Tears

Tears
C-/E
C-/E
G7
G7
C-
1
4
4
1
4
1
1
3
1
4
8
5
6
8
5
4
1
4
1
6
3
8
9
8
8
9
8
8
9
8
8
9
8
8
9
8
1
3
1

4
5
4
4
5
4
4
3
1
8
6
8
6
1
3
1
2
1
3
1
2
8
6
8
6
8
6
8
6
A7 G7
3
3
3
1
1
3
1
2
4
3
1
6
5
4
3
5
3
3
5
3
4
8
5
11
11
11
10
10
10
10
9
8
5
6
4
4
3
4
3
E6
4
3
1
2
1
3
2
4
1
3
2
4
3 3
6
7
6
6
7
6
6
7
6
6
7
6
6
7
6
8
7
6
4
5
5
4
5
5
3
3
3
1
3
3
3
1
3
3
3
1
3
3
3
1
11
11
11
10
10
10
10
9

7
7
7
6
8
8
8
7
G7(#9)
C-
4
3
1
3
8
8
8
7
10
11
10
9
4
5
5
A7 G7
3
3
3
1
F-/A
F#/A
2
9
9
8
1
3
B7
4
1
3
1
4
1
3
1
F-
4
3
1
2
3
1
4
4
3
C7
C-
C7b13
4
3
1
2
D
G7

C-
C-/E
13
3 1
C-/E
C-
G7
10
10
9 10
8 10
8 10 8
7
10 10 10
C7b13
10 9 10
G7
8
9
8
8
9
8
8
9
8
8
9
8
8
9
8
8
6
8
6
9
9
8
1
3
1
2
21

1
3
1
4
3
1
4
5
4
5
8
6
8
6
8
6
8
6
4
5
4
4
5
4
4
5
4
4
5
4
1
3
1
2
3
3
3
1
1
3
1
2
6
5
4
3
5
3
4
3
5
3
4
11 10
11 10
11 10
10 9
8 10
810
E6
4
3
1
2
1
3
2
4
1
3
2
4
3 3
6
7
6
6
7
6
6
7
6
6
7
6
6
7
6
6
7
6
8
7
6
4
5
5
3
3
3
1
3
3
3
1
4
5
5
4
5
5
A7 G7
3
3
3
1
3
3
3
1
10 10 10
3
3
3
1
A7 G7
F-/A
F#/A
B7
4
1
3
1
10 10 10 10 9 10
F4
1
3
1
4
3
1
2
3
1
C- 3
17
C7
11 10
11 10
11 10
10 9

7
7
7
6
8
8
8
7
G7(#9)
C-
4
3
1
8
8
8
7
3
9 10
11
10
9
25
C^
D-7
A7
1/2
11
11
7 9
10 12
10
10
12
29
1 2
12 10
8 10
12
10
12
12
11
D7
2 2
2 4 1
4 2 1 2 1 2 1 2 2

11 10
9 10
10
10 7
10 8 7 8
A7
33
C^
2
11
10 12 10
12
13

4
1
4
1
1/2
3
8
10
12
7 8
4
4
3
1
3
3
3
1
5
5
4
5
5
4
10
11
D7

4
2
2
1
3
3
3
1
5 5 5
12 12
5
5
4
12 12
11 11
10 10

11 11
10 10
10 10 8

4
4
4
3
4
4
4
3
4
4
4
3
8 10
D-7
1 2
10
G7
F^
12
C7
10
D-7
G-7
4
1
12
2 1 2 1
12
10
A7
C^
27

G7
1 2
10 12 10
G7
(1)

10
12
12
11
10
12
10
13
12
10
15
12
15
4
C^
35
37
D-7
A7
1 2
12
15
15
15
G-7
C7
11
10
12
10 12
10
10
12
G7
1/2
12
10
10
12
10
12
13
11

F^
Beautiful and impressive lick for F and not too difficult actually.
Practice in all keys!
12
10 12 10 8
11
39
9
10
9
10
10
G7
10
6 6
11 9
10
10 7
10 7
7 10
C-
10
10
8 12 10
13 10
10
8
12 11 10
10
10
10
G7
9 10
11
10
12
10
12
G7
D
41

C-/E
C1
Great II-V-I lick in C-
10
10
10 10
10
10

10
10
10
10
10

11
11 9
10
11 9

43

C-/E
C1
9 12
10 12 10
11 9 10
C- (add9) arpeggio
10
10
11
10
10
11
10
10
12
13
12
13
11
15
15
13
16
13
13

44
D
3
G7
The notation of these rhythm ars not exact. Throughout the piece Stochelo
is timing freely. Very lyrical and "floating" on the beat. This kind of playing
is especially suited to ballads.
15
6 6
13 15
13
12
15
12
13
14
12
15
13
12
15
6
13
12
14
12
15
13
16
15
13
16
15
13
12
15
C7

45
Starting with a descending C altered scale followed by an ascending dim arpeggio.

46
3 3 7 6
14
13
15
13
F-
14
13
16
15
13
16
15
13
15
12
10
12
13
11
14
7 6
First time we encounter this particular lick for Bb7 to

Eb. Learn in all keys!
16 13
13
15 14 13
15 13 12 13
15 13
12 13
10
E^
48
11
12
14
15
B7
Nice melodic lick for F-
16 12 15 13
13
12
(3)
1
15
13 12 13
13
13 12 13
15
13 12 13
15
18 15
16
A little early with this dim lick which belongs to the

dim chord in the next bar. Anticipating chords creates
tension and interest.
15
17
15
13
11
13
11
12
11
12
6 6
11
12
13
11
13
14
13
11
10
13
F#/A
2
F-/A

49
A7
1/2
1 2
Again early with the F-. Great F- lick which you should practice
in all keys!
11
10
8 11
6 3
10
10
8 11
10
8 11 10 8
10
11 10
10 9 12 10
10
11 10 10
G7

5
51
G7
A7
G7
1 2
C-
10
10 11
10 9 10
9 12
C-
5 5 10
10 11 12 11 10 8
10
10
11 10
8 10 11
10
10 1110
10
(2)
1
One of Stochelo's favourite

pick up licks to a I in a minor
key. Look for the same lick
in "For Sephora" and
"Bossa Dorado"!
Stylish V-I lick in C-
10 12 13
12
13 13

15 14 13 12
14 12 11
12

53
C-/E
G7
1 3
Great melodical I-II-V-I lick! This one will fiot nicely on many minor tunes.
11
13
12
13 12
10 12 13
12
13 13
11 10
10
10
11
10 1110
10
12
10 11 12 12
10
G7
55
C-/E
C-
2
3 1 3 3
3 2
3 1 1
1 3
3 1
2 1
4 2
1 4
1 3
32
A little bit early with the C7
6 3 3
10 8
9 10
57
11 10 8 10 11
1 2
12 15
14
10
10 12 13
12
13 12
13 12
15 13
17 15 12 13 14
12 15
13 16
13 16 15 13 15 13 12 15
15
13 1413
15
15 14
16 14 15
14 17
15 18
1 1
1 1
F-7 arppegio
3 7 6 6
15 13 12
dim arpeggio
17
15
16 17 15
13
16 13
13
15
15 15
15 13
E^

3
3
1
15 12
F-

12 13
B7
59
14
3
14
10
C7
15
13 12 13
This is a standard lick/idea Stochelo uses on major 7th and 6 chords. First
a signature major lick (beat 3 and 4 of bar 59) and then the minor triad
arpeggio of the relative minor key (in this case C- is the relative key of Eb).
You can find this in many solos here at the academy.
13
14 15
11 13
3
11 13 11 10
3 6 6
13
11
13 11 12
11
12 10
13 10
11 10 8 10 11
10
10 12 13
12
13

12 13
10
9
F-/A
A7

F#/A
2
61
One of Stochelo's favorite minor licks
3 3
11 11 11 11 11 11 11 10 11
10
11
13
11 13
11
3 3
10 11
10 11
10
10
11 10
10
3
3
G7
A7
G7
63
1 1
2 1
10
8 10

65
C^
G7
1 1
10 9
7 10
11
10
11 9
11 9 10
9 12

A7
Pick up for Cmajor

with a natural 9 (a).
C- arpeggio
3 6 7 3 3
8 7
Stochelo is ignoring the Ab7 chord and just plays G7 licks
C-
10 13
12
10 11
13
12
13 10
10
11

10 12
9 10 9
12
G7
D-7
10
11
Easy to play lick for all your major I-VI-II-Vs
12
10
12

11
12
11
10
12
10
10
12
10
12
10
12
10
10

A7

67
3 1 C^
1
2
2 1 1
D-7
1 2
G7
(2)
1
And yet another one!
12 10
10
12
12 10
10 11
11
12
12 10
13
10
10
12 11
10 12
10 10
12
10
9 12 11
10 12
10
10
G-7
69
F^
C7
10 8
8 11
9 12
11
Same lick as in bar 38
6 6 6
F#7 arp. - F#7 =

tritone sub for C7
1/2
10
10 7
10 7 8
7 10
9 10
10
8 12 10
13 10
10
12 11
10 1110

12
11
10
D7
71
D7
1 3
Fun Django lick which really stands out. They are basically chord voicings for
D9(13) and Db9(13) played note for note in ranom patterns. Learn this and stand out!

12
10
12
11
10
10
12
10
12
11
10
12
11
11
10
10
9
9
11
9
11
10
9 11
11
10
10
11
73
C^
D-7
A7
(1)
2
G7
3
Nice lick from A7 to D- using a dim arpeggio on

A7 and hitting the 11th (g) on D-
9 12 10 9
8
10
10
11
12
11
11 10
12 10
12
12
D-7

A7
75
6
C^
10
10
10
12 10
10
G7
1 1
(2)
1
3 1
Another excellent I-VI-II-V for the collection!
77
6 6 3

10
10 10
10 8
7 10
8 11
9 12
11
G-7
C7

2
13 9 12 10
13 10
10
12 11 10
12
10 12 10

6
1
10 8
9 10
F^
2
Returning to the melody (preparing for the coda)
12
10
3
12
11
10
10
10
10
6
9
10
10
10
10
11
10
12
79
G7
C-
(2)
1
G7
Nice filler licks for C- (and G7 to C-)
10
11 9
10
10
8 10 8 7
10
10
10
11 9
C-
CODA
4
2
2
1
81

C-/E
C-
D7
C-
10
9 10
4
2
1

85
4
2
1
12
10
9
10
8
7
10 8 10 8
11
10
10
9
11
10
10
9
4
1
11
10
10
9
10
3
3
3
1
3
3
3
1
2
C-/E
11
10
10
9
11
10
10
9
8
8
8
7
4
1
4
2
1
4
4
4
3
4
8
5
4
4
4
3
4
6
4
3
12
10
9
1
4
1
3
1
5
D7
8
5
6
D7
C-/E
2
4
2
2
1
4
4
6
6
4
6
4
12
10
9
12
10
9
12
10
9
13
G7

87
0
2
0
2
0
2
0
2
Start of a 3 bar free cadenza on G7

0
5
0
5
0
5
0
5
3
4
2
1
T
89
10
3
3
1
2
2
10
11
10
10
4
4
2
3
1
4
4
2
3
1
4
4
2
3
1
4
4
2
3
1
C-%
T 2
This is
an octotonic
chord G7b9(13)
4
5
4
3
11 10 8
3
3
2
3
2
2
2
1
2
1
3
3
2
3
2

4
4
3
4
3
5
5
4
5
4

6
6
5
6
5
7
7
6
7
6
10
10
8
10
10
10
8
10
10
3
10
10
10
10
10

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Tears - Complete

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Great II-V-I lick in C-

Starting with a descending C altered scale followed by an ascending dim arpeggio.

First time we encounter this particular lick for Bb7 to

Nice melodic lick for F-

A little early with this dim lick which belongs to the

One of Stochelo's favourite

Stylish V-I lick in C-

A little bit early with the C7

One of Stochelo's favorite minor licks

Pick up for Cmajor

Stochelo is ignoring the Ab7 chord and just plays G7 licks

Easy to play lick for all your major I-VI-II-Vs

And yet another one!

Same lick as in bar 38

F#7 arp. - F#7 =

Nice lick from A7 to D- using a dim arpeggio on

Another excellent I-VI-II-V for the collection!

Returning to the melody (preparing for the coda)

Nice filler licks for C- (and G7 to C-)

Start of a 3 bar free cadenza on G7

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