Professional Documents
Culture Documents
Lecture
Modes of Address
Modes of Address
Definition: Ways parts of a text or utterances are
number of ways
reflect the p
producers notions of who the
audience is
modes of address will vary depending on the
Genre
Categorised texts based on conventions of
Genre?
Formal features?
Content?
Modes of address
Influence by three interrelated factors:
Contexts of texts; eg conventions of genre
Social context; eg social composition of
receiver/reader
Technological constraints; media features used
eg synchronous interpersonal communication
- internet chat system (text only)
- telephone (utterances only)
Modes of address
Differ in
their directness,
their formality and
their narrative point-of-view
Points-of-view
third-person narration
omniscient narrator
-intrusive
-self-effacing
selective point-of-view of character(s)
first-person narration: narrated directly by a
character
Directness
Directness (Tolson, 1996)
you addressed directly
gaze
involves power
Direct mode of adddress
examples:
Newsreaders,
weather forecasters
Directness
Directness
Directness
Formality/Social distance
(Kress dan van Leeuwen, 1996)
Intimate
Personal
Social
Public or impersonal
Formality/Social distance
Language
intimate : not explicit, dependent upon nonverbal
personal: some explicitness, slightly less
dependent upon non
non-verbal
verbal
social: more explicit, partly dependent upon nonverbal
public/impersonal: very explicit, not dependent
upon non-verbal
Formality/social distance
Visual
Shot size
viewpoint
Plots usually resolved
Little sense of author/producer outside credits.
Audience invited in to experience another world.
Television
personal, direct address to viewer who is
acknowledged.
works to attract our attention because viewing
can be casual
texts such as News, soaps, sitcoms refuse
Radio
most personal/intimate,
regional/local - variations in accent , tone and
delivery.
distinctive audiences
attempts to construct dialogue with audience
(phone ins).
Access (your station).
Use of jingles to establish stations sense of
identity.
Magazines
direct address through text and images,
front page important in establishing identity.
can appeal to different aspects of personality
visual appeal important.
important
Newspapers
Broadsheets - impersonal , formal , detached.
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Codes (Fiske)
Narrowcast - limited audience
Broadcast - shared by members of a mass
audience
Bernstein calls
Interpellation (Althusser)
Althusser gave prominence to the notion of the
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Interpellation - Althusser
Ideology 'acts' or 'functions' in such a way that it 'recruits'
subjects among the individuals (it recruits them all) or
'transforms' the individuals into subjects (it transforms them all)
by that very precise operation which I have called interpellation
or hailing, and which can be imagined along the lines of the
p
p
police ((or other)) hailing:
g 'Hey,
y, yyou there!'
most commonplace
Assuming that the theoretical scene I have imagined takes place
in the street, the hailed individual will turn round. By this mere
one-hundred-and-eighty-degree physical conversion, he
becomes a subject. Why? Because he has recognized that the
hail was 'really' addressed to him, and that 'it was really him who
was hailed' (and not someone else).
(Althusser 1971: 174)
the text
the power of the mass media resides in their ability to
Interpellation
The familiarity of the codes) leads us to routinely
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Discussion question
1. Discuss the two visual texts given in terms of
its genre, receiver of the text, directness and
formality.
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