Carbon dioxide is excited in a chamber, the beam is focused by a series of mirrors, a lens and through a nozzle down to a thickness of approximately 0.2mm. When the beam comes in contact with a material it cuts through by vaporising it. Laser cutting courses at the Centre for fine print research.
Carbon dioxide is excited in a chamber, the beam is focused by a series of mirrors, a lens and through a nozzle down to a thickness of approximately 0.2mm. When the beam comes in contact with a material it cuts through by vaporising it. Laser cutting courses at the Centre for fine print research.
Carbon dioxide is excited in a chamber, the beam is focused by a series of mirrors, a lens and through a nozzle down to a thickness of approximately 0.2mm. When the beam comes in contact with a material it cuts through by vaporising it. Laser cutting courses at the Centre for fine print research.
Tom Sowden What is laser cutting? Carbon dioxide is excited in a chamber. Emerging as light from an aperture in the chamber, the beam is focused by a series of mirrors, a lens and through a nozzle down to a thickness of approximately 0.2mm. When the beam comes in to contact with a material it cuts through by vaporising it. The nozzle moves across the surface of the material on an x and y axis that allows designs to be cut or engraved with a high level of accuracy and complexity in a variety of materials. Laser cutting in the Centre for Fine Print Research Laser cutting courses at the Centre for Fine Print Research Laser cutting in the Centre for Fine Print Research Charlotte Hodes at the Centre for Fine Print Research producing a laser cut edition of multi-layered prints. Laser cutters used in artistic production Ara Petersen Tube, 2008. Laser cut birch wood and acrylic paint, mirror. 45 x 45 x 88 cm (left) Black Tube, 2010. Wood and acrylic paint. 35 x 35 x 55 cm (right) www. .ratio3.org/artists/ara-peterson Daniel Widrigs laser cut model (left) and Jared Tarbells cubes and spheroids (right) http://we-make-money-not-art.com/archives/art_in_berlin/index.php?page=2 Laser engraved bamboo iPod cases by Grove www.grovemade.com/ The laser cutter used in industry Exploring the laser as a creative paper cutting tool Cutting a variety of papers Reducing the scorch marks when cutting paper Normally oxygen is blown over the surface of a material as it is being cut. Replacing this with an inert gas, such as nitrogen, helps to reduce the amount a material burns and therefore the scorch marks on the material. Early experiments in combining digital printing and laser cutting to create pop-up pages for a book. Image courtesy of Google Street View. Using the laser cutter for packaging production Using the laser cutter to create an altered book. More later Mette-Soe D. Ambeck Josef von Sternberg Shadow is Unique book produced for the Regenerator Altered Books Project at UWE in 2007 Mette-Soe D. Ambeck : ankomst/afgang, 2009. Hand-cut and pamphlet stitched in Heritage 200gms acid-free paper, 19.5 x 52cm (left) Steam, Salt, Milk a nordic creation myth, 2000. An English translation of the Nordic creation myth, illustrations are hand-cut and burnt (right) www.ambeck.mdd.dk Mette-Soe D. Ambeck, 10+, 2006. 10+ are 10 ordinary objects which, combined, make a distinctive and unusual new robot. Hand-cut, ink-jet printed and pamphlet stitched, 21x14.9cm, edition of 10 Su Blackwell The Lake and the Boat, book-cut sculpture Inspired by a fairytale by Hans Christian Anderson Su Blackwell - Book-cut Sculptures Birds of the Open Forest Dawn Series, 2006 (left) The Castle (right) www.sublackwell.co.uk Su Blackwell, While You Were Sleeping, installation The use of a laser cutter by book and paper artists Olafur Eliasson, Your House, 2006 454 page laser cut artists book of Olafurs house in Copenhagen. Commissioned by the Library Council of The Museum of Modern Art in New York. www.olafureliasson.net/publications/your_house_1.html Scott Campbell, Make It Rain, 2009 www.scottcampbelltattoo.com Lane Twitchell, Downwinder, 2007 (detail on right) Fabric base sheet with hand coloring and laser cut top layer. 52 x 30cm. www.lanetwitchell.com/multiples.php Rob Ryan Clockwise from below: Laser cut card You Are My Universe, 45 x 40cm, hand cut, 2010 Can We Shall We (Black), limited edition of 250, laser cut, 2009 www.misterrob.co.uk Sabrina Basten, Heartbreakhotel, 2005 Installation, 15 x 10m, oak branches, laser cut paper owers, glue. http://sabrinabasten.com/static.php?page=blute The Barbarian Group, Biometric Butteries, 2007 An installation in the exhibit Interactivity at the McLeod Residence, Seattle. http://mcleodbutteries.com/ Matt Cottam, Paper Dolls Furniture, 2009 Matts contribution to Papercamp London was a set of paper dolls furniture cut and etched on the laser cutter from 300gsm paper. www.openarts.org/matt/2009/01/18/paper-dolls-furniture-laser-cut-for-papercamp/ Jenny Smith zoom - resize, 2007 (left), untitled - square, 2006 (right) www.jennysmith.org.uk Michael Mandiberg. Clockwise from top left: Before and After, 2009; FDIC Insured, 2010; World Book End, 2009; Old News, 2009 www.mandiberg.com and www.flickr.com/photos/theredproject/ Emily Morris, Mister Charlesworth, 2007 www.ragandbone.com/blog/?p=714 and www.myspace.com/mistercharlesworth Ingrid Siliaku. Clockwise from left: Captured, 2008; Innerrings, 2008; Innerrings (detail) http://ingrid-siliakus.exto.org/ Lyndi Sales, Shatter, 2007. 159 SAA boarding passes and pins, 200 x 200 x 8cm, edition of 3. www.lyndisales.com Charlotte Hodes Untitled, inkjet with laser cut, 2007, 70 x 40cm. Printed and laser cut at the Centre for Fine Print Research, UWE. http://www.marlboroughneart.com/artist- Charlotte-Hodes-141.html Mia Pearlman Inrush, 2009 (left), Eye, 2008 (right) www.miapearlman.com Mia Pearlman, Voluta Shaul Tzemach Concretion, 2005-7 (top left), Mole Traces, 2009 (top right and details below) Anish Kapoor, Wound, 2003 Wound is published in a numbered edition of 25. Each copy consists of four parts. Each part is signed and numbered by Anish Kapoor. For a detailed description on the production of this book please see: www.factum-arte.com/eng/artistas/kapoor/book.asp Francesca Gabbiani, White Book, 2005 An artists book that was inspired by the novel, Devil in the White City by Erik Larson, about the Chicago's World Fair of 1893 and a serial killer who stalked in the midst. www.lorareynolds.com/exhibitions/about/francesca_gabbiani_wonderland/ Yuken Teruya Lost and Found, The New York Times, 2007 (left) Notice- Forest (McDonalds paper bag), paper bag, glue, 2005 (right) www.yukenteruyastudio.com/en/projects/ A future for the laser cutter? Sarah Bodman and JP Willis How Do I Love Thee? 2009 Inspired by the Romantic poet Elizabeth Barrett Brownings Sonnet 43. An example of how far people in love will go to keep it. There are attributes of the laser cutter that differentiate it from hand cut work, that needs to be embraced such as the repeat cut butteries by Frea Buckler. www.freabuckler.com