Sciences Psychoanalytic Contributions Semester 1 2014-15 Dr Tom Goodwin t.w.goodwin@leedsmet.ac.uk 1 Table of Contents 1. Key Information....................................................................................... !. Introduction............................................................................................. " !.1 #odule $ims and %b&ecti'es.............................................................." !.! (earning %utcomes............................................................................ ) !. *ta+ Contact Details.......................................................................... ) !." ,hat-s e./ected of you0....................................................................1 . #odule Information................................................................................. 1 .1 #odule Deli'ery................................................................................. 1 .! #odule Content 2 (ectures.................................................................3 ". *eminar *chedule and Core 4eading.......................................................5 ".1 ,eek 1............................................................................................... 6 ".! ,eek !............................................................................................... 6 ". ,eek ............................................................................................. 17 "." ,eek "............................................................................................. 11 ".) ,eek )............................................................................................. 1! ".1 ,eek 1............................................................................................. 1! ".3 ,eek 3............................................................................................. 1 ".5 ,eek 5............................................................................................. 1" ".6 ,eek 6............................................................................................. 1" ".17 ,eek 17......................................................................................... 1" ".11 ,eek 11......................................................................................... 1) ".1! ,eek 1!......................................................................................... 11 ). $ssessment........................................................................................... 13 ).1 $ssessment 1 879 of :nal mark;...................................................13 ).! $ssessment ! 8379 of :nal mark;...................................................15 ). 4eassessment.................................................................................. 16 )." #itigating Circumstances.................................................................16 ).) Penalties for (ate *ubmission..........................................................!7 ).1 Plagiarism and how to a'oid it.........................................................!7 ).3 #arking Criteria................................................................................ !1 ).5 <eedback.......................................................................................... !" 2 1. ey !nformation "odule title# Psychoanalytic Contributions C$%# 1&'&2 (cademic )ear# 2014-15 *e+el# 5 Semester# 1 Contacts# "odule leader# Tom Goodwin= t.w.goodwin@leedmet.ac.uk= room C(61" "odule (dministrator# *kander el <adhel= s.fadhel@leedsmet.ac.uk= room C(11) "odule ,-ce hour# Please email for an a//ointment *ectures# $ttendance is re>uired at the following weekly lecture?seminar@ ,ednesday 17am A 1/m in CC BP$G7! Seminar.Tuto rials# *ee abo'e (ssessment ,ne# Tas/# (n academic summary of t0o of 1reud2s !ntroductory *ectures 3 500 0ord 4er summary 51000 0ords in total6 7eadline# 1riday 21 th %o+ember 2014 "ethod of Submission# 8lectronic submission +ia Turnitin. ( lin/ to Turnitin 0ill be 4ro+ided on the module "y9ec/ett 4age. This 0ill allo0 you to submit your 0or/ and obtain an electronic :recei4t2. Make sure you keep copies of your work until Graduation. (ssessment T0o# Tas/# 2500 0ord 8ssay 7eadline# Thursday 15 th ;anuary 2015 "ethod of Submission# 8lectronic submission +ia Turnitin. ( lin/ to Turnitin 0ill be 4ro+ided on the module "y9ec/ett 4age. This 0ill allo0 you to submit your 0or/ and obtain an electronic :recei4t2. Make sure you keep copies of your work until Graduation. 3 $eassessmen t# $eassessment instructions If you score less than "7 o'erall for the module= you will ha'e the o//ortunity of reassessment. If you score less than !7 o'erall for the module you will be re>uired to submit a reassessment. Please see section 5 <$eassessment= 7eadline# tba "ethod of Submission# 8lectronic submission +ia Turnitin Core te>t# (nthony 8lliott. Psychoanalytic Theory# an !ntroduction. 5,>ford# 9lac/0ell Publishers, 1''4 ?2.ed 2002@6. 4 *887S "8T$,P,*!T(% A%!B8$S!T) School of Social Sciences Psychoanalytic Contributions *e+el 5 5second year6 (cademic year 2014.15 3 Semester 1 2. !ntroduction 2.1 "odule (ims and ,bCecti+es *igmund <reud is one of the most inCuential= erudite and /roli:c /sychological theorists. Through his theories of the unconscious= se.uality= dreams= religion and so on= he re'olutionised the way we think about the indi'idual and the cultural world in which we interact. Dis in'ention of /sychoanalysis emerged from his uni>ue treatment of hysterical /atients in late nineteenth century Eienna but its inCuence has e.tended far beyond this original thera/eutic remit into disci/lines as di'erse as literary and :lm studies= social and /olitical theory= and less ob'ious :elds such as design= ad'ertising and media. Its terminology has e'en found its way into our e'ery day /arlance 8e.g. <reudian sli/s= the unconscious etc.;. ,hat /sychoanalysis is= howe'er= is diFcult to /ut your :nger on 2 its central conce/t of the unconscious makes the 'ery /rocess of :nding and :.ing a truth /roblematic. It is a disci/line that more than any other is bound u/ with the ideas and inCuence of its founder. 4ather than seeing /sychoanalysis as a large :eld of research of which <reud is only a /art= this :gure looms large o'er the entire disci/line. Psychoanalysts seem to &ustify themsel'es in how closely they reinter/ret the word and s/irit of <reud 2 the two most im/ortant analysts after <reud= (acan and Klein= each describe their work in terms of a return to <reud. The way that /sychoanalysts are trained 2 i.e. you ha'e to be in analysis yourself A is no doubt at the heart of this. (ike all of us 8at least in /sychoanalytic understanding; <reud was a conCicted indi'idual and his work is testament to this. <reud-s writing is full of ambiguity and contradiction= although it is always worth remembering that for him= /sychoanalysis was a Gwork in /rogressH. This not only makes reading him diFcult and frustrating 2 there are se'eral G<reud-sH and not one uni:ed framework 2 it also makes him incredibly interesting. The subtlety of his writing and the /ower of his rhetoric are worthy of study in themsel'es 8I encourage you all to read <reud directly;. ,ith conCict at the heart of its founder= the legacy of /sychoanalysis is also a di'ided one= with many di+erent /sychoanalytic schools whose relations are often strained and characterised by in:ghting. 5 ,hether or not you agree with <reud-s work and his de'elo/ment through (acan= Klein= Iung and others= it is im/ossible to dismiss the im/act of /sychoanalytic ideas in our current e/och. This course is designed to introduce you to the central tenets of /sychoanalysis by looking at <reud-s key ideas and how these ha'e been reinter/reted through his disci/les and critics. Da'ing e./lored this theoretical framework= we will then look at literature and :lm to see how /sychoanalytic notions ha'e been a//lied to the cultural world of which we are a /art. 2.2 *earning ,utcomes
*earning outcome 1 The understand the key conce/ts of /sychoanalysis and how these relate to the :gure of *igmund <reud and the historical conte.t and /recedents out of which these ideas emerged. *earning outcome 2 To critically e.amine later <reudians 8e.g. (acan and Klein; and dissenters 8e.g. Iung and the feminists; and assess their contribution to and criti>ue of the /sychoanalytic /ro&ect. *earning outcome D Demonstrate an ability to relate /sychoanalytic insights to /sychology generally and s/eci:cally to /sychological maturation and selfAformation. *earning outcome 4 Demonstrate a ca/acity to think critically about /sychoanalytic conce/ts and the /ractices 8thera/eutic= literary= cultural; that these under/in. 2.D StaE Contact 7etails "odule leader# Tom Goodwin= t.w.goodwin@leedmet.ac.uk= room C(61" "odule administrator# *kander el <adhel= s.fadhel@leedsmet.ac.uk= room C(11) The module team 0ill 4ost general information about the module on 9lac/board and any im4ortant communications 0ill be sent to students2 emails. Students are e>4ected to regularly chec/ these for u4dates.
Please note@ ,hen you email your module leader or tutor only use your uni'ersity email address. Ase of other email accounts 0ill not be ac/no0ledged by the uni+ersity= so remember to regularly check your uni'ersity email account. Jou should e./ect a re/ly within workings days 8e.cluding weekends= Bank Dolidays and 6 Kni'ersity closed days;. <aculty sta+ will re/ly to your general suggestions and comments within 17 working days. This may be an acknowledgement of your communication with details of when you will recei'e further information or referring you to another member of sta+. *hould we need to cancel a class we will contact you as soon as /ossible= therefore you must check your Kni'ersity email accounts regularly and ensure that we hold u/ to date contact information for you. 2.4 Fhat2s e>4ected of youG This module= like other modules you will take= is worth !7 credit /oints towards your degree. Lach module is associated with !77 hours of study. . *ince formal scheduled teaching 8class contact time; amounts to 7 hours 8i.e. 1! lectures and 1! seminars; the module is based u/on the e./ectation that you will s/end 137 hours in /ri'ate study. This means that you will ha'e to s/end a minimum of 1! hours a week in /ri'ate study. This time should be s/ent on reading from the recommended reading list= thinking about what you read so that you de'elo/ your understanding= /re/aring notes for seminars= /re/aring for /resentations in seminars= consulting with other students and writing your assignment. D. "odule !nformation D.1 "odule 7eli+ery This course unit is deli'ered by one lecture 4er 0ee/ 81 M hr; and su//orted by seminars each 0ee/ 81 M hr;. Please note# (ttendance at both lectures and seminars is necessary. *ectures for this module 0ill begin in F88 1 50ee/ beginning 2' th Se4t 20146 and seminars for this module 0ill start during F88 2 50ee/ beginning 0H th ,ct 20146. Details of when and where your lecture for this module and your seminar= will be will be gi'en in the timetable. 7o not rely on the lectures alone for gathering information. !t is im4ortant that you readI !f anything, the substance of the module consists of the careful and considered reading of the recommended te>ts. 7 D.2 "odule Content 3 *ectures Benue# CC 9P(J02 59roadcasting Place6 F88 98J!%%!%J *8CTA$8 *8CTA$8$ !6.76.1" Introduction@ /sychothera/y= culture and beyond TJ 71.17.1" <reud@ the unconscious and its mechanisms of e./ression TJ 1.17.1" <reud@ se.uality and %edi/us TJ !7.17.1" <reud@ the transference and /sychothera/y TJ !3.17.1" The Dissenters@ Carl Iung and $lfred $dler TJ 7.11.1" Lgo Psychology@ <reud-s structural model and the $merican conte.t TJ 17.11.1" %b&ect 4elations Theory@ #elanie Klein and British /sychoanalysis TJ 13.11.1" Consolidation 0ee/ 3 %o lecture but ! 0ill be a+ailable this 0ee/ to discuss assignments 5assignment 1 is due on 21.11.146. TJ !".11.1" The (inguistic Turn in Psychoanalysis@ Iac>ues (acan and the structuralists TJ 71.1!.1" Psychoanalytic feminism@ re'isiting %edi/us TJ 75.1!.1" Psychoanalysis= (iterature and <ilm TJ 1).1!.1" L'aluation and essay hel/ TJ
8 4. Seminar Schedule and Core $eading Core $eading $s /sychoanalysis is such a 'ast area of in>uiry= I ha'e /ro'ided s/eci:c reading in the lecture details below. There are= howe'er= a few te.ts of general interest that I urge you to read or consult. (nthony 8lliott. Psychoanalytic Theory: an Introduction. 5,>ford# 9lac/0ell Publishers, 1''4 ?2.ed 2002@6. This contains good o'er'iews of most of the di+erent schools of /sychoanalysis that will be considered on this course. Ste4hen 1rosh. A Brief Introduction to Psychoanalytic Theory. 59asingsto/e# Palgra+e, 20126. This is a 'ery good introduction to all the as/ects of /sychoanalysis that we will co'er on this module. $s the title suggests= it is brief= so don-t rely on it as your only source. Sigmund 1reud. The Interpretation of Dreams. This is <reud-s :rst /ro/erly /sychoanalytic te.t and is still the most im/ortant. There are numerous editions of this and any one will do. Peter Jay 5ed6. The Freud eader 5*ondon, Bintage 9oo/s, 1''56. This reader contains many of <reud-s ma&or te.ts in /art or full. ;. *a4lanche K ;-P. Pontalis. The !an"ua"e of Psychoanalysis. 5*ondon# arnac 9oo/s, 1'&D6. This is an encyclo/aedia of /sychoanalytic terms that is indis/ensable to any wouldAbe theorists and /ractitioners of /sychoanalysis. It is fairly e./ensi'e= but a worthwhile longAterm in'estment. ;onathan *ear. Freud. 5*ondon# $outledge, 20056. $ 'ery good contem/orary introduction to <reud $ichard Follheim. Freud. 5*ondon# 1ontana Press, 1'&16. $lthough now "7 years old= this is still the best introduction to <reud 8in my o/inion;. ( note on 1reud2s te>ts <reud was a /roli:c writer and his work in Lnglish is collected in two di+erent series@ The Standard Edition of the Complete Works of Sigmund Freud 8!" 'olumes; 2 I refer to these 'olumes in this handbook as S8 9 and The Penguin (or Pelican) Freud Library 81) 'olumes; A I refer to these 'olume in this handbook as P1 This is where you will :nd the essays of <reud that I ha'e recommended you to read. Lither series will be &ust as good for the /ur/oses of this module= and the only fundamental di+erence between them is that the S8 collects essays chronologically and the P< collects them by themes. Aseful Feb Pages Pa/ers and Conferences at the !nstitute of Psychoanalysis K 9ritish Psychoanalytical Society htt/@??www./sychoanalysis.org.uk? ,hen Great #inds don-t think alike htt/@??www./sychoanalysis.org.uk?guardian!.htmN! Psychoanalysis in China@ htt/@??www.ef//.org?te.ts?*chloesserOChina./df Psychoanalysis in $ustralia@ htt/@??www./sychoanalysisdownunder.com?downunder?backissues?1 ?"!3?lgOkleinianOtrad Iournal for the Psychoanalysis of Culture and *ociety@ htt/@??muse.&hu.edu?&ournals?&ournalOforOtheO/sychoanalysisOofOcult ureOandOsociety?toc?/sy5.1.html Psychoanalysis and :lm@ htt/@??www.ds//.com?/a/ers?kluge.htm The $ssociation for the Psychoanalysis of Culture and *ociety htt/@??www.a/csweb.org? Seminars 0ill be as follo0s# 4.1 Fee/ 1 8,eek beginning !6 *e/tember !71"; !ntroducing the "odule# o+er+ie0 4.2 Fee/ 2 8,eek beginning 71 %ctober !71"; The Anconscious and its "echanisms of 8>4ression 10 <reud-s understanding of the unconscious as not merely an ad&ecti'e= but a distinct set of /rocesses that can be formalised and analysed= is his greatest and most original contribution to modern ideas. Des/ite contentions= it has entered into e'eryday language with the se.ual weight that <reud meant= and continues to be reAimagined and debated by successi'e generations of academics. This lecture will e./lore <reud-s notion of the unconscious and delineate its mechanisms= e'entually focussing on its most successfully 8albeit indirect; e./ression in dreams. $eading# *igmund <reud 81677;. The !nter4retation of 7reams. P1* 4 or S8 4 K 5= es/ecially Ch.1 PThe Dream ,ork- <reud couldn-t lea'e this te.t alone and made numerous additions each time it was reA/ublished. I fa'our earlier editions= where the te.t is far tighter and doesn-t get bogged down in notions such as uni'ersal symbolism. <or a contrast to the editions listed abo'e= a much shorter and more readable 'ersion of The !nter4retation of 7reams is /ro'ided by ,>ford Forld Classics translated by Ioyce Crick. *ee also lectures )A1) in <reud-s 8161)A13; !ntroductory *ectures on Psychoanalysis P1* 1 or S8 15 K 1H. *igmund <reud 8161); PThe Knconscious- P1* 11 or S8 14 *igmund <reud 816!; PThe Lgo and the Id- P1* 11 or S8 1' $lasdair #acintyre. The Anconscious# a Conce4tual !ntroduction. 8(ondon@ 4outledge= 16)5 Qre'ised edition !77"R; 2 an e.cellent /hiloso/hical analysis of <reud-s notion of the Knconscious Phil #ollon. The Anconscious. 8Cambridge@ Icon Books= !777; 2 a 'ery accessible introduction that relates the Knconscious to ideas in modern /sychology $lso look at de:nitions in I. (a/lanche S IAP. Pontalis. The *anguage of Psychoanalysis. 8(ondon@ Karnac Books= 163;. 4.D Fee/ D 8,eek beginning 1 %ctober !71"; 11 Se>uality and ,edi4us $ common myth that surrounds /sychoanalysis is that <reud reduces e'erything to se.. Dere= the truth and misconce/tion of this understanding will be e./lored. <reud did theorise a se.ual instinct= but he was also a dualist who belie'ed that conCict was central in the de'elo/ment and functioning of the /syche. In the /sychoanalytic schema= therefore= se. was always o//osed to another instinct 2 in the early <reud this was the ego instincts and in the later <reud= the death instinct. ,hat we understand as adult se.uality is also only /art of the story. <reud had a 'ery di+erent and e.tended conce/t of what se.uality meant. Perha/s a more useful way of thinking about se. in /sychoanalysis is to concei'e instead of a G/leasure economyH that becomes increasingly organised and localised in the genitals as the indi'idual de'elo/s. This lecture will also introduce the notion of the %edi/us com/le. as the key factor in determining our se.ual identity. $eading *igmund <reud 8167); PThree Lssays on the Theory of *e.uality- P1* & or S8 & *igmund <reud 81675; P%n the *e.ual Theories of Children- P1* & or S8 ' *igmund <reud 816!"; PThe Dissolution of the %edi/us Com/le.- P1* & or S8 1' $lso you would do well to read (ecture !1@ PThe De'elo/ment of The (ibido and The *e.ual %rganisations- in *igmund <reud 8161)A11; ntroductory Lectures on Psychoanalysis P1* 1 To see how <reud-s ideas work in relation to a case history read@ *igmund <reud 81676; P$nalysis of a Phobia in a <i'e Jear %ld Boy G(ittle DansH- P1* L S8 10 4.4 Fee/ 4 8,eek beginning !7 %ctober !71"; Transference and Psychothera4y In s/ite of the huge im/act that /sychoanalysis has had on our thinking about the self= society and its cultural re/resentations 8art= literature= religion and so on;= for <reud= it remains foremost a tool of /sychological thera/y. $t the heart of his Ptalking cure-= <reud recognised a strange= frustrating= but ultimately necessary /henomenon that he called the Ptransference-. The motor force for 12 any /sychothera/y= he describes the transference as a series of 8old; emotions= im/ulses and fantasies 8lo'e= hate= ambi'alence; that the /atient Ptransfers- onto the /erson of the analyst at the /resent moment 8and which the analyst often reci/rocates;. $s one of <reud-s key conce/ts= this lecture will look at the 'arious meanings he ga'e to the transference and its centrality in our understanding of /sychological thera/y and the Pcure- it /romises. $eading *igmund <reud 8167) Q1671R; P<ragment of an $nalysis of a case of Dysteria- P1* L or S8 & *igmund <reud 8161!; PThe Dynamics of Transference- S8 12 *igmund <reud 8161"; P4emembering= 4e/eating and ,orkingA Through- S8 12 *igmund <reud 8161) Q161"R; P%bser'ations on Transference (o'e- S8 12 $lso you would do well to read (ecture !3@ PTransference- in *igmund <reud 8161)A11; !ntroductory *ectures on Psychoanalysis P1* 1 or S81H Ionathan (ear 1reud 8(ondon@ 4outledge= !77);= ch." is a 'ery good and critical o'er'iew of <reud-s de'elo/ment of the transference. 4.5 Fee/ 5 8,eek beginning !3 %ctober !71"; The 7issenters $lfred $dler and Carl Iung were once fa'oured colleagues of <reud and at the heart of the early /sychoanalytic institution. Disagreements with <reud= /articularly o'er the role of infantile se.uality in the determination of the /syche= >uickly saw them cast from the masters friendshi/ and e.cluded from the /sychoanalytic establishment. $dler and Iung both went on to form their own strands of /sychological theory and /ractice that= whilst di+erent from <reud-s= still shared some fundamental ideas. This lecture will e.amine this di'ision in /sychoanalysis and the theories of $dler and Iung generated by this conCict. $eading $lfred $dler Anderstanding *ife# an !ntroduction to the Psychology of (lfred (dler 8(ondon@ %neworld= !776; Carl Iung "emories, 7reams, $eMections 8(ondon@ <ontana Press= 166); 13 $nthony *te'ens ;ung# a Bery Short !ntroduction 8%.ford@ %KP= !771; $nthony *torr 8ed; The 8ssential ;ung# Selected Fritings 8(ondon@ <ontana Press= 1665; 4.H Fee/ H 8,eek beginning 7 To'ember !71"; 8go Psychology Deri'ed from <reud-s second GstructuralH model of id= ego and su/erego= ego /sychology focuses /rimarily on the ego and its defences. It is largely a /roduct of the Torth $merican conte.t and de'elo/s $nna <reud-s work on child /sychoanalysis. Lgo /sychology belie'es that there e.ists within indi'iduals the innate ca/acity to generate an ego that is free of conCict and autonomous of both the id and su/erego. By strengthening the mechanisms of defence= the ego can neutralise the otherwise disru/ti'e dri'es and harness them in the /rocess of indi'idual de'elo/ment. Psychothera/y is based on conformity and identifying with the strong ego of the analyst. The lecture will elaborate the relation of ego /sychology to <reud-s structural model and e.amine the theories of $nna <reud= DeinU Dartmann= 4udolf (oewenstein and Lrnst Kris. $eading Gertrude Blanche and 4obin Blanche 8go-Psychology# Theory and Practice 8Tew Jork@ Columbia Kni'ersity Press= 163"; 4ichard Lkins and 4uth <reeman 8eds; (nna 1reud# Selected Fritings 8Darmondsworth= Penguin= 1665; $nthony Llliott Psychoanalytic Theory# an !ntroduction 8%.ford@ Blackwell Publishers= 166"; 2 Ch.1 4.& Fee/ & 8,eek beginning 17 To'ember !71"; ,bCect $elations #elanie Klein 8155!A1617; was the :rst /sychoanalyst to undertake a fundamental reworking of <reud-s original ideas. Der contribution :rst of all e.tends the inter/ersonal dimension of /sychoanalysis and remo'es the idea that indi'iduals can be considered in isolation. Klein-s focus was on the child and s/eci:cally the relationshi/ formed with the mother 8as o//osed to <reud-s 14 em/hasis on the father in the %edi/us com/le.;. In the /rocess of de'elo/ment and indi'iduation= the child assumes increasingly com/le. 8and ambi'alent; /ositions in relation to the ob&ects that constitute its world. The theory Klein ins/ired is known therefore as Gob&ect relationsH and includes other= mainly British= :gures such as Donald ,innicott and ,ilfred Bion. This lecture will e.amine ob&ect relations theory and e./lore foundational conce/ts such as G/art ob&ectH= Gthe de/ressi'e /ositionH= Gs/littingH and Gthe /aranoid schiUoid /ositionH. $eading (a'inia GomeU (n !ntroduction to ,bCect $elations 8(ondon@ <ree $ssociation Books= 1663; Iuliet #ichell 8ed; The Selected "elanie lein 8Darmondsworth@ Penguin= 1661; $nthony Llliott Psychoanalytic Theory# an !ntroduction 8%.ford@ Blackwell Publishers= 166"; 2 Ch. 4.L Fee/ L 8,eek beginning 13 To'ember !71"; Consolidation Fee/ 3 no lecture 4.' Fee/ ' 8,eek beginning !" To'ember !71"; *acan and the *inguistic Turn $rguably the most im/ortant and contro'ersial /sychoanalyst since <reud= Iac>ues (acan 81671A51; reimagined /sychoanalytic ideas according to the structuralist theory that was dominating the /ost war <rench intellectual conte.t. (acan focuses on language 8or more s/eci:cally= the symbolic order; as the /ro/er :eld of /sychoanalytic study and treatment 2 /sychoanalysis is= after all the Gtalking cureH. Dis writing is dense and elusi'e and his ideas are 'ery challenging= but des/ite this= (acan has had an immense inCuence on /sychothera/y= cultural studies= literature= /hiloso/hy= feminism and has made /sychoanalysis a central reference in the whole :eld of disci/lines within the human sciences. This lecture will un/ick the work of this notoriously diFcult thinker= introducing his conce/ts of the imaginary= symbolic and real orders. $eading 15 Bice Ben'enuto and 4oger Kennedy The For/s of ;acNues *acan 8(ondon@ <ree $ssociation Books= 1651; $nthony Llliott Psychoanalytic Theory# an !ntroduction 8%.ford@ Blackwell Publishers= 166"; 2 Ch." Iac>ues (acan #crits: a $election trans. $lan *heridan 8(ondon@ Ta'istock Press= 1633; *la'o& ViWek *oo/ing (0ry# an !ntroduction to ;acNues *acan through Po4ular Culture 8Cambridge= #assachusetts@ #IT Press= 1661; 4.10 Fee/ 10 8,eek beginning 71 December !71"; Psychoanalytic 1eminism The early relationshi/ between feminism and /sychoanalysis was acrimonious= with the former accusing the later of contributing to the derision= o//ression and mysti:cation of women through a theoretical a//aratus that /ri'ileged the boy child in the oedi/al schema. #ore recent theories beginning in the 1637s= howe'er= ha'e seen the /otential in <reud-s work for feminine liberation= describing his theorisation of women as descri/ti'e 8how it is; rather than /rescri/ti'e 8how it should be;. Psychoanalysts are now at the forefront of feminist 8or more s/eci:cally G/ostAfeministH; theory beginning with the ideas of Klein and (acan and continuing in the hugely inCuential work of /sychoanalystAfeminists Iuliet #itchell= Iac>ueline 4ose= Tancy Chodorow= (uce Irigaray and Iulia Kriste'a. This lecture will e.amine the inter/lay between feminism and /sychoanalysis and e./lore these more recent feminist and /ostAfeminist trends in /sychoanalytic theory. $nthony Llliott Psychoanalytic Theory# an !ntroduction 8%.ford@ Blackwell Publishers= 166"; 2 Ch.) (uce Irigaray This Se> 0hich is %ot ,ne trans. Burke Porter et al 8Ithaca@ Cornell Kni'ersity Press= 165); Iulia Kriste'a $e+olution in Poetic *anguage trans. #argaret ,aller 8Tew Jork@ Columbia Kni'ersity Press= 165"; Iuliet #itchell Psychoanalysis and 1eminism 8Darmondsworth@ Penguin= 1667; LliUabeth ,right 8ed; 1eminism and Psychoanalysis# a Critical 7ictionary 8%.ford= Blackwell= 166!; 16 4.11 Fee/ 11 8,eek beginning 75 December !71"; Psychoanalysis, *iterature and 1ilm Psychoanalysis has been in a close relationshi/ with literature from its 'ery ince/tionX <reud-s central conce/t of the %edi/us com/le.= for e.am/le= is deri'ed from *o/hocles- Theban Plays! <reud and the numerous literary analysts that he ins/ired try to e./lain the /sychical moti'ations that circulate in literary te.ts by analysing characters or their author. Both inaugurated in the 1567s= /sychoanalysis also shares a /arallel history with cinema= and these cultural forms ha'e often crossed /aths. In s/ite of <reud-s disregard of cinema as an im/ortant art form= /sychoanalytic theory has dominated :lm studies since the 16)7s with the <rench &ournal Cahier du Cin"ma and more recently with the British &ournal Screen! Tot only has /sychoanalysis been used as an inter/retati'e tool for reading both literature and cinema= but many writers= directors and /roducers ha'e been inCuenced by /sychoanalytic ideas. This lecture will look at the com/le. inter/lay between /sychoanalysis and both literature and cinema. It will /ose the >uestion@ GDow can /sychoanalysis contribute to our understanding of literary and :lmic te.ts0H $eading# !iterature: *igmund <reud 81673; PDelusions and Dreams in Iensen-s #radi$a- P1* 14 or S8 ' *igmund <reud 81675; PCreati'e ,riters and Day Dreaming- in P1* 14 or S8 ' *igmund <reud 81616; PThe Kncanny- in P1* 14 or S8 1& *igmund <reud 816!5; PDostoye'sky and Parricide- in P1* 14 or S8 21 #arie Bridge 8ed.; ,n the Fay Oome# Con+ersations bet0een Friters and Psychoanalysts 8(ondon@ Karnac= !775;
Damish Canham S Carole *atamurti 8eds.; (cNuainted 0ith the %ight# Psychoanalysis and the Poetic !magination 8(ondon@ Karnac= !77; *hoshana <elman P%n 4eading Poetry@ 4eCections on the (imits and Possibilities of Psychoanalytic $//roaches- in I. P. #uller and ,. I. 4ichardson 8eds.; The Purloined Poe# *acan, 7errida and Psychoanalytic $eading 8Baltimore@ Iohn Do/kins Kni'ersity 17 Press= 1655; //. 1A)1 2 $ groundbreaking article on the /roblems inherent in /sychoanalytic criticism and how these might be resol'ed 4uth ParkinAGounelas *iterature and Psychoanalysis 8Basingstoke@ Palgra'e= !771; The best o'er'iew of contem/orary trends in /sychoanalytic criticism. LliUabeth ,right Psychoanalytic Criticism# a $ea44raisal 8%.ford@ Polity= 1665; <or me= this is still the best introduction to /sychoanalysis and literature. The s/eci:c discussion of <reud and literature is mostly in cha/ters 1 S ! Film: Glen Gabbard 8ed;. Psychoanalysis and 1ilm 5!nternational ;ournal of Psychoanalysis ey Pa4ers. 8(ondon@ Karnac Books= !771; L. $. Ka/lan 8ed;. Psychoanalysis and Cinema. 8(ondon@ 4outledge= 1667; (aura #ul'ey. Bisual and ,ther Pleasures. 8(ondon@ Palgra'e #acmillan= 1656; 4.12 Fee/ 12 8,eek beginning 1) December !71"; ,+er+ie0 and 8ssay Oel4 $ssessment information and ad'ice.
18 5. (ssessment The assessment for this module has two com/onents detailed with their weightings below. Both of these assessments must be submitted with a combined score that ful:lls the uni'ersity regulations for a /ass 8abo'e "79; for the module to be successfully com/leted. SA9"!SS!,% "8TO,7# )ou need to submit all assessments for this module online through the Turnitin dro4 bo>es in "y9ec/ett 59lac/board6. 1ull detail on ho0 to do this 0ill be gi+en in seminars. !f you need any further guidance 4lease s4ea/ to your seminar tutor. 5.1 (ssessment 1 5D0P of Qnal mar/6 7eadline 3 1riday 21 th %o+ember 2014 The /ur/ose of this assignment is to su//ort the :rst learning outcome of the course which is to de'elo/ an understanding of <reud-s key conce/ts. <rom 161)A1613= <reud /re/ared a series of lectures to disseminate his increasingly /o/ular /sychoanalytic ideas to a wider and often nonAs/ecialist audience. These lectures are collected in the ntroductory Lectures on Psycho%analysis 8S8 15 K 1H or P11;. <or the :rst assessment I want you to /ro'ide an academic summary of T,% of <reud-s introductory lectures from the list s/eci:ed below@ (ecture YEI 2 Psycho%&nalysis and Psychiatry (ecture YEIII 2 Fi'ation to Traumas ( The )nconscious (ecture YIY 2 *esistance and *epression (ecture YY 2 The Se'ual Life of +uman ,eings (ecture YYI 2 The -e$elopment of the Libido and the Se'ual .rgani/ation (ecture YYEII 2 Transference (ecture YYEIII 2 &nalytic Therapy Lach of the summaries should be no more than )77 words 81777 in total for the assessment; and must be submitted on 21 st
%o+ember 2014. Please read the Gnote on word lengthH on the ne.t /age as /enalties will a//ly for e.ceeding word limit. Ti4s for 0riting an academic summary# What is a summary0 19 $ summary is a concise restatement in your own words of the main ideas or information from your sources 2 it demonstrates that you understand /rimary source material. What are the characteristics of a summary0 They concentrate on the main /oints= omitting unnecessary detail such as e.am/les. They /reser'e the original meaning and em/hasis. They do not contain your own comments. They must be written in your own words= without e.tended >uotes or /ara/hrases.
5.2 (ssessment 2 5&0P of Qnal mar/6 7eadline# Thursday 15 th ;anuary 2015 $n essay of !)77 words on ,%8 of the following >uestions@ 1. Choose one of the follo0ing conce4ts# the unconscious, se>uality, dreams, 4sychothera4y. Critically com4are ho0 it has been theorised by 1reud and TF, other 4sychoanalytic theorists. 2. Choose one 4ost-1reudian 4sychoanalyst and demonstrate ho0 his or her 0or/ builds u4on and.or mo+es a0ay from 1reud2s original theories and a44roaches. D. Choose a Qlm or a boo/ and demonstrate ho0 Psychoanalytic 4rinci4les might be a44lied to its inter4retation 5discuss your choice 0ith the module tutor before 4roceeding6. 4. (ssess the claim that 4sychoanalysis is sim4ly a 4roduct of a 4articular culture and a 4articular historical 4eriod and that it has only limited rele+ance to life today. R R R 1urther titles may be negotiated. The deadline for submission is Thursday 15 th ;anuary 2015. ( note on 0ord length# The main body of your essay 5including citations and Nuotes in the te>t but e>cluding your reference list6 should not e>ceed the stated 0ord limit. Part of the s/ill of academic 0riting is to 0rite 0ith concision as 0ell as clarity, and this 20 reMects the 0orld of em4loyment 0here re4orts, articles and other 4ublications 0ill ha+e to be 4roduced 0ithin strict guideline. !n assessment terms, 0riting more content 0ill often gi+e a student an unfair ad+antage o+er those 0ho adhere to the 0ord limit. (s a result, ! 0ill 4enalise essays of e>cessi+e length as follo0s# K/ to 179 o'er the word limit 8i.e. !)7 words o'er the !)77 word limit; will be /enalised at )9 of the /ossible total mark achie'ed by the student. A further 5% will be deducted from the total possible mark achieed b! the stude"t for each additio"al 10% oer the word limit 5.D $eassessment Details about the reAsit handingAin date will be /osted on #yBeckett and emailed to students. (ssignment 1 Jou will be asked to resubmit an im/ro'ed 'ersion of your original summaries.
(ssignment 2 In the unlikely e'ent of your failing the assignment= the reAsit >uestion will be the following@ Choose t0o of the follo0ing conce4ts# the unconscious, se>uality, dreams, 4sychothera4y. Critically com4are ho0 it has been theorised by 1reud and ,%8 other 4sychoanalytic theorist. 5.4 "itigating Circumstances *tudents may encounter issues which may /re'ent them from fully engaging with their course= submitting /ieces of work or sitting e.aminations. ,here this is the case= students may are able to claim Ze.tenuating circumstancesZ and therefore the uni'ersity may decide to o+er them an o//ortunity to take this assessment at a later time or in another format. *tudents are asked to submit claims for e.tenuating circumstances on the a//ro/riate form which is submitted to the course 21 administrator and course leader. The circumstances will then be considered and the Kni'ersity may make /ro'ision for the student to recei'e an e.tension 8mitigation at the /oint of assessment; or for their circumstances to be considered by a mitigation /anel where an e.tension will not suFce. %ote# "itigation for e>tenuating circumstances is a formal Ani+ersity 4rocedure and students 0ill be reNuired to submit documentary e+idence to su44ort any claim. 5.5 Penalties for *ate Submission *ubmission after the deadline attracts a /enalty= according to the Kni'ersity-s regulations. This is not a matter of discretion for indi'idual module leaders. The regulations sti/ulate that the following /enalties must be a//lied@ Full Time $tudents K/ to 1 day late 2 )9 of the /ossible total mark 8i.e. ) marks if out of 177; to be deducted from the mark achie'ed by the student. ! to 6 days late 2 )9 of the /ossible total mark 8i.e. ) marks if out of 177; to be deducted from the mark achie'ed by the student for each day unsubmitted. ,ork 17 or more days late will be deemed not to ha'e been submitted and a mark of Uero will be recorded. Part Time $tudents 1 to ! days late@ )9 of the /ossible total mark will be deducted from the mark achie'ed by the student. to 17 days late@ )9 of the /ossible total mark will be deducted from the mark achie'ed by the student for each two days on which the work remains unsubmitted. 8i.e. )9 for days A"X )A1X 3A5X 6A17;. 11 days or more late@ a mark of Uero will be recorded. 5.H Plagiarism and ho0 to a+oid it Plagiarism is the term used for /assing o+ other /eo/le-s work as your own. This includes material or ideas from any source= whether /rinted= electronic= webAbased or audio 'isual. Plagiarism is taken 'ery seriously in the academic community and is regarded as serious misconduct. 22 #ost cases of /lagiarism occur because of errors or omissions in referencing. $ll assessments must be fully and correctly referenced in Dar'ard *tyle. The *kills for (earning website and The (ittle Book of Plagiarism o+ers guidance on a'oiding /lagiarism through /ro/er referencing and careful note taking. Jou must ensure that you ha'e accessed these /rior to submitting assignments 5.& "ar/ing Criteria *e+el 5 5Second )ear6 "ar/ing Criteria for 8ssays #odule assignments are marked in relation to four key indicators. L'idence of skills and com/etencies in these key areas may be gi'en di+erent em/hasis by e.aminers de/ending on the s/eci:c demands of a /articular module assignment 8for e.am/le= in the em/hasis gi'en to the use of sources in essay writing= com/ared to the 'alue of reCe.i'e analysis in a more taskAoriented research assignment;. *tudents are ad'ised to seek guidance from their module leader on the e./ectations for s/eci:c assignments. *esearch1 2no3ledge and )nderstanding The degree to which the work demonstrates a student-s research= knowledge and understanding of the module themes and the to/ic chosen for the assignment. This might include knowledge and understanding of signi:cant and s/eci:c e'ents= ideas= relationshi/s= e./eriences= situations= trends or information rele'ant to the /articular tasks in hand. In many cases this will be e'idenced by e+ecti'e use of= or engagement with= suitable sources 8see also below; but might also include the a//ro/riate a//lication of methods or conce/ts. 23 Please note that by submitting 0or/ +ia Turnitin you are agreeing to the follo0ing statement :! certify by my signature that this is my o0n 0or/. The 0or/ has not, in 0hole or 4art, been 4resented else0here for assessment. Fhere material has been used from other sources it has been 4ro4erly ac/no0ledged and reference. !f this statement is untrue ! ac/no0ledge that ! 0ill ha+e committed an assessment oEence.2 &rgument1 &nalysis and Structure The degree to which the work demonstrates a student-s ability to engage intellectual skills and techni>ues of synthesis= analysis or e'aluation rele'ant to the set assignment task. $ssessors will generally look for e'idence of@ ability to analyse materials= readings or dataX skill in selection= synthesis= /lanningX the de'elo/ment and maintenance of argumentsX a degree of inde/endence from the analyses a'ailable within key te.tsX and an awareness of the strengths and limitations other stand/oints= claims= research strategies or 'iews. The organisation= arrangement and coherence of the te.t will also be a rele'ant issue= along with the /resentation of any su//orting material= a//endices= etc. $ll assignments are e./ected to begin with an a//ro/riate introduction and end with a rele'ant conclusion. #rammar1 Style and Presentation The degree to which the work demonstrates a candidate-s ability to write clearly and e+ecti'ely in a manner a//ro/riate to undergraduate study= as well as com/etence in terms of grammar and e./ression. This may mean considering accuracy= care and clarity of writing= but may also include com/etence in con'eying non te.tual information if re>uired 8for e.am/le= in illustrations or the /resentation of >uantitati'e data;. Presentational style should normally be consistent with the norms and e./ectations of academic work. This should include correct use of /aragra/hs= s/elling= and /unctuation. Page numberingX double line s/acing of the te.t. *tudents are e./ected to be familiar with and use the Dar'ard system of referencing and /ro'ide a com/lete and accurate bibliogra/hy. )se of sources The degree to which the work demonstrates a candidate-s ability to select and em/loy a//ro/riate sources in meeting the re>uirements of the assignment task. This may be e'ident in the range and a//ro/riateness of referencing to /rimary and?or secondary sources= and through the de/th and /recision of engagement with that material. #esearch$ %"owled&e a"d '"dersta"di"& (emo"stratio" of research$ k"owled&e a"d u"dersta"di"& of the module themes a"d chose" topic 24 )ide"ce of effectie use of$ or e"&a&eme"t with$ suitable sources Ar&ume"t$ A"al!sis a"d *tructure (emo"stratio" of s!"thesis$ a"al!sis$ ealuatio" a"d selectio"$ i" the deelopme"t a"d mai"te"a"ce of ar&ume"ts+ (emo"stratio" of abilit! to pla" a"d prese"t academic work$ to or&a"ise a"d arra"&e te,t a"d supporti"& material a"d to create a" appropriate i"troductio" a"d relea"t co"clusio"+ -rammar$ *t!le a"d .rese"tatio" (emo"stratio" of abilit! to write clearl! $ accuratel! a"d effectiel!+ .rese"tatio"al st!le co"siste"t with the e,pectatio"s of academic work$ i"cludi"& correct use of para&raphs$ spelli"&$ pu"ctuatio" a"d pa&e "umberi"& a"d to correctl! use the /arard s!stem of refere"ci"& a"d proide a complete a"d accurate biblio&raph! 'se of *ources (emo"stratio" of abilit! to select a"d emplo! a ra"&e of appropriate sources %riteria for Assessment L0PS %utstanding work that demonstrates inde/endent scholarshi/. The candidate has used a wide 'ariety sources and /resents an imaginati'e and inno'ati'e argument. *igns of originality could be /resent. The structure is almost Cawless. &0-&'P L.cellent work. $ clear command and understanding of the issues can be noted along with inde/endent thinking. The essay contains a wealth of rele'ant information= and demonstrates wide reading of a//ro/riate literature. H0-H'P ,ork showing e'idence of a good knowledge and understanding of the material= /ut together in a way which is= for the most /art= clearly argued= wellAwritten= and rele'ant to the task set. $nswers are thoroughly com/etent and accurate e'en if they may contain re/etition of standard summaries of ideas as found in te.tbooks. 50-5'P ,ork which is com/etent and broadly rele'ant= but somewhat lacking in focus= organisation= or breadth of reference. (ack of structure obstructs the argument /resented and the candidate seems to ha'e misunderstood as/ects of the essay >uestion. %ne or more of the main sources may ha'e been o'erlooked= and there may be o'erAreliance on one or two items in the literature. 25 40-4'P ,ork showing some knowledge of the material= but ha'ing serious shortcomings. InsuFcient knowledge and?or understanding of the material is e'ident. The essay may be too short and relies almost e.clusi'ely u/on a /oor summary of standard accounts as found= for e.am/le= in te.tbooks. The candidate may ha'e missed signi:cant as/ects of the >uestion but there should be suFcient use of little knowledge to address basic issues. There could be /oor /resentation= organiUation of material= /oor referencing and style. Pass mar/ is 40 1ail D4-D'PThis mark indicates a fail. (ittle rele'ant knowledgeX /oorly organised discussion that fails to ade>uately address the >uestionX no ade>uate reasoned conclusion. *ome rele'ant descri/ti'e material but a tendency for re/etition= digression or [wa\e[X tendency to incoherence with weak structure= absence of logical de'elo/ment of argumentX also /erha/s e'idence of some confusion= ma&or mistakes= or /oor written Lnglish. There is likely to be little reference to literature. Generally the essay functions at a low le'el in terms of understanding the >uestion and how to answer it. #a&or inade>uacies or omissions in referencing and bibliogra/hy. Dowe'er there has to be enough of an answer to the >uestion to distinguish this from the band below. !7A"9 This is a bad <$I(. (ittle or no rele'ant knowledge= little or no reference to literatureX an incoherent essay= 'ery disorganised= with material irrele'ant to >uestion. *hows 'ery limited or nonAe.istent understanding of the >uestion and how to answer it. Ina//ro/riately brief answers may be /laced in this band. 5.L 1eedbac/ <eedback is an e.tremely im/ortant /art of student learning= it hel/s us to learn and to reCect on what we need to do in order to im/ro'e our learning and therefore im/ro'e the grades we recei'e for our assessed work. <eedback can refer to= $n email res/onse from your tutor on a >uestion you may ha'e asked. 26 %neAtoAone meetings with your tutor to discuss your assignment. *eminar discussions relating to the assessment. Comments written by the tutor on your assessed /iece of work. $ s/eci:c mark for a /resentation= e.am or /iece of course work. <or ad'ice on how to make the best use of the feedback you ha'e recei'ed and what to do when you get your work back= take a look at= htt/@??www.leedsmet.ac.uk?<eedbackOBookletOPhilO4ace./df It is im/ortant for all students to a//reciate what feedback is and how to make the best use of it= it is a way of telling a student how well they are /rogressing with their studies and what they need to do in order to im/ro'e their work. 27