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Easy, right? Well, yes...except it really doesn't tell you anything about how to
write novels.
What you need are lots of specic steps to take, not just three broad ones.
What you need is for each step to contain concrete instructions on what,
precisely, to do. And you will nd all of this in the twelve steps below.
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One person's idea of how to write a novel will be a little dierent from
somebody else's. (Which is why you should feel free to adapt my novel writing
process to your own unique requirements.)
Perhaps the biggest dierence is this...
Some folks like to plan their ction in huge detail before they turn to
the business of drafting and revising it.
Other writers manage to get by on virtually no planning at all, or even
zero planning. They come from the "seat of the pants" school of
writing.
Which way is best? There is no absolute answer to that - if a particular way of
writing ction works for you, it works. End of story.
But if you are unsure and want me to make a recommendation, I would
suggest you plan your novel in as much detail as you can stand before you
write the rst draft. (For more on this, please read Planning vs. Writing a
Novel.)
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Because planning a long work of ction in detail is such a large task - not to
mention a potentially confusing one - the best way to tackle it is to break it
down into smaller parts. In all there are ve such parts...
Theme and Symbolism.
Character.
Viewpoint.
Setting.
Plot.
The next 5 steps are dedicated to these individual elements. By working on
them one by one (in Steps 5-9), the mammoth task of planning a novel is
made a lot simpler.
One nal caveat before tackling each element in turn: Performing each of
the next steps is not quite as simple as carrying out the necessary action
steps then moving on.
Why not? Because they all aect each other. Changing your main character,
for example, will have a knock-on eect on the plot. All this simply means is
that you will have to do some looking back and thinking ahead as you go.
(For more on this, please read Why Writing a Novel Isn't Like Baking a Cake.)
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write). But you certainly need to gure out who the major players are.
Second, you need to "get to know" the characters by writing proles,
or mini-biographies for them.
Getting to know your characters before you write a single word of the novel is
important. Fail to do this and they are unlikely to come across to the readers
as convincing human beings - and that's not going to do much for your
reputation as a novelist.
What should go into these "mini biographies" that you need to write for each
of the main characters? The section on How to Create Characters provides
the answers,.
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You will have noticed that, in this 12-step guide to how to write a novel, the
rst 9 deal with preparation and planning. That is quite deliberate.
According to agents, most novels are rejected because of weak
craftsmanship. My job, therefore, is to teach you the craft of how to write a
novel (and a little of the art, too) in as much detail as I can, and then how to
apply that craft eectively.
And guess what? You are far, far more likely to write a well-crafted novel if
you take the time and trouble to plan it in some detail rst.
If you choose to skip all the planning material above and jump straight into
the writing, that is okay. Chances are, though, the rst draft will end up being
a structural disaster zone - and you will then have to apply all my planning
techniques to it during the twelfth step: revision.
That's why I'm a fan of planning beforehand - particularly if you are writing
your rst novel.
And remember this: Although some people will tell you that the only truly
creative part of writing a novel is doing the actual writing, they are wrong. In
fact, starting out with a blank sheet of paper and lling it with characters and
places and events, using nothing but your imagination, is the very denition
of creativity.
Anyway, enough talk. Time to get drafting...
Some writers will tell you that writing a rst draft of a novel is agony. And
there is some truth to this. In fact, it's precisely at this stage that writer's
block is most likely to set in.
Tackled with a positive mindset, though, there is no reason that lling a few
hundred sheets of paper with words should not be a joyous experience.
The biggest mistake most newcomers to novel writing make is trying to draft
and edit at the same time (i.e. they get a sentence down on paper and them
immediately start trying to improve it).
Don't do this. First drafts are simply about getting black on white, no matter
how terrible the quality of the prose is. You shouldn't even think about
making the prose pretty until the next step.
When the time comes to actually perform this step, you will nd more
help on writing a rst draft here.
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Bookmark this page and return to it often - it's like the map that will stop you
getting lost.
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Getting Started
How to Write a Novel
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How Long Will It Take?
Becoming a Writer
Types of Novel
Planning a Novel
Finding Writing Ideas
Theme & Symbolism
Creating Characters
Point of View
Building the Setting
Plotting a Novel
Narrative Structure
Writing a Novel
Narration & Description
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