Professional Documents
Culture Documents
16 CLASSROOM SPACE
CB VOL 5 NO 2 2007
Changing structures
The box-like structure of many classrooms, with the
teacher zone of the desk or dais (in laboratories) at
the front, sends immediate messages about control,
supporting a didactic approach and mindset, yet the
pattern is so familiar, we often fail to question it.
Associates, 2006).
The classroom
itself represents a
hidden form of
curriculum
low-quality,
standardised and
institutional
classroom
environments and
resources are not
just uninspiring,
they can be harmful
Learner-centred lessons
Process-focused pupils are learning to learn
Critical thinking
Ability to communicate
Teamwork/collaboration
Authentic problem-solving
Project-based learning
Cross-disciplinary working
Ability to self-organise
Source: (R. Fisher, 2005)
17
Classroom ownership
Spatial analysis
It is the interaction
between the
physical, social and
organisational
environment that
create particular
spaces for learning
and support
different types of
relationships
e-learning types
Same
Distributed
synchronous
learning
Time
E-classroom
E-library
Different
Same
Distributed
asynchronous
learning
Different
Location
E-campus
(Yapp, 2004)
CB VOL 5 NO 2 2007
The physical
setting, such as
the arrangement of
rooms and the
objects within
them conveys
subtle (and more
overt) socialisation
messages, of which
most people are
typically unaware
ORGANISING
18 CLASSROOM SPACE
et al, 2005).
CB VOL 5 NO 2 2007
Fat L classroom
The Fat L layout, designed
by Dyck (1994), evolved from
an understanding that the
classroom should provide
individuals with places
where they have the
opportunity to learn from
their engagements in the
physical environment. This
reflects an understanding
that the learning
environment not only affords Fat L classroom layout
multiple activity settings, but
also is an integrated, flexible and variable environment. Each leg
of the Fat L may be used to create activity settings for individual,
one-to-one, small-group, and large-group activities, where the
teacher moves around, always in view of what is happening.
Outside of the classroom there may be related activity settings,
such as niches, hubs and alcoves that can extend and connect
learning activities, especially in relation to themed or project
work. Unlike a traditional square shape classroom, the L-shape
may be understood as a learning centre that has been designed
to support multiple activity settings. This provides opportunities
for explorations that challenge pupils to work in their zone of
proximal development but in a safe setting (Lippman, 2004).
Triangular classroom
The triangular classroom was developed at a special school called
Cam House in Dursley, Gloucestershire. The school caters for
boys aged 1116 taken out of mainstream education due to
behavioural and emotional difficulties. Classes are no more than
eight, so the triangle formation is rather different there than it
would be in a conventional 30-pupil class.
It works by putting the longest line of pupils on the front row, and
then tapers towards the back with just one pupil on the back row,
explains Gail Howells, who teaches at Cam House. The big
advantage is view: I can see them all better. It is a very flexible
arrangement, too it means it is easy to regroup them quickly, if
we want to, during a lesson. (Moorhead, 2001)
360-degree classroom
One of 10 Design Council Learning Campaign projects was the
creation of a 360-degree classroom at St Margarets High School
in Liverpool (for more details on this, see the article by Sean
McDougall on pages 1015). This all-boys school relied on
whiteboards around the room that could be projected on to or
used horizontally, and specially designed chairs that allowed
students to face in any direction as appropriate.
Instead of simply standing at the front, their teacher circles
them on a curved racetrack, occasionally taking up a position on
a podium in the centre of the room. Reluctant students can no
longer skulk at the back of the class or plant themselves on the
periphery of the teachers field of vision.
The whiteboards fit back on to the walls of the classroom so the
classs work can be discussed. To see this, the boys swivel round
on their seats, before swivelling back into a semicircle around the
teacher to examine a diagram. The wallboards can also become
screens for computer projections. The temperature and light in
the room are electronically controlled and mirrors mounted at
three points serve as eyes in the back of the teachers head.
Thorpe and Asthena (2005) sum up the benefits of this
classroom arrangement:
Consigning the teacher to a desk at the front is thought to stop
him or her thinking freely, while the cheaper chairs commonly
used in schools can cause back pain over the 15,000 hours spent
sitting down in an average school life. The round classroom also
eradicates the so-called attention zone, a triangle immediately
in front of the teacher which inevitably receives 90 per cent of
his or her attention.
19
Different forms of classroom arrangement facilitate or
inhibit different forms of learning. If teachers are more
facilitative than didactic and learning occurs through
full participation in an appropriate variety of often
exploratory activities, then we may move more towards
an education appropriate for the 21st century, rather
than the production line of many 19th- and 20thcentury schools, effectively designed on a factory
model (see my overview article on pages 39).
Dyck (1994) developed some criteria for the modern
classroom see the box at the top of page 18. Different
styles of layout used in modern classrooms are
discussed in the box at the bottom of page 18.
Teacher type
Technocrat
High priest
Social worker
Anthropological
museum
Pedagogue
Room types
Much can be learned from early years practice and the
organisation of primary classrooms. Research studies
of primary teaching have repeatedly shown that the
way classrooms are usually organised makes learning
unnecessarily difficult for most pupils, whose attention
and behaviour have been shown to benefit from
creating a better match between working contexts and
tasks (Hastings and Chantrey-Wood, 2002).
In an article on art teachers and their rooms, Richard
Hickman (2001) suggests that art teachers show an
awareness of needing to work in an environment not
threatening, institutionalised or dull, but welcoming,
personalised and intriguing, although he does point
out that some art rooms could also be sterile. The box
above right relates room types to teacher types and
links each to a pedagogic aim.
Being flexible
To facilitate different modes of learning,
classroom/faculty space should ideally be as flexible as
possible, with the means to facilitate individual and
group activities as well as whole-class work. Since
different room arrangements serve different purposes,
it is necessary for classrooms to have some degree of
flexibility the case study on a classroom of the future
developed at Yewlands School is one example of this
Pedagogic aim/belief
Opportunity to explore
and understand
materials
Facilitating individual
expression
Classroom as therapy
room, pupils feel
nurtured
Visually rich
environment will
facilitate perpetual
development
Source: Hickman, 2001
Personalisation
agenda has strong
implications for the
classroom
environment and
also the potential
to be strongly
supported by
digital technologies
within and beyond
the classroom
Flexible displays
To allow for flexibility of displays in the classroom:
have semi-permanent displays, such as important words, concepts or
objectives, but interestingly presented
make sure that every paper-based display has a learning/teaching focus
think carefully about whose work is displayed, how it is displayed and
why
make sure that students can interact with technologies, such as whiteboards, but also use walls for activities, for example, with Post-It notes
use and maintain high-quality materials where possible.
CB VOL 5 NO 2 2007
Spatial arrangements