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Breathing Basics
Of all the vital functions none is more essential to life than the simple act of breathing. We
can cling to life for weeks without food, days without water but only minutes without breath.
In the breath is the most vital strand of life. As anyone who has been in a hospital knows,
blood oxygen is the most vital of vital signs. Of particular interest to the practitioner of Yoga
and Martial Arts is the body paradox that breathing is simultaneously under both autonomic
or involuntary control and voluntary control. Without conscious thought or effort an average
person at rest cycles the breath 11-15 times per minute exchanging approximately 500 cubic
centimeters of air each. Without thought or training or conscious intervention, the rate and
depth of breathing will automatically adjust to the level of physical exertion to maintain
adequate blood oxygenation and carbon dioxide removal through some 300 million
diaphanous alveoli throughout the 5 lobes of the lungs (2 on the left three on the right). A
complex interplay between the efciency of the entire circulatory system, respiratory system
and the biochemical processes of energetic metabolism, determine ones level of overall tness.
Whether a sprinter, marathoner, professional ghter or sedentary armchair spectator you are,
a complex feedback loop of chemoreceptors and neurological circuits keep respiration in
synch with your bodys demands. Poor respiration makes larger demands on the heart. Poor
circulation and heart action require the lungs to work harder.
Observe yourself breathing for a moment. Notice the pattern. Inhale, slight pause, exhale.
Notice more. Is the pause long or short? Are the inhales and exhales smooth and even? Is the
ow of breath evenly distributed between both nostrils? Is one side more open than the
other? Now notice how simple it is to gain conscious control of the rate and depth of the
breath. You can hold the breath in, or out, for a brief time, you can speed it up or slow it
down, you can expand your lungs from various parts of your abdomen and thorax. Now
remember a time your were excited, terried, in love, or nervous. There were sighs, gasps and
breathlessness. The quality of your emotional state a has a profound effect on the breath.
Similarly, the quality of the breath has a profound effect on the mind and emotion.
Common phrases such as I held my breath in anticipation. I gasped at the sight. It was an
inspiration. Are all indicative of the interplay between mind and breath. Why is this so? And
how is the breath used as a tool in the practice of Yoga and Martial Arts? Read on.
Control of The Breath
The nervous system is divided into the CENTRAL NERVOUS SYSTEM (CNS) and THE
PERIPHERAL NERVOUS SYSTEM (PNS). The PNS is further divided into the voluntary
or Somatic system and the involuntary, visceral or AUTONOMIC NERVOUS SYSTEM
(ANS). The ANS is the bodys autopilot and has two branches: Sympathetic and
Parasympathetic. The ANS keeps everything running smoothly from respiration and
circulation to digestion and elimination. The ANS also keeps the balance between action and
rest, ght-or-ight and equipoise and meditation. Of special interest is a very special ANS
nerve called the Vagus. Vagus means wanderer, aptly named as its branches are distributed
throughout all the major organs of the body including the lungs. Nerve endings in the
bronchial tree inside the lungs begin to re upon inhalation. Afferent or sensory bers of the
Vagus nerver get this message and initiate exhalation. The Vagus also innervates the heart
where it regulates its rate and power of beating.
Although by no means a complete explanation, the fact that the breath can be consciously
controlled, provides a window into the normally uncontrollable ANS. By regulation of the
breath the ANS can be indirectly coaxed into relaxing the body and calming the mind. This
principle alone will provide you with a new degree of mastery over yourself including the
ability to remain calm in stressful situations.
Attend again to the simple act of breathing. Place one hand on the naval and the other on
sternum. Notice the movement of the hands upon inspiration and exhalation. Now notice the
expansion of the torso from front to back and sideways. You are becoming aware of the
kinesiology of breathing. HOW and WHEN you breath is central to Yoga and Martial Arts
practices. Observe the breath again as it passes the nostrils. Notice the difference between
the ow in each nostril. It is likely that one will be more open and dominant. If you check it
again in an hour the dominance is likely to have changed. This is also a function of the ANS
which regulates the erectile tissues of the turbinates inside the nasopharynx. The 3 pairs of
turbinates lter incoming air and resonate the voice. Nostril dominance has been correlated
with activity of the contralateral hemispheres of the brain. But I digress only to show that
subtleties abound.
More Details
The prime mover for respiration is the dome-like sheet of muscle that separates the thoracic
from the abdominal cavities of the body. When contracted, the dome attens thereby
increasing the thoracic volume, creating a vacuum for inspiration. When the hand on your
naval moves outward it is an expression of the diaphragmatic inspirational movement as it
presses against the abdominal organs. But this is only part of the story.
The lungs t snugly into the thoracic cavity lling it from clavicles to diaphragm neatly
wrapping around the heart which is askew to the left gliding against the double membrane of
the pericardium. The 12 pair of ribs protect the thoracic cavity and also aid in respiration
through the warp and weave of intracostal muscles. No yogic breath is complete without
recruiting this network of so-called accessory breathing muscles. A complete Yogic breath
requires lifting the sternum and clavicles followed by diaphragmatic contraction and an all-
around expansion of the thoracic cavity via contraction of the intracoastals. Think of a paint
bucket handle. As you lift the handle away from the bucket a space opens. This is how the ribs
move. Learning to properly use the diaphragm, the intracostals and the tiny muscles of the
nasopharynx, form the foundation of breath control. Complete, controlled, smooth, slow
breathing will enable you to relax, have more aerobic capacity and generate greater power
and balance in all movement.
Two Misconceptions
Yogic breathing gets you more oxygen. Wrong. If your blood oxygen saturation drops much below
99% you would be running to the ER or ascending Everest. Great breathing might boost
your blood oxygen by a few tenths of a percent but the overall effects are much more
complex. Breathing exercises impact your heart rate, blood levels of CO2 and entire nervous
system. Deep breathing and/or forms of hyperventilation lowers blood CO2, which decreases
the rate of respiration, constricts blood ow stimulates the Sympathetic nervous system. It
costs less than a double espresso and provides a great wake-up call. Breathing better improves
the amount of air you exchange with each cycle of respiration. A secondary effect is the
stimulation of the organs packed-in just below the diaphragm in the abdominal cavity. More
efcient respiration certainly can improve endurance and may even boost aerobic tness.
Exhale upon exertion. Its not about exhaling, its about sustaining pneumatic pressure in the
entire thoracic cavity that supports your core. With experience you can do this while inhaling
or exhaling. Both Yoga and Martial Arts practices have a library of exercises to develop this
kind of oft-overlooked pneumatic core strength. Taoist techniques include the vigorous
practice of reverse breathing whereby the abdominals are contracted upon inhalation
instead of expanded to increases the pneumatic forces. I have had direct experience with
masters of this method and the mechanical forces they can exert with the aid of these
techniques are impressive.
Prana
The basic anatomy and physiology of respiration is only part of the picture. Patanjalis Yoga
Sutra #34 translated says: The mind may also be calmed by expulsion and retention of the
breath. Patanjalis Sanskrit word for breath is Prana. Prana is much more than air made of
nitrogen and oxygen molecules. It implies a vital energy that circulates through in channels
called Nadis. The largest of these channels is the Sushumna which roughly corresponds to the
spinal chord. Corkscrewing around this central channel are two more called Ida, Pingala.
They are like Hermes mythical Caduceus, a winged staff coiled around by twin serpents
which has come to symbolize medicine and healing. Interestingly this ancient symbol also
evokes the double helical structure of DNA. Ida and Pingala also roughly correspond to the
sympathetic chain of ganglia. A prominent network of nerve centers that bi-laterally
parallel the spine.
Once we are in the realm of Prana, we leave Western science and enter into the eastern mode
of thought. Pranayama is the practice of controlling, cultivating and strengthening the Prana
(s). There are many Pranas in the Yogic sense. They regulate assimilation, elimination and the
health of vital organs, reminiscent of the meridians of Chinese Medicine. The Prana of Yoga is
akin to the Qi of Taoist traditions and the Ki of Japanese martial arts. Prana in the Nadis and
Qi in the meridians are likely different cultural manifestations of the same phenomenon. Both
use breath as the foundation for the cultivation of vitality and inner or spiritual power. Of all
the systems I have studied Kundalini Yoga as passed down from Yogi Bajan addresses this
energetic aspect of Yoga most directly as Taoist Qi-Qong does from the Chinese traditions.
Both nd their origins in the Vedanta of ancient India.
Add Better Breathing to Your Regimen
Familiar to practitioners of Power Yoga, Ashtanga Yoga and its many cousins is the constant
reminder to BREATH. Some teachers cue inhales and exhales, others urge their classes to
sustain the Ujjayi breath. Loosely translated Ujjayi means controlling the expansion.
Practically it means sustaining expanded lungs and controlling the rate and depth of
respiration. Like the regulator on SCUBA gear, the muscles at the back of the throat or glottis
can be employed to regulate the breathing and sustain the pneumatic pressure on the thoracic
cavity as an aid to balanced graceful movement. Singers will be familiar with the elevator
exercise that controls resonance in the nasopharynx. The nasopharynx essentially is the
cavity behind the face that can give a nasal quality to the voice. Experiment with the control
of the glottis and the hissing sound of Ujjayi and you will be rewarded with a stronger more
invigorating practice. A secondary benet will be greater vocal resonance and fewer colds as
you ush out the susceptible cavities behind your nose.
To begin learning, or to rene your breathing practice learn to isolate the kinetics of breathing
by using lying on bolsters to support your chest and laying one hand on the chest and the
other on the belly. Be able to isolate the rise and fall of the abdomen and feel the expansion of
the thorax with each breath. After that be sure to work on the side stretches which to a large
extent are designed to stretch and strengthen the intracostal accessory breathing muscles.
After, or during, your mastery of these basics learn the fundamentals breathing techniques of
alternate nostrils control, Kapalabhati, Bhastrika and Great Circle Breathing. These are
subjects for another time.
Namaste
References:
Bone Marrow Nei Kung, Mangak Chia and Meneewan Chia, 1988