Count Opizio orders a new opera to be written within the space of four days. The composer has already turned out the score, but the poet must adapt his verses. A quarrel erupts between the two singers as to which of them shou ld sing the operas opening aria.
Count Opizio orders a new opera to be written within the space of four days. The composer has already turned out the score, but the poet must adapt his verses. A quarrel erupts between the two singers as to which of them shou ld sing the operas opening aria.
Count Opizio orders a new opera to be written within the space of four days. The composer has already turned out the score, but the poet must adapt his verses. A quarrel erupts between the two singers as to which of them shou ld sing the operas opening aria.
Music composed by Antonio Salieri. Libretto by Giovanni Battista Casti.
First performance: 7 February 1786, Schnbrunn Orangerie, Vienna. Principal performers: Maestro Bass Poet Bass Eleonora Soprano Tonina Soprano Setting: A room in the house of the Maestro Synopsis: Count Opizio orders a new opera to be written within the space of four d ays. The composer has already turned out the score, but the poet, suffering from deadline pressure, must adapt his verses to the existing music. Eleonora, the p rima donna hired for the opera by the Count, enters and delivers a sample of her vocal artistry. Together with the Poet and the Maestro, she acts out a scene fr om Giuseppe Sartis Giulio Sabino that devolves into a grotesque parody. Eleonora exits, and the librettist and the composer wrestle with the problem of writing a new text for the existing music or producing music for an existing text. A leng thy dispute ensues. Tonina, representing opera buffa, enters and demands a role in the new opera. The composer and the librettist quickly concoct a vocal number for her. A quarrel then erupts between the two singers as to which of them shou ld sing the operas opening aria. The scene culminates in having both sing their a rias simultaneously. The composer and the librettist are able to pacify the two ladies by agreeing to a juxtaposition of the seria and buffa styles, thereby put ting a conciliatory end to their quarrel. Prima la musica e poi le parole Composed by Antonio Salieri Performed by Boemia del Nord Philharmonic Chamber Orchestra with Graziano Polidori, Giorgio Gatti, Maria Casula, Kate Gamberucci Conducted by Domenico Sanfilippo Disc 1: 1 Sinfonia 2 Scne Premire - "Signor poeta mio" 3 Scne Premire - "Or tant'; decidete" 4 Scne Deuxime - "Deo gratias" 5 Scne Deuxime - "Non dubitar, verr" 6 Scne Deuxime - "L tu vedrai chi sono" 7 Scne Deuxime - "Cari oggetti del mio core" 8 Scne Troisime - "Alfin la prova ha terminato" 9 Scne Troisime - "Se questo mio pianto il cor non ti tocca" 10 Scne Troisime - "Castrato! Cosa diavolo voi dite?" 11 Scne Quatrime - "La cosa va prendendo buona piega" 12 Scne Cinquime - "E il maestro dov'" 13 Scne Sixime - "Signor Poeta" 14 Scne Sixime - "La paix, la paix" 15 Scne Sixime - "Via, largo raggazzi!" 16 Scne Sixime - "Per carit, finite questa scena" 17 Scne Sixime - "Cucuzze! Che concorso!" 18 Scne Ultime - "Per piet, padrona mia" 19 Scne Ultime - "Eppure quell'orgoglio diverte" Work Title: Prima la musica e poi le parole Composer: Antonio Salieri (1750 - 1825) Genre: Stage works Date Written: 1786 Conductor: Domenico Sanfilippo Orchestra / Ensemble: Boemia del Nord Philharmonic Chamber Orchestra Main Performer: Giorgio Gatti (Baritone), Graziano Polidori (Baritone), Kate Gam berucci (Soprano), Maria Casula (Soprano) Opera Part(s): Giorgio Gatti (Poet), Graziano Polidori (Music Director), Kate Ga mberucci (Tonina), Maria Casula (Eleonora) Location of Work Recording: Scopello Music Festival, Trapani Info sobre CD 02: Lesbina e Adolfo Composed by Alessandro Scarlatti Performed by Boemia del Nord Philharmonic Chamber Orchestra with Daniela Uccello, Giorgio Gatti Conducted by Domenico Sanfilippo Disc 2: 1 Scne Premire - "In su l'ora mattutina" 2 Scne Premire - "Intendimi ben mio" 3 Scne Premire - "Lesbinetta semplicetta" 4 Scne Deuxime - "Chi combatte, chi contrasta" 5 Scne Deuxime - "Tu dici ch'io ti piaccio" 6 Scne Troisime - "Adolfo, ben tornato" 7 Scne Troisime - "Peno, piango, singhiozzo" 8 Scne Quatrime - "Ho un certo core in me" 9 Scne Quatrime - "Moscone amoroso" 10 Scne Quatrime - "Son tenera di core" 11 Scne Cinquime - "Voglio spassarmi alquanto" 12 Scne Cinquime - "Mio dolce amore" 13 Scne Cinquime - "Mi sento ardito" Work Title: Lesbina e Adolfo Composer: (Pietro) Alessandro (Gaspare) Scarlatti (1660 - 1725) Genre: Stage works Date Written: 1700 Conductor: Domenico Sanfilippo Orchestra / Ensemble: Boemia del Nord Philharmonic Chamber Orchestra Main Performer: Daniela Uccello (Soprano), Giorgio Gatti (Baritone) Opera Part(s): Daniela Uccello (Lesbina), Giorgio Gatti (Adolfo) Location of Work Recording: Scopello Music Festival, Trapani
(Textxet - Studies in Comparative Literature) Sabine Lichtenstein (Ed.) - Music's Obedient Daughter - The Opera Libretto From Source To Score-Rodopi (2014)