Professional Documents
Culture Documents
PROBLEM #36
ts of
You can replicate the effec
filters in
polarisers and ND grad ne
Photoshop but youll poedsuanres
ND filter for extending exd seas!
to create silky skies an
Circular polarisers remove glare from
non-metallic objects. Theyre particularly
effective at cutting through reflections in
water, as well as windows in buildings and
cars. Landscape photographers love them
because they can remove distracting shine
from foliage and make colours appear more
saturated, as well as boosting contrast
between a blue sky and white clouds.
Real ND grad
Fake ND grad
Why ND grad?
Without an ND grad, the contrast between
thelandscape and the sky may be too great
for the camera to record detail in both areas
ina single exposure. Expose for the land, and
the sky may be overexposed and featureless;
take a shot with the sky exposed correctly
andthe landscape may be underexposed.
Sky appears too bright
A polariser will
certainly be the
most expensive filter
you buy, this side of
a LEE Big Stopper
STEP BY STEP
Get balanced landscape exposures by applying more than one graduated filter effect. Heres how to do it in Lightroom 5
Real vs fake: ND
filters & polarisers
Its relatively straightforward to emulate the effects
of ND grads in Photoshop, Elements or Lightroom,
but doing the same for a polarising filter is more
challenging. To boost the contrast between a blue
sky and white clouds in a similar way to a polariser,
shoot in Raw and process your files in Lightroom/
Photoshop ACR. Select the Blue slider under the
Lightness tab of the HSL panel, and drag it left to
darken the sky. The giveaway that a polariser hasnt
been used is the reflections in the windows; theyre
still present in the digital fake. Recreating the effect
of an ND filter on moving clouds is easier: select the
sky in Photoshop, then apply the Motion Blur filter.
No filter
Filter
Digital filter
drawbacks
Although you can resolve exposure
issues and recreate the effects of some
filters in software, doing it digitally brings
its own problems. For a start, you can
only work with what youve recorded.
Ifthe highlights in the sky were severely
overexposed at the point of capture,
you wont be able to bring them back
with a digital grad. As you can see in
the image below, no amount of dark
graduation can reveal detail in the cloud
thats directly backlit by the sun in
fact, it looks terrible, with the bright area
turning a flat grey. Theres also a risk of
increasing digital noise in shadow areas
when you start pushing and pulling the
exposure. Asalways, start with the best
exposure you can get in-camera, and
use digital tools to fine-tune the result.
Fake ND filter
Colour casts
Some optical filters can create a colour
cast, leaving images looking a little pink
ortoo warm. To counter this, you could
tryusing your cameras White Balance
Correction option in the red shooting
menu to tweak the amount of blue,
amber,green and magenta; however,
wedrecommend shooting Raw so that
you can do this when you process the
image. Strong ND filters can leave images
with a heavy blue cast, so dial in a Kelvin
white balance value of 7000K or more.
Uncorrected
10-stop ND filter
Corrected
10-stop ND filter
Xxxxx
Wide-angle lenses
3 Get in close
5 Clean backdrops