Vaya Con Dios biography

The first time she sang onstage, it was in a musical about Jacques Brel. Now, 25
years later, Dani Klein, the voice of Vaya Con Dios, is finally putting out her own
album in French.
Its a risk she said she would never take. She laughs when she remembers that she
once told a journalist that her songs have nearly always been in English because she
didnt want to compete with the great French songwriters. But after two years of nonstop collaboration with top musicians and of waking up in the middle of the night to
scribble down just the right word, Comme on est venu is ready to prove that a
powerhouse voice laden with emotion and combined with poetic lyricism carries
music far across language borders.
It was more than 20 years ago that Dani Klein, Dirk Schoufs and Willy Lambregt
put out the debut album of their Gypsy-blues trio known as Vaya Con Dios. Industry
experts and even friends told them they would never get anywhere: the acoustical
sound was too difficult to categorise, too tough to market.
They were indeed decidedly eclectic: a blend of blues-soaked lounge, Latin-infused
pop and Memphis soul. But from the first sexy, sassy hit single Just a Friend of
Mine, the band became a household name in Belgium. Two years later, with the
release of the second album, Night Owls, international fame was theirs. Music fans
thirsting for soulful beats after the synthesised New Wave that had been dominating
the airwaves ate the quirky Belgian band up, making hits out of both the fast, jazzy
guitars on Nah Neh Nah and the slow, sultry Dani Klein classic Whats a Woman.
Between the never-ending tours and television appearances, audiences continued to
be surprised and delighted to meet the Belgian whose voice they thought must
belong to a southern blues woman. After two decades, it still has the power to jar.
Deep and moody and completely confident, Dani Kleins voice lingers in your head
long after the CD is finished.
The pressures of fame are infamous, and the band soon broke up. Not long after,
Dirk died tragically, and Dani had to pull herself together and make a decision. She
decided to carry on with the name Vaya Con Dios as a solo artist, a tribute to the
musicians who created the band and to those who wanted to help it continue.
It was clearly the right decision. Three more albums and two compilations later, Vaya
Con Dios has sold more than 10 million albums and has fans across the world.
The lyrics of Danis string of hits, including Puerto Rico, Heading for a Fall and
Dont Break My Heart are deeply felt and poetical, lamenting broken relationships
and stubborn denials.
Comme on est venu continues the tradition. Calling on her love of great Frenchlanguage songwriters, such as Jacques Brel, Georges Brassens and Barbara,
Dani sings metaphorically of love as a shipwreck, of the simple beauty that assuages
grief and, in the title song, of life and death and the pettiness that comes in between.

Im going back to my roots a little bit, says Dani, who grew up listening to French
singers on the radio. Its like Im going back to my very first influences.
As a teenager, however, dancing to the sound of Otis Redding and Aretha Franklin
in Brussels nightclubs, Dani became addicted to soul music. Rhythm & Blues is
really about warm voices and groovy rhythms, where with French so ngs, the lyrics
are whats really important, she says. She has tried to marry the two ever since, and
Comme on est venu is a perfect combination of those two musical styles.
Collaboration was one of the keys to getting the lyrics right. Dani co-wrote most of the
songs on the album with a diverse, talented set of musicians, including Manuel
Istace (better known as Uman) and Luc Weisser (who wrote Danis previous hit
Dont Break My Heart), author of four of the so ngs on the new album.
I really like what Uman writes, and that made me feel secure, explains Dani.
Carmelo Prestigiacomo, with whom Dani has written songs before, such as Time
Flies, would come to my home with all of his recording equipment, and he would just
play something play it, and play it, and play it, and I would start singing. And then
all of a sudden, I would write it; the so ng would co me out immediately. But then with
other songs, sometimes it would take more than a year just to find the right
sentence. Luc Weisser's French so ngs stuck in her head since the first moment she
heard them, 20 years ago, and time was now right to sing a few of them.
In addition to this blend of talent, two living legends, both Belgian, perform on
Comme on est venu: Toots Thielemans, the world-famous jazz man, who 50
years ago literally reinvented harmonica playing, lends the instrument to Il restera
toujours, and the jazz guitar virtuoso Philip Catherine lends his hand to La vie
cest pas du gteau.
Another tribute to French songwriters, two of the songs on Comme on est venu
are covers of work by the legendary singer-songwriter Leo Ferr. One, Vingt ans, is
one of his original compositions and the other, Pauvre Rutebeuf is a poem by 13thcentury Parisian Rutebeuf that Ferr set to music.
The album closes poignantly with an instrumental written by Danis father, Charles
Schoovaerts, who passed away shortly after it was recorded.
All of this eclecticism needs a strong producer, and Dani Kleins own son, Simon
Schoovaerts (aka DJ Le Saint) took control, working closely with top musicians,
such as William Lecomte, Salvatore La Rocca, Hans van Oosterhout, Red Gjeci,
Tim De Jonghe, Francis Perez, Rony Verbiest and Bruno Castellucci, among
others, to instil the perfect sound and atmosphere in the final project. This was made
possible through a close working relationship with Daniel Lon, engineer at Brussels
Igloo Studio.
In addition to writing and recording with the musicians, Dani has been touring the
world with them non-stop over the years. From Istanbul to Helsinki, Jerusalem to
Montreal, St Petersburg to Beirut and back again, Vaya Con Dios has played
hundreds of shows in more than 40 countries, most of them sold out.

So she should be well ready for the next show at Brussels Thtre Varia on
January 19, the debut concert of Comme on est venu Then follows another
worldwide tour of cabaretstyle show, with the new songs and the chance to get to
know Dani Klein like never before.
Those familiar with the substantial catalogue of Vaya Con Dios will notice that
Comme on est venu is more orchestral, with an influx of strings and horns, but
also adds an occasional groovy lounge beat.
People who have listened to this new album say that it still sounds very Vaya Con
Dios, smiles Dani, which is quite amazing.
Not really. You can change the language, but you cant change the conviction, the
voice and the passion in Dani Klein.
Lisa Bradshaw