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Publications for Eric Csapo

2014
Csapo, E., Wilson, P. (2014). Dramatic Festivals. In Hanna M.
Roisman (Eds.), The Encyclopedia of Greek Tragedy, (pp. 292299). Chichester, UK: Wiley-Blackwell Publishing.
Wilson, P., Csapo, E. (2014). Economic History of the Greek
Theater. In Hanna M. Roisman (Eds.), The Encyclopedia of
Greek Tragedy, (pp. 307-314). Chichester, UK: WileyBlackwell Publishing.
Csapo, E., Green, J., Wilson, P., Rupprecht Goette, H. (2014).
Greek Theatre in the Fourth Century B.C. Berlin: Walter de
Gruyter.
Csapo, E., Wilson, P. (2014). Origins and History of Greek
Tragedy. In Hanna M. Roisman (Eds.), The Encyclopedia of
Greek Tragedy, (pp. 926-937). Chichester, UK: WileyBlackwell Publishing.
Csapo, E. (2014). Performing Comedy in the Fifth through
Early Third Centuries. In Michael Fontaine, Adele C Scafuro
(Eds.), The Oxford Handbook of Greek and Roman Comedy,
(pp. 50-69). Oxford: Oxford University Press.
Wilson, P., Csapo, E. (2014). Records. In Hanna M. Roisman
(Eds.), The Encyclopedia of Greek Tragedy, (pp. 1141-1142).
Chichester, UK: Wiley-Blackwell Publishing.
Csapo, E., Wilson, P. (2014). The Finance and Organisation of
the Athenian Theatre in the Time of Eubulus and Lycurgus. In
Eric Csapo, Hans Rupprecht Goette, J. Richard Green, Peter
Wilson (Eds.), Greek Theatre in the Fourth Century B.C, (pp.
393-424). Berlin: Walter de Gruyter.
Csapo, E. (2014). The iconography of comedy. In Martin
Revermann (Eds.), The Cambridge Companion to Greek
Comedy, (pp. 95-127). Cambridge: Cambridge University Press.

2013
Csapo, E. (2013). Comedy and the Pompe: Dionysian genrecrossing. In Emmanuela Bakola, Lucia Prauscello, Mario Telo
(Eds.), Greek Comedy and the Discourse of Genres, (pp. 4080). Cambridge, UK: Cambridge University Press.
Csapo, E. (2013), The Dionysian Parade and the Poetics of
Plenitude (UCL Houseman Lecture, UCL Department of Greek
and Latin, 20 February 2013).

2012
Csapo, E. (2012). 'Parade Abuse', 'From the Wagons'. In C.W.
Marshall and George Kovacs (Eds.), No Laughing Matter:
Studies in Athenian Comedy, (pp. 19-33). London, UK: Bristol
Classical Press.
Wilson, P., Csapo, E. (2012). From Choregia to Agonothesia:
Evidence for the Administration and Finance of the Athenian
Theatre in the Late Fourth Century BC. In D Rosenbloom and J
Davidson (Eds.), Greek Drama IV: Texts, Contexts,
Performance, (pp. 300-321). Oxford, United Kingdom: Aris
and Phillips.
Csapo, E. (2012). The Economics, Poetics, Politics,
Metaphysics, and Ethics of the "New Music". In D
Yatromanolakis (Eds.), Music and Cultural Politics in Greek
and Chinese Societies: Volume 1: Greek Antiquity. Cambridge:
Harvard University Department of the Classics.

2010
Csapo, E. (2010). Actors and Icons of the Ancient Theater.
United Kingdom: Wiley-Blackwell Publishing.
Csapo, E., Wilson, P. (2010). Le passage de la chorgie
l'agonothsie Athnes la fin du IVe sicle. In Brigitte Le
Guen (Eds.), Largent dans les concours du monde grec, (pp. 83105). Saint-Denis: Presses Universitaires de Vincennes.
Csapo, E. (2010). The Context of Choregic Dedications. In
Oliver Taplin and Rosie Wyles (Eds.), The Pronomos Vase and
its Context, (pp. 79-130). Oxford: Oxford University Press.
Csapo, E. (2010). The Production and Performance of Comedy
in Antiquity. In Gregory W Dobrov (Eds.), Brills Companion
to the Study of Greek Comedy, (pp. 103-142). Leiden: Brill.

2009
Csapo, E. (2009). Actors and Acting. The Oxford Encyclopedia
of Ancient Greece and Rome. Oxford University Press.
Csapo, E. (2009). New Music's Gallery of Images: the
"Dithyrambic" First Stasimon of Euripides'' Electra. In J.R.C.
Cousland and J.R. Hume (Eds.), The Play of Texts and
Fragments: Essays in Honour of Martin Cropp, (pp. 95-109).
Leiden, The Netherlands: Brill.
Wilson, P., Csapo, E. (2009). The End of the Khoregia in
Athens: A Forgotten Document. In M.C. Martinelli (Eds.), La
Musa dimenticata: aspetti dell esperienza musicale greca in et
ellenistica, (pp. 47-74). Pisa, Italy: edizioini della Normale.
Csapo, E. (2009). Theatrical Production, Greek. In M. Gagarin
(Eds.), The Oxford Encyclopedia of Ancient Greece and Rome.
UK: Oxford University Press.
Csapo, E., Wilson, P. (2009). Timotheus the New Musician. In
Felix Budelmann (Eds.), The Cambridge Companion to Greek
Lyric, (pp. 277-294). Cambridge: Cambridge University Press.

2008
Csapo, E. (2008). Star Choruses: Eleusis, Orphism, and New
Musical Imagery and Dance. In Martin Revermann and Peter
Wilson (Eds.), Performance, Iconography, Reception: Studies
in Honour of Oliver Taplin, (pp. 262-290). Oxford, NY, USA:
Oxford University Press.
Csapo, E. (2008). The Iconography of the Exarchos.
Mediterranean Archaeology, 19/20(2007), 55-65.

2007
Csapo, E., Miller, M. (2007). General Introduction. In Eric
Csapo & Margaret Miller (Eds.), The Origins of Theater in
Ancient Greece and Beyond: From Ritual to Drama, (pp. 1-40).
New York: Cambridge University Press.
Csapo, E. (2007). Satyr drama. Tragedy at play. Bryn Mawr
Classical Review, 57(2), 293-295.
Csapo, E. (2007). The Cultural Poetics of the Greek Cockfight.
Australian Archaeological Institute at Athens Newsletter.
Csapo, E. (2007). The Men who Built the Theatres:
Theatropolai, Theatronai, and Arkhitektones. In Peter Wilson
(Eds.), The Greek Theatre and Festivals: Documentary Studies,
(pp. 87-121). Oxford: Oxford University Press.

Csapo, E., Miller, M. (2007). The Origins of Theater.


Cambridge: Cambridge University Press.

2006
Csapo, E. (2006). Cockfights, Contradictions, and the
Mythopoetics of Ancient Greek Culture. Arts: the Proceedings
of the Sydney University Arts Association, 28, 9-41.

2005
Csapo, E. (2005). Theories of Mythology. Oxford: Blackwell
Publishers.

2004
Csapo, E. (2004). Some Social and Economic Conditions
behind the Rise of the Acting Profession in the Fifth and Fourth
Centuries B.C. In C. Hugoniot, F. Hurlet, S. Milanezi (Eds.),
Le Statut de l'acteur dans l'antiquit grecque et romaine, (pp.
53-76). Presses Universitaires Franois-Rabelais.
Csapo, E. (2004). The Politics of the New Music. In Penelope
Murray, Peter Wilson (Eds.), Music and the Muses: the Culture
of Mousike in the Classical Athenian City, (pp. 207-248).
United Kingdom: Oxford University Press.

2003
Csapo, E., Slater, W. (2003). Anthesteria. In Dennis Kennedy
(Eds.), Oxford Encyclopedia of Theatre and Performance. (pp.
64). Oxford: Oxford University Press.
Csapo, E. (2003). Cothornus. In Dennis Kennedy (Eds.),
Oxford Encyclopedia of Theatre and Performance. (pp. 327).
Oxford: Oxford University Press.
Csapo, E. (2003). Dionysia. In Dennis Kennedy (Eds.), Oxford
Encyclopedia of Theatre and Performance. (pp. 374-375).
Oxford: Oxford University Press.
Csapo, E. (2003). Dionysus. In Dennis Kennedy (Eds.), Oxford
Encyclopedia of Theatre and Performance. (pp. 375). Oxford:
Oxford University Press.
Csapo, E. (2003). Dionysus, Theatre of. In Dennis Kennedy
(Eds.), Oxford Encyclopedia of Theatre and Performance. (pp.
375). Oxford: Oxford University Press.
Csapo, E. (2003). Ekkyklema. In Dennis Kennedy (Eds.),
Oxford Encyclopedia of Theatre and Performance. (pp. 418).
Oxford: Oxford University Press.
Csapo, E. (2003). Greek Theatre, Ancient. In Dennis Kennedy
(Eds.), Oxford Encyclopedia of Theatre and Performance. (pp.
536-545). Oxford: Oxford University Press.
Csapo, E. (2003). Lenaea. In Dennis Kennedy (Eds.), Oxford
Encyclopedia of Theatre and Performance. (pp. 728). Oxford:
Oxford University Press.
Csapo, E. (2003). Mechane. In Dennis Kennedy (Eds.), Oxford
Encyclopedia of Theatre and Performance. (pp. 823). Oxford:
Oxford University Press.
Csapo, E. (2003). Orchestra. In Dennis Kennedy (Eds.), Oxford
Encyclopedia of Theatre and Performance. (pp. 974). Oxford:
Oxford University Press.
Csapo, E., Miller, M. (2003). Poetry, Theory, Praxis: The
Social Life of Myth, Word and Image in Ancient Greece.
Oxford: Oxbow Books.
Csapo, E. (2003). Preface. In Eric Csapo and Margaret C
Miller (Eds.), Poetry, Theory, Praxis: The Social Life of Myth,
Word and Image in Ancient Greece, (pp. vii-viii). Oxford:
Oxbow Books.

Csapo, E. (2003). Satyr-play. In Dennis Kennedy (Eds.),


Oxford Encyclopedia of Theatre and Performance. (pp. 1190).
Oxford: Oxford University Press.
Csapo, E. (2003). The Dolphins of Dionysus. In Eric Csapo
and Margaret C Miller (Eds.), Poetry, Theory, Praxis: The
Social Life of Myth, Word and Image in Ancient Greece, (pp. 6998). Oxford: Oxbow Books.
Csapo, E. (2003). Vitruvius. In Dennis Kennedy (Eds.), Oxford
Encyclopedia of Theatre and Performance. (pp. 1417). Oxford
University Press.

2002
Csapo, E. (2002). Kallippides on the floor-sweepings: the limits
of realism in classical acting and performance styles. In Pat
Easterling & Edith Hall (Eds.), Greek and Roman Actors:
Aspects of an Ancient Profession, (pp. 127-147). Cambridge,
UK: Cambridge University Press.
Csapo, E. (2002). Review of B. Le Guen, Les Associations de
Technites dionysiaques lpoque hellnistique. Bryn Mawr
Classical Review (Print Edition), 2002.07.16.
Csapo, E. (2002). Review of P.J. Wilson, The Athenian
Institution of the Khoregia. Phoenix, 56(1), 150-153.

2001
Csapo, E. (2001). The First Artistic Representations of Theatre:
Dramatic Illusion and Dramatic Performance in Attic and South
Italian Art. In G. Katz, V.F. Golini, and D. Pietropaolo (Eds.),
Theatre and the Visual Arts, (pp. 17-38). Ottawa, Canada:
Legas.

1999
Porter, J., Csapo, E., Marshall, C., Ketterer, C. (1999). Crossing
the Stages: The Production, Performance and Reception of
Ancient Theatre. Iowa: University of Iowa Press.

1995
Csapo, E., Slater, W. (1995). The Context of Ancient Drama.
Ann Arbor: University of Michigan Press.