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Jazz Guitar/ PIANO Chords Chart.

Major

Abr

C Db D Eb E F Gb G Ab

6th

6th add 9th

6add9

6th flat5 add 9th

6(-5)add9

7th

7th flat 5th


7th flat 9th
7th flat 5th flat 9th
9th

7(-5)
7(-9)
7(-5-9)
9

11th

R
R

3 11

5
b

3
9

3 11

13th

13

Maj 7th

M7

Maj 9th

M9

Maj 11th

M11

3 11

Maj 13th

M13

3 11

Minor

Abr

Bb B

6
5

11

3
b

13

C Db D Eb E F Gb G Ab

13

Bb B

m7(-5)

min 9th

m9

min 11th

m11

min 13th

m13

min Maj 7th

m(+7)

min Maj 9th

m9(+7)

min 6th

m6

min 6th add 9th

m6add9

min 7th

m7

min 7th flat 5th

Aug & Dim


aug

Abr
+

7th aug
7th aug flat 9th
9th aug
dim
6th sus 4th

7+

7+(-9)
9+

R
R

9
9
b

R
Abr

11

11

13

sus add

6th sus 4th add 9th

6 4 9

7th sus 4th

7sus4

9th sus 4th

9sus4

Maj 7th sus 4th

M7sus4

Maj 9th sus 4th

M9sus4

9
9
9

Bb B

bb

C Db D Eb E F Gb G Ab

sus

6 4

C Db D Eb E F Gb G G#
R

Suspended

Bb B

Notes

Formula

E G B

Chord Name

Symbol

C major 7

Cmaj7

D F A C

1 b3

b7

D minor 7

Dm7 or D-7 or Dmin7

E G B D

1 b3

b7

E minor 7

Em7 or E-7 or Emin7

F A C

F major 7

Fmaj7

G B D

b7

G dominant

G7

A C

E G

1 b3

b7

A minor 7

Am7 or A-7 or Amin7

B D

F A

1 b3 b5

b7

B half diminished

Bm7b5 or Bmin7b5

Chord Type

Major

Minor

Dominant

Added Note

Symbol

Cmaj9

4
#4

/
Cmaj7#11

avoid note
#11 from
lydian scale

C6

no 7

Cm9

Cm11

Cm6

no 7

2
b2
#2

C9
C7(b9)
C7#9

b2 and #2 from
altered scale

C7sus4

6
b6

C13
C7(b13)

b6 comes from
altered scale

Chord Type

Chord Formula

Major Triad

Minor Triad

b3

Diminished Triad

b3

b5

Augmented Triad

#5

Major 7

Minor 7

b3

b7

Dominant 7

b7

Half Diminished 7

b3

b5

Diminished 7

b3

b5 bb7

Augmented 7

#5

b7

Suspended 4

b7

minor/major 7

b3

b7

Tritone Chord Substitution


Shown in ii - V - I - VI Turnaround
Chart excerpted from Basic Musicianship
Key

ii

(tritone)

Dm7

(Abm7)

Db

Ebm7 (Am7)

Em7

Eb

Fm7

V (tritone)

(tritone)

A7alt

Ab7 (D7)

Db

Bb7alt (E7alt )

(Bbm7)

A7

B7alt

(F7alt )

(Bm7)

Bb7 (E7)

Eb

C7alt

(Gb7alt )

F#m7 (Cm7)

B7

(F7)

C#7alt (G7alt )

Gm7

C7

(Gb7)

D7alt

Gb

Abm7 (Dm7)

Db7 (G7)

Gb

Eb7alt (A7alt )

Am7

D7

E7alt

(Bb7alt )

Ab

Bbm7 (Em7)

Eb7 (A7)

Ab

F7alt

(B7alt )

Bm7

(Fm7)

E7

(Bb7)

F#7alt (C7alt )

Bb

Cm7

(Gbm7)

F7

(B7)

Bb

G7alt

C#m7 (Gm7)

G#7alt (D7alt )

(Ebm7)

(Db7)

VI

(Dbm7)

G7

(Eb7)

(Ab7)

F#7 (C7)

(Eb7alt )

(Ab7alt )

(Db7alt )

Jazz Soloing Scales & Chords


Chart excerpted from Basic Musicianship
In the Key of C
Major Chords
CMaj7, CMaj9, C6, C
CMaj7(+11)

Scales
C Major, C lydian, C Major bebop,
C Major pentatonic, G Major pentatonic
C lydian, B in sen

Minor Chords

Scales
C dorian, C minor bebop, C minor pentatonic,

Cm7, Cm9, Cm11, Cm

F Major pentatonic, Bb Major pentatonic,


Eb Major bebop, C blues, C minor
C dorian, C melodic minor, C minor pentatonic,

Cm6, Cm

F Major pentatonic, Bb Major pentatonic,


C minor bebop, Eb Major bebop, D in sen

Cm(+7)

C melodic minor, C harmonic minor, Eb Major bebop

Cm7(-6)

C minor, Ab Major pentatonic

Cm7(-9)

C phrygian, C phrygian (+6)

Dominant Chords
C7, C9, C13, C
sus

sus

C7 , C , C11
b

Scales
C mixolydian, C lydian dominant, C dominant bebop,
C blues, C Major pentatonic
C mixolydian

B /C, Gm7/C

C suspended pentatonic, F Major pentatonic

C7(+11), C7

C lydian dominant

alt

C7 , C7(+9+5), C7(+9)

C altered, F harmonic minor, F melodic minor

C7(-9-5), C7(-9)

HW diminished, F harmonic minor, F melodic minor

C7+

C whole tone

Diminished Chords

Scales

Cm7(-5)

C locrian (+2), C locrian

Cdim7

C WH diminished

Other Chords

Scales

Cphryg

C phrygian, C phrygian (+6), C Spanish phrygian, C in sen

CMaj7(+5)

C lydian augmented, C Major bebop

C7sus(-9)

C phrygian (+6), C phrygian

Jazz Seventh Chords


Chart excerpted from Basic Musicianship
Chord Name

Construction

Dominant Seventh

Dominant degree of the major, harmonic & melodic minor scales.

Major Seventh

The triad and the seventh are major.

Minor Seventh

The triad and the seventh are minor.

Diminished Seventh

The triad and the seventh are diminished.

Half Diminished Seventh The triad is diminished, but the seventh is minor.
The name given to major, minor & diminished seventh chords is
determined by type of triad & seventh interval which they are built.
Scale & Degree Where Found

Chord Name

Major

Natural Minor Harmonic Minor Melodic Minor

Dominant Seventh

VII

Major Seventh

I, IV

III, VI

VI

Minor Seventh

II, III, VI I, IV, V

IV, V

IV

Diminished Seventh

II

VII

Half Diminished Seventh VII

II

II

VI, VII

Jazz Modes Chart


Chart excerpted from Basic Musicianship
From the Root of C

mC

MODES

C Db D Eb E F Gb G Ab A Bb B C

Ionian

2
2

Dorian

mE

Phrygian

mF

Lydian

mG

Mixolydian

mA

Aeolian

mB

Locrian

mD

6
b

8
7

Jazz Chord Progressions


Chart excerpted from Basic Musicianship
using three-triad cadences
SCALE

CHORD PROGRESSION

Major

IV-V-I

ii-V-I

V-ii-I

Aeolian

v-iv-i

VII-iv-i

V-IV-I

iii-ii-I

VI-bVII-i iv-bVII-i

Harmonic Minor

iv-V-i

V-iv-i

Harmonic Major

iv-V-I

V-iv-I

iii-iv-I

Melodic Minor (asc)

IV-V-i

ii-V-i

Melodic Major (desc)

v-iv-I

Double Harmonic Major

iii-bII-I

Double Harmonic Minor

VI-V-i

iii-IV-I

VI-v-i iv-v-i

V- VI-i

VII-iv-I

VI-vii-i

Tangga nada dan Kunci Diatonik


mol
kres
mayor minor mayor minor
0 C
a
C
a
1 F
d
G
e
2

huruf kecil adalah minor


angka menunjukkan jumlah mol atau kres pada tangga nada (F
= 1 mol, f = 4 mol, dst)
Artikel bertopik musik ini adalah sebuah rintisan. Anda dapat membantu Wikipedia
dengan mengembangkannya.

Jazz Scales Chart


Chart excerpted from Basic Musicianship
From the Root of C
SCALES
Major
Natural Minor
Harmonic Minor

C Db D Eb E F Gb G Ab A Bb B C
R

R
R

3 4

Melodic Minor (asc)

Melodic Minor (desc)

Enigmatic

Chromatic

WH Diminished

HW Diminished

Augmented

Whole Tone

Mixolydian

3 4

Lydian Dominant

Lydian Augmented

Pentatonic Major

Pentatonic Minor

In Sen
3 Semitone
4 Semitone
Blues
Bebop Major
Bebop Minor

3 4

2
2

4
3 4

7 8
b

7 8

7 8

6
6

7 8
b

8
7 8

7 8

5
5

7 8

6
b

3
b

7 8
b

4
b

b
b

6
b

7 8

7 8

6
b

Accords MAJOR(Do):
C7 = Do Mi Sol Sib
C7M = Do Mi Sol Si
C= Do Mi Sol Si
C6 = Do Mi Sol La
C9 = Do Mi Sol Sib R
Cb9 = bmol Do Mi Sol Sib Rb
C#9 = Do Mi Sol Sib R#
Cb5 = Do Mi Solb Sib
C#5 = Do Mi Sol# Sib
C11# = Do Mi Sol Sib Fa#
C13 (une 6me sur un accord de 7) = Do Mi Sol Sib La
C4 (la quarte remplace la tierce) = Do Fa Sol

Accords MINOR (Do)


C7 = Do Mib Sol Sib
Cm7M = Do Mib Sol Si
C6 = Do Mib Sol La
C9 = Do Mib Sol Sib R
C4 = Do Fa Sol
C11 = Do Mib Sol Sib Fa

Autres notations connatre


C = Do maj 7
Csus = Do, Fa, Sol (sus = accord suspendu = pas de tierce)
C7sus = Do, Fa, Sol, Sib
CO = Do diminu = la tierce, la quinte et la septime sont diminues = Do, Mib, Solb, Sibb
C = Cm7b5 = Do demi diminu = Cm7+quinte diminue = Do, Mib, Solb, Sib
G/B = Sol basse si - Gm/Bb = Sol mineur basse Sib
G+ = triade avec quinte augmente = Sol, Si, R#
add 9 = omission de la 7me = 1+3+5+9

The most usual guitar/ Piano techniques:


Technique

How to

Bend

Play the first note, then bend the string with the playing finger
(helped eventually by the other fingers) until you hear the next
note (in the tab example, a whole step bend, from E to F#). There
are also 1/2, 1 1/2, 2 steps bends.

Bend/Release

Bend then release back to the first note.

Hammer-on

Pluck only the first note, then hammer the second at a higher fret.

Pull-off

Pluck only the first note, then pull the second at a lower fret.

Slide

Fret a note (or notes) and then move (slide) to another fret without
taking the pressure off your finger (fingers) as you move.

Vibrato

Repeatedly bend the pitch up slightly, and then let the note back
down to the original pitch.

Tapping

Tap with the index or midfinger at the written fret.

Natural
Harmonic

Touch the string lightly (don't press down) over the fret bar then
pluck.

Pinch
Harmonic

Pick the string, then touch the edge of your right hand thumb.

Palm Mute

Touch the string slightly with the palm of your right hand.

Tab

Recommended Modes
CHORDS

Major

EXTENSIONS

MODE

REFERENCE
SCALE

maj7
6
#11

Ionian
Ionian
Lydian
Lydian

Minor
Minor
Minor
Minor

STEPS from
the
REFERENCE
SCALE
0-3
0-3
0+4
0+4

Lydian#11
Lydian#11

Melodic
Melodic

0-3
0-3

Dorian
Aeolian
Blues
Melodic
Dorian
Phrygian

Minor
Minor
Blues
Melodic
Minor
Minor

0-5
0
0
0
0-5
0+5

Harmonic
Melodic
Locrian
Locrian #2

Harmonic
Melodic
Minor
Melodic

0
0
0-2
0+3

Mixolydian
Blues
Phrygian
Major
Whole - tone
Whole - tone
1/2 1
Superlocrian

Minor
Blues
Harmonic

0+2
0
0+5

Whole - tone
Whole tone
1/2 1
Melodic

0
0
0
0+1

Lydian b7
Mixolydian b6

Melodic
Melodic

0+7
0+5

Mixolydian
Mixolydian
Phrygian
Blues
Dorian b2

Minor
Minor
Minor
Blues
Melodic

0+2
0+2
0+5
0
0-2

1 1/2
VII Harmonic

1 1/2
Harmonic

0
0+1

b5
#11
b13
m7,9
m7,9
m7,9
m6,9
m6,9

Minor

m7(b9)
m#7
m#7
m7b5
m7b5(9)
7,9
7,9
7b9(b13)

Dominant

7#11
7+
7#9,13
7#9(#11, b13)
7,9,#11

Suspended

Diminished

7,9b13
sus7,9
sus7
sus7
sus7
sus7b9
0, dim
0, dim

Piano Scales Chart


Chart excerpted from Basic Musicianship
From the Root of C
SCALES

C Db D Eb E F Gb G Ab A Bb B C
R

Spanish 8 Tone

Flamenco

Symmetrical

Diminished

Whole Tone

Augmented

3 semitone

4 semitone

Chromatic

SCALES

3 4

b
b

3 4

3 4

4
3

5
5

7 8

7 8
b

7 8
6

8
8

C Db D Eb E F Gb G Ab A Bb B C

Ultra Locrian

Super Locrian

Indian

Phrygian Major

3 4

Double Harmonic

3 4

Marva (Indian)

Enigmatic

Locrian
Phrygian
Neapolitan Minor
Javanese
Neapolitan Major
Todi (Indian)
Persian
Oriental

SCALES

5
4

3 4
3 4

7 8
6

5
b

5
b

6
b

5
5

7 8
7 8
7 8

6
b

8
7 8

6
b

7 8
b

7 8

C Db D Eb E F Gb G Ab A Bb B C

Locrian Natural 2nd

Natural Minor

Harmonic Minor

Dorian

Melodic Minor (Asc)

Hungarian Gypsy

7 8
b

8
7 8

Hungarian Minor

Romanian

SCALES

3 4

Hindu

3 4

Ethiopian

3 4

Major

3 4

7 8
6

3 4

3 4

Lydian Augmented

Leading Whole Tone

Rock 'n Roll

3 4

Hungarian Major

6
6

8
7 8

8
7 8

6
b

6
b

7 8
b

7 8

C Db D Eb E F Gb G Ab A Bb B C

Balinese

Pelog (Balinese)

Iwato (Japanese)

Japanese

Hirajoshi (Japanese)

Pentatonic Major

Egyptian

Pentatonic Minor

Chinese

8
8

SCALES

7
7

3 4

Lydian

Lydian Dominant

6
6

Lydian Minor

7 8

Mixolydian

Harmonic Major

C Db D Eb E F Gb G Ab A Bb B C

Locrian Major

Mixolydian Augmented

3
3

3
b

7 8

Tritone Chord Substitution


Shown in ii - V - I - VI Turnaround
Chart excerpted from Basic Musicianship
Key

ii

(tritone)

Dm7

(Abm7)

Db

Ebm7 (Am7)

Em7

Eb

Fm7

V (tritone)

(tritone)

A7alt

Ab7 (D7)

Db

Bb7alt (E7alt )

(Bbm7)

A7

B7alt

(F7alt )

(Bm7)

Bb7 (E7)

Eb

C7alt

(Gb7alt )

F#m7 (Cm7)

B7

(F7)

C#7alt (G7alt )

Gm7

C7

(Gb7)

D7alt

Gb

Abm7 (Dm7)

Db7 (G7)

Gb

Eb7alt (A7alt )

Am7

D7

E7alt

(Bb7alt )

Ab

Bbm7 (Em7)

Eb7 (A7)

Ab

F7alt

(B7alt )

Bm7

(Fm7)

E7

(Bb7)

F#7alt (C7alt )

Bb

Cm7

(Gbm7)

F7

(B7)

Bb

G7alt

C#m7 (Gm7)

G#7alt (D7alt )

(Ebm7)

(Db7)

VI

(Dbm7)

G7

(Eb7)

(Ab7)

F#7 (C7)

(Eb7alt )

(Ab7alt )

(Db7alt )

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