Professional Documents
Culture Documents
The Doors
Years active
Labels
Elektra
Rhino
Associated acts
Nite City
ManzarekKrieger
Website
thedoors.com
The band, their work, and Morrison's celebrity are considered important to the counterculture of the
1960s.[12][13][14][15][16]
The Doors were inducted into the Rock and Roll Hall of Fame in 1993.
Contents
[hide]
1 History
o
1.1 196568
1.2 196971
1.3 197173
1.4 Reunions
3 New releases
6 Personnel
o
6.1 Timeline
7 Discography
8 Videography
9 See also
10 References
11 Sources
12 Further reading
13 External links
History[edit]
196568[edit]
Whisky a Go Go
By 1966, the group was playing the Los Angeles club London Fog. The club was not as prestigious
as the Whisky a Go Go and did not attract many customers. The Doors used the nearly empty club
as an opportunity to hone and, in some cases, lengthen their songs and work the "The End", "When
the Music's Over" and "Light My Fire" into musical epics. (In 2011 a 30-minute tape was discovered
of The Doors performing at the London Fog.[20]) The Doors soon graduated to the more prestigious
Whisky a Go Go, where they were the house band, supporting acts including Van Morrison's
group Them. On their last night together the two bands joined up for "In the Midnight Hour" and a
twenty-minute jam session of Them's "Gloria".[21] Prior to graduating to Whisky a Go Go, Morrison
went to many record labels trying to land a deal. He did score one at Columbia Records but it did not
pan out. On August 10, they were spotted by Elektra Records president Jac Holzman, who was
present at the recommendation of Love singer Arthur Lee, whose group was with Elektra Records.
After Holzman and producer Paul A. Rothchildsaw two sets of the band playing at the Whisky a Go
Go, they signed them to the Elektra Records label on August 18 the start of a long and successful
partnership with Rothchild andengineer Bruce Botnick. The Doors were fired from the Whisky on
August 21, 1966 when Morrison added an explicit retelling and profanity-laden version of the Greek
myth of Oedipus during "The End".[22]
Debut album[edit]
The band recorded their first album from August 24 to 31, 1966, at Sunset Sound Recording Studios.
The Doors' self-titled debut LP was released in the first week of January 1967. It featured most of the
major songs from their set, including the nearly 12-minute musical drama "The End".
The Doors performing at Fantasy Fair and Magic Mountain Music Festival in
1967
In November 1966, Mark Abramson directed a promotional film for the lead single "Break On
Through (To the Other Side)". To promote the single, the Doors made their television debut on a Los
Angeles TV show called Boss City circa 1966, possibly early 1967, and then on a Los Angeles TV
show called Shebang, miming to "Break On Through", on New Year's Day 1967. This clip has never
been officially released by the Doors.
In early 1967 the Doors appeared on The Clay Cole Show (which aired on Saturday evenings at 6
pm on WPIX Channel 11 out of NYC) where they performed their single "Break On Through".
Research has determined that the tapes were all wiped. The only shows that still exist are the final
ones copied by an employee of the station; unfortunately this was long after The Doors' appearance.
The Doors returned to The Clay Cole Show a second time on June 24 where they most likely
performed "Light My Fire".[citation needed]
Since "Break on Through" was not very successful on the radio, the band turned to "Light My Fire".
The problem with this song was that it was seven minutes long, so producer Paul Rothchild cut it
down to three minutes by radically cutting the lengthy keyboard and guitar solos in the center
section. "Light My Fire" became the first single from Elektra Records to reach number one on
the Billboard Hot 100 singles chart, selling over a million copies.[23] "Light My Fire" was the first song
ever written by Robby Krieger and was the beginning of the band's success.
when their bit was done, and Ray walked over and turned the TV off. The next night was their last
ever in Winterland.
They played two more dates in Denver on December 30 and 31, 1967, capping off a year of almost
constant touring.
Strange Days[edit]
The Doors spent several weeks in Sunset Studios in Los Angeles recording their second
album, Strange Days, experimenting with the new technology, notably the Moog synthesizer they
now had available. The commercial success of Strange Days was middling, peaking at number three
on the Billboard album chart but quickly dropping, along with a series of underperforming singles.
[23]
The chorus from the album's single "People Are Strange" inspired the name of the 2010
documentary of The Doors, When You're Strange.
Although session musician Larry Knechtel had been featured on bass on several tracks on the
band's debut album,[27] Strange Days was the first Doors album recorded with a studio musician
on bass on most of the tracks, and this continued on all subsequent studio albums. [28] Manzarek
explained that his keyboard bass was well-suited for live situations but that it lacked the articulation
needed for studio recording.[28] Douglass Lubahn played onStrange Days and the next two albums;
but the band used several other musicians for this role, often using more than one bassist on the
same album. Kerry Magness, Leroy Vinnegar, Harvey Brooks, Ray Neopolitan, Lonnie Mack, Jerry
Scheff, Jack Conrad (who played a major role in the post Morrison years touring with the group in
1971 and 1972), Chris Ethridge, Charles Larkey and Leland Sklar are credited as bassists who
worked with the band.[29][30][31][32][33]
incident (Mike Zwerin, Yvonne Chabrier and Tim Page), were dropped several weeks later for lack of
evidence.[36][39]
The group in 1966 (l-r): Morrison, Densmore, Krieger and (seated) Manzarek.
The band began to branch out from their initial form for this third LP. Because they had exhausted
their original repertoire, they began writing new material. Waiting for the Sun became their first No. 1
LP, and the single "Hello, I Love You" was their second and last US No. 1 single. With the 1968
release of "Hello, I Love You", the rock press pointed out the song's resemblance to The Kinks' 1964
hit, "All Day and All of the Night". Kinks guitarist Dave Davies was particularly irritated by the
similarity.[41] In concert, Morrison was occasionally dismissive of the song, leaving the vocals to
Manzarek, as can be seen in the documentary The Doors Are Open.[42]
A month after riotous scenes took place at the Singer Bowl in New York, the group flew to Britain for
their first performance outside of North America. They held a press conference at theICA Gallery in
London and played shows at The Roundhouse Theatre. The results of the trip were broadcast on
Granada TV's The Doors Are Open, later released on video. They played dates in Europe, along
with Jefferson Airplane, including a show in Amsterdam where Morrison collapsed on stage after a
drug binge.
The group flew back to the US and played nine more US dates before returning to work in November
on their fourth LP. They ended the year with a successful new single, "Touch Me" (released in
December 1968), which hit US No. 3. They started 1969 with a sold-out show on January 24
at Madison Square Garden.
196971[edit]
months. Studio costs piled up, and The Doors came close to disintegrating. Despite all this, the
album was immensely successful, becoming the band's fourth hit album.
Miami incident[edit]
On March 1, 1969, at the Dinner Key Auditorium in the Coconut Grove neighborhood of Miami, The
Doors gave the most controversial performance of their career, one that nearly "derailed the band".
[5]
The auditorium was a converted seaplane hangar that had no air conditioning on that hot night,
and the seats had been removed by the promoter in order to boost ticket sales. [43][44]
[55]
Densmore, Krieger and Manzarek have denied the allegation that Morrison exposed himself on
stage that night.[56][57][58]
Spy" and "Roadhouse Blues" (with Lonnie Mack on bass guitar and The Lovin' Spoonful's John
Sebastian on harmonica).
July 1970 saw the release of The Doors' first live album, Absolutely Live.
The band continued to perform at arenas throughout the summer. Morrison faced trial in Miami in
August, but the group made it to the Isle of Wight Festival on August 29. They performed
alongside Jimi Hendrix, The Who, Joni Mitchell, Leonard Cohen, Miles Davis, Emerson, Lake &
Palmer and Sly and the Family Stone. Two songs from the show were featured in the 1995
documentary Message to Love.
Jim Morrison on the day of his conviction in Miami for profanity andindecent
exposure.
L.A. Woman[edit]
The Doors set to reclaim their status as a premier act with L.A. Woman in 1971. The session
included guitar work by Marc Benno, and bass by Jerry Scheff. The album contained two Top 20 hits
and went on to be their second best-selling studio album, surpassed in sales only by their debut. The
album explored their R&B roots, although during rehearsals they had a falling-out with Paul
Rothchild, who was dissatisfied with the band's effort. Denouncing "Love Her Madly" as "cocktail
lounge music", he quit and handed the production to Bruce Botnick and the Doors. [62] The singles
"L.A. Woman", "Love Her Madly", and "Riders on the Storm" remain mainstays of rock radio
programming, with the last of these being inducted into the Grammy Hall of Fame for its special
significance to recorded music. In the song "L.A. Woman", Jim Morrison scrambles the letters of his
own name to chant "Mr. Mojo Risin".[63] During the sessions, a short clip of the band performing
"Crawling King Snake" was filmed. So far as known, this is the last clip of the Doors performing with
Morrison. On March 13, 1971, following the recording of L.A. Woman, Morrison took a leave of
absence from the Doors and moved to Paris with Pamela Courson. He had visited the city the
previous summer and was interested in moving there to become a writer in exile.
Morrison's death[edit]
197173[edit]
Other Voices[edit]
The surviving Doors continued for some time, initially considering replacing Morrison with a new
singer. Instead, Krieger and Manzarek took over on vocals and The Doors released two more
albums before disbanding. The recording of Other Voices took place from June to August 1971, and
the album was released in October 1971. The LP featured the single "Tightrope Ride", which
received some airplay.
The trio began performing again with additional supporting members on Friday, November 12, 1971
at Pershing Municipal Auditorium in Lincoln, Nebraska, followed by shows in Carnegie Hall on
November 23, 1971, and the Hollywood Palladium on November 26, 1971.
Full Circle[edit]
The recordings for Full Circle took place during the spring of 1972, and the album was released in
August 1972. The last album expanded into jazz territory. While neither album has been reissued
on CD in the United States, they have been released on 2-on-1 CDs in Germany and Russia.
For the tours during this period, The Doors enlisted Jack Conrad on bass (who had played on
several tracks on both "Other Voices" and "Full Circle") as well as Bobby Ray Henson on rhythm
guitar. They began a European tour covering France, Germany, Holland, Amsterdam, and England
beginning in May. The fruit of this effort can be seen in their appearance on the German show BeatClub of which many high quality sources can be found online.
Break-up[edit]
The group disbanded in 1973[5] and Krieger and Densmore would go on to form The Butts Band from
1973 to 1975. Krieger, Manzarek and Densmore reunited in 1978 for An American Prayer, 1993 at
the Rock and Roll Hall of Fame, 1997 in the studio to complete the Morrison penned "Orange
County Suite" and 2000 for VH1's Storytellers: A Celebration and on the tribute album Stoned
Immaculate: The Music of the Doors, which featured band members playing alongside guest
performers as well as recording new music.
Reunions[edit]
2011 Re:GENERATION[edit]
"I like to say this is the first new Doors track of the 21st century", Ray Manzarek said of a new song
he recorded with Robby Krieger, John Densmore and DJ/producer Skrillex (Sonny Moore). The
recording session and song are part of a new documentary film, Re:GENERATION, that recruited
five popular DJs/producers to work with artists from five separate genres and had them record new
music. Manzarek and Skrillex had an immediate musical connection. "Sonny plays his beat, all he
had to do was play the one thing. I listened to it and I said, Holy shit, that's strong," Manzarek says.
"Basically, it's a variation on Milestones, by Miles Davis, and if I do say so myself, sounds f**king
great, hot as hell."[68] The track, called "Breakn' a Sweat", was included on Skrillex's EP Bangarang.
ManzarekKrieger (20022013)[edit]
Main article: ManzarekKrieger
In 2002 Ray Manzarek and Robby Krieger formed a new version of The Doors which they called The
Doors of the 21st Century. After legal battles over use of The Doors name with drummer John
Densmore, they changed their name several times and ultimately toured under the name
"ManzarekKrieger" or "Ray Manzarek and Robby Krieger of The Doors". The group was dedicated
to performing the music of The Doors and Jim Morrison. John Densmore refused to participate
because of Morrison's absence, although Manzarek and Krieger always invited him. On May 20,
2013, Ray Manzarek died of complications related to bile duct cancer.
New releases[edit]
1983 saw the release of the live album Alive, She Cried, which was compiled from live recordings
made between 1968 and 1970. The tapes consisted of the soundtrack to a 1968 Danish TV special
and unreleased multitrack recordings from the Absolutely Live shows. This was the first "new" Doors
material since "An American Prayer". "Gloria" (recorded at the Aquarius Theater rehearsals) was
edited and issued as a single and a video was created to promote the track.
Live at the Hollywood Bowl was released in 1987. This 5 song EP was released to coincide with the
release of the 1968 Hollywood Bowl show on home video. It was released as a 12" vinyl EP,
cassette and compact disc. The release was limited and went out of print quickly. The EP was later
included on a double CD, In Concert, which also compiled the Alive She Cried album as well
as Absolutely Live for the first time on CD. In Concert has since been replaced with a single disc
remastered edition of Absolutely Live. The Alive, She Cried and Live at the Hollywood
Bowl recordings have not seen reissue since.
In 1997, the first archive material in many years was included on the release of The Doors: Box Set,
a four-CD set, one of which was a "greatest hits" type CD. Some of the material had been previously
available on bootlegs. A notable inclusion on the compilation was a CD of highlights from the 1970
Felt Forum concert and a cleaned-up recording of the (edited) 1969 "Rock Is Dead" session. The
surviving members again re-united to add new musical backing to the solo Morrison song "Orange
County Suite".
The 1999 Complete Studio Recordings box set only included the first six studio albums (omitting An
American Prayer, Other Voices and Full Circle), and the Perception box set, released on November
21, 2006, continued the same trend omitting the three post-Morrison studio albums. The 2006 box
set contained about two hours of mostly unheard studio outtakes from the first six albums. Each
album was represented by two discs: a CD of the album and the bonus tracks, and a DVDAudio with both stereo and 5.1 surround sound mixes (produced and mixed by Bruce Botnick) in
96 kHz/24-bit LPCM, Dolby Digital, and DTS, as well as mostly previously released video footage.
The discs were accompanied by new liner notes by Botnick and articles from several music critics
and historians for each album.
Following the recording of Storytellers: A Celebration, the band members joined solo and together to
record for Stoned Immaculate: The Music of The Doors. These sessions also yielded new songs
credited to The Doors; "Under Waterfall" and "The Cosmic Movie".
In November 2000, The Doors announced the creation of Bright Midnight Records, a label through
which 36 albums and 90 hours of previously unreleased Morrison-era Doors material would be made
available on CD. This was launched with a sampler of forthcoming material, mostly from live
concerts. The first full release was a two-CD set of the May 1970 show at Detroit's Cobo Center,
notable for being, according to Doors manager Danny Sugermanin its liner notes, "easily... the
longest Doors set ever performed." It was followed by two CDs of interviews, mostly with Morrison,
and the two 1969 Aquarius shows and one of the rehearsals. A four-CD set Boot Yer Butt included
bootleg quality material but sold out nevertheless. [69] It was notable for the inclusion of the only
known performances of songs from L.A. Woman including the title track and "The Changeling" from
The Doors' final recorded show in December 1970, Dallas, Texas. In 2005, a two-CD concert
from Philadelphia in 1970 was released.
Many bootleg recordings are available of the group. Among them are a wealth of shows from March
1967 at the Matrix Club in San Francisco. Many shows are available from 1968 when the band
reached the height of its popularity, notably two shows in Stockholm, Sweden. The infamous Miami
show has become widely available while many 1970 shows, notably a radio broadcast of the June
5 Seattle and June 6 Vancouver show, make the rounds. The complete 1969 Rock Is Dead studio
jam was discovered in the mid-1990s. In Rock is Dead and in interviews Morrison makes it clear that
the music is a continued exploration of the Dionysian mythic content that had informed his earlier
poetry. The apocalyptic elements in the music and the poetry were ahead of the music of the day;
later groups like Nirvana are influenced by The Doors. We also have to consider the possible
influence ofPamela Courson.
In July 2007, Rhino announced the release of The Doors Live In Boston,[70] a three-disc live
album by The Doors. It was recorded on April 10, 1970, as part of the Absolutely Live tour. This is
part of previously unreleased material of the Bright Midnight Archives collection of live albums by
The Doors.
In March 2008, Rhino announced the release of The Doors Pittsburgh Civic Arena,[71] a live
album by The Doors released in 2008. The concert was recorded in Pittsburgh at the Pittsburgh
Civic Arena on May 2, 1970. This is part of previously unreleased material of the Bright Midnight
Archives collection of live albums by The Doors.
In November 2008, Rhino announced the release of The Doors Live at the Matrix 1967, a
double live album[72] compiled and resequenced from recordings made on March 7 and 10, 1967
at The Matrix in San Francisco by club co-owner Peter Abram.[73] The recording is notable because it
is one of the earliest live recordings of the band known to exist: The Doors had recorded only one
album by March 1967, "Light My Fire" had yet to be released as a single,[74] and they were still
relatively unknown outside Southern California.
In November 2009, Rhino announced the release of The Doors Live in New York,[75] a six-disc box
set of the final four concerts performed by The Doors on January 17 and 18, 1970 at the Felt
Forum in New York City. About a third of the material on the set was previously unreleased.
In April 2010, Rhino announced the release of The Doors When You're Strange: Music From The
Motion Picture,[76] a single disc of the soundtrack to the 2010 documentary film, narrated by Johnny
Depp, about The Doors and their music. The soundtrack features 14 songs from The Doors six
studio albums, with studio versions mixed with live versions, including performances from The Ed
Sullivan Show, Television-Byen in Gladsaxe, Felt Forumin New York and The Isle of Wight Festival.
In November 2010, Rhino announced the release of The Doors Live in Vancouver 1970,[77] a twodisc live album. It was recorded on June 6, 1970 in Vancouver, Canada. Vince Treanor, The Doors
tour manager, recorded the show for the band on a Sony reel-to-reel using two microphones placed
on the stage. While not a multitrack high fidelity recording, it is clean, quiet and clear, allowing the
unbridled energy of the performances to shine through. This is part of previously unreleased material
of the Bright Midnight Archives collection of live albums by The Doors.
When You're Strange was released in April 2010. It is, as Ray Manzarek says, the true story of The
Doors, told through use of new interviews and previously unreleased video footage. The film is
narrated by Johnny Depp, and directed by Tom DiCillo.[78] Rhino Entertainment released a
soundtrack to the movie in March 2010, containing both live and studio recordings. [78]
In July 2011, Rhino UK announced the release of The Doors A Collection,[79] a six-CD retrospective
box set of the first six albums from The Doors recorded 19661971. It features remastered tracks by
Bruce Botnik and original artwork in replicated paper sleeves.
In January 2012, Rhino announced the release of The Doors L.A. Woman (40th Anniversary) CD.
The two CD re-issue of the original album was remastered with an additional disc of bonus material.
To celebrate the 40th anniversary of the release of L.A. Woman, Eagle Rock Entertainment created
the documentary Mr Mojo Risin detailing how The Doors created their last studio album. It goes into
detail of how the album came about, its recording, and what was happening to the band at the time.
The story is told through new interviews with the three surviving Doors: Ray Manzarek, Robby
Krieger and John Densmore, plus contributions from Jac Holzman (founder of their label Elektra
Records), Bill Siddons (their manager), Bruce Botnick (engineer and co-producer of the album), and
others associated with the Doors at this time. The show includes archive footage of the Doors
performing both live and in the studio, classic photographs and new musical demonstrations from
the Doors. The documentary was released in (DVD/Blu-ray Disc) on January 24, 2012.[80]
In January 2012, The Doors announced the release of L.A. Woman: The Workshop Sessions (a twoLP vinyl set). An alternate take on L.A. Woman, featuring the previously unreleased alternate
versions of songs and studio chatter found on the 40th anniversary edition, pressed on 180-gram
heavy vinyl at RTI with lacquers cut at Bernie Grundman Mastering.[80]
In November 2012, The Doors announced the release of The Doors: Live At The Bowl 68 on CD,
DVD and Blu-ray Disc.[81]
In November 2013, The Doors announced the release of The Doors: R-Evolution on DVD and Bluray Disc (standard and deluxe editions).[82]
On September 15th, 2014, The Doors announced the official U.S. release date for The Doors: Feast
Of Friends on DVD and Blu-ray Disc as November 11th, 2014.[83]
Doors, Manzarek says, "That Oliver Stone thing did real damage to the guy I knew: Jim Morrison,
the poet." Densmore said, "A third of it's fiction." In the same volume, Krieger agrees with the other
two, but also says, "It could have been a lot worse."
In 1993, The Doors were inducted into the Rock and Roll Hall of Fame.
In 1998, "Light My Fire" was inducted into the Grammy Hall of Fame under the category
Rock (track).
In 2000, The Doors were ranked number 32 on VH1's 100 Greatest Hard Rock Artists, and
"Light My Fire" was ranked number seven on VH1's Greatest Rock Songs.
In 2002, The Doors was inducted into the Grammy Hall of Fame under the category Rock
(Album).
In 2004, Rolling Stone magazine ranked The Doors number 41 on their list of the 100
Greatest Artists of All Time.[10]
In 2007, The Doors received a lifetime achievement award at the 2007 Grammy Awards.
In 2009, "Riders On The Storm" was inducted into the Grammy Hall of Fame under the
category Rock (track).
The 500 Greatest Albums of All Time by Rolling Stone magazine includes three studio
albums by The Doors; The Doors at number 42, L.A. Woman at number 362 and Strange
Days at number 407.
The 500 Greatest Songs of All Time by Rolling Stone magazine includes two songs by The
Doors: "Light My Fire" at number 35 and "The End" at number 328.
The Doors were ranked number 20 on VH1's list of the 100 Greatest Artists of Rock and Roll.
They would become the first American band to accumulate eight consecutive gold and
platinum LPs.
The Recording Academy announced the 2010 Grammy Hall Of Fame Inductees, including
The Doors' Riders On The Storm.
In 2011, The Doors received a Grammy Award in Best Long Form Music Video for the
film, When You're Strange, directed by Tom DiCillo.
In 2014, The Doors R-Evolution Nominated for Film of the Year at 2014 Classic Rock Roll
Honour Awards.
Personnel[edit]
Ray Manzarek keyboards, keyboard bass, vocals (19651973, 1978, 1993, 1997, 2000, 2011; died 2013)
John Densmore drums, percussion (19651973, 1978, 1993, 1997, 2000, 2011, 2013)
Robby Krieger guitar, vocals (19651973, 1978, 1993, 1997, 2000, 2011, 2013)
Timeline[edit]