Professional Documents
Culture Documents
As a senior on the brink of way more of the real world than I could possibly imagine, there
is a sense of things slipping past, things which you cannot grasp. My time here is short and
sweet, yet each day seems long. The movement and texture in this piece reflects the
impatience and waiting I encounter each day, the love for all that I have experienced, my
growth as a painter, and my ability to come to terms with the fact that the only direction we
can move is forward.
Corridor N400D
Olivia Kirby, Visual Arts, 2011
Thanksgiving
Oil paint and mixed media on canvas
Thanksgiving is about the love my grandmother has shared with her family through her 90
plus years. I wanted to evoke the feelings of joy and comfort through the thick layers and
elements of word and color.
Corridor S-301
Leilani Diaz, Visual Arts, 2011
Looks like Oklahoma
Mixed media on canvas
Looks like Oklahoma is part of a series that combines both real and contrived landscapes. The
works aim to capture the essence of a place rather than what is really there.
Corridor S400
Amanda Lee, Visual Arts and Psychology, 2013
Identity
Ink and acrylic paint
This piece examines the psychological tension between individual and cultural identity. It
explores the immigrants struggle to find a balance between these two, often conflicting,
ideas. Indeed, this search for a unified identity is especially poignant in todays multicultural
and racially turbulent society.
Dressing Room S405
Schuyler Maclay, Visual Art and MCM, 2010.5 and Ariel Schecter, Science and Society,
2010.5
incandescence
Arduino microcontroller, wiring, relay switches, wood, acrylic, incandescent light bulbs.
A 3D rendering of colored cubes in a larger cube. The movement of the cubes is determined
by an algorithm and influenced by movement of the cursor. It is written in Processing and
exported as a Java applet. Stills were taken of the animation and translated to other media.
Upper Lobby -- 200B -- sliding wall
Steven Gordon Holman, Visual Arts, 2011
Trilobite Map II
Ink, Charcoal, Graphite, Maps, Prints, Collage on Paper
Trilobite Map II serves as a sort of self-portrait, a collection of places, events, and
iconographies that shaped me in my childhood and influenced who I am today. The paper
materials used in the collage consist of maps and prints of patterns and images, their
application onto the piece reminiscing lapidary work.
Production 2-N420
[note: this space will have a series of performances, as follows]
1)
Nicolas Baird '14, Hanne Brynildsen '11, Kristen Van Liew GS, Alison Murphy '14, Nadia
Hannan '14, and Remy Fernndez-OBrien '12, in collaboration with painter Sharon Cutts.
I Set Aside Childish Things
Dance, painted boxes, projection, hanging painting
I Set Aside Childish Things is a coming of age story, told through the medium of dance. It
draws on themes of isolation and burden, loosely drawn from Dantes Inferno. Ultimately,
the thrust of the piece is learning to cope through unified struggle.
2)
Fatimah Asghar, Africana Studies/International Relations, 2011
Jamila Woods, Africana Studies/Performance Studies, 2011
pretty/ugly
Performance Poetry/Photography
An alternative articulation of beauty, pretty/ugly challenges traditional definitions of beauty by
experimenting with performance and manipulation of words. The fight in every poem is
telling stories that are considered painful, mundane, or taboo while showing that beauty
exists within them. We aim to redefine negative experiences by empowering ourselves and
recognizing the strength in raw artistic expression."
4) intermission until after opening events in main auditorium, then:
5)
Bevin Kelley, MEME PhD Candidate
Magnetic Conspiracy
Sound and projection, live electronics
Guest vocalist: Ric Royer, Theater and Performance Studies PhD first year
Magnetic Conspiracy is a work for live audio/video/voice, performed and manipulated with
custom controllers in real-time. Bevin Kelley (aka Blevin Blectum) has performed
extensively, at home and abroad, as an electronic/computer musician and multimedia
composer. Writer/performer Ric Royer joins her as guest vocalist. Based on text by Reza
Negarestani."
Production 3-N430
Gabriela Baiter, Visual Art, 2011.5; Kelly Winter, Visual Art and Applied Math, 2012
Treescape
Sound by Peter Bussigel.
Tree trunk, wax, foam, steel, nails, felt, paper, yarn, thread, pins, leaves, cardboard, beads,
paper-mache, chicken wire, fabric, latex, washers, chains, metal, saw blades. Sound
installation created by Ipod Nano , wire and ear buds.
Treescape is a synthetic manifestation of natural phenomena. The piece seeks to draw the
finest of lines between the real and the surreal. Through the integration of sculpture and
sound, Treescape emulates the natural beauty found in decay both visually and aurally. This
sculpture is an embodying experience that pushes nature beyond its limitations, inviting
outsiders into a habitat worthy of unpacking.
Nick Carter, Visual Art 2011
Archival Painting 2
Acrylic, ink on canvas
My work involves systematic processes of mark-making and mark elimination in which
layers are created, obscured, and excavated so that the final state of the piece refers to my
choices and actions as well as the properties of the mediums and tools I implemented.
Jacob Geller, Visual Art, 2012
Liminality
Cotton Thread, Elastic Thread, Pencils.
Liminality is the representation of space and line caught impossibly between two dimensions.
The construction of the piece was inspired by the fusion of close-up magic and drawing, two
independent art forms that seek to produce a similar moment of astonishment through the
use of illusion and perception.
Renee Elizabeth Neely, English Literature and Cultures, 2011
Memory
Stair N-S3S3B
Angela Ferraiolo, Brown Literary Arts, 2012
Subway
Video
Subway was shot on video in New York during the fall of 2010, then converted to single
frames and reassembled by a computer. While working with computational text, I noticed a
similarity between language and film montage. I wondered what video would look like if
these motifs were manipulated algorithmically.
Angela Ferraiolo, Brown Literary Arts, 2012
Loop
Video with text
The Loop is a video text that describes a tangled path of association. The story is modeled
after Hofstadters proposal that our minds determine the world by way of a process in which
cause and effect may switch around or become strange. This version of The Loop responds
to the Beacon, a sequence of nine integers designed by John Cayley to reflect the states of a
digitally mediated literary process.