Professional Documents
Culture Documents
12
13
14 WAYNE KRAMER, an individual, and
MARGARET SAADI KRAMER an
15 Individual,
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Plaintiffs,
17
vs.
Date:
Time:
Courtroom:
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289144.1
COMPLAINT
1.
This action arises under the Copyright Act of 1976, 17 U.S.C. 101 et
3 seq. and the Lanham Act, 15 U.S.C. 1051 et seq. This Court has subject matter
4 jurisdiction over this action pursuant to 28 U.S.C. 1331 and 1338(a).
5
2.
6 1367(a) over Plaintiffs claims seeking damages for violations of state law because
7 said claims arise out of the same case or controversy for which, as set forth above,
8 this Court already has proper subject matter jurisdiction.
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4.
THE PARTIES
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5.
16 Complaint was, a citizen of the United States, residing in Studio City, California.
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18 in this Complaint was, a citizen of the United States, residing in Studio City,
19 California.
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21 now, and at all times mentioned in this complaint was, a corporation organized and
22 existing under the laws of Japan.
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24 now, and at all times mentioned in this Complaint was, a corporation organized and
25 existing under the laws of the state of California, with its principal place of business
26 in Los Angeles, California.
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9.
28 and at all times mentioned in this Complaint was, a limited liability company
289144.1
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COMPLAINT
1 organized and existing under the laws of the state of California, with its principal
2 place of business in Lakewood, California.
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10.
4 all times mentioned in this complaint was, an individual residing in Los Angeles,
5 California.
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11.
12.
9 HYSTERIC USA, ATOM AGE, KAWAMINAMI, and ARCE were and are
10 working in conjunction with respect to the use of publicity rights, trademarks, and
11 copyrighted materials owned or controlled (via exclusive license) by Plaintiffs. All
12 of the Defendants have engaged in deeds, acts, or conduct in connection with the use
13 of publicity rights owned by Plaintiff, along with plaintiffs trademarks and other
14 copyrighted materials in the United States and in the state of California through one
15 or more of their officers, directors, agents, employees or representatives.
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13.
14.
19 HYSTERIC JAPAN, both individually and collectively, are and were agents and/or
20 joint venturers of each other, and in doing the acts alleged herein were acting within
21 the course and scope of such agency.
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15.
23 the acts of the other Defendants as described herein, and ratified, approved, joined
24 in, acquiesced in, and/or authorized the acts of the other, and/or retained the benefits
25 of said acts.
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BACKGROUND
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16.
Plaintiff Wayne Kramer was the founder of legendary band the MC5.
28 Kramer is widely cited by both critics and fellow musicians as having co-created the
289144.1
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COMPLAINT
1 prototype for the musical genres punk rock and heavy metal. In 1969, the MC5
2 released the politically incendiary and musically revolutionary hit album Kick Out
3 The Jams on Elektra Records. In addition to having an illustrious musical career as
4 well as being cited by Rolling Stone Magazine as a Top 100 Guitarist of All Time,
5 Mr. Kramer is a prominent and vigorous social activist. A true music legend, Mr.
6 Kramer is much more than a widely respected sonic innovator. He is also a devoted
7 activist who has channeled his personal journey into a commitment to social change
8 spanning decades. In furtherance of his activism, Mr. Kramer co-founded Jail
9 Guitar Doors, a Los Angeles based 501(c)(3) non-profit organization that provides
17.
12 transformation through music, Mr. Kramers work with the incarcerated through Jail
13 Guitar Doors serves as an inspiration for artists everywhere to use their platforms
14 toward positive social change. Mr. Kramer has been the subject of several
15 documentaries and television programs highlighting both his musical and
16 philanthropic endeavors, including the PBS Special Series Lifecasters: The Beast
17 and The Angel. Mr. Kramer is the recipient of a number of prestigious awards,
18 including: (1) a special recognition proclamation by the City of Los Angeles for his
19 accomplishments and service to Los Angeles County via Jail Guitar Doors; (2) a
20 California Lawyers for the Arts Artistic License Award in recognition of his work
21 using music as rehabilitation in the communities of both male and female adult and
22 juvenile incarcerated population; (3) The Future of Music Coalition Voice of
23 Change honor in recognition of his lifelong commitment to creative expression;
24 (4) the Psychiatric Rehabilitation Association Board of Directors Award for the
25 use of his experience and talent to advance recovery; and (5) the recipient of various
26 music awards including the prestigious Kerrang Magazines Icon Award. He is
27 also a guest lecturer at California Institute of the Arts, University of California Los
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289144.1
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COMPLAINT
18.
4 manager of the MC5, and co-founder of the White Panther Party from November
5 1968 to July 1969. The White Panther Party was a progressive countercultural
6 group formed to give young people a voice in national affairs in the turbulent 1960s.
7 Sinclair is the author of the book Guitar Army: Street Writings, Prison Writings
8 (Guitar Army) published and copyrighted in 1972. A recognized manifesto of the
9 times, Guitar Army was written partly during Sinclairs imprisonment and the rest
10 written in the form of cultural observation as a bona fide voice of young America.
11 Guitar Army is considered one of the few literary holy grails of that era. The book
12 contains photographs taken by Mr. Sinclairs then-wife Leni Sinclair renowned
13 in her own right that feature both Mr. Kramer and Mr. Sinclair. Along with the
14 literary prose by John Sinclair, and illustrations of Mr. Sinclair including the
15 Nation illustration that has come to be known as Guitar Armys insignia, (Nation
16 Illustration) the book includes phrases of special counter-cultural significance
17 that were written by Sinclair while imprisoned.
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19.
Margaret Saadi Kramer is the wife and manager of Mr. Kramer and,
19 based on a written agreement, the exclusive licensee of Mr. Sinclairs right to use
20 content embodied in the literary work Guitar Army in various products and
21 merchandise, including t-shirts, jeans, jerseys, sweatshirts, programs, posters,
22 pictures, buttons, and lights. By way of the same written agreement, Mr. Sinclair
23 granted Mrs. Saadi Kramer an exclusive license to use his publicity rights as
24 captured in the photographs embodied in the literary work in connection with
25 merchandising, including the right to seek redress for past, present, and future
26 infringements of the copyrights in and to the copyrighted materials contained in the
27 literary work and Mr. Sinclairs publicity rights.
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289144.1
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COMPLAINT
20.
21.
4 Kramer and the latter owns all right, title, and interest in and to the copyrights in
5 said photographs, including the right to seek redress for past, present, and future
6 infringements of the copyrights in and to the photographs.
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8 commerce in 1967 and registered on November 25, 2003 under number 2785351
9 and is incontestable pursuant to Section 15 of the Lanham Act. Among others, the
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23.
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Defendants did not have a license or any other form of consent to use
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COMPLAINT
25.
2 the MC5/Rama Lama Fafafa pt T-SH, Mr. Kramer and Defendants entered into a
3 settlement agreement wherein Defendant Hysteric Glamour USA paid Mr. Kramers
4 charity, Jail Guitar Doors, for Defendants unauthorized image use and would
5 continue to provide Mr. Kramer a royalty for the sell-thru of the unauthorized
6 MC5/Rama Lama Fafafa pt T-SH.
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26.
8 Mrs. Saadi Kramer, seeking authorization to produce apparel items featuring Mr.
9 Kramers image.
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11 McCormack, Mr. Kramers merchandising consultant and agent for that purpose, the
12 material terms of Defendants proposed license/royalty agreement for t-shirts and
13 requested approval of one (1) t-shirt design.
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28.
15 license for only one (1) group band photograph that contained Mr. Kramers image
16 and likeness for one (1) t-shirt and expressly rejected any other further license of
17 any of Mr. Kramers rights. During that March 18, 2011 email correspondence,
18 Defendant Ken Kawaminami expressly stated: At this time we only want to use the
19 one image and further states that Defendants [w]ill comply with Plaintiffs
20 approval of only one (1) design.
21
29.
30.
25 SH and the MC5/High Times pt T-SH, Defendants provided Mr. Kramer with
26 royalty checks for the third and fourth quarters of 2011 to Count Time, Inc., Mr.
27 Kramers agent for accepting authorized royalty payments.
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289144.1
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COMPLAINT
31.
None of the Defendants hold a license for the Barich photographs taken
32.
4 materials authored by Mr. Sinclair and contained in the literary work, Guitar Army.
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33.
34.
35.
6 rights.
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8 rights.
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10 materials at issue in this case from servers that were located in the United States.
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36.
a.
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(Barich Photograph);
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b.
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289144.1
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COMPLAINT
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10 Defendants created several apparel and fashion accessory items containing the
11 Copyrighted Works, the MC5 Trademark, Mr. Kramers image, and Mr. Sinclairs
12 image. Namely, Defendants created, manufactured, marketed, and distributed at
13 least the following items:
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c.
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two (2) colors, and that reads on the back of the t-shirt: Guitar
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Army, along with the Nation Illustration. The inside neck of the
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COMPLAINT
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e.
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the following text from Mr. Sinclairs Guitar Army: We are all
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COMPLAINT
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f.
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Kramer and the MC5 trademark on the back of the t-shirt and in
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g.
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Defendants, however, erroneously marketed the image as being that of John Sinclair.
289144.1
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COMPLAINT
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h.
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No. 62 pt T-SH, which contain the MC5 trademark and the title
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j.
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COMPLAINT
Amerika [sic];
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k.
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l.
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trial.
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18 payments to Count Time, Inc. for the MC5/Rama Lama Fafafa pt T-SH and
19 MC5/High Times pt T-SH t-shirts. Plaintiffs believed that said royalty checks
20 were for the two (2), then-authorized, t-shirt designs, MC5/Rama Lama Fafafa pt
21 T-SH and the MC5/High Times pt T-SH.
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39.
On or about February 11, 2013, Mr. Kramer first became aware that
40.
28 Defendants claimed that the uses were authorized because they had issued royalty
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COMPLAINT
1 checks for the manufacture and distribution of the unauthorized apparel and
2 accessories identified in Paragraphs 37, above.
3
41.
4 apparel and fashion accessories, Defendants were unable to produce the same.
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42.
Defendants further claimed that they did not know that the Barich
6 Photograph contained Mr. Kramers image when they placed the Barich Photograph
7 on merchandise that also contained the MC5 Trademark.
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43.
9 claimed that Defendants did not know that the Barich Photograph contained
10 Waynes image, stating: We meant no harm and would have asked for permission
11 from you if we had known it was Wayne in the photo.
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Despite Defendants claims that they did not know the Barich
13 Photograph contained Mr. Kramers image, Defendants send Mr. Kramer purported
14 royalty payments for the unauthorized merchandise.
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16 impermissible uses of the Copyrighted Works, the MC5 Trademark, Mr. Kramers
17 image, and Mr. Sinclairs image had been revealed to Plaintiffs, did Defendants
18 attempt to obtain license(s) from Mr. Sinclair, which he refused to grant and could
19 not grant as a result of the exclusive license he granted Mrs. Saadi Kramer.
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46.
13
COMPLAINT
47.
Plaintiffs are informed and believe that Defendants offered for sale and
48.
5 Copyrighted Works over the Internet to public audience located in the United States.
6
49.
Plaintiffs are informed and believe that Defendants continue to use the
7 Copyrighted Works, the MC5 Trademark, Mr. Kramers image and Mr. Sinclairs
8 image, which belong to and/or are controlled by Plaintiffs Kramer, for their own
9 gain.
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50.
11 and/or malice consistent with the definitions of those terms as provided by Cal Civ.
12 Code 3294.
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52.
53.
21 Copyright Acts of 1909, 1976, and all other laws governing copyright, including by
22 applying for registration of claims to copyright in: (a) the Barich Photograph on
23 October 29, 2014 and (b) the Guitar Army book on October 29, 2014.
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54.
25 and Guitar Army book, owned by Plaintiffs without Plaintiffs permission and in
26 violation of Plaintiffs copyright rights. Specifically, the infringed images have
27 been printed on designer apparel sold in numerous retail stores and online.
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289144.1
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COMPLAINT
55.
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18 Plaintiffs are entitled to actual damages and disgorgement of Defendants non19 duplicative profits attributable to the infringement in amounts to be proven at trial.
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No one other than Mr. Kramer holds his publicity rights, including the
27 use of Mr. Kramers name, likeness, image, and identity for commercial purposes.
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289144.1
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COMPLAINT
63.
On January 8, 2007 and again on January 20, 2014 Mr. Sinclair granted
2 Mrs. Saadi Kramer an exclusive license to John Sinclairs publicity rights, including
3 the use of John Sinclairs name, likeness, image, and identity for commercial
4 purposes, which includes the right to seek redress for past violations of John
5 Sinclairs publicity rights.
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64.
7 continuing to this date, Defendants have willfully and knowingly infringed on the
8 publicity rights of Mr. Kramer and Mr. Sinclair by appropriating the name, likeness,
9 image and identity of Mr. Kramer and Mr. Sinclair for their own purpose of
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13 publicity rights and diluted their ability to effectively market such images, all to the
14 detriment of Plaintiffs.
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Plaintiffs are informed and believe, and on that basis, allege that as a
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COMPLAINT
1 Kramers image and likeness in conjunction with the MC5 trademark, all without
2 permission. Making matters worse, Defendants charge exorbitant prices for their
3 unauthorized merchandise. By way of example, Defendants charged $525.00 USD
4 per pair of jeans.
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6 of the Mr. Kramers image and likeness and the MC5 trademark have engaged,
7 and are continuing to engage, in acts of the wrongful deception of the purchasing
8 public, including by falsely representing that Mr. Kramer and MC5 have authorized
9 the apparel and merchandise enumerated in Paragraph 37, above, wrongful
71.
Defendants use of the image and likeness of Mr. Kramer and the
72.
Based on the scope and nature of the Defendants use of Mr. Kramers
25 image and likeness, as well as the MC5 trademark, the potential for likelihood of
26 confusion is great.
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28 has been knowing, intentional, and malicious, and its misuses were carried out with
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COMPLAINT
1 the intent to trade upon the goodwill and reputation of Mr. Kramer and the band,
2 MC5, and/or to unfairly compete with the same.
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74.
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7 business has been and will continue to be irreparably harmed by Defendants unless
8 they are enjoined from their exploitative and infringing commercial business
9 practices and from using Mr. Kramers image and likeness and the MC5
76.
15 his image and the MC5 trademark falsely endorsing Defendants products because
16 such unauthorized use trademark creates a perception of hypocrisy in the public eye
17 and irreparably undermines the important international social work that has been
18 Mr. Kramers adult lifes mission, the value of which is immense and cannot be
19 overstated.
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Importantly, the Wayne Kramer and MC5 fans are disappointed to see
21 Mr. Kramers image and the MC5 trademark offered in connection with purported
22 luxury goods, thereby tarnishing the reputation of Mr. Kramer and the MC5
23 trademark.
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EQUITABLE ESTOPPEL
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COMPLAINT
79.
2 publicity and intellectual property rights when Defendants sent purported royalty
3 checks for the unauthorized merchandise, as explained in Paragraphs 38-40, above.
4
80.
5 merchandise, Defendants intended for Count Time, Inc. to cash the checks to: (a)
6 provide Defendants with a defense to a resulting lawsuit in claiming that such
7 infringing uses were implicitly consented to or waived by Plaintiffs; and/or (b) to
8 induce Plaintiffs to not seek additional compensation for such infringing uses, as
9 described in Paragraph 46, above.
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11 described in Paragraphs 38-40, Count Time, Inc. assumed that the purported royalty
12 checks were for the two (2) then-authorized t-shirts.
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25 checks amount to: (a) consent, (b) an implied non-exclusive license, and/or (c) a
26 waiver of Plaintiffs claims.
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COMPLAINT
86.
2 from arguing that Plaintiffs have waived any of their rights or otherwise granted
3 Defendants an implicit license to use their publicity and intellectual property rights.
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5 through their attorneys, respectfully pray for judgment against the Defendants
6 HYSTERIC GLAMOUR, a Japanese Corporation, HYSTERIC GLAMOUR USA,
7 Inc., a California Corporation, Ken Kawaminami, an individual, Atom Age
8 Industries, LLC, a California Corporation, Robert Arce, an individual, and DOES 1
9 through 10, inclusive, jointly and severally, for:
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COMPLAINT
H.
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The costs of this action including, but not limited to, expert fees;
J.
Kramer and Mr. Sinclairs publicity rights, the MC5 trademark, and
K.
L.
M.
Such other and further relief as the Court deems just and proper.
Heather L. Blaise
LAW OFFICE OF HEATHER L.
BLAISE, P.C.
Justin Righettini
BRYAN CAVE LLP
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289144.1
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COMPLAINT
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4 Dated: November 6, 2014
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Heather L. Blaise
LAW OFFICE OF HEATHER L.
BLAISE, P.C.
Justin Righettini
BRYAN CAVE LLP
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289144.1
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COMPLAINT FOR DAMAGES