The Common Noun - Selection of Burmese Poems

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THE COMMON NOUN - MINN NYUNT HLAING , YAN LINN AUNG
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.
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THE COMMON NOUN
r if ; nG efY vdI if ? & ef v if ; a t m if

YAN LINN AUNG
MINN NYUNT HLAING ,
b m o m jy ef -
c uf OD ;
translated by
KHET OO
t rs m ; qdk if e m rf - r if ; nG efY vdI if ? & ef v if ; a t m if
r m wd u m
armifeDrGef
MA
UNG NI MON
MAUNG
CONTENT
S
CONTENTS
tenfqHk;0g' eJY tjyif;odyfxm;cJh?
Compr
essed wi
th minimal
ism ...... Compressed
with
minimalism
MINN NYUNT HL
AING
HLAING
r if ; nG efY vdI if
1 / udk,fa&;tusOf;
PROFILE
10
11
14
15
2 / tkwfwGif;
16
3 / Mu,fMunfhol
18
4 / &uf&ufpufpufpGJaewJh&ufpGJawG
20
5 / ewfjzpfwJhaeY
22
6 / tESpf
24
7 / &efukefreufcif;
26
8 / twdwf&JU ESif;rIefrsm;Mum;rSm . . .
28
9 / Elwfqufaw;
30
OA
TTWIN
OAT
17
ST
AR - W
ATCH
STAR
WA
THE DA
TES CRUELL
Y ST
AINED
DATES
CRUELLY
STAINED
THE DA
Y OF BEING SPIRIT
DAY
THE ES
SENCE
ESSENCE
YANGON MORNING
IN THE FOG OF P
AST . . . .
PA
THE SONG GOOD - BYE
19
21
23
25
27
29
31
10 / ig holi,fcsif;oef;a|;&Sd&if
32
11 / tusef ( 1 )
34
12 / tusef ( 2 )
36
13 / tusef ( 3 )
38
IF MY FRIEND THANN HT
AY WERE . . .
HTA
THE REST ( 1 )
THE REST ( 2 )
33
35
37
40
THE REST ( 3 )
14 / toHaA'
41
42
THE PHONETICS
r m wd u m
CONTENT
S
CONTENTS
15 /
16 /
r if ; nG efY vdI if MINN NYUNT HL

AING
HLAING
owd
42
vufESpfbuf
44
TO NO
TIFY
NOTIFY
43
17 /
THE TWO HANDS
45
ppfocsKif;
46
18 /
yef;ykq&m
48
19 /
aiGvrif; eJU aumuf&dwfjcif;
20 /
wdrfpGefav
COMBA
TANT
S - CEMETER
Y
COMBAT
ANTS
CEMETERY
47
THE SCULPT
OR
SCULPTOR
49
HARVESTING BY SIL
VER MOON
SILVER
51
THE SKY WIND
53
& ef v if ; a t m if
50
52
YAN LINN A
UNG
AUNG
21 /
tHkYykef;
56
22 /
tzG i f h a w;
58
23 /
Nidrf;csrf;a&;
60
24 /
ppfwGif;Nidrf;csrf;a&;
62
25 /
yOvufEdlifiHom;
64
26 /
a&T 0 ga&mif
66
27 /
wGif;xGuf
68
28 /
"m;ayguf c ef ;
70
SECRETIVE
57
INTRODUT
OR
Y SOND
INTRODUTOR
ORY
PEACE
PEACE IN W
AR
WAR
MAGIC COUNTR
Y CITIZEN
COUNTRY
SAFFRON
59
61
63
65
67
MINERAL
THROWING DAGGER EPISODE
69
71
r m wd u m
CONTENT
S
CONTENTS
YAN LINN A
UNG
AUNG
29 / j'yfrJhyef;csD
72
30 / &Sifjcif; aojcif;
74
31 / orPaw;
76
32 / vjynf h n
78
33 / arw m
80
34 / tvif;yGifh
82
35 / awmifilacwf
84
36 / tar
86
37 / arG ; aeY r sm;
88
38 / usae
90
39 / ysm;tH k
92
40 / tE
94
ABSTRACT P
AINTING
PAINTING
73
LIFE DEA
TH
DEATH
75
THE TUNE S
AMANh A
SAMAN
77
FULL MOON NIGHT
79
AFFECTION
81
BL
OOMING LIGHT
BLOOMING
83
TAUNGOO ERA
85
MO
THER
MOTHER
87
BIR
THDA
YS
BIRTHDA
THDAYS
89
SUNSET
91
BEEHIVE
93
IGNORAMOUS
41 /
42 /
43 /
vufaqmif
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tarG
95
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96
97
98
10
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11 . 9 .2014
11
PREF
ACE
PREFACE
. . . . Compr
essed wi
th minimal
ism . . . .
Compressed
with
minimalism
The two poets: MINN NYUNT HLAING and YAN LINN AUNG
who wrote THE COMMON NOUN, Poem Collection are not only the
poets from Sittaung river basin but aslo the ones born and grown up in
Taungoo region.
Both of them have different outlook and different passage of
time respectively, although their view - angles, thought - angles and
word usage are different, the age they observed and passed by together
is the same. They selected one way of composing poem which was
offered by their age they passed by. The age they experienced was
swift, short and confused. In order to match with such qualities of the
age, they selected the way and the system to compose poem. That is
to make the poem by compressing with minimalism.
It is the way of composing with the fewest words, seizing
tightly the swiftness of the changes of happenings in the age. This
means that the readers should enjoy as much as their mood is extreme
and feel as much as they widen their scope of sense. This is the
communication between the readers and the poets they have got.
All I said above is only a summary of the experiences they
passed by and the way how they composed and why I said that is I
want readers to notify how they composed or made the poems in THE
COMMON NOUN. I hope that poem readers discover the way of their
composing by compressing with minimalism in the two poets'forty three
poems.
May poets and readers be fresh and cheerful.
MA
UNG NI MON
MAUNG
( 11. 9. 2014 )
12
13
r if ; nG ef Y vdI if
MINN NYUNT HLAING
avnif;udk udkufcsDvmcJhr,f
aumuf&dk;wpfrQifulo,fyg&ap /
Ill come biting zephyr,

Let me help carry a stalk of straw.
14
udk ,f a & ; t us Of ;
igcH&w,f
igEdlifw,f
iguAsma&;w,f /
/
rif;nGefYvdIif
15
PROFILE
Im hit,
I win
And make poem.
MINN NYUNT HLAING
16
tk wf wG if ;
aeudkajrrsdKNyDqdk
c&rf;jym&dk;rtdktdkBuD;u
aq;ayg hvdyfwpfvdyfzGm&dIuf
tvGrf;awGudk
rD;cdk;aiGUeJYrIwfxkwfvdkufw,f /
olY&ifbwfxJ epf0ifaeqJ
Mu,faMuGwpfp
b,fvdkrSqGJElwfr&awmhbl; /
rif;nGefYvdIif
17
OA
TTWIN
OAT
The old violet range
Takes a smoke to a cheroot,
Blows the smoke with the miss,
As the sun is swallowed.
A piece of fallen star,
Being still embedded into breast,
Cant be pulled out anymore.
MINN NYUNT HLAING
18
u ,f Mu nfh ol
Mu
Mu,fpHkn&JU aumif;uifatmufrSm
Mu,frpHkwJhig
Mu,faMuGjrifvnf; qkrawmif;wwfcJhyg
ig htvHudkom
wdkifxdyfa&mufatmifqGJwifae&wm /
rif;nGefYvdIif
19
ST
AR - W
ATCH
STAR
WA
Under such nights starry sky,
Im not a starry one,
Not to pray though see star falls,
Im just to fly my flag up,
Still to reach top the flag-staff.
MINN NYUNT HLAING
20
& uf & uf p uf puf pGJ a e wJh & uf pGJ a wG

ppfzdeyfawG ppfzdeyfawG
twGif;0efrsm;&Hk;avSum;xpfawGudkaqmifheif;w,f
t"dywdvrf;u uHhaumfyGifhawGudk eif;acsw,f
t*FawrtdyfcifacG;jzwfajy;ovdk
zsufr&awmhwJh cGm&mawGudkxm;&pfw,f /
aoG;pufawG aoG;pufawG
ZmwfemvGef;wJh &mZ0ifpmrsufESmay:u
rdk;a&pD;eJY arsmygroGm;wJh
trsdK;om;tmZmenfwdkYaoG;pufawG
ol&Jaumif;ausmif;om;wdkYaoG;pufawG /
&ufpGJawG &ufpGJawG
zsef;ceJyef;xGufoGm;wJhaoG;pufeJY
&uf&ufpufpufpGJaewJh &ufpGJawG
Zlvdkif-7 Zlvdkif-19
urmraMuarmfuGef;xdk;cJhNyD /
aoG;eJYqdkwJhopm
aoG;eJYqdkwJhusdefpm
rdpm'd|dtvdkr&Sd /
rif;nGefYvdIif
21
THE DA
TES CRUELL
Y ST
AINED
DATES
CRUELLY
STAINED
Boots,
Such military boots kept
Treading on treads of our Building for
The Secretariats,
Crushing in violence,
*Gant-Gaw blossoms in
**Adipati Road were
At last in pieces .
Like the dogs passing
On the concrete not so set,
Unerasable, hoof-prints were left.
Blood,
Such drops in blood,
On ugly pages history stained,
Off never will be drained
In the flow of rain
Indeed!
These blood drops are matyrs
Certainly!
They are the heroic students
Dates,
The dates,
With the sprinkled blood drops,
Cruelly, firmly stained, the dates:
July the 19th, July the 7th
Done on earth __ the eternal inscription.
The truth asseverated with blood__
The curse made of the blood__
The false in belief__we dont need.
MINN NYUNT HLAING

*uHhaumf
**t"dywd
22
e wf jz pf wJh a eY
cifAsm;om aocsmyap
vrf;awGucif;NyD;om;
vlvrf;
ewfvrf;
wd&pmefvrf;
tp&Sdojzifh . . . . /
uAsma&;wJhaeYqdk
wpfudk,fvHk;
ewfjzpfwmyJ
aerif;rsufpdusdef;pyfoGm;atmif
udk,fa&mifudk,f0gwzswfzswf /
rif;nGefYvdIif
23
THE DA
Y OF BEING SPIRIT
DAY
You just need to be sure.
The ways are already set,
Of human,
Of the spirit,
Of the beast,
And so on.....
On the day making poem,
All I am
Becomes a spirit
Even to smart suns eyes from
My radiance,twinkle and twinkle.
MINN NYUNT HLAING
24
t ES pf
bmvkyfrSmvJ tJ'DhbD,mbl;cGHawG
cspfola& jiif;qdkvdkuf taotcsm /
vlYbHkcef;0g wGif;eufBuD;xJ
vSypGm qif;&Jjcif;twwfudk jrwfEdl;yg /
awmifxdyfrSm yGifhwJh ESif;qDawG
aoG;pGef;vufeJY igavcl;cJhrSm /
rif;qDu bmrSrarQmfudk;bl;
jryk0gvdkrsdK; cspfjcif;arwmom /
rif;nGefYvdIif
25
THE ES
SENCE
ESSENCE
Dont care these cans so empty,
Refuse,honey,certainly.
In deep hole for society,
Love beautiful poverty.
On top mountain,roses flowering,
To you,Ill bring by hands bloodily.
No hope to get anything.
Just, like the emerald shawl,your loving.
MINN NYUNT HLAING
26
& ef uk ef r e uf c if ;
cdkawG usD;uef;awG rsufvHk;ryGifhcif
a&nSdwufta&jym;uGm
eH&HtdkEGrf;EGrf;BuD;awGay:u
oHacs;wufoHyef;pGyf
jywif;aygufa[mufyufawGrSm
tdyfa&;r0wJh rdef;rudk,fwpfydkif;awG
ay:vmvdkuf uG,foGm;vdkufeJY
reufcif;udk
wvIyfvIyfEdI;aeav&JU
/
rMumygbl;
aea&mifvkwdkufjrifhjrifhBuD;awG
oGm;wdkufaq;vdknSpfxkwfvdkufawmh
NrdKUawmfolNrdKUawmfom;awG
vrf;awGxJudkyef;xGufvmygava&m
acsmufurf;yg;xJuyk&GufqdwfawG /
rif;nGefYvdIif
27
YANGON MORNING
Before the eyes of pigeons and crows open,
On the old,mossy,frayed and wither walls,
At rusty, iron-grilled and sunken windows,
Not well slept, women in busts.
Appeared and disappeared,
Up and up,waken,
Gradually.
Not so long
When, sunlight robbers,
High buildings and blocks
Squeeze as toothpaste,
The Great capital-dwellers are__
Gushed into the streets
The ants in ravine.
MINN NYUNT HLAING
28
t wd wf &JU ES if ; rI ef rs m ; Mu m ; rS m . . .
rD;zdkBuD;&JU ywfcsmvnf
igwdkY armifESrwawG
ywfvHk;av;awGpDcsxm;yHkES,f
taEG;"mwfudkEdkYpdkYovdk
acG;om;tkyfyrmwdk;a0SYum&,f
a&'D,kdawG
wNydKifeufwnf;zGifhxm;ovm;
uRufuRufudknHa&muG,f
aqmif;avrwdk;wJh wHwdkif;xJr,f
rdom;pkjcifaxmifBuD;xJrvnf;
tarh&ifcGif tvkt,ufwdk;0ifw,f
tarhrsufESm olUbufudk,fhbufqGJvSnfhw,f
tarhudk,foif;eHY tvGwfrcHpkyf,lw,f
aqmif;[m
jcifaxmiftjyifrSmusef&pfw,f /
tar&,f
tudkawG trawG&,f
rdk;rvif;cifEdk;xMu
apmifawGwpfxyfNyD;wpfxyfNcHKay;oGm;Muw,f
tcspfawGwpfxyfNyD;wpfxyfvTrf;ay;oGm;Muw,f
i,fi,fwkef;u
aEG;axG;vSwJhaqmif;&ufawG&,f /
/
rif;nGefYvdIif
29
IN THE FOG OF P
AST
PA
Surrounding the bonfire,
We all sat__brothers and sisters
As the drums little kept circular.
Took the warmth as milk suckers,
The puppies,jostling into dog mother.
Like the radios turned on together
Our voice got noisy and noisier,
In wall guarding against the wind
Piercing from cold weather.
Also in the family-net,
Pushed,into Moms hug,ourselves.
Over and over,
Turned Moms face to ours against.
Without fail,
Sucking Moms body- scent .
Out of the net,
The cold season was left.
Mom,
Then,the elders,
Brothers,sisters
Woke up at dawn earlier
Keeping their blankets on us
Layer by layer
Covering their love on us
Layer by layer.
So much I remember
Warm days in cold season
Left in childhood so further.
MINN NYUNT HLAING
30
El wf q uf a w ;
a&ay:ursufESmudk
jrifoGm;NyDqdkawmh
a&atmufu udk,fxnfudka&m
rSef;qEdlifyg&JUvm;
/
ta0;oabFm&JU ckwfcsuftwdkif;
ausmufaqmif[m
w'dwf'dwf
aoG;Edl;aecJhygNyD /
/
rif;nGefYvdIif
31
THE SONG GOOD-BYE

Having seen the face
Above water level,
Could you guess how
The body below is ?
As the beats the ship sails away,
The rock
Has pumped the blood warm
Rhythmically.
MINN NYUNT HLAING
32
ig h ol i ,f cs if ; o ef ; a | ; &Sd & if . . .
ig holi,fcsif;oef;a|;&Sd&if
jrefrmhtm;upm;udk
yspfyspfESpfESpfuavmfwkwfawmhrSmyJ /
tmPm&l;awGeJY
c&dkeDBuD;awG&JU
raumif;owif;tpHkpHkudk
aemufqHk;tajctaetxd
wdwdususpkaqmif;aerSmyJ /
igra&muf&Sdzl;wJh
avmuaxmifhusOf;awGxJ
ESYHESYHpyfpyfqGJac: jyrSmyJ /
NrdKUjytif*sifeD,m qdkwm
NrdKUudkjy&Hkjy&wm
olYudk,fydkifjyufvkH;eJY
[uf[ufyufyuf&,farmaerSmyJ /
atmf . . . .
aAmfvfwJ,m;eJYarG;aeYwlvdkY
BuHzef*kPf,lwwfolBuD;
aoaeYrSmb,foleJYwlzdkY
qEapmcJhwmvJuGm /
rif;nGefYvdIif
33
IF MY FRIEND THANN HT
AY WERE . . .
HTA
If my friend Thann Htay were,
It was Myanmar Sports
He would vituperate,
Extremely.
It was the bad news
Of the power-mad,
The corrupt cronies
He would collect in detail,
Exactly.
It was the worlds narrow angles
All I have never been
He would bring me in,
Thoroughly.
It was his private joke that
Civil engineer is only
To show the city
He would laugh with
Heartily.
Oh! my friend,
Youre the one always proud of
Being same with Voltaire
In birthday,but
To whom were you eager
To be the same in
Death day?
MINN NYUNT HLAING
34
t us ef ( 1 )
ckawmh
c&rf;a&mifylazmif;
wpfvHk;
avxJrSmwef;vef;
ig hudk
pmem[efai;vdkY /
/
rif;nGefYvdIif
35
THE REST ( 1 )
Now,
Hanging in the wind,
A purple baloon is
Gazing at me
In compassion .
MINN NYUNT HLAING
36
t us ef ( 2 )
wpfa,mufwnf;aomuf&wJh
aumfzDcGufuav;&,f
uAsmrzGJU&ufawmhygbl;uG,f /
rif;nGefYvdIif
37
THE REST ( 2 )
The coffee _ cup
To drink alone
I shan't compose of you .
MINN NYUNT HLAING
38
t us ef ( 3 )
ckawmh
xD;uav;wpfvuf[mvnf;
rsuf&nfpufvufeJY /
/
rif;nGefYvdIif
39
THE REST (3 )
Now,
Only umbrella is
In tears too .
MINN NYUNT HLAING
40
t oH a A '
olY&JU
ygVdbmomtoHxGufu
Xmefu&dkPf;odyfusw,f /
wpfckyJ
ajymp&m&Sd&JU
olUvufa0SUwkdif;
jcif&dkufbwfwH
ZD0defajcGoH
o[Zmwrjzpfwmav;
wpfckygyJav /
/
rif;nGefYvdIif
41
THE PHONETICS
His pronunciation
In *Parli is
So distinct and
So excellent.
It is just one
To criticize that
Killing sound of
Waving hand at
His mosquito - bat
Is not so matched.
MINN NYUNT HLAING
* ygVd
42
o wd
aumif;uifMunfhola&
Mu,fawGudkajc&mcHyg
yef;yifuav;awGudk reif;rdygapeJY /
rif;nGefYvdIif
43
TO NO
TIFY
NOTIFY
Sky-watcher,
Stalk the stars,
Dont step on flowers .
MINN NYUNT HLAING
44
v uf ES pf b uf
vufESpfbuf
xGufcGm&myk'frwlwJh vufESpfbuf
vufESpfbuf taoG;tarG;rwlwJh
vufESpfbuf ta&miftqif;rwlwJh
vufESpfbuf aemufcHum;csyfrwlwJh
vufESpfbuf
Mum;cHavxJajrmufwufvmwJh
vufESpfbuf wyfqifxm;qJwHwm;oHabmifvdk
vufESpfbuf vdIufvdIufvSJvSJEIwfqufrvdk
vufESpfbuf olEdlifudk,fEdlifarmif;vSJrSmvm;
vufESpfbuf
qdkufa&muf&myk'fudkra&;jcpfEdlifao;wJh
vufESpfbuf . . . . . . . . . . . . . . . . . . . . /
/
rif;nGefYvdIif
45
THE TWO HANDS

The two hands
Different in points of departure
The two hands different in appearance
The two hands different in colour
The two hands different in background
The two hands
Mounting up to air between
The two hands as the iron bar
Still framed at bridge
The two hands __ either to greet in warmth
The two hands __ or to play arm-wrestling against
The two hands
Unable to sketch the point of arrival
The two hands.
MINN NYUNT HLAING
46
p pf o csK if ;
aemufaygufuav;awG pl;prf;Mu
a&SUvlrsm;udk tHhMoMu&JU /
rdom;pkawG pHkwGJawG
vnfMu ywfMu tyef;ajzMueJY
ppf[mrjzpfcJhovdk
/
rif;nGefYvdIif
47
COMBA
TANT
S - CEMETER
Y
COMBAT
ANTS
CEMETERY
Contemporary kids observe,
To their amazement, the people in past.
Families, couples
Visit,tour and relax;
It seems that no war happened.
MINN NYUNT HLAING
48
y ef ; yk q & m
aeYpOf&ufquft&l;trl;
zkxpfuGJ&S vufMurf;rsm;eJY
pl;aqmuf"m;oGm;rsm;&JU rMuifemjcif;eJY
opf&dkif;wHk;xJ
ydwfrdaeqJewfrdr,fudku,fxkwfzdkY /
rif;nGefYvdIif
49
THE SCULPT
OR
SCULPTOR
Day by day crazily with
Bruised cut rough hands
The blades of gimlet
Chisel and knife
In cruelity,
Within a raw log
Still stuck closely
Lovely angel
To be rescued .
MINN NYUNT HLAING
50
a iG v r if ; eJY a u m uf &d wf jc if ;
a&cJav eJY at;cJva&mif
c&rf;Eka&mifwaiGUaiGUawmufavmifvdkY
tarmufaxmifwJh Mu,ftdkawGMum;rSm
wHZOfauG;av;bmudk&dwfodrf;rvJ /
va&mifenf;enf;&Sd&if
enf;enf;vrf;avQmuf&r,fwJh
jrif;&dkif;wpfaumif&JU cGmoH
nxJrSmnHaeqJ /
cspfarwmudkpdkufysdK;cJholwdkY
vGrf;qGwfrIom&dwfodrf;&awmhrvm; /
/
rif;nGefYvdIif
51
HARVESTING BY SIL
VER MOON
SILVER
Icy wind, freezing moon light
Smouldering dim glow in purple
Among the old stars cresting
What are you harvesting, bending sickle ?
If theres little moon light
Walk up little
The hoofs of a wild horse keep
Galloping noisily within the night .
Do all those who grew love
Have to harvest only the missing ?
MINN NYUNT HLAING
52
wd rf pG ef a v
NydKtHhrl;rl;wdrfrnf;ndK
avnif;wpfpvdkw,f /
aemufqHk;aumuf&dk;rQif
ukvm;tkwfausm&dk;udkcsdK;ypfowJh /
avnif;udkudkufcsDvmcJhr,f
aumuf&dk;wpfrQifulo,fyg&ap /
/
rif;nGefYvdIif
53
THE SKY WIND

Going to collapse, the black clouds
The need is a piece of zephyr.
The last stalk of straw
Has broken the camals backbone.
Ill come biting zephyr,
Let me help carry a stalk of straw.
MINN NYUNT HLAING
54
55
YAN LINN A
UNG
AUNG
aygifrkefYwpfvHk;yJ pm;csifw,f
aygifrkefYtrsm;BuD;
jyefay;r,f
?
Only a loaf of br
ead , I w
ant to eat
bread
want
y loa
ves of br
ead , I'l
e back .
Many
loav
bread
I'lll giv
give
Man
56
tHkY yk ef ;
rdk;rac:&JwJh zm;uav;
aoGYajcmuftufuGJajrvTmay:
odkodkodyfodyfrEmefawG
pkpnf;odrf;xkyf&if;
yJhwifeH&Ha0;ae&wkef;
pMu0Vm&,f . . . .
pdwfeJYrqHhawmh
ydawmufawG b,fvdkyGifhw,fqdkwm
em;rpGifh&Jbl; /
/
&efvif;atmif
57
SECRETIVE
Darent call the rain, the little frog.
On dried, burnt, cracked earth,
Gathering, keeping, packeging
Secretly suppressed *mantras,
Its still far away from
The wall to echo.
The universe . . . . .
Doesnt hold the soul
Darent listen mush to
How the **Padauks bloom.
YAN LINN AUNG
* rE m ef
** yd a wmuf
58
t zG ifh a w ;
a[h vl a[h vl
x x
a[h vl a[h vl
x x
a[h vl a[h vl
x x
cifAsm; vif;oavmuf
vufvufxr,fh
aumif;uifBuD;wJhAs /
&efvif;atmif
59
INTRODUCT
OR
Y SONG
INTRODUCTOR
ORY
Hey you !
Wake up, wake up.
wake up
Hey you !
Hey you !
wake up.
It is said that
The sky is to glitter
Just as you shine !
YAN LINN AUNG
60
Nid rf ; cs rf ; a & ;
ausmom;&ifom;Murf;wajy;wnf;xm;
&SifoefcP 'kvbw&m;
qdkcJuwdrsm; NrJMuygapom; /
/
&efvif;atmif
61
PEACE
Keep all the different on the same floor.
Life is very short time , hard to attain more.
May all the profound promises be kept to gain at all.
YAN LINN AUNG
62
p pf wG if ; Nid rf ; cs rf ; a & ;
tenf;qHk; xrif;wpfvkwf
trsm;qHk; em&D0uf
aumif;pGmtdyfpufEdl;x&&ifudkyJ
tJh'DaeY aovdkY&NyD /
/
&efvif;atmif
63
PEACE IN W
AR
WAR
If we could eat at least
A handful of rice
For half an hour the most
Sleep and wake up well
On such day!
We would be worth
Dying humanly.
YAN LINN AUNG
64
y O v uf Edl if iH o m ;
atmufvrf;q&mBuD;u
olxnfhxm;wJh tyif;
ig h udk,fxJu
oludk,fwdkifjyefqGJxkwfjy
a,mifuef;uef;eJY ighcrsm
aus;Zl; txl;wifcJh& /
&efvif;atmif
65
MAGIC COUNTR
Y CITIZEN
COUNTRY
The lord necromancy
Pulled out and showed me
The insinuated he had
Put within my body himself .
Being absent-minded,
I had to thank in depth .
YAN LINN AUNG
66
a &T 0g a & m if
aoG;pufcs
jyaomvrf;wavQmuf
arwmonfom
tom;wHqdyfyg /
&efvif;atmif
67
SAFFRON
Along the way guiding
Made by drops bleeding
Affection only is
Skin-print of seal.
YAN LINN AUNG
68
wG if ; xG uf
&ifylcJhw,f
ausmcsrf;cJhw,f
vlvm;ajrmufcJhw,f /
&efvif;atmif
69
MINERAL
Worried,
Given the creeps,
I was grown up.
YAN LINN AUNG
70
" m ; a yg uf c ef ;
pdwftm;pdkufcJhw,f
aoG;tm;pdkufcJhw,f
wpfvrf;vHk;usm;ukwfusm;cJ
toufvkNyD;
tdwfpdkuf&Sif;cJhyg&JU
/
*emrNidrfwJh
onf;xdwf&ifzdk
ypfrSwfawGqD . . . . /
&efvif;atmif
71
THROWING DAGGER EPISODE

Paid with concerntration
Paid with blood
The whole path is
Tenaciously deadly
Paid I have all myself .
Towards the horrifying
Fidgety targets .
YAN LINN AUNG
72
j' yf rJh y ef ; csD

udk,fxdvufa&muf
taotcsmzrf;cJhygw,f ?
udk,fhvufeJYvnf;
tukefvHk;xdw,f
rdw,f
udk,fhvufxJrawmh
wpfckrS&Sdraejyefbl; ?
qyfuyfabmvHk;awG
wpfvHk;NyD;wpfvHk;
ajrSmuf ajrSmuf upm;ae&ovdk
udk,fwdkY&JU
ESpf
v
aeY&uf awG . . . /
/
&efvif;atmif
73
ABSTRACT P
AINTING
PAINTING
Personally, so sure
I did the catch.
All are touched
All are captured
With my hands.
But,
Nothing is present
In my hands .
One after another . . . . .
Like playing juggling balls
Our years,
Months,
And the days are . . . . .
YAN LINN AUNG
74
&S if jc if ; a o jc if ;
avwdkufwdkif;
vIyfcwfaewJh opf&Guf[m
oufrJhjzpfw,f /
avxkudk vdk&myHkoGif;
avxJvrf;jzpfatmifcif;wJh
tawmifyHwpfpHk[m
ouf&Sdjzpfw,f /
&efvif;atmif
75
LIFE DEA
TH
DEATH
As the wind
Moving leaf ,
Lifeless .
Shape the air as they wish
Make the way within it,
A pair of wings ,
Alive .
YAN LINN AUNG
76
orPaw;
t&kPfwufNyD
&xm;vnf;qdkufNyD
tdyfrufyifawm&dkif;
oif;owfEdlifcJhNyD /
&efvif;atmif
77
THE TUNE S
AMAN
SAMAN
AMANh A
The day has dawned .
The train has also arrived .
Dream in dense junggle
Could have been girdled .
YAN LINN AUNG
78
v jy nfh n
cGJwrf;t&
pHkvHk;uef;avvGifhacG;eufr
csdKifhcGufeJY acsmifBudKacsmifMum;xJ
ykef;vQdK;uG,fvQdK;tNrD;av;ukyf
cRwfeif;oGm;ae&
/
a0pkt&
pya&bl;aiGrSiftjynfh
a0SY,rf;jrifhwuf
,kefuav; cvkwfupm;um
EdSyfcsvdkuf
a&ukefa&crf;yJ /
/
&efvif;atmif
79
FULL MOON NIGHT

By quota
All blind , stray dark bitch
In ground-hollows and nooks,
Curling the tail inwards ,
Surreptitiously ,
Has to be wandering __stealthily
By share ,
Spray can full with silver paint ,
Gradually , waves and rises
Toying with the button ,
Rabbit little has
Pressed it off __ all out .
YAN LINN AUNG
80
a r w m
vuG,fnudk cif;tdyf&JwJh
Mu,fawGeJY
ig htdrfuav;udk rdk;xm;w,f ?
aygifrkefYwpfvHk;yJ pm;csifw,f
aygifrkefYtrsm;BuD;
jyefay;r,f
?
opf&Gufuav;udkawmif
BuHK&maveJY rvdkufapcsifolyg /
&efvif;atmif
81
AFFECTION
With the stars
That dare lay moonless night to sleep ,
My house little is roofed .
Only a loaf of bread , I want to eat

Many loaves of bread , I'll give back .
I'm the one who does't want even a leaf
To accompany with casual wind .
YAN LINN AUNG
82
t v if ; yG ifh
tpdrf;vnf;pdkap
teDvnf;&Jap
t0gvnf;0if;ap
tjymvnf;vGifap
tjzLvnf;vufap
a&wdrfepfaom tarmufrsm;
oif;cGJcH&aom tNrD;rsm;
reufjzefobuf ra&GUapvdk
udk,fht&yfeJY udk,fhZmwfrSm
udk,fhvrf;eJYudk,f
ql;ajimifhcvkwfrsm;uif;yMuygap /
/
&efvif;atmif
83
BL
OOMING LIGHT
BLOOMING
Green be emerald,
Red be scarlet,
Yellow be bright,
Blue be vivid,
White be shiny,
May the crests
That trun to grief
Through a trivial cause
And the tails
Made dissension within,
Wishing not to move to any days,
In harmony of . . . .
How they act, what they need,
On their way themselves,
Be free from all . . . . .
Obstacles, impediments and obstructions.
YAN LINN AUNG
84
a w m if il a c wf
vufrxdyf
&Jpdwfudk tyfoGm;wqHk;
tm;ukef&dkufoGif;csvdkufw,f
&mZ0ifiSufrsm; . . .
vefYysHoGm;Mu ?
tNyHK;rysuf
wpfcsufrwGefYwJh vuf[m
&wke,fudkygodrf;cJhw,f /
/
&efvif;atmif
85
TAUNGOO ERA
Into the thumbs tip,
Till the neddles end,
Courage was hit off .
With the ultimate force.
All history birds ..
Flew away in fear.
Still wearing a smile,
The hand of no recoil
Also conquered .
*Yatu empire.
YAN LINN AUNG
*Yatu = Lyric ode
( &wk )
tbd"mef
86
tar
emusifcHcuf aeYnawG
b,fvdkb,favmufyJ & &
wrf;wrd&Hkav;eJY
tpOfojzifh
aq;buf0ifapwJh
toH . . . . . /
&efvif;atmif
87
MO
THER
MOTHER
Hurtful nights and days out of the tolerance
How much however I continually have
Only by yearning
Forever lasting
The voice medicinal .
YAN LINN AUNG
88
a rG ; a eY rs m ; ----tmPm&SifppfbDvl;rsm;
*kPfoa&ao;odrf
arS;rSdefEdkifpGrf;aom
arG;aeYwpfcktm;
aqmifMuOf;ay;cJhNyD
arG;aeYrsm;pGm
aqmifMuOf;ay;aeNyD
arG;aeY topf topf rsm;pGm
aqmifMuOf;ay;vwHU /
&efvif;atmif
89
BIR
THDA
YS
BIRTHDA
THDAYS
One birthday
To fade and make withered
Militarists and dictators
All Influence and power
Was proudly carried,
More such birthdays
Are being carried,
More and more coming birthdays
Will aslo be carried.
YAN LINN AUNG
90
us a e
cPav; udk
cP avmufygyJ
b,foliSm;ay;Edlifyg hrvJ / /
&efvif;atmif
91
SUNSET
Who could borrow
A moment for me
For a moment ?
YAN LINN AUNG
92
ys m ; tHk
qmavmifrI zuf&Sif&dI;
yef;xufrSm
tyGifhydkuJMu /
tdyfrufrSm
0wf&nfczdkY
tqdyftawmufeJY
toufudkyHkvdkuf /
udk,fhb0
udk,fhtmumo
Asmrsm;&wJhcsdKNrdefrI /
&efvif;atmif
93
BEEHIVE
Fashion show of hunger
Blooming more
Above the flower.
To the dream
To apply with nectar
Venom and
Life are invested.
My life
My space
So anxious sweetness.
YAN LINN AUNG
94
t E
aoG;0oGm;wJhjcif
x rysHEdlifovdk
'kuyg;0oa,mifa,mif
rxdwfomrvefYom
&pfoD &pfoDeJY
,lzdkY aezdkYcsnfhyJ
pdwful;aumif;wkef ; /
&efvif;atmif
95
IGNORAMOUS
Like the mosquito fat with blood
Cant fly up at once, as if
Its familiar with troubles
Without fright and fear
Hover and hover
Only to take, greedily to live
Still thinking of .
YAN LINN AUNG
96
v uf a q m if
urmBuD;xHrS
rdk;csKef;oH
aumif;rGefpGmvuH&&Sdygw,f /
cspfolrsm;odkY
*DwoauFw
&dkaopGmay;ydkYvdkufygw,f /
97
xd k t &m
cifAsm;
rodrf;ydkufeJY
odrf;ydkufwmeJY qHk;&HI;NyD /
cifAsm;
rzrf;qkyfeJY
zrf;qkyfwmeJY vGwfxGufNyD /
cifAsm;udk,fwdkif
yef;wpfyGifhjzpfonftxd
yGifhvef;yg /
cifAsm;udk,fwdkif
prf;acsmif;av;jzpfonftxd
pD;qif;yg /
xdkt&m
tvdkrwl&if
Avmudkom&ayvdrfh /
98
t a rG
,HkMunfolwdkY
aZmufcscJhwJh &J&ifhtm&Hk
pdwftawGYeJYwif
rao"mwfawG arT;vdkY
woGifoGif . . . . . . . .
&efvif;atmif
99
a us ; Zl ; p u m ;
trsm;qdkifemrf udk
0dkif;0ef; ulnDay;cJhMuwJh
uAsmq&marmifeDrGef
uAsmq&m bmomjyef q&m udkcufOD;
uAsmq&m atmifvGef;NrdKif
yef;csD awmifilOD;pdk;jrifhav;
ESifh
aus;Zl;wifxdkufoltm;vHk;udk
txl;aus;Zl;wifygaMumif; . . . .
uAsmtm;jzif h
rif;nGefYvdIif ? &efvif;atmi
atmif
t rs m ; qdk if e m rf
trSwf ( 2 ) ud k
2015 - ckESpftwGif;
jrBudK;Mum pmtkyfwdkufu
t*Fvdyf + jrefrm ESpfbmomjzifh
qufvufxkwfa0oGm;ygrnf /

The Common Noun - Selection of Burmese Poems

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trsm;qdkifemrf udk

THE COMMON NOUN - MINN NYUNT HLAING , YAN LINN AUNG

xkwaf 0onfph mtkyu

THE EMERALD CRANE Publishing House

THE COMMON NOUN - MINN NYUNT HLAING , YAN LINN AUNG

r if ; nG efY vdI if ? & ef v if ; a t m if

MINN NYUNT HLAING ,

THE EMERALD CRANE Publishing House

t rs m ; qdk if e m rf - r if ; nG efY vdI if ? & ef v if ; a t m if

THE COMMON NOUN - MINN NYUNT HLAING , YAN LINN AUNG

tenfqHk;0g' eJY tjyif;odyfxm;cJh?

t rs m ; qdk if e m rf - r if ; nG efY vdI if ? & ef v if ; a t m if

r if ; nG efY vdI if MINN NYUNT HL

THE TWO HANDS

aiGvrif; eJU aumuf&dwfjcif;

THE SKY WIND

THROWING DAGGER EPISODE

THE COMMON NOUN - MINN NYUNT HLAING , YAN LINN AUNG

37 / arG ; aeY r sm;

FULL MOON NIGHT

THE EMERALD CRANE Publishing House

t rs m ; qdk if e m rf - r if ; nG efY vdI if ? & ef v if ; a t m if

THE COMMON NOUN - MINN NYUNT HLAING , YAN LINN AUNG

THE EMERALD CRANE Publishing House

t rs m ; qdk if e m rf - r if ; nG efY vdI if ? & ef v if ; a t m if

THE COMMON NOUN - MINN NYUNT HLAING , YAN LINN AUNG

MINN NYUNT HLAING

Ill come biting zephyr,

THE EMERALD CRANE Publishing House

t rs m ; qdk if e m rf - r if ; nG efY vdI if ? & ef v if ; a t m if

THE COMMON NOUN - MINN NYUNT HLAING , YAN LINN AUNG

THE EMERALD CRANE Publishing House

t rs m ; qdk if e m rf - r if ; nG efY vdI if ? & ef v if ; a t m if

THE COMMON NOUN - MINN NYUNT HLAING , YAN LINN AUNG

THE EMERALD CRANE Publishing House

t rs m ; qdk if e m rf - r if ; nG efY vdI if ? & ef v if ; a t m if

THE COMMON NOUN - MINN NYUNT HLAING , YAN LINN AUNG

THE EMERALD CRANE Publishing House

t rs m ; qdk if e m rf - r if ; nG efY vdI if ? & ef v if ; a t m if

& uf & uf p uf puf pGJ a e wJh & uf pGJ a wG

THE COMMON NOUN - MINN NYUNT HLAING , YAN LINN AUNG

MINN NYUNT HLAING

t rs m ; qdk if e m rf - r if ; nG efY vdI if ? & ef v if ; a t m if

THE COMMON NOUN - MINN NYUNT HLAING , YAN LINN AUNG

MINN NYUNT HLAING

THE EMERALD CRANE Publishing House

t rs m ; qdk if e m rf - r if ; nG efY vdI if ? & ef v if ; a t m if

THE COMMON NOUN - MINN NYUNT HLAING , YAN LINN AUNG

MINN NYUNT HLAING

t rs m ; qdk if e m rf - r if ; nG efY vdI if ? & ef v if ; a t m if

THE COMMON NOUN - MINN NYUNT HLAING , YAN LINN AUNG

t rs m ; qdk if e m rf - r if ; nG efY vdI if ? & ef v if ; a t m if

THE COMMON NOUN - MINN NYUNT HLAING , YAN LINN AUNG

THE EMERALD CRANE Publishing House

t rs m ; qdk if e m rf - r if ; nG efY vdI if ? & ef v if ; a t m if

THE COMMON NOUN - MINN NYUNT HLAING , YAN LINN AUNG

THE SONG GOOD-BYE

THE EMERALD CRANE Publishing House

t rs m ; qdk if e m rf - r if ; nG efY vdI if ? & ef v if ; a t m if

THE COMMON NOUN - MINN NYUNT HLAING , YAN LINN AUNG

THE COMMON NOUN - MINN NYUNT HLAING , YAN LINN AUNG

THE EMERALD CRANE Publishing House

THE COMMON NOUN - MINN NYUNT HLAING , YAN LINN AUNG

THE EMERALD CRANE Publishing House