelity, become meaningless; more self-deception,
bargains, and compromise and projected guilt-trips. I've got a bit carried away...
Meanwhile, back at the ranch...
There was some music on in the Gardens, so it was packed. I coulda sat
about, only I was on the bus, so that was that. Just as well. And so to bath.