Lalitha Sahasranama is a sacred Hindu text that contains 1,000 names of the goddess Lalita. It describes her various attributes and is used in worship rituals like prayers, offerings, and fire sacrifices. The text originated from a dialogue between Hayagriva, an avatar of Vishnu, and the sage Agastya. Hayagriva taught Agastya the 1,000 holiest names of Lalita at her request.
Original Description:
Lalitha Sahasranama
is a text from Brahmanda Purana
Lalitha Sahasranama is a sacred Hindu text that contains 1,000 names of the goddess Lalita. It describes her various attributes and is used in worship rituals like prayers, offerings, and fire sacrifices. The text originated from a dialogue between Hayagriva, an avatar of Vishnu, and the sage Agastya. Hayagriva taught Agastya the 1,000 holiest names of Lalita at her request.
Lalitha Sahasranama is a sacred Hindu text that contains 1,000 names of the goddess Lalita. It describes her various attributes and is used in worship rituals like prayers, offerings, and fire sacrifices. The text originated from a dialogue between Hayagriva, an avatar of Vishnu, and the sage Agastya. Hayagriva taught Agastya the 1,000 holiest names of Lalita at her request.
Lalitha Sahasranama (IAST: lalithsahasranma) is a text from Brahmanda
Purana. It is a sacred text to the Hindu worshiers of the !oddess Lalita
"e#i$ i.e. the "i#ine %other or !oddess "ur&a$ in the form$ Sha'ti. Lalitha is the !oddess of (liss$ an eithet for Shi#a)s wife !oddess Par#ati. *t+molo&icall+$ ,Lalitha, means ,She -ho Pla+s,. In the root form (#+utatti)$ the word ,Lalitha, means ,sontaneous, from which the meanin& ,eas+, is deri#ed and imlicitl+ extends to ,la+,. .ontents / 0ames 1 .omosition 2 Stor+ 3 Lalitha 4 0a&ara 5 center of 0a&ara 6 Bhandasura 7 Structure 8 See also /9 :eferences // ;urther readin& /1 *xternal lin's 0ames Lalita Sahasranama contains a thousand names of the Hindu mother &oddess Lalita.</= The names are or&ani>ed in a h+mns (stotras). It is the onl+ sahasranama that does not reeat a sin&le name. ;urther$ in order to maintain the meter$ sahasranamass use the arti?ce of addin& words li'e tu$ ai$ ca$ and hi$ which are con@unctions that do not necessaril+ add to the meanin& of the name excet in cases of interretation. The Lalita sahasranama does not use an+ such auxiliar+ con@unctions and is uniAue in (ein& an enumeration of hol+ names that meets the metrical$ oetical and m+stic reAuirements of a sahasranama (+ their order throu&hout the text. Lalita Sahasranama (e&ins (+ callin& the &oddess Shri %ata (the &reat mother)$ Shri %ahara@ni (the &reat Aueen) and Shrimat Simhasaneshwari (the Aueen sittin& on the lionBthrone).<1= In #erses 1 and 2 of the Sahasranama she is descri(ed as a Cda+at(hanu Sahasra(ha (the one who is as (ri&ht as the ra+s of thousand risin& suns)$ .hatur(ahu Saman#ita (the one who has four hands) and :a&as#arua Pashadh+a (the one who is holdin& the roe).<2= .hida&ni'unda Sam(huta (one who was (orn from the altar of the ?re of consciousness) and "e#a'ar+a samud+ata (one who manifested Herself for ful?llin& the o(@ects of the de#as) are amon& other names mentioned in the sahasranama. .omosition Lalitha sahasranama is said to ha#e (een comosed (+ ei&ht #aa& de#is (#aa& de#athas) uon the command of Lalitha. These #aa& de#is are Dasini$ Eameshwari$ Aruna$ Dimala$ Fa+inee$ %odhinee$ Sar#eshwari$ Eoulini. The sahasranama sa+s that ,Gne can worshi Lalitha onl+ if she wishes us to do so,. The text is a dialo&ue (etween Ha+a&ri#a$ an (a#atar) of %aha#ishnu and the sa&e A&ast+a. The temle at Thirume+achur$near Eum(a'onam is said to (e where A&ast+a was initiated into this sahasranama. Another alternati#e #ersion is the Canishad Bramham %utt at 'anchiuram is where this initiation haened. This sahasranama is held as a sacred text for the worshi of the ,"i#ine %other,$ Lalita$ and is used in the worshi of "ur&a$ Par#ati$ Eaali$ La'shmi$ Saraswati$ Bha&a#athi$ etc. A rincial text of Sha'ti worshiers$ it names her #arious attri(utes$ and these names are or&ani>ed in the form of a h+mn. This sahasranama is used in #arious modes for the worshi of the "i#ine %other. Some of the modes of worshi are ara+ana (:ecitations)$ archana$ homa etc. Stor+ This stotra (h+mn of raise) occurs in the Brahmanda Purana (histor+ of the uni#erse) in the chater on discussion (etween Ha+a&ree#a and A&asth+a. Ha+a&ree#a is an incarnation of Dishnu with the head of a horse who is held to (e the storehouse of 'nowled&e. A&asth+a is one of the sa&es of +ore and one of the stars of the constellation Satarshi (Crsa ma@or). At the reAuest of A&asth+a$ Ha+a&ree#a is said to ha#e tau&ht him the thousand holiest names of Lalita. This has (een con#e+ed to us (+ the sa&e %aharishi D+asa. Lalitha Sahasranama is the onl+ sahasranama comosed (+ #a&de#atas under Lalitha)s direction. All the other sahasranamas are said to ha#e (een comosed (+ %aharishi D+asa. Paramashi#a is one of the trinit+ of Hindu antheons$ in char&e of mo'sha (la+am). He married Sati$ the dau&hter of "a'sha. "a'sha and Paramashi#a did not &et alon& and conseAuentl+ "a'sha did not in#ite Paramashi#a for one of the &reat ?re sacri?ces that he conducted. Howe#er Sati went to attend that function in site of Paramashi#aHs rotest. "a'sha insulted her hus(and and she @umed into the ?re and ended her life. .onseAuentl+ at the (ehest of Paramashi#a$ "a'sha was 'illed and later resurrected with a &oatHs head. This incident uset Paramashi#a and he entered into dee meditation. Sati reincarnated as dau&hter of Hima#at$ 'in& of the mountains$ and his wife$ the asara %ena. 0aturall+$ Pr#atI sou&ht and recei#ed Shi#a as her hus(and. The de#as faced an enem+ in Sura Padma J Banda<disam(i&uation needed= who had a (oon that he could (e 'illed onl+ (+ a son of Shi#a and Par#ati. So$ to wa'e Shi#a from his dee meditation$ the de#as deuted %anmatha$ the !od of lo#e who shot his Kower arrows at Paramashi#a. Paramashi#a wo'e u and oened his third e+e and (urnt the !od of lo#e into ashes. The "e#as and :athi "e#i the wife of %anmatha reAuested Paramashi#a to &i#e life to %anmatha. Heedin& their reAuest Paramashi#a stared at the ashes of %anmatha. ;rom the ashes came Bhandasura$ who made all the world imotent and ruled from the cit+ called Shonitha ura. He started trou(lin& the de#as. The de#as then sou&ht the ad#ice of Sa&e 0arada who ad#ised them to conduct a ?re sacri?ce. ;rom the ?re rose Lalitha Triura Sundari. Lalitha She is descri(ed as extremel+ (eautiful$ ha#in& dar' thic' lon& hair with the scent of .hama'a$ Aso'a and Punna&a Kowers. She had the mus' thila'a on her forehead$ e+elids which aeared as if the+ were the &ate of the house of the !od of lo#e$ and ha#in& e+es li'e ?sh la+in& in the la'e of her face. She had a nose with studs that shone more than the stars$ ears with the sun and moon as studs$ chee's which were li'e the mirror of Padmara&a$ (eautiful rows of white teeth$ and she was chewin& Tham(oola with camhor. She had a #oice sweeter than the sound emanatin& from Deena of Sarswathi$ and ha#in& such a (eautiful smile that Shi#a himself could not ta'e his e+es oL her. She was wearin& %an&ala soothra and nec'laces$ with (eautiful (reasts which were caa(le of (u+in& the in#alua(le lo#e of Eameswara$ ha#in& wiss of (eautiful hair raisin& from her (ell+$ her stomach ha#in& three rett+ folds$ and she was wearin& red sil' tied with a strin& with red (ells. She had thi&hs which steal the heart of Eameshwara$ 'nees which loo'ed li'e crowns made of recious &ems$ #olutuous le&s$ uer art of the feet resem(lin& the (ac's of tortoises$ feet which resem(led lams made of &ems which could disel worries from the mind of de#otees and a (od+ with the &olden red color. She was &i#en in marria&e to Eameshwara<citation needed= and made to sta+ in 0a&ara at the to of %aha %eru %ountain. 0a&ara 0a&ara had 14 streets circlin& it$ made of iron$ steel$ coer$ and lead. An allo+ made of ?#e metals$ sil#er$ &old$ the white Pusha ra&a stone$ the red Padmara&a stone$ on+x$ diamond$ Daidoor+a$ Indra neela (toa>)$ earl$ %ara'atha$ coral$ nine &ems and a mixture of &ems and recious stones. In the ei&hth street was a forest of Eadam(as. This is resided (+ S+amala. In the ?fteenth street li#ed the Ashta "i&h ala'as. In the sixteenth li#ed Darahi alias "andini who was her commander in chief. Here S+amala also had a house. In the se#enteenth street li#ed the diLerent Mo&inis. In the ei&hteenth street li#ed %aha Dishnu. In the nineteenth street li#ed *sana$ in the twentieth Thara "e#i$ twent+ ?rst Daruni$ the twent+ second Euru'ulla who resides o#er the fort of ride$ twent+ third %arthanda Bhairawa$ twent+ fourth the moon and twent+ ?fth %anmatha residin& o#er the forest of lo#e. center of 0a&ara In the center of 0a&ara is the %aha Padma Dana (the &reat lotus forest) and within it the .hintamani !riha (The house of hol+ thou&ht)$ in the north east is the .hid a&ni 'unda and on (oth sides of its eastern &ate are the houses of %anthrini and "handini. Gn its four &ates stand the .haduramna+a &ods for watch and ward. -ithin it is the cha'ra. In the center of the .ha'ra on the throne of Pancha (rahmas on the Bindu Peeta (dot lan') called sar#anandama+a (uni#ersal hainess) sits %aha Triura Sundari. In the cha'ra are the followin& decorations #i>.$ the sAuare called Trilo'+a mohanam (most (eautiful in the three worlds)$ The sixteen etaled lotus called Sar#asa arioora'am (ful?llBer of all desires)$ the ei&ht etaled lotus called Sar#asam'soanam (the all cleanser)$ the sixteen cornered ?&ure called Sar#a sow(a&+am (all luc')$ the external ten cornered ?&ure called Sar#artha sadha'am (&i#er of all assets)$ the internal ten cornered ?&ure called Sar#a ra'sha 'aram (All rotector)$ the ei&ht cornered ?&ure called Sar#a ro&a haram (cure of all diseases)$ the trian&le called Sar#a siddhi radam (&i#er of all owers) and the dot called Sar#ananda ma+am (all leasures). Bhandasura The de#as ra+ed to her to 'ill Bhandasura. -hen she started for the war with Bandasura$ she was accomanied (+ the owers called anima$ mahima$ Brahmi$ Eaumari$ Daishna#i$ Darahi$ %ahendri$ .hamundi$ %aha La'shmi$ 0it+a "e#aths and A#arna "e#athas who occu+ the cha'ra. -hile Samat'ari was the catain of the elehant re&iment$ Aswarooda was the catain of the ca#alr+. The arm+ was commanded (+ "handini ridin& on the chariot called !iri .ha'ra assisted (+ %anthrini ridin& on the chariot called !e+a .ha'ra. Fwala malini rotected the arm+ (+ creatin& a ?re rin& around it. Para Sha'thi rode in the center on the chariot of .ha'ra. 0ith+a destro+ed a lar&e chun' of BandasuraHs armies$ Bala 'illed the son of Bandasura$ and %anthrini and "handini 'illed his (rothers called Dishan&a and Dishu'ra. -hen the asuras created a (loc'ade for the marchin& arm+$ Lalitha Triura sundari created !anesha with the hel of Eameshwara to remo#e the (loc'ade. Then Bandasura created the asuras called Hiran+a'sha$ Hiran+a Easiu and :a#ana. The de#i created the ten a#atars of Dishnu and destro+ed them. She 'illed all his arm+ usin& Pasuathastra and 'illed him with Eameshwarasthra. The &ods then raised her. She then recreated %anmatha for the &ood of the world. This stor+ is contained in the ?rst 73 names of the ?rst 23 slo'as of Lalitha sahasranama. All toðer it contains one thousand names. This is also called the :ahas+a 0ama Sahasra (the thousand secret names). :eadin& it$ meditatin& on the meanin& of the names would lead to the ful?llment of all the wishes of the de#otees. Structure The slo'as are or&ani>ed in such a wa+ that "e#i is descri(ed from ,Head to ;eet, ('*sAdhi Adham).<clari?cation needed= There are (asicall+ ?#e wor's (ancha 'rt+am). The+ are creation (srishti)$ rotection (sthiti)$ destruction (samhAram)$ hidin& (thirGdhAnam) and (lessin& (anu&raham). "e#i herself has (een descri(ed as ,ancha 'rt+a arA+anA, in the slo'a and the ?#e tas's are descri(ed as follows: srshti'arthi (rahmma rooA &GthreeB&G#indaBruini samhAriniBrudraBruA thirGdhAna'areeswari sadAsi#aBanu&rahadhA ancha'ruth+aBarA+anA This means "e#i is the asect of Brahma$ while creatin& srshti$ asect of Dishnu while sustainin& sthiti$ asect of :udra durin& dissolution samhara. These ?#e entities (Brahmma$ Dishnu$ :udra$ Is#ara and Sadasi#a) are 'nown as ,anchaB(rahma,. Lalitha has desi&nated the ?#e functions to these (rahmam. Sometimes$ "e#i will ta'e awa+ the life from these ?#e (rahmmam and ma'e them inacti#e$ erformin& all the ?#e tas's herself. At that time the+ will (e called ,ancha retam, that is lifeless (odies. 0ow the ?rst three slo'as are: srimata$ the (&reat mother) SrshtiN sri mahara@ni the (&reat ruler) SthithiN srimat simhasaneswari the (one who sits on the simhasanam and mana&es) Samharam. Here there is no direct reference to samharam. But mana&in& here includes creatin& (alance (etween (irth and death. The rest of the slo'as co#er thirodhanam and anu&raham. 0ow the next namas B ,chidha&ni'unda sam(hutha de#a'ar+a samudh+atha, tells us that de#i arose from the ?re of 'nowled&e to hel de#as in their tas' (war a&ainst asuras B (handasura). ;rom the namAaB Cdh+ath (hanu sahasra(a till sin@anamani man@eera manditha sree adam(u@a$ all her arts li'e her face$ fore head$ e+es$ mouth$ ton&ue$ #oice$ hands$ hi$ le&s ha#e (een descri(ed. Thereafter$ "e#i)s lace (.hintamani &ruham)$ her war a&ainst (andasura$ 'undalini sha'ti$ her roerties (such as who can reach her and who cannot$ etc.) ha#e (een descri(ed. The !eneral icture of the !oddess deicts a Parrot and a Su&arcane stic' with her. Su&arcane reresents the sweetness of her mind.