Professional Documents
Culture Documents
in Calcutta mint.
1765 Clive took Bengal, Bihar and
Orissa from Badsha Alam II ( Delhi)
with an agreement of paying excises.
1770 Infamous famine.
1772 Calcutta became the capital of
British India when the first Governor
General, Warren Hastings, transferred
all important offices to the city from
Murshidabad.
1775 Nandakumar, a local landlord was
hung in a false allegation when he
accused Warren Hastings of corruption.
1780 James Hicky established a printed
press and published first news paper
"The Bengal Gazzette".
1784 The first official news paper "The
Calcutta Gazzette", was published.
1784 Sir William Jones took initiative
and established The Asiatic Society.
1795 First Bengali drama 'Kalpanik
Song Badol' was staged by Gerasim S.
Lebedef at Bengali Theatre.
1801 Fort William College was
established.
1804 The Governor House (presently
Raj Bhawan) was built.
1813 The Town Hall was built.
1818 First Bengali Magazine
Digdarshan was published from
Srerampur, with the help of David
Hare.
1817 The Hindu College (presently
Presidency College) was established
with efforts from Rammohan Roy,
David Hare and Radhakanta Dev.
Initially the college started with 20
students.
1828 Sahid Minar (Octorloney
Monument) was built.
1829 Rammohan Roy was successful in
making 'satidaho' (a Hindu rule)
banned by British Governor General
William Bentinck.
1839 Sangbad Prabhakar, the first
Bengali daily was published.
2001 Calcuttaweb.com
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Asiatic Society
Located in the intersection of Park Street and Chowranghee, Asiatic
Society was formed in 1784 by Sir William Jones and a group of
Europeans with Warren Hastings as it's first patron. The library inside
has approximately 149,000 volumes including 8,000 rare Sanskrit,
Arabic, Persian and Hindi manuscripts. It is also rich with
archaeological relics, geological and ethnological specimens. The rooms of the society
contain valuable work of art, including original paintings by Reubens, Guiles, Reynolds and
others. The library also has an interesting collection of manuscripts, coins, inscriptions and
engravings. The Ashokan rock edict is a unique item here.
Web Site: www.asiaticsocietycal.com
Location: The Asiatic Society, 1, Park Street, Kolkata 700016. Intersection of Park Street
and Chowringhee.
Timing: Mon-Fri 10:30am - 6pm
Phone:
Asutosh Museum of Modern Art
Located at Centenary building of University of Calcutta. In 1937 the
Asutosh Museum of Indian Art was opened in the Western Hall of the
then Senate House. This museum has rare and valuable collections
including Bengal patachitra paintings, katha shilpo art, folk art, terra
cotta, ivory art etc.
Web Site: www.caluniv.ac.in
Location: University of Calcutta. Centenary Building. College Street.
Timing: Mon-Fri 11:30am - 4:30pm
Belur Math
This magnificent temple located on the bank of river Ganges is the head
quarter of the Ramakrishna Mission. It was conceptualized by Swami
Vivekananda, the illustrious disciple of Ramakrishna Paramhansa. The
construction took four years and was completed on 1899. The temple
building is one of the finest specimen of temple architecture in India. The
display includes Swami Vivekananda's room, meditation bed, belongings etc. From the
temple, one can have a panoramic view of the holy river Ganges.
Website: www.belurmath.org
Timing: 8am - 11:30am & 4pm - 7:30pm
Location: PO Belur Math, Dist Howrah 711202
Phone: 2654 1144/1180/5391/8494/9581/9681
Birla Planetarium
Inaugurated in 1963, Birla Planetarium was the first of it's kind
in India. The Planetarium owns an astronomical observatory
equipped with a Celestron C-14 Telescope.
The central dome has a diameter of 27 meter. The building is
modeled after the Buddhist Stupa at Sanchi. The central hall can
accommodate 500 people which hosts daily shows in English,
Hindi and Bengali.
Website: education.vsnl.com/planetarium
Location: 96 J.L. Nehru Road (close to Victoria Memorial, St. Paul's Cathedral and Maidan)
Timings: 12-7pm (closed Monday) Entrance fee Rs.15
Phone: 22236610
Dakshineswar Temple
Located on the bank of the river Ganga near Bally Bridge,
Dakshineswar Temple remains as one of the most important
Hindu temple in Kolkata. The main temple houses an idol of
Goddess Kali on a silver lotus with thousand petals. There are
twelve spires known as Navratna Temple and a courtyard
surrounded by 12 other temples dedicated to Lord Siva. Shri
Shri Ramakrishna, the great 19th century religious personality attained enlightenment in this
temple. There is a congregation of 5 ancient trees known as Panchavati, a spot for
meditation. The temple is full of memoirs of Ramakrishna and his wife Sarada Devi. On an
average, over 40,000 people visit this temple every day.
GPO
The GPO (General Post Office) building is located in BBD Bag area
with it's 220 feet high dome, Ionic-Corinthian pillars and Edwardian
architecture. Designed by Walter B. Granville and built in 1868, the
building is of immense archaeological interest.
The adjoining area is postal museum exhibiting stamps and artifacts
commemorating history of Indian postal services. At the
southwestern end of the building is the Philatelic Bureau, which is a
collector's delight. GPO serves as the chief post office of the state of West Bengal.
High Court
The oldest High Court of India opened in 1872. The red and
yellow Gothic style architecture is replica of the Stadt-Haus
(town hall) at Ypres in Belgium and was architected by
Walter Granville. The tower is about 195 feet tall.
The building hosts an impressive Bar library and a Judge's
library.
Website: calcuttahighcourt.nic.in
Howrah Bridge
Indian Museum
The largest museum in the country was constructed in 1878. Prior
to that the museum was located at the Asiatic Society building.
The museum has now over sixty galleries of art, archaeology,
anthropology, geology, zoology and botany sections, spreading
over ten thousand square feet area
Website: www.indianmuseumkolkata.org
Timings: Tue-Sun 10am - 5pm (Monday closed)
Entrance fee Rs.10 (Rs.150 for foreigner)
Phone: 22861699
Kalighat Temple
The temple is believed to be 350 years old. The earliest mention of
Kalighat is found in 'Ain-i-Akbari' (a historical document written
during the time of Mughal Emperor Akbar) in the 16th century.
Kalighat is the temple of Goddess 'Kali', the deity of power.
The temple was rebuilt in 1809 and renovated in 1971. A black stone
idol of Goddess Kali decorated with gold and silver ornaments is ensconced here.
Marble Palace
Local landlord Rajendra Mullick built this palace in 1855 using
Italian marble.The palace has an interior courtyard, complete with
a throne room. The building has paintings of Rubens, Reynolds.
Location: 46 Muktaram Basu Street (off Chittaranjan Avenue)
Entrance Fee: FREE but you must obtain a permit from West
Bengal Tourism Office.
Timings: 10am-04pm (except Monday and Thursday)
Phone: 22825813
Nakhoda Masjid
Website: http://www.victoriamemorial-cal.org
Timings: 5:30am - 7:00pm. The museum: 10:00am - 7:00pm
Tickets: Rs.4 per person for entering into the premises. For the museum or inside the
building Rs.10 per person.
Phone: 22231890
Writers' Building
Also known as 'Mahakaran' in Bengali, this building houses the
State Secretariat and is the official address of the Chief Minister of
West Bengal. The Writers Building got it's name for being the
dwelling place of the junior servants (who were also called as
writers) of the East India Company during the early British era; since
late 19th century the building started hosting the office of the Bengal
Secretariat. The original building was constructed in 1779; the
current red brick style structure was completed during the time of Lt. Governor Ashley Eden
in 1882. The total area consists of 10 acres of land and thirteen four storied buildings. The
building epitomizes the political revolution of Bengal.
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Travel - Transport
Airlines
Bus Routes
Metro
Train
Tram
Map
Street name changes
Tour Operators
Airlines
Netaji Subhash Chandra Bose Airport at Dum Dum, is the international and domestic
airport of Calcutta, and is located at around 16 km from the heart of the city. The Dumdum
metro station is about 5 kms from the airport. Recently a new train line connection with a
station adjacent to the airport has been started operating. Taxi-cab is the popular mode of
communicating to and from the city. Check Airlines timing
Train
There are two major train stations in the city: Howrah and Sealdah. Recently, some long
distance trains are starting from Biddhannagar and other stations too. Howrah station is
located on the other side of river Hoogly. Local trains spanning through a network of
around 100 kilometres carry millions of commuters every day to and from the city. See train
routes
METRO (undergound railway)
India's first underground railway connects between southern and northern part of the city
(between Tollygunge and Dumdum ). The track passes through the heart of the city. Some
stations are well decorated with art works based on themes related to local area. Check list
of metro stations.
BUS
The most widely used mode of transportation between suburbs and the main city. Buses
come in different types, like, CSTC (Calcutta State Transport Corporation) Govt. buses,
privately owned bus routes (majority of the buses are privately owned), mini buses,
specials, limited stops, express service etc. Fares start from Rs.4 ( as of 2005 Jan, the fare
changes frequently) . Some special buses' fare start from Rs.5/6 . Most buses have two
doors, some have one. All buses have some seats reserved for ladies and elderly people
(senior citizens). In most of the cases, ticket collector (conductor) collects the ticket after
boarding. Check different local bus routes. Long distance buses are available from
Esplanade and Howrah. Some long distance buses have luxury elements like video displays,
sleep berth etc.
Trams
Though decommissioned in some part of the city, electric trams (runs on track) are still one
of the means of traveling between places within the city. They move slow on the laid tracks
in traffic jammed streets, but they are environment friendly (no emission). Check list of
tram routes
Taxi (cab)
There are plenty of them through out the city. Prepaid taxis are available from Airport and
Howrah train stations. Taxi fares are confusing as the taxis are equipped with different
kinds of meters. Some have old meters where the fare is usually 200-300% on the top of the
metered price. Taxis with new electronic meters have less confusion, but usually 150% of
the amount displayed is payable. Whatever it is, the passenger can ask for a rate conversion
chart which displays the conversion list between metered amount and the payable amount.
Auto Rickshaws
These three wheeled vehicles runs between short distances and are available through out the
city mostly in suburban area. Most of them have designated routes and need a minimum
number of 4 or 5 passengers to start. But they are flexible. Being smaller in size compared
to other vehicles, sometimes they are able to move faster in the crowded city streets.
Rickshaws
Bicycle Pedalled Rickshaw
Three wheeled vehicle with bicycle pedals. Mostly run between short distances in narrow
lanes and streets. Can accommodate two passengers, but usually allow kids.
Manual Pull Ricksaw
T wo wheeled cart pulled by one man. Mostly used for very short distance. Has been
banned in the city. Hard to find these days.
Cycle Van Rickshaw
W idely available in rural and suburbs. Used for carrying goods as well.
Ferry Boats
Very popular among daily commuters who had to cross the river. It is a nice way to avoid
infamous traffic jam on Howrah Bridge. The fare is between Rs. 2.00-5.00 and it takes
around 15-20 minutes.
2001 Calcuttaweb.com
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HINDU
o Kalighat Temple - Kalighat
o Dakshineswar Temple - Dakshineswar
o Birla (RadhaKrishna) Temple - Gariahat Road, Ballygunge
o Thanthania Kalibari - Bidhan Sarani (near Vidyasagar College)
o Phiringi Kalibari - Boubazar
o Belur Math - Howrah Belur
o Chitteswari Kalimandir - Chitpur Gun Foundry Road
o Madanmohan Temple - Bagbazar
o Sovabazar Thakurbari - Sovabazar
MUSLIM
o Tipu Sultan Mosque - Esplanade
o Tipu Sultan Mosque - Tollygunge (Prince Anwar Shah Road)
o Nakhoda Mosque - Chitpur Road (Rabindra Sarani)
o Karbala Mosque - Manicktola
o Niyamatulla Mosque - Nimtala Ghat Street
o Jama Masjid - Razabar (Keshab Chandra Sen Street)
CHIRSTIAN
o St Paul's Cathedral - Cathedral Road (next to Birla Planetorium)
o Armenian Church - Armenian Street (off Brabourne Road), Burrabazar
o St James Church - junction of Park Street and AJC Bose Road
o St Johns Church - Council House Street, BBD Bag
o St Andrews Church - Old Court House Street (next to Writers Building), BBD
Bag
SIKH
o Bhawanipore Gurdwara - Sambhunath Pandir Street (near P G Hospital)
o Gurdwara - Rasbehari Avenue
o Sikh Sangat Gurdwara - Alambazar, B T Road
o Munilal Singh Sangat Gurdwara - Mahatma Gandhi Road, Burrabazar
JAIN
o Pareshnath Temple - Gauribari
o Shree Digambar Jain Parasnath Mandir - Belgachhia
o Shitalnathji Jain Temple - Badridas Temple Road (near Shyambazar)
BUDDHIST
o Mahabodhi Society of India - College Street
o Buddha Dharmankur Sabha - near Indian Airlines office on Central Avenue
o Japanese Buddhist Temple - J L Nehru Road
JEWS
o
PARSI
o
India
State
West Bengal
Capital City
Latitude
Longitude
Altitude
Winter(12-27C) Summer(24-38C)
Average Rainfall
160cm
Total Population
City Maps
WEST BENGAL
Area
88752 sq km
Population (2001)
80176197
Population Density
Gender Ratio
Male-1000,Female-934
Districts
19
Division
Sub-Division
66
Block
341
Villages
40801
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Biography Family
Tree Work chronology Gitanjali
Letter to Viceroy
Paintings Photo
Gallery Manuscript
Art Songs(Rabindra
Sangeet)
Poems(Bengali)
Rabindranath Tagore
Rabindranath Tagore, the Nobel laureate poet, writer, philosopher was
the ambassador of Indian culture to the rest of the world. He is probably
the most prominent figure in the cultural world of Indian subcontinent
and the first Asian person to be awarded with the Nobel prize. Even
though he is mainly known as a poet, his multifaceted talent showered
upon different branches of art, such as, novels, short stories, dramas,
articles, essays, painting etc. And his songs, popularly known as
Rabindrasangeet, have an eternal appeal and is permanently placed in
the heart of the Bengalis. He was a social reformer, patriot and above
all, a great humanitarian and philosopher. India and Bangladesh - the
national anthems of these two countries are taken from his composition.
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Science
Personalities :: Novelist
Jagadish Chandra
Bose Satyendra Nath
Bose Prafulla Chandra
Roy Meghnad Saha P
C Mahalanbis
Reformer
Rammohan Roy
Vidyasagar
Bankim Chandra Chatterjee
Leader
Subhas Chandra Bose
One of the greatest novelists of India who gave the people the sacred
Philospoher
'mantra'- 'Vande Mataram.' The Bengali Novel practically began with
Swami Vivekananda
him. He also wrote philosophical works, which stimulated independent
Literature
thinking.
Bankim Chandra
Chatterjee
Bankim Chandra Chatterjee was born on 27th June 1838 in the village
Rabindranath Tagore
Knathalpara of the 24 Paraganas District of Bengal. He belonged to a
Sarat Chandra
family of Brahmins. The family was well known for the performance of
Chatterjee Michael
yangas (sacrifices). Bankim Chandra's father Yadav Chandra
Madhusudan Dutta
Chattopadhyaya was in government service. In the very year of his son's
Painting
birth he went to Midnapur as Deputy Collector. Bankim Chandra's
Abanindranath Tagore
mother was a pious, good and affectionate lady. The word 'Bankim
Nandalal Bose Jamini
Chandra' means in Bengali 'the moon on the second day of the bright
Roy
fortnight'. The moon in the bright half of the month grows and fills out
day by day. Bankim Chandra's parents probably wished that the honor
of their family should grow from strength to strength through this child,
and therefore called him Bankim Chandra. Bankim Chandra's education
began in Midnapur. Even as a boy he was exceptionally brilliant. He
learnt the entire alphabet in one day. Elders wondered at this marvel.
For a long time Bankim Chandra's intelligence was the talk of the town.
Whenever they came across a very intelligent student, teachers of
Midnapur would exclaim, "Ah, there is another Bankim Chandra in the
making".
Bankim Chandra finished his early education at Midnapur. He joined
the Mahasin College at Hoogly and studied there for six years. Even
there he was known for his brilliance. His teachers were all admiration
for his intelligence. With the greatest ease Bankim Chandra passed his
examinations in the first class and won many prizes. He was not very
enthusiastic about sports. But he was not a student who was glued to his
textbooks. Much of his leisure was spent in reading books other than his
texts. He was very much interested in the study of Sanskrit. He would
read and understand Sanskrit books on his own. He was struck by the
beauty of that language. Bankim Chandra's study of Sanskrit stood him
young and beautiful wife made him very unhappy. After some time he
married again. His second wife was Rajlakshmi Devi. They had three
daughters but no son. Bankim Chandra's youngest daughter Utpala
kumari is said to have committed suicide. When he was in Jessore,
Bankim Chandra met a person by name Dinabandhu Mitra. He was a
renowned Bengali dramatist of the time. They became close friends.
Bankim Chandra dedicated his 'Anandamath' to the memory of his dead
friend Dinabandhu Mitra.
In due course Bankim Chandra emerged as a great writer in Bengali. He
wrote novels and poems. He wrote articles, which stimulated impartial
thinking. He became well known outside Bengal too. His novels have
been translated into many Indian languages.
Bankim Chandra first wrote poems. Then he wrote a novel in English.
But after this he began to write novels in Bengali. He wrote while still in
service. Because of constant pinpricks he grew weary of service. He felt
that government service curbed his freedom and challenged his self
respect. So he asked for permission to retire, though he was only fifty
three years old. But his superior officers were displeased with him. So
they would not even allow him to retire. When a new Lieutenant
Governor, Charles Eliot by name, was posted, Bankim Chandra
approached him. He told him that he wished to write books and needed
leisure. "I would like to retire. Please allow me to do so," he requested
Eliot. He agreed. At last Bankim Chandra was free. He was retired on a
pension of four hundred rupees a month. When Bankim Chandra retired
he was eager to write many books. But he was not able to devote many
years to writing on a large scale. His health soon declined and he died in
1894 when he was only fifty six.
Bankim Chandra was a very refined person. Rabindranath Tagore, the
world famous poet of India, has related an incident about Bankim
Chandra. There was a gathering. People were talking in groups. One of
them was reading Sanskrit verses composed by him. Bankim was
standing nearby. The subject of the composition was patriotism. As the
poet read, he made a remark making fun of Indians in poverty. When
Bankim heard the remark he covered his face and left the place at once.
Ramakrishna Paramahamsa, one of the great sons of India, and Bankim
Chandra were acquaintances. The word 'Bankim' also means 'that which
is bent'. Sri Ramakrishna once jokingly asked Bankim Chandra, "What
is it that has bent you?"
"The kick of the Englishman's shoe," Bankim replied.
Sri Ramakrishna was acquainted with Bankim Chandra's historical
novels, too. When Swami Vivekananda was still known as
Narendranath, Sri Ramakrishna had sent him to Bankim Chandra.
Who was wrong?' People no longer read novels just to kill time. In
addition to entertainment the novels taught people to think objectively.
The other notable contribution by Bankim Chandra is, of course, 'Vande
Mataram.' It became the sacred battle cry of freedom fighters. It became
such a source of inspiration that the British officers were enraged at the
very mention of this. People were sent to prison just because they sung
this song. 'Vande Mataram' has an honored place in independent India.
It keeps bright in the hearts of the people the ideal of dedication to our
country.
Bankim Chandra's novels made him famous. But he has also written
excellent books which are not novels. 'Krishna Charitra', 'Dharmatattva'
(Philosophy of Religion), 'Devatattva' (Principle of Divinity) and a
commentary on 'Srimadbhagavadgeetha' are some of his other books.
He wrote articles on Hinduism both in English and in Bengali. He had
deeply studied choice books in English.
Bankim Chandra worked in the field of journalism too. Those were the
days of few journals. He felt that there was need for a journal offering
variety of reading material. The periodical should, of course, publish
stories and novels, but it should publish articles on modern science; it
should also include articles, which stimulate thinking. So in April 1872
he brought out the first issue of 'Vangadarshan'. In the very first issue of
'Vangadarshan' Bankim wrote: "I have no ill feeling towards either
English or Englishmen........ It is very good to study English as much as
possible (but) pure silver is better than gilt brass. A true Bengali is better
than one who poses as an Englishman ....... Bengal will not progress as
long as educated people and scholars do not express themselves in
Bengali."
Thus one of the aims of Bankim was to interest people in science and in
the problems of the progress of their society and their country. It was a
time when educated Indians spoke only English instead of their own
language. So Bankim Chandra wanted to foster the love of the Bengali
language in the educated Bengalis, and to make them share their
knowledge with others through their language. This was his second aim.
Rabindranath Tagore has said that 'Vangadarshan' was like the first rains
of the month of Ashadhr. This month of the Indian calendar falls in
June-July. Its first rains bring a new liveliness to nature. 'Vangadarshan'
created such a liveliness in Bengal. People eagerly looked forward to its
issues. Besides, 'Vangadarshan' made possible the publication of
numerous stories, poems, novels, plays and articles of criticism; it also
paved the way for later journals.
Science
Jagadish Chandra
Bose Satyendra Nath
Bose Prafulla Chandra
Roy Meghnad Saha P
C Mahalanbis
Reformer
Rammohan Roy
Vidyasagar
Leader
Subhas Chandra Bose
Philospoher
Swami Vivekananda
Literature
Bankim Chandra
Chatterjee
Rabindranath Tagore
Sarat Chandra
Chatterjee Michael
Madhusudan Dutta
Painting
Abanindranath Tagore
Nandalal Bose Jamini
Roy
Personalities :: Literature
(1914), Palli Samaj (1916), the first part of Devdasa (his first novel) and
his first published short story Mandir (1904). It may be noted that these
(with the exception of the last two part of Srikanta) belong to the first
phase of Chatterjee's literary career, that is up to 1913 when he had been
just recognized as a powerful writer of fiction. The second phase began
with the conscious attempt to tackle a plot that is akin to Tagore's Gora.
The result was his the biggest novel Grihadaha (Home Burnt, 1919).
The spinning out a thin story is rather wearisome and it was never
received with the usual acclamation. Before he finished Grihadaha,
Chatterjee had reverted to the romantic love story Datta (The Girl Given
Away, serialized 1917-19) and Dena-Paona (debts and demands, 1923)
were written.
The revolutionary movement from Bengal operating in Burma and in Far
East supplied the background of the romance Pather Dabi (The Demand
of the Road, 1926). The novel for no cogent reason was proscribed by
the Government. In Bipradas (1935) Chatterjee returns to the domestic
novel but it scarcely reveals a new approach or a fresh appraisal. His last
complete novel Sesh Prasna (The Final Question, 1931) is an attempt at
the 'intellectual' novel where the meager theme is inflated by high brow
talks on problems of the individual and of the society relating principally
to love and marriage.
Some of the popular tales of Chatterjee were dramatized and performed
on the public stage with considerable success. Chatterjee's works have
been repeatedly translated into all the major Indian languages
Courtesy :
Arghya Chatterjee
2001 Calcuttaweb.com
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Science
Jagadish Chandra
Bose Satyendra Nath
Bose Prafulla Chandra
Roy Meghnad Saha P
C Mahalanbis
Reformer
Rammohan Roy
Vidyasagar
Leader
Subhas Chandra Bose
Philospoher
Swami Vivekananda
Literature
Bankim Chandra
Chatterjee
Rabindranath Tagore
Sarat Chandra
Chatterjee Michael
Madhusudan Dutta
Painting
Abanindranath Tagore
Nandalal Bose Jamini
Roy
Personalities :: Literature
Courtesy :
Shukavak N. Dasa
2001 Calcuttaweb.com
Select a page
Science
Jagadish Chandra
Bose Satyendra Nath
Bose Prafulla Chandra
Roy Meghnad Saha P
C Mahalanbis
Reformer
Rammohan Roy
Vidyasagar
Leader
Subhas Chandra Bose
Philospoher
Swami Vivekananda
Literature
Bankim Chandra
Chatterjee
Rabindranath Tagore
Sarat Chandra
Chatterjee Michael
Madhusudan Dutta
Painting
Abanindranath Tagore
Nandalal Bose Jamini
Roy
Personalities :: Art/Painting
Abanindranath Tagore
Regarded as the father of India's modern art, Abanindranath was born at
Jorasanko on 7th August, 1871 at the Jorasanko residence of the Tagore
family. He is the youngest son of the late Gunendranath Tagore and
grandson of Girindranath Tagore, the second son of Prince Dwarkanath
Tagore. His eldest brother Gaganendranath was also an artist of repute,
and the next brother is Samarendranath Tagore who is of a studious and
retiring disposition. Girindranath, Abanindranath's grandfather, was
himself a painter of considerable merit and used to paint portraits and
landscapes after the European style.
Abanindranath made use of his father's paint-box to paint rural scenes
with cottages and palm trees. He gradually acquired considerable skill in
drawing similar interesting pictures with his father's red and blue and
other colored pencils. He was then about nine years of age. His beloved
father died when Abanindranath was only ten years of age.
While at the Sanskrit College (1881-1890) Abanindranath took a few
lessons in Art from his class-mate, Anukul Chatterjee of Bhawanipur
whom he still remembers clearly and the beautiful pencil outline
drawings that he used to make. Although he was not very strong in his
English, Abanindranath somehow managed to get promoted to the first
class, being exceptionally well for his age in the Sanskrit language and
literature.
In 1889 he married Srimati Suhasini Devi. At this time he left the
Sanskrit College after nine years of study and studied English as a
special student at St. Xavier's College, which he attended for about a
year and a half. At this institution he greatly enjoyed lectures of Father
Lafont on scientific subjects.
About the year 1897 when Abanindranath was about twenty-five years
of age, he took private lessons from Signor Gilhardi, an Italian artist,
(then Vice-Principal of the Calcutta Government School of Art) on cast
drawing, foliage drawing, pastel and life study. Later he began to attend
the studio of Mr. Charles L. Palmer who had arrived from England. After
undergoing a severe training under Palmer for three or four years
Abanindranath attained such a proficiency in portrait painting in oils that
he could finish a picture within two hours. During this period he painted
many subjects in oils.
Abanindranath devoted his life to painting and he was the Guru to a
number of artists. He was the Vice-Principal of the Government Art
School and was working under E. B. Havell. Havell freed Abanindranath
from European influences. He drew his attention to Moghul and Rajput
styles. The influence of these styles can be seen in his later work. Later
on, Abanindranath learnt about Japanese art from Okakura. Okakura was
a great Japanese artist and art-critic who had come to India with Swami
Vivekananda. Okakura declared that the spirit of a nation expresses itself
in its art. He also said that from the point of view of art, all Asia is one.
After he returned to Japan, Okakura sent to India two other Japanese
artists, Taikoan and Hilsida. Abanindranath studied Japanese art under
their guidance.
Painting and Sculpture are but two of the many attainments of this
versatile genius, Abanindranath Tagore. His manifold and valuable
contributions to literature in some of its important branches would rank
him as one of the greatest litterateurs of the time. Children's literature
specially has received his devoted and affectionate attention. The more
important of his works on juvenile literature are "Raj-Kahini",
"Sakuntala", "Kshirer- Putul", "Bhutapatri", "Nalaka", "Nahush" "BuroAngla" which please the old and the young alike.
Abanindranath's paintings were exhibited in London and Paris in 1913,
followed by another international exhibition in Japan in 1919. His
appreciative audience included Rodin and Rothenstein. The influence of
Abanindranath on modern Indian art is profound and under his guidance
a new generation of painters- Nandalal Bose, Asit Halder, Kshitindranath
Majumder and Jamini Roy - brought about a revival in Indian art. The
largest number of paintings by Abanindranath- over 500 - forms a part of
Rabindra Bharati Society's collection at Jorasanko, Calcutta.
Abanindranath Tagore died in 1951.
Courtesy :
Chitralekha : Mukul Dey's article
FreeIndia.org
Arghya & Diganta
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Personalities :: Art/Painting
Nandalal Bose
Devavrata Bose, who was his friend, relative and also Aurobindo's
follower, had a great influence on Nandalal.
He was married in his 20th year, when he was still a student. His wife
Sudhira Devi was the beautiful daughter of Prakashchandra Pal. Pal was
a rich man; he lived on one bank of the river, Nandalal on the other bank.
After his marriage, his father-in-law took interest in his studies. Nandalal
joined Presidency College. Even here he could not concentrate on his
studies because he was passionately interested in drawing and painting.
Nandalal tried unceasingly to learn to paint. From his cousin Atul Mitra
he learnt model-drawings, still-life and sauce painting. He copied the
paintings of European masters. One such painting was Raphael's
'Madonna'. At this time Nandalal was also enthusiastic about Raja Ravi
Varma's paintings. One of Nandalal's original paintings, 'Mahasveta',
shows the influence of Ravi Varma. When he was yet feeling his way,
Abanindranath's paintings like 'Buddha' and 'Sujata', and 'Bajra-Mukut'
suddenly lit up his path. Nandalal was overjoyed; and he recognized his
Guru (the Master) in Abanindranath Tagore. What Swami Vivekananda
was to Ramakrishna, Nandalal Bose was to Abanindranath Tagore.
One opinion Abanindranath used to express often: The disciple does not
become an artist because of teacher; the disciple has to shape himself
into an artist. But the Guru takes care of the disciple just as the gardener
takes care of the sapling. Under such a Guru, Bose grew into a fine artist.
Abanindranath was not just a teacher, he was a devoted artist. Bose spent
five years as a disciple. He was given a monthly scholarship of Rs. 12.
Nandalal Bose was not only a great painter; he played a leading role in
the renaissance of art. Bose's genius and his original style were
recognized by famous artists and art critics like Gaganendranath Tagore,
Anand Coomaraswamy and O.C.Ganguli; these lovers of art felt that
objective criticism was necessary for the development of painting and
founded the Indian Society of Oriental Art. Nandalal Bose was awarded
a prize of RS. 500 at the first art exhibition organized by this Society.
Rabindranath Tagore was very fond of Nandalal Bose. When Nandalal
Bose took charge of the Art Department at Santiniketan, Rabindranath
Tagore was extremely happy. Tagore honored Nandalal Bose with a
welcome song. When Abanindranath saw Nandalal Bose's 'Swayamvara
of Damayanthi' he said, "I can smell the sweet scent wafted from the
marriage mantapa." (A mantapa is a special structure for an auspicious
occasion.) The Japanese artist Okakura commented on Bose's painting
'Agni' (Fire): "It has every thing, but the only thing it lacked was fire."
Nandalal Bose illustrated many of Rabindranath Tagore's works.
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Personalities :: Art/Painting
Jamini Roy
Jamini Roy (1887-1972), one of the most celebrated artists of modern
India, is especially admired for his painting that brought solace to the
viewers in a tormented time of history. He gave a novel and daring
direction to the art of colonial India by evolving his idiom of expression
out of Bengal's folk painting, discarding at once both of the dominating
trends of his days, namely, Western academicism, then insipid and
decadent, and Neo-Bengal school, which tended to become cold and
fragile. And as the time marched, his concept of art's agelessness has
gained importance in the context of the present generation artists' new
search for the roots.
Born in a remote village of Bankura in West Bengal, Jamini Roy showed
his inherent interest in representational arts from his boyhood days, when
he loved to spend times among the village potters and emulate their dollmaking. His actual training however began at the age of sixteen in
Calcutta at the Government School of Art and Craft. Though at the time
Abanindranath Tagore was the acting principal of the school, he
preferred to take lessons in Western style and technique. After eight
years, when he came out of the school, he was an accomplished painter
in oils. In fact, in his twenties he earned his living by executing portraits
in academic style. But his spirit of quests led him to many directions,
including those of idyllic paintings of the genre of Abanindranath's
disciples and the landscapes experimenting in the way of the postImpressionists like Cezanne and Van Gogh.
In the beginning of nineteen twenties, when he was in his mid-thirties,
Jamini Roy took the vital decision of discontinuing painting in Western
method. At that time, his yearning to discover an idiom of his own.
"Even today", he said afterwards, "I am least bothered whether my
paintings is good or bad, and I feel that it is no concern of mine. My sole
desire is to make my paintings look different." In his agony to have a
personal identity he realized certain truth that he mentioned later on in
the following words : "It was not possible for me to paint in European
way, nor in Chinese or Tibetan.... because I was not in their milieu."
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Personalities :: Philosopher
Swami Vivekananda
The valiant monk who proclaimed in America the greatness of Hinduism
and of Indian culture at a time when the West regarded India as a land of
barbarians. He dedicated his life to the country and yearned for the
progress of the poor, the helpless and the downtrodden. He was the great
thinker and mighty man of action whose ringing words galvanized the
slumbering Indians. For ages to come he will be a source of inspiration.
Some examples are here:
"Brothers and sisters, the long night is at last drawing to a close.
Miseries and sorrows are disappearing. Ours is a sacred country. She is
gradually waking up, thanks to the fresh breeze all around. Her might no
one can overcome."
"Are you prepared for all sacrifices for the sake of our motherland? If
you are, then you can rid the land of poverty and ignorance. Do you
know that millions of our countrymen are starving and miserable? Do
you feel for them? Do you so much as shed a tear for them?"
"Have you the courage to face any hurdles, however formidable? Have
you the determination to pursue your goal, even if those near and dear to
you oppose you? You can be free men only if you have confidence in
yourselves. You should develop a strong physique. You should shape
your mind through study and mediation. Only then will victory be
yours."
"I loved my motherland dearly before I went to America and England.
After my return, every particle of the dust of this land seems sacred to
me."
Real name Narendra Nath Dutta. His father was Vishwantha Datta and
mother Bhuvaneshwari Devi. Narendra was born on 12th January 1863 in
was mad. "Will you come again? Promise me you will", pleaded
Ramakrishna. Eager to escape from him, Narendra said, "Yes, but , have
you seen God?" "Of course I have. I have seen him just as I'm looking at
you. I have even talked to him. I can show him to you. But who is
yearning to see God?" replied Ramakrishna. Narendra said to himself,
"Till today no one had told me he had seen God. This man looks
mentally deranged; possibly he is even mad. However, it is not proper to
judge without investigating." A month passed. Narendra went alone to
Dakshineswar. Ramakrishna was resting on a cot in his room. He was
pleased to see Narendra; It did not take a long time for Sri Ramakrishna
to realize the greatness of Narendra. Moreover, he was guided by the
will of Goddess Kali. But young Narendra would not accept
Ramakrishna as his guru without a test. Ramakrishna used to say that, in
order to realize God, one should give up the desire for money. One day
Narendra hid a rupee under his pillow. Sri RamaKrishna, who had gone
out, came into the room and stretched himself on the cot. At once he
jumped up as if bitten by a scorpion. When he shook the mattress, the
rupee coin fell down. Later he came to know that it was the doing of
Narendra.
Narendra was Ramakrishna's favorite disciple. But he would not accept
as gospel truth all that Narendra said. Narendra was highly critical of
people who worshipped idols. He rejected the theory of "Advaita"
(monism). He had no faith in mystic experiences. Advaitic assertions
such as "I am Brahman", "I am Shiva" did not impress Narendra. But Sri
Ramakrishna would always bring him back to the right path by saying,
"There are many roads to reach a destination. No one has the right to say
that the path the other man takes is not the right one. It is improper to
pass judgement on anything that one does not understand." One day Sri
Ramakrishna took Narendra to a secluded place. He said, "I have
attained some powers after a long period of meditation. They will give
whatever a man wants. I have given up all desire, and so I have no use
for these powers. Shall I bestow these powers on you?"
"But will they help me to realize the self?" - asked Narendra.
"No," said Sri Ramakrishna.
"Then I do not want them. More than anything, I want to realize God."
Narendra's reply filled Ramakrishna with joy. The Master had tested
Narendra, and Narendra had passed the test. Gradually Narendra turned
towards renunciation, giving up all worldly desires. The parents came to
know of this. He was then studying for his BA degree examination. In
1884, Narendra passed the BA degree examination. A friend of his
hosted a party. As Narendra was singing at the party, the news of his
father's death came like a bolt from the blue. Poverty hit the family
immediately after the father's death. The moneylenders began to harass
the family. Some of them even went to a court of law. Narendra
wandered far and wide looking for a job. His clothes were tattered and
torn; and it was difficult even to get one meal a day. Many a day he
fasted so that his mother and his brothers and sisters might have
something to eat. He would tell them that he had eaten with a friend.
Sometimes he would faint with hunger and fall down in the street. But in
spite of such overwhelming misfortune he never lost faith in God. Sri
Ramakrishna would console him saying, "You are here to serve mankind
and do mother Kali's work. You should be brave." One day he said to
himself: "God gives whatever my Guru seeks. So it is best to seek my
Guru's help." He went straight to his Guru and said, "On my behalf
kindly pray before the Goddess to rid me of this poverty. She will give
you whatever you wish for, won't she?" The Guru said, "My child, you
have no faith in Her, why then will she listen to my prayer? You
approach Her yourself. Then she will fulfil you need." So in the dead of
night Narendra stood before the idol of Goddess Kali. He lost himself in
deep meditation. He begged the Goddess, "O Mother, bestow on me the
spirit of renunciation. Let me see you, that is all I beg of you." When he
came out, the Guru asked, "Did you submit your prayer to Her? And
what did She say?" Narendra said in dismay, "O! Forgot about it
completely." "Then go back and ask Her," said the Guru. Again he forgot
to speak about his poverty in his prayer to the Goddess. Again the Guru
sent him. Back came Narendra and the same thing happened. The Guru's
joy knew no bounds. "My child, you should not crave for only food and
clothes. They are not the ultimate goals of man. Have faith in God. He
will look after the welfare of your family," said the Guru.
Later Narendra took up the profession of teaching. For some time he
taught in the Vidyasagar School. Now the family had at least enough
food. While he worked as a teacher he continued his study of law. His
Guru's health broke down. Sri Rama krishna developed a tumor in the
throat. Narendra gave up both his job and his studies and devoted all his
time to nursing his Master. Once, while Narendra was in meditation he
shouted, "Where is my body?" Others had to touch his body and
convince him of its existence. When Sri Ramakrishna heard this episode,
he was happy that at last his desire to find a worthy disciple had been
fulfilled.
The disciples nursed the Guru to the best of their ability. But the thought
that the Guru would not recover from the illness agonized them. His end
was drawing near. On the last day he called Narendra to his bedside and
touched him. He invested Narendra with all his spiritual powers. He said,
"Naren, now you are all-powerful. All these are my children. It is your
duty to take care of them." These words filled Narendra's heart with
grief. He went out of the room weeping like a child. After the passing
away of Sri Rama Krishna, the young disciples went to live in a rented
house in Baranagar. Although old, the house was far away from the
noise and bustle of the city; and it was on the banks of the river Ganga. It
was very close to the tomb of Sri Ramakrishna. So, the Mutt (monastery)
was opened there. The young monks had two goals-salvation and the
service of fellow men. Some young men left their homes and became
monks and joined the Mutt. Narendra became a monk and headed the
institution. The young sannyasis were unmindful of lack of food and
clothing. But even when they fasted they did not neglect their studies and
meditation. Narendra taught his brethren Sanskrit and Philosophy. To
visitors he expounded the teachings of the Master. As a sannyasi, one
cannot be tied to a particular place. Even the Mutt is a kind of a prison.
Attachment to a particular place is also wrong.
It was the great good fortune of India that Narendra took to sannyasa and
became ' Vivekananda'. India became his home and its inhabitants his
brothers. The sacred task of wiping the tears of his unfortunate brothers
was dear to his heart. He had to travel all over the country. His assets
were - a saffron robe, 'Kamandalu' (an ascetic's waterpot) and 'danda'
(staff). On his way he visited many holy places. He lodged at huts and
choultries and slept on the bare ground. He satisfied his hunger by
begging for food. He was in the company of sadhus, spending the time in
religious discussions and holy rituals. He traveled on foot or by any
vehicle whose driver was hospitable. Varanasi was the first city that
Vivekanda visited. During his stay there, he met many scholars and
exchanged ideas with them. In philosophical disputations he triumphed
over them. In Ayodhya, his imagination pulsated with the memory of Sri
Rama and Sita. In Agra the Taj Mahal filled him with wonder. On his
way to Brindavan, he smoked a hukka borrowed from a passer-by that
was a fisherman; he drank water in a pariah's house; begged for alms and
accepted food from a cobbler. As he stepped into Brindavan (where Lord
Krishna is believed to have lived); he was in ecstasy.
At Alwar, some Muslims became his disciples. While Swamiji used to
eat in their houses, he became acquainted with Maharaja Mangal Singh.
Initially the Prince had no faith in the Swami. There was a heated debate
between the two. "Swamiji, I have no faith in idol worship," said the
Maharaja. The Swamiji replied, "An idol is only a symbol. It is not
something to sneer at. Every devotee has his own way of realizing God.
It depends on the individual's devotion." The Prince was not satisfied
with Swamiji's explanation. There was a portrait of the Maharaja on the
wall. The Swamiji asked the Diwan (chief minister) by his side, "Whose
picture is that?" "The Maharaja's," replied the Diwan. Vivekananda said,
"Spit on it." The Diwan was taken aback. "Why are you unhappy?"
asked the Swamiji. The Diwan thought this man was certainly mad.
Swamiji explained: "After all, the photograph is just a shadow of your
Maharaja. It is devoid of flesh and blood." "But then it reminds us of the
Maharaja, does it not?" said the Diwan. Wisdom then dawned on the
Maharaja. He apologized to the Swamiji. Later the Swamiji went to
Mount Abu, passing through jaipur and Ajmer. He spent some time in
tapas (prayer and meditation) in a cave. While Swamiji was travelling by
train, in Rajasthan an interesting incident took place. He was resting in a
second class compartment. Two Englishmen were profusely hurling
abuses at him. They were under the impression that the Swamiji did not
know English. When the train reached the station. Swamiji asked an
official, in English, for a glass of water. The Englishmen were surprised;
they asked Swamiji why he was silent though he could understand them.
Swamiji snapped back, "This is not the first time I have met fools." The
Englishmen were enraged, but Swamiji's formidable physique silenced
them. During his travel, Swamiji could travel by train only if somebody
bought him his ticket. Otherwise, he had to travel on foot. He had to
starve most of the time for he had no money. Once it happened that a
merchant travelling with him was helping himself to varieties of
eatables. Swamiji was hungry and tired. But he did not beg for food. The
merchant spoke to him tauntingly and said, "You are an idler. You wear
the saffron clothes only because you do not want to work. Who will ever
feed you? Who cares if you die?" Just then, a sweetmeat seller offered
Swamiji some eatables and said, "I saw you in my dream this morning. "
The haughty merchant was put to shame when he saw all this.
In Mysore, Swamiji got to know Diwan Swashadri Iyer and also the
Maharaja of Mysore. The Swamiji's discourse in Sanskrit at a gathering
of scholars deeply impressed the Maharaja. One day he questioned the
Swamiji as to his future plans. "India is the land of many religions and
schools of philosophy. The Western world has progressed in science.
Human welfare is possible only by a reconciliation of the two. Therefore,
I want to go to America in order to propagate Vedanta," said Swamiji.
The Maharaja said, "Then I shall bear all the expenses of the visit."
Swamiji thanked the Maharaja for his offer and promised him that he
would make use of it when he needed it. Swamiji next visited Ramanad.
Bhaskara Setupati was the ruler of Ramanad at that time. He discussed
with Swamiji the problems that the country was facing. The prince
treated him with great respect. "You should attend the Conference of
World Religions in America. I shall bear all your travel expenses," said
the ruler. Assuring the prince that he would give serious thought to his
suggestion, Swamiji went to Rameshwaram and from there he finally
reached Kanyakumari. He swam to a rock and sat on it. Surrounded there
by the sea, he reflected on the state of affairs in India. The thought of the
poverty of the masses in this country made him miserable. He decided
that unless casteism was rooted out, there could be no salvation for his
countrymen. He concluded that his first task was to go Western countries
and expose the spiritual values of India. He would then return to awaken
his own slumbering land.
It was in Madras that the little lamp that appeared in Bengali Narendra
became the blazing light of all India as Vivekananda. It was there that
pressure mounted on him to go to America. The fame he won in Madras
traveled to Hyderabad. Thousands gathered at the meeting addressed by
him there. It was the first ever-public meeting addressed by Swamiji.
After he returned to Madras from Hyderabad, he started making
preparations for his tour abroad. Contributions towards his travel
expenses poured in from all parts of the country. But he kept with him
only as much money as he needed for the journey. He returned the rest of
the money to the donors.
Swamiji reached the city of Chicago in the middle of July. On his way he
touched at the ports of Colombo, Singapore, Hongkong and Tokyo. He
chose a hotel for his stay. He made inquiry about the opening of the
Conference of World Religions. It was still three months away. How was
he to stay so long in a strange place? The money he had was fast
disappearing. Meanwhile, an international fair was going on. Swamiji
was wandering in the premises of the fair. Just then he spotted a
Maharaja from India. He approached the Maharaja. But the Maharaja
turned away with wry face. Since Chicago was a big city and very
expensive, Swamiji moved to the city of Boston. On the way he met a
lady. She was from Boston. She was amazed at Swamiji's strange attire,
his magnificent physique, and his bright eyes. She decided that he was
no ordinary man. She begged Swamiji to be her guest. He agreed.
Occasionally he addressed meetings at small clubs. The subject of his
talk was Indian Culture and the Hindu Dharma. Gradually many scholars
became his friends. One of them was John Henry. He was greatly
impressed by Swamiji's scholarship. The delegates to the Conference of
World Religions had to submit their letters of introduction to the
organizers. But Swamiji had lost his letter of introduction. Wright
himself wrote the letter of introduction, in which he called Swamiji "A
scholar who surpasses all of us." Swamiji went back to Chicago. When
he reached the city he found that he had lost the addresses of some
people. The people of the city were mostly Germans and could not
understand English. As a consequence, Swamiji could not stir out.
Finding no way out, Swamiji curled himself in an empty box, which was
lying in the railway station. The next morning he wandered about in the
streets. Unable to bear his hunger, he begged for alms at some houses.
He could not get anything. On the contrary he was insulted and
humiliated. He was sitting on the footsteps of a playground. A lady came
out of a house facing the playground and asked him, "Are you a delegate
to the conference of World Religions?" The Swamiji replied, 'Yes'. The
lady said, "Please come to my house. You can bathe and have food. Then
I shall take you to the Conference." Her name was Mrs. George Hails.
The conference started on 11th September 1893. Thousands of delegates
belonging to deferent countries of the world had gathered at the
conference. Vivekananda was the youngest of them all. When it was his
turn to speak, his throat went dry. Besides, he did not have, like the other
delegates, a prepared speech. He requested the President to let him be the
last speaker, His turn did come as the last speaker. He prayed fervently
to Sri Ramakrishna and Mother Sarada Devi, and stood up to speak.
When he began his address in his pleasing voice with the words
"Brothers and Sisters of America," there was a thunderous applause.
When it subsided at last he continued his short speech. He said that
people born in different religions finally reach the same God, as river
born in different places finally reaches the sea. He emphatically declared
that no religion is superior and none is inferior. The delegates, every one
of them, praised his speech. Newspapers carried his photographs and his
speech. In later days people flocked chiefly to listen to his speech. He
became the darling of the crowds. Whenever he rose to speak there was
deafening applause. Even as the conference was in session, many
institutions and associations extended invitations to Swami
Vivekananda. Within a short time he became famous. Wherever he went,
he dwelt at length on the greatness of Indian Culture. He spoke with
spontaneous ease on every topic, be it History, Sociology, Philosophy or
Literature.
"He speaks without a scrap of paper in his hand. We see in him some of
the qualities of Jesus himself. A strange attire, a radiant personality, a
rare elegance, the skill to epitomize Hinduism superbly - with these gifts
he has won the hearts of our people. He is mesmeric. He is unsurpassed
in conversation. His mastery of English is exceptional. A man like him
appears only once in age. We are fortunate that we can see him and hear
him, "- thus the newspapers went into raptures. Till then Americans had
the impression that Indians were superstitious and ignorant. Thanks to
Swamiji's persistent efforts, India was elevated to an honored position
not only in America, but in the entire comity of progressive nations.
Wherever Swamiji went, people flocked to listen to him and waited
patiently. After the speech they would invite him to their houses and
treat him as an honored guest. They would entertain him lavishly. At
such times, Swamiji was constantly and painfully reminded of the
poverty and squalor of India. The opulence around him would become
unbearable. He spent many a sleepless and tearful night.
Meanwhile, he received pressing invitations from England. A rousing
reception awaited him in London when he arrived there. The newspapers
were all praise for the Hindu Yogi's oratory and outlook. Many became
his disciples. Among them was Margaret Nivedita. She came to India
and settled here. Swami Vivekananda returned to India after his foreign
tour lasting four years.
By the time he arrived in India, Swamiji's fame had spread far and wide.
When he landed in Colombo on 15th January 1897, he was accorded a
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Jagadish Chandra
Bose Satyendra Nath
Bose Prafulla Chandra
Roy Meghnad Saha P
C Mahalanbis
Reformer
Rammohan Roy
Vidyasagar
Leader
Subhas Chandra Bose
Philospoher
Swami Vivekananda
Literature
Bankim Chandra
Chatterjee
Rabindranath Tagore
Sarat Chandra
Chatterjee Michael
Madhusudan Dutta
Painting
Abanindranath Tagore
Nandalal Bose Jamini
Roy
Personalities :: Reformer
Rammohan Ray
Raja Rammohan Roy has come to be called the Maker of Modern
India. Without giving up what was good and noble in the past, he laid
the foundations for a great future. He put an end to the horrible custom
of burning the living wife with the dead husband. He was a great scholar
and an independent thinker. He advocated the study of English, Science,
Western Medicine and Technology. He spent his money on a college to
promote these studies.
Rammohan was born in a village named Radhanagar in the district of
Mushidabad in Bengal on the 22nd of May 1772. In his 14th year he was
about to become a monk. But his mother came in his way. Rammohan
had been educated in Sanskrit, Bengali, Arabic and Persian in his own
village. Though his father Ramakanto was very orthodox, he wanted that
his son should have higher education. For this purpose, he sent him to
Patna in his ninth year. The boy was very intelligent. He studied Arabic
and Persian under famous Muslim scholars in Patna. Aristotle and Euclid
were two great thinkers who lived in Greece, hundreds of years ago.
Rammohan read their works in Arabic. By studying their books,
Rammohan developed the ability to think for himself. Many people in
India who believed in God worshipped pictures and idols of God.
Rammohan wondered if God had any form. He was not interested in
idol-worship and in festivals at home. He opposed idol-worship. But his
father, who was a very firm believer in idol-worship, felt he was doing
wrong. Owing to differences between Rammohan and his parents, he left
the house. He joined a group of monks. They wandered about the foot of
the Himalayas, and went to Tibet. The Tibetans were Buddhists. They
used to worship their teacher. Rammohan understood the principles of
Buddhism. He came back to his parents.
The parents lovingly received their son who had gone away. But even
now, the father and son could not agree on many matters. Ramakanto
celebrated his sons marriage, hoping that he would change. But the son
did not change. Rammohan went to Benaras and studied the Vedas, the
Upanishads and Hindu philosophy deeply. When his father died in 1803
believer in Hinduism. He had great respect for the Vedas and the
Upanishads, which he had studied deeply. Some men spoke lightly of the
Vedas and the Upanishads. Rammohan gave them a very clear answer:
"There is only one God in the universe. He has no form and qualities
which men can describe. He is full of joy. Every living being has an
element of God. These noble ideas sparkle in the Upanishads. Moreover,
these books encourage people to think for themselves, they strike out
new paths. They do not chain mans intelligence." Just as he condemned
the bad customs of the Hindus he condemned the superstitions of the
followers of other religions.
Rammohan came to Calcutta in 1815. He formed an association of
English and Hindu scholars. He started a college also and arranged for
the teaching of modern subjects like Science, Political Science,
Mathematics, and English. One of the members of the association was
rich and educated man called Radhakanto Dev. He had some followers
from the beginning. He did not like Rammohan. He obstinately said that
he would not help the association, if Rammohan were a member. To
Rammohan, the prosperity of the association was more important than
his status. So, he did not become a member of the association, though he
himself had started it. During 1816-17, Rammohan started an English
College with his own money. Today it is difficult even to believe that he
spent so much money for the spread of education. He understood the
condition of the country; he saw that the students should learn the
English language and scientific subjects. Rammohan criticized the
governments policy of opening only Sanskrit schools. Because of this,
Indians would have no contact with Western civilization. They would lag
behind without studying modern subjects like Mathematics, Geography
and Latin were held in high esteem in Europe. He argued that the
government should examine this point. Government accepted this idea of
Rammohan and implemented it after his death. Rammohan was the first
to give importance to the development of the mother tongue. His
Gaudiya Byakaran in Bengali is the best of his prose works. His
Bengali was terse, simple and elegant. By translating the scriptures of the
Hindus into Bengali he gave Bengali a new dignity. Rabindranath
Tagore and Bankimchandra followed in his footsteps. Rammohan wrote
lyrics also.
Rammohans brother Jagmohan died. His wife Alakamanjari had to
observe Sahamaran (that is, she was to be burnt alive with the dead
body). All arrangements were made for cremation. All the relatives
gathered. Alakamanjari put on a laced-sari and there was Kumkum on
her forehead. (A mark of 'Kumkum or vermilion on the forehead is
considered sacred by a Hindu wife; it is an indication that her husband is
alive.) Her hair was disheveled. Fear was written upon her face. The
corpse was brought to the cremation ground. Rammohan begged his
Science
Jagadish Chandra
Bose Satyendra Nath
Bose Prafulla Chandra
Roy Meghnad Saha P
C Mahalanbis
Reformer
Rammohan Roy
Vidyasagar
Leader
Subhas Chandra Bose
Philospoher
Swami Vivekananda
Literature
Bankim Chandra
Chatterjee
Rabindranath Tagore
Sarat Chandra
Chatterjee Michael
Madhusudan Dutta
Painting
Abanindranath Tagore
Nandalal Bose Jamini
Roy
Personalities :: Reformer
Iswarchandra Vidyasagar
Real name Iswarchandra Bandyopadhyaya. The title "Vidyasagar" which
means 'ocean of knowledge', was given to him as an honor of excellence.
But his contribution to the Bengali society is far more than just
scholastic. Vidyasagar picked up the social reform work where
Rammohan left it. He laid the foundation of modern Bengali language.
Vidyasagar was born on 26th September, 1820 in a village named
Birshingha in Midnapore district to father Thakurdas Bandyopadhyay
and mother Bhagavati Devi. He spent his childhood in extreme poverty.
At the age of eight he came to Calcutta with his father where Thakurdas
took book keeping job. The saying is that Vidyasagar learned English
numbers by following the mile stones labels on his way to Calcutta.
In 1829, he got admitted to Sanskrit College. His concentration and quest
for knowledge was so intense that he was used to study on street light as
his family couldn't afford gas lamp at home. In 1839, he passed Hindu
Law Examination and was honored with the title 'Vidyasagar'. Started
his first job as the Chief Pundit in Fort William College, Calcutta in
1841 at the age of 20. Vidyasagar started learning English and Hindi
here. In 1846, he joined Sanskrit College as Assistant Secretary. He
wanted to improve the teaching system in the college and faced
difference in opinion from then secretary Rasomoy Dutta. Vidyasagar
left the job and joined Fort William College. In 1850, he became a
Professor at Sanskrit College with one condition that he should be
allowed to do the redesign of the education system. In 1851, he became
the Principal of this college. None other than the Brahmins were allowed
to study in Sanskrit College. He changed that rule and opened it for
everybody.
Vidysagar realized that there was no place for education of women in the
society. With his tireless effort to uplift the status of women in the
society, he was able to establish some Girl's schools in different places of
Bengal. But there was no good Bengali text book for basic Bengali
education. He wrote Bengali books with basic language construct and
fundamentals, like, "Barnaparichay", "Bodhoday", "Kathamala" etc. and
then easy grammar books like "Upakramonika" and "Byakaron
Kaumudi". He also introduced some basic books for Mathematical logic.
Rabindranath Tagore called him as the father of modern Bengali
language. Vidyasagar translated some masterpieces of Sanskrit and
English literature into Bengali: "betaal panchabingshati"(Sanskrit
Kathasarit sagar, "shakuntala", "bhranti bilaas" , "sitaar banabaas" and
edited books like "raghubangsha", "kumarsambhab" etc.
Vidyasagar proposed the widow remarriage act in 1856. Widows could
not marry again in those days. There was strong protest from the upper
class and orthodox people of the society. He encouraged his son to get
married to a widow. Sometimes, he spent money from himself to get
widows married. He wanted to stop the Hindu men from getting married
to many women. Not withstanding the miserable condition of Hindu
widows, he introduced 'Hindu Family Annuity Fund'.
Vidyasagar opened as many as 1200 schools for women in those early
days of women education. Vidyasagar was one of the founder member of
University of Calcutta which was established in 1857. With help from
some friends, in 1859 he established Calcutta Training School. This
school was later named as Metropolition Institution and later was
converted to a college named after him as Vidyasagar College.
Bold and articulate life style, honesty, strong determination, self respect,
tenacity to fight against all odds - these charateristics made him a
legendary personality in the era of Bengal renaissance. His strength of
character became proverbial. He was also known for his charity and
philanthropy and was called as "Daya-r sagar" - ocean of kindness.
Renowned poet Michael Madhusudan Dutta wrote about him - "The
genius and wisdom of an ancient sage, the energy of an Englishman and
the heart of a Bengali mother". In 29th July, 1891, this great personality
died.
2001 Calcuttaweb.com
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Science
Personalities :: Leader
Jagadish Chandra
Bose Satyendra Nath
Bose Prafulla Chandra
Roy Meghnad Saha P
C Mahalanbis
Reformer
Rammohan Roy
Vidyasagar
Leader
Subhas Chandra Bose
Philospoher
Subhash Chandra Bose
Swami Vivekananda
Literature
Known as Netaji (leader), Mr. Bose was a fierce and popular leader in
Bankim Chandra
the political scene in pre-independence India . He was the president of
Chatterjee
the Indian National Congress in 1937 and 1939, and founded a
Rabindranath Tagore nationalist force called the Indian National Army. He was acclaimed as a
Sarat Chandra
semigod, akin to the many mythological heroes like Rama or Krishna,
Chatterjee Michael
and continues as a legend in Indian mind.
Madhusudan Dutta
Painting
Subhas Chandra was born on January 23rd 1897 in Cuttack as the ninth
Abanindranath Tagore child among fourteen, of Janakinath Bose, an advocate, and Prabhavati
Nandalal Bose Jamini
Devi, a pious and God-fearing lady. A brilliant student, he topped the
Roy
matriculation examination of Calcutta province and passed his B.A. in
Philosophy from the Presidency College in Calcutta. He was strongly
influenced by Swami Vivekananda's teachings and was known for his
patriotic zeal as a student. His parents' wishes kept him away from the
Indian freedom struggle and led him into studies for the Indian Civil
Service in England.
Although he finished those examinations also at the top of his class (4th),
he could not complete his apprenticeship and returned to India, being
deeply disturbed by the Jallianwalla Bagh massacre. He came under the
influence of Mahatma Gandhi and joined the Indian National Congress
(a.k.a. Congress). Gandhiji directed him to work with Deshbandhu
Chittaranjan Das, the Bengali leader whom Bose acknowledged as his
political guru.
Bose was outspoken in his anti-British stance and was jailed 11 (eleven)
times between 1920 and 1941 for periods varying between six months
and three years. He was the leader of the youth wing of the Congress
Party, in the forefront of the trade union movement in India and
organized Service League, another wing of Congress. He was admired
for his great skills in organization development .
Select a page
Science
Jagadish Chandra
Bose Satyendra Nath
Bose Prafulla Chandra
Roy Meghnad Saha P
C Mahalanbis
Reformer
Rammohan Roy
Vidyasagar
Leader
Subhas Chandra Bose
Philospoher
Swami Vivekananda
Literature
Bankim Chandra
Chatterjee
Rabindranath Tagore
Sarat Chandra
Chatterjee Michael
Madhusudan Dutta
Painting
Abanindranath Tagore
Nandalal Bose Jamini
Roy
Personalities :: Scientist
in 1904. In 1954 Pearson and Brattain gave priority to Bose for the use
of a semi-conducting crystal as a detector of radio waves. Sir Neville
Mott, Nobel Laureate in 1977 for his own contributions to solid-state
electronics, remarked that "J.C. Bose was at least 60 years ahead of his
time" and "In fact, he had anticipated the existence of P-type and N-type
semiconductors." In 1895 Bose gave his first public demonstration of
electromagnetic waves, using them to ring a bell remotely and to explode
some gunpowder. In 1896 the Daily Chronicle of England reported: "The
inventor (J.C. Bose) has transmitted signals to a distance of nearly a mile
and herein lies the first and obvious and exceedingly valuable
application of this new theoretical marvel."
During the years 1894-1900, Bose performed pioneering research on
radio waves and created waves as short as 5 mm. Boses work actually
predates that of Guglielmo Marconi who is most often associated with
the development of radio. Unlike Marconi who sought to commercialize
his work with radio waves, Bose was purely interested in radio waves as
a scientific endeavor. Bose also developed equipment for generating,
transmitting, and receiving radio waves and used it to demonstrate
conclusively the waves properties such as reflection, total reflection,
refraction, double refraction, and polarization. Bose also experimented
with galena to form an early type of semiconductor diode, which may be
used as a detector of electromagnetic waves. Bose's demonstration of
remote wireless signalling has priority over Marconi; he was the first to
use a semiconductor junction to detect radio waves, and he invented
various now commonplace microwave components. Outside of India he
is rarely given the deserved recognition. Further work at millimeter
wavelengths was almost nonexistent for nearly 50 years. J.C. Bose was
at least this much ahead of his time. Research into the generation and
detection of millimeter waves, and the properties of substances at these
wavelengths, was being undertaken in some detail one hundred years
ago, by J.C. Bose in Calcutta.
After about 1900, Bose began pursuing another longtime interest
animal and plant physiology. This included studies of the effects of
electromagnetic radiation on plants, a topical field today. His
contributions to this field were pioneering. He introduced many delicate
and sensitive instruments, such as the Chrestograph, which was used for
recording plant growth. It could magnify a small movement as much as a
million times. Another device he developed demonstrated the effects of
electromagnetic waves on living and nonliving matter.
Bose retired in 1915 and was appointed Emeritus Professor, Presidency
College, Calcutta, for a period of 5 years. In 1917 he founded the Bose
Research Institute in Calcutta which was the first scientific research
institute in India. That same year a knighthood was conferred on Bose.
Courtesy :
IEEE
D.T. Emerson
2001 Calcuttaweb.com
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Science
Personalities :: Scientist
Jagadish Chandra
Bose Satyendra Nath
Bose Prafulla Chandra
Roy Meghnad Saha P
C Mahalanbis
Reformer
Rammohan Roy
Vidyasagar
Leader
Subhas Chandra Bose
Philospoher
Swami Vivekananda
Satyendra Nath Bose
Literature
Bankim Chandra
Once the great scientist, Niels Bohr, was delivering a lecture. Bose
Chatterjee
presided. At one stage the lecturer had some difficulty in explaining a
Rabindranath Tagore
point.
He had been writing on the blackboard; he stopped and, turning to
Sarat Chandra
Bose, said, "Can Professor Bose help me?" All the while Satyendranath
Chatterjee Michael
had
been sitting with his eyes shut. The audience could not help smiling
Madhusudan Dutta
at Professor Bohr's words. But to their great surprise, Bose opened his
Painting
eyes;
in an instant he solved the lecturer's difficulty. Then he sat down
Abanindranath Tagore
and once again closed his eyes!
Nandalal Bose Jamini
Roy
The fame of Satyendranath Bose as a brilliant student of physics and
mathematics has spread the world over. In India, which is still a
developing country, he strove hard for the dissemination of science. In
addition, he did significant work in the fields of education, politics,
music and literature, too. He has come to be popularly known Satyen
Bose (S. N. Bose).
Satyendranath Bose was born on the first of January 1894 in Calcutta.
His father Surendranath was employed in the Engineering Department of
the East India Railway. Satyendranath was the eldest of his seven
children; the rest were all daughters. Though Surendranath Bose lost his
wife at an early age, without losing heart, he brought up all his children
well. It is said that, when Satyen was hardly three years old, a Bengali
astrologer made this prediction: "This child will face many obstacles all
through his life; nevertheless he will overcome them with his exceptional
intelligence and attain great fame." The father, naturally, took a special
interest in his son's progress. Though he had seven children he took care
to see that nothing came in the way of the boy's education.
Yet, it did not appear to him that this youngster was quite serious about
him than to correspond with him. While he was still planning a visit the
news of the sudden death of Einstein stunned him.
Bose had taken Einstein as his 'Guru' (the master). He had specially
prepared a paper for his meeting with Einstein. He had decided to
dedicate this article to him. It was a bitter disappointment to him that his
Guru was not alive to accept his offering. In a burst of grief he tore into
pieces the article itself. The able guidance of the mighty and celebrated
scientist Albert Einstein had enabled Bose to explore fresh fields of
research. In all the correspondence with him he addressed him so.
Einstein, in turn had responded with affection. Every time Bose took a
problem to him, Einstein would help solve it, as a teacher solves his
students' problems.
In those days when there was little encouragement for scientific research,
Bose successfully carried on research in physics and discovered Boson
and Bose Gas. Preparing some photo chemicals himself and with the
help of X-ray he started the study of the structure of crystals. In 1954, a
conference on crystallography was held in Paris. Several students of
Bose had done significant research in this field. At this conference Bose
arranged an exhibition relating to their work. It is true that all his great
research was in Mathematical Physics. But he was interested in many
other subjects, too.
He had made a serious and deep study of several other branches of
science chemistry, geology, zoology, anthropology, engineering and
others. In biochemistry also, he had attained high proficiency. His
interest ranged from the manufacture of artificial manure to the
manufacture of scents from roses. India attained independence in 1947.
But the country was split into two and Pakistan was created. Bengal,
Bose's home state, was cut into two. This greatly pained him. From his
boyhood, Bose had loved Bengal deeply. He had traveled throughout the
length and breadth of Bengal. He was fascinated with its history and
literature. He liked the works of Madhusudan Dutt. No less was his
attachment to Rabindranath Tagore's stories and poems. The art and
music of Bengal were dear to him. He had high hopes about the political
and economic future of Bengal. But the partition of Bengal dealt a severe
blow and shattered all his hopes and aspirations. An image of Free India
was engraved on his heart. But that image was dimmed. He came to feel
that the partition of the country had diminished the fruits of freedom. He
was afraid that the partition would seriously harm the cause of science.
But, fortunately, the partition did not in any way adversely affect
scientific work in India. Social science was a living ideal in the life of
Bose.
Without running after wealth, he offered his all to the cause of science
and in the service of students and the poor and the needy. He set a
glorious example to others by dedicating his life to the service of the
country. It was his heart's desire that his countrymen should set right the
shortcomings of their society. He did not merely talk about this but
worked actively. Distinctions of caste and creed, the feeling that one
caste was superior and another inferior these he hated. He was convinced
that hypocrisy had done great harm to society, and he hated it. He
welcomed with open arms all that was good in our ancient history.
Whenever he had leisure he read books in Bengali, English and other
languages. Buddhism made a deep appeal to him. He had on several
occasions openly said, "Of all the persons that have walked on this earth,
I have the greatest regard for Gautama Buddha." He used to say often
that every one was endowed with some talent or the other and that one
should find it out and by dint of hard work and constant practice develop
it. He was himself a shining example of what he preached. Bose had
great faith in the importance of science. It was his firm belief that the
progress of society was bound up with the progress of science and that
the progress of mankind had been brought about by the revolution that
science had brought about.
Though Bose was primarily a scientist, he was a many-faceted
personality. His interests lay not in one sphere or two but in many. He
was much interested in literature. The study of literature and the practice
of art and music were his hobbies. He could read and enjoy poems in
Sanskrit, Bengali, English, French and Italian. Bose had made a deep
study of several works in Bengali and English literatures. Besides, he
had a good knowledge of French and German literatures. He also
translated some French stories. He had participated in several literary
discussions. When he was working with Madame Curie in 1926 his
conversations and discussions with her were all in French. He could play
well on a Bengali musical instrument, 'Esraj', which is similar to the
violin. Himself a gifted musician and critic of music, he had composed
some new ragas (tunes).
At a time when English had glamour for the majority of educated people.
Bose understood the importance of Indian languages. He was of the
opinion that if science is to be understood by the layman, it has to be
taught in his mother tongue. A science association named 'Bangiya
Biggyan Parishad' was founded by him in Bengal in 1948. All its
correspondence was carried on in Bengali language. Right from its
inception, it has been bringing out a periodical - entitled 'Jnan o'
Biggyan'. Bose spared no pains in developing this institution. He was
one of those champions who fought for the introduction of the mother
tongue as the medium of instruction. He wrote some books in Bengali
for this purpose. As Khaira Professor in Calcutta University in 1945, he
taught physics to the postgraduate students in Bengali. His effort was
Select a page
Science
Personalities :: Scientist
Jagadish Chandra
Bose Satyendra Nath
Bose Prafulla Chandra
Roy Meghnad Saha P
C Mahalanbis
Reformer
Rammohan Roy
Vidyasagar
Leader
Prafulla Chandra Roy
Subhas Chandra Bose
Philospoher
Swami Vivekananda
An Indian scientist who won fame in many countries. Eighty years ago
Literature
he began the manufacture of medicines in India. A great teacher, great
Bankim Chandra
man and a true patriot. A Professor of Chemistry, a pioneer in the field
Chatterjee
of pharmaceutical industry in India who started making chemicals at
Rabindranath Tagore home A scientist who won international acclaim. His dwelling - a simple
Sarat Chandra
room on the first floor of the college in which he was teaching; his
Chatterjee Michael
household -students who could not afford to stay elsewhere. His salary Madhusudan Dutta
donation to the department of Chemistry.
Painting
Abanindranath Tagore Prafulla Chandra was born on 2nd August 1861 in Raruli-Katipara, a
Nandalal Bose Jamini village in the District of Khulna (now in Bangladesh). His father - Harish
Roy
Chandra Ray - a landlord with liberal views, belonged to a wealthy
cultured family. In 1870 Harish Chandra moved his family to Calcutta so
that his sons could have higher education. Here, Prafulla Chandra was
admitted to the Hare School. He took a great interest in books and read a
vast number of them. But a severe attack of dysentery forced him to
leave the school. The disease was slowly overcome, but it permanently
injured his health; he became a life-long sufferer from chronic
indigestion and sleeplessness. When barely ten years old, he learnt Latin
and Greek. He also studied the histories of England, Rome and Spain.
Two years later, Prafulla Chandra resumed his studies and in 1874 joined
the Albert School. But Prafulla Chandra suddenly left for his village,
without sitting for the examinations. In the village he mixed with the
simple villagers and shared their joys and sorrows. He helped them in
many ways.
Prafulla Chandra, however, returned to Calcutta in 1876 and resumed his
studies at the Albert School. In 1879 he passed the Entrance
Examination and joined the Metropolitan Institute (now called
Vidyasagar College). Harish Chandra's financial situation grew worse
and worse. He was forced to sell the ancestral property, to pay his
creditors. At the Metropolitan Institute, Prafulla Chandra came under the
Acharya Prafulla Chandra Ray passed away on the 16th of June 1944; he
died in the same room he had occupied for twenty-five years. He was 83
years old at the time.
Select a page
Science
Personalities :: Scientist
Jagadish Chandra
Bose Satyendra Nath
Bose Prafulla Chandra
Roy Meghnad Saha P
C Mahalanbis
Reformer
Rammohan Roy
Vidyasagar
Leader
Prafulla Chandra Roy
Subhas Chandra Bose
Philospoher
Swami Vivekananda
An Indian scientist who won fame in many countries. Eighty years ago
Literature
he began the manufacture of medicines in India. A great teacher, great
Bankim Chandra
man and a true patriot. A Professor of Chemistry, a pioneer in the field
Chatterjee
of pharmaceutical industry in India who started making chemicals at
Rabindranath Tagore home A scientist who won international acclaim. His dwelling - a simple
Sarat Chandra
room on the first floor of the college in which he was teaching; his
Chatterjee Michael
household -students who could not afford to stay elsewhere. His salary Madhusudan Dutta
donation to the department of Chemistry.
Painting
Abanindranath Tagore Prafulla Chandra was born on 2nd August 1861 in Raruli-Katipara, a
Nandalal Bose Jamini village in the District of Khulna (now in Bangladesh). His father - Harish
Roy
Chandra Ray - a landlord with liberal views, belonged to a wealthy
cultured family. In 1870 Harish Chandra moved his family to Calcutta so
that his sons could have higher education. Here, Prafulla Chandra was
admitted to the Hare School. He took a great interest in books and read a
vast number of them. But a severe attack of dysentery forced him to
leave the school. The disease was slowly overcome, but it permanently
injured his health; he became a life-long sufferer from chronic
indigestion and sleeplessness. When barely ten years old, he learnt Latin
and Greek. He also studied the histories of England, Rome and Spain.
Two years later, Prafulla Chandra resumed his studies and in 1874 joined
the Albert School. But Prafulla Chandra suddenly left for his village,
without sitting for the examinations. In the village he mixed with the
simple villagers and shared their joys and sorrows. He helped them in
many ways.
Prafulla Chandra, however, returned to Calcutta in 1876 and resumed his
studies at the Albert School. In 1879 he passed the Entrance
Examination and joined the Metropolitan Institute (now called
Vidyasagar College). Harish Chandra's financial situation grew worse
and worse. He was forced to sell the ancestral property, to pay his
creditors. At the Metropolitan Institute, Prafulla Chandra came under the
Acharya Prafulla Chandra Ray passed away on the 16th of June 1944; he
died in the same room he had occupied for twenty-five years. He was 83
years old at the time.
Select a page
Science
Personalities :: Scientist
Jagadish Chandra
Bose Satyendra Nath
Bose Prafulla Chandra
Roy Meghnad Saha P
C Mahalanbis
Reformer
Rammohan Roy
Vidyasagar
Leader
Subhas Chandra Bose
Philospoher
Swami Vivekananda
Prasanta Chandra Mahalanbis
Literature
Bankim Chandra
Prasantha Chandra Mahalanobis was born in Calcutta, India on June 29,
Chatterjee
1893. As a young boy, Mahalanobis received his education at the
Rabindranath Tagore
Brahmo Boys School in Calcutta. He then went on to the presidency
Sarat Chandra
College in Calcutta where he received a Bachelor of Science degree in
Chatterjee Michael
the field of physics. He then went to England, where he originally
Madhusudan Dutta
intended to study in London, but became so impressed with Cambridge
Painting
that he decided to join Cambridge University. There he studied
Abanindranath Tagore mathematics and physics. Because of World War I, his departure was
Nandalal Bose Jamini
delayed, leading to the meeting that began Mahalanobis' interest in
Roy
statistics. Mahalanobis was looking around the library at King's College
when he was approached by a fellow named Macaulay for his opinion on
some volumes of Biometrica, edited by Karl Pearson. Mahalanobis'
interest was peaked so much that he bought the entire set of Biometrica
that was then published and brought them along with him to India. This
was the beginning of a wonderful interest in statistics.
The short vacation Mahalanobis thought he was taking in India turned
into a permanent stay. He was offered a position to teach at the
Presidency College which he could not turn down since it allowed him to
pursue his increasing interest in statistical problems. Statistics ended up
overtaking his first love of physics, and so, even though he continued to
teach physics until 1948, he was devoting his free time and career studies
to statistics.
Mahalanobis was the founder of the Indian Statistical Institute (ISI) in
1931, which was actually started in a room of the Baker Laboratory of
the physics department at the Presidency College. He also started a new
journal in statistics called Sankhya. He established a division within the
ISI called the National Sample Survey (NSS). The NSS grew quickly
into an agency noted for its use of continuing sample surveys for the
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BENGALI MUSIC
Bengali Version
Historically, it is not easy to trace the root of Bengali music back to very old times,
but it has experienced a wide variation. Like music from any part of the world,
Bengali music can be classified into different categories. Here is an effort :
o
o
o
Folks Songs
o Baul - songs sung by specific groups of traveling musicians known as
Bauls. Bauls represent a sect of Bengali culture since the
seventeenth century. They have a distinctive appearance with
dhotis, saffron color robes and turbans. Usually Baul songs carry a
deep spiritual meaning through very casual lyrics.
Prominent Baul song singers: Purna Das Baul, Prahlad Bramhachari.
o Bhatiali - Mostly the songs of the boatmen of eastern part of Bengal
(now Bangladesh). The songs are composed with wonderful tunes
around philosophical words. Sachin Dev Burman did some
experiment with these tunes and used them in popular modern
songs.
o Kabigaan : Usually composed on the fly by poets in a debate like
situation. Kabigaan was very popular in ancinet days as it requires
talent on both lyrics, tune and voice.
o Kirtan - Religious songs usually sung in chorus. Most of the songs
are some kind of group prayer to Shri Chaitanya and Shri Kirshna.
Prominent Kirtan singer: Chhabi Bandyopadhyay, Ramkumar
Chattopadhyay
Singers
o Other Folk Songs - There are all different kinds of country songs
with different anonymous origins. Some of the prominent folk song
singers of recent times are: Nirmalendu Choudhury, Angsuman Roy,
Antara Choudhury
Runa Laila, Abbasuddin, Amar Pal, Swapan Bose
Arundhuti Hom Choudhury
Majlishi Classical Songs - thungri, toppa .
Ramkumar Chattopadhyay, Nidhiram Gupta, Chandidas Maal
Asha Bhosle
Classical Music
Babul Supriyo
o Vocal - Kheyal, different ragas.
Dwijen Mukherjee
Ajay Chakrabarty, Gnanprakash Ghosh, Chinmay Lahiri, Prasun
Geeta Dutt
Banerjee, Girija Devi, Shyamal Lahiri, Rashid Khan, Ahsish Khan
Haimanti Shukla
o Instrumental - Sitar, Sarod, Flute, Tabla
Ravi Shankar, Nikhil Banerjee, Budhaditya Mukherjee, Monilal Nag Hemanta Mukherjee
Devotional Songs - Ramprasadi, ShyamaSangeet, Bhaktigeeti
Indrani Sen
o
o
Pannalal Bhattacharya
Indranil Sen
Rabindra Sangeet - songs written and tuned by Rabindranath Tagore
Kanika Bandopadhyay
Kanika Banerjee, Suchitra Mitra, Debabrata Biswas, Arghya Sen, Asoktaru Kishore Kumar Ganguly
Banerjee, Ritu Guha,Chinmoy Chatterjee, Dwijen Mukherjee, Pankaj Kumar
Madhuri Chatterjee
Mallick, Purabi Dutta, Sailajananda Majumdar, Rajeswari Dutta, Rezwana
Banya Choudhury, Sanjeeda Khatun, Purba Dam, Bani Thakur, Sumitra Sen, Manna Dey
Runa Laila
Hemanta Mukherjee, Sagar Sen, Nilima Sen, Subinoy Roy
Sabita Chaudhury
Najrul Geeti - songs written by Kazi Nazrul Islam
Firoza Begum, Krishna Chatterjee, Anjali Mukherjee, Dhiren Bose,
Saikat Mitra
Manabendra Mukherjee, Anup Ghosal, Satinath Mukherjee, Tarun
Sandhya Mukherjee
Banerjee, Dhananjoy Bhattacharya
Shibaji Chatterjee
Atulprasadi, Dwijendrageeti, Rajanikanta Sen - patriotic, devotional and
Shyamal Mitra
modern songs
Srikanto Acharya
Krishna Chatterjee, Anjali Mukherjee
Subir Sen
Modern Bengali Songs: Film and non-film songs
Hemanta Mukherjee, Manna Dey, Sandhya Mukherjee, Shyamal Mitra, Arati Usha Uthup
Mukherjee, Kishore Kumar, Sachin Dev Burman, Asha Bhosle, Lata
Mangeshkar, Satinath Mukherjee, Jaganmoy Mitra
Ganasangeet : generally sung in chorus carrying some social message
Rabindra Sangeet
Ajit Pandey, Hemanga Biswas, Ruma Guha Thakurata
Jeebanmukhi Gaan : 90's modern bengali songs
Suman Chatterjee, Anjan Dutta, Nachiketa Chakrabarty, Mousumi
Pramita Mallick
Bhowmick, Lopamudra Mitra
Band : Bengali rock style group.
Rezwana Banya Chaudhury
Cactus, Paraspathar, Chandrabindoo, Bhumi, Moheener Ghoraguli.
Subinoy Roy
Suchitra Mitra
Listen to Songs (Real Player required)
Classical: Vocal/Instrumental
Ajoy Chakraborty
Budhaditya Mukherjee
Jayanta Banerjee
Manilal Nag
Nikhil Banerjee
Ravi Shankar
Sipra Bose
Tarun Bhattacharya
Composers
Music India Online Big collection of different kind of Bengali songs. May feel
disturbed by too many ad banners.
Banglasangeet.com Good collection of Bengali songs. Server little slow but
Bengali songs in MP3 format.
Hemanta Mukherjee Wonderful collection of around 140 Hemanta songs in
real audio format.
Manna Dey Great collection of Bengali songs of Manna Dey.
Kamal Dasgupta
Rahul Deb Burman
Sachin Deb Burman
Salil Choudhury
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Bengali
Cinema
Bengali Cinema
In 1897, films were shown for the first time in Calcutta. In 1898, the
Home Cine
multinational Warwick Trading Co. commissioned 'Panorama of Calcutta'
News Reviews newsreel. Couple of years later, Hiralal Sen from north Calcutta started
in Bengali
making films at the Classic Theatres. In 1901, Hiralal Sen set up Royal
Movie clips
Bioscope, produced scenes and dance sequences from popular Bengali
Songs clips
plays. At Calcutta's Star Theatre, Amritlal Bose screened a package of
'actualities' and 'fakes' along with plays and variety shows. Back in those
Director
days bioscope was added as extra attraction to popular theatres. In 1917,
Raja Harishchandra, the first feature film in India, was made by
Satyajit Ray
Dadasaheb Phalke. Two years later, in 1919, the first Bengali movie
Ritwik Ghatak
"Billwamangal" was made. This was a silent movie. Several works of
Mrinal Sen
popular Bengali novelist Bankim Chandra Chatterjee were adapted into
Tapan Sinha
films, such as, Durgeshnandini, Krishnakanter Will etc. The first popular
Budhhadeb
star in Bengali film was probably Pramathesh Barua, who was a director
Dasgupta
Rajen Tarafdar himself too. Debaki Bose, Pramathesh Barua contributed quite a lot to
Gautam Ghosh Indian cinema. Debaki Bose directed Chandidas in 1932; this film was
noted for it's breakthrough in sound recording. Sound recordist Mukul
Aparna Sen
Bose found out a solution to the problem of spacing out dialogue and
Utpalendu
frequency modulation.
Chakrabarty
Rituparno
Ghosh Sandip
Ray Raja Sen
Actor
Uttam Kumar
Saumitra
Chatterjee
Utpal Dutta
Chhabi Biswas
P.C. Barua
Bikash Roy
Ranjit Mallick
Prasenjit
Chatterjee
Tapas Pal
Bengali talkie Dena Paona was released in 1931; Renowned musician Rai
Chand Boral composed music for this movie. In 1935, P.C. Barua directed
Actress
and acted in Saratchandra Chatterjee's popular novel Devdas and this
film became a phenomenon in the industry. Bimal Roy directed the Hindi
Suchitra Sen
version of the same in 1955. Kanan Devi was the first star actress in the
Sabitri
domain of Bengali cinema. The movie Rajat Jayanti, a popular Bengali
Chatterjee
comedy was probably the first of its kind. This film was directed by P.C.
Supriya
Barua starring himself and Pahari Sanyal. Another historical film was
Choudhuri
'Biyallis(42)'
based on the Quit India movement of 1942. The film was
Madhabi
banned for political reason. Bikash Roy's performance in this movie was
Mukherjee
memorable. Bengali cinema was glorified with the presence of a group of
Kanan Devi
Debasree Roy talented actors such as Chhabi Biswas, Bikash Roy, Pahari Sanyal, Basanta
Choudhury. And, there never was any shortage of good stories, as Bengali
Rituparna
literature in the 21st century was rich with elements all the time. This
Sengupta
Indrani Halder was accompanied by the musical talents of Bengal. Songs from Bengali
films became extremely popular and was used to get aired in radio
Film Festival
programs. Bengal film industry was blossomed with successful film
directors; a few to mention is Devaki Basu, Nitin Basu, Ajay Kar, Rajen
2002
Tarafdar, Bimal Roy, Tapan Sinha, Saroj Dey, Tarun Mazumder - all of
whom at times produced fine movies. Some of them moved to
Buy DVD/VCDs
Mumbai(Bombay) and made remarkable contribution to Hindi films.
A scene from Seeta (Dir: Sisir Bhaduri), 1933. Sisir Bhaduri, Amalendu Lahiri.
The real stardom in Bengali films started when films starring Uttamkumar
and Suchitra Sen gained extreme popularity. This romantic combination
brought golden age of commercial Bengali cinema and the duo acted in a
series of box office successes like, Sare Chuattor, Saptapadi, Sapmochan,
Harano Sur, Pathe Holo Deri etc. Uttamkumar acted with many other
actresses such as Supriya, Sabitri, Madhabi, Aparna and others. Suchitra
Sen received the best actress award in Moscow Film Festival for her role
in Saat Paake Badha co-starring Saumitra Chatterjee.
There was a group of directors in parallel cinema (art film) who kept on
experimenting with this medium of art. The biggest event in Indian
cinema was the release of Pather Panchali in 1955, a film directed by
Satyajit Ray with his own script based on a novel of Bibhutibhusan
Banerjee. This film connected Indian film to the rest of the world. The
movie was acclaimed throughout the world, specially in the Western
world as a symbol of humanity. Ray made a series of three movies
starting with Pather Panchali based on the complete novel of Banerjee,
the other two being - Aparajito and Apur Sansar. The three movies are
together well known as Apu-Trilogy. Apart from Ray, Mrinal Sen, Ritwik
Ghatak directed internationally acclaimed films followed by a group
consisting of Budhhadeb Dasgupta, Gautam Ghosh, Utpalendu
Chakrabarti, Aparna Sen, Rituparno Ghosh etc.
An introduction to Bengali cinema can not be completed without
mentioning one of it's finest actor, Soumitra Chatterjee. His place in the
mind of Bengali movie lovers is established by his performance in the role
of Apu and Felu-da in Ray's movies. Also, Bengali cinema was enriched by