Professional Documents
Culture Documents
McClendon, ed., Rome and the Provinces (New Haven Society of the
Archaeological Institute of America) 37-50.
JAMES R. WISEMAN
W I S E MAN
Stobi, MaCfdonia
Cemetery, outside the later Porta Heraclea (fig. 39, no. 30) .19
The forms of the graves were equally varied : e.g., arched or
flat tile constructions over inhumations or cremations;
sim pIe grave pits; and pits with covers of stone slabs,
sometimes with a stone peribolos marking the grave site. At
many of the graves, especially those in the West Cemetery,
there was evidence of a fire in the grave pit, probably in
conjunction with a funeral ritual (not for the cremations) .2o
The earliest of the Hellenistic burials may go back to the 3rd
century B.C., but most date to the 2nd and into the 1st
century B.C., as indicated both by the artifacts found in the
graves (including pottery, terracotta figurines , and coins),
and by a number of radiocarbon dates. 21 Pottery of the late
4th or 3rd century B.C. is known from within the townsite,
chiefly from one trench below the NE end of the Central
Basilica, but it cannot yet be associated with a contemporary
structure. 22
The archaeological evidence, then, points to the foundation
of a small town on the left bank of the Crna at its confluence
with the Vardar sometime in the 3rd century B.C. A
founding date in the 4th century B.C. or earlier is possible,
but if so we must suppose an even smaller original
community, or one whose center lay above the (unexcavated)
left bank of the Vardar. The population seems to have
increased during the 2nd century B.C., and the rather
modest material culture points to trade with regions both to
the north and south and with Asia Minor but with an
increasing amount of imported flOe pottery from Italy,
especially in the late 2nd and 1st centuries B.C. 23 There are
no inscriptions of the earlier period to identify linguistic
groups, but both the mixture of native and imported
elements in the material culture and the variety of burial
customs indicate a mixed population, including, we may
suppose , Paeonians and other IIlyric natives of the region;
Greeks and Macedonians, who followed in the wake of the
incursions of Philip II and Philip V; and Roman veterans,
especially following the Roman victory at Pydna in 168 B.C.
(Stobi in 167 B.C. became the salt emporium for the third
meris of Macedonia 24 ) and the creation of the province of
Macedonia in 146 B.C. 25
39
W I S E MAN
Stobi, Macedonia
and it is clear from the seats still in situ that they mark seating
areas according to membership in the phylai, that is, the
voting tribes ofStobi. The tribes are arranged three to a kerkis
in the lower tier; the tribal divisions presumably extended
into the upper tier. We may postulate a total of 21 city tribes,
the names ofsix of which are preserved (in Greek) among the
inscriptions: C[laudiJa?, Martia, Valeria, (Merc?)uria, Vibia,
and Terentia. 39 The proedria of the cavea, on a podium
raised high above the level of the unpaved orchestra,
originally looked out over a low railing which was soon
replaced by a post-and-net barrier that must have been
intended to provide the spectators with some protection
from the more violent forms of entertainment in the
orchestra. 4o
On the basis of the architectural and epigraphical evidence,
and supported by archaeological parallels and historical
references, we may envision three classes of activities in the
theater: 1) purely theatrical performances, whether plays,
mimes, or musical compositions; 2) combat and possibly
executions, both conceivably including the occasional use of
wild animals; and 3) gatherings of the citizens ofStobi for
official functions. 41 We may be certain that only on the latter
occasions, when a vote might be taken, members of the
audience were expected to seat themselves according to the
demarcations of the tribal units and individual seat assign
ments. The same may have been the case on all other
occasions, except that women would presumably have also
found seats within spaces allotted to their family.
The expansion of the town that has been characterized here,
albeit briefly, by the archaeological remains seems to have
begun early in the reign of Augustus. The expansion,
indeed, may have coincided with the granting of the ius
Italicum to the citizens ofStobi during that emperor's reign,
for we know from ancient literature that at that time Stobi
was an oppidum civium Romanorum ("town of Roman
citizens").42 It is likely that at the same time the town was
raised to the rank of municipium; it certainly was a municipium
by 69 B.C., from which date coins were minted at Stobi
bearing the legend MUN(icipium) STOB(ensium).43
It is unclear how early the irregular grid pattern of the later
Roman town (fig. 39) was imposed on the community. The
earliest ofeleven street surfaces exposed in the Via Sacra that
leads to the Porta Heraclea was in use by the 2nd or early 3rd
century A.D.44 It might also be noted that the Casa Romana
and the large building to its SW (the probable bath described
above) have an identical orientation, but one that is at
variance with the other buildings of the city south of the
synagogue (fig. 39). The main forum of imperial times has
not yet been located; I suspect it lay in the lower city, perhaps
somewhere in the area of fig. 39, no. 27.
4'
podium of the cavea , blocking the view from the first five
rows (but protecting the spectators);55 a barricade of identical
construction was placed across the parodoi so that the
orchestra/arena was completely enclosed (see fig. 45).56 The
central room of the scene building became a sanctuary of
Ultrix Augusta, an especially appropriate deity for the often
violent activities that took place in the theater. 57
The area south and west of the theater seems to have been
developed for the first time during the course of the 4th
century. The partially restored plan in figure 48 shows the
principal early structures in this district. Building D has been
restored as a square with a peristyle court on the basis of the
northern corridor, the only part excavated, but it probably
had a series of rooms opening off one or more of the other
corridors. A flagstone pavement north of Building D would
have led on the west to a ramp or stairway ascending to a
predecessor of the Via Sacra, which lay some 3 m. above the
use level of this area. To the east was Building E, a bath of
some elegance that was decorated in part with wall mosaics ,
and Building B , a two-storied structure of undetermined
function, both built close to the outer wall of the theater. 58
During the last quarter of the century the city's major
ecclesiastical complex was built in this area. The construction
of the chu rch itself (Building A in fig. 48), however, may be
associated with other important developments not only at
Stobi but also in Macedonia and throughout the empire. It
will be convenient, therefore, to take up the rise of Chris
tianity at Stobi in the context of a discussion of the city in Late
Antiquity.
W I S E MAN
Stobi, Macedonia
43
the streets that follow the line of the ridge. The conduits then
were tapped for fresh water by the residents situated
downslope, and were paralleled by sewage lines that received
waste and runoff from the structures upslope. 74
The principal streets, and even some of the minor ones, were
paved with a variety of materials, including in one instance
the ubiquitous theater seats (fig. 51).75 The Via Sacra was
lined with arcades and, like all the main streets, was
articulated by jogs and angles (fig. 45). This interruption of
otherwise possible long vistas seems to be a characteristic of
Late Antique urban design, as Professor William MacDonald
has pointed OUt. 76
There were at least 5, and possibly 6 churches in Stobi and its
suburban areas; all were apsidal, three-aisled basilicas. Of the
extramural churches, one basilica lay ca. 2 km. to the SW,
near the present village of Palikura, and a second near the
Porta Heraclea. 77 The latter, built over a portion of the West
Cemetery, became the Cemetery Basilica for the city about
the middle of the 5th century .78 That part of the cemetery
closer to the city wall (fig. 39, no. 30) ceased to be used for
burials before the middle of the 4th century, and modest
structures (residences or small shops) were erected there in
the course of the next century. 79 This circumstance suggests
that the area later occupied by the Cemetery Basilica and the
immediate vicinity may have been designated hallowed
ground for the Christian dead even in the second quarter of
the century.
The North Basilica (fig. 39, no. 2) was one of two churches
within the city that possessed a baptistery, the one here b~ing
a small, cruciform construction . Further to the south the
upper part of the synagogue was dismantled and the area
filled in, after the middle of the 5th century, to provide a
higher base for a Christian church, the Central Basilica (fig.
39, no. 6). The contiguous structure on the south, also
previously connected to the synagogue, was remodelled and
used as a residence for clergy.8o The conversion of a place
sacred to the Jews for over three centuries into a Christian
ecclesiastical complex clearly marks a major change in the
fortunes of the Jewish community of Stobi. No other
synagogue has been found at Stobi.
The most monumental of the churches ofStobi was the
Episcopal Basilica built about the middle of the 5th century
on an artificial terrace raised some 4 m. above the floor of its
predecessor (fig. 52). The floors of the narthex and south
aisle were paved with mosaics, while opus sectile of slate and
marble was used in the north aisle and the presbyterium; a
combination of the two served as the original pavement of
the nave. The walls were covered with frescoes and, perhaps
in the apse, with wall mosaics. The apse itself had a sunken
crypt for a martyrium and a colonnaded ambulatory (fig.
53)81
44
W I S E MAN
Slobi, Macedonia
45
4
5
6
7
8
10
11
12
Studies I, 15
17 I van MikulCic, "Swbi - (Peristerija) - Kasnohelenisticki
W I S E MAN
43
npL~LnLAapLov
55
min ted its own coins at least from A.D. 69 until the reign of
Episcopal Basilica (fig. 39, no. 20) , pottery of the 2nd and
17)
237
56
57
Ibid ., 18.
Ibid., W-MZ (1976) 274- 277.
44
B
1-74-6: f(aLov) AtAOv npEi:oKov
Stobi, Macedonia
45
46
47
48
49
50
5I
52
53
54
47
W I S E MAN
Stobi, Macedonia
49
Table 1
A summary of investigations at Stobi
Table 2
Selected dates and historical events at Stobi
Stobi in existence
167 B.C.
119 B.C.
Stobi expands greatly in area; becomes a municipium; enjoys the ius Italicum
69
50
W I S EM A N
Stobi, Macedonia
2nd century
Stobi struck by at least one earthquake; lower city flooded; Goths operating in the region
ca. 386
Stobi becomes capital (?) of new province of Macedonia Salutaris (later Macedonia Secunda)
Theater closed; large church built; catastrophic landslide and flood; Alaric and the
447
Mid-5th century
New Episcopal Basilica built above earlier church; Christian church replaces synagogue;
479
Late 5th
Early 6th century
535-545
5 6 9-57 0
Late 6th
7th? centuries
680
101 4
W I S E MAN
Slohl, Mo(pdnnia
75
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50 MILES
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W I S E MAN
Slobi, Macedonia
32
~~-
-
/
39,
' +
Map of Stobi,
I, Museum
2, North Basilica
3, Small Residences
4, Civil Basilica
5' Little Bath
6, Central Basilica and Synagogues
7, House of Psalms
8, Central Fountain
9, Large Bath
10,
IL
12,
13,
14,
15,
16,
The map was drawn by C. Salit, FP. Hemans and E, Scull and is based on
an earliersurveyanddrawingby Paul Huffman (1971 land David B. Peck
(1972) with additions by Charles Ehrhorn (1973) and Hemans (1974).
25,
26,
27,
28,
29,
30,
31,
32.
m.
EB
Casino
Via Axia
Inner City Wall
Casa Romana
East City wall and Turkish Bridge
West Cemetery
Cemetery Basilica
Palikura Basilica
77
-------
40. Stobi . two silver denarii from the coin hoard found below the synagogue.
The coin on the left. in\'. no. 74-948. is one of several issued by C. Cassius.
the coin on the right. 74-9:16, an issue of M. Porcius Laeca. dates to 125
42 .
Stobi, molded stucco panels and pilasters in the Casa Romana. View of
the upper part of the south wall.
4 I.
35 m
F.P. Hemans)
W I S E MAN
Stobi, Macedonia
43. Stobi. street paved with flagstones between the Cas a Roman a (left) and
the East City Wall (right); view to north . The lower deposits (first "step,"
in center) of the late 3rd century were ca pped by a stratum of debris .
then riverine deposits , visible in the scarp of the trench. The catastrophic
mudslide is represented by the stratum that crosses the wall of the Casa
Romana.
44 Stobi, the Inner City Wall crossing the large building SW of the Casa
Romana . North is at the topofthe photo. The large mosaic floor is visible
in trenches to the right of the wall. (Photo from a tethered balloon by J.
Wilson Myers)
79
47
Stobi, mosaic floor pavement (partial) of the 4th-century synagogue found below the Central Basilica. North is at the top of the photo.
80
W I S E MAN
Slobi, Macedonia
,,0
'1,
....i:1..
~l lC'=" ~==~~~~~~
,
20m
--~----~------
48.
49.
SLObi. plan or early structures in the area of the Episcopal Basilica (Drawing F.P. Hemans)
\\
SLObi. part of mural on the north wall of the 4th-century church below the Episcopal Basilica (The photo is of a water color rendering by OJ. Georgievski)
81
:>0. Stobi. part of the 4th-century church below the Episcopal Basilica. The
north aisle is in the foreground. Immediately beyond the meter stick is
the stvlobate for an Ionic column base (part of the north colonnade). The
presbyterium mosaics and beddings for ~ seclile are left, center; to the
right is the mosaic of the nave.
51. Stobi. street paved with theater seats near the Episcopal Residence. View
to the SW. The street is visible in the aerial photo published in Figure 45.
.(
....
52.
Stobi, restored plan of the Episcopal Basilica complex. Phase I I (early 6th
century) (Drawing by FP. Hemans)
,0'
82
53.
54
W I S E MAN
Stobi, Mocedonin
SLObi. sunken apse of the Episcopal Basilica from the presbyterium. The standing column was re-erected incorrectly before the Second World War.
Stobi , baptistery south of the Episcopal Basilica, view from the SE.
55. SLObi, part of fresco from the NE conch of the baptistery. The figure in the center may be a representation of Matthew the Evangelisl.