Professional Documents
Culture Documents
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16:16 book and start a new one but one can never finish a liquid book
16:21 neither in reading it nor in writing it.
16:25 Rather it, too, is part of a continuous network.
16:28 The corporation, the educational system, the armed services being meta-st
able 16:34 states coexisting systems, like an universal system of information
16:38 Notice that this does not necessarily have to be negative
16:43 But , how does one combat the gaseous liquid nature
16:47 of the coorporation , of the university in the society of control ?
16:50 Is political struggle now to be conducted with forms of resistance that ar
e fixed and solid
16:54 Or should the gaseous enterprise
16:58 be combated with new forms of resistance
17:02 creativity and struggle that are similar in spirit ???
17:05 gas or liquid nature? more tactical
17:09 and strategic , and are therefore likewise subject to
17:13 continous change and modulation. If so
17:16 how is such an emphasis on creating and beeing
17:19 _____to now ____unexpected to be distinguished from
17:24 capitalism with its continued inovations and creativity
17:28 It is here that question on ethics and politics come into play.
17:32 It's where we would argue
17:36 we are required to make responsible ethical and political decisions
17:40 in specific, albeit undecidable , situations
17:46 and circumstances
17:50 After all creativity is not inherently ethical and political at all .
17:54 Some forms of creativity are
17:56 more ethical and political than others depending on the particular situati
on and context.
17:58 In this respect , given our concern with raising questions on
18:03 intellectual property
18:04 copyright and so forth with the liquid book project,
18:07 it is interesting that while Deleuze spends very little time in this essay
18:12 investigating precisely what the new weapons
18:15 we would use against the controls societies are.
18:18 Of the two, he does mention computer piracy as one
18:23 the other being the introduction of viruses .
18:27 Nevertheless, Deleuzes writing is previous to the world wide web as we cur
rently know,and understand
18:31 So this raises a question mark concerning the extent
18:35 in which Deleuze is able to tell something about the Web
18:39 Might the web not have followed a line of flight away from the concept
18:42 control in the intervening years ?
18:45 Is there a danger of using
18:47 this concept to interpret the web will not only go against Deleuze on his
18:50 emphasis on creativity and experimentation
18:55 as opposed to representation by saying this is that ?
18:59 But will in effect resulted in an attempt to discipline the Web
19:03 in order to make it more like Deleuze's philosophy.
19:06 As when people talk about digital media with its binary code
19:11 allowing the modulation of a fixed structural grid that might never be
19:15 finally escaped . After all if the web is today still
19:21 as Deleuze describes in his essay , then there has been very little actual
modulation
19:25 continuous change since 1990 ? Or is it the point
19:30 that there has been change in modulation , but it is within a
19:34 fixed structural grid?
19:37 And how appropriate is the concept of control
19:40 when it comes to thinking about the Web anyway ?
19:44 What about the question Mark Poster raises
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