Professional Documents
Culture Documents
Hey Corey, I decided Id make this into a much longer report than I initially intended. I have a lot of fun
writing so I figured why not. I spent the last 7 hours putting it together and its not even ready. So much
of the report is taken out of my own journal and bits from articles written by some of my favorite thinkers. I
tried to choose the stuff that was relevant to what you might be experiencing. Keep in mind, a lot of it is
personal and may not apply to you. If so, quickly read over the parts that dont make sense.
I can go into much greater length on how I sensed that you have a good foundation to build on. Namely it
was your eagerness to express vulnerability when you told me you've been struggling with inner game
issues lately. Expressing vulnerability is in-and-of-itself a HUGE part of game, and you already have that!
It tells me that you have no ego-attachment issues. But aside from that, you didn't tell me about your
vulnerability when I first met you at the meetup a few weeks ago, or when we went to Hotel Chantel, or
during a series of short chats we had on Gothamlife; you knew to tell me after you had a chance to know
me a little. There is an inherent sequence in any given interaction for it to feel right.
That, is the
essence of the discipline of game. Timing is very important and it seems you already know that!
Don't think of vulnerability as a tactic you can use to lure girls into sleeping with you. Rather, it's an
important ingredient that subsequently ends up building comfort. When I approached the three girls at
standard, I wasn't thinking I want to build comfort. I wasn't concerned with sounding low value if she
thought I didn't know where the cool clubs are. I hardly ever need to rely on a script anymore (unless I'm
trying something new). I genuinely wanted to know where the cool bars were, so I asked. The goal in
building comfort with a girl (or with anyone) is to be as human as you can possibly be; to let the person
know that your ego is not with you.
Remember when I said building comfort means identifying commonalities? Well here's the thing,
everyone is vulnerable about something, so when you express your vulnerability to someone, they will
relate to you thereby feeling comfortable around you. You just have to rely on your learned calibrating
abilities to know when it's okay to share such information with a stranger. Mark Manson Talks a lot about
the importance of vulnerability in interactions. If this topic interests you, look at the books Models
Enjoy!
RSD wan
nts the chump
p to question himself beca
ause all his rreadings are wrong and b
because he m
makes
assumptio
ons based on
n what Rollo Tomassi calls a rejection
n buffer; i.e., an excuse to avoid potentially
being reje
ected. Im surre youve made/still make similar assum
mptions too, but Im fairlyy certain (based on
much more than 5 min
nutes of chattting with you) that you kn
now exactly w
when youre m
making an exxcuse.
You have a very strong
g foundation; feel complete
ely free to use
e it and contin
nue building o
on it!
Sources
S
1. Roosh
h V - The Myth
h of the Naturral
2. Rollo Tomassi - The
T
Origin of
o Alpha (scro
oll down to the part enttitled The Le
earned
Alpha where he discusses Rooshs
R
poiint. If you havent allready done
e so,
I highlly recommend reading the
e entire article
e)
3. Rollow
w Tomassi - Buffers
B
4. Mark Manson
M
- Vuln
nerability Prim
mer
Contex
xt
Monday night,
n
very slo
ow night, Correy and I drov
ve around a l ittle, not man
ny bars with p
people. We p
parked
and walke
ed around a bit and finally settled for the bar at th
he Standard Grill because
e it had aroun
nd 20
attractive people and 3 cute girls. P
Perfect I thou
ught to myselff, This is exa
actly the type of venue I likke and
it happens
s to have the right amountt of people forr us to get 1 ssolid approach in It was around 10 pm when
we walked in, the 3 girls were sittin
ng on stools at the right-e
end of the ba
ar and facing away from u
us, so
there was
snt really a wa
ay for them to
o notice us un
nless Corey o
or I made an e
effort, which I was hoping tto do.
I went to stand next to
o the girls to order
o
our drin
nks (as in, sp eak to the ba
artender from
m behind them
m. The
point was to direct their attention to
o me, demons
strate confide
ence as I loud
dly order my d
drink, and be close
enough in
n proximity to
o the girls to have
h
them feel my mascu
uline presence
e. That was tthe only plan I had
and it took me seconds to think of it. Ive successfully hooked many sets doing exactly this in the past, so
the plan came intuitively. A part of me knows Id have found something to comment on, or ask a
question or nothing at all, who cares. The point is, approach with whatever comes to mind and calibrate
while in set1. (More on the Approach-Now/Calibrate-Later mindset in the notes) I also knew I could pull
this type of approach off because at that point, all the stools were taken and there was not an empty
section at the bar that was visible to the girls, so as far as theyre concerned, an opener would have
seemed situational. Unfortunately, just as I stood near the girls and began waiting to get the bartenders
attention, 3 guys in the middle of the bar (a few stools away from the girls) packed up their things and left,
thereby opening a large section of the bar for us to order from. No problem, I thought The newly vacant
seats are still far enough away from the girls visibility, so I can still order my drink from behind them and it
wont seem calculated, but unfortunately, Corey and the bartender (who I guess knew we were together)
made their way over to that part of the bar. No harm no foul, we ordered our drinks and we quickly
moved a little closer to the girls while positioning ourselves in a non-rapport-seeking way.
Again, the time of day, the number of people present, and the relatively low energy that the bar happened
to be in are all very important factors. At this particular moment, the venue contained all the benefits of
day-time approaching while being a nightspot where people were seated and were there to relax. My
perspective remains that loud dance spots typically bring out the bitch in a girl because of the sheer
number of men trying to get laid2 (See my field report on Jacky for an in-depth look at loud dance
venues); while there are ways of defusing the bitch guard through attraction building, teasing and
negging, I dont need to rely on any heavy techniques here. All I needed was confidence, a loud voice,
the willingness to stay in the set and the most basic set of conversation skills.
To be continued