Professional Documents
Culture Documents
ellen cornfield
thecompany
y
Ellen Cornfields choreography exemplifies the exhilarating combination of heart and intellect, performed by dancers who
are among the most proficient technical and kinetically expressive dancers around. The company has
toured nationally and internationally, to France, England, Holland, Poland, Russia, and Japan. Cornfields works revel in
the use of space, time and geometric relationships, creating a defined container filled with movement mixing elegant,
robust, and at times quirky material, interspersed with surprising details suggesting stories that never become literal or
obvious. The dances have rigorous structures that carry a pleasure all their own. Intelligence and humanity shine
throughout.
Cornfields interest in making her work available to a wide spectrum of audience has been realized in much of the
companys work, with performances in alternative spaces - gardens, museums, plazas - as well as inside traditional
theater spaces. International venues for her choreography include the International Dance Festival in Bytom, Poland (four
times), the C. Munch Theatre, Paris, The Place Theatre in London, the OPEN LOOK Festival, St. Petersburg, Russia, and
three venues in Japan over a two-week tour, with performances in Tokyo and Okayama.
pas de detour
Pas de Detour, an evening-length dance for five plus Ms.
Cornfield, deals with the idea of obstacles, as we experience
them in our lives, and the ways they can seemingly detour
and derail us. These blocks can be our own emotions,
especially fear, or the inevitable unplanned, unexpected life
events. This work physicalizes these ideas, sporting a robust
and voracious movement vocabulary that bullets through the
space at breakneck speed, hurtling into the air then
plummeting to the ground, resonant with the pell-mell pace
of modern life. This plays against a fluid, mellifluous
vocabulary, establishing the calm within the storm. Within
this highly physical language, Cornfield also draws upon her
unique use of choreographed facial expressions, inserted
with surgical precision to enhance and emphasize a specific
moment. An important work, Pas de Detour establishes a
rich movement tapestry, ranging from a kinesthetic whirlwind
to details of our inner lives, leaving the viewer with a wonder
and compassion for our shared humanity.
Video
smallstages
Small Stages, a work for five performed
on and around a 6' X 6' stage, zooms into
close-up, framing the development of
relationships in small stages attraction and
courtship, a solitary figure relating to an empty
chair, the negotiation and tussles built into a
long-term relationship, the playfulness among friends.
With humor, exuberance, conflict, passion, and tenderness,
this work creates a large canvas in a small space, a
landscape of human emotion and interactions. The robust
movement vocabulary mixes the everyday with the sophisticated,
and is supported by a quirky score that mixed sounds and chirps
with internal thoughts made audible(there is) a partnership of
score and choreography that deepen(s) both.
Extremely versatile in its venue requirements, this dance has been
performed in numerous locations, including outdoors, in a small bar,
as well as in traditional indoor spaces.
Video
furniture suite
Slinking and slicing through the space, two women perform a mercurial study
in kaleidoscopic emotions, juxtaposing recognizable everyday movements and
situations with dance phrases full of unexpected twists and turns. The dance
language is interspersed with idiosyncratic muscle movements a hip twitch
springy jumpshands (as) fluttering accents. In one section the women wrap
themselves on, around and over two sturdy stools, extending the sense of
pixie play. This duet beguiles and provokes, providing an ever-changing
portrait of the two women and their interactions.
Video
pressquotes
Small Stages was most compelling...thirty-six square feet can barely contain one
dancer, let alone three, and when the trio occupied the platform together or in
pairs, they charted interweaving pathways with exciting precision, never sacrificing
the fullness or directness of their movement to the confines of the squarewhy
bother with a theater, when you can do so much with a platform the size of your
bathroom?
tour/residency activities
Cornfields illustrious career as a dance maker, master teacher, and premiere dancer for Merce
Cunningham establishes the scaffolding upon which the range and content of the tour/residency
activities are built, tailored to meet the needs of each specific community.
PERFORMANCES
Alternative Venues, indoors and outdoors
Stage & Studio Venues
CLASSES
Technique
Repertory
Breathing & Alignment
Choreography
Aesthetics and the work of Merce Cunningham
Video for Dance
Music for Dance
WORKSHOPS
Creative for Dancers
Creative for Adults (including non-dancers)
Creative for Children
DISCUSSIONS
Pre-performance
Post-performance
Joan Finkelstein
Executive Director of the
Harkness Fdtn for Dance
(Former Director of Dance @
92nd Street Y)
A marvelous dancer/
choreographer.Ms. Cornfield
has developed her own unique
aesthetic vision.(She) is a
teacher with long experience.
She is articulate about the work
and encouraging but
demanding with her students.
The results are real progress in
technique and performance.
Kathy Emanuelson
Board of Directors Scranton Civic
Ballet
Stormy Brandenberger
Hofstra University, Drama and
Dance Department
Reba Adler
Former Professor Dance History
@ Hunter College
"It was a real treat to have you
in class last week! The students
were delighted; several also
said to me that they loved your
choreography.Thanks
SOOOOO much again for
making the art of dance come
to vibrant life for them and for
me!"