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INTERIORS

24-25 February 2015

New York

Its easy to buy at Christies


Read this simple guide to buying at auction. If you still have questions, our terms and Conditions of Sale and
Limited Warranty, as well as much more information can be found in the All You Need To Know section at the
back of this catalogue. We strongly encourage you to read these sections as they set out the terms on which
property is bid for and bought at our sales.
BROWSING

CHRISTIES LIVE

PAYING & TAKING IT HOME

Browsing our catalogues is a great way to discover


more about whats coming up in future sales;
alternatively check the website at www.christies.com
where its possible to see all lots free of charge.
Of course, once the sale is on view, visit our
salerooms, open seven days a week except Bank
Holidays.

is our online bidding service that allows you to see


and hear the auction in progress and gives you a
real time link into the saleroom direct from your
PC. All you have to do is click to bid wherever you
are. Visit christies.com to find out more.

Once you have paid for your lot you can take it
home or arrange for it to be delivered. Please note
that many lots will be held at Redstone,
our new Long Island City facility. If you dont pick
up your property within 35 days of the sale, bear
in mind that handling and administration charges
will apply. For collection information, please refer
to the Lot Collection Notice, available from our
Bids Registration Staff, at Purchaser Payments or at
the Packing Desk. We do advise that you contact
Purchaser Payments to confirm your propertys
location on +1 212 636 2495 or +1 212 974 4500.

DESCRIPTIONS

cover basic catalogue information such as size, date


or age, medium, type, attribution, quantity and so on.
ESTIMATES

are given for all lots and can be based on prices


recently paid at auction for comparable property.
They can take into account rarity, condition, quality
and provenance.
THE RESERVE
is the price below which a lot will not sell. Since it
is confidential it is not published in the catalogue.
The reserve will never exceed the low estimate.
TALK TO OUR SPECIALISTS

who will always be happy to discuss the lot


in greater detail; their contact details are
listed opposite. Our Specialists are available
at viewings or by appointment.
CONDITION REPORTS

are available on our website accompanying


the lot descriptions. These supplement the
catalogue description and provide guidance
on a lots condition.
VIEW THE LOT PERSONALLY

We always recommend coming to the saleroom


and looking at a lot for yourself, especially in the
case of more valuable items. Our viewing rooms
are open to the public and are free of charge.
SYMBOLS

next to the lot number can indicate a variety


of things, such as whether the lot is being sold
without a reserve or if the lot has special export
requirements. There is a key to symbols in the
All You Need To Know section at the back of this
catalogue.
BIDDING

There are four ways to buy, offering you convenience and flexibility whether you are able to
attend the auction in person or not. All of the following services are free:
IN THE SALEROOM

you will experience the buzz, drama and fun of


bidding in a live auction. To bid in person just arrive
in time to register. For your convenience, we recommend that you arrive in good time in advance of
the auction. If you havent bid with us before youll
need to bring some form of identification such as a
drivers licence or passport and a bank reference.

TELEPHONE BIDDING

allows you to talk directly to a Christies member


of staff in the auction itself who will relay progress
back to you and, upon your instruction, bid on
your behalf. To arrange a telephone bid please contact the Bids Office at least 24 hours in advance of
the sale either on your visit to the saleroom or by
telephoning us on +1 212 636 2437. Please make
arrangements for bids in languages other than
English well in advance of the sale date. Telephone
bids may be recorded and by bidding on the
telephone, prospective purchasers consent to the
recording of their conversation.
WRITTEN BIDS

are great if you cannot attend the auction or are


not available to participate either online or on the
telephone. A written bid (also referred to as an
Absentee Bid) is simply your direction to the auctioneer to attempt to bid at the lowest possible
price, taking into account the reserve price. The
auctioneer will bid progressively up to your maximum bid. To find out more about written bids and
how to place them refer to the written bid form
at the back of this catalogue or just call our Bids
Office on +1212 636 2437.
BIDDER REGISTRATION

If you have not previously bid or consigned with


Christies, you should bring:
Individuals: government-issued photo identification
(such as a driving licence, national identity card, or
passport) and, if not shown on the ID document, proof
of current address, for example a utility bill or bank
statement.
Corporate clients: a certificate of incorporation.
For other business structures such as trusts, offshore
companies or partnerships, please contact Christies
Credit Department at +1 212 636 2492 for advice on
the information you should supply.
A financial reference in the form of a recent bank
statement, a reference from your bank, and/or your
bankers contact information. Christies can supply a
form of wording for the bank reference if necessary.
If you have registered to bid on behalf of someone who has not previously bid or consigned with
Christies, you should bring identification documents
not only for yourself but also for the party on whose
behalf you are bidding, together with a signed letter of
authorization from that party.
To allow sufficient time to process the information, you
are encouraged to register at least 48 hours in advance
of a sale.
You should register for a numbered bidding paddle at
least 30 minutes before the sale. Clients who have not
made a purchase from any Christies office within the
last two years and those wishing to spend more than
on previous occasions, will be asked to supply a new
bank reference to register.
For assistance with references, please contact Christies
Credit Department at +1 212 636 2490 or by fax at
+1 212 636 4943.

HOW MUCH YOU WILL PAY

If you are successful you will pay the hammer price


plus buyers premium on each lot (25% of the
first $100,000 of the hammer price, plus 20% of
the excess of the hammer price above $100,000
up to and including $2,000,000, plus 12% of
any amount in excess of $2,000,000), together
with any additional applicable charges, sales or
compensating tax or equivalent tax in the place
of sale which shall be applied on the hammer
price and premium at the applicable rate. There is
a PAYMENT AND SUCCESSFUL BIDS section at the
back of this catalogue. If you still have any questions
please call Purchaser Payments on +1212 636 2495.
POST-SALE CARE

All lots (including all furniture) will be held at


Rockefeller Center or Redstone handling facility.
Property may be transferred at Christies discretion following the sale and we advise that you
contact Purchaser Payments on +1 212 636 2495
to determine your propertys location at any given
time. Please also consult the Lot Collection Notice
for collection information for purchased lots. This
sheet is available from the Bidder Registration staff,
Purchaser Payments or the Packing Desk. Failure to
collect your property within 35 calendar days of the
auction date from any Christies location, will result
in handling and administration charges plus any
applicable taxes. For a simple map to Redstone and
contact telephone numbers, please see ALL YOU
NEED TO KNOW - TAKING IT HOME located in the
back of this catalogue.
DELIVERY

We can help you with all your transport requirements whether local deliveries or international
freight. For more details please refer to the All You
Need to Know section in this catalogue or call our
Art Transport Department on +1 212 636 2480.

INTERIORS
24-25 FEBRUARY 2015

AUCTION CODE
AND NUMBER

AUCTION

Tuesday 24 February 2015


10 am (Lots 1-148)
2 pm (Lots 149-319)

In sending absentee bids or


making enquiries, this sale should
be referred to as SADIE-3711

Wednesday 25 February 2015


10 am (Lots 320-488)
2 pm (Lots 489-637)

AUCTIONEERS

SPECIALISTS

CONDITIONS OF SALE

This auction is subject to


Important Notices, Conditions of Sale
and to Reserves
This auction features
tm

Diana Bramham (#1464939)


Xan Serafin (#1358510)
Tom Lecky (#1135170)
Richard Nelson (#1184056)

20 Rockefeller Plaza
New York, NY 10020

Please note lots marked with a square n


will be moved to Christies Redstone
Post-Sale Facility in Long Island City at 5pm
on the last day of the sale. These lots can be
collected from Christies Rockefeller until that
time, or they will be available at Redstone
on the following Monday. All other lots will
be kept at Christies Rockefeller for 21 days
following the sale, after which they will be
transferred to Redstone and available for
collection after 2 business days.

new york

live online bidding


register at www.christies.com

VIEWING

Saturday

21 February

1 pm5 pm

Sunday

22 February

1 pm5 pm

Monday

23 February

10 am5 pm

Tuesday

24 February

9.30 am5 pm

Wednesday

25 February

9.30 am5 pm

CONTACTS

EMAIL

HEAD OF DEPARTMENT

First initial followed by last name @


christies.com (eg. Lauren Anderson =
landerson@christies.com)

Helen Williams

Browse this auction and view


real-time results on your iPhone,
iPod Touch, iPad and Android
devices

TELEPHONE BIDS WILL BE ACCEPTED FOR LOTS WITH


LOW-END ESTIMATES OF $1,500 AND ABOVE, NO LATER
THAN 24 HOURS PRIOR TO THE SALE AND ONLY IF THE
CAPACITY OF OUR POOL OF STAFF PHONE BIDDERS
ALLOWS. ARRANGEMENTS TO BID IN LANGUAGES OTHER
THAN ENGLISH MUST BE MADE WELL IN ADVANCE OF
THE SALE DATE.

ASSOCIATE BUSINESS MANAGER

Sima Jalili
Nathania Nisonson
Fine Art

Emily Gladstone
Fine Art

SALE COORDINATOR

SALE ENQUIRIES

Megan Conroy

Tel: +1 212 636 2032


Fax: +1 212 492 5718

ADMINISTRATORS

Richard Nelson
Furniture

Victoria Tudor
Objects

Hayley Harrington
Sabina Milbank
Shannon Ryan

For general enquiries about this


auction, email should be addressed
to the auction administrators.

Bliss Summers
Furniture

ENQUIRIES

Meaghan Cain
Furniture

AUCTION RESULTS

www.christies.com
View catalogues and leave bids
online at christies.com

TELEPHONE BIDS MAY BE RECORDED. BY BIDDING ON


THE TELEPHONE, PROSPECTIVE PURCHASERS CONSENT
TO THE RECORDING OF THEIR CONVERSATIONS.
CHRISTIES OFFERS ALL ABSENTEE AND TELEPHONE
BIDDING SERVICES AS A CONVENIENCE TO OUR CLIENTS,
BUT WILL NOT BE RESPONSIBLE FOR ERRORS OR FAILURES
TO EXECUTE BIDS.
PLEASE NOTE THAT ALL LOTS HIGHLIGHTED WITH RED
TITLES ARE OFFERED WITHOUT A RESERVE. ALL LOTS
WITH AN ASTERISK MAY BE EXEMPT FROM SALES TAX,
AS SET FORTH IN THE SALES TAX NOTICE AT THE BACK
OF THE CATALOGUE.
PLEASE NOTE THAT THE MAJORITY OF FURNITURE LOTS
IN THE INTERIORS SALE ARE TRANSFERRED TO REDSTONE
ON THE DAY OF THE SALE. PLEASE SEE STORAGE AND
COLLECTION AT THE BACK OF THE CATALOGUE FOR
FURTHER DETAILS. PLEASE CHECK WITH CASHIERS
BEFORE PICKING UP PROPERTY.

Art Direction by Vladimir Golanov


Photography by Charles Kaufman and Nancy Scherl

The wallpaper on the cover has been


generously provided by Farrow & Ball.
The pattern is OCELOT, the color is
BP3704. For more information please
visit www.farrow-ball.com.

[20]

Order

Of

Sale

Tuesday 24 February 2015


at 10 am
1-148

Fine Art

Tuesday 24 February 2015


at 2 pm

149-172

Silver and Silver Plate

174

Russian Work of Art

175-215

Glass

216-243

Ceramics

244-249

Chinese Export Works of Art

250-315

Chinese Works of Art

316-319

Japanese and Southeast Asian Works of Art

Wednesday 25 February 2015


at 10 am
320-488

Furniture and Decorative Works of Art

Wednesday 25 February 2015


at 2 pm
489-637

Furniture, Decorative Works of Art and Rugs

Edwin A. and Lindy Bergman in their Chicago residence, 1982.


Photograph by Arthur Shay.

The Bergmans collection, writes art historian Dawn Ades, is the fruit of a genuinely joint project, a
shared commitment. Indeed, the Bergmans began their journey in collecting together. In a great books
course, discussions of history, philosophy, and literature turned to examinations of fne arts role in culture
and society; after class, the couple would often fnd themselves wandering into Chicago galleries and
museums, enthralled by the work around them. Intellectually driven and with a penchant for self-study,
the couple poured over classic volumes such as Alfred H. Barrs Masters of Modern Art, piecing together
the story of art history as it culminated with the bold new styles of the mid-twentieth century. Their
frst substantial acquisition, a Paul Klee gouache, heralded the beginnings of an ever-growing assemblage
incorporating the best in Surrealism, Tribal Art, and Post-War painting, drawing, and sculpture. The
collection included names such as Joseph Cornell, Balthus, Alexander Calder, Paul Delvaux, Roberto Matta,
and Ren Magritte, as well as work by the Chicago Imagists and John Graham.

The Library at Trianon.

Property from the Trianon Museum,


Denver, Colorado and the Metzger Family Collection
(Lots 94-98, 150-162, 174, 214-225, 249, 320-379)
Inspired by the Neoclassic pleasure palace bestowed on Louis XVs
matresse-en-titre, Madame de Pompadour, the former Colorado Springs
residence of Charles H. and Virginia Baldwin has remained an enduring
tribute to the French style nestled in Americas heartland. Christened
Claremont by the Baldwins in 1907, and frequently referred to as Trianon
thereafter, the house was initially designed by Stanford White and was
ultimately completed by the celebrated Colorado architect Thomas
MacLaren following Whites untimely demise at the hands of Harold K. Thaw
in 1906.

Hailing from Newport, Rhode Island, the Baldwins, fush from family mining
exploits, relocated to the Pikes Peak area for Virginias respiratory health.
Both had travelled extensively through Europe amassing an enormous
collection of fne paintings, sculpture and opulent decorations. Virginia
survived her husband and their three children and eventually sold Claremont
to Blevins Davis, a New York impresario and then President of the Ballet
Theater of New York. He remodeled and updated the house, formally
named it Trianon, where he revived social and cultural events. The
disposition of Daviss wifes estate resulted in the sale of the entire property
and contents to an order of Catholic nuns in 1952.

John W. Metzger (d. 1984), former Attorney General of Colorado and an


active Denver business leader, had assisted Blevins Davis and the Catholic
sisters in their transaction and responded to the sisters desire to sell the
property in 1960. Metzger established a foundation for cultural preservation
and educational advancement; however the residential neighborhood
proved unsuitable for an active museum operation. To fulfll the mission of
perpetuating arts education, much like the Baldwins did a half-century earlier,
the residence and grounds became the permanent home for the Colorado
Springs School for Girls in 1967. The lavish contents were relocated to
downtown Denver in a French-style building which Metzger purchased and
operated as the Trianon Museum & Art Gallery for the appreciation of the
public until his death. Betty Metzger, Johns wife and concert pianist whose
life was devoted to artistic endeavors, maintained the museum until her
death in 2008. J. William Metzger, John and Bettys son, now pursues the
preservation and dissemination of the remarkable collection.

ALL LOTS HIGHLIGHTED WITH RED TITLES ARE OFFERED WITHOUT RESERVE

Tuesday 24 February
at 10.00 am

6
JEAN-PIERRE CAPRON (FRENCH, B. 1921)

Fine Art

Bord de La Creuse
signed j.p. capron (lower left)
oil on canvas
19 x 24 in. (50.2 x 61 cm.)

(Lots 1-148)

$700-900
PROPERTY OF A TEXAS COLLECTOR (LOTS
1-34)
1
GASTON SBIRE (FRENCH, 1920-2001)

Vue sur la plage

signed G SEBIRE (lower right)


oil on canvas
39 x 32 in. (100.3 x 81.3 cm.)

$1,000-1,500
7
JEAN-PIERRE CAPRON (FRENCH, B. 1921)

Les toits mauves


2
GASTON SBIRE (FRENCH, 1920-2001)

signed j.p. capron (lower right)


oil on canvas
18 x 21 in. (45.7 x 54.6 cm.)

La plage

$700-900

signed G SEBIRE (lower right)


oil on canvas
7 x 18 in. (19.1 x 47 cm.)

PROVENANCE:

with John Carter Gallery, Austin.


Acquired from the above by the present owner.

$600-900
2
7

3
GUY CHARON (FRENCH, B. 1927)

8
JEAN-PIERRE CAPRON (FRENCH, B. 1921)

Bateau dans le port


signed CHARON (lower left)
oil on canvas
38 x 51 in. (97.2 x 130.1 cm.)

Village in the hills


signed and dated j.p. capron/ 86 (lower right)
oil on canvas
24 x 29 in. (61 x 73.7 cm.)
Painted in 1986.

$1,500-2,000

$700-900
3
8

9
MAURICE LOUIS SAVIN (FRENCH, 1894-1973)

4
GUY CHARON (FRENCH, B. 1927)

Untitled (daily chores)

Le village

signed and dated savin/ 1966 (lower left)


oil on canvas
26 x 36 in. (66 x 92.7 cm.)
Painted in 1966.

signed CHARON (upper left)


oil on canvas
31 x 39 in. (80.6 x 99.7 cm.)

$1,000-1,500

$1,000-1,500

10
MAURICE LOUIS SAVIN (FRENCH, 1894-1973)

5
MAURICE LOUIS SAVIN (FRENCH, 1894-1973)

Femmes avec le chien

Paysage

signed and dated savin/ 1966 (lower left)


oil on canvas
28 x 23 in. (73 x 60.3 cm.)
Painted in 1966.

signed and dated savin/ 1960 (lower left)


oil on canvas
23 x 29 in. (60.3 x 73.7 cm.)
Painted in 1960.

$1,000-1,500

$1,000-1,500

10

All lots marked with a square n are moved to Christies Redstone at 5pm on the last day of the sale.

ALL LOTS HIGHLIGHTED WITH RED TITLES ARE OFFERED WITHOUT RESERVE
n16
JEAN JANSEM (FRENCH, 1920-2013)

n11
JEAN JANSEM (FRENCH, 1920-2013)

Enfants de choeur

Nature morte au pichet et vase

signed and dated Jansem 86 (lower right);


dated again and titled ENFANTS DE
CHOEUR 1986 (on the stretcher bar)
oil on canvas
51 x 64 in. (130.5 x 164.5 cm.)
Painted in 1986.

signed Jansem (lower right)


oil on canvas
51 x 63 in. (130.1 x 161.9 cm.)
Painted in 1965.

$18,000-25,000

$20,000-30,000
PROVENANCE:
PROVENANCE:

with Galerie Rienzo, New York.


Acquired from the above by the present owner.
This work will be included in the forthcoming
Jean Jansem catalogue raisonn prepared by
Flora Jansem.

with Galerie Rienzo, New York.


Acquired from the above by the present owner.
11

This work will be included in the forthcoming


Jean Jansem catalogue raisonn prepared by
Flora Jansem.

16

17
JEAN JANSEM (FRENCH, 1920-2013)

12
PAUL AZPIRI (FRENCH, B. 1919)

Fille assise au tissus lphant


signed Jansem (lower right); signed again
Jansem (on the overlap); titled and dated flle
assise au tissus elephant/ 1995 (on the stretcher
bar)
oil on canvas
39 x 25 in. (99.7 x 64.8 cm.)
Painted in 1995.

Nature morte
signed AIZPIRI (lower right)
oil on canvas
9 x 13 in. (24.1 x 35 cm.)

$3,000-5,000
PROVENANCE:

$12,000-18,000

with Galerie Rienzo, New York.


Acquired from the above by the present owner.

PROVENANCE:

12

with Galerie Rienzo, New York.


Acquired from the above by the present owner.
This work will be included in the forthcoming
Jean Jansem catalogue raisonn prepared by
Flora Jansem.
17

13
PAUL AZPIRI (FRENCH, B. 1919)

Nature morte

18
ANDR BRASILIER (FRENCH, B. 1929)

signed Aizpiri (lower right)


oil on canvas
9 x 13 in. (24.1 x 35 cm.)

Femme avec vase de feurs


signed Andr Brasilier. (lower right)
oil and pencil on canvas
13 x 18 in. (33.7 x 45.7 cm.)
Painted in 1987.

$3,000-5,000
PROVENANCE:

with Galerie Rienzo, New York.


Acquired from the above by the present owner.

$8,000-12,000
PROVENANCE:

13

with Galerie Rienzo, New York.


Acquired from the above by the present owner.
This work will be included in the forthcoming
Andr Brasilier catalogue raisonn being
prepared by Alexis Brasilier.

14
JEAN LURAT (FRENCH, 1892-1966)

18

Nature morte au verre


signed Lurcat (lower right)
oil on canvas laid down on masonite
13 x 18 in. (33.7 x 47 cm.)
Painted in 1928.

n19
NICOLA SIMBARI (ITALIAN, 1927-2012)

$3,000-5,000

Artena

PROVENANCE:

signed Simbari (lower right); signed again and


dated 1984 NICOLA SIMBARI (on the
reverse)
acrylic on canvas
47 x 63 in. (120 x 160 cm.)
Painted in 1984.

tienne Bignou, 1928.


Private Collection.
with John Carter Gallery, Austin.
Acquired from the above by the present owner.
EXHIBITED:

$5,000-7,000

Paris, Salon des Tuileries, 1928, no. 1847.


14

19

LITERATURE:

G. Denizeau and S. Lurat, Loeuvre peint de Jean


Lurat: Catalogue raisonn 1910-1965, Lausanne,
1998, p. 338, no. 1928-29 (illustrated).

15
ALVAR SUOL MUOZ RAMOS (FRENCH/
SPANISH, 1935)

20
LUCIEN PHILIPPE MORETTI (FRENCH, 19222000)

Le bateaux

Le petit Bernard

signed ALVAR (lower left); signed again


and dated ALVAR/ SUOL/ 1966 (on the
reverse)
oil on canvas
28 x 39 in. (73 x 99.7 cm.)
Painted in 1966.

signed and titled L.P. Moretti/ Le Petit


Bernard (lower left)
watercolor, wash, sanguine and gouache on
paper
29 x 21 in. (73.7 x 54.6 cm.)

$700-900

$1,000-1,500
15

20

Handling fees commence 35 days after the frst day of the sale

ALL LOTS HIGHLIGHTED WITH RED TITLES ARE OFFERED WITHOUT RESERVE
26
JEAN JANSEM (FRENCH, 1920-2013)
21
FERRERO, 20TH CENTURY

Angela
signed Jansem (upper left); titled Angela (on
the stretcher bar)
oil on canvas
31 x 23 in. (81 x 60 cm.)
Painted circa 1973.

Sunfowers are symbol of happiness


signed FERRERO (lower right); signed again,
dated, titled and dedicated *FERRERO/
Juillet 2011/ To Ellen and Louis/ Sunfowers
are symbol/ of happiness (on the reverse)
oil on canvas
31 x 31 in. (80 x 80 cm.)
Painted in 2011.

$12,000-18,000
PROVENANCE:

with Galerie Rienzo, New York.


Acquired from the above by the present owner.

$1,000-1,500

This work will be included in the forthcoming


Jean Jansem catalogue raisonn prepared by
Flora Jansem.

21
26

27
JEAN JANSEM (FRENCH, 1920-2013)

22
PAUL AZPIRI (FRENCH, B. 1919)

Danseuse de dos fond jaune

Vase de feurs

signed Jansem (lower right); titled and dated


Danseuse de dos fond jaune 2002 (on the
stretcher bar)
oil on canvas
36 x 25 in. (91.7 x 65.4 cm.)
Painted in 2002.

signed Azpiri (lower right)


oil on canvas
25 x 23 in. (65 x 59.4 cm.)

$8,000-12,000
PROVENANCE:

$10,000-15,000

with Galerie Rienzo, New York.


Acquired from the above by the present owner.

PROVENANCE:

with Galerie Rienzo, New York.


Acquired from the above by the present owner.
This work will be included in the forthcoming
Jean Jansem catalogue raisonn prepared by
Flora Jansem.

22
27

28
CLAUDE VENARD (FRENCH, 1913-1999)

23
GASTON SBIRE (FRENCH, 1920-2001)

Cte du Var

Vase de feurs

signed C. VENARD (lower left)


oil on canvas
25 x 32 in. (65 x 81.3 cm.)

signed G SEBIRE (lower right)


oil on canvas
36 x 28 in. (92.1 x 73 cm.)

$10,000-15,000

$2,000-3,000

PROVENANCE:

with Galerie Felix Vercel, Paris.


Acquired from the above by the present owner.

PROVENANCE:

with Wally Findlay Galleries, New York.

Alain Vercel has confrmed the authenticity of


this painting.
28
23

29
MARCEL GROMAIRE (FRENCH, 1892-1971)

La mare aux oiseaux


with woven signature and date Gromaire 1941
(lower right)
tapestry
70 x 76 in. (178.4 x 193.7 cm.)
Conceived in 1941.

24
AUGUSTIN UBEDA (SPANISH, 1925-2007)

Untitled (still life)


signed A. BEDA (lower right); signed again
A. BEDA (on the reverse)
oil on canvas
25 x 31 in. (65.4 x 80.6 cm.)

$10,000-15,000
PROVENANCE:

with Galerie Matignon Saint Honor, Paris.


Acquired from the above by the present owner,
1996.

$1,500-2,500

Sold with a certifcate from Franois Gromaire


and Franoise Chibret-Plaussu, dated Paris, le 6
mai 1996.

24

29

30
MICHEL CIRY (FRENCH, B. 1919)

Saint Franois a LAlverne

signed A. BEDA (lower left)


oil on canvas
19 x 25 in. (50.2 x 64.8 cm.

signed and dated 96-99/ MICHEL


CIRY (lower left); signed, dated and titled
MICHEL CIRY/ SAINT FRANOIS/
LALVERNE/ 96-99 (on the reverse)
oil on canvas
31 x 31 in. (80 x 80 cm.)
Painted in 1996-99.

$1,000-1,500

$800-1,200

25
AUGUSTIN UBEDA (SPANISH, B. 1925)

Untitled

PROVENANCE:

with Galerie Robin Leadouze, Paris.


25

30

All lots marked with a square n are moved to Christies Redstone at 5pm on the last day of the sale.

ALL LOTS HIGHLIGHTED WITH RED TITLES ARE OFFERED WITHOUT RESERVE
31
JEAN JANSEM (FRENCH, 1920-2013)

(Lots 36-53)

Vieille au parapluie

36
DAVIDE BORIANI (ITALIAN, B. 1936)

signed Jansem (lower right); signed again


Jansem (on the stretcher bar)
oil on canvas
57 x 38 in. (146.7 x 97.5 cm.)
Painted circa 1964.

Superfcie Magnetica
signed and dated DAVIDE BORIANI-66-
(on a paper label affxed to the underside of
the base)
iron dust, magnets, foam, electric motor,
aluminum and Plexiglas assemblage
13 x 12 x 5 in. (33.7 x 30.5 x 12.7 cm.)
Executed in 1966.

$18,000-25,000
PROVENANCE:

with Galerie Rienzo, New York.


Acquired from the above by the present owner.

$7,000-9,000

LITERATURE:

Ville de Menton, Biennale de peinture de


Menton, January-April 1964.

31

This work will be included in the forthcoming


Jean Jansem catalogue raisonn prepared by
Flora Jansem.

PROVENANCE:

with Howard Wise Gallery, New York.


Acquired from the above by the present owner,
1966.

36

37
WILLIAM CARLSON (AMERICAN, B. 1950)

Untitled (from Pragnanz Series)

32
NICOLA SIMBARI (ITALIAN, 1927-2012)

signed and dated William Carlson 1984 (on


the underside)
glass, granite and embedded wire
16 x 9 x 7 in. (41.3 x 24.8 x 19.1 cm.)
Executed in 1984.

LApprodo
signed Simbari (lower right)
acrylic on canvas
51 x 51 in. (130.1 x 130.1 cm.)

$1,000-2,000

$3,000-5,000

PROVENANCE:

32

with Betsy Rosenfeld Gallery, Inc., Chicago.


Acquired from the above by the present owner,
1984.
37
38
MARGARET WHARTON (AMERICAN, 19432014)

Pala

33
NICOLA SIMBARI (ITALIAN, 1927-2012)

signed, dated and numbered Margaret


Wharton/ 33/35 1985 (on the handle)
collagemetal shovel head, wood and wood
dowel assemblage
38 x 6 x 3 in. (97.2 x 15.2 x 7.6 cm.)
Executed in 1985.This work is number thirtythree from an edition of thirty-fve.

St. Barths
signed Simbari (lower right)
acrylic on canvas
27 x 39 in. (69.9 x 100.3 cm.)

$3,000-5,000

$800-1,200
PROVENANCE:
PROVENANCE:

with Wally Findlay Galleries, New York.


33

with Museum of Contemporary Art, Chicago.


Acquired from the above by the present owner,
1985.

38

39
TOOTS ZYNSKY (AMERICAN, B. 1951)

34
ALVAR SUOL MUOZ RAMOS (FRENCH/
SPANISH, B. 1935)

Tierra Del Fuego


signed with artists monogram Z (on the
underside)
fused glass rods
6 x 10 x 11 in. (15.2 x 25.4 x 27.9 cm.)
Executed in 1989.

La Tere
signed ALVAR (lower right); signed again,
dated and titled ALVAR SUOL 69/ LA
TERE (on the reverse)
oil on canvas
39 x 39 in. (100.3 x 100.3 cm.)
Painted in 1969.

$3,000-5,000
PROVENANCE:

$3,000-5,000
34

with Betsy Rosenfeld Gallery, Inc., Chicago.


Acquired from the above by the present owner,
1989.

39

PROPERTY OF A PRIVATE COLLECTOR


35
AFTER PABLO PICASSO (1881-1973)

40
WILLIAM MORRIS (AMERICAN, B. 1957)

Buste de femme au chapeau bleu

Untitled (Vase 3/83)

with woven signature Picasso (lower right)


wool tapestry
70 x 48 in. (179.7 x 121.9 cm.)
Executed in an edition of twenty with three HC
in 1979-80 by Marigold Enterprises Ltd.

signed and dated William Morris 1983 (along


the lower edge)
blown glass
12 x 9 x 5 in. (31.8 x 22.9 x 14.6 cm.)
Executed in 1983.

$8,000-12,000

$1,000-1,500

PROVENANCE:

PROVENANCE:

Anonymous sale; Christies, London, 4 April


2007, lot 515.
Acquired at the above sale by the present
owner.

with Betsy Rosenfeld Gallery, Inc., Chicago.


Acquired from the above by the present owner,
1983.
35

Handling fees commence 35 days after the frst day of the sale

40

ALL LOTS HIGHLIGHTED WITH RED TITLES ARE OFFERED WITHOUT RESERVE

45
ARNOLD NEWMAN (1918-2006)

Max Ernst, 1942


gelatin silver print, printed later
initialed (on the recto); signed in ink by the
artist and inscribed To Ed and Cindy Berman,
cordially Max Ernst (on the mount); copyright
credit reproduction limitation stamp (on the
reverse of the mount)
image/sheet: 9 x 7 in. (24.1 x 19.1 cm.)

41
ETIENNE HAJDU (FRENCH, 1907-1996)

Untitled
signed Hajdu (lower right)
cast aluminum
37 x 23 x 5 in. (95.9 x 58.4 x 13.3 cm.)

$5,000-7,000

$1,000-1,500
45

PROVENANCE:

46 No Lot

with Galerie Claude Bernard, Paris.


Acquired from the above by the present owner,
1959.

47
DON BAUM (AMERICAN, B. 1922)

Flatware
wood, plywood, pencil and nail assemblage
11 x 16 x 6 in. (29.9 x 41.9 x 16.5 cm.)
Executed in 1981.

41

$800-1,200
PROVENANCE:

with Betsy Rosenfeld Gallery, Inc., Chicago.


Acquired from the above by the present owner.
42
JEAN ROBERT IPOUSTGUY (FRENCH, 19202006)

Untitled (Black and White Construction)

47

signed and dated Ipousteguy/ 65 (lower right)


collageoil, plaster, plastic toy, cardboard, wood
and glass assemblage
17 x 17 x 6 in. (43.8 x 43.8 x 17.1 cm.)
Executed in 1965.

48
FELIPE BENITO ARCHULETA (MEXICAN,
1910-1991)

$2,000-3,000

Untitled (Trout)
carved and painted wood
9 x 19 x 6 in. (23.5 x 50.2 x 15.9 cm.)
Executed in 1975.

PROVENANCE:

10

with Albert Loeb Gallery, New York.


Acquired from the above by the present owner,
1965.

$800-1,200

42

PROVENANCE:

with Phyllis Kind Gallery, Chicago.


Acquired from the above by the present owner,
1975.
48
43
JAMES GROVER THURBER (AMERICAN,
1894-1961)

49
JIRI KOLAR (CZECH, 1914-2002)

He doesnt know anything except facts

Exposition Vagabonde Valise

signed and dedicated James G Thurber (lower


right) and titled He doesnt know anything
except facts. (lower center)
pen and ink on paper
8 x 11 in. (21.6 x 29.9 cm.)

signed and dated Jiri Kolar 1981 (throughout)


collage boards in a Plexiglas briefcase; together
with two papier-mch objects
14 x 17 x 4 in. (37.5 x 45.1 x 10.2 cm.),
overall
Executed in 1980-81.

$1,500-2,000

$2,000-3,000

PROVENANCE:

R. Gwinn.
Gift from the above to the present owner.
43

PROVENANCE:

49

44
WALT DISNEY STUDIOS (20TH CENTURY)

with Galerie Maeght, New York.


Acquired from the above by the present owner,
1982.

50
ROBERT MLLER (SWISS, 1920-2003)

Jiminy Cricket from Pinocchio

Untitled

gouache on full celluloid, applied to gouache


and pencil on board
8 x 9 in. (21 x 24.1 cm.)
Executed circa 1939.

signed with artist monogram and dated RM.


58. (on the reverse)
welded steel and slate assemblage
12 x 6 x 3 in. (31.4 x 16.2 x 7.6 cm.)
Executed in 1958.

$1,000-1,500

$6,000-8,000

PROVENANCE:

with Courvoisier Galleries, San Francisco.


Private Collection.
Gift from the above to the present owner.

PROVENANCE:

with Richard Gray Gallery, Chicago.


Acquired from the above by the present owner,
1963.

44

50

51 No Lot

All lots marked with a square n are moved to Christies Redstone at 5pm on the last day of the sale.

ALL LOTS HIGHLIGHTED WITH RED TITLES ARE OFFERED WITHOUT RESERVE

52
CHRISTIAN DORGEIX (FRENCH, B. 1927)

PROPERTY FROM THE GAIL-OXFORD


COLLECTION, SOLD TO BENEFIT THE
HUNTINGTON LIBRARY, ART COLLECTIONS
AND BOTANICAL GARDENS (LOTS 56-71)

Untitled (white)
signed and dated dorgeix 56 (on the spinning
top) and signed again dorgeix (lower left)
mixed media assemblage painted eyeglass case,
wooden spool, thimble and other mixed media
objects in a wood and glass case
9 x 11 x 2 in. (22.9 x 29.9 x 6.4 cm.)
Executed in 1956.

56
FRENCH SCHOOL, 18TH CENTURY

Portrait of a gentleman, half-length, in


a red cloak and armor; together with a
companion portrait of a lady

$800-1,200

each oil on canvas


each 21 x 17 in. (54 x 43.8 cm.)

PROVENANCE:

$2,000-3,000

with Galerie du Dragon, Paris.


Acquired from the above by the present owner,
1962.

(2)

52
56

53
ELLEN LANYON (AMERICAN, 1926-2013)

Spoolbox-Thread Web Production

57
BRITISH SCHOOL, 19TH CENTURY

signed and dated LANYON 71 (lower right


center)
acrylic on canvas
48 x 60 in. (121.9 x 152.4 cm.), unframed
Painted in 1971.

Portrait of a gentleman in a brown coat;


together with a companion painting of a
lady in a black dress

$800-1,200

each oil on canvas laid down on board


each 10 x 8 in. (25.4 x 20.3cm.), oval

PROVENANCE:

(2)

$1,500-2,000

with Richard Gray Gallery, Chicago.


Acquired from the above by the present owner,
1972.
53

57

11

PROPERTY FROM A PRIVATE COLLECTION,


NEW YORK
54
JEFF KOONS (AMERICAN, B. 1955)

58
AMERICAN SCHOOL, 19TH CENTURY

Monkey Train Skate Decks

Portrait of two boys

each with printed signature and inscription


MONKEY TRAIN/ JK (on the base of each
deck)
three skateboards with screenprinting in colors
each 31 x 7 in. (80.6 x 19.7 cm.)
Each executed in 2006.
(3)

oil on canvas
30 x 25 in. (76.2 x 64.8 cm.)

$1,500-2,000

$4,000-6,000

54
58

59 No Lot

55
NENDO (JAPANESE, 2TH CENTURY)

Thin Black Lines (7200mm hanger rack)

60
AMERICAN SCHOOL, 19TH CENTURY

enameled steel
59 x 33 x 14 in. (149.9 x 85.1 x 35.6 cm.)
Executed in 2010.

Portrait of a man in a high white collar


and black coat

$2,000-3,000

oil on canvas
30 x 25 in. (76.2 x 63.5 cm.)

$1,500-2,000

55
60

Handling fees commence 35 days after the frst day of the sale

ALL LOTS HIGHLIGHTED WITH RED TITLES ARE OFFERED WITHOUT RESERVE

66
JOHN DENISON CROCKER (AMERICAN,
1822-1907)

61
MARSHALL JOHNSON (AMERICAN, 18501921)

Figures in a mountainous landscape with


a town and ruins in the distance

A three-masted schooner

signed and dated J.D. Crocker .72 (lower left)


oil on canvas
24 x 40 in. (61 x 102.2 cm.)
Painted in 1872.

signed Marshall Johnson (lower left)


oil on canvas
24 x 36 in. (61 x 91.4 cm.)

$1,000-1,500

$2,000-3,000
66

61

67
AMERICAN SCHOOL

Town Scene

62
AMERICAN SCHOOL, 19TH CENTURY

oil on canvas
22 x 30 in. (57.8 x 76.8 cm.)

Three-masted ship at sea

$800-1,200

oil on canvas
21 x 30 in. (53.3 x 76.8 cm.)

$700-900
67
62

68
AMERICAN SCHOOL

63
AMERICAN SCHOOL, 19TH CENTURY

Still life with fruit in a basket on a ledge


oil on canvas
20 x 16 in. (50.8 x 40.6 cm.)

The Brig Eunice


12

oil on canvas
17 x 24 in. (44.5 x 62.9 cm.)

$700-900

$3,000-5,000

63

68

64
WILLIAM TROST RICHARDS (AMERICAN,
1833-1905)

69
AMERICAN SCHOOL

Birds over rough seas

Still life with fruits on a ledge

signed and dated W.T. Richards 99 (lower


right)
oil on canvas
12 x 15 in. (31.1 x 38.1 cm.)
Painted in 1899.

oil on canvas
18 x 24 in. (45.7 x 61.6 cm.)

$700-900

$8,000-12,000
69

64

70
AMERICAN SCHOOL

65
EDGAR ALWIN PAYNE (AMERICAN, 18831947)

Still life with apples, grapes, pears,


plums, cherries and peaches in a woven
basket

Harbor Scene
signed EDGAR PAYNE (lower right)
oil on canvasboard
11 x 14 in. (29.9 x 36.8 cm.)

oil on canvas laid down on board


16 x 21 in. (42.5 x 54.6 cm.)

$700-900

$7,000-9,000

65

70

All lots marked with a square n are moved to Christies Redstone at 5pm on the last day of the sale.

ALL LOTS HIGHLIGHTED WITH RED TITLES ARE OFFERED WITHOUT RESERVE

76
AFTER JACOPO DA PONTE, CALLED JACOPO
BASSANO

71
AMERICAN SCHOOL, 19TH CENTURY

The Deposition

Portrait of a gentleman in a blue coat

oil on canvas
11 x 10 in. (29.2 x 25.4 cm.)

oil on canvas
27 x 21 in. (68.6 x 53.3 cm.)

$2,000-3,000
The present work is a reduced copy after the
original in the Louvre, Paris.

$1,000-1,500

71

PROPERTY SOLD TO BENEFIT THE ART


ACQUISITION FUND OF THE SEATTLE ART
MUSEUM (LOTS 72-79)

76

77
FOLLOWER OF GEORGE MORLAND
(BRITISH, 1763-1804)

72
EDWIN M. FOX (BRITISH, 19TH CENTURY)

A Wayside Rest
bears signature Morland (lower right)
oil on canvas
16 x 24 in. (41.3 x 61 cm.)

The End of the Day


oil on canvas
20 x 24 in. (50.8 x 61 cm.)
Painted circa 1866.

$2,000-3,000

$2,000-3,000
77

72

73
EDWIN M. FOX (BRITISH, 19TH CENTURY)

78
WILHELM GAIL (GERMAN, 1804-1890)

On the Scent

Reclining Harem Woman

signed and indistinctly dated EM Fox 186*


(lower left)
oil on canvas
20 x 24 in. (50.8 x 61 cm.)
Painted circa 1866.

signed with artist monogram WG (lower left)


oil on canvas
12 x 16 in. (30.5 x 41 cm.)

13

$2,000-3,000

$2,000-3,000

78

73

79
EMIL RIZEK (AUSTRIAN, 1901-1988)

74
EDWIN M. FOX (BRITISH, 19TH CENTURY)

Vahsenkor

The Kill

signed Rizek (lower right); signed again and


titled Emil Rizek/ Vahsenkor (on a paper label
affxed to the reverse)
oil on canvas
25 x 30 in. (64.8 x 78.1 cm.)

oil on canvas
20 x 24 in. (50.8 x 61 cm.)
Painted circa 1866.

$2,000-3,000

$3,000-5,000

79
74

PROPERTY OF A CALIFORNIA ESTATE (LOTS


80-84)

75
EDWIN M. FOX (BRITISH, 19TH CENTURY)

80
FRANZ SIMONS (BELGIAN, 1855-1919)

The Chase
signed and dated EM Fox/ 1866 (lower left)
oil on canvas
20 x 24 in. (50.8 x 61 cm.)
Painted in 1866.

Washing in the courtyard


signed and dated Franz Simons 81 (lower
right)
oil on canvas
28 x 20 in. (71.8 x 50.8 cm.)
Painted in 1881.

$2,000-3,000

$1,000-1,500
75

Handling fees commence 35 days after the frst day of the sale

80

ALL LOTS HIGHLIGHTED WITH RED TITLES ARE OFFERED WITHOUT RESERVE

PROPERTY FROM A WEST COAST COLLECTOR


(LOTS 85-88)
85
EDMUND F. WARD (AMERICAN, 1892-1991)
81
CIRCLE OF ADRIAEN BROUWER (FLEMISH,
1605/6-1638)

Washerwomen
signed and dated Edm. F Ward/ 23 (lower
right)
oil on canvas
18 x 24 in. (45.7 x 61 cm.)
Painted in 1923.

Tavern scene with a seated man holding


a glass of wine
oil on panel
8 x 7 in. (20.7 x 18.2 cm.)

$2,000-3,000

$1,500-2,000

EXHIBITED:

85

Chicago, The Art Institute of Chicago, Thirty


Eighth Annuel Exhibition, 1925.

81

86
NEAPOLITAN SCHOOL, 19TH CENTURY

Volcanic Eruptions (four works)


each gouache on paper
11 x 9 in. (29.9 x 23.5 cm.), oval (2); 6 x
4 in. (15.9 x 10.8 cm.) (2)
(4)

$4,000-6,000
THE PROPERTY OF A PRIVATE COLLECTOR
82
MANNER OF FRANS VAN MIERIS

86

Portrait of a gentleman in a brown robe


oil on panel
6 x 4 in. (15.9 x 12.1 cm.)

$1,000-1,500

87
ARTIST UNKNOWN

Still life with fruit, walnuts and knife on


a table

82

oil on canvas
18 x 22 in. (45.7 x 55.9 cm.), unframed

14

$1,000-1,500

87
83
JACOB HENRICUS MARIS (DUTCH, 18371899)

88 No Lot

De Vier Molens
signed J. Maris (lower left)
oil on canvas
17 x 44 in. (45.1 x 111.8 cm.)

$5,000-7,000
PROVENANCE:

83

PROPERTY OF AN ESTATE

with E.J. Van Wisselingh & Co., Amsterdam.

89
FOLLOWER OF THOMAS GAINSBOROUGH,
R.A.

A drover and his cattle with a travel on


horseback on a path
oil on canvas
25 x 31 in. (64.1 x 78.7 cm.)

$3,000-5,000

89

84
WILLEM DE ZWART (DUTCH, 1862-1931)

PROPERTY SOLD TO BENEFIT THE VIRGINIA


HISTORICAL SOCIETY

Father and child

90
MANNER OF DAVID TENIERS II

signed W de Zwart (lower left)


oil on panel
7 x 6 in. (19.7 x 15.9 cm.)

Peasants merrymaking outside an inn

$800-1,200

bears monogram DT (lower left, on the stool)


oil on panel
8 x 10 in. (21.6 x 27 cm.)

$2,000-3,000

84

90

All lots marked with a square n are moved to Christies Redstone at 5pm on the last day of the sale.

ALL LOTS HIGHLIGHTED WITH RED TITLES ARE OFFERED WITHOUT RESERVE

PROPERTY OF AN ESTATE
91
CIRCLE OF MICHIEL JANSZOON VAN
MIEREVELT (DUTCH, 1567-1641)

97
KONSTANTIN WESTCHILOFF (RUSSIAN,
1877-1945)

Portrait of a woman, three-quarterlength, in a black embroidered dress and a


white ruff and lace headdress

A Winter landscape; and a companion


painting

inscribed and dated AEtatis, 49./ A.o 1635.


(center right)
oil on panel
43 x 33 in. (110.5 x 83.8 cm.)

the frst signed C. Westchiloff.- (lower left)


the frst oil on canvasboard
the frst 14 x 18 in. (35.6 x 45.7 cm.)
(2)

$8,000-12,000

$1,500-2,000
91
97

92
VENETIAN SCHOOL, CIRCA 1550

The Virgin Annunciate: Design for a


Lunette; (recto); The Head of a Youth
looking upwards (verso)

98
PAUL HERMANUS (BELGIAN, 1859-1911)

numbered 206 on verso and with inscription


kneeling saint/Guido Reni on mount
black and white chalk on brown paper
7 x 6 in. (189 x 164 mm.)

Summer landscape; and a companion


painting
each signed P Hermanus (lower right)
each oil on board
each 12 x 18 in. (31.8 x 46.4 cm.)

$500-700

(2)

$1,500-2,000
92
98
PROPERTY FROM A DISTINGUISHED PRIVATE
COLLECTION
93
ROSA BONHEUR (FRENCH, 1822-1899)

Studies of Cows, Hens, Roosters, a


Goose and a Sheep
signed with initials R. B (lower left)
oil on canvas
21 x 25 in. (53.7 x 64.4 cm.)

15
99
JOSEPH NICOLAS ROBERT-FLEURY (FRENCH,
1797-1890)

$10,000-15,000
PROVENANCE:

Anonymous sale; Christies, New York, 18


February 1993, lot 37.
Acquired at the above sale by the present owner.
We are grateful to Annie-Paule Quinsac for
confrming the authenticity of this work.

Cardinal Richelieu
93

signed J. Robert.Fleury. (lower left)


oil on panel
25 x 20 in. (64.8 x 52.7 cm.)

$2,000-3,000

PROPERTY FROM THE TRIANON MUSEUM,


DENVER, COLORADO AND THE METZGER
FAMILY COLLECTION (LOTS 94-98)

99

94
FRENCH SCHOOL, 19TH CENTURY

[Architectural Scenes]: Seven Plates


seven engravings, on wove paper, with margins
the largest P. 18 x 36 in. (47 x 91.4 cm.)

$1,500-2,000
94
100
GERMAN SCHOOL, 19TH CENTURY

Perseus and Minerva


oil on canvas
54 x 39 in. (137.2 x 100.3 cm.)

95
AFTER JACQUES RIGAUD

$5,000-7,000

[Palaces and Garden Scenes]: Twelve


Plates
twelve engravings on wove paper, with margins
each P. 10 x 19 in. (25.4 x 48.3 cm.)

$1,500-2,000
95

96 No Lot

Handling fees commence 35 days after the frst day of the sale

100

ALL LOTS HIGHLIGHTED WITH RED TITLES ARE OFFERED WITHOUT RESERVE

101
ATTRIBUTED TO GIACINTO BRANDI
(ITALIAN, 1621-1691)

n106
ROBERT BIDNER (AMERICAN, 1930-1983)

East 63rd Street Brownstones

Saint Francis of Assisi

signed Bidner (lower right); signed again and


dated Bidner Z 77 (on the backing board)
acrylic on masonite
48 x 76 in. (121.9 x 193 cm.)
Painted in 1977.

oil on canvas, the corners made up


40 x 34 in. (103.5 x 86.4 cm.)

$3,000-5,000
PROVENANCE:

Anonymous sale; Christies, London, 19 July


1963, lot 78.

$2,000-3,000
106

101

107
MAX FERGUSON (AMERICAN, B. 1959)

PROPERTY FROM THE FORBES COLLECTION


(LOTS 102-112)

200 East 34th Street Self Portrait

102
EDOUARD-DENIS BALDUS (1813-1899)

signed and dated M FERGUSON 1984


(upper right); signed, dated, titled and inscribed
(throughout the reverse)
oil on masonite
31 x 26 in. (80 x 66 cm.)
Executed in 1984.

French architectural views, c. 1855


30 albumen prints
each with stamped signature and titled in pencil
(on the mounts)
each approximately 8 x 11 in. (22.2 x 27.9
cm.)
(36)

$1,500-2,000

$3,000-5,000
102

107

n108
JANE DICKSON (AMERICAN, B. 1952)
103
EDOUARD-DENIS BALDUS (1813-1882)

Paradise Alley
signed with initials and dated JD 83 (on the
reverse)
oil stick on canvas
90 x 40 in. (228.6 x 101.6 cm.), unframed
Painted in 1983.

Arc de LEtoile, c. 1850


salted paper print
stamped with signature and titled in pencil (on
the mount)
8 x 10 in. (21.3 x 26.7 cm.)

16

$3,000-5,000

$500-700
PROVENANCE:

with Delahunty Fine Art, New York.


103
108

n109
LAURIE CAMPBELL (CANADIAN, B. 1969)

Mayhem No. 42 from the Scatter for


Cover Series Part II

104
ATTRIBUTED TO CHRISTIAN GULLAGER
(AMERICAN, 1759-1826)

signed, dated and titled Campbell 96 Scatter


for Cover Series/ Part II Mayhem #42 (on the
overlap)
oil on canvas
72 x 80 in. (182.9 x 203.2 cm.)
Painted in 1996.

The music lesson


oil on canvas
31 x 25 in. (78.7 x 63.5 cm.)

$1,500-2,000

$3,000-5,000
109

104

105
LOUIS WILLEM VAN SOEST (DUTCH, 18671948)

110
ESTI DUNOW (AMERICAN, B. 1948)

A Winter landscape

signed E. Dunow (lower left)


oil on paper
30 x 22 in. (76.2 x 57.2 cm.)

Spencertown, NY

signed Louis. W.v. Soest. (lower right)


oil on canvas
41 x 59 in. (106 x 151.1 cm.)

$2,500-3,500

$1,000-1,500
105

110

All lots marked with a square n are moved to Christies Redstone at 5pm on the last day of the sale.

ALL LOTS HIGHLIGHTED WITH RED TITLES ARE OFFERED WITHOUT RESERVE

PROPERTY FROM A PRIVATE COLLECTION,


NEW YORK (LOTS 116-119)

111
HILDA STECKEL (AMERICAN/GERMAN, 20TH
CENTURY )

116
MEXICAN SCHOOL

Weight Lifter

Nia en un vestido azul con una for

signed Steckel (along the lower edge)


painted terracotta and iron
49 x 23 x 11 in. (124.4 x 58.4 x 29.2 cm.)

oil on canvas
21 x 17 in. (54.6 x 43.8 cm.)

$1,500-2,000

$800-1,200

111

116

117
MEXICAN SCHOOL

112
BRUNO LUCCHESI (AMERICAN/ITALIAN, B.
1926)

Nia en un vestido blanco


oil on canvas laid down on plywood
30 x 21 in. (78.1 x 53.3 cm.)

Samson
bronze and metal
37 x 22 x 17 in. (95.3 x 57.2 x 43.2 cm.)

$1,500-2,000

$1,500-2,000

112

PROPERTY FROM A PRIVATE COLLECTION


(LOTS 113 AND 114)

117

118
MEXICAN SCHOOL

113
PAUL BURLIN (AMERICAN, 1886-1969)

Nia en un vestido azul con una


sombrilla

Untitled
signed and dated Paul Burlin/ 48 (on the
reverse); signed and dated again Paul Burlin
1948 (on the stretcher bar)
oil on canvas
30 x 24 in. (76.2 x 61 cm.)
Painted in 1948.

17

oil on canvas
18 x 14 in. (47 x 36.2 cm.)

$1,500-2,000

$5,000-7,000
113

118

114
PAUL BURLIN (AMERICAN, 1886-1969)

119
MEXICAN SCHOOL

Untitled (Figure in Repose)

Nio con la paloma

signed and dated Paul Burlin/ 48 (on the


reverse); signed and dated again Paul Burlin
1948- (on the stretcher bar)
oil on canvas
30 x 20 in. (76.8 x 50.8 cm.)
Painted in 1948.

oil on canvas
14 x 10 in. (36.2 x 25.4 cm.)

$1,500-2,000

$5,000-7,000
PROPERTY FROM A PRIVATE FRENCH
COLLECTION

114
n115
KYLE MORRIS (AMERICAN, 1918-1979)

119

Untitled
signed, dated, and dedicated E. DI
CAVALCANTI 1962/ A mon ami/ Jacques
Petit Jean/ avec ma gratitude/ Paris (lower
right)
watercolor and ink on paper
14 x 10 in. (36.9 x 27.3 cm.)
Executed in 1962.

Untitled
signed and dated Kyle Morris 60 (lower
left); signed and dated again 20.July.60/ Kyle
Morris/ 6 (on the reverse)
oil on canvas
62 x 48 in. (158.8 x 121.9 cm.)
Painted in 1960.

$5,000-7,000

$5,000-7,000

PROVENANCE:

PROVENANCE:

with Kootz Gallery, New York.


Anonymous sale; Christies, New York, 30
September 2010, lot 141.

120
EMILIANO DI CAVALCANTI (BRAZILIAN 18971976)

115

The Jacques Petit Jean collection (acquired


from the artist).
By descent from the above.
with Galerie Odile Oms, Cret, France.
Acquired from the above by the present owner.
120

Handling fees commence 35 days after the frst day of the sale

ALL LOTS HIGHLIGHTED WITH RED TITLES ARE OFFERED WITHOUT RESERVE

121
JACQUES LIPCHITZ (FRENCH, 1891-1973)

126
SAMUEL BAK (AMERICAN/ISRAELI, B. 1933)

First study for Peace on Earth


signed, numbered and stamped with artists
thumbprint 10/15 J Lipchitz (along the edge)
bronze with green patina
10 x 4 x 4 in. (26.3 x 10.2 x 10.2 cm.),
including base
Executed in 1967.This work is number ten
from an edition of ffteen.

Cosmos

$7,000-9,000

PROVENANCE:

signed BAK (lower right)


oil on canvas
32 x 25 in. (81.3 x 65.4 cm.)
Painted in 1989.

$20,000-30,000
Private Collection, New England.

LITERATURE:

A. Wilkinson, The Sculpture of Jacques Lipchitz,


A Catalogue Raisonn, Volume II, the American
Years: 1941-1973, New York, 2000, p. 99, no.
662, (another cast illustrated).
126
121
122
FLETCHER MARTIN (AMERICAN, 1904-1979)

127
SAMUEL BAK (AMERICAN/ISRAELI, B. 1933)

The Toss

Transfer

signed and dated Fletcher Martin 59 (lower


left)
oil on canvas
32 x 24 in. (81.3 x 61 cm.)
Painted in 1959.

signed and dated BAK/ 2007 (lower right)


oil on canvas
30 x 40 in. (76.2 x 101.6 cm.)
Painted in 2007.

$20,000-30,000

$10,000-15,000

PROVENANCE:

PROVENANCE:

Private Collection, New England.

Acquired directly from the artist.


EXHIBITED:

Binghamton, New York, Roberson Museum


and Science Center, Fletcher Martin: Thirty
Year Retrospective Exhibition, September 22 November 13, 1968.

127

128
DAVID BURLIUK (AMERICAN/UKRAINIAN,
1882-1967)

LITERATURE:

122

18

H. L. Cook Jr., Fletcher Martin, New York,


1977, no. 118 (illustrated).

Peasant woman with fowers


signed BURLIUK (lower left)
oil on masonite
5 x 3 in. (14 x 8.3 cm.)

PROPERTY FROM A PRIVATE COLLECTION,


NEW YORK

$3,000-5,000

123
ROBERT NATKIN (AMERICAN, 1930-2010)

PROVENANCE:

Untitled

The Burliuk Committee has confrmed the


authenticity of this painting and will be including
it in the forthcoming catalogue raisonn.

Private Collection, New England.

signed Natkin (lower left center)


oil on canvas
36 x 71 in. (92.4 x 181.9 cm.)

$6,000-8,000
123
128
PROPERTY FROM A PRIVATE COLLECTION
124
BENJAMIN EDWARDS (AMERICAN, B. 1970)

129
RICHARD STONE REEVES (AMERICAN, 19192005)

Untitled

Olympia

pencil on paper
26 x 40 in. (66 x 101.6 cm.)
PROVENANCE:

signed and dated RICHARD STONE


REEVES 1950 (lower right)
oil on canvas
16 x 20 in. (40.6 x 50.8 cm.)
Painted in 1950.

Private Collection, New England.

$7,000-9,000

$2,000-3,000

PROVENANCE:

124
129

The artist.
Private Collection.
By descent from the above to the present
owner.

PROPERTY FROM AN ATLANTA ESTATE


125
ROBERT MOSKOWITZ (AMERICAN, 19122001)

130
RAYMOND PERRY RODGERS NEILSON
(AMERICAN, 1881-1964)

Lighthouse at Night

Woman with sunhat

gouache on paper
78 x 34 in. (198.1 x 86.4 cm.)

signed Raymond P.R. Neilson (upper left)


oil on canvas
76 x 38 in. (193 x 96.5 cm.)

$8,000-12,000

$5,000-7,000

PROVENANCE:

Private Collection, New England.

PROVENANCE:

Lucien Lefevre-Foinet, Paris.

125

130

All lots marked with a square n are moved to Christies Redstone at 5pm on the last day of the sale.

ALL LOTS HIGHLIGHTED WITH RED TITLES ARE OFFERED WITHOUT RESERVE
PROPERTY FROM A DISTINGUISHED
COLLECTOR (LOTS 131-135)
131
TAMARA DE LEMPICKA (POLISH, 1898-1980)

PROPERTY FROM A PRIVATE COLLECTION,


CONNECTICUT

Nu couch:

136
LUCIEN ADRION (FRENCH, 1889-1953)

signed LEMPICKA. (lower right)


gouache, watercolor and pencil on paper
9 x 13 in. (23.9 x 33.6 cm.)
Painted circa 1960.

Longchamps
signed Adrion (lower right); titled and
numbered LONGCHAMPS/ 1535 (on the
reverse)
oil on canvas
23 x 29 in. (60.3 x 73.7 cm.)

$4,000-6,000
PROVENANCE:

Acquired from the artist by the present owner.


Alain Blondel has confrmed the authenticity of
this work.

$4,000-6,000
131

136

132
TAMARA DE LEMPICKA (POLISH, 1898-1980)

Groupe avec une mandoline

PROPERTY FROM A PRIVATE BROOKLYN


COLLECTION

stamped twice with signature Lempicka (lower


right and lower left)
pencil on paper
7 x 10 in. (18 x 27.1 cm.)
Drawn circa 1935.

137
PAUL CSAR HELLEU (FRENCH, 1859-1927)

Paulette
signed Helleu (lower right)
sanguine and white chalk on paper laid down
on paper
16 x 10 in. (42.2 x 25.7 cm.)

$800-1,200
PROVENANCE:

Acquired from the artist by the present owner.


Alain Blondel has confrmed the authenticity of
this work.

$2,000-3,000
132

The present work is registered in the archives of


the Association Les Amis de Paul-Csar Helleu as
APCH DE-6102.

137

133
TAMARA DE LEMPICKA (POLISH, 1898-1980)

Portrait dhomme coiff: dune ch:chia


signed LEMPICKA. (lower right)
pencil on paper
9 x 7 in. (25 x 17.5 cm.)
Drawn circa 1934

138
LOUIS ICART (1888-1950)

$4,000-6,000

etching and aquatint in colors, 1925, on wove


paper, signed in pencil, printed by Les Graveurs
Modernes, Paris, with margins
P. 15 x 18 in. (381 x 457 mm.)

New friends

PROVENANCE:

Acquired from the artist by the present owner.

19

$1,500-2,000

Alain Blondel has confrmed the authenticity of


this work.

133

138

134
TAMARA DE LEMPICKA (POLISH, 1898-1980)

139
PETER CAMPUS (B. 1937)

Homme assis

Outer Edge, 1985

stamped with signature Lempicka (lower right)


pencil on paper
10 x 7 in. (27 x 18 cm.)
Drawn circa 1947.

gelatin silver print


signed, titled, dated and numbered in pencil
(on the verso)
image: 28 x 36in. (72.4 x 91.4cm.)

$800-1,200

$2,000-3,000

PROVENANCE:

PROVENANCE:

Acquired from the artist by the present owner.

with Paula Cooper Gallery, New York.

Alain Blondel has confrmed the authenticity of


this work.
139
134

135
TAMARA DE LEMPICKA (POLISH, 1898-1980)

140
WILLIAM EGGLESTON (B. 1939)

Deux femmes assises

Untitled, 1992

stamped with signature Lempicka (lower right)


pencil on paper laid down on board
9 x 6 in. (23.4 x 16 cm.)
Drawn circa 1935.

dye-transfer print, printed 1993


signed in ink (in the margin); signed by William
J. Eggleston, III in ink, title, date, number 1/5
in an unknown hand in pencil and Eggleston
Artistic Trust copyright credit reproduction
limitation stamp (on the verso)
image: 12 x 18 in. (30.9 x 46.1 cm.)

$1,000-2,000
PROVENANCE:

Acquired from the artist by the present owner.

$6,000-8,000

Alain Blondel has confrmed the authenticity of


this work.

PROVENANCE:

with Robert Miller Gallery, New York.


140
135

Handling fees commence 35 days after the frst day of the sale

ALL LOTS HIGHLIGHTED WITH RED TITLES ARE OFFERED WITHOUT RESERVE

PROPERTY FROM A PRIVATE COLLECTION


(LOTS 141-147)

146
PAUL WALDMAN (AMERICAN, B. 1936)

141
JIM DINE (B. 1935)

Tonys Lunch

Calico from 11 Pop Artists, Volume II


(M. 37)

lithograph and collage on wove paper, 1975,


signed, dated and titled in pencil, numbered
AP, with margins
S. 22 x 30 in. (55.9 x 76.2 cm.)

screenprint in colors, 1965, on Cartidge paper,


signed in pencil, from the edition of 200 (there
were also 50 artists proofs in Roman numerals),
published by Abrams Original Editions, New
York, the full sheet
S. 39 x 30 in. (1010 x 762 mm.)

$800-1,200

$800-1,200

146

141
147
STEPHEN ANTONAKOS (AMERICAN/GREEK,
1926-2013)

Red Square
signed, dated and titled Antonakos/ September
82/ Red Square (on the reverse)
mixed mediaoil, fabric, foam, plywood and
burlap in a Plexiglas case
20 x 25 x 8 in. (50.8 x 63.5 x 21.6 cm.)
Executed in 1982.

142
GERALD LAING (1936-2011)

Triple, from 11 Pop Artists, Volume III


screenprint in colors, 1965, on smooth wove
paper, signed in pencil, a proof aside from the
edition (the edition was 200 plus 50 artists
proofs in Roman numerals), published by
Original Editions, New York, with margins
image: 21 x 31 in. (537 x 787 mm.)

$800-1,200
147

$800-1,200
142

PROPERTY FROM AN ATLANTA ESTATE


148
AMERICAN SCHOOL, 19TH CENTURY

143
CLAES OLDENBURG (B. 1929)

Portrait of a standing woman in a red


kimono

Alphabet in the Form of a Good Humor


Bar (A. and P. 69)
offset lithograph in colors, 1970, on Zerkall
paper, initialed and dated in pencil, numbered
1/250 (there were also 20 artists proofs),
published by Paul Bianchini, New York, with
full margins
image: 22 x 10 in. (559 x 260 mm.)

20

$3,000-5,000

oil on canvas
70 x 39 in. (178.4 x 99.7 cm.)

$6,000-8,000

148

143

Tuesday 24 February
at 2.00 pm

Silver and Silver-Plate


(Lots 149-172)

144
JACK YOUNGERMAN (B. 1926)

PROPERTY OF A LADY
149
A PAIR OF ENGLISH GEORGE III SILVER
CANDLESTICKS WITH A PAIR OF SHEFFIELDPLATED THREE-LIGHT BRANCHES,

Untitled
screenprint in colors, 1970, on wove paper,
signed, dated and inscribed for Larry Levine in
pencil, annotated artists proof, with margins
image: 36 x 36 in. (914 x 914 mm.)

MARK OF JOHN SCOFIELD, LONDON, 1781,

the candlesticks fully marked, repousse with Satyr


heads issuing garlands and four hoof legs near
base, each engraved with a crest
18in. (45.7cm.) high; 44oz. approximate
weighable silver
(4)

$1,000-1,500

$4,000-6,000
144
149

PROPERTY FROM THE TRIANON MUSEUM,


DENVER, COLORADO AND THE METZGER
FAMILY COLLECTION (LOTS 150-162)

145
JAY MILDER (AMERICAN, B. 1934)

150
A GERMAN SILVER THREE-PIECE COFFEE
SERVICE,

Writing
oil on canvas
32 x 33 in. (82 x 85.7 cm.)
Painted in 1961.

MARK OF KOCH & BERGFELD, 19TH CENTURY,

each marked 800, decorated with geometric


bands and interval mask terminals, comprising
a coffee pot with hinged cover, a milk jug and a
two-handled sugar bowl
The coffee pot 10in. (25.5cm.) high; 37oz.
approximate gross weight
(3)

$800-1,200
PROVENANCE:

with Allan Stone Galleries, Inc., New York.

$1,000-1,500
145

150

All lots marked with a square n are moved to Christies Redstone at 5pm on the last day of the sale.

ALL LOTS HIGHLIGHTED WITH RED TITLES ARE OFFERED WITHOUT RESERVE

156
A PAIR OF ROCOCO TASTE SILVER-PLATE
WARMING DISHES ON STANDS WITH
COVERS AND LINERS,

151
A PAIR OF GERMAN SILVER DECANTERS IN
THE FORM OF GAME BIRDS,
LIKELY 17TH CENTURY,

20TH CENTURY,

each realistic bird hollow and cast with


removable heads and hinged wings, marked on
one tail
13 in. (34.3cm.) long; 58oz. approximate gross
weight
(2)

of shaped oval form, the covers monogramed;


together with a silver-plate hot water urn and
cover and a three-piece mirrored plateau
The plateau 23 in. (60cm.) long
(3)

$2,000-3,000

$1,000-1,500
151
157
AN ENGLISH SILVER PART FLATWARE
SERVICE,

156

MARK OF THOMAS BRADBURY & SONS; RETAILED


BY JAMES ROBINSON, NEW YORK; LONDON 1926,

152
A SET OF FRENCH SILVER DRINKWARE,
MARK OF CARTIER, 20TH CENTURY,

each marked Sterling, monogramed, on a seahorse


stem comprising twelve cylindrical goblets,
eight wine goblets and four compotes
The cylindrical goblets 6 in. (16.5cm.) high;
150oz. approximate gross weight
(24)

$1,500-2,000

152

each fully marked and with crest, comprising


twelve dinner knives with steel blades and flled
handles, twelve other similar dinner knives
with steel blades and flled handles, twelve
luncheon knives with steel blades and flled
handles, eleven butter spreaders, eleven dinner
forks, twelve luncheon forks, twelve salad
forks, twelve hors doeuvres forks, twelve large
tablespoons, twelve tablespoons, twelve soup
spoons, eleven teaspoons and twelve demitasse
spoons, in ftted box
9 in. (24.5cm.); 197oz. approximate weighable
silver
(153)

$2,000-3,000

157

158
AN AMERICAN SILVER PART FLATWARE
SERVICE,

153
A SET OF FOUR GERMAN SILVER
MUFFINEERS,

MARK OF ALVIN, RHODE ISLAND, 20TH CENTURY,

17TH/18TH CENTURY,

each baluster-form and repousse with


putti within foliate cartouches, the covers
surmounted by a dolphin-form fnial, indistinctly
marked at rims
Each 8in. (20.3cm.) high; 20oz. approximate
gross weight
(4)

$700-900

153

each marked Sterling, monogramed, in the Prince


Eugene pattern, comprising two large serving
spoons, a serving fork, two gravy spoons, four
sauce ladles, two shaped small serving spoons, a
pair of sugar nips, a roast carving knife and fork,
a game carving knife and fork, two pie servers,
twenty-fve dinner knives with steel blades and
flled handles, twenty-three luncheon knives
with steel blades and flled handles, twenty-four
butter spreaders, twenty-three dinner forks,
twenty-four luncheon forks, twenty-four
dessert forks, twenty-four hors doeuvres forks,
six large tablespoons, twenty-four tablespoons,
forty-seven teaspoons, twenty-four iced tea
spoons, twenty-four soup spoons, and twentyfour demitasse spoons, in ftted wood chest
The dinner knives 9 in. (24.2cm.); 380oz.
approximate weighable silver
(333)

21

158

$2,500-3,500
154
A SET OF SIX GERMAN SILVER GOBLETS,

159
AN ASSEMBLED AMERICAN SILVER DESK
SET,

17TH/18TH CENTURY,

each with a pierced repousse bowl on a dolphin


and putto support, indistinctly marked at the rims;
together with a German silver leaf-form tray with
putto-form handle, indistinctly marked
The goblets 6in. (15cm.) high; 63oz.
approximate gross weight

VARIOUS MAKERS MARKS, 20TH CENTURY,

$800-1,200

154

each marked Sterling, comprising a Tiffany &


Co. silver-mounted glass inkwell, a S. Kirk &
Sons repousse chamber stick and snuffer, and a
seven-piece desk set with pen tray, inkwell, two
boxes with hinged covers, an ovoid vessel and
two corner desk blotters, most monogrammed,
maker unknown
The pen tray 11 in. (29.2cm.) long; 36oz.
approximate gross weight
(10)

$1,500-2,000
159

155
A CONTINENTAL SILVER-PLATE SHELL-FORM
CENTERPIECE BOWL AND TWO SIMILAR
COMPOTES,

160
AN AMERICAN SILVER FIVE-PIECE TEA AND
COFFEE SERVICE,

PROBABLY ITALIAN, 20TH CENTURY,

the centerpiece with repousse rocaille


decoration, raised on four dolphin-form
supports issuing from a lobed fountain-like
base; the similar compotes smaller on singular
dolphin and shell pedestals; together with a similar
silver-plate salt dish
The centerpiece 22in. (56cm.) across
(4)

each marked Sterling and monogramed, in the


Plymouth Pattern comprising a teapot with
hinged cover, a hot water pot on burner and
stand, a cream jug, a sugar bowl and cover
and a waste bowl; together with a silver-plate
rectangular two-handled tray
The tray 29in. (73.8cm.) long over handles;
96oz. approximate gross weight
(9)

$5,000-7,000

$1,500-2,000

MARK OF GORHAM, 20TH CENTURY,

155

Handling fees commence 35 days after the frst day of the sale

160

ALL LOTS HIGHLIGHTED WITH RED TITLES ARE OFFERED WITHOUT RESERVE
161
AN AMERICAN SILVER PART TABLE SERVICE,
MARK OF TIFFANY & CO., 20TH CENTURY,
166
AN ITALIAN SILVER SHAPED EWER,

marked Sterling, each with beaded rims,


comprising a pair of oval vegetable dishes and
covers, a shaped rectangular footed serving
dish with pierced mazzarine, two graduated
shaped oval serving platters, four salts and two
ladles; together with a Shreve & Co. silver threelight candelabrum, and a Gorham silver foliate
pierced spoon rest, monogramed
The largest platter 20in. (51cm.) long; 259oz.
approximate weighable silver
(2)

MARK OF BUCCELLATI, MILAN, 20TH CENTURY,

marked 925 on base


10in. (26.7cm.) high, 32oz. approximately

$1,500-2,000

$4,000-6,000
161
166

162
AN AMERICAN SILVER FIVE-PIECE TEA AND
COFFEE SERVICE,

167
FIFTEEN SILVER TABLE BELLS,
VARIOUS MAKERS MARKS, 20TH CENTURY,

MARK OF WHITING, 20TH CENTURY,

in various shapes and with various molded


handles, fourteen marked Sterling, one marked
830; together with a Cartier silver drum-form
canister and cover
The tallest bell 4in. (12.1cm.) high, 43oz.
approximate gross weight
(17)

each marked Sterling and repousse with rococo


scrolls, comprising a coffee pot with hinged
cover, a teapot with hinged cover, a twohandled sugar bowl and cover, a cream jug and
a waste bowl
Coffee pot 7 in. (9.7cm.); 49oz approximate
weighable silver
(6)

$2,000-3,000

$1,500-2,000
162

167

168
TWO ENGLISH AND AN AUSTRIAN SILVER
CARRIAGE CLOCK,

163
AN AMERICAN SILVER AND MIXED METAL
BOWL,

VARIOUS MAKERS MARKS, LATE 19TH/EARLY 20TH


CENTURY,

the English, the silver fully marked, comprising a


small rectangular clock, mark of William Comyns,
London 1892, and a larger rectangular clock,
mark of Henry Williamson Ltd., Birmingham 1911,
each with French movements; the Austrian, the
silver fully marked, shaped on four paw feet with
jeweled face; together with a Continental giltbrass table clock with engraved silvered dial
The largest 4 in. (11.4cm.) high
(4)

MARK OF GORHAM, DATE CYPHER FOR 1881,

marked Sterling , planished body with two


bands of geometric design and applied with
copper and silver-gilt berries on branches
6in. (15.9cm.) diameter, 13oz. approximate
gross weight

22

$1,500-2,000
163

$1,000-1,500
168

PROPERTY FROM THE GAIL-OXFORD


COLLECTION, SOLD TO BENEFIT THE
HUNTINGTON LIBRARY, ART COLLECTIONS,
AND BOTANICAL GARDENS (LOTS 169-172)

164
THREE AMERICAN SILVER AND ENAMEL
VASES, AND A PAIR OF SILVER-PLATE
ANIMAL-FORM CASTERS,

169
THREE ENGLISH GEORGIAN SILVER TABLE
ARTICLES,

THE VASES MARK OF GORHAM, DATE CYPHER


FOR 1897; THE CASTERS REED & BARTON, 20TH
CENTURY,

VARIOUS MAKERS MARKS, 18TH CENTURY,

each fully marked, comprising a gadrooned


tankard with hinged cover, mark of Richard Beale,
London 1731;
a candlestick, mark of James Gould, London 1734;
and an engraved chamber stick with snuffer,
makers mark IT, London 1796
The tankard 7 in.(19cm.) high; 40oz.
approximate gross weight
(4)

the vases marked Sterling, comprising a square


trumpet-form vase, a fattened pear-form vase,
and an ovoid vase; the casters modeled as a cat
and a dog with glass eyes
The tallest vase 10in. (25.4cm.) high
(5)

$1,000-1,500
164

169

165
A GROUP OF ENGLISH AND ITALIAN SILVER
TABLE ACCESSORIES,

170
AN ENGLISH SILVER-MOUNTED COCONUT
CUP,

THE ENGLISH MARK OF BULGARI, LONDON, 1999;


THE ITALIAN MARKS OF BUCCELLATI, MILAN, 20TH
CENTURY,

EARLY 19TH CENTURY,

the English fully marked, comprising a tumbler


with applied portrait medallion of classical
fgure; the Italian marked 925 comprising a
model of zebra lionfsh, a snail, and mushroomform salt and pepper caster set with stand
The tumbler 4in. (10.1cm.) high, 23oz.
approximate gross weight
(6)
165

$1,000-1,500

carved in relief with various medallions,


monogrammed and dated 1812, the silver
apparently unmarked
6 in. (16.5cm.) high

$800-1,200

$1,000-1,500
170

All lots marked with a square n are moved to Christies Redstone at 5pm on the last day of the sale.

ALL LOTS HIGHLIGHTED WITH RED TITLES ARE OFFERED WITHOUT RESERVE

171
AN EARLY AMERICAN SILVER MILK JUG AND
TWO-HANDLED SUGAR BOWL AND COVER,

176
AN AMERICAN FAVRILE GLASS FLORIFORM
TALL VASE,

MARK OF HARVEY LEWIS, PHILADELPHIA CIRCA


1825,

SIGNED IN ETCH L.C.T. FOR TIFFANY STUDIOS,


NUMBERED W3531, CIRCA 1903-1904

each of compressed baluster form and


monogrammed; together with an American silver
helmet-form sugar bowl and cover, mark of
James Musgrave, Philadelphia, circa 1775; another
similar silver helmet-form milk jug, dated 1761
and monogrammed; and two silver small cups
The Lewis sugar bowl and cover 8 in.
(21.5cm.) high, overall
(6)

18 in. (46.3cm.) high

$4,000-6,000

$1,500-2,000
171

176

177
TWO AMERICAN FAVRILE GLASS TABLE
LAMPS AND TWO FLORIFORM SHADES,

172
A PAIR OF CONTINENTAL ROCOCO-STYLE
SILVER-PLATE WALL SCONCES,

VARIOUS ETCHED MARKS FOR TIFFANY STUDIOS


AND VARIOUSLY NUMBERED, CIRCA 1910,

20TH CENTURY,

each base with swirled tapered neck and faring


rim, with metal-mounted light or wick
The taller 14in. (35.5cm.) high, overall
(4)

each back plate issuing a scrolled arm and cast


with scrolling foliage
12in. (30cm.) high
(2)

$3,000-5,000

$800-1,200
PROVENANCE:

The taller with original applied paper label for


Tiffany Studios.
177
172
173 No Lot
178
AN AMERICAN GILT-BRONZE AND FAVRILE
GLASS THREE-LIGHT TABLE LAMP,

Russian Work of Art

THE BRONZE STAMPED AND THE GLASS ETCHED


MARKS FOR TIFFANY STUDIOS, CIRCA 1910,

(Lot 174)

the gadrooned circular base ftted with three


iridescent trumpet-form shades
The base 9 in. (23cm.) high
(4)

23

$3,000-5,000
PROPERTY FROM THE TRIANON MUSEUM,
DENVER, COLORADO AND THE METZGER
FAMILY COLLECTION

178

174
A FABERGE-STYLE HARDSTONE AND GILT
METAL EGG-FORM TABLE CLOCK,
MARKED WITH PLAQUE THE IGOR CARL FABERGE
IMPERIAL CLOCK BY IGOR CARL FABERGE,
MODERN,

the case set with Roman numerals and


hardstone-encrusted gilt metal trailing foliage
supported on a sodalite faceted plinth with
further decoration
8 in. (22.3cm.) high

179
A PORTFOLIO OF AMERICAN WALLPAPER
SAMPLES,

$700-900
174

LOUIS C. TIFFANY FOR TIFFANY STUDIOS, FIRST


QUARTER 20TH CENTURY,

various samples within a ftted portfolio box


The box 18 in. (46.4cm.) high

$1,500-2,000

Glass
(Lot 175-215)
179

PROPERTY FROM THE COLLECTION OF SHEILA


AND EDWARD MALAKOFF (LOTS 175-205)

180
TWO AMERICAN METAL-MOUNTED FAVRILE
GLASS VASES,

175
A PAIR OF AMERICAN FAVRILE GLASS
CANDLE LAMPS AND FLORIFORM SHADES,

THE BRONZE AND COPPER BASES IMPRESSED LOUIS


C. TIFFANY FURNACES, INC., NOS. 164 AND 35 D
RESPECTIVELY, FIRST QUARTER 20TH CENTURY,

VARIOUS ETCHED MARKS FOR TIFFANY STUDIOS,


CIRCA 1910,

the frst of faring form on a counter faring


circular patinated bronze base; the second of
slender cylindrical form on an enameled copper
circular base
The second vase 16 in. (42cm.) high
(2)

each blue iridescent base twisted and tapered,


ftted with later metal mounts
11in. (28cm.) high, overall
(4)

$3,000-5,000

$1,800-2,500
175
180

Handling fees commence 35 days after the frst day of the sale

ALL LOTS HIGHLIGHTED WITH RED TITLES ARE OFFERED WITHOUT RESERVE

181
EIGHT AMERICAN FAVRILE GLASS TABLE
ARTICLES,

186
SIX AMERICAN FAVRILE GLASS TABLE
ARTICLES,

VARIOUSLY SIGNED IN ETCH LOUIS C. TIFFANY FOR


TIFFANY STUDIOS, FIRST QUARTER 20TH CENTURY,

FIVE SIGNED IN ETCH L.C.T. FOR TIFFANY STUDIOS,


FIRST QUARTER 20TH CENTURY,

comprising two fnger bowls and underplates


with crimped rims, one bowl numbered R
3417, the plates numbered W 816 and W
823; two similar footed compotes, numbered
N 9144 and N 9148; and a pair of small side
bowls, both marked 1401
The underplates 6in. (15.3cm.) diameter
(6)

$1,000-1,500

comprising four small goblets with dimpled


sides, a similar bowl and a small plate with
undulating rim
The bowl 4 in. (11.5cm.) diameter
(6)

$1,200-1,800
186

181

187
TWELVE AMERICAN FAVRILE GLASS CUPS,
ALL SIGNED IN ETCH L.C.T. FOR TIFFANY STUDIOS
AND VARIOUSLY NUMBERED, CIRCA 1898-1903,

182
AN AMERICAN FAVRILE GLASS TRUMPET
VASE,

numbered 3358 J
13in. (33.7cm.) high

all with applied and threaded decoration,


comprising six juice glasses, numbered H
2087, M 6239, M 7368, N 1151, N
3880, one unnumbered; and six shot glasses,
numbered T5892, T5916, *3744, *3748,
*3752, *3755
The tallest 4in. (10.2cm.) high
(12)

$2,000-3,000

$1,000-1,500

SIGNED IN ETCH L.C. TIFFANY FOR TIFFANY


STUDIOS, CIRCA 1915,

PROVENANCE:

Some with original applied paper labels for


Tiffany Studios.
182

187

188
TWO AMERICAN FAVRILE GLASS TAZZAS,
AND A PAIR OF IRIDESCENT GLASS
FLORIFORM COMPOTES,

183
AN AMERICAN FAVRILE GLASS CYLINDRICAL
VASE,

THE TAZZAS SIGNED IN ETCH L.C.T. AND


L.C.TIFFANY FOR TIFFANY STUDIOS, THE
COMPOTES SIGNED IN ETCH AURENE FOR
STEUBEN, FIRST HALF 20TH CENTURY,

SIGNED IN ETCH L.C. TIFFANY, NO 8432 J, CIRCA


1915,

24

ribbed, with faring rim supported on a


conforming base
15in. (38.1cm.) high

the smaller tazza with undulating rim,


numbered 4380 D; the compotes numbered
367
The compotes 10in. (25.4cm.) high
(6)

$2,000-3,000
188

$1,000-1,500

183

189
AN AMERICAN GILT-BRONZE MOUNTED
FAVRILE GLASS SLENDER VASE,

184
THIRTEEN AMERICAN FAVRILE GLASS SALT
CELLARS,

THE BASE STAMPED LOUIS C. TIFFANY FURNACES,


INC., FAVRILE, NO. 170, FIRST QUARTER 20TH
CENTURY,

MOST SIGNED IN ETCH L.C.T. FAVRILE FOR TIFFANY


STUDIOS, FIRST QUARTER 20TH CENTURY,

the enameled bronze circular base supporting


the elongated ribbed body with feathered leaves
on an opaque white ground, the glass probably
Tiffany apparently unsigned
12 in. (32cm.) high, overall

all circular, with variously crimped or everted


rims, seven with feet, one with handles
The largest 2 in. (6.4cm.) diameter
(13)

$700-900

$1,500-2,000
184

189

190
A SET OF FOUR AMERICAN BLUE FAVRILE
GLASS SMALL COMPOTES, AND FOUR
IRIDESCENT FAVRILE GLASS SHAPED SALT
CELLARS,

185
A PAIR OF AMERICAN FAVRILE GLASS
CANDLESTICKS,

SIGNED IN ETCH L.C.T. FOR TIFFANY STUDIOS,


VARIOUSLY NUMBERED, FIRST QUARTER 20TH
CENTURY,

SIGNED IN ETCH L.C. TIFFANY INC. FOR TIFFANY


STUDIOS, FIRST QUARTER 20TH CENTURY

12in. (30.5cm.) high

the compotes globular with slightly everted


rims on circular bases, three etched No. 1735;
the dishes with scalloped shaped rims in various
sizes, two etched No. 1256
The compotes 4in. (10.2cm.) diameter
(8)

(2)

$1,200-1,800

$700-900
190
185

All lots marked with a square n are moved to Christies Redstone at 5pm on the last day of the sale.

ALL LOTS HIGHLIGHTED WITH RED TITLES ARE OFFERED WITHOUT RESERVE
191
FOUR AMERICAN FAVRILE GLASS LARGE
BOWLS

196
A SET OF FOUR AMERICAN FAVRILE GLASS
LINERS,

VARIOUSLY SIGNED IN ETCH FOR TIFFANY STUDIOS,


VARIOUS MODEL NUMBERS, LATE 19TH-EARLY
20TH CENTURY,

THREE SIGNED IN ETCH L.C.T. FOR TIFFANY


STUDIOS, FIRST QUARTER 20TH CENTURY,

cylindrical with scalloped rims, three with


etched numbers Y6445, Y8862, Y6455;
together with two pairs of gilt-bronze mounts
variously cast and pierced with leaves and shell
patterns
The liners 4in. (12.1cm.) high
(8)

comprising an iridescent maple leaf bowl


etched with vine and leaves to interior sides, a
small butterfy to exterior, model No. 1808;
another iridescent blue maple leaf bowl etched
with vine and leaves to interior rim, model
No. 1215; an iridescent green foriform bowl,
etched 15884 to base; and a short footed
compote
The foriform vase 12in. (31.1cm.) wide (4)

$1,000-1,500
PROVENANCE:

$1,500-2,000
PROVENANCE:

191

One with original applied paper label or


Tiffany Studios.

196

The iridescent maple leaf bowl with original


applied paper label for Tiffany Favrile Glass.
197
AN AMERICAN BRONZE-MOUNTED FAVRILE
GLASS TRUMPET VASE, AND TWO FAVRILE
GLASS VASES,
THE BRONZE STAMPED LOUIS C. TIFFANY
FURNACES, INC., TWO VASES SIGNED IN ETCH L.C.
TIFFANY FOR TIFFANY STUDIOS, FIRST QUARTER
20TH CENTURY,

192
AN AMERICAN FAVRILE GLASS FOOTED
VASE,
TIFFANY STUDIOS, NO. F1207, CIRCA 1897,

apparently unsigned
5in. (13.3cm.) high

$2,000-3,000

192

the trumpet vase slender with ribbed body,


etched number 5 to base side, the bronze
circular base with green enamel and lappetform support, the base stamped number 159;
the frst vase conical on a circular footed base,
etched number 782 L; the second a foriform
vase, apparently unsigned, etched number
7689A
The bronze-mounted vase 13in. (33.7cm.)
high, overall
(4)

197

$2,000-3,000
193
TWO AMERICAN BLUE FAVRILE GLASS
VASES,
SIGNED IN ETCH L.C. TIFFANY FOR TIFFANY
STUDIOS, CIRCA 1915,

198
AN AMERICAN FAVRILE GLASS FLORIFORM
TRUMPET VASE,

the frst ribbed on circular footed base,


numbered 9326 J; the second cylindrical
waisted vase, numbered 1116 - 4986 L; together
with a similar blue iridescent glass foriform vase,
signed in etch Aurene for Steuben, numbered
723
The ribbed vase 13in. (33.7cm.) high
(3)

SIGNED IN ETCH L.C.T. FOR TIFFANY STUDIOS,


CIRCA 1899-1900,

25

numbered M7633
11in. (29.2cm.) high

$2,000-3,000

$3,000-5,000
193

194
TWO AMERICAN FAVRILE GLASS BOWLS
AND TWO FLOWER FROGS,

198

199
A GROUP OF AMERICAN BLUE FAVRILE AND
PASTEL GLASS WARES,

VARIOUSLY SIGNED IN ETCH FOR TIFFANY STUDIOS,


FIRST HALF 20TH CENTURY,

SIGNED IN ETCH L.C.T. OR L.C. TIFFANY , FOR


TIFFANY STUDIOS, FIRST QUARTER 20TH CENTURY,

the frst bowl shallow with shaped rim, the


second smaller and shallow on footed base; the
frogs etched No. 3097 P and 29690/5-#6
The frst bowl 10in. (26.7cm.) diameter
(4)

comprising a set of fve pastel plates; an oval


candlestick on circular base, etched number
1890; a small goblet, etched number 1281;
a large glass; and a futed vase, etched number
1873
The set of plates 8in. (21.6cm.) diameter (9)

$800-1,200

194

$2,000-3,000
199

195
FIVE AMERICAN FAVRILE GLASS TABLE
ARTICLES,
TWO SIGNED IN ETCH L.C.TIFFANY FOR TIFFANY
STUDIOS, FIRST QUARTER 20TH CENTURY,
200
A GROUP OF AMERICAN GREEN FAVRILE
AND PASTEL GLASS TABLE ARTICLES,

comprising a compressed globular vase with tall


faring neck, numbered 1811; a cylindrical
bowl with broad everted rim; two small
trumpet form vases, numbered 1873 and 3597
J; and a small cylindrical liner, numbered Y
3282
The cylindrical bowl 12 in. (31.1cm.)
diameter
(4)

SIGNED IN ETCH L.C.T. OR L.C. TIFFANY FOR


TIFFANY STUDIOS, FIRST QUARTER 20TH CENTURY,

comprising a candlestick with twisted glass


support on a shaped circular base; a miniature
glass; and a fngerbowl and underplate
The underplate 8in. (20.9cm.) diameter (4)

$1,500-2,000

$1,500-2,000

PROVENANCE:

Three with original applied paper labels for


Tiffany Studios.

195
200

Handling fees commence 35 days after the frst day of the sale

ALL LOTS HIGHLIGHTED WITH RED TITLES ARE OFFERED WITHOUT RESERVE

201
AN AMERICAN BRONZE MOUNTED
IRIDESCENT GLASS TRUMPET VASE,

PROPERTY FROM A DISTINGUISHED PRIVATE


COLLECTION, TEXAS (LOTS 206-207)

THE BRONZE IMPRESSED TIFFANY STUDIO, NEW


YORK, NO. 223, FIRST QUARTER 20TH CENTURY,

206
AN AUSTRIAN BLOWN GLASS AND PAINTED
METAL TABLE LAMP,

of faring form with scalloped rim issuing


from a circular foliate-form base, the glass
apparently unsigned; together with a similar glass
vase mounted in a silver circular base, the silver
marked Sterling
The frst vase 13 in. (35cm.) high, overall
(2)

FIRST QUARTER 20TH CENTURY, POSSIBLY LOETZ

23in. (58.4cm.) high, overall

(2)

$1,000-1,500

$1,000-1,500
201

206

202
A GROUP OF AMERICAN ETCHED FAVRILE
GLASS TABLE ARTICLES,

207
A FRENCH ETCHED AND ENAMELED GLASS
AND BRONZE PEACOCK TABLE LAMP,

SIGNED IN ETCH L.C.T. FOR TIFFANY STUDIOS,


FIRST QUARTER 20TH CENTURY,

FIRST HALF 20TH CENTURY,

the base decorated with blue and green enamel


cabochons
20in. (50.8cm) high, overall

each etched with a band of grape vine,


comprising a bowl and underplate, a sherbert
cup, a small wine glass and a cordial; together with
a similar cordial on facetted stem
The small wine glass 6in. (15.3cm.) high
(5)

$2,000-3,000

$1,000-1,500
202

207

203
SIX AMERICAN PASTEL FAVRILE GLASS
GOBLETS, AND A SET OF SIX FAVRILE GLASS
SHOT GLASSES,

208
AN AMERICAN FAVRILE GLASS VASE,

THE SET WITH ETCHED SIGNATURE L.C.T. FOR


TIFFANY STUDIOS, VARIOUSLY NUMBERED, FIRST
QUARTER 20TH CENTURY,

26

SIGNED IN ETCH L.C. TIFFANY - FAVRILE,


NUMBERED 7792 C, CIRCA 1906

14in. (36.2cm.) high

the goblets of various sizes and colors, apparently


unsigned; the set each with pinched sides; together
with an associated gilt-metal mirrored stand
The largest goblet 7 in. (19cm.) high
(13)

$800-1,200

$1,500-2,000
203
208
PROPERTY FROM THE COLLECTION OF SHEILA
AND EDWARD MALAKOFF
204
AN ASSEMBLED AMERICAN GREEN PASTEL
FAVRILE GLASS DESSERT SERVICE, AND A
PINK PASTEL FAVRILE GLASS PART TABLE
SERVICE,

209
A FRENCH MOLDED FROSTED GLASS PANEL,
MASQUE DE FEMME,

VARIOUSLY SIGNED AND NUMBERED LOUIS


COMFORT TIFFANY FOR TIFFANY STUDIOS, FIRST
QUARTER 20TH CENTURY,

204

LALIQUE, 20TH CENTURY,

apparently unsigned
12in. (31.8cm.) square

the dessert service comprising a green footed


octagonal centerbowl and stand, four footed
sherbert bowls, and four cake plates; the pink
glass comprising four plates, fve water goblets,
and two juice glasses
The green pastel stand 14 in. (37.5cm.)
diameter
(21)

$4,000-6,000

$4,000-6,000
209

205
THREE AMERICAN IRIDESCENT GLASS TABLE
ARTICLES,

210
A LIMITED EDITION FRENCH SILVER
MOUNTED MOLDED GLASS DESK SET,

ONE SIGNED IN ETCH LOUIS C. TIFFANY, FAVRILE,


THE OTHERS PROBABLY TIFFANY STUDIOS, FIRST
HALF OF 20TH CENTURY,

the frst a gilt-bronze mounted commemorative


World War I medallion molded with an eagle
and bell above VICTORY 1918; the second
a turtleback tile, apparently unsigned; the third
a rectangular tile molded with foliate vines and
gourds, apparently unsigned
The turtleback 5 in. (14.6cm.) long
(3)

EACH SIGNED IN ETCH CREATION LALIQUE


FRANCE, NUMBERED 1370/4810, 20TH CENTURY,

created exclusively for MONTBLANC,


comprising an inkwell and a rocker blotter, the
silver marked 925; together with a Lalique molded
frosted glass square bowl
The bowl 11in. (29.2cm.) square
210

$1,500-2,000

$800-1,200
205

All lots marked with a square n are moved to Christies Redstone at 5pm on the last day of the sale.

ALL LOTS HIGHLIGHTED WITH RED TITLES ARE OFFERED WITHOUT RESERVE

Ceramics
(Lot 216-243)
216
A GILT-BRONZE MOUNTED SEVRES-STYLE
LARGE VASE AND COVER,

PROPERTY OF A NEW YORK COLLECTOR


211
A FRENCH PATE-DE-VERRE GLASS TULIP
VASE,

SPURIOUS INTERLACED LS, LATE 19TH/20TH


CENTURY,

gilt decorated and enameled with a panel of


lovers in a garden, signed H. Poitevin, the
reverse with a landscape, the vase fanked by
bronze foliate handles
30in. (76cm.) high, overall

SIGNED IN ETCH DAUM FRANCE, 20TH CENTURY

13in. (33cm.) high

$700-900

$1,500-2,000

216

211

217
A GILT-BRONZE MOUNTED SEVRES-STYLE
LARGE VASE AND COVER,
212
A FRENCH FROSTED AND MOLDED GREY
GLASS GLOBULAR VASE, PALISSY,

SPURIOUS INTERLACED LS, LATE 19TH/20TH


CENTURY,

painted with panel scenes of a chateau landscape


and courtly couples in a garden, signed E.
Collot, on a gilt and cobalt ground, gilt-bronze
acanthus swag handles, base and foliate knopped
cover
41 in. (105.5cm.) high, overall

SIGNED IN ETCH AND MOLDED R.LALIQUE, 20TH


CENTURY,

molded with small snail shells


6in. (16.5cm.) high

$4,000-6,000

$5,000-7,000
217
212

213 No Lot
218
A PAIR OF GERMAN PORCELAIN BALUSTER
VASES AND COVERS,
BLUE SCRIPT R MARKS, LATE 19TH CENTURY,

in the Meissen style, each painted and gilt with


alternating panels of courtly fgures and fowers
on a yellow ground, the domed covers similarly
decorated
14 in. (37cm.) high, overall
(4)

PROPERTY FROM THE TRIANON MUSEUM,


DENVER, COLORADO AND THE METZGER
FAMILY COLLECTION (LOTS 214-225)
214
AN ASSEMBLED ETCHED GREEN AND RUBY
FLASHED GLASS PART DRINKWARE AND
TABLE SERVICE,

$800-1,200

19TH/20TH CENTURY,

the green-fashed comprising seven champagne


futes, six wine glasses, four large wine glasses,
a pair of candlesticks, six dessert plates and a
compote; the ruby-fashed comprising twelve
dinner plates, twelve dessert plates, twelve large
wine glasses, twelve small wine glasses, and
twelve water goblets; together with an etched
clear glass tall vase
The pair of candlesticks 14in. (35.5cm.) high
(87)

$1,000-1,500

27

218

214

219
A VIENNA-STYLE PORCELAIN GILTDECORATED AND COBALT GROUND
CABARET,
UNDERGLAZE BLUE BEEHIVE MARKS, LATE
19TH/20TH CENTURY,

each piece decorated with panels of classical


maidens within jeweled borders, comprising a
milk jug, a cream jug, a sugar bowl and cover,
two coffee cans and saucers, and a circular tray
The tray 13in. (33cm.) diameter
(9)

$800-1,200
215
TWO AMERICAN GILT-DECORATED CLEAR
GLASS DESSERT AND DRINKWARE PART
SERVICES,

219

20TH CENTURY,

the frst set possibly Cambridge, decorated with


etched bowls and gilt rims comprising twelve
dessert plates, twelve water goblets, thirteen
red wine glasses, eleven white wine glasses,
and ten sherry glasses; the second set clear glass
decorated with gilt band rims comprising fortyone dessert plates, seventeen saucers, thirty-six
fnger bowls, four large bowls, fourteen short
tumblers, ffteen tall tumblers, eight water
goblets, twelve champagne futes, ten short
liqueurs, ten tall liqueurs, twenty-three white
wine glasses and ffteen red wine glasses
The larger dessert plates 8 in. (21cm.) diameter
(225)

220
A PAIR OF GERMAN PORCELAIN CREAMGLAZED WEIMAR VASES AND COVERS,
BLUE SCEPTER MARK WITH INCISION FOR BERLIN,
LATE 19TH CENTURY,

each two-handled urn supported on circular


pedestals, molded with acanthus, and serpents
beneath classical borders, the covers with
berried fnials
17 in. (44.5cm.) high, overall
(4)

$1,000-1,500

$1,500-2,000
215

Handling fees commence 35 days after the frst day of the sale

220

ALL LOTS HIGHLIGHTED WITH RED TITLES ARE OFFERED WITHOUT RESERVE

PROPERTY OF A WEST COAST COLLECTOR

221
A CONTINENTAL GLAZED POTTERY TWOHANDLED JARDINIERE,

226
AN ENGLISH MAJOLICA LARGE JARDINIERE
AND STAND,

LATE 19TH CENTURY,

IMPRESSED UPPERCASE MARK FOR MINTONS,


SHAPE NO. 650. DATE CYPHER FOR 1876,

of ribbed globular form, painted and gilt


decorated with leafy foral stems and pods,
impressed 453 on base
18in. (46cm.) wide

the sides molded and colorfully painted with


oak branch-form handles, acorns and foliage
The jardiniere 21 in. (53.4cm.) wide
(2)

$800-1,200

221

$2,000-3,000

226

222
A CONTINENTAL MAJOLICA UMBRELLA
STAND,

227
A BERLIN (K.P.M) PORCELAIN OVAL
PORTRAIT PLAQUE OF A BEAUTY,

LATE 19TH/EARLY 20TH CENTURY,

IMPRESSED MONOGRAM AND SCEPTRE MARK, F


AND 5, LATE 19TH/20TH CENTURY,

molded, applied and painted with seed pods,


fronds, butterfies and insects
24 in. (62cm.) high

framed
The porcelain 10in. (27.3cm.) high

$4,000-6,000

$700-900

227

222

PRIVATE FROM A DISTINGUISHED PRIVATE


COLLECTION

223
THREE SETS OF TWELVE ENGLISH
PORCELAIN DINNER PLATES

n228
A PAIR OF CONTINENTAL BISCUIT
PORCELAIN PLAQUES,

MARKS OF WEDGWOOD, COPELANDS SPODE, AND


STAFFORDSHIRE, ONE SET RETAILED BY TIFFANY &
CO., 20TH CENTURY,

the frst Wedgwood decorated with cranes


on a gilt powder blue ground; the second
a Copelands Spode decorated in Japonaise
style on a lavender ground; the third Crown
Staffordshire decorated with black and gilt
Chinoiserie panels on a yellow ground
The yellow ground plates 10 in. (26cm.)
diameter
(36)

28

POSSIBLY FRENCH OR RUSSIAN, 19TH CENTURY,

in gilt-wood frames
10 in. (27.3cm.) high

(2)

$1,000-1,500
228

$800-1,200
223

224

PROPERTY FROM THE GAIL-OXFORD


COLLECTION, SOLD TO BENEFIT THE
HUNTINGTON LIBRARY, ART COLLECTIONS,
AND BOTANICAL GARDENS (LOTS 229-241)
224
AN ASSEMBLED FRENCH AND GERMAN
GILT-DECORATED PORCELAIN PART DINNER
SERVICE,

229
TWO ANGLO-GERMANIC SALTGLAZED
STONEWARE BELLARMINE JUGS,

GILT CROWNED N MARK OF LA PETITE, 20TH


CENTURY,

each of bulbous ovoid form with loop handle


applied to the neck, with stylized mask of a
bearded man above heraldry medallions
The larger 18in. (46cm.) high
(2)

comprising three graduated oval platters, a


circular tureen and cover, a milk jug, a gray
boat on stand, eleven dinner plates, twelve salad
plates, twelve bread and butter plates, twelve
fruit dishes, twelve broth cups and saucers,
eleven teacups and saucers, and eight demitasse
cups; together with an assembled gilt coffee
service with marks of Rosenthal and of Picard
Limoges comprising two coffee pots and covers,
three sugar bowls and covers, three milk jugs,
nine coffee cups and saucers, a circular tray, two
pairs of salt and pepper casters, and four ashtrays
The largest tray 16in.(41cm.) long
(142)

LATE 16TH/17TH CENTURY,

$700-900
229

230
A GROUP OF ENGLISH STAFFORDSHIRE
GLAZED EARTHENWARES,
LATE 18TH/19TH CENTURY,

$1,000-1,500

225
THREE SETS OF ENGLISH AND FRENCH
PORCELAIN DINNER PLATES,
VARIOUS MAKERS MARKS, 20TH CENTURY,

the frst a set of twelve Haviland Limoges plates


with foral borders; the second a set of twelve
plates decorated with a coat-of-arms; and the
third a set of eighteen Royal Worcester plates
with fronds
The largest set 11in. (28cm.) diameter
(42)

$800-1,200
225

230

comprising two creamware caulifower


molded teapots and covers, circa 1765; a white
saltglazed stoneware lobed pierced shallow
basket and a set of six similar plates, all circa
1760; a saltglazed stoneware drab teapot and
cover, circa 1820; a creamware Whieldon-type
globular teapot and cover, circa 1760; a pair
of creamware Whieldon-type lobed plates,
circa 1760; a pair of creamware manganese,
green and yellow splashed plates with shaped
milled rims and a similar dish; two blue and
white pearlware-type quintal tulip vases; a
white saltglazed melon-form tureen and cover
on stand; two small leaf-form dishes; a green
majolica basket weave-molded dish; a splashed
bowl; a footed cup; a molded stand; and a
globular teapot with metal cover; together with
a French agateware pottery teapot and cover,
circa 1780
The saltglazed shallow dish 12in. (30cm.)
diameter
(33)

$2,000-3,000

All lots marked with a square n are moved to Christies Redstone at 5pm on the last day of the sale.

ALL LOTS HIGHLIGHTED WITH RED TITLES ARE OFFERED WITHOUT RESERVE
231
A PAIR OF DUTCH DELFT BLUE AND WHITE
MODELS OF SEATED HOUNDS, AND TWO
GROUPS OF DUTCH DELFT WARES,

236
A PAIR OF DUTCH DELFT BLUE AND WHITE
VASES AND COVERS,

THE HOUNDS SECOND HALF 18TH CENTURY, THE


GROUPS 18TH-20TH CENTURY,

the hounds seated on faux marble bases wearing


yellow collars; the frst group blue and white
decorated comprising two baluster jars and
covers, two chinoiserie decorated plates, a
similar rectangular boughpot, a square tea
caddy, metal-mounted double condiment
dish and a toby-type jug; the second group
polychrome decorated comprising a large
bowl painted with a ship, two large platters, a
pair of foral plates, a chinoiserie plate, a small
baluster vase, teapot and cover, and a hen-form
oval dish and cover; together with a Continental
polychrome broad-rimmed dish
The tallest baluster jar 17in. (43cm.) high (24)

LATE 17TH/EARLY 18TH CENTURY, BLUE


MONOGRAMS POSSIBLY DE GREKSCHE A FACTORY,

each facetted baluster vase painted with


chinoiserie panels, the covers surmounted by
lion-form fnials
13 in. (35cm.) high, overall
(4)

$800-1,200
236
231

$2,500-3,500

232
A GROUP OF ENGLISH STAFFORDSHIRE AND
DUTCH EARTHENWARES,

237
A PAIR OF DUTCH DELFT WHITE-GLAZED
MODELS OF COWS,

18TH/19TH CENTURY,

19TH CENTURY,

the English wares comprising a fgural watch


holder, two fox stirrup cups, a female fgure
of Hope, a shepard boy, three lions, a trunkshaped spillvase modeled with a sheep, and a
group modeled as two kneeling girls; the Dutch
wares comprising a three-piece blue and white
garniture, a polychrome male bust, a lion and a
tumbler with a hunting scene
The largest 9 in. (24.5cm.)
(16)

each modeled standing in mirror image on a


rectangular base
9in. (23cm.) long
(2)

$800-1,200

237

$1,000-1,500
232
238
A DUTCH DELFT BLUE AND WHITE KETTLE
AND STAND,

233
THREE AMERICAN COBALT DECORATED
STONEWARE STORAGE JUGS,

LATE 18TH CENTURY,

the globular kettle painted with cartouches of


18th century scenes and fowers, with hinged
cover and bronze swing handle, the stand
pierced and applied with foliage
17in. (43cm.) high, overall
(2)

19TH CENTURY,

comprising two three-gallon jugs, one


decorated with stylized foliage and with two
applied handles at shoulder, the other decorated
with a bird on a branch with applied loop
handle; and a two-gallon jug decorated with
stylized fower with applied loop handle
The largest 16 in. (42.5cm.) high
(3)

29

$1,000-1,500

$800-1,200
238
233

239
A DUTCH DELFT OVOID JAR, MOUNTED AS
A LAMP,

234
SEVEN VARIOUS ENGLISH EARTHENWARE
TOBY JUGS,

18TH/19TH CENTURY,

19TH CENTURY,

painted underglaze in blue and manganese with


chinoiserie fgures, with gilt-bronze mounts
The jar 14in. (35.5cm.) high

comprising a pale green lead-glazed example,


four polychrome jugs, a brown saltglazed
example, and a silver luster example; together
with a Dutch polychrome monkey-form jug
The largest 12in. (30cm.) high
(8)

$1,000-1,500

$1,000-1,500
239
234
240
AN ASSEMBLED ENGLISH STAFFORDSHIRE
SPONGEWARE TABLE SERVICE,
19TH/20TH CENTURY,

235
FIVE ENGLISH AND CONTINENTAL GLAZED
EARTHENWARE VESSELS,

some decorated in polychrome with birds and


foliage, comprising an oblong platter, a water
pitcher, a teapot and cover, two sugar bowls
and one cover, three milk jugs in various sizes, a
thirteen-piece part miniature tea service, sixteen
bowls in various sizes, three small teacups in
various shapes and sizes, thirteen saucers, seven
plates; together with two early Staffordshire cow
creamers
The platter 17 in. (44.5cm.) long
(84)

18TH/19TH CENTURY,

comprising two pearlware molded jugs, one


dedicated to Admiral Nelson and Captain
Berry; a blue and white apothecary wetdrug jar; a blue and white bottle vase; and a
polychrome puzzle jug
The largest apothecary jar 9in. (23cm.) high (5)

$2,000-3,000

$2,000-3,000

240
235

Handling fees commence 35 days after the frst day of the sale

ALL LOTS HIGHLIGHTED WITH RED TITLES ARE OFFERED WITHOUT RESERVE
241
AN ASSEMBLED GROUP OF AMERICAN
REDWARE SLIP DECORATED VESSELS,

246
AN ASSEMBLED CHINESE EXPORT CANTON
BLUE AND WHITE PORCELAIN DINNER
SERVICE,

19TH CENTURY,

241

each variously decorated, comprising three


oblong platters in graduated sizes variously
decorated, eight plates in various shapes and
sizes, two fsh molds, a circular bowl with
crimped rim, a circular cake mold, fve jugs
in various sizes, two planters in various sizes, a
model of a dog, a double barrel vessel, a birdform vessel, a baluster jar, and a cup; together
with a Bennington-type brown glazed pitcher
and coffeepot and cover
The largest platter 20 in. (52.1cm.) long
(30)

$2,000-3,000

19TH CENTURY,

246

242
A FRENCH PORCELAIN PART DINNER
SERVICE,

decorated with stylized lake pavilion scene,


comprising a tree-and-well rectangular platter,
a meat platter, a soup tureen and cover, three
rectangular vegetable dishes and covers, an
oval vegetable dish and cover, a warming dish,
a small sauce tureen and cover with stand, a
footed shaped serving dish, a small rectangular
platter, a pair of oval platters with reticulated
borders, a pair of candlesticks, seven shallow
plates, two teapots and covers, a milk jug, a
cream jug, a small tazza, two pot de cremes
and covers, a pair of tea bowls and saucers, and
six additional tea bowls; together with a pair of
Chinese Export plates for the American market
in the Blue Fitzhugh pattern decorated with
initials and foral sprigs, and a Chinese Imari
plate, 18th Century
The meat platter 18 in. (47.6cm.) long (53)

$1,000-1,500

BLACK PRINTED MARKS OF LIMOGES, RETAILED BY


TIFFANY & CO., 20TH CENTURY,

decorated with a silver tone band of bosses,


comprising tow oval platters, two oval vegetable
bowls, twenty dinner plates, twenty lunch
plates, twenty soup plates, twenty salad plates,
and twenty bread and butter plates
The dinner plates 12in. (30.5cm.) diameter
(104)

247
A CHINESE EXPORT MASSIVE PUNCH BOWL,
19TH/20TH CENTURY,

$800-1,200
242

247

$2,000-3,000

248
A CHINESE EXPORT-STYLE TOBACCO LEAF
FIVE-PIECE GARNITURE,

PROPERTY FROM A PRIVATE EUROPEAN


COLLECTION

LATE 19TH /EARLY 20TH CENTURY,

243
A PAIR OF ENGLISH BLUE AND WHITE
JASPERWARE CACHE POTS AND
UNDERPLATES,

each piece decorated in under glaze blue and


famille rose enamels with phoenix amongst large
leafy foliage and fowers, comprising three
baluster vases and covers, and two beaker-form
vases
The vases and covers 11in. (28cm.) high, overall
(8)

IMPRESSED SMALL UPPERCASE AND MOUSTACHE


MARKS FOR WEDGWOOD, LATE 19TH/EARLY 20TH
CENTURY,

30

decorated with fgures in various landscapes


within shaped cartouches, amongst a cobalt and
gilt ground, the interior with various gold fsh
amongst sea plantlife
21 in. (54.6cm.) diameter

together with a pair of Parian-type composition


circular plaques molded with putti and angels
The plaques 12 /2in. (32cm.) diameter
(6)

$2,000-3,000

$1,000-1,500
248
243

PROPERTY FROM THE TRIANON MUSEUM,


DENVER, COLORADO AND THE METZGER
FAMILY COLLECTION
249
A CHINESE EXPORT CANTON FAMILLE ROSE
ASSEMBLED PART DINNER SERVICE,

Chinese Export
Works of Art

19TH/20TH CENTURY,

(Lot 244-249)
PROPERTY FROM THE GAIL-OXFORD
COLLECTION, SOLD TO BENEFIT THE
HUNTINGTON LIBRARY, ART COLLECTIONS,
AND BOTANICAL GARDENS (LOTS 244-248)
244
A CHINESE EXPORT MANDARIN PALETTE
PUNCH BOWL,
18TH CENTURY,

enameled with fgures in pavilion scenes, the


interior with a large foral sprig
15 in. (40cm.) diameter

249

in the Rose Medallion pattern, comprising


a large punch bowl, a circular platter, two
graduated oval platters, a rectangular vegetable
dish and cover, a two-handled sauce dish with
cover and stand, a sugar bowl and cover, a
cream jug, eleven boullion cups and covers,
eight coffee cans, four teacups, four demitasse,
ten dinner plates, seven scalloped luncheon
plates, twenty-two dessert plates, ten bread
and butter plates, seven side plates, thirty-two
various saucers, nine large spoons, and ffteen
demitasse spoons; together with another famille
rose globular teapot and cover
The larger oval platter 16in. (40.6cm.) diameter

$3,000-5,000

$1,500-2,000
244

Chinese Works of Art


(Lot 250-315)
PROPERTY OF A TEXAS COLLECTOR (LOTS
250-271)

245
A CHINESE EXPORT PUNCH BOWL,

250
A CHINESE MOTTLED CELADON JADE
MELON-FORM COUPE,

LATE 18TH CENTURY,

decorated with sepia tone vignettes within


medallions, the rim with a gilt grape vine
14 in. (36.8cm.) diameter

PROBABLY 19TH CENTURY

of quatrefoil section with hollowed interior


and carved in high openwork relief with chilong
dragons and borne on a leafy stem
5 in. (14cm.) wide

$1,500-2,000

245

$1,500-2,000
250

All lots marked with a square n are moved to Christies Redstone at 5pm on the last day of the sale.

ALL LOTS HIGHLIGHTED WITH RED TITLES ARE OFFERED WITHOUT RESERVE

256

251
A CHINESE TAUPE AND CELADON JADE
CARVING OF MONKEYS IN A PINE TREE,

A CHINESE MOTTLED PALE GREEN JADEITE


CARVING OF A GOURD

intricately carved and pierced as an openwork


basket surrounded by birds and insects on
berried foliage and enclosing another bird
11in. (28cm.) high

carved in openwork, the gnarled trunk issuing


from rockwork, and with two cranes atop
grasping a sprig of lingzhi in their beaks
7 in. (19.7cm.) high

$1,500-2,000

$1,500-2,000

251

256

257

252
A PAIR OF CHINESE SPINACH GREEN JADE
BOWLS,

A CHINESE MOTTLED GREEN AND WHITE


JADEITE CARVING OF GOURD,

intricately carved as an openwork basket


enclosing a bird, with another perched on
foliage above, rockwork base
6 in.( 15.8cm.) high

each thinly carved bowl of rounded, slightly


faring form and supported on a ring foot,
11in.(28.5cm.) diameter
(2)

$2,000-3,000

$1,500-2,000

252

257

258
A CHINESE RUSSET-SPLASHED LAVENDER
JADEITE FIGURAL GROUP,

253

carved as the immortal Wenshu astride a


mythical beast, his face framed by a fame
mandorla
8in. (20.3cm.0 high

A CHINESE GREEN AND LAVENDER JADEITE


CARVED GROUP,

carved in high relief depicting three scholars


playing a board game beneath pine in mountain
landscape
14in. (35.5cm.) long

31

$2,000-3,000

$1,000-1,500

253

258

254
A CHINESE LARGE MOTTLED PALE GREEN
JADEITE DOUBLE GOURD-FORM VASE AND
COVER,

259
A CHINESE MOTTLED GREEN HARDSTONE
CARVING OF TWO ELEPHANTS,

the vase hollowed out as a cave and surrounded


by an elaborate network of immortals aloft
on clouds with various attributes, the cover
similarly carved
12in. (31.1cm.) high
(2)

carved as a mother with her baby behind, a


string of cash trailing across her back
17in. (43.2cm.) long

$2,000-3,000

$2,000-3,000

259

254

260

255

TWO CHINESE JADEITE CARVINGS,

A CHINESE CELADON JADE PLAQUE, AND A


LAVENDER AND GREEN JADEITE CARVING,

the frst carved in relief from the pale greenish


lavender stone with a shou medallion and cranes
amidst pine; the second pierced and carved from
the brown and green stone depicting a dragon
and phoenix and a medallion
9in.(24.1cm.) wide
(2)

the frst rectangular and carved on one side with


immortals beneath pine and set within a carved
hardwood frame; the second carved in high
relief with cranes and fsh amongst lotus
The second 8in. (20.3cm.) long
(2)

$2,000-3,000

$2,500-3,000

255

Handling fees commence 35 days after the frst day of the sale

260

ALL LOTS HIGHLIGHTED WITH RED TITLES ARE OFFERED WITHOUT RESERVE

266

261
A CHINESE PALE GREEN JADE FIGURE OF A
STANDING GUANYIN,

A CHINESE LARGE PALE LAVENDER AND


GREEN JADEITE CARVING,

carved in high relief depicting Shoulao and a


pantheon of immortals on a rocky precipice
with peach trees and swirling clouds
22 in. (57.1cm.) wide

wearing long robes with foral jardiniere next


to her
8 in. (22.2cm.) high

$2,000-3,000

261

$2,000-3,000

266

262
THREE CHINESE SPINACH GREEN JADE
ARCHAISTIC VASES AND COVERS,

267
A CHINESE SPINACH GREEN JADE
OCTAGONAL LANTERN,

each vase of fattened form and two carved in


relief on each side with archaistic motifs, the
third with phoenix and blossoms, the shoulders
fanked by mask and loose ring handles, each
cover surmounted by a Buddhist lion
The tallest 15 in. (39.4cm.) high, overall
(6)

each thin panel carved in shallow relief with


birds and seasonal fowers, joined by dragonform fanges.
11 in.(29.cm.) high

$3,000-5,000

$3,000-5,000
262

267

268

263

A CHINESE RUSSET AND LAVENDER JADEITE


GROUP OF VEGETABLES,

A CHINESE MOTTLED GREEN JADEITE


BOULDER CARVING,

carved in high relief with cabbage, leafy gourds


and peanuts, with butterfies taken from the
russet skin of the stone
11 in.(29.2cm.) wide

carved in high relief depicting a seated fgure


of Buddha within a mountainous retreat with
attendants
38in. (97cm.) high

32

$3,000-5,000

$6,000-8,000

268

263

269

264

A CHINESE MOTTLED LAVENDER AND GREEN


JADEITE LARGE FRUIT BASKET,

A CHINESE PALE GREEN AND LAVENDER


JADEITE CARVED GROUP,

carved and pierced in high relief on both sides,


with chrysanthemums, peony, pomegranates,
and peaches all with lush foliage
22 in. (57.1cm.) wide

carved and pierced in high relief with two


deer beneath a gnarled pine tree, birds nestling
within the branches
11in. (28cm.) high

$1,000-1,500

$1,500-2,000

264

269

270

265

A CHINESE PALE LAVENDER AND GREEN


JADEITE CARVING OF A FRUIT BASKET,

A PAIR OF CHINESE MOTTLED GREEN AND


PALE LAVENDER JADEITE FIGURES OF
COCKERELS,

carved on both sides with chrysanthemums,


pomegranates, fnger citrons, lingzhi, lychee,
peanuts and other foliate berries
17in.(44.5cm.) high

each carved in mirror image and standing on


a rock base with millet, a small boy astride its
back
11in. (27.9cm.) wide
(2)

$2,000-3,000

$1,500-2,000

265

270

All lots marked with a square n are moved to Christies Redstone at 5pm on the last day of the sale.

ALL LOTS HIGHLIGHTED WITH RED TITLES ARE OFFERED WITHOUT RESERVE

PROPERTY FROM THE COLLECTION OF


CHARLES AND MARGOT NESBITT, OKLAHOMA
CITY

271
A CHINESE APPLE-GREEN FLECKED PALE
LAVENDER JADEITE CARVING,

276
A CHINESE JUNYAO-TYPE SMALL CONICAL
BOWL

boldly carved in high relief with a dragon and


boy amidst a cluster of pomegranates, the base
formed from the dark green skin of the boulder
14in. (36cm.) long

5in. (12.7cm.) diameter

$800-1,200

$3,000-5,000

271

272
A CHINESE GREY-GREEN AND RUSSET JADE
CARVING OF THREE RAMS,

276

277
A PAIR OF CHINESE SMALL DOUCAI CONICAL
BOWLS,

each beast carved in a recumbent, a cloud-loft


yinyang symbol at the hollowed center
4 in. (10.4cm.) long

decorated with vines and blossoms, each with


underglaze blue apocryphal six-character
Yongzheng mark within double circle
4 in. (12.1cm.) diameter
(2)

$2,000-3,000

$4,000-6,000

277

272

PROPERTY FROM THE COLLECTION OF ALFRED


E. GUNTERMANN (LOTS 278-287)

273
A CHINESE CELADON AND RUSSET JADE
ARCHAISTIC SEAL,

278
A CHINESE BLUE AND WHITE PORCELAIN
SHALLOW BOWL,

carved as a crouching kilin on a rectangular base,


seal script underneath
3 in. (8.4cm.) high

33

JIAJING MARK AND OF THE PERIOD (1522-1566),

$2,000-3,000

Bajixiang decoration
8in. (23cm.) diameter

$2,000-3,000
278
273

274
A CHINESE PORCELAIN OIL SPOT SMALL
CONICAL BOWL

279
TWO CHINESE WUCAI JARS,

5in. (12.7cm.) diameter

17TH/18TH CENTURY

$2,000-4,000

The larger 7 in. (19cm.) high

(2)

$2,000-4,000
274
279

275
A CHINESE CELADON-GLAZED SMALL CUP
STAND,

280
A CHINESE TEADUST GLAZED BOTTLE VASE,

UNDERGLAZE BLUE SIX-CHARACTER QIANLONG


MARK AND OF THE PERIOD

QING DYNASTY (1644-1911)

14 in. (36.2cm.) high

4 in. (12.1cm.) diameter

$800-1,200

$4,000-6,000

275
280

Handling fees commence 35 days after the frst day of the sale

ALL LOTS HIGHLIGHTED WITH RED TITLES ARE OFFERED WITHOUT RESERVE

286
THREE CHINESE GLAZED PORCELAIN
VESSELS,

281
A CHINESE FLAMBE GLAZED BOTTLE VASE,
QING DYNASTY (1644-1911)

comprising a powder blue bottle vase, a faceted


white vase, and a green archaistic-style vessel
14in. (35.5cm.) high
(3)

14in. (35.5cm.) high

$600-800

$2,000-3,000

286

281

287
THREE CHINESE SMALL CELADON JADE
CARVINGS,

282
A CHINESE FAMILLE ROSE MEIPING,

comprising a fgure of a recumbent horse,


a seated fgure of Budai with his kilin and a
brown-fecked archaistic ring
The ring 1 in. (4.4cm.) diameter

QIANLONG MARK AND POSSIBLY OF THE PERIOD,

decorated with fgures beneath a pine tree


8 in. (22.2cm.) high

(3)

$1,500-2,000

$4,000-6,000
PROVENANCE:

Applied paper label for Chait Galleries, New


York.

287

282

288
A CHINESE GRAYISH CELADON JADE
ARCHAISTIC BI DISC,

283
THREE CHINESE BLUE AND WHITE VASES,

carved in relief with stylized confronted chilong


to one side, taotie masks to the reverse
3 in. (9.5cm.) diameter

17TH-19TH CENTURY,

comprising a gu-form vase with molded


peony ground, with fan and roundel panels,
underglaze blue artemesia leaf within double
circle to base; a phoenix tail-form vase painted
with birds amongst bamboo, underglaze blue
double circle to base; and a rouleau vase with
immortals and attendants
The rouleau vase 19in. (48.3cm.) high

34

$2,000-3,000

$2,000-3,000

288

283

289
A CHINESE CARVED WHITE AND RUSSET
JADE CYLINDRICAL BRUSH POT,

284
A CHINESE PINK GROUND BOTTLE VASE,

the stone with russet inclusions and carved in


relief on the sides with a continuous scene of
scholars in a mountainous landscape, supported
on three feet
5 in. (13cm.) high

decorated with two writhing dragons amongst


peony below a yellow foliate band and furhter
fower and fruit motifs, iron-red apocryphal sixcharacter Guangxu mark to base
16 in. (41.9cm.) high

$4,000-6,000

$2,000-3,000

289
284

285
A CHINESE FAMILLE ROSE VASE,

290
A CHINESE GRAY JADE ARCHAISTIC CONG,

the baluster form with fattened shoulder


decorated with three square landscape panels
below three roundel foral panels all on a
scrolling foliate lotus ground, apocryphal
Qianlong mark
9 in. (23.5cm.) high

the corners carved in relief with stylized taotie


masks
2 in. ( 6.4cm.) high

$800-1,200

$1,500-2,000

285

290

All lots marked with a square n are moved to Christies Redstone at 5pm on the last day of the sale.

ALL LOTS HIGHLIGHTED WITH RED TITLES ARE OFFERED WITHOUT RESERVE

296
A CHINESE GILT-BRONZE MOUNTED GREEN
HARDSTONE RECTANGULAR BOX WITH
HINGED COVER,

291
A CHINESE FLECKED GRAY JADE
ARCHAISTIC CONG,

carved in relief with stylized horizontal bands


of taotie masks
3 in. (8.9cm.) wide

20TH CENTURY,

the cover panel carved in relief with birds


and magnolia, engraved mounts; together with
another Chinese hardwood box inset with
carved serpentine panels
The frst 5in. (12.7cm.) long
(4)

$3,000-5,000

$800-1,200
291

PROPERTY OF A PRIVATE COLLECTOR (LOTS


292-293)

296

297
A CHINESE SPINACH JADE ARCHAISTIC
GU-FORM VASE, MOUNTED AS A LAMP,

292
A CHINESE FAMILLE VERTE BALUSTER JAR,

of fattened angular form carved with three


pairs of loose ring handles and taotie masks;
together with another green quartz vessel and
cover carved with foliage and a bird, mounted
as a lamp
The frst, the stone, 15 in. (39.5cm.) high

19TH CENTURY,

decorated with fgures and attendants in a


pavilion in a continuous landscape, underglaze
blue double circle to base
11 in. (29.2cm.) high

$1,200-1,800

$2,000-3,000
292

297

298
A CHINESE YELLOW-GREEN SERPENTINE
TEAPOT AND COVER,

293
A CHINESE FAMILLE ROSE SHALLOW DISH,
LATE QING DYNASTY,

the globular body carved with panels of lotus


and chrysanthemum, with bamboo-form
handle and knopped cover
8 in. (21.5cm.) long over handle
(2)

decorated with large blossoms on branches on


an apple green ground, iron-red four characters
seal for Hall for the Embodiment of Harmony
to reverse
9 in. (24.1cm.) diameter

35

$800-1,200

$2,000-3,000

298

293

PROPERTY FROM THE GAIL-OXFORD


COLLECTION, SOLD TO BENEFIT THE
HUNTINGTON LIBRARY, ART COLLECTIONS,
AND BOTANICAL GARDENS

299
A GROUP OF CHINESE HARDSTONE TABLE
ARTICLES,

294
A CHINESE FAMILLE ROSE ENAMEL
CIRCULAR DISH,

comprising two rose quartz fgures of Guanyin,


a small amethyst vase and cover, and a mottled
green hardstone carving of a mountain
The tallest Guanyin 13in. (33cm.) high
(4)

QING DYNASTY, 19TH CENTURY,

painted on the interior with a shaped medallion


depicting children in a garden within diaper and
scrolling peony borders,
the exterior and underside with bats blossoms
and dragons
10 in.(26cm.) diameter

$800-1,200

299

$2,000-3,000
294

300
A PAIR OF CHINESE CLOISONNE ENAMEL
AND HARDSTONE JARDINIERES,

PROPERTY FROM THE TRIANON MUSEUM,


DENVER, COLORADO AND THE METZGER
FAMILY COLLECTION (LOTS 295-303)

each of rectangular form decorated with stylized


peony scroll, the tree foliage carved from jade,
serpentine, amethyst and other hardstones
16 in. (42cm.) high
(2)

295
TWO CHINESE ENAMEL BOXES AND
COVERS, AND TWO SIMILAR TRAYS,

$1,200-1,800

the rectangular boxes painted with alternating


pomegranates and blossoms or fgural panels;
the lobed trays with foliage
The larger box 6in. (15.2cm.) long
(5)

300

$700-900
295

301 No Lot

Handling fees commence 35 days after the frst day of the sale

ALL LOTS HIGHLIGHTED WITH RED TITLES ARE OFFERED WITHOUT RESERVE

306
A CHINESE CARVED PALE GREEN AND
RUSSET JADEITE FIGURAL GROUP OF
COCKERELS

302
A CHINESE CLOISONNE ENAMEL INSET GILT
BLACK LACQUERED WOOD STOOL,

6in. (16.5cm.) high

$2,000-3,000

20TH CENTURY,

the top inset with a circular cloisonn enamel


plaque decorated with birds on rockwork
beneath peony, on fve cabriole supports and
conjoined stretcher
18 in. (46.5cm.) high

$800-1,200

306

302
307
A CHINESE CARVED MOTTLED GREYISHGREEN JADE MODEL OF A RECUMBENT
TIGER,

with ftted wood stand


10in. (26.6cm.) long

$2,000-3,000
303
A CHINESE GOLD EMBROIDERED RUSTGROUND SILK ROBE,
LATE QING DYNASTY,

With side closing and horseshoe cuffs,


embroidered on each side with fve-clawed
dragons amongst cloud whorls, cranes and
Buddhist symbols above a crashing wave border
and diagonal stripes
60in. (153cm.) long

307

$800-1,200

PROPERTY FROM THE BEL AIR ESTATE OF DRS.


ISOBEL AND SALIM DALALI

303

308
A CHINESE PALE GREEN JADE
BRUSHWASHER,
18TH/19TH CENTURY,

carved with confronting chilong; together with a


carved amethyst model of an eagle on a branch,
and a carved hardstone model of a recumbent
water buffalo
The eagle 10in. (26.6cm.) wide
(3)

36

304
A CHINESE CARVED ROSE QUARTZ VASE
AND COVER,

$2,500-3,500
308

the vase of baluster form with handles and


carved in high relief with lotus stems, bats and
ducks amongst waves, the cover surmounted
by another duck holding an aquatic stem in its
beak
16in. (40.5cm.) high, overall
(2)

$1,500-2,000
309
A CHINESE GREEN AND GRAY FLECKED JADE
MODEL OF A RECUMBENT WATER BUFFALO

9 in. (23.5cm.) long

304

$1,800-2,200

309

305
A CHINESE ROCK CRYSTAL BRUSH WASHER,

of shallow oval form carved on the rim with a


rooster and along the sides with swimming carp
4 in. (10.8cm.) long

310
A PAIR OF CHINESE CELADON-GLAZED
GU-FORM VASES MOUNTED AS LAMPS,

$700-900

2OTH CENTURY,

each with crackled glaze


16 in.(42cm.) high

$1,000-1,500
305
310

311 No Lot

All lots marked with a square n are moved to Christies Redstone at 5pm on the last day of the sale.

(2)

ALL LOTS HIGHLIGHTED WITH RED TITLES ARE OFFERED WITHOUT RESERVE

Japanese and Southeast


Asian Works of Art
(Lot 316-319)
PROPERTY FROM THE TRIANON MUSEUM,
DENVER, COLORADO AND THE METZGER
FAMILY COLLECTION
312
A PAIR OF CHINESE SPINACH AND EGG
GLAZED MODELS OF BUDDHIST LIONS,

316
A JAPANESE SATSUMA-TYPE MASSIVE
POTTERY VASE,

each stylized beast modeled in mirror image


with forepaw raised
8 in. (21cm.) long
(2)

CIRCA 1900,

of elongated baluster form, thickly enameled


with scenes of court fgures and fanked by
beast-form and fxed ring handles
in. (cm.) high

$1,800-2,200

$1,000-1,500
312
316

317 No Lot

PRIVATE FROM A DISTINGUISHED PRIVATE


COLLECTION

PROPERTY FROM THE COLLECTION OF ANN


AND GRAHAM GUND

313
A PAIR OF CHINESE WHITE-GLAZED MASSIVE
FIGURES OF SCHOLARS,

318
A CONTEMPORARY JAPANESE BLUISHWHITE PORCELAIN SCULPTURE, ENTITLED
KAYO,

20TH CENTURY,

each standing in long robe


36in. (91cm.) high

MASAMICHI YOSHIKAWA, (B.1946) EARLY 21ST


CENTURY,

(2)

$4,000-6,000

26 in.(67cm.) long

$2,000-3,000
318
313

37

319
AN INDIAN PICCHVAI OF KRISHNA
VENUGOPALA,

PROPERTY FROM A WEST COAST COLLECTOR


(LOTS 314-315)

LATE 19TH/20TH CENTURY,

314
A PAIR OF CHINESE ANCEST0R PORTRAITS,

painted in bright colors on cloth depicting the


blue skinned deity at center surrounded by
devotees, framed
The image 46 in. (118cm.) high

QING DYNASTY, LATE 18TH/19TH CENTURY,

each rectangular portrait painted in ink and


colors on silk, framed
The image 62in .(157.5cm.) high
(2)

$800-1,200

$2,000-3,000

319
314

Wednesday 25 February
at 10.00 am

Furniture and
Decorative Works of Art
(Lots 320-488)
315
A PAIR OF OF CHINESE REVERSE PAINTINGS
ON GLASS OF LADIES,
LATE 19TH CENTURY,

each rectangular, depicting a court lady in


three-quarter portrait, framed
The image 19 in.(49.5cm.)

PROPERTY FROM THE TRIANON MUSEUM,


DENVER, COLORADO AND THE METZGER
FAMILY COLLECTION (LOTS 320-379)

(2)

n320
A LOUIS XVI STYLE MARBLE AND GILT
METAL-MOUNTED PORTICO CLOCK

$800-1,200
315

23in. (58.5cm.) high, 13in. (33cm.) wide, 6in.


(16cm.) deep

$1,000-1,500

320

Handling fees commence 35 days after the frst day of the sale

ALL LOTS HIGHLIGHTED WITH RED TITLES ARE OFFERED WITHOUT RESERVE

n321
A FRENCH MAHOGANY AND GILT BRONZEMOUNTED SWIVEL FAUTEUIL DE BUREAU,

n326
A PAIR OF LOUIS XV STYLE SHIELD-SHAPED
OVER DOOR PANELS IN GILTWOOD FRAMES,

LATE 19TH CENTURY

AFTER FRANCOIS BOUCHER,

36in. (91.5cm.) high, 22in. (57cm.) wide, 23in.


(58.5cm.) deep

together with a similar example


The pair 155in. (139.5cm.) high, 50in.
(128.5cm.) wide

$800-1,200

(3)

$3,000-5,000

321

326

n322
A LOUIS XV STYLE ORMOLU-MOUNTED
KINGWOOD BUREAU PLAT

n327
A LOUIS XV STYLE SHAPED OVER DOOR
PANEL IN A GILTWOOD FRAME,

32in. (81.5cm.) high, 104in. (264cm.) wide, 51in.


(129cm.) deep

AFTER FRANCOIS BOUCHER

43in. (109cm.) high, 65in. (165cm.) wide

$4,000-6,000

$2,000-3,000

322

327

n323
A LOUIS XV STYLE ORMOLU THIRTY-LIGHT
CHANDELIER

n328
A PAIR OF LOUIS XV STYLE SHAPED OVER
DOOR PANELS IN GILTWOOD FRAMES,

33in. (84cm.) high, 31in. (78.8cm.) diameter

AFTER FRANCOIS BOUCHER

$5,000-7,000

38

48in. (122cm.) high, 70in. (178cm.) wide

(2)

$4,000-6,000

328
323

n324
A GROUP OF THREE TABLE ACCESSORIES,

329
FRENCH SCHOOL, 19TH CENTURY

LATE 19TH/20TH CENTURY,

comprising a gilt metal-mounted glass bowl, a


gilt metal, marble and glass table bell, and a gilt
bronze fgure group on a malachite base
The bowl 7in. (19cm.) high
(3)

[Genre Scenes]: Twelve Plates


twelve engravings on wove paper, with margins
The largest P. 14 x 18 in. (36.2 x 46.4 cm.)

$800-1,200

$1,000-1,500

324

329

n325
A PAIR OF LOUIS XV STYLE FRAMED WALL
PANELS IN GILTWOOD FRAMES,

n330
A PAIR OF LOUIS XV STYLE FRAMED WALL
PANELS IN GILTWOOD FRAMES,

AFTER FRANCOIS BOUCHER

43in. (109cm.) high, 37in. (95cm.) wide

AFTER FRANCOIS BOUCHER

(2)

43in. (109cm.) high, 37in. (95cm.) wide

$3,000-5,000

325

$3,000-5,000

330

All lots marked with a square n are moved to Christies Redstone at 5pm on the last day of the sale.

(2)

ALL LOTS HIGHLIGHTED WITH RED TITLES ARE OFFERED WITHOUT RESERVE

336
AN AMERICAN GILT METAL-MOUNTED
INLAID WHITE MARBLE TABLE CLOCK,

n331
A PAIR OF LOUIS XVI STYLE GILT METALMOUNTED KINGWOOD PARQUETRY
BEDSIDE TABLES

BY E.F. CALDWELL & CO., NEW YORK, EARLY 20TH


CENTURY

9in. (24cm.) high

29in. (74cm.) high, 15in. (38cm.) wide, 20in.


(51cm.) deep
(2)

$1,500-2,000

$1,000-1,500

336

331
n337
A WROUGHT IRON AND MARBLE TOP
CENTER TABLE,
LATE 19TH/20TH CENTURY

37in. (94cm.) high, 56in. (142cm.) wide, 25in.


(65cm.) deep

$3,000-5,000

n332
A LOUIS XV STYLE GILTWOOD AND MARBLE
TOP CONSOLE TABLE

43in. (109cm.) high, 62in. (157.5cm.) wide, 22in.


(56cm.) deep

$3,000-5,000

337

332
n338
A WROUGHT IRON AND MARBLE TOP
CENTER TABLE,
333 No Lot

LATE 19TH/20TH CENTURY

39

37in. (94cm.) high, 56in. (142cm.) wide, 25in.


(65cm.) deep

$3,000-5,000

338

334
TWO SIMILAR CHINESE MARBLE-INSET
HARDWOOD STANDS,
LATE 19TH/20TH CENTURY

The larger 37in. (95cm.) high, 19in. (48.5cm.)


diameter, the smaller 37in. (94cm.) high, 17in.
(43cm.) diameter
(2)

n339
A PAIR OF ENGLISH BRASS COACHING
LANTERNS

$1,000-1,500

30in. (77.5cm.) high

(2)

$800-1,200
334

339

n335
A PAIR OF CUT GLASS CANDLEHOLDERS,

n340
A PAIR OF LOUIS XV STYLE GILTWOOD AND
MARBLE TOP CONSOLE TABLES,

20TH CENTURY,

together with a pair of gilt metal and molded


glass candelabra
13in. (35cm.) high
(4)

26in. (66cm.) high, 30in. (76cm.) wide, 17in.


(44.5cm.) deep
(2)

$1,000-1,500

$1,000-1,500

335
340

Handling fees commence 35 days after the frst day of the sale

ALL LOTS HIGHLIGHTED WITH RED TITLES ARE OFFERED WITHOUT RESERVE

n346
A PAIR OF LOUIS XV STYLE GILTWOOD AND
MIRRORED VITRINE CABINETS,

n341
A LOUIS XV STYLE ORMOLU THIRTY-LIGHT
CHANDELIER

each with three glass shelves


67in. (170cm.) high, 39in. (99cm.) wide, 14in.
(35.5cm.) deep
(2)

33in. (84cm.) high, 31in. (78.8cm.) diameter

$5,000-7,000

$5,000-7,000

346
341

n347
AN ENGLISH BRASS FIRESCREEN, FIRE
FENDER AND THREE PAIRS OF BRASS
ANDIRONS

n342
A PAIR OF LOUIS XV STYLE ORMOLU AND
CUT GLASS FIVE-LIGHT CANDELABRA

27in. (68.5cm.) high

20TH CENTURY

(2)

$1,500-2,000

The frescreen 37in. (94.5cm.) high, 21in.


(54.5cm.) wide
(8)

$2,000-3,000

347

342

n348
TWO PAIRS OF FRENCH GILT METAL
CHENETS,

n343
A LOUIS XV STYLE GILTWOOD AND MARBLE
TOP CONSOLE TABLE,

LATE 19TH/EARLY 20TH CENTURY,

comprising a pair in the Regence style, one


signed F. BARBADIENNE, both lacking
log braces, and a pair in the Louis XV style;
together with a set of four black-painted
wrought iron fre tools and stand and a brass
freguard
The Regence style chenets 24in. (62cm.) high,
the Louis XV style chenets 16in. (40.5cm.) high
(10)

together with a pair of Louis XV style giltwood


chaises
The console table 31in. (81cm.) high, 26in.
(66cm.) wide, 13in. (33cm.) deep
(3)

40

$1,000-1,500

$2,000-3,000

343

348

n344
A LOUIS XV STYLE ORMOLU MANTLE CLOCK

349
A PAIR OF GILT METAL ALTER STICKS
MOUNTED AS LAMPS,

18in. (47cm.) high

$1,000-1,500

LATE 19TH/20TH CENTURY

53in. (134.5cm.) high

(2)

$800-1,200

349
344

n345
A LOUIS XVI STYLE MARBLE AND GILT
METAL-MOUNTED THREE-PIECE CLOCK
GARNITURE,

n350
A LOUIS XV STYLE ORMOLU THIRTY-LIGHT
CHANDELIER

comprising a mantle clock and a pair of


candelabra
The clock 20in. (51cm.) high, 10in. (26.5cm.)
wide, 5in. (14.5cm.) deep
(3)

33in. (84cm.) high, 31in. (78.8cm.) diameter

$5,000-7,000

$1,500-2,000

345

350

All lots marked with a square n are moved to Christies Redstone at 5pm on the last day of the sale.

ALL LOTS HIGHLIGHTED WITH RED TITLES ARE OFFERED WITHOUT RESERVE

n351
A FRENCH ORMOLU-MOUNTED AND
MALACHITE-VENEERED PORTICO CLOCK,
n357
A PAIR OF REGENCY STYLE GILT BRONZE
FIVE-LIGHT WALL LIGHTS,

LATE 19TH/20TH CENTURY

22in. (56cm.) high

$2,000-3,000

FIRST QUARTER 20TH CENTURY

17in. (44.5cm.) high

(2)

$1,500-2,000

351
357

n352
A PAIR OF LOUIS XV STYLE GILT AND
PATINATED BRONZE SIX-LIGHT CANDELABRA

29in. (75cm.) high

(2)

$2,000-3,000
n358
A LOUIS XVI STYLE COBALT AND PARCEL
GILT PORCELAIN AND GILT METALMOUNTED THREE PIECE CLOCK GARNITURE

352

The clock 21in. (53.5cm.) high, 11in. (28cm.)


wide, 9in. (23cm.) deep
(3)

$1,500-2,000

358

n353
A GILTWOOD AND PLASTER MIRROR,

n359
A CARVED MARBLE JARDINIERE

LATE 19TH/20TH CENTURY

50in. (127cm,) high, 40in. (101.5cm.) wide

17in. (44.5cm.) high, 44in. (112cm.) wide,


15in. (38cm.) deep

$1,500-2,000

$1,500-2,000

359
353

354-355 No Lots

n360
AN EMPIRE STYLE ORMOLU-MOUNTED
MAHOGANY AND MARBLE TOP CYLINDER
BUREAU,

n356
A WROUGHT IRON AND PARCEL GILT
JARDINIERE,

19TH/20TH CENTURY

48in. (124cm.) high, 50in. (127cm.) wide,


26in. (66cm.) deep

20TH CENTURY

$4,000-6,000

13in. (33cm.) high, 48in. (123cm.) wide, 12in.


(30.3cm.) deep

$800-1,200
360
356

Handling fees commence 35 days after the frst day of the sale

41

ALL LOTS HIGHLIGHTED WITH RED TITLES ARE OFFERED WITHOUT RESERVE

n366
A LOUIS XV STYLE GILT COMPOSITE PIER
MIRROR AND CONSOLE TABLE,

n361
A FRENCH PATINATED BRONZE FIGURAL
GROUP OF AN ARAB ON HORSEBACK,
CHASSE A LA GAZAELLE AU GUEPARD
PERSE,

EARLY 20TH CENTURY,

the console table with a composition stone top


103in. (263cm.) high, 34in. (88cm.) wide,
12in. (32.5cm.) deep, overall

CAST FROM THE MODEL BY ALFRED DUBUCAND,


LATE 19TH/EARLY 20TH CENTURY,

$1,500-2,000

the naturalistic base inscribed DUBUCAND


23in. (58.5cm.) high

$1,500-2,000
366

361

n367
A FRENCH ORMOLU AND SEVRES STYLE
PORCELAIN-MOUNTED BURLWOOD
BONHEUR DU JOUR,
LATE 19TH/EARLY 20TH CENTURY

68in. (173cm.) high, 32in. (81cm.) wide, 22in.


(51cm.) deep

$4,000-6,000

n362
A BRONZE FIGURAL GROUP OF THE
ABDUCTION OF PROSERPINA,
LATE 19TH CENTURY, AFTER FRANCOIS GIRARDON,

stamped 4700 on the base


21in. (53.5cm.) high

$1,000-1,500

367

362

n368
A PATINATED BRONZE FIGURE OF MERCURY,
LATE 19TH CENTURY, AFTER GIAMBOLOGNA,

inscribed J de Bologne; on a dark green marble


stepped base with a cast bronze band depicting
the arts raised on a dark green marble pedestal
84in. (214.5cm.) high overall

42

$3,000-5,000

n363
A FRENCH GILT AND PATINATED BRONZE
FIGURAL GROUP,

368

LATE 19TH/EARLY 20TH CENTURY, CAST FROM A


MODEL BY JEAN VERSCHNEIDER,

the base inscribed Jean Verschneider. and with


foundery stamp LNJL Paris 23
27 in. (70cm.) high

n369
A PATINATED WHITE METAL FIGURAL GROUP
OF ST. GEORGE AND THE DRAGON,

$1,000-1,500

19TH/20TH CENTURY,

with inscription on green marble base (illegible)


20in. (51cm.) high, 17in. (44cm) wide including
base

363

$1,000-1,500

369

364
A PATINATED BRONZE FIGURAL GROUP OF
PAN AND A FAUN,

n370
A FRENCH PATINATED BRONZE FIGURE OF
AN ARAB TRIBESMAN,

CAST FROM A MODEL BY CHARLES ANTOINE


COYSEVOX , LATE 19TH CENTURY,

19TH/20TH CENTURY,

the base inscribed F. BARBEDIENNE


FONDE UA and A. COYZEVOX F 1702 as
well as with a circular reduction seal
30in. (76cm.) high

the plinth inscribed El. Guillemin, with


foundry inscription Barye Fils and with
roundel FABRICATION FRANCAISE
32in. (81.5cm.) high, 24in. (61cm.) wide

$2,500-3,500

$2,000-3,000

370

364
365 No Lot

371 No Lot

All lots marked with a square n are moved to Christies Redstone at 5pm on the last day of the sale.

ALL LOTS HIGHLIGHTED WITH RED TITLES ARE OFFERED WITHOUT RESERVE

n376
A PAIR OF GEORGE III STYLE GILT METAL
AND MIRRORED GLASS FIVE-LIGHT WALL
LIGHTS

30in. (76cm.) high, 16in. (40.5cm.) wide, 7in.


(18cm.) deep
(2)

$1,500-2,000

n372
A LOUIS XVI STYLE GILT METAL-MOUNTED
MAHOGANY TWO-TIER TEA TABLE

33in. (85cm.) high, 30in. (76cm.) wide, 21in.


(53cm.) deep

376

$800-1,200

372

n377
TWO AMERICAN PATINATED METAL
WEATHERVANES,

comprising an eagle-topped example and a


running horse example
The eagle-topped weathervane 50in. (127cm.)
high; the running horse weathervane 30in.
(76cm.) high
(2)

$2,000-3,000
n373
A PAIR OF LOUIS XVI STYLE KINGWOOD
MARQUETRY AND PARQUETRY BEDSIDE
TABLES

377

32in. (81.3cm.) high, 19in. (48cm.) wide, 14in.


(35.5cm.) deep
(2)

$800-1,200

373

n378
A PAIR OF BLEACHED AND CARVED WOOD
MIRROR-TOP SIDE TABLES,
20TH CENTURY

28in. (72cm.) high, 22in. (57cm.) wide,


16in. (42cm.) deep

43
(2)

$1,000-1,500

378
n374
A PAIR OF CARVED OAK SQUARE
PEDESTALS,
20TH CENTURY

41in. (105.5cm.) high, 21in. (53.5cm.) square


(2)

$2,000-3,000
n379
A PAIR OF GEORGE III STYLE EBONIZED AND
PARCEL GILT SIX-LIGHT TORCHERES

89in. (226cm.) high, 16in. (40.5cm.) diameter


374

(2)

$4,000-6,000

379

n375
AN ITALIAN INLAID WALNUT OCTAGONAL
CENTER TABLE,
LATE 19TH CENTURY, INCORPORATING EARLIER
ELEMENTS

PROPERTY FROM A WEST COAST COLLECTOR


(LOTS 380-407)

32in. (81cm.) high, 47in. (120.5cm.) wide,


47in. (120.5cm.) deep

n380
A GEORGE III MAHOGANY LIBRARY
ARMCHAIR,

$4,000-6,000

LATE 18TH CENTURY, RE-RAILED

39in. (99cm.) high, 29in. (73.5cm.) wide, 23in.


(58.5cm.) deep
375

$1,500-2,000

380

Handling fees commence 35 days after the frst day of the sale

ALL LOTS HIGHLIGHTED WITH RED TITLES ARE OFFERED WITHOUT RESERVE

n381
A CONTINENTAL TOOLED LEATHER FOURPANEL FLOOR SCREEN

n386
AN ENGLISH MAHOGANY TUB BERGERE,

Each panel 63in. (160cm.) high, 23in. (58.5cm.)


wide

31in. (79cm.) high, 31in. (79cm.) wide, 22in.


(56cm.) deep

19TH CENTURY

$1,000-1,500

381

$3,000-5,000

386

n382
A GILTWOOD PICTURE FRAME, NOW A
MIRROR,

n387
A GEORGE III MAHOGANY WRITING DESK,

LATE 19TH/EARLY 20TH CENTURY

with a stepped back


36in. (92cm.) high, 40in. (102.5cm.) wide, 28in.
(71cm.) deep

EARLY 19TH CENTURY,

57in. (145cm.) high, 41in. (104cm.) wide

$1,500-2,000

$3,000-5,000

387

382

44

n383
AN ENGLISH PINE WELSH DRESSER,

n388
A GEORGE III MAHOGANY ARMCHAIR,

20TH CENTURY, PROBABLY INCORPORATING


EARLIER ELEMENTS

LATE 18TH CENTURY

38in. (97cm;) high, 26in. (66cm.) wide, 21in.


(53cm.) deep

87in. (222cm.) high, 94in. (239cm.) wide,


22in. (56cm.) deep

$1,000-1,500

$3,000-5,000

383

388

n384
A SET OF EIGHT REGENCY MAHOGANY
DINING CHAIRS,

n389
A NORTH EUROPEAN MAHOGANY WING
ARMCHAIR,

EARLY 19TH CENTURY,

19TH CENTURY

with tan leather seats


35in. (89cm.) high, 18in. (46.5cm.) wide, 17in.
(43cm.) deep
(8)

46in. (117cm.) high, 25in. (63.5cm.) wide, 22in.


(56cm.) deep

$1,000-1,500

$2,500-3,500

384

385

389

n385
A CONTINENTAL POLYCHROME-PAINTED
WALLPAPER FOUR-PANEL FLOOR SCREEN,

n390
AN ENGLISH BLACK AND GILT JAPANNED
SIDE CABINET,

THE WALLPAPER LATE 19TH/EARLY 20TH CENTURY

20TH CENTURY

each panel 84in. (213.5cm.) high, 22in. (56cm.)


wide

36in. (91.5cm.) high, 36in. (91.5cm.) wide, 19in.


(48cm.) deep

$1,500-2,000

$1,000-1,500

390

All lots marked with a square n are moved to Christies Redstone at 5pm on the last day of the sale.

ALL LOTS HIGHLIGHTED WITH RED TITLES ARE OFFERED WITHOUT RESERVE

n391
A VICTORIAN EBONIZED TALLCASE CLOCK,

n396
A PAIR OF MARBLE OBELISKS,

LATE 19TH CENTURY,

the dial inscribed WEBSTER/QUEEN


VICTORIA ST./LONDON
86in. (218.5cm.) high, 21in. (53.5cm.) wide,
13in. (33cm.) deep

together with a William IV mahogany tea


caddy, second quarter 19th century
The obelisks 18in. (47cm.) high

(3)

$1,000-1,500

$1,500-2,000

396
391

n397
AN ENGLISH BLACK AND GILT JAPANNED
SIDE CABINET,
20TH CENTURY

n392
AN ENGLISH MAHOGANY LIBRARY
ARMCHAIR,

37in. (94cm.) high, 36in. (94cm.) wide, 19in.


(48cm.) deep

$1,500-2,000

LATE 19TH/20TH CENTURY,

covered in crimson plush


39in. (99cm.) high, 24in. (62.5cm.) wide, 27in.
(68.5cm.) deep

$1,500-2,000

397

392

n397A
A GEORGE III MAHOGANY LIBRARY
ARMCHAIR,
THIRD QUARTER 18TH CENTURY

40in. (101cm.) high, 30in. (76cm.) wide, 29in.


(73.5cm.) deep

$3,000-5,000
n393
A REGENCY STYLE MAHOGANY CENTER
TABLE,
IRISH, LATE 19TH/EARLY 20TH CENTURY,

with a paper label for A. MORGAN & CO....


CABINET MAKERS TO HIS MAJESTY...
DUBLIN; together with a Regency mahogany
hall chair, early 19th century
29in. (74cm.) high, 53in. (134.5cm.) wide,
26in. (67.5cm.) deep
(2)

397A

n398
AN EBONIZED PEDESTAL,

$1,500-2,000

19TH/20TH CENTURY

393

41in. (104cm.) high, 17in. (43cm.) wide, 17in.


(43cm.) deep

$800-1,200

398

n394
A PAIR OF LANCASHIRE STYLE MAHOGANY
ARMCHAIRS

n399
A SET OF FOUR VICTORIAN OAK DINING
CHAIRS,

37in. (94cm.) high, 24cm. (61cm.) wide, 25in.


(63.5cm.) deep
(2)

$1,000-1,500

SECOND HALF 19TH CENTURY

32in. (81cm.) high, 20in. (51cm.) wide, 18in.


(46cm.) deep
(4)

$1,000-1,500
394
399

n395
A GEORGE II STYLE MAHOGANY AND
WALNUT AND MARBLE TOP CONSOLE TABLE

n400
A CONTINENTAL MAHOGANY AND PARCEL
GILT CENTER TABLE,

31in. (80cm.) high, 44in. (112cm.) wide,


20in. (52cm.) deep

LATE 19TH/20TH CENTURY

$3,000-5,000

29in. (74cm.) high, 40in. (101cm.) diameter

$1,500-2,000

395

Handling fees commence 35 days after the frst day of the sale

400

45

ALL LOTS HIGHLIGHTED WITH RED TITLES ARE OFFERED WITHOUT RESERVE

n401
A SET OF MAHOGANY LIBRARY STEPS,

n406
AN ENGLISH MAHOGANY BUTTON-TUFTED
LIBRARY BERGERE,

20TH CENTURY

FIRST HALF 19TH CENTURY

38in. (98cm.) high, 16in. (41cm.) wide, 25in.


(63.5cm.) deep

42in. (106.5cm.) high, 28in. (71cm.) wide, 31in.


(79cm.) deep

$800-1,200

$1,500-2,000

406

401

n407
A FRENCH PROVINCIAL STAINED
FRUITWOOD BUREAU PLAT,

n402
AN ENGLISH MAHOGANY CONSOLE
CABINET,

LATE 19TH/EARLY 20TH CENTURY,

with a later leather top


30in. (76cm.) high, 41in. (104cm.) wide, 23in.
(58.2cm.) deep

19TH CENTURY, THE TOP LATER, ADAPTED

$1,000-1,500

39in. (100cm.) high, 59in. (150cm.) wide, 21in.


(53.5cm.) deep

$2,500-3,500
PROVENANCE:

The Christopher Hodsoll Collection, Sothebys


London, 29 Oct 2002, lot 189.

407

402

PROPERTY FROM A DISTINGUISHED NEW YORK


COLLECTION
n408
A GLASS AND CHROMED METAL FIVE-LIGHT
CHANDELIER,
LATE 20TH CENTURY

20in. (51cm.) high, 22in. (57cm.) diameter

$700-900

n403
A WILLIAM IV MAHOGANY LIBRARY
BERGERE,
SECOND QUARTER 19TH CENTURY

46

41in. (145.5cm.) high, 31in. (78.5cm.) wide,


32in. (81.5cm.) deep

408

$1,000-1,500
PROPERTY FROM THE COLLECTION OF
DOROTHY TREMAINE HILDT
n409
A GROUP OF THREE BRASS AND GLASS
TABLES,

403

SECOND HALF 20TH CENTURY,

comprising a console table and two side tables


The console table 27in. (70cm.) high, 54in.
(137cm.) wide, 24in. (61cm.) deep
(3)

$2,000-3,000
409
n404
A NORTH EUROPEAN MAHOGANY
COMMODE,
FIRST HALF 19TH CENTURY

32in. (82.5cm.) high, 45in. (114cm.) wide,


20in. (50cm.)

$1,000-1,500

PROPERTY FROM A NEW YORK COLLECTION


n409A
A GILT BRONZE FLOOR LAMP,
20TH CENTURY

58in. (147cm.) high

$1,000-1,500

404

409A
n405
A BAROQUE STYLE GILTWOOD SIX-LIGHT
CHANDELIER,

410
A PAIR OF FRENCH STAINED FRUITWOOD
AND UPHOLSTERED ARMCHAIRS,

together with a pair of gilt metal two-light wall


lights, modern
45in. (114cm.) high, 35in. (89cm.) diameter

CIRCA 1930

$2,000-3,000

29 in. (73.5 cm.) high

$2,500-3,500
405

410

All lots marked with a square n are moved to Christies Redstone at 5pm on the last day of the sale.

(2)

ALL LOTS HIGHLIGHTED WITH RED TITLES ARE OFFERED WITHOUT RESERVE

ESTATE OF BETTY BARTON EVANS


n416
A FEDERAL MAHOGANY BOW FRONT CHEST
OF DRAWERS,

PROPERTY FROM A PRIVATE COLLECTION


(LOTS 411-413)
n411
AN ENGLISH MAHOGANY AND BRASSBOUND TWO-DAY MARINE CHRONOMETER,

MID-ATLANTIC STATES, 1800-1820

38in. (96.5cm.) high, 41in. (104cm.) wide,


23in. (60cm.) deep

BY RICHARD HORNBY, CIRCA 1840

$1,000-1,500

silvered dial signed RICHARD HORNBY/


Liverpool No. 989
6in. (17cm.) high

$1,500-2,000
416

411

PROPERTY OF A LADY (LOTS 417-430)


n417
AN AMERICAN MAPLE AND OAK DRESSING
TABLE

30in. (77cm.) high, 34in. (88cm.) wide, 20in.


(51cm.) deep

412
AN ENGLISH MAHOGANY CASED TWO-DAY
MARINE CHRONOMETER,

$1,500-2,500

BY FRODSHAM & SONS, MID 19TH CENTURY,

dial signed Frodsham & Sons/Gracechurch St.


London. 6029
6in. (16.5cm.) high, 6in. (16cm.) square

417

$1,500-2,000

412

n418
A FEDERAL MAHOGANY BOW FRONT CHEST
OF DRAWERS

47

40in. (102.8cm.) high, 43in. (109.2cm.) wide,


22in. (55.9cm.) deep

$1,000-1,500

418

n413
AN ENGLISH MAHOGANY-CASED EIGHT-DAY
MARINE CHRONOMETER,
MID 19TH CENTURY,

dial signed Edw,, Baker,/London No.1201


7in. (19cm.) high, 7in. (18cm.) square

$2,000-3,000
n419
AN AMERICAN GILTWOOD LOOKING GLASS,

413

mounted with a painted panel


41in. (106cm.) high, 22in. (56cm.) wide

$3,000-5,000

419
PROPERTY FROM A PRIVATE COLLECTION
n414
A NORTH EUROPEAN GILT METAL-MOUNTED
WALNUT BEDSIDE TABLE,
19TH CENTURY

32in. (82.6cm.) high, 19in. (49.5cm.) wide,


16in. (40.6cm.) deep

n420
A GEORGE II WALNUT AND STAINED
BEECHWOOD SIDE CHAIR,

$1,000-1,500

MID 18TH CENTURY

38in. (98cm.) high, 23in. (58.5cm.) wide, 18in.


(46cm.) deep

$300-500
414

420

415 No Lot

Handling fees commence 35 days after the frst day of the sale

ALL LOTS HIGHLIGHTED WITH RED TITLES ARE OFFERED WITHOUT RESERVE

n426
AN AMERICAN LATE FEDERAL MAHOGANY
WORK TABLE

n421
A WILLIAM AND MARY WALNUT GATE LEG
TABLE

29in. (74cm.) high, 19in. (48cm.) wide, 14in.


(37cm.) deep

26in. (66cm.) high, 9in. (22.8cm.) wide, 25in.


(63.5cm.) deep closed

$400-600

$1,000-2,000

421
426

n422
AN AMERICAN MAHOGANY AND PARCEL
GILT LOOKING GLASS

n427
A CHIPPENDALE MAHOGANY FOLD TOP
GAMES TABLE,

38in. (98cm.) high, 16in. (41cm.) wide

with a drawer
28in. (71cm.) high, 33in. (84cm.) wide, 17in.
(43cm.) deep

$1,000-1,500

$1,000-1,500

422
427

n428
TWO SIMILAR CHINESE EXPORT BRASSBOUND POLYCHROME-PAINTED LEATHER
AND CAMPHOR WOOD FOOT LOCKERS,

n423
TWO AMERICAN POLYCHROME-DECORATED
CHILDS CHAIRS,

one with a rush seat, the other with a caned seat


The larger 27in. (70cm.) high. 15in. (39cm.)
wide, 12in. (32cm.) deep; the smaller 24in.
(61cm.) high, 13in. (33cm.) wide, 11in. (30cm.)
deep
(2)

48

19TH CENTURY,

together with a wallpaper-covered small foot


locker
The largest foot locker 9in. (24cm.) high, 25in.
(84cm.) wide, 12in. (31cm.) deep
(3)

$400-600

$300-500
423

428

424
A GEORGE III INLAID MAHOGANY
CELLARETTE ON STAND

n429
AN AMERICAN OAK STRETCHER-BASE SIDE
TABLE

28in. (71cm.) high, 18 in. (47cm.) wide,


18 in. (47cm.) deep

28in. (71cm.) high, 27in. (70.5cm.) wide,


21in. (55cm.) deep

$2,000-3,000

$1,000-2,000

PROVENANCE:

According to family tradition, this was once


owned by Patrick Henry

424

429

n430
AN ENGLISH GILTWOOD MIRROR

425
A PARCEL-GILT AND INLAID-MAHOGANY
LOOKING GLASS,

47in. (120cm.) high, 22in. (57cm.) wide

$2,000-3,000

PROBABLY ENGLISH, 18TH CENTURY

47in. (119.4cm.) high, 26in. (66cm.) wide

$2,000-3,000

425

430

All lots marked with a square n are moved to Christies Redstone at 5pm on the last day of the sale.

ALL LOTS HIGHLIGHTED WITH RED TITLES ARE OFFERED WITHOUT RESERVE

n436
A PAIR OF CLUB CHAIRS COVERED IN
CREAM UPHOLSTERY,

n431
A LOUIS PHILIPPE MAHOGANY WRITING
TABLE,

20TH CENTURY

SECOND QUARTER 19TH CENTURY

32in. (82.6cm.) high, 33in. (85.7cm.) wide,


35in. (88.9cm.) deep
(2)

30in. (77.5cm.) high, 44in. (112cm.) wide,


25in. (65cm.) deep

$1,000-1,500

$1,000-1,500

436
431

n437
AN ITALIAN CREAM PAINTED AND PARCEL
GILT FAUTEUIL,

n432
A PAIR OF GILTWOOD AND ROSE GLASS
MIRRORS,

18TH CENTURY

20TH CENTURY

60in. (152cm.) high, 24in. (61cm.) wide

35in. (90.2cm.) high, 25in. (63.5cm.) wide,


19in. (48.3cm.) deep

(2)

$700-900

$1,200-1,800

437

432

n438
A PAIR OF NORTH-EUROPEAN STYLE
COMMODES,

n433
A MAHOGANY AND PARCEL GILT DOUBLE
PEDESTAL DESK,

20TH CENTURY,

MODERN,

49

with an open shelf above two drawers


30in. (77.2cm.) high, 42in. (106.7cm.) wide,
22in. (55.9cm.) deep
(2)

with a pale blue leather top


30in. (76cm.) high, 64in. (162.5cm.) wide, 30in.
(76cm.) deep

$1,500-2,000

$1,500-2,000
438
433

n439
A PAIR OF BRASS SWING ARM FLOOR
LAMPS,

n434
A PAIR OF GILT METAL AND MIRRORED
GLASS TWO-TIER TABLES,

20TH CENTURY,

20TH CENTURY

55in. (141cm.) high

25in. (63.5cm.) high, 15in. (38.1cm.) square (2)

$700-900

(2)

$1,000-1,500

434

n435
A GILTWOOD AND GILT METAL SIX-LIGHT
CHANDELIER,

439

PROPERTY FROM A PRIVATE EUROPEAN


COLLECTION (LOTS 440-446)
n440
A FRENCH BRASS-MOUNTED MAHOGANY
WRITING TABLE,

20TH CENTURY

35in. (89cm.) high, 34in. (86cm.) diameter,


excluding chain

LATE 19TH/20TH CENTURY

$1,500-2,000

29in. (75cm.) high, 51in. (131cm.) wide,


27in. (70cm.) deep

$2,000-3,000
435

Handling fees commence 35 days after the frst day of the sale

440

ALL LOTS HIGHLIGHTED WITH RED TITLES ARE OFFERED WITHOUT RESERVE

n441
A VICTORIAN OAK AND LEATHER
BUTTON-TUFTED OPEN ARMCHAIR,
AND A CONTINENTAL BRASS-MOUNTED
MAHOGANY AND CANED SIDE CHAIR,

n446
A CONTINENTAL WHITE-PAINTED SETTEE,
POSSIBLY INCORPORATING LATE 18TH CENTURY
ELEMENTS,

decoration refreshed; together with fve throw


cushions
45in. (114cm.) high, 71in. (181.5cm.) wide,
25in. (63.5cm.) wide

19TH CENTURY

The open armchair 34in. (86.5cm.) high, 27in.


(68.5cm.) wide, 25in. (65cm.) deep; the side
chair 29in. (75cm.) high, 21in. (54.5cm.)
wide, 18in. (47cm.) deep
(2)

$1,500-2,000

$800-1,200
446

441

PROPERTY FROM THE COLLECTION OF SHEILA


AND EDWARD MALAKOFF (LOTS 447-461)
n447
AN AMERICAN BRONZE THREE-LEGGED
FLOOR LAMP,
BY TIFFANY STUDIOS, CIRCA 1910,

n442
A CONTINENTAL GREY-PAINTED SECRETAIRE
BOOKCASE,

the base stamped TIFFANY STUDIOS/NEW


YORK/423, shade associated
55in. (139.5cm.) high

LATE 19TH/20TH CENTURY, REDECORATED

$1,500-2,000

84in. (213.5cm.) high, 40in. (103cm.) wide,


18in. (47.5cm.) deep

$3,000-5,000
447

442

448
AN AMERICAN COUNTERBALANCE FAVRILE
FABRIQUE GLASS AND GILT BRONZE
LINENFOLD TABLE LAMP,
BY TIFFANY STUDIOS, CIRCA 1920

15in. (38cm.) high, 7in. (19.3cm.) diameter


of shade

n443
A CONTINENTAL WROUGHT IRON AND TOLE
ROOSTER-FORM CRUCIFIX,

$6,000-8,000

mounted on a modern patinated metal base


87in. (221cm.) high

50

$800-1,200
448
449
AN AMERICAN PATINATED BRONZE AND
FAVRILE GLASS DESK SET,

443

BY TIFFANY STUDIOS, EARLY 20TH CENTURY,

n444
A PAIR OF CONTINENTAL GILT METALMOUNTED HANGING CABINETS,
LATE 19TH/EARLY 20TH CENTURY

24in. (61cm.) high, 17in. (43cm.) wide, 6in.


(15cm.) deep
(2)

$1,000-1,500
449

444

in the Grapevine pattern, most stamped Tiffany


Studios, comprising a mantel clock; a pair of
candlesticks; two large picture frames; two
smaller picture frames; two letter holders;
two large rectangular covered boxes; two
smaller covered rectangular boxes; two small
rectangular open boxes; a large inkstand; three
smaller inkstands, two square, one hexagonal;
an ashtray with match holder; a footed ashtray;
a cigarette box/match box; a cigarette box; a
match book cover; a pair of bookends; a pair
of large blotter ends; a paper blotter; a desk
calendar, enameled Tiffany on dial; a paper
clip; a large letter scale; a pen holder; a paper
sticker; a penholder; a letter opener; a desk
lamp (electrifed); a receipt holder; a desk clock
and a desk thermometer holder; together with
a rectangular covered box, the sides in the
Grapevine pattern, the top in the Pinecone
pattern
The mantel clock, the largest, 10in. (26.5cm.)
high, 6in. (15cm.) wide, 5in. (12.5cm.) deep
(39)

$10,000-15,000

n445
A BALTIC BRASS-MOUNTED MAHOGANY
AND WALNUT SECRETAIRE A ABATTANT,

450
THREE BRONZE SMALL PAPERWEIGHTS,

FIRST HALF 19TH CENTURY

comprising a gilt bronze recumbent tiger, a


patinated bronze bulldog head and a patinated
bronze sphinx; each stamped TIFFANY
STUDIOS
The tiger, the largest, 4in. (12cm.) wide
(3)

BY TIFFANY STUDIOS, CIRCA 1900,

52in. (132cm.) high, 39in. (99cm.) wide, 19in.


(48cm.) deep

$1,500-2,000

$800-1,200
450
445

All lots marked with a square n are moved to Christies Redstone at 5pm on the last day of the sale.

ALL LOTS HIGHLIGHTED WITH RED TITLES ARE OFFERED WITHOUT RESERVE

451
A PATINATED BRONZE AND FAVRILE GLASS
HEART-SHAPED PENDANT,
456
A BRONZE STANDING ASHTRAY,

BY TIFFANY STUDIOS, CIRCA 1900,

apparently not stamped; together with a favrile


glass spherical-form drop,
6in. (15.3cm.) high, 3in. (8cm.) wide

BY TIFFANY STUDIOS, EARLY 20TH CENTURY,

stamped TIFFANY STUDIOS, NEW YORK


1561; adjustable height
36in. (91.5cm.) high, fully extended

$1,500-2,000

$700-900
451

452
A GILT BRONZE DESK SET IN THE ZODIAC
PATTERN,

456

BY TIFFANY STUDIOS, EARLY 20TH CENTURY,

most stamped TIFFANY STUDIOS with


pattern numbers, comprising a pair of desk
blotter ends, a set of four blotter corners, a
picture frame, two large letter holders, an
octagonal inkwell, a canted square smaller
inkwell, a smaller letter holder, a paper tablet
cover, a paper blotter, a magnifying glass, a mail
scale, a pen tray, a rectangular paperweight, a
rectangular covered box, a rectangular small
covered box with tripartite interior, and a
canted rectangular pot (lacking cover)
The octagonal inkwell 6 in. (16.5cm.) high,
4 in. (11cm.) wide
(21)

$5,000-7,000

457
A GILT BRONZE DESK CALENDAR, A GILT
BRONZE SMALL TWO-HANDLED DISH AND A
SET OF FOUR BRONZE NESTING DISHES,
TIFFANY STUDIOS, EARLY 20TH CENTURY,

452

each stamped TIFFANY STUDIOS NEW


YORK with pattern number; the calendar in the
Adam pattern
The desk calendar 6in. (15cm.) high, 6in.
(16.5cm.) wide; the two-handled dish 5in.
(13cm.) wide overall; the largest nesting dish 5in.
(12.5cm.) wide
(6)

$1,000-1,500
457

n458
AN AMERICAN BRONZE AND FAVRILE GLASS
EXTENSIVE DESK SET IN THE PINE NEEDLE
PATTERN,

453
AN AMERICAN FAVRILE FABRIQUE GLASS
AND BRONZE LINENFOLD TABLE LAMP,
BY TIFFANY STUDIOS, CIRCA 1910

BY TIFFANY STUDIOS, EARLY 20TH CENTURY

19in. (48.3cm.) high, 8in. (20cm.) diameter of


shade

$3,000-5,000

453

454
AN AMERICAN ENAMEL AND GILT BRONZE
PARTNERS DESK INKSTAND IN THE ZODIAC
PATTERN,

most stamped TIFFANY STUDIOS NEW


YORK with pattern number; comprising a
jardinire, a handkerchief covered box; a
three-panel table screen; a rectangular box; a
small mail scale (lacking platform); four picture
frames in three sizes; a pair of large blotter
ends; a pair of smaller blotter ends; a hexagonal
covered box; two large footed rectangular
covered boxes in two sizes; two small footed
rectangular covered boxes; a seal; a paper tablet
with hinged cover; a pen tray; an inkpot; two
nib brush stands; two larger letter holders;
three smaller letter holders in two sizes; a large
inkpot; a letter opener; a small vase; a calendar
stand
The jardnire, the largest, 4in. high, 12in.
diameter
(36)

51

458

$6,000-8,000

BY TIFFANY STUDIOS,

with replaced glass liner


4in. (10cm.) high, 10in. (27.3cm.) wide, 9in.
(24.8cm.) deep

$2,000-3,000
454

459 No Lot

460
A BRONZE TWO-LIGHT CANDELABRUM,
AND A PAIR OF SILVERED METAL FIVE-LIGHT
CANDELABRA,
EARLY 20TH CENTURY, THE BRONZE
TIFFANY STUDIOS, THE SILVERED PAIRPOINT
MANUFACTURING CO.,

455
A GILT BRONZE AND FAVRILE GLASS TABLE
CLOCK IN THE GRAPE LEAF PATTERN,

stamped on base TIFFANY STUDIOS NEW


YORK 879
9in. (24cm.) high, 6in. (17cm.) wide, 5in.
(12.5cm.) deep

the bronze candelabra stamped TIFFANY


STUDIOS NEW YORK 1230; the pair stamped
PAIRPOINT MFG WITH P WITHIN
DIAMOND
The bronze candelabrum 9in. (23cm.) high, 8in.
(20.5cm.) wide; the silvered candelabra 11in.
(28.5cm.) high, 12in. (32.5cm.) wide

$2,000-3,000

$2,000-3,000

TIFFANY STUDIOS, EARLY 20TH CENTURY,

460

455

Handling fees commence 35 days after the frst day of the sale

ALL LOTS HIGHLIGHTED WITH RED TITLES ARE OFFERED WITHOUT RESERVE

PROPERTY FROM THE HASCOE FAMILY


COLLECTION (LOTS 466-472)

461
A LEADED GLASS BUTTERFLY-FORM
PENDANT,

n466
AN ART DECO STYLE ALABASTER LIGHT
FIXTURE

IN THE STYLE OF TIFFANY STUDIOS

40in. (101cm.) high, 20in. (51cm.) diameter

6in. (25.4cm.) high, 10in. (16cm.) wide

$1,500-2,000

$1,000-1,500

461

466

n462
A GLASS BEAD AND ALABASTER
CHANDELIER,

n467
AN ART DECO STYLE LIMED OAK CONSOLE
TABLE

20TH CENTURY, AFTER A DESIGN BY ARMANDALBERT RATEAU

30in. (76cm.) high, 72in. (183cm.) wide, 18in.


(45.6cm.) deep

36in. (91.5cm.) high, 21in. (53.5cm.) diameter

$1,000-1,500

$1,500-2,000

467
462

n468
A MAHOGANY AND WALNUT EXTENSION
DINING TABLE AND FIVE CHAIRS,

n463
A PAIR OF ENAMELED METAL WORK
SCREENS,

SECOND HALF 20TH CENTURY,

20TH CENTURY,

52

the chairs comprising two armchairs and three


side chairs; with four leaves
The table 29in. (74cm.) high. 48in. (122cm.)
diameter
(6)

stamped J.G.B.CO. CORP. 1965


94in. (238.5cm.) high, 47in. (119.5cm.) wide,
1in. (3cm.) deep
(2)

$3,000-5,000

$1,000-1,500

468

463

n469
AN ART DECO STYLE LIMED OAK CENTER
TABLE

n464
A PAIR OF BRASS-MOUNTED AND REDLEATHER DECK-CHAIRS,

29in. (75cm.) high, 58in. (147cm.) diameter

EARLY 20TH CENTURY,

$1,000-1,500

with an apocryphal plaque engraved The GreatEastern/Liverpool 1811


37in. (94cm.) high, 23in. (55.5cm.) wide, 48in.
(122cm.) deep overall
(2)

$2,000-3,000

464

469

n465
A MODERN SILVER MODEL OF THE WRIGHT
FLYER,

n470
TWO AFRICAN SIDE TABLES,

comprising a metal and wood drum-form


example and a patinated metal example
The larger, the drum-form example, 16in.
(40.5cm,) high, 20in. (51cm.) diameter

20TH CENTURY,

mounted on a wood stand, marked Sterling,


with plexi cover
The silver model 12in. (31.8 cm.) wide

$1,000-1,500

$800-1,200
Please see www.christies.com for addtional
information on this lot.
470
465

All lots marked with a square n are moved to Christies Redstone at 5pm on the last day of the sale.

(2)

ALL LOTS HIGHLIGHTED WITH RED TITLES ARE OFFERED WITHOUT RESERVE

n471
A PAIR OF STAINED WOOD CLUB CHAIRS,

PROPERTY FROM AN ATLANTA ESTATE

37in. (94cm.) high, 39in. (99cm.) wide, 38in.


(96.5cm.) deep
(2)

476
A PAIR OF BLACK MARBLE-MOUNTED
PARCEL GILT AND PAINTED VASES,

$1,500-2,000

LATE 19TH/EARLY 20TH CENTURY

MID 20TH CENTURY

23in. (58.4cm.) high

(2)

$2,000-3,000

471

n472
A GEORGE III MAHOGANY CANTERBURY,

476

n477
A CLOSE NAILED, STAMPED LEATHER AND
ROPE LARGE MIRROR,

LATE 18TH CENTURY

17in. (44.5cm.) high, 17in. (43cm.) wide,


12in. (32cm.) deep

MODERN

75in. (192cm.) high, 54in. (137cm.) wide

$1,000-1,500

$1,500-2,000

472

477

PROPERTY FROM A PRIVATE COLLECTION


n473
A FRENCH PORCELAIN AND ETCHED GLASSMOUNTED GILTWOOD OVER MANTEL
MIRROR,
n478
A BRUSHED STEEL FLOOR LAMP,

LATE 19TH/ 20TH CENTURY,

regilt
70in. (178cm.) high, 43in. (109cm.) wide

53

LATE 20TH CENTURY,

$3,000-5,000

with chromed metal shade


60 in. (152.5 cm.) high

PROVENANCE:

$800-1,200

Sothebys, 16 February 1994, lot 544.


473
478

n474
A PAIR OF GLASS AND CHROMED METAL
RADIATOR LAMPS,

479
A PATINATED BRONZE DESK SET,

20TH CENTURY

comprising a matchbox holder, two candle


sticks, a letter opener, a letter rack, two
inkwells, two paperweights, and a pen tray
The tallest piece: 4in. (12.4cm.) high
(10)

DESIGNED BY YSTAD BRONS, CIRCA 1930S,

25in. (64.8cm.) high, 13in. (34.9cm.) wide,


6in. (15.2cm.) deep
(2)

$2,000-3,000

$1,500-2,000

474
479

PROPERTY FROM A DISTINGUISHED PRIVATE


COLLECTION, TEXAS

PROPERTY OF A PRIVATE COLLECTOR, A


VENETIAN GENTLEMAN (LOTS 480-481)

475
A FRENCH PATINATED BRONZE FIGURE OF A
FEMALE BATHER,

n480
A PAIR OF ITALIAN CUT AND BEADED GLASS
OCCASIONAL TABLES,

signed Jean Chorel


30 in. (78.1 cm) high

MODERN,

electrifed
33in. (84.5cm.) high, 22in. (56cm.) diameter
(2)

$1,500-2,000

$4,000-6,000
475

Handling fees commence 35 days after the frst day of the sale

480

ALL LOTS HIGHLIGHTED WITH RED TITLES ARE OFFERED WITHOUT RESERVE

PROPERTY OF A GENTLEMAN (LOTS 486-488)


n481
A SET OF FOUR ITALIAN BEADWORK
APPLIQUES,

n486
A COROMANDEL LACQUER-INSET LOW
TABLE,

20TH CENTURY,

THE LACQUER 19TH/EARLY 20TH CENTURY, THE


TABLE OF A LATER DATE

electrifed
32in. (81.5cm.) high

(4)

18in. (45.7cm.) high, 40 in. (102.8cm.) wide,


25in. (63.5cm.) deep

$3,000-5,000

$1,000-1,500
486
481

n487
A SET OF FIVE ENGLISH BLEACHED
MAHOGANY OPEN ARMCHAIRS,

PROPERTY FROM A NEW YORK COLLECTOR

LATE 19TH/EARLY 20TH CENTURY

n482
A PAIR OF CHROMED METAL-MOUNTED
GLASS TRIPLE GOURD-FORM TABLE LAMPS,

36in. (91.4cm.) high, 23in. (58.4cm.) wide,


17in. (43.2cm.) deep
(5)

$1,000-1,500

OF RECENT MANUFACTURE

35in. (90cm.) high

(2)

$3,000-5,000
487
482

n488
A VICTORIAN GLASS AND BRASS FLUID
LAMP,

PROPERTY FROM A PROMINENT NEW YORK


COLLECTION (LOTS 483-485)

LATE 19TH CENTURY, THE GLASS SHADE


ASSOCIATED,

n483
A PAIR OF GREEN AND CREAM-PAINTED
PEDESTALS,

54

together with a brass columnar-form lamp


32in. (81.3cm.) high

$800-1,200

20TH CENTURY

48in. (122cm.) high, 12in. (30.5cm.) diameter


(2)

$700-900
488
483

Wednesday 25 February
at 2.00 pm

Furniture, Decorative
Works of Art and Rugs
n484
A GROUP OF ELEVEN BALLROOM CHAIRS,

(Lots 489-637)

20TH CENTURY,

comprising ten brown-painted examples and


one stained example, with cushions
36in. (91.5cm.) high, 17in. (43.2cm.) wide, 16in.
(40.5cm.) deep
(11)

489
AN ACRYLIC BALL-FORM CLOCK,

$800-1,200

20TH CENTURY,

face marked S.L.Y. Namtug Co., with an


associated base; together with a horseshoe form
table clock
8in. (20.5cm.) high
(2)

$800-1,200

484
489

n485
AN OIL CLOTH AND BAMBOO-COVERED
BOX,

490
A CHELSEA SHIPS BELL CLOCK,

19TH CENTURY

on stand, dial signed TIFFANY & Co.


6in. (16.5cm.) high on stand

RETAILED BY TIFFANY, 20TH CENTURY,

16in. (40.5cm.) high, 19in. (48.2cm.) wide, 14in.


(35.5cm.) deep

$800-1,200

$600-900

485

490

All lots marked with a square n are moved to Christies Redstone at 5pm on the last day of the sale.

ALL LOTS HIGHLIGHTED WITH RED TITLES ARE OFFERED WITHOUT RESERVE

496
AN ENGLISH ENGRAVED GILT-BRASS STRUT
TIMEPIECE,

491
AN ENGLISH ENGRAVED GILT-BRASS STRUT
TIMEPIECE,

BY THOMAS COLE, MID 19TH CENTURY, RETAILED


BY HANCOCK

IN THE MANNER OF THOMAS COLE, MID 19TH


CENTURY, RETAILED BY HUNT & ROSKELL

works signed THOS COLE LONDON


6in. (16.5cm.) high

works signed HUNT & ROSKELL


LONDON
6in. (16cm.) high

$2,000-3,000

$3,000-5,000
491

496

497
AN ENGLISH ENGRAVED GILT-BRASS SMALL
STRUT TIMEPIECE,

492
AN ENGLISH ENGRAVED GILT-BRASS STRUT
TIMEPIECE,

IN THE MANNER OF THOMAS COLE, MID 19TH


CENTURY, RETAILED BY M.F. DENT

IN THE MANNER OF THOMAS COLE, MID 19TH


CENTURY, RETAILED BY HUNT & ROSKELL,

face signed M.F. DENT 34 COCKSPUR...;


together with an English small strut timepiece
retailed by London & Ryder
Each 4in. (12.5cm.) high
(2)

face signed HUNT/LONDON; works signed


HUNT & ROSKELL LONDON
6in. (17cm. ) high

$3,000-5,000

$3,000-5,000

497
492

493
A GILT-BRASS TABLE CLOCK AND TWO
BRASS CARRIAGE CLOCKS,

498
AN ENGLISH ENGRAVED GILT-BRASS STRUT
TIMEPIECE,

20TH CENTURY, RETAILED BY TIFFANY,

together with a double-dial carriage timepiece


by LEpee, retailed by Asprey
The largest 7in. (19.5cm.) high
(4)

BY THOMAS COLE, MID 19TH CENTURY

$2,000-3,000

$3,000-5,000

55

face signed THOS. COLE/LONDON


6 in. (16.5cm.) high

493

498

499
THREE FRENCH MINIATURE TIMEPIECE
CARRIAGE CLOCKS,

494
A FRENCH BRASS CARRIAGE CLOCK,

LATE 19TH-20TH CENTURY,

Comprising an oval engraved brass example by


LEpee and retailed by Tiffany &Co., a gilt brass
example by Leroy circa 1890, and a larger giltbrass example
The oval carriage clock 4in. (11cm.) high; the
gilt brass example by Leroy 3in. (8.5cm.) high;
the larger gilt-brass example 5in. (14cm.) high
(3)

20TH CENTURY,

with repeat and alarm, dial signed Arnex


5in. (14cm.) high

$1,000-1,500

$1,000-1,500

499

494

495
A TEMPLE-FORM FAUX BURLWOOD
STRIKING AUTOMATON TABLE CLOCK,
500
A GROUP OF EIGHT ENAMEL TABLE CLOCKS,

20TH CENTURY,

dial signed Cartier


15in. (38.5cm.) high, 6in. (16cm.) square

The largest 4in. (11cm.) high

(8)

$2,000-3,000

$300-500

495

Handling fees commence 35 days after the frst day of the sale

500

ALL LOTS HIGHLIGHTED WITH RED TITLES ARE OFFERED WITHOUT RESERVE

n506
AN ART NOUVEAU MARQUETRY INLAID
ETAGERE,

501
AN ENGLISH ENGRAVED GILT-BRASS
INKWELL TIMEPIECE,

BY LOUIS MAJORELLE, LATE 19TH/EARLY 20TH


CENTURY

IN THE MANNER OF THOMAS COLE, MID 19TH


CENTURY, RETAILED BY HANCOCK

top signed L. Majorelle


39in. (99.7cm.) high, 23in. (59.7cm.) wide,
22in. (55.9cm.) deep

6in. (16cm.) high open

$1,000-1,500

$4,000-6,000

501

506

502
AN ART DECO MARBLE AND GILT-METAL
MANTLE CLOCK,

PROPERTY SOLD TO BENEFIT THE ART


ACQUISITION FUND OF THE SEATTLE ART
MUSEUM (LOTS 507-534)

RETAILED BY TIFFANY & CO, EARLY 20TH CENTURY,

dial marked TIFFANY & CO.


6in. (17cm.) high, 12in. (30.5cm.) wide

507
A GERMAN CARVED OAK ROUNDEL OF THE
ADORATION OF THE MAGI,

$800-1,200

EARLY 16TH CENTURY

11in. (29cm.) high, 14in. (36.5cm.) wide

$3,000-5,000

502

507

503
A SET OF THIRTEEN TABLE BELLS,

together with four decorated metal


doorstoppers
The largest 8in. (20.5cm.) high

508
A SPANISH SILVERED AND GILT COPPER
RELIEF OF THE CORONATION OF THE VIRGIN,

(17)

$1,000-1,500

EARLY 17TH CENTURY

56

5in. (13.3cm.) high, 3in. (9cm.) wide

$1,000-1,500
503

508

504
A SET OF FOUR GILT-METAL FRAMED
PORCELAIN MINIATURES,

509
A GERMAN CARVED LIMEWOOD FIGURE OF
CHRIST,

LATE 19TH CENTURY,

The largest 5in. (14cm.) high

(4)

16TH CENTURY,

$800-1,200

on a later base, cut at the mid-section


11in. (28cm.) high

$1,000-1,500
504

509

510
A FLEMISH CARVED STONE BAPTISMAL
FONT FRAGMENT,

505
AN ART NOUVEAU BRASS STRIKING CLOCK,

9in. (24.2cm.) high, 16in. (40.5cm.) wide,


4in. (12cm.) deep

LATE 19TH/EARLY 20TH CENTURY

twin barrel movement with a visible brocot


escapement
22in. (57cm.) high

$3,000-5,000
PROVENANCE:

$800-1,200

505

Margaret E. Fuller Purchase Fund

510

All lots marked with a square n are moved to Christies Redstone at 5pm on the last day of the sale.

ALL LOTS HIGHLIGHTED WITH RED TITLES ARE OFFERED WITHOUT RESERVE

516
A SPANISH BRONZE CORPUS FIGURE,

511
A FLEMISH CARVED BOXWOOD RELIEF OF
THE ADORATION OF THE SHEPHERDS,

PROBABLY 19TH CENTURY,

on a later walnut cross


14in. (37cm.) high

CIRCA 1500

3in. (7.5cm.) high

$1,500-2,000

$1,500-2,000

511

512
A NORTH ITALIAN CARVED MARBLE PROFILE
OF A MALE HEAD,

516

517
A FRENCH ORMOLU GROUP OF THE VIRGIN
AND CHILD,

PROBABLY 19TH CENTURY

19TH CENTURY

20in. (50.8cm,) high, 11in. (28cm.) wide, 2in.


(6.5cm.) deep

12in. (30.5cm.) high

$2,000-3,000

$2,000-3,000

512

513
A FLEMISH CARVED OAK RELIEF OF CHRIST
AMONG THE DOCTORS,

517

CIRCA 1500

n518
A CARVED OAK RELIEF OF CHRIST BEARING
THE CROSS,

9in. (23cm.) high, 11in. (26cm.) wide

BRUSSELS, 16TH CENTURY,

$1,500-2,000

with traces of polychrome


24in. (61cm.) high, 15in. (38cm.) wide, 5in.
(12.5cm.) deep

57

$2,000-3,000
513
518

514
AN ITALIAN GLAZED POLYCHROMEDECORATED TERRACOTTA RELIEF OF CHRIST,
POSSIBLY BY THE WORKSHOP OF LUCA DELLA
ROBBIA (1399-1482), 15TH-16TH CENTURY,

a fragment within a metal and stone-inlaid, gilt


and ebonized frame
11in. (28cm.) high, 6in. (15.2cm) wide, 2in.
(5.3cm.) deep (terracotta)
22in. (58cm.) high, 17in. (43cm.) wide, 2in.
(6.5cm.) deep (overall)

519
A FLEMISH CARVED ALABASTER FIGURE OF
THE MADONNA,
SECOND HALF 17TH CENTURY,

with traces of gilding


12in. (31cm.) high

$3,000-5,000

$5,000-7,000

PROVENANCE:

David Benzaria, New York, by 1947


Purchased by Seattle Art Museum (funds from
Mrs. A.M. Young), 14 May 1947
519

514

520
A FRENCH POLYCHROME-DECORATED
GROUP OF SAINT CHRISTOPHER CARRYING
THE CHRIST CHILD,

515
A FLEMISH CARVED WALNUT RELIEF OF THE
PRESENTATION OF CHRIST CHILD IN TEMPLE,

ELEMENTS POSSIBLY LATE 15TH CENTURY,

PROBABLY 15TH CENTURY

Depicted standing
24in. (63cm.) high, 9in. (23cm.) wide, 7in.
(22cm.) deep

20in. (52cm.) high, 17in. (44cm.) wide, 6in.


(15cm.) deep

$4,000-6,000

$4,000-6,000

515
520

Handling fees commence 35 days after the frst day of the sale

ALL LOTS HIGHLIGHTED WITH RED TITLES ARE OFFERED WITHOUT RESERVE

521
A FLEMISH CARVED BOXWOOD FIGURE
OF THE GOOD THIEF FROM CHRISTS
CRUCIFIXION SCENE,

n526
A FLEMISH CARVED WALNUT FIGURAL
GROUP OF THE DESCENT FROM THE CROSS,

LATE 15TH CENTURY,

MID 15TH CENTURY

depicted contorted on the cross, elements


missing
10in. (27cm.) high

20in. (51cm.) high, 10in. (27.5cm.) wide,


6in. (16cm.) deep

$5,000-7,000

$4,000-6,000

521

526

522
AN ITALIAN CARVED WHITE MARBLE
ROUNDEL OF THE VIRGIN AND CHILD,

527
A FLEMISH CARVED OAK GROUP OF THE
SEATED MADONNA AND CHILD,

POSSIBLY 17TH CENTURY,

16TH CENTURY,

within a crimson plush display holder


The roundel 10in. (26.5cm.) diameter

on a later base
13in. (33cm.) high

$1,500-2,000

$1,500-2,000

522

58

527

523
A SPANISH POLYCHROME AND GILTDECORATED CARVED FIGURE OF SAINT
PAUL,

528
A FRENCH CARVED POLYCHROME AND GILTDECORATED FIGURE OF A MALE SAINT,

POSSIBLY 16TH CENTURY

17in. (44.5cm.) high

24in. (62cm.) high, 10in. (25.5cm.) wide, 6in.


(16.5cm.) deep

$1,500-2,000

15TH CENTURY

$1,500-2,000

528

523

524
A GILTWOOD AND POLYCHROMEDECORATED LIMEWOOD FIGURE OF THE
VIRGIN,

529
AN ITALIAN BRONZE FIGURE OF A MALE
ECORCH,

AUSTRIAN OR SOUTH GERMAN, MID-18TH


CENTURY,

19TH CENTURY, AFTER THE MODEL BY LODOVICO


CARDI DA CIGOLI,

on a rocaille-carved base
7in. (17.8cm.) high

on a later marble base


8in. (20cm.) high

$1,000-1,500

$1,000-1,500

524

529

530
A GERMAN CARVED OAK RELIEF OF THE
BAPTISM OF CHRIST,

525
A GILT BRONZE FIGURE OF A SAINT,

16TH CENTURY,

ITALIAN OR SPANISH, 17TH CENTURY,

the reverse with a paper label for MATHIAS


KOMOR/WORKS OF ART/H676/NEW
YORK
9in. (24cm.) high, 11in. (29.2cm.) wide

on a porphyry base
6in. (15.25cm.) high

$2,000-3,000

$2,500-3,500

525

530

All lots marked with a square n are moved to Christies Redstone at 5pm on the last day of the sale.

ALL LOTS HIGHLIGHTED WITH RED TITLES ARE OFFERED WITHOUT RESERVE

n536
AN AMERICAN QUEEN ANNE STYLE
MAHOGANY RUSH-SEAT ARMCHAIR,

531
A SPANISH CARVED WALNUT AND
FRUITWOOD TRIPTYCH,

38in. (89cm.) high, 23in. (58.5cm.) wide,


20in. (51cm.) deep

PROBABLY 19TH CENTURY,

depicting scenes of the life of Christ


13in. (33cm.) high, 17in. (43cm.) wide

$1,000-1,500

$2,000-3,000

531
536

532
A CENTRAL EUROPEAN CARVED LIMEWOOD
FIGURE OF THE MADONNA,

n537
AN AMERICAN CHERRYWOOD PEMBROKE
TABLE

ATTRIBUTED TO FRANZ PREISS. MID 18TH CENTURY

7in. (19cm.) high

28in. (71cm.) high, 34in. (88cm.) wide, open,


18in. (47cm.), closed, 32in. (82cm.) deep

$2,500-3,500

$1,000-1,500

532
537

533
AN ITALIAN CARVED WHITE MARBLE
RELIEF OF A PAIR OF LIONS AND PEACOCKS
FLANKING THE TREE OF LIFE,

n538
A MAHOGANY ROUNDABOUT CHAIR

47in. (119.5cm.) high, 29in. (73.5cm.) wide,


25in. (64cm.) deep

PROBABLY 19TH CENTURY,

on a later ebonized wood base


33in. (84cm.) high, 18in. (46cm.) wide, 6in.
(15cm.) deep

59

$1,000-1,500

$2,000-3,000

533

534
A CARVED BOXWOOD CORPUS FIGURE AND
CARTOUCHE,

538

n539
A MAHOGANY TILT-TOP CANDLESTAND

ITALIAN OR GERMAN, LATE 16TH CENTURY,

28in. (72.5cm.) high, 24in. (62cm.) wide,


25in. (63.5cm.) deep

within a later velvet and walnut stand


10in. (26cm.) high

$800-1,200

$1,500-2,000

534
539

PROPERTY FROM A PRIVATE NEW YORK


COLLECTION (LOTS 540-544)

PROPERTY OF THE METROPOLITAN MUSEUM


OF ART (LOTS 535-539)

n540
A GEORGE III MAHOGANY AND MARBLE
TOP CONSOLE TABLE,

n535
AN AMERICAN CHIPPENDALE MAHOGANY
SLANT-FRONT DESK

SECOND HALF 18TH CENTURY

43in. (110.5cm.) high, 45in. (116cm.) wide,


24in. (61.5cm.) deep

32in. (81.5cm.) high, 63in. (160cm.) wide,


29in. (75cm.) deep

$3,000-5,000

$3,000-5,000
540
535

Handling fees commence 35 days after the frst day of the sale

ALL LOTS HIGHLIGHTED WITH RED TITLES ARE OFFERED WITHOUT RESERVE

n546
A THREE-SEAT COCOA PLUSH SOFA,

n541
A SET OF TEN ENGLISH MAHOGANY DINING
CHAIRS,

MODERN

30in. (77.5cm.) high, 90in. (228.5cm.) wide,


36in. (91.5cm.) deep

LATE 19TH/EARLY 20TH CENTURY,

$1,000-1,500

with leather seats


35in. (98cm.) high, 21in. (53cm.) wide, 18in.
(56cm.) deep
(10)

$2,500-3,500
546
541

n547
A FRENCH BRONZE-MOUNTED MAHOGANY
AND YEWWOOD ETAGERE,

n542
A CONTINENTAL MAHOGANY OVAL
EXTENSION DINING TABLE,

BY ESCALIER DE CRISTAL, PARIS, LAST QUARTER


19TH CENTURY,

FIRST QUARTER 19TH CENTURY

the underside stamped ESCALIER DE


CRISTAL/PARIS
39in. (101cm.) high, 32in. (83cm.) wide,
20in. (51cm.) deep

with three later leaves


30in. (76cm.) high, 57in. (147.5cm.) wide, 46in.
(117.cm.) deep

$2,000-3,000

$2,000-3,000
542

60

547

n543
A LOUIS PHILLIPPE WALNUT CHAISELONGUE,

n548
A FRENCH STEEL AND BRASS CAMPAIGN
BED,

SECOND QUARTER 19TH CENTURY

SECOND HALF 19TH CENTURY AND ADAPTED

41in.(104cm.) high, 74in. (188cm.) wide, 29in.


(73.4cm.) deep

42in. (108cm.) high, 85in. (217cm.) wide,


54in. (138.5cm.) deep

$1,000-1,500

$1,500-2,000

543

548

n544
A TWO-SEAT SOFA COVERED IN BROWN
PLUSH,

n549
A ROSE TOILE SMALL SOFA,
MODERN

MODERN

36in. (91.5cm.) high, 60in. (152cm.) wide, 33in.


(84cm.) deep
(2)

33in. (84cm.) high, 77in.(195.5cm.) wide, 33in.


(84cm.) deep

$800-1,200

$1,000-1,500

544

549

PROPERTY FROM A PRIVATE COLLECTION


(LOTS 550-554)

PROPERTY OF A PRIVATE COLLECTION (LOTS


545-549)

n550
A GOTHIC REVIVAL WALNUT, OAK AND
FRUITWOOD HALL CHAIR,

n545
A NORTH EUROPEAN BURR BIRCH AND
FRUITWOOD FALL-FRONT SECRETAIRE,

LATE 19TH CENTURY,

FIRST HALF 19TH CENTURY,

48in. (123cm.) high, 45in. (115cm.) wide,


21in. (53.5cm.) deep

with lift-top seat


48in. (124cm.) high, 20in. (51cm.) wide, 18in.
(45.5cm.) deep

$1,000-1,500

$100-200

545
550

All lots marked with a square n are moved to Christies Redstone at 5pm on the last day of the sale.

ALL LOTS HIGHLIGHTED WITH RED TITLES ARE OFFERED WITHOUT RESERVE

n556
A PAIR OF GEORGE III STYLE MAHOGANY
WINGBACK ARMCHAIRS

n551
A PAIR OF BLACK LACQUER AND YELLOW
PONY SKIN BARSTOOLS,

39in. (99cm.) high, 29in. (79.4cm.) wide, 23in.


(53cm.) deep
(2)

20TH CENTURY

$1,000-1,500

38in. (96.5cm.) high, 19in. (49.5cm.) wide,


17in. (43cm.) deep
(2)

$400-600

556
551

n557
A LOUIS XV STYLE ORMOLU AND PIETRA
DURA INLAID GUERIDON

n552
A FIBERGLASS REINFORCED POLYESTER
HARI TABLE AND THREE OM CHAIRS,

26in. (66cm.) high, 29in. (74cm.) wide, 21in.


(53.2cm.) deep

DESIGNED BY SWAMI ANAND & MARZIO RUSCONI


CIRCA 2000

$3,000-5,000

The table 18in. (45.5cm.) high, 50in.


(128.5cm.) wide; the chairs 19in. (48.5cm.) high,
31in. (80cm.) wide, 27in. (68.5cm.) deep
(4)

$800-1,200
552

557

n553
THREE BLACK LEATHER UPHOLSTERED
BARSTOOLS,

n558
A PAIR OF FRENCH ORMOLU CHENETS,

20TH CENTURY, MANUFACTURED BY FREM ROJLE,

16in. (40.5cm.) high, 20in. (51cm.) wide, 6in.


(15cm.) deep
(2)

19TH CENTURY

stamped FREM ROJLE/MADE IN


DENMARK to underside of seat
31in. (78.5cm.) high, 14in. (35.5cm.) diameter

61

$1,000-1,500
(3)

$200-300
558

553

n554
A LAMINATED WALNUT ARMCHAIR,

n559
A LOUIS XVI STYLE GREY-PAINTED PORTERS
CHAIR

20TH CENTURY

27in. (69cm.) high, 24in. (61.5cm.) wide,


19in. (48.5cm.) deep

57in. (145cm.) high, 30in. (76cm.) wide, 24in.


(61cm.) deep

$700-900

$1,000-1,500

554
559

n560
A LOUIS XVI STYLE POLYCHROME PAINTED
AND MARBLE TOP COMMODE,

PROPERTY FROM A DISTINGUISHED PRIVATE


COLLECTION (LOTS 555-573)
n555
A PAIR OF ROCOCO STYLE GILTWOOD
GIRANDOLE MIRRORS,

33in. (84cm.) high, 50in. (127cm.) wide, 23in.


(58.5cm.) deep

$2,000-3,000

LATE 19TH/20TH CENTURY

65in. (165cm.) high, 31in. (79cm.) wide

(2)

$4,000-6,000

555

Handling fees commence 35 days after the frst day of the sale

560

ALL LOTS HIGHLIGHTED WITH RED TITLES ARE OFFERED WITHOUT RESERVE

561
AN OIL ON COPPER PANEL WITHIN A
GILTWOOD FRAME,

n566
A LOUIS XV GILTWOOD BENCH,

FOLLOWER OF JEAN-MICHEL MOREAU II, 19TH


CENTURY,

PROBABLY 18TH CENTURY AND ADAPTED

17in. (43cm.) high, 39in. (99cm.) wide, 17in.


(43cm.) deep

The copper panel measures 10in. (27.6cm)


high, 8in. (22.5cm.) wide

$1,000-1,500

$2,000-3,000
PROVENANCE:

Christies London, 10 June 1994, lot 17.

566

561

n567
A REGENCY BRASS-BOUND MAHOGANY
WRITING TABLE,
EARLY 19TH CENTURY

n562
A REGENCE GILTWOOD MIRROR,

29in. (73.5cm.) high, 36in. (91.5cm.) wide, 23in.


(58.2cm.) deep

FIRST HALF 18TH CENTURY

$1,000-1,500

58in. (147.5cm.) high, 32in. (81cm.) wide

$4,000-6,000

PROVENANCE:

The Estate of Ambassador Pamela Harriman,


Sothebys New York, 19-21 May 1997, lot
937.
567

562

62

n563
A LOUIS XVI ORMOLU-MOUNTED
MAHOGANY TABLE A ECRIRE,

n568
A PAIR OF FRENCH ORMOLU FIGURAL
CHENETS,

BY DENIS LOUIS ANCELLET, LATE 18TH CENTURY,

19TH CENTURY,

stamped D L ANCELLET to one long rail


28in. (71cm.) high, 32in. (82.5cm.) wide, 18in.
(46cm.) deep

$2,000-3,000

in the style of Francois Thomas Germain


19in. (48cm.) high

(2)

$3,000-5,000
Denis Louis Ancellet matre in 1779.
568
563

n569
A PAIR OF LOUIS XVI STYLE GILTWOOD AND
MARBLE TOP GUERIDONS

n564
A LOUIS XVI GREY-PAINTED BERGERE,
LATE 18TH CENTURY,

27in. (70cm.) high, 20in. (50.8cm.) diameter


(2)

covered in grey and cream silk


38in. (96.5cm.) high, 27in. (68.9cm.) wide, 22in.
(56cm.) deep

$2,000-3,000

$1,500-2,000

569
564

n565
A PAIR OF FRENCH ORMOLU FIGURAL
CHENETS,

n570
A SILVERED METAL DRESSING TABLE,

19TH CENTURY,

50in. (127cm.) high, 22in. (56cm.) wide, 16in.


(41cm.) deep

in the style of Francois Thomas Germain


19in. (48cm.) high

20TH CENTURY

$1,000-1,500

(2)

$1,500-2,000

565

570

All lots marked with a square n are moved to Christies Redstone at 5pm on the last day of the sale.

ALL LOTS HIGHLIGHTED WITH RED TITLES ARE OFFERED WITHOUT RESERVE

n576
A FRENCH ORMOLU AND BRONZEMOUNTED MAHOGANY CENTER TABLE,
PROBABLY 20TH CENTURY

n571
A MARBLE BUST OF A GIRL,

29in. (74cm.) high, 37in. (94cm.) diameter

$1,500-2,000

AFTER JEAN-ANTOINE HOUDON, LATE 19TH


CENTURY,

PROVENANCE:

inscribed HOUDON
17in. (44.5cm.) high

Acquired from Phillipe Delpierre, Paris,


September 1981.

$1,500-2,000

576

571

n577
A LOUIS XVI ORMOLU-MOUNTED PORTICO
CLOCK,
CIRCA 1790,

the movement with anchor escapement and silk


suspension
26in. (66cm.) high, 17in. (45cm.) wide, 7in.
(18cm.) deep

$3,000-5,000
n572
A FRENCH PATINATED AND GILT METAL,
MAHOGANY AND SODALITE TWO-TIERED
SIDE TABLE,

PROVENANCE:

Acquired from Wolff-Mueller, Copenhagen,


July 1989.

20TH CENTURY

577

29in. (74.5cm.) high, 14in. (35.5cm.) wide,


21in. (54.5cm.) deep

$1,500-2,000

572

578
A PAIR OF RUSSIAN ORMOLU
CANDLESTICKS,
EARLY 19TH CENTURY, NOW MOUNTED AS LAMPS,

electrifed
13in. (33cm.) high, excluding ftments

(2)

63

$2,000-3,000

573 No Lot

PROVENANCE:

Acquired from Jean Wanecq, Paris, September


1987.
578
PROPERTY FROM A PRIVATE COLLECTION
(LOTS 574-580)
n574
A PAIR OF NORTH EUROPEAN ORMOLU AND
PATINATED BRONZE THREE-BRANCH WALL
LIGHTS,

579
A LATE LOUIS XVI ORMOLU STRIKING
MANTEL CLOCK,

SECOND QUARTER 19TH CENTURY,

the enameled dial signed Armingaud Lne


Paris, leather inventory label inscribed 1138 to
underside
18in. (46cm.) high, 15in. (38cm.) wide, 5in.
(13cm.) deep

drilled for electricity


11in. (28cm.) high

BY ARMINGAUD, PARIS, CIRCA 1790,

(2)

$2,000-3,000
PROVENANCE:

$4,000-6,000

Acquired from Ouaiss Antiques, Paris,


September 1995.

PROVENANCE:

Acquired from Galerie Perrin, Paris, September


1990.
574

Please see www.christies.com for additional


information on this lot.
579

n575
A PAIR OF LOUIS XVI GILTWOOD CANAPES,
580
A PAIR OF FRENCH ORMOLU TWO-BRANCH
CANDELABRA,

BY ANTOINE GAILLARD, CIRCA 1785,

upholstered in crimson velvet, stamped A.


GAILLARD to the backrail of one
52 in. (132 cm.) wide

(2)

MID-19TH CENTURY

$6,000-8,000

15in. (40cm.) high

(2)

$1,500-2,000

PROVENANCE:

Acquired from Galerie Perrin, Paris, September


1989.

PROVENANCE:

Acquired from La Tour Camoufe, Paris, June


1989.

Antoine Gaillard, matre in 1781.


575

580

Handling fees commence 35 days after the frst day of the sale

ALL LOTS HIGHLIGHTED WITH RED TITLES ARE OFFERED WITHOUT RESERVE

n586
A DIRECTOIRE BRASS-MOUNTED INLAID
MAHOGANY COMMODE,

PROPERTY OF A NEW YORK PRIVATE


COLLECTOR (LOTS 581-585)
n581
AN ART DECO INLAID MAHOGANY AND
FRUITWOOD CENTER TABLE,

LATE 18TH CENTURY, PROBABLY BY PIERRE


JOURDAIN

DESIGNED BY MAXIME OLD,

stamped P.J. JOURDAIN JME


36in. (91.5cm.) high, 50in. (128cm.) wide,
25in. (63.5cm.) deep

stamped to underside
28in. (72.5cm.) high, 71in. (180.5cm.) wide,
37in. (94cm.) deep

$4,000-6,000

$2,000-3,000

Pierre Jourdain matre in 1779

581
586

n582
A NORTH EUROPEAN INLAID FRUITWOOD
CONSOLE TABLE,
19TH CENTURY, THE SHELVES ASSOCIATED

n587
A CONTINENTAL GILTWOOD MIRROR,

33in. (84cm.) high, 42in. (107cm.) wide. 16in.


(40.5cm.) deep

PROBABLY 18TH CENTURY, ADAPTED FROM A


PICTURE FRAME

$1,000-1,500

39in. (100cm.) high, 21in. (71cm.) wide

$2,000-3,000

582
587

n583
A BRONZE, GILT BRONZE AND RESIN FLOOR
LAMP,

n588
A CONTINENTAL LOUIS XV STYLE ORMOLUMOUNTED TULIPWOOD CENTER TABLE

20TH CENTURY

64

29in. (74cm.) high, 34in. (86.5cm.) diameter

63in. (162cm.) high

$1,000-1,500

$1,500-2,000

583

588

n584
A CONTINENTAL PATINATED BRONZE LOW
TABLE,

15in. (40cm.) high, 16in. (40.5cm.) diameter

n589
A LOUIS XVI BRASS-INLAID MAHOGANY
AND FRUITWOOD WRITING TABLE,

$1,500-2,000

LATE 18TH/EARLY 19TH CENTURY

20TH CENTURY

29in. (74cm.) high, 32in. (81cm.) wide, 16in.


(40.5cm.) deep

$1,500-2,000
584
589

n585
AN EBONIZED AND PARCEL GILT MIRROR,

n590
A FRENCH FRUITWOOD TRIC TRAC TABLE,

20TH CENTURY

LATE 19TH/20TH CENTURY

48in. (122cm.) high, 72in. (183cm.) wide

31in. (78.8cm.) high, 45in. (114.5cm.) wide,


24in. (61cm.) deep

$1,000-1,500

$1,000-1,500

585

590

All lots marked with a square n are moved to Christies Redstone at 5pm on the last day of the sale.

ALL LOTS HIGHLIGHTED WITH RED TITLES ARE OFFERED WITHOUT RESERVE

n591
A LOUIS XVI STYLE ORMOLU-MOUNTED
MAHOGANY CONSOLE DESSERT

n596
A PAIR OF DECORATIVE BRASS DOORS,

38in. (96.5cm.) high, 48in. (122cm.) wide, 18in.


(45.8cm.) deep

84in. (213cm.) high, 21in. (54.5cm.) wide,


1in. (4cm.) deep
(2)

$1,000-1,500

$3,000-5,000

FIRST HALF 20TH CENTURY

591

n592
A LOUIS XVI MAHOGANY, AMARANTH AND
MARBLE TOP SIDE TABLE,

596

n597
A GEORGE III STYLE MAHOGANY LARGE
BREAKFRONT SECRETAIRE BOOKCASE,

LATE 18TH CENTURY

29in. (72.5cm.) high, 19in. (48cm.) wide,


14in. (34.5cm.) deep

MODERN

124in. (315cm.) high, 179in. (455cm.) wide, 23in.


(58.5cm.) deep

$700-900

$4,000-6,000

597

592

n593
A LOUIS XVI INLAID MAHOGANY WRITING
TABLE,

n598
A PAIR OF ENGLISH MAHOGANY
ARMCHAIRS,

LATE 18TH/ EARLY 19TH CENTURY

20TH CENTURY

28in. (71cm.) high, 25in. (63.5cm.) wide, 16in.


(40.5cm.) deep

35in. (89cm.) high, 23in. (60cm.) wide, 20in.


(51cm.) deep
(2)

$1,000-1,500

$800-1,200

598

593

PROPERTY FROM THE FORBES COLLECTION


(LOTS 594-603)

65

n599
A DUTCH BAROQUE STYLE BRASS TWELVELIGHT CHANDELIER

n594
A CHROMED METAL, GLASS AND MOOSE
ANTLER CENTER TABLE,

51in. (129.5cm.) high, 71in. (79cm.) diameter

MODERN

$1,000-1,500

29in. (75cm.) high, 40in. (101cm.) diameter

$1,500-2,000

594
599

n595
A BAROQUE STYLE STAINED WOOD
TWELVE-LIGHT CHANDELIER

n600
AN ENGLISH INLAID MAHOGANY DOUBLE
PEDESTAL DESK,

47in. (119cm.) high, 36in. (92cm. diameter

20TH CENTURY

$2,000-3,000

30in. (76cm.) high, 54in. (137cm.) wide, 30in.


(76cm.) deep

$700-900

595

Handling fees commence 35 days after the frst day of the sale

600

ALL LOTS HIGHLIGHTED WITH RED TITLES ARE OFFERED WITHOUT RESERVE

n601
AN EMPIRE STYLE GILT AND PATINATED
BRONZE EIGHT-LIGHT CHANDELIER
n607
A FRENCH PROVINCIAL OAK ARMOIRE,

51in. (129.5cm.) high, 27in. (68.8cm.) diameter

$2,000-3,000

PARTS POSSIBLY 18TH CENTURY, THE CORNICE


ALTERED AND POSSIBLY ASSOCIATED

101in. (256cm.) high, 62in. (157cm.) wide,


28in. (72cm.) deep

$2,000-3,000
601

607
n602
A WILLIAM AND MARY STYLE OAK CENTER
TABLE

30in. (76cm.) high, 36in. (91.5cm.) diameter

$1,000-1,500

n608
A CONTINENTAL POLYCHROME-PAINTED
ARMOIRE,

602

19TH CENTURY

73in. (185.5cm.) high, 45in. (114.3cm.) wide,


23in. (58.5cm.) deep

$2,000-3,000
603
AN OAK BOOKCASE CABINET,
LATE 19TH/EARLY 20TH CENTURY

66

55in. (141cm.) high, 48in. (122cm.) wide, 13in.


(33cm.) deep

608

$1,500-2,000

603

PROPERTY FROM THE ESTATE OF KENNETH


BATTELLE (LOTS 609-615)
609
A FRUITWOOD PARCEL EBONIZED SIDE
CABINET,
SECOND HALF 20TH CENTURY

PROPERTY FROM A PRIVATE ENGLISH


COLLECTION (LOTS 604-608)

36in. (91.5cm.) high, 64in. (162.5cm.) wide,


22in. (56cm.) deep

n604
A CONTINENTAL POLYCHROME-PAINTED
PINE SIDE CABINET,

$800-1,200

19TH CENTURY,

the cornice painted with an inscription IACOB


BIEREL CATARI NA SCHAUB 1818
75in. (191.5cm.) high, 68in. (173cm.) wide,
22in. (56cm.) deep

609

$1,500-2,000
604

610
A PAIR OF BLUE-GLAZED LARGE TABLE
LAMPS,

n605
A CONTINENTAL PALE GREEN-PAINTED PINE
BUFFET A DEUX CORPS,

20TH CENTURY

19TH CENTURY

40in. (101.5cm.) high

94in. (239cm.) high, 56in. (142cm.) wide, 24in.


(61cm.) deep

$800-1,200

$1,500-2,000

610

605
606 No Lot

All lots marked with a square n are moved to Christies Redstone at 5pm on the last day of the sale.

(2)

ALL LOTS HIGHLIGHTED WITH RED TITLES ARE OFFERED WITHOUT RESERVE

611
A STAINED OAK SOFA COVERED IN STRIPED
VELVET,

PROPERTY OF A NEW YORK COLLECTION


(LOTS 616-618)
n616
A PAIR OF BALTIC ORMOLU AND CUT-GLASS
FOUR-BRANCH WALL-LIGHTS,

20TH CENTURY,

with two bolster cushions


33in. (85cm.) high, 77in. (196cm.) wide, 30in.
(76cm.) deep

EARLY 19TH CENTURY

$1,000-1,500

41in. (105.5cm.) high, 20in. (52.5cm.) high


(2)

$2,500-3,500
611
616

612
A RED-PAINTED SQUARE LOW TABLE, A PAIR
OF RED-PAINTED CARVED MIRRORS, AND
A CONTINENTAL BLACK JAPANNED PIANO
STOOL,

n617
A FRENCH ORMOLU-MOUNTED MAHOGANY,
TULIPWOOD, SATINWOOD AND PARQUETRY
SIDE TABLE,

20TH CENTURY

The low table 17in. (43cm.) high, 34in.


(87cm.) wide, 34in. (87cm.) deep

(4)

CIRCA 1880

$1,000-1,500

32in. (81cm.) high, 22in. (56cm.) wide, 14in.


(36cm.) deep

$3,000-5,000
612

617

613
A GROUP OF THREE TABLE LAMPS,
19TH-20TH CENTURY,
618
A NORTH EUROPEAN VERRE EGLOMISE
MIRROR,

comprising a Carcel bronze lamp with frosted


glass shade, stamped label to the base; a bronzepainted wood archickoke-form lamp; and a
marble vase-form lamp
The Carcel lamp and shade 25in. (65cm.) high
(3)

LATE 19TH/EARLY 20TH CENTURY,

the arch cresting centered by an M monogram


81in. (207cm.) high, 41in. (106cm.) wide

$800-1,200

67

$3,000-5,000

613
618

PROPERTY FROM THE COLLECTION OF NATHAN


AND JOAN LIPSON (LOTS 619-620)
619
A GEORGE I WALNUT, YEWWOOD AND
PARCEL-GILT BUREAU CABINET,

614
A DISTRESSED PINE CORNER CUPBOARD,

CIRCA 1720,

LATE 19TH/20TH CENTURY

the slant-front enclosing a ftted interior, the


top of the lower section inscribed in black
AMC/10866, the brasses and feet later
91in. (233cm.) high, 40in. (103cm.) wide,
23in. (59cm.) deep

97in. (246.5cm.) high, 57in. (144.5cm.) wide,


30in. (76cm.) deep

$800-1,200

$4,000-6,000

619

614

620
A FRENCH ORMOLU-MOUNTED BLUE JOHN
AND FLUORSPAR URN,

615
A MODERN TWO-SEAT SOFA COVERED IN
WHITE TWILL,

19TH CENTURY, THE MOUNTS LATE 19TH CENTURY,


NOW MOUNTED AS A LAMP,

together with seven throw pillows


30in. (76cm.) high, 76in. (193cm.) wide, 40in.
(101.5cm.) deep

electrifed
16in. (41cm.) high, excluding ftment

$800-1,200

$3,000-5,000

615
620

Handling fees commence 35 days after the frst day of the sale

ALL LOTS HIGHLIGHTED WITH RED TITLES ARE OFFERED WITHOUT RESERVE
Due to recent changes in US law, a permit will be required for the export of any carpet of Iranian origin. While Christies will assist the purchaser with a permit application, the purchase is not conditional upon receiving a permit.
Please see the Conditions of Sale paragraph 4(e) titled Export license for further details.

PROPERTY FROM A PRIVATE SOUTHEAST


COLLECTION

PROPERTY OF A PRIVATE COLLECTOR,


NEW YORK

621
A FRENCH ORMOLU-MOUNTED MAHOGANY
AND SATINE COMMODE A LANGLAISE,

n626
AN EMPIRE AUBUSSON CARPET,

BY EUGENE POTEAU, PARIS, LATE 19TH CENTURY,

reduced in length
Approximately 16ft. 10in. x 12ft. 4in.
(513cm. x 376cm.)

FRANCE, CIRCA 1810,

with a later rose breccia marble top, the top of


the cabinet door with plaquette signed E.
POTEAU/Ameublement/59 Rue de Turenne/
PARIS, Poteau stencil to the top of the case
40in. (103.5cm.) high, 72in. (183cm.) wide,
24in. (60.5cm.) deep
621

$3,000-5,000

$2,000-3,000
PROVENANCE:

626

Acquired from Dominique Chevalier, Paris,


1985.

PROPERTY OF A PRIVATE COLLECTION

n622
AN ART DECO PAINTED CANVAS PANEL
FROM THE ORIGINAL ZIEGFELD THEATER,
MOUNTED AS A SCREEN,

n627
TWO BESSARABIAN KILIM CARPETS,
19TH CENTURY

Approximately 10ft. x 8ft. 10in.


(305cm. x 269cm.) and 6ft. 5in. x 4ft. 1in.
(196cm. x 124cm.)

PAINTED BY LILLIAN GAETNER PALMEDO CIRCA


1926-1927, UNDER THE DIRECTION AND DESIGN OF
JOSEPH URBAN

$800-1,200

125in. (317.5cm.) high

$2,000-3,000
622
627

n628
A KASHAN RUG,

n623
A LARGE SEAL STUFFED ANIMAL,

68

CENTRAL PERSIA, CIRCA 1930

IN THE MANNER OF STIEFF, SECOND HALF 20TH


CENTURY

Approximately 6ft. 8in. x 4ft. 4in.


(203cm. x 132cm.)

46in. (117cm.) long

$3,000-5,000

$800-1,200

628

623

n629
A KIRMAN RUG,

PROPERTY FROM A PRIVATE COLLECTION


n624
A FLEMISH MYTHOLOGICAL TAPESTRY,

SOUTHEAST PERSIA, LATE 19TH CENTURY

Approximately 6ft. 7in. x 3ft. 7in.


(201cm. x 109cm.)

EARLY 17TH CENTURY,

depicting Cupid and Psyche


103 x 100in. (262.8 x 254cm.) approx.

$4,000-6,000

$4,000-6,000

629

624

PROPERTY FROM A PRIVATE NEW YORK


COLLECTION

n630
A HERIZ CARPET,

n625
A SUZANI EMBROIDERY,

NORTHWEST PERSIA, CIRCA 1930

UZBEKISTAN, CIRCA 1880,

Approximately 10ft. x 7ft.


(305cm. x 213cm.)

now mounted on a stretcher


Approximately 7ft. 7in. x 7ft. 7in.
(231cm. x 231cm.)

$3,000-5,000

$5,000-7,000

625

630

All lots marked with a square n are moved to Christies Redstone at 5pm on the last day of the sale.

(2)

ALL LOTS HIGHLIGHTED WITH RED TITLES ARE OFFERED WITHOUT RESERVE
Due to recent changes in US law, a permit will be required for the export of any carpet of Iranian origin. While Christies will assist the purchaser with a permit application, the purchase is not conditional upon receiving a permit.
Please see the Conditions of Sale paragraph 4(e) titled Export license for further details.

n631
A MELAS RUG,
WEST ANATOLIA, CIRCA 1900

Approximately 5 ft. 10 in. x 4 ft. 2 in.


(147 cm. x 127 cm.)

PROPERTY OF A LADY

$3,000-5,000

n635
A CHRISTOPHER FARR CARPET,

PROVENANCE:

CIRCA 2000

Anonymous sale; Sothebys New York,


1 April 2003, lot 161.

Approximately 13ft. 2in. x 11ft. 8in.


(401cm. x 356cm.)

$3,000-5,000

631
635

n632
A SHIRVAN MARASALI RUG,
EAST CAUCASUS, LAST QUARTER 19TH CENTURY

Approximately 6 ft. x 3 ft. 3 in.


(183 cm. x 99 cm.)

$3,000-5,000
PROVENANCE:

Anonymous sale; Christies New York,


19 June 2003, lot 67.
PROPERTY FROM A PRIVATE EUROPEAN
COLLECTION (LOTS 636-637)
n636
AN EAST TURKESTAN CARPET,
CIRCA 1900

632

Approximately 12ft. 10in. x 6ft. 5in.


(391cm. x 196cm.)

$1,000-1,500

69

PROPERTY FROM A DISTINGUISHED NEW YORK


COLLECTION (LOTS 633-634)
n633
A CHINESE NICHOLS CARPET,

636

CIRCA 1930

Approximately 11ft. 5in. x 8ft. 11in.


(348cm. x 272cm.)

$1,500-2,000

633

n637
TWO MOROCCAN FLATWEAVES,
20TH CENTURY

Approximately 9ft. 3in. x 4ft. 9in.


(282cm. x 154cm.) and 6ft. 4in. x 3ft. 7in.
(193cm. x 109cm.)

n634
A CHINESE NICHOLS CARPET,

(2)

$1,000-1,500

CIRCA 1930

Approximately 11ft. 7in. x 8ft. 9in.


(353cm. x 267cm.)

$1,500-2,000

637
634

END OF SALE

Handling fees commence 35 days after the frst day of the sale

Fine Art Index


A

Adrion, L., 136


Azpiri , P., 12, 13
Azpiri, P., 22
American School, 58, 60, 62,
63, 67, 68, 69, 70, 71, 148
Antonakos, S., 147
Archuleta, F.B., 48
Artist Unknown, 87

Gail, W., 78
Gainsborough, T., 89
German School, 100
Gromaire, M., 29
Gullager, C., 104

Payne, E.A., 65
Picasso, P., 35

B
Bak, S., 126, 127
Baldus, E., 102, 103
Bassano, J., 76
Baum, D., 47
Bidner, R., 106
Bonheur, R., 93
Boriani, D., 36
Brandi, G., 101
Brasilier, A., 18
British School, 57
Brouwer, A., 81
Burlin, P., 113, 114

C
Campbell, L., 109
Campus, P., 139
Capron, J., 6, 7, 8
Carlson, W., 37
Charon, G., 3, 4
Chorel, J., 475
Ciry, M., 30
Continental School, 86
Cornell, J., 46
Crocker, J.D., 66

H
Hajdu, E., 41
Helleu, P., 137
Hermanus, P., 98

I
Icart, L., 138
Ipoustguy, J.R., 42

J
Jansem, J., 11, 16, 17, 27, 31
Janszoon van Mierevelt, M.,
91
Johnson, M., 61

Savin, M.L., 5, 9, 10
Sbire, G., 1, 2, 23
Simbari, N., 19, 32, 33
Simons, F., 80
Steckel, H., 111
Suol Muoz Ramos, A., 15,
34

Kolar, J., 49
Koons, J., 54

Ubeda, A., 24, 25

Laing, G., 142


Lanyon, E., 53
Lipchitz, J., 121
Lucchesi, B., 112
Lurat, J., 14

Waldman, P., 146


Walt Disney Studios, 44
Ward, E., 85
Westchiloff, K., 97
Wharton, M., 38
Wilem van Soest, L., 105

Edwards, B., 124


Eggleston, W., 140

Natkin, R., 123


Neilson, R., 130
nendo, 55
Newman, A., 45

Ferguson, M., 107


Ferrero, 21
Fox, E.M., 72, 73, 74, 75
French School, 56, 94

Teniers, D., 90
Thurber, J.G., 43

dOrgeix, C., 52
De Lempicka, T., 131, 132,
133, 134, 135
de Zwart, W., 84
Di Cavalcanti, E., 120
Dickson, J., 108
Dine, J., 141
Dunow, E., 110

Reeves, R.S., 129


Richards, W.T., 64
Rigaud, J., 95
Rizek, E., 79
Robert-Fleury, J.N., 99

Maris, J., 83
Martin, F., 122
Mexican School, 116, 117,
118, 119
Milder, J., 145
Moretti, L.P., 20
Morland, G., 77
Morris, K., 115
Morris, W., 40
Moskowitz, R., 125
Mller, R., 50

O
Oldenburg, C., 143

van Mieris, F., 82


Venard, C., 28
Venetian School, 92

Y
Youngerman, J., 144

Z
Zynsky, T., 39

Auction Calendar Interiors 2015

NEW YORK
Wednesday-Thursday

1-2 APRI L
Rockefeller Center

Tuesday-Wednesday

23 -24 JUNE
Rockefeller Center

Absentee Bids
FREQUENTLY ASKED QUESTIONS

Is it like a Sealed Bid?


A little. The key difference is that a sealed bid
is a fixed sum which, if you are successful,
you will end up paying regardless, whilst
a written bid is your maximum level (plus
buyers premium and applicable taxes)
and you may end up paying less than that.
What will I pay?
If you are successful, the purchase price
payable will be the aggregate of the final
bid and a buyers premium of 25% on each
lot up to and including $100,000, plus 20%
of the excess above $100,000 up to and
including $2,000,000, plus 12% of any sum
in excess of $2,000,000, together with any
additional applicable charges, such as sales
or compensating taxes.

Can I change my mind?


Yes of course, but only before the auction
has begun. Contact the Bids Office as soon as
possible on +1 212 636 2437
If Im successful, what happens next?
To find out if your bid was successful call the
auction results line at +1 212 703 8080.

Can I have my items delivered?


Yes. Our Art Transport team can arrange all
your transport needs, from local deliveries to
international freight. Their telephone number
is +1 212 636 2480

We will send you an invoice and payment


information sheet to the address provided,
you can then make payment and collect
your lots. Please check with our cashiers
about lot locations prior to picking up your
purchases. Their telephone number is
+1 212 636 2495. Remember, lots can be
subject to handling and administration
charges after the sale, always check the
catalogue for precise details on when charges
begin.

IMPORTANT INFORMATION

1
All written bids are subject to the Conditions
of Sale and Notices printed in the catalogue.
2
Although to be certain of buying a lot you
should attend the auction, Christies will use
reasonable efforts to carry out written bids
delivered to us prior to the sale. A maximum
price should be given against each lot and the
auctioneer will bid on your behalf. Written
bids should be consistent with the normal
increment in bidding at the relevant level.
3
If your bid is successful, the purchase price
payable will be the aggregate of the final
bid and a buyers premium of 25% on each
lot up to and including $100,000 plus 20%
of the excess above $100,000 up to and
including $2,000,000 plus 12% of any sum
in excess of $2,000,000, together with any
additional applicable charges, such as sales
or compensating taxes.
4
Please ensure you have left bids on the
correct lots and that your written bids are
received by no later than the day before the
sale begins. In certain circumstances it may
not be possible to execute bids received after
the start of the sale.

5
If we receive written bids on a particular lot
for identical amounts, and at the auction
these are the highest bids for the lot, it will
be sold to the person whose written bid
was received and accepted first. Written
bids submitted on no reserve lots will, in
the absence of a higher bid, be executed
at approximately 50% of the low pre-sale
estimate or at the amount of the bid if it is
less than 50% of the low pre-sale estimate.
The auctioneer may execute absentee bids
directly from the rostrum clearly identifying
these as absentee bids, book bids,order
bids or commission bids. Absentee Bids
Forms are available in this catalogue, at any
Christies location or online at christies.com.
6
Please note that we do not accept
responsibility for notifying you of the result of
your bid and request that you contact us after
the sale for your result.
7
Purchases must be paid for and picked
up within 35 days of the sale, after which
handling and administration fees may accrue
in accordance with notices in salerooms
and as set forth in the POST-SALE CARE
section in this catalogue.

8
To ensure that bids will be accepted and that
delivery of lots is not delayed, new clients
or existing clients planning to spend sums
inconsistent with their buying history may be
asked to supply written bank or other suitable
references to Christies. The references should
be supplied in good time before the sale.
Collection orders for purchased lots will not
be posted. Please enquire with Cashiers
+1 212 636 2480.
9
At the time of making payment for successful
bids, please inform us if you wish to contact
Christies Art Transport Department for
shipping or removal.
10
Export Licences: Overseas buyers, please
ensure that you are aware of any restriction
or licence requirements for your intended
purchase. If you are unsure, please contact
your local customs authority, an international
shipper or Christies Art Transport Department
on +1 212 636 2480.
11
Execution of written bids is a free service
undertaken subject to other commitments
at the time of the sale. The volume of goods
is such that we cannot accept liability in any
individual instance for failing to execute a
written bid or for errors and omissions in
connection with it arising from circumstances
beyond our reasonable control.

Absentee Bids
Please see reverse for Important Information
If you cant attend an auction in person,
dont miss out, leave a written bid and well
do the rest BID NOW its quick, convenient
and confidential.

LOT NUMBER

MAXIMUM BID (US$) (EXCLUDING BUYERS PREMIUM)

SALE DETAILS

to fax this form, please trim here.

Sale title:
CHRISTIES INTERIORS
Sale date/time: Tuesday 24 February at 10 am
Tuesday 24 February at 2 pm
Wednesday 25 February at 10 am
Wednesday 25 February at 2 pm
Sale number: SADIE-3711

TO BID NOW
ONE
DECIDE ON YOUR MAXIMUM BID
You might not end up paying this much. We will bid on your behalf
up to your limit in order to buy the lot for you at auction. Of course,
written bids always remain totally confidential. Dont forget that your
final invoice will also include buyers premium and any additional
applicable charges, such as sales or compensating taxes where
applicable.

TWO
PLACE YOUR BID
Form
Complete this form by filling in the lot numbers and your maximum
bids together with your contact details.
Hand this form into the Bids Department or fax it to us on
+1 212 636 4938. Please remember this form should only be used
for the sale detailed above. Please write in clear, BLOCK CAPITALS.

Online

YOUR CLIENT ACCOUNT NUMBER

NAME

INVOICE ADDRESS

Please log onto christies.com and follow the simple instructions.

Telephone
Please call the Bids Department on +1 212 636 2437.

ZIP/POSTCODE

Written Bids must be received the day before the sale.

COUNTRY

If you have not previously bid or consigned with Christies,


please attach copies of the following documents. Individuals:
government-issued photo identification (such as a driving
licence, national identity card, or passport) and, if not shown
on the ID document, proof of current address, for example a
utility bill or bank statement. Corporate clients: a certificate
of incorporation. Other business structures such as trusts,
offshore companies or partnerships: please contact the Credit
Department at +1 212 636 2490 for advice on the information
you should supply. If you are registering to bid on behalf
of someone who has not previously bid or consigned with
Christies, please attach identification documents for yourself
as well as the party on whose behalf you are bidding, together
with a signed letter of authorization from that party.
New clients, clients who have not made a purchase from any
Christies office within the last two years, and those wishing
to spend more than on previous occasions will be asked to
supply a bank reference.

EMAIL

THREE
CHECK THE RESULTS

I HAVE READ AND UNDERSTOOD THE TERMS AND CONDITIONS SET OUT ON THE REVERSE

To find out if you have been successful you can call the automated
results line on +1 212 703 8080.
Remember, lots can be subject to storage charges after
the sale.

TELEPHONE

MOBILE

FAX NUMBER

BIDDERS NOT YET KNOWN TO CHRISTIES SHOULD SUPPLY A BANK REFERENCE

NAME OF BANK(S)

ADDRESS OF BANK(S)

ACCOUNT NUMBER(S)

NAME OF ACCOUNT OFFICER(S)

BANK TELEPHONE NUMBER(S)

SIGNED

DATED

Please check if you would like to receive an email with the results of your bid(s) and if successful,
a link to your invoice on Christies.com

Please ensure your details are correct as we cannot change the


invoice name once the invoice has been issued.

73

All you need to know


EXPLANATION OF
CATALOGUING PRACTICE
Some of the terms we use in catalogue descriptions
might be unfamiliar to you. Weve outlined below
these expressions and their explanations.
FOR PICTURES, DRAWINGS, PRINTS AND MINIATURES
Terms used in this catalogue have the meanings ascribed to
them below. Please note that all statements in this catalogue
as to Authorship are made subject to the provisions of the
CONDITIONS OF SALE and LIMITED WARRANTY. Buyers are
advised to inspect the property themselves. Written condition
reports are usually available on request.
Name(s) or Recognised Designation of an Artist
without any Qualification
In our opinion a work by the artist.
*Attributed to
In our opinion probably a work by the artist
in whole or in part.
*Studio of / Workshop of
In our opinion a work executed in the studio or workshop of the
artist, possibly under his supervision.
*Circle of
In our opinion a work of the period of the artist and showing
his influence.
*Follower of
In our opinion a work executed in the artists style
but not necessarily by a pupil.
*Manner of
In our opinion a work executed in the artists style
but of a later date.
*After
In our opinion a copy (of any date) of a work of the artist.
Signed /Dated / Inscribed
In our opinion the work has been signed/dated/inscribed
by the artist.
With signature / bears signature.../With date /
bears date.../With inscription /bears inscription...
In our opinion the signature/date/inscription appears to be by a
hand other than that of the artist.
The date given for Old Master, Modern and Contemporary
Prints is the date (or approximate date when prefixed with
circa) on which the matrix was worked and not necessarily the
date when the impression was printed or published.
*This term and its definition in this Explanation of cataloguing
practice are a qualified statement as to Authorship. While the
use of this term is based upon careful study and represents
the opinion of specialists, Christies and the consignor assume
no risk, liability and responsibility for the authenticity of
authorship of any lot in this catalogue described by this term,
and the Limited Warranty shall not be available with respect
to lots described using this term.
EUROPEAN CERAMICS
Buyers are recommended to inspect the property themselves.
Written condition reports are usually available on request.
A German cup and saucer
Meissen, Blue crossed swords, mark, date
In our opinion both were made at the factory
named and match.
A German cup and a saucer
The cup Meissen, Blue crossed swords
In our opinion both pieces were made at the factory
named but do not necessarily match.
A Worcester style plate
In our opinion not made in the factory, place or region named
but using decor-ation inspired by pieces made therein.
A Svres-pattern plate
In our opinion not made in the factory, place or region named
but using decor-ation inspired by pieces made therein.
A Pratt-ware plate
In our opinion not made in the factory, place or region named
but near in the style or period to pieces made therein.

74

Modelled by
In our opinion made from the original master mould made
by the modeller and under his supervision.
After the model by
In our opinion made from the original master mould made
by that modeller but from a later mould based on the original.
Painted by
In our opinion can properly be attributed to that decorator
on stylistic grounds.
FOR FURNITURE AND OBJECTS OF ART
A LOUIS XV KINGWOOD COMMODE
MID-18TH CENTURY
This heading printed in capital letters, with the inclusion
of the date in capital letters, means that in Christies opinion
the piece is essentially of the period.
A LOUIS XV KINGWOOD COMMODE
This heading printed in capital letters, without the date included,
means that in Christies qualified opinion the piece is essentially
of the period.
A LOUIS XV STYLE KINGWOOD COMMODE
This heading printed in capital letters, with the word STYLE
included in capital letters, means that in Christies qualified
opinion the piece is an intentional copy of an earlier design.
FOR SILVER
A GEORGE II SILVER CUP AND COVER
Mark of Paul de Lamerie,
London, 1735
In Christies opinion either made in the workshop of the
master or struck with his sponsors mark prior to retailing and
hallmarked at the London Assay Office between May 29, 1735
and May 29, 1736. The date letter has usually, but not always,
changed since the early 18th century on, or around, May 29.
Prior to the 18th century, the date letter changed on various
dates ranging from May 8 to August 3. Since 1975, the date
letter has run from January 2 to January 1 of the subsequent
year. Other countries and English, Irish and Scottish provincial
offices have varying dating systems.
A GEORGE II SILVER CUP AND COVER
circa 1735
In Christies opinion made during the specified monarchs reign
and unmarked or struck with illegible marks.
A GEORGE II SILVER CUP AND COVER
Bearing marks for London, 1735,
with the mark of Paul De Lamerie
In Christies opinion made during the specified monarchs reign
and, in all probability, in the workshop of, or sponsored by,
the maker cited, but with marks transposed from a previously
hall marked object. In some instances the catalogue may note
that these transposed hall marks have been cancelled to bring
them into conformity with modern English hallmaking laws.
Please note that the ounce weights given in this catalogue
are troy ounces.
OTHER
None of the electrical goods offered in this catalogue
have been tested. We strongly advise that all electrical items
be inspected by a certified electrician and any intended
re-commissioning is undertaken by an appropriately qualified
electrician.
In respect of mechanical pieces such as clocks, no
representation is made or warranty given that any such item is in
working order and nothing in the catalogue description should
be taken as such.
The date given for Old Master, Modern and Contemporary
Prints is the date (or approximate date when prefixed with
circa) on which the matrix was worked and not necessarily the
date when the impression was printed or published.
Measurements of Prints are taken where possible from the
platemark (P), otherwise they record the size of the sheet (S)
or the borderline of the subject (L). All measurements are in
centimeters to the nearest centimeter and are approximate.
ALL DIMENSIONS ARE APPROXIMATE

IMPORTANT NOTICES
CONDITION
All property is sold as is. It is yours or your agents
specific responsibility to inspect the property and to read the
Conditions of Sale section contained in this catalogue before
bidding upon it. The existence or absence of a condition report
relating to the property does not imply that the lot is limited to
any defects referred to nor free from any defects not referred to
in that condition report. A condition report is given for guidance
only and the extent of any damage or restoration must be
confirmed by your examination of that lot prior to the sale.
A GUIDE TO SYMBOLS

NO RESERVE (the title line of the lot description


and the symbol are printed in red)
In these cases the lot is sold without reserve.

CHRISTIES INTEREST
From time to time, Christies may offer a lot which it owns in
whole or in part. Such property is identified in the catalogue
with the symbol next to its lot number.
On occasion, Christies has a direct financial interest in lots
consigned for sale, which may include guaranteeing a minimum
price or making an advance to the consignor that is secured
solely by consigned property. Where Christies holds such
financial interest on its own we identify such lots with the
symbol next to the lot number.
Where Christies has financed all or part of such interest through
a third party the lots are identified in the catalogue with the
symbol u. When a third party agrees to finance all or part of
Christies interest in a lot, it takes on all or part of the risk of
the lot not being sold, and will be remunerated in exchange
for accepting this risk based on a fixed fee if the third party is
the successful bidder or on the final hammer price in the event
that the third party is not the successful bidder. The third party
may also bid for the lot. Where it does so, and is the successful
bidder, the remuneration may be netted against the final
purchase price. If the lot is not sold, the third party may incur a
loss. Please see http://www.christies.com/ financial-interest/ for
a more detailed explanation of minimum price guarantees and
third party financing arrangements.
Where Christies has an ownership or financial interest in every
lot in the catalogue, Christies will not designate each lot with a
symbol, but will state its interest in the front of the catalogue.

~
PROPERTY INCORPORATING MATERIALS
FROM ENDANGERED AND OTHER PROTECTED SPECIES
Property made of or incorporating (irrespective of percentage)
endangered and other protected species of wildlife are marked
with the symbol ~ in the catalogue. Such material includes,
among other things, ivory, tortoiseshell, crocodile skin, rhinoceros horn, whale bone and certain species of coral, together
with Brazilian rosewood. Prospective purchasers are advised that
several countries prohibit altogether the importation of property
containing such materials, and that other countries require a
permit (e.g., a CITES permit) from the relevant regulatory agencies in the countries of exportation as well as importation. Accordingly, clients should familiarize themselves with the relevant
customs laws and regulations prior to bidding on any property
with wildlife material if they intend to import the property into
another country. For example, the U.S. generally prohibits the importation of articles containing species that it has designated as
endangered or threatened if those articles are less than 100 years
old. Please note that it is the clients responsibility to determine
and satisfy the requirements of any applicable laws or regulations applying to the export or import of property containing
endangered and other protected wildlife material. The inability of
a client to export or import property containing endangered and
other protected wildlife material is not a basis for cancellation or
rescission of the sale. Please note also that lots containing potentially regulated wildlife material are marked as a convenience to
our clients, but Christies does not accept liability for errors or for
failing to mark lots containing protected or regulated species.
NOTICE REGARDING BURMESE STONES
Items which are made of, or contain, rubies or jadeite originating
in Burma (Myanmar) may not be imported into the U.S. As a
convenience to our bidders, lots which contain rubies or jadeite
of Burmese origin or of indeterminate origin have been marked
with . Please be advised that a purchasers inability to import
any such item into the U.S. or any other country shall not
constitute grounds for nonpayment or cancellation of the sale.
Please note that with respect to items that contain any other
types of gemstones originating in Burma (e.g., sapphires),
such items may be imported into the U.S., provided that the
gemstones have been mounted or incorporated into jewelry
outside of Burma and provided that the setting is not of a
temporary nature (e.g., a string).

All you need to know


HOW DOES THE AUCTION WORK?
Bidding generally opens below the low estimate
and advances in increments of up to 10%, subject
to the auctioneers discretion. Written bids that
do not conform to the increments set below may
be lowered to the next increment.
$0 to $2,000 by $100s
$2,000$3,000 by $200s
$3,000$5,000 by $200, 500, 800 (i.e $4,200, 4,500, 4,800)
$5,000$10,000 by $500s
$10,000$20,000 by $1,000s
$20,00030,000 by $2,000s
$30,000$50,000 by $2,000, 5,000, 8,000
(i.e. $32,000, 35,000, 38,000)
$50,000$100,000 by $5,000s
$100,000$200,000 by $10,000s
above $200,000 at auctioneers discretion
The auctioneer may vary the increments during the course
of the auction at his or her own discretion.Note that published
estimates do not include buyers premium or applicable
sales taxes. Buyers should not rely upon estimates as a
representation or a prediction of actual selling prices.
CONDITION REPORTS
Condition reports for most lots in the Interior Sales are
available online at www.christies.com. Condition reports are
provided as a service to interested clients. Prospective buyers
should note that descriptions of property are not warranties
and that each lot is sold as is.
SALEROOM NOTICES
Details in this catalogue can be subject to change after it
has been printed. For example, some extra provenance or
information might have come to light over a particular lot, or
the lot itself might have been withdrawn from the sale, or the
estimate might have changed.
These details will appear in the saleroom notice for that
particular sale and is available at the Bids Office,
+1 212 636 2437.
Please check with the Bids Office for last minute changes
prior to the sale.

PAYMENT & SUCCESSFUL BIDS


All you need to know on how, when and where to pay
New clients or existing clients planning to spend sums
inconsistent with their buying history may be asked to supply
written bank or other suitable references.
PAYMENT
Under normal circumstances, buyers are expected to pay for
purchases within seven calendar days after the auction and
to remove the property that they have bought by that date.
Payment can be made by personal check, bank wire transfers,
cash (in US currency up to $7,500), Travellers checks (in US
currency up to $7,500), and money orders (in US currency up
to $7,500).
If you are planning on paying in person, our Cashiers will
accept payment for collection Monday through Friday from
9:30 am until 5:00 pm at both Christies Rockefeller Plaza and
Redstone in Long Island City. Purchased property can only
be picked up on those days up to 4:30 pm at both Christies
Rockefeller Plaza and Redstone in Long Island City.
Checks and money orders should be made payable to
Christies Inc.. Bank transfers should be made to: JP Morgan
Chase Bank, N.A., 270 Park Avenue, New York, NY 10017,
ABA# 021000021, FBO: Christies Inc., Account # 957107978. For international transfers, SWIFT: CHASUS33. Please
be sure to specify your name, invoice number, sale and lot
numbers to ensure proper credit to your account.
Please note that Christies will not accept payments for
purchased Lots from any party other than the buyer, unless
otherwise agreed in writing between the buyer and Christies
prior to the sale.
SUCCESSFUL ABSENTEE BIDS
Christies is not able to notify successful absentee bidders.
While invoices are sent out by mail after the auction we do
not accept responsibility for notifying you of the result of
your bid. Buyers are requested to contact us by telephone or
in person as soon as possible after the sale to obtain details
of the outcome of their bids to avoid incurring unnecessary
handling charges.
Auction Results: +1 212 703 8080
SALES TAX AT CHRISTIES NEW YORK
Purchases picked up in New York or delivered to locations
in California, Florida, Illinois, Massachusetts, New York,
Pennsylvania, Rhode Island or Texas may be subject to sales or
compensating use tax of such jurisdiction.
It is the buyers responsibility to ascertain and pay all taxes
due. Buyers claiming exemption from sales tax must have the
appropriate documentation on file with Christies prior to the
release of the property. For more information, please contact
Purchaser Payments at +1 212 636 2495.

75

All you need to know Taking it Home


Every year we sell tens of thousands of lots of all shapes
and sizes. Lots from Interiors Sales marked with a square
n will go to Christies Redstone in Long Island City
following the sale. All other lots will be kept at Christies
Rockefeller until they are transferred to Redstone 21
days after the sale
WHERE TO COLLECT
You can pay for and collect all sold lots from Christies
Rockefeller only until 5.00 pm on the last day of the sale.
Items marked with a square n in the catalogue are transferred
to Christies Redstone Post-Sale Facility in Long Island City at
that time. They will be available at Redstone on the following
Monday. All other lots will be kept at Christies Rockefeller for
21 days, after which they will be transferred to Redstone and
available for collection after two business days. Property
may be transferred at Christies discretion following the sale
and we advise that you contact Purchaser Payments on
+1 212 636 2495 to confirm your propertys location at
any given time.
Failure to collect your property within 35 calendar days
of the auction date from any Christies location, will
result in handling and administration charges plus any
applicable taxes.
Please see information below which contains a location map,
contact details for Christies and Redstone, days and times
when property is available for pick-up, and rate information
related to handling, loss and liability coverage, administration
and transfer of your property.

CHARGES

ALL PROPERTY

Administration (per lot, due on Day 36)


Handling (per lot/day beginning Day 36)

$150.00
$12.00

HOW TO COLLECT
All lots must be paid for at Christies prior to collection.
Please ensure that you bring your invoice as well as some form
of identification such as a drivers licence or passport to obtain
a Collection Order that will allow your lot to be released to
you directly, your agent or via Art Transport.
If you are collecting from Redstone you will need your invoice
and proof of identification. In order to ensure
this, please schedule a collection time in advance, and bring
a copy of your Collection Order with you. Please note that
payment for lots will be accepted at the Redstone.
SHIPPING
A shipping form is enclosed with each invoice. It is the buyers
responsibility to pick up purchases or make all shipping
arrangements. After payment has been made in full, Christies
can arrange property packing and shipping at the buyers
request and expense. Where Christies arranges and bills for
such services via invoice or credit card, an administration
charge will apply. We recommend that buyers request an
estimate for any large items or property of high value that
require professional packing. For more information, please
contact Christies Art Transport Department on +1 212 636
2480.

EXPORT/IMPORT PERMITS
Buyers should always check whether an export and/or import
licence is required before exporting to a foreign country. It is
the buyers sole responsibility to obtain any relevant export or
import licences.
The denial of any licence or any delay in obtaining licences
shall neither justify the rescission of any sale nor any delay in
making full payment for the lot.
Christies can advise buyers on the detailed provisions of the
export licensing regulations and will submit any necessary
export licence applications on request. If a license is obtained
on a buyers behalf, a minimum fee of $150 per item will be
charged. However, Christies cannot ensure that a licence
will be obtained. Local laws may prohibit the import of some
property and/or may prohibit the resale of some property
in the country of importation. For more information, please
contact Christies Art Transport Department on
+1 212 636 2480.

If you are arranging with your own carrier, please ask your
carrier to call Christies at least 24 hours in advance to book a
collection appointment to ensure your purchases/lots will be
ready for collection.
Please ensure your carrier arrives with:
1. Written authority to collect
2. Proof of their own identification
3. A copy of your invoice or accurate detail of sale
and lot numbers

Property can be transferred to Christies Fine Art Storage Services (CFASS) New York
at any time for environmentally controlled long term storage, per client request.
CFASS is a separate subsidiary of Christies and clients enjoy complete confidentiality. Contact
CFASS New York for details: Tel: + 1 212 974 4570, newyork@cfass.com

CHRISTIES ROCKEFELLER CENTER


20 Rockefeller Plaza,
New York, NY 10020
+1 212 636 2000
Main Entrance on 49th Street
Receiving/Shipping Entrance on 48th Street
Hours: 9.30 am to 5.00 pm
Monday-Friday except Public Holidays

76

CHRISTIES REDSTONE
POST-SALE
32-23 48th Avenue
Long Island City, NY 11101
+1 212 974 4500
Main Entrance on 48th Avenue
Receiving/Shipping Entrance on 48th Avenue
Hours: 9.30 am to 5.00 pm
Monday-Friday except Public Holidays

Conditions of Sale
These Conditions of Sale and the Important Notices and
Explanation of Cataloguing Practice contain all the terms on
which Christies and the seller contract with the buyer. They
may be amended by posted notices or oral announcements
made during the sale. By bidding at auction you agree to be
bound by these terms.
1. CHRISTIES AS AGENT
Except as otherwise stated Christies acts as agent for the
seller. The contract for the sale of the property is therefore
made between the seller and the buyer.
2. BEFORE THE SALE
(a) Examination of property
Prospective buyers are strongly advised to examine personally
any property in which they are interested, before the auction
takes place. Condition reports are usually available on request.
Neither Christies nor the seller provides any guarantee in
relation to
the nature of the property apart from the Limited Warranty in
paragraph 6 below. The property is otherwise sold as is.
(b) Catalogue and other descriptions
Our cataloguing practice is explained in the Important Notices
and Explanation of Cataloguing Practice after the catalogue
entries. All statements by us in the catalogue entry for the
property or in the condition report, or made orally or in writing
elsewhere, are statements of opinion and are not to be relied
on as statements of fact. Such statements do not constitute
a representation, warranty or assumption of liability by us of
any kind. References in the catalogue entry or the condition
report to damage or restoration are for guidance only and
should be evaluated by personal inspection by the bidder or a
knowledgeable representative. The absence of such a reference
does not imply that an item is free from defects or restoration,
nor does a reference to particular defects imply the absence of
any others. Estimates of the selling price should not be relied on
as a statement that this is the price at which the item will sell or
its value for any other purpose. Except as set forth in paragraph
6 below, neither Christies nor the seller is responsible in any way
for errors and omissions in the catalogue or any supplemental
material.
(c) Buyers responsibility
Except as stated in the Limited Warranty in paragraph 6
below, all property is sold as is without any representation
or warranty of any kind by Christies or the seller. Buyers are
responsible for satisfying themselves concerning the condition
of the property and the matters referred to in the catalogue
entry.
3. AT THE SALE
(a) Refusal of admission
Christies has the right, at our complete discretion, to refuse
admission to the premises or participation in any auction and
to reject any bid.
(b) Registration before bidding
Prospective buyers who wish to bid in the saleroom can
register online in advance of the sale, or can come to the
saleroom on the day of the sale approximately 30 minutes
before the start of the sale to register in person. A prospective
buyer must complete and sign a registration form and provide
identification before bidding. We may require the production
of bank or other financial references.
(c) Bidding as principal
When making a bid, a bidder is accepting personal liability to
pay the purchase price, including the buyers premium and
all applicable taxes, plus all other applicable charges, unless it
has been explicitly agreed in writing with Christies before the
commencement of the sale that the bidder is acting as agent
on behalf of an identified third party acceptable to Christies,
and that Christies will only look to the principal for payment.

(d) Absentee bids


We will use reasonable efforts to carry out written bids
delivered to us prior to the sale for the convenience of clients
who are not present at the auction in person, by an agent or
by telephone. Bids must be placed in the currency of the place
of the sale. Please refer to the catalogue for the Absentee Bids
Form. If we receive written bids on a particular lot for identical
amounts, and at the auction these are the highest bids on
the lot, it will be sold to the person whose written bid was
received and accepted first. Execution of written bids is a free
service undertaken subject to other commitments at the time
of the sale and we do not accept liability for failing to execute
a written bid or for errors and omissions in connection with it.
(e) Telephone bids
If a prospective buyer makes arrangements with us prior to the
commencement of the sale we will use reasonable efforts to
contact them to enable them to participate in the bidding by
telephone but we do not accept liability for failure to do so or
for errors and omissions in connection with telephone bidding.
(f) Currency converter
At some auctions a currency converter may be operated. Errors
may occur in the operation of the currency converter and we
do not accept liability to bidders who
follow the currency converter rather than the actual bidding in
the saleroom.
(g) Video or digital images
At some auctions there may be a video or digital screen. Errors
may occur in its operation and in the quality of the image and
we do not accept liability for such errors.
(h) Reserves
Unless otherwise indicated, all lots are offered subject to a
reserve, which is the confidential minimum price below which
the lot will not be sold. The reserve will not exceed the low
estimate printed in the catalogue. If any lots are not subject
to a reserve, they will be identified with the symbol next to
the lot number. The auctioneer may open the bidding on any
lot below the reserve by placing a bid on behalf of the seller.
The auctioneer may continue to bid on behalf of the seller up
to the amount of the reserve, either by placing consecutive
bids or by placing bids in response to other bidders. With
respect to lots that are offered without reserve, unless there
are already competing bids, the auctioneer, in his or her
discretion, will generally open the bidding at 50% of the low
pre-sale estimate for the lot. In the absence of a bid at that
level, the auctioneer will proceed backwards in his or her
discretion until a bid is recognized, and then continue up from
that amount. Absentee bids will, in the absence of a higher
bid, be executed at approximately 50% of the low pre-sale
estimate or at the amount of the bid if it is less than 50% of
the low pre-sale estimate. In the event that there is no bid on
a lot, the auctioneer may deem such lot unsold.
(i) Auctioneers discretion
The auctioneer has the right at his absolute and sole discretion
to refuse any bid, to advance the bidding in such a manner
as he may decide, to withdraw or divide any lot, to combine
any two or more lots and, in the case of error or dispute, and
whether during or after the sale, to determine the successful
bidder, to continue the bidding, to cancel the sale or to reoffer
and resell the item in dispute. If any dispute arises after the
sale, our sale record is conclusive.
(j) Successful bid and passing of risk
Subject to the auctioneers discretion, the highest bidder
accepted by the auctioneer will be the buyer and the striking
of his hammer marks the acceptance of the highest bid and
the conclusion of a contract for sale between the seller and
the buyer. Risk and responsibility for the lot (including frames
or glass where relevant) passes to the buyer at the expiration
of seven calendar days from the date of the sale or on
collection by the buyer if earlier.

4. AFTER THE SALE


(a) Buyers premium
In addition to the hammer price, the buyer agrees to pay to
us the buyers premium together with any applicable value
added tax, sales or compensating use tax or equivalent tax in
the place of sale. The buyers premium is 25% of the final bid
price of each lot up to and including $100,000, 20% of the
excess of the hammer price above $100,000 and up to and
including $2,000,000 and 12% of the excess of the hammer
price above $2,000,000.
(b) Payment and passing of title
Immediately following the sale, the buyer must provide us with
his or her name and permanent address and, if so requested,
details of the bank from which payment will be made. The
buyer must pay the full amount due (comprising the hammer
price, buyers premium and any applicable taxes) not later
than 4:30pm on the seventh calendar day following the sale.
This applies even if the buyer wishes to export the lot and
an export license is, or may be, required. The buyer will not
acquire title to the lot until all amounts due to us from the
buyer have been received by us in good cleared funds even in
circumstances where we have released the lot to the buyer.
(c) Collection of purchases
We shall be entitled to retain items sold until all amounts due
to us, or to Christies International plc, or to any of its affiliates,
subsidiaries or parent companies worldwide, have been received
in full in good cleared funds or until the buyer has satisfied such
other terms as we, in our sole discretion, shall require, including,
for the avoidance of doubt, completing any anti-money laundering or anti-terrorism financing checks we may require to
our satisfaction. In the event a buyer fails to complete any antimoney laundering or anti-terrorism financing checks to our
satisfaction, Christies shall be entitled to cancel the sale and
to take any other actions that are required or permitted under
applicable law. Subject to this, the buyer shall collect purchased
lots within seven calendar days from the date of the sale unless
otherwise agreed between us and the buyer.
(d) Packing, handling and shipping
Although we shall use reasonable efforts to take care when
handling, packing and shipping a purchased lot, we are not
responsible for the acts or omissions of third parties whom
we might retain for these purposes. Similarly, where we may
suggest other handlers, packers or carriers if so requested,
we do not accept responsibility or liability for their acts or
omissions.
(e) Export licence
Unless otherwise agreed by us in writing, the fact that the
buyer wishes to apply for an export license does not affect his
or her obligation to make payment within seven days nor our
right to charge interest or storage charges on late payment.
If the buyer requests us to apply for an export license on his
or her behalf, we shall be entitled to make a charge for this
service. We shall not be obliged to rescind a sale nor to refund
any interest or other expenses incurred by the buyer where
payment is made by the buyer in circumstances where an
export license is required.
(f) Remedies for non payment
If the buyer fails to make payment in full in good cleared
funds within the time required by paragraph 4(b) above, we
shall be entitled in our absolute discretion to exercise one
or more of the following rights or remedies (in addition to
asserting any other rights or remedies available to us by law):
(i) to charge interest at such rate as we shall reasonably
decide;
(ii) to hold the defaulting buyer liable for the total amount
due and to commence legal proceedings for its recovery
together with interest, legal fees and costs to the fullest extent
permitted under applicable law;
(iii) to cancel the sale;
(iv) to resell the property publicly or privately on such terms
as we shall think fit;
(v) to pay the seller an amount up to the net proceeds
payable in respect of the amount bid by the defaulting buyer;
(vi) to set off against any amounts which we, or Christies
International plc, or any of its affiliates, subsidiaries or parent
companies worldwide, may owe the buyer in any other
transactions, the outstanding amount remaining unpaid by the
buyer;

77

(vii) where several amounts are owed by the buyer to us,


or to Christies International plc, or to any of its affiliates,
subsidiaries or parent companies worldwide, in respect of
different transactions, to apply any amount paid to discharge
any amount owed in respect of any particular transaction,
whether or not the buyer so directs;
(viii) to reject at any future auction any bids made by or on
behalf of the buyer or to obtain a deposit from the buyer
before accepting any bids;
(ix) to exercise all the rights and remedies of a person
holding security over any property in our possession owned
by the buyer, whether by way of pledge, security interest or
in any other way, to the fullest extent permitted by the law
of the place where such property is located. The buyer will
be deemed to have granted such security to us and we may
retain such property as collateral security for such buyers
obligations to us;
(x) to take such other action as we deem necessary or appropriate.
If we resell the property under paragraph (iv) above, the
defaulting buyer shall be liable for payment of any deficiency
between the total amount originally due to us and the
price obtained upon resale as well as for all costs, expenses,
damages, legal fees and commissions and premiums of
whatever kind associated with both sales or otherwise arising
from the default. If we pay any amount to the seller under
paragraph (v) above, the buyer acknowledges that Christies
shall have all of the rights of the seller, however arising, to
pursue the buyer for such amount.
(xi) Failure to collect purchases
Where purchases are not collected within 35 calendar days
from the date of the sale, whether or not payment has
been made, we shall be permitted to transfer the property
to our Long Island City facility at the buyers expense, and
only release the items after payment in full has been made
of transportation, administration, handling, insurance and
any other costs incurred, together with payment of all other
amounts due to us or our affiliates.
(xii) Selling Property at Christies
In addition to expenses such as transport and insurance, all
consignors pay a commission according to a fixed scale of
charges based upon the value of the property sold by the
consignor at Christies in a calendar year. Commissions are
charged on a sale by sale basis.
5. EXTENT OF CHRISTIES LIABILITY
We agree to refund the purchase price in the circumstances
of the Limited Warranty set out in paragraph 6 below. Apart
from that, neither the seller nor we, nor any of our officers,
employees or agents, are responsible for the correctness of
any statement of whatever kind concerning any lot, whether
written or oral, nor for any other errors or omissions in
description or for any faults or defects in any lot. Except as
stated in paragraph (vi) below, neither the seller, ourselves,
our officers, employees or agents, give any representation,
warranty or guarantee or assume any liability of any kind
in respect of any lot with regard to merchantability, fitness
for a particular purpose, description, size, quality, condition,
attribution, authenticity, rarity, importance, medium,
provenance, exhibition history, literature or historical
relevance. Except as required by local law any warranty of any
kind whatsoever is excluded by this paragraph.

6. LIMITED WARRANTY
Subject to the terms and conditions of this paragraph,
Christies warrants for a period of five years from the date
of the sale that any property described in headings printed
in UPPER CASE TYPE (i.e. headings having all capital-letter
type) in this catalogue (as such description may be amended
by any saleroom notice or announcement) which is stated
without qualification to be the work of a named author or
authorship, is authentic and not a forgery. The term author
or authorship refers to the creator of the property or to
the period, culture, source or origin, as the case may be, with
which the creation of such property is identified in the UPPER
CASE description of the property in this catalogue. Only UPPER
CASE TYPE headings of lots in this catalogue indicate what
is being warranted by Christies. Christies warranty does not
apply to supplemental material which appears below the
UPPER CASE TYPE headings of each lot and Christies is not
responsible for any errors or omissions in such material. The
terms used in the headings are further explained in Important
Notices and Explanation of Cataloguing Practice. The warranty
does not apply to any heading which is stated to represent a
qualified opinion. The warranty is subject to the following:
(i) It does not apply where (a) the catalogue description
or saleroom notice corresponded to the generally accepted
opinion of scholars or experts at the date of the sale or fairly
indicated that there was a conflict of opinions; or (b) correct
identification of a lot can be demonstrated only by means
of either a scientific process not generally accepted for use
until after publication of the catalogue or a process which at
the date of publication of the catalogue was unreasonably
expensive or impractical or likely to have caused damage to
the property.
(ii) The benefits of the warranty are not assignable and shall
apply only to the original buyer of the lot as shown on the
invoice originally issued by Christies when the lot was sold at
auction.
(iii) The original buyer must have remained the owner of the
lot without disposing of any interest in it to any third party.
(iv) The buyers sole and exclusive remedy against Christies
and the seller, in place of any other remedy which might be
available, is the cancellation of the sale and the refund of
the original purchase price paid for the lot. Neither Christies
nor the seller will be liable for any special, incidental or
consequential damages including, without limitation, loss of
profits nor for interest.
(v) The buyer must give written notice of claim to us within
five years from the date of the auction. It is Christies general
policy, and Christies shall have the right, to require the buyer
to obtain the written opinions of two recognized experts in
the field, mutually acceptable to Christies and the buyer,
before Christies decides whether or not to cancel the sale
under the warranty.
(vi) The buyer must return the lot to the Christies saleroom
at which it was purchased in the same condition as at the time
of the sale.

7. COPYRIGHT
The copyright in all images, illustrations and written material
produced by or for Christies relating to a lot including the
contents of this catalogue, is and shall remain at all times the
property of Christies and shall not be used by the buyer, nor
by anyone else, without our prior written consent. Christies
and the seller make no representation or warranty that
the buyer of a property will acquire any copyright or other
reproduction rights in it.
8. TITLE INSURANCE
For certain specified lots in this sale, the seller has arranged to
purchase for the benefit of and at no cost to the buyers an
art title insurance policy (ATPI) issued by ARIS Title Insurance
Corporation. Policies insure against defective title and provide
indemnity for full value of the work (hammer price plus
buyers premium) plus outside the limit of liability defense
costs. Detailed information about how to obtain your art title
insurance policies for certain designated lots will be provided
upon request to successful bidders and other interested
parties. Policies will be dated and provide coverage from the
date that title transfers pursuant to paragraph 4(b) herein
and the buyer provides ARIS with their name and contact
details. Christies hereby disclaims any and all responsibility
and/or liability associated with said title insurance and the
provision thereof. For specific inquiries about coverage and
inception of coverage for purchased lots please contact ARIS
at 303.773.7300, 212.563.3600 or aris@aristitle.com. For
general information about art title insurance please visit the
ARIS website www.aristitle.com.
9. SEVERABILITY
If any part of these Conditions of Sale is found by any court
to be invalid, illegal or unenforceable, that part shall be
discounted and the rest of the conditions shall continue to be
valid to the fullest extent permitted by law.
10. LAW AND JURISDICTION
The rights and obligations of the parties with respect to
these Conditions of Sale, the conduct of the auction and
any matters connected with any of the foregoing shall be
governed and interpreted by the laws of the jurisdiction in
which the auction is held. By bidding at auction, whether
present in person or by agent, by written bid, telephone or
other means, the buyer shall be deemed to have submitted,
for the benefit of Christies, to the exclusive jurisdiction of
the courts of that country, state, county or province, and (if
applicable) of the federal courts sitting in such state.

Worldwide Salerooms and American Ofces


ARGENTINA
BUENOS AIRES

CHILE
SANTIAGO

Tel: +54 11 43 93 42 22

+56 2 2 2631642

Cristina Carlisle

Denise Ratinoff de Lira

BERMUDA
BERMUDA

COLOMBIA
BOGOTA

+1 401 849 9222


Betsy Ray

+571 635 54 00
Juanita Madrinan

BRAZIL
RIO DE JANEIRO

+5521 2225 6553


Candida Sodre
SO PAULO

+55 11 3061 2576


Nathalie Lenci

ITALY
MILAN

+39 02 303 2831


JAPAN
TOKYO

+81 (0)3 6267 1766


Ryutaro Katayama
MEXICO
MEXICO CITY

FRANCE
PARIS

+33 (0)1 40 76 85 85
INDIA
MUMBAI

+52 55 5281 5503


Gabriela Lobo
THE NETHERLANDS
AMSTERDAM

+91 (22) 2280 7905


Sonal Singh

CANADA
TORONTO

+31 (0)20 57 55 255


PEOPLES REPUBLIC
OF CHINA
HONG KONG

SWITZERLAND
GENEVA

+41 (0)22 319 1766


Eveline de Proyart
ZURICH

+41 (0)44 268 1010


Dr. Bertold Mueller
UNITED ARAB EMIRATES
DUBAI

+971 (0)4 425 5647


UNITED KINGDOM
LONDON, KING STREET

+44 (0)20 7839 9060


LONDON,
SOUTH KENSINGTON

+44 (0)20 7930 6074

+1 617 536 6000


Elizabeth M. Chapin
CHICAGO

+1 312 787 2765


Lisa Cavanaugh
DALLAS

+1 214 599 0735


Capera Ryan
HOUSTON

NEW YORK

+1 212 636 2000


PALM BEACH

+1 561 833 6952


Maura Smith
PHILADELPHIA

+1 610 520 1590


Christie Lebano
SAN FRANCISCO

+1 415 982 0982


Ellanor Notides

+1 713 802 0191


Jessica Phifer
LOS ANGELES

+1 310 385 2600


Rita Boyle
MIAMI

+852 2521 5396

+1 416 960 2063


Brett Sherlock

UNITED STATES
BOSTON

+1 305 445 1487


Jessica Katz
NEWPORT

Denotes Saleroom
ENQUIRIES? Call the Saleroom or Office

+1 401 849 9222


Betsy D. Ray

EMAIL info@christies.com

Christies Specialist Departments and Services


DEPARTMENTS
AFRICAN AND
OCEANIC ART
PAR: +33 (0)140 768 386
NY: +1 212 484 4898
AMERICAN
DECORATIVE ARTS
NY: +1 212 636 2230
AMERICAN FURNITURE
NY: +1 212 636 2230
AMERICAN ART
NY: +1 212 636 2140
ANGLO-INDIAN ART
KS: +44 (0)20 7389 2570
ANTIQUITIES
NY: +1 212 636 2245
ASIAN 20TH CENTURY
AND CONTEMPORARY
ART
NY: +1 212 468 7133
AUSTRALIAN PICTURES
KS: +44 (0)20 7389 2040
BOOKS AND
MANUSCRIPTS
NY: +1 212 636 2665
BRITISH & IRISH ART
KS: +44 (0)20 7389 2682
NY: +1 212 636 2120
SK: +44 (0)20 7752 3257
BRITISH ART ON PAPER
KS: +44 (0)20 7389 2278
SK: +44 (0)20 7752 3293
NY: +1 212 636 2120
BRITISH PICTURES
1500-1850
KS: +44 (0)20 7389 2945
CARPETS
NY: +1 212 636 2217
CERAMICS AND GLASS
NY: +1 212 636 2215
CHINESE PAINTINGS
NY: +1 212 636 2195

CHINESE
WORKS OF ART
NY: +1 212 636 2180
CLOCKS
KS: +44 (0)20 7389 2357
CORKSCREWS
SK: +44 (0)20 7752 3263
COSTUME, TEXTILES
AND FANS
SK: +44 (0)20 7752 3215
ENTERTAINMENT
MEMORABILIA
SK: +44 (0)20 7752 3281
FOLK ART
NY: +1 212 636 2230
FURNITURE
NY: +1 212 636 2200
HOUSE SALES
SK: +44 (0)20 7752 3260
ICONS
SK: +44 (0)20 7752 3261
IMPRESSIONIST AND
MODERN ART
NY: +1 212 636 2050
INDIAN AND
SOUTHEAST ASIAN ART
NY: +1 212 636 2190
INDIAN
CONTEMPORARY ART
NY: +1 212 636 2190
KS: +44 (0)20 7389 2700
INTERIORS
NY: +1 212 636 2032
SK: +44 (0)20 7389 2236
ISLAMIC WORKS OF
ART
KS: +44 (0)20 7389 2370
SK: +44 (0)20 7752 3239
JAPANESE ART
NY: +1 212 636 2160
KS: +44 (0)20 7389 2595
JEWELLERY
NY: +1 212 636 2300

KOREAN ART
NY: +1 212 636 2165
LATIN AMERICAN ART
NY: +1 212 636 2150
MINIATURES
NY: +1 212 636 2250
MODERN DESIGN
SK: +44 (0)20 7389 2142
MUSICAL INSTRUMENTS
NY: +1 212 636 2000
NINETEENTH CENTURY
FURNITURE AND
SCULPTURE
NY: +1 212 707 5910
OBJECTS OF VERTU
NY: +1 212 636 2250
OLD MASTER
DRAWINGS
NY: +1 212 636 2120
OLD MASTER
PAINTINGS AND
19TH CENTURY
EUROPEAN ART
NY: +1 212 636 2120
PHOTOGRAPHS
NY: +1 212 636 2330
PICTURE FRAMES
SK: +44 (0)20 7389 2763
POST WAR AND
CONTEMPORARY ART
NY: +1 212 636 2100
POSTERS
SK: +44 (0)20 7752 3208
PRINTS
NY: +1 212 636 2290
RUSSIAN
WORKS OF ART
NY: +1 212 636 2260
SCIENTIFIC
INSTRUMENTS
SK: +44 (0)20 7752 3286

SCULPTURE
KS: +44 (0)20 7389 2331
SK: +44 (0)20 7389 2794
SILVER
NY: +1 212 636 2250
TOPOGRAPHICAL
PICTURES
KS: +44 (0)20 7389 2040
SK: +44 (0)20 7752 3291
TWENTIETH CENTURY
DECORATIVE ART
AND DESIGN
NY: +1 212 636 2240
VICTORIAN PICTURES
KS: +44 (0)20 7389 2468
SK: +44 (0)20 7752 3257
WATCHES
NY: +1 212 636 2320
WINE
NY: +1 212 636 2270
AUCTION SERVICES
CHRISTIES AUCTION
ESTIMATES
Tel: +1 212 492 5485
Fax: +1 212 636 4930
www.christies.com
CORPORATE
COLLECTIONS
Tel: +1 212 636 2901
Fax: +1 212 636 4929
Email: celkies@christies.com
ESTATES AND
APPRAISALS
Tel: +1 212 636 2400
Fax: +1 212 636 2370
Email: info@christies.com
MUSEUM SERVICES
Tel: +1 212 636 2620
Fax: +1 212 636 4931
Email: awhiting@christies.
com
PRIVATE SALES
US: +1 212 636 2557
Fax: +1 212 636 2035
Email: vpfeiffer@christies.
com

OTHER SERVICES
CHRISTIES EDUCATION
New York
Tel: +1 212 355 1501
Fax: +1 212 355 7370
Email: christieseducation@
christies.edu
Hong Kong
Tel: +852 2978 6747
Fax: +852 2525 3856
Email: hkcourse@christies.
com
London
Tel: +44 (0)20 7665 4350
Fax: +44 (0)20 7665 4351
Email:
education@christies.com

CHRISTIES FINE ART


STORAGE SERVICES
London
+44 (0)20 7622 0609
london@cfass.com
New York
+1 212 974 4579
newyork@cfass.com
Singapore
Tel: +65 6543 5252
Email: singapore@cfass.com
CHRISTIES REDSTONE
Tel: +1 212 974 4500

Paris
Tel: +33 (0)1 42 25 10 90
Fax: +33 (0)1 42 25 10 91
Email: ChristiesEducationParis@ christies.com
CHRISTIES
INTERNATIONAL
REAL ESTATE
New York
Tel: +1 212 468 7182
Fax: +1 212 468 7141
Email:
info@christiesrealestate.com
London
Tel: +44 (0)20 7389 2551
Fax: +44 (0)20 7389 2168
Email:
info@christiesrealestate.com
Hong Kong
Tel: +852 2978 6788
Fax: +852 2845 2646
Email:
info@christiesrealestate.com

KEY TO ABBREVIATIONS:

KS: London, King Street


NY: New York,
Rockefeller Plaza
PAR: Paris
SK: London,
South Kensington
06/12/13

For a complete salerooms & offices listing go to christies.com

79

80

In this course prominent art world leaders and members of the

The Christies
Art Business
Course

Christies Education faculty guide participants through lectures


and discussions designed to provide an in-depth understanding
of the practical and theoretical aspects of the global art market.
Flexibly organised, you can take the course in its entirety or
subscribe to individual modules of particular interest.

Contact Information
To register or receive
further information visit
www.christies.edu or please call:
London + 44 (0) 20 7665 4350
New York +1 212 355 1501

LONDON

Tuesday evenings

NEW YORK Wednesday evenings

Module 1
The Art Market
4 18 March 2014

Module 1
Art and the Law
September 10 October 8, 2014

Module 2
Art Law
25 March 8 April 2014

Module 2
The Art Market
October 15 November 12, 2014

Module 3
Artistic Creativity & Art Business
15 29 April 2014
Module 4
Valuation & Art Appraisal
6 20 May 2014
Module 5
Collecting & Dealing in Art
27 May 10 June 2014
Module 6
Auction Business
17 June 1 July 2014

Module 3
Art and Valuation
January 7 February 4, 2015
Module 4
Auction Business
February 11 March 11, 2015
Module 5
The Art World Today
April 8 May 6, 2015

Module 7
Museums & the Art Market
8 22 July 2014
81

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