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put his personal stamp on it? On the last return of the first theme,
during the few repeated bars leading to the theme, he began playing in
second intervals, hitting seemingly random keys in the left hand,
drawing amused chatting from the audience. Halfway through, he
throws in a recognizable theme (in the correct key!), much to the
publics delight, and people burst out in laughter as he draws the
encore to a close with a big cadence with no wrong notes. The hall
breaks into cheers and yells of bravo! as Hamelin jogs off stage.
After the intermission, the all-too-familiar Firebird from Stravinsky is
played. All of the public remembers the last time it was performed, and
seeing the horn players are the same as last time, everyone holds their
breath as the first horn player begins his solo. The concentration on his
face is apparent as he plays the last few notes of the passage, until the
very last moment of the last note, without any cracks in the sound. The
audience breathes a breath of relief, looking around with smiles and
nodding. Apart from this moment, and the extremely catchy triple-forte
last theme that leaves everyone humming, whistling, and singing in
distress for weeks, this rendition of the Firebird was not particularly
spectacular. Yannicks energy is always a plus in the concert hall, but it
was not played with the gusto that Ive seen from the Rotterdam
Philharmonic in the past.