Professional Documents
Culture Documents
W.Shakespeare
The Sonnets
(1609)
W.Shakespeare
Romeo&Juliet
(mid1590)
W. Shakespeare
Julius Caesar
(1599)
W.Shakespeare
Hamlet (1603)
W.Shakespeare
A midsummer's..
(1600)
Canon
Renaissance,
Elizabethan age,
Humanism
Renaissance,
Elizabethan age,
Humanism
Renaissance,
Elizabethan age,
Humanism
Renaissance,
Elizabethan age,
Humanism
Genre
Historical context
Narrative
sonnet
drama
tragedy
point of view of
Elizabeth I (1558Romeo and
1603), James I (1603Juliet,
1625)
occasionally
servants'
tragedy
drama
revenge
tragedy
Renaissance,
drama
Elizabeth I (1558Elizabethan age,
comedy
1603), James I (1603Humanism
fantasy farce
1625)
Setting
14th-15th c,
Verona and
Mantua
Themes
love, 130 mocks
the Petrarchan
metaphors-love
don't need
conceits to be real
forcefulness of
love, love as cause
of violence, indiv.
Vs. Society
anxiety of
Elizabethan
England over
succession of
leadership
elements of friendship,treacher
Ancient Greece y, difficulty of love,
and
magic, nature of
Renaissance
dreams, fantasyEngland
reality
Daniel Defoe
Robinson Crusoe
(1719)
Neoclassical
Augustan A.
Enlightment
Classicism
Title/author/year
Canon
Jonathan Swift
Gulliver's Travels
(1726)
Neoclassical
Augustan A.
Enlightment
Classicism
Emily Bronte
Wuthering Heights
(1847)
Victorian era
dissenters, the
self-awareness,
adventure
restoration,
1st & 3rd person 1659-1694
colonial attitudes,
novel novel of colonialism, glorious
fictional
York, Brazil,
fear, human
isolation
revolution England in autobiography Trinidad island condition,money,
1719
industrialization
Genre
Historical context
Narrative
Setting
Themes
novel satire
comedy of
manners,
novel of
manners
1797-1815
Napoleoniv
Wars,
Longbourn
marriage, love,
reputation, class,
pride, prejudice
and tolerance,
change and
transformation
1770-1802
Yorkshire
moors:
Wuthering
Heights,
Thruschross
Grange
the
destructiveness of
love that never
changes, the
precariousness of
social class,
revenge, violence
and cruelty,
supernatural
Charles Dickens
Great Expectations
(1861)
Victorian era
social
criticism
bildungsroma
n,
autobiographi
cal fiction
novella, fairy
Lewis Carroll
tale,
children's
Alice's Adventures Victorian period
fiction, satire,
in W. (1865)
allegory
Title/author/year
Henry James
The portrait of a
Lady (1881)
Thomas Hardy
Tess of the
D'Urbervilles
(1891)
Joseph Conrad
Heart of Darkness
(1902)
Canon
Genre
industrialization,
3rd pers,
occasionally 1st
and 2nd pers,
anonymous
narrator
Historical context
Narrative
Setting
Themes
limited point of
view, through
the eyes of
Isabel
Albany, NY,
England,
Florence
Americans living in
Europe, social and
emotional
maturation
1880s-1890s
Wessex,SW
England
social ostracism,
men dominating
women,
fate&chance,
God&religion, sex
Realistic period
psychological
claimed by both
Enlightenment ideas
realism
AM&ENG
Victorian
Realism
20th c.,
Edwardian
period,
Modernism
mid19th c.,
Kent and
London
ambition, desire of
self-improv.,guilt,
innocence,
maturation,
affection, loyalty,
victim,
victimization
tragic inevitable
victorian era, loss of childhood
England,
innocence, life as a
Wonerland
meaningless
puzzle
novella,
1st narrator
1876-1892,
colonial lit.,
uses 1st pers pl, Thames River,
frame story,
Marlow
Brussels,
adventure European presence in narrates in the
Congo
Africa, the Ivory
tale, romantic
1st pers. Sg.
Trade, Belgian
traits:symboli
atrocities in the
sm,
Congo
supernatural,
heroism
civilisation,
hypocrasy of
Colonialism,
madness as a
result of
imperialism,
absurity of evil,
race&racism,
violence, moral
corruption
James Joyce
A portrait of the
Artist as a Young
Man (1916)
Modernism
E.M. Forster
A passage to India
(1924)
Modernism
Title/author/year
Canon
Virginia Woolf
Mrs. Dalloway
(1925)
William Golding
Lord of the flies
(1954)
Modernism
stream of
consciousness
Contemporary
Age
bildungsroma
n,
3rd pers
autobiographi Joyce's Ireland: the
narrator,
cal novel, use historical and political
Stephen
of stream of
context, literary
Dedalus' point
consciousnes
context
of view
s
Genre
modernist,
formalist,
feminist
novel,
allegory
Historical context
Narrative
anonymous
omniscient n.,
point of view
changes
the new modern era, constantly:strea
WWI
m of conscio.,
free indirect
discourse 3rd
1882-1903,
Dublin and
surrounding
area
development of
individual
consciousness,
religion extremism,
the role of the
artist, the need of
Irish autonomy
1910s-1920s,
India:
Chandrapore,
Mau
Setting
Themes
civilisation vs.
Barbarism, loss of
innocence, innate
human evil, good
and evil,
reason&emotion,
morals&morality
John Fowles
The French
Lieutenant's
Woman (1969)
Between
modernism and
postmodernism
Victorian
setting,
metafiction
techniques
Existentialism, the
New Woman
narrator has a
double vision
and double
voice
Lyme Regis,
Exeter
social constraints,
freedom
Motifs
Symbols
light/dark
imagery,
opposite
points of
view
poison,
thumbbiting,
Queen Mab
Theseus
and
Hippolytaorder,
stability
counting,
measuring,
eating
footprint,
cross,
crusoe's
bower
Motifs
Symbols
LilliputiansB
robdingnagi
foreign
ans,
languages,
Laputans,
clothing
Houyhnhnm
s
courtship,
journeys
Pemberley
doubles,
repetition,
the moors,
conflict btw
ghosts
nature and
culture
crime,
criminalitydi
sappoin.
Expect.,
weatherdramatic
events,
doubles
stopped
clocks, obj
relating to
crime and
guilt, Satis
House, Joe,
marsh mist
dream,
subversion,
garden,
curious,
mushroom
nonsense,
confusing
Motifs
Symbols
birds, book
Prince,
of Genesis, d'Urberville
variant
family
names
vault, Brazil
darkness,
hyperbolic
language,
inability to
find words,
upriver vs.
Downriver
rivers, fog,
women,sev
ered heads,
maps,
''whited
sepulchre",
man trying
to fll bucket
with hole in
it
music,
flight,
prayers,
secular
songs, Latin
phrases
green&mar
oon, Emma,
the girl on
the beach
echo,
the Marabar
EasternCaves, the
Western
green bird,
architect.,
the wasp
Godbole's
song
Motifs
Symbols
the Prime
time,
minister,
shakespear
weapons,
e,trees&flo
old woman
wers, waves
in the
& water
window
biblical
parallels,
natural
beauty,
bullying of
the weak by
the strong
conch shell,
Piggy's
glasses,
signal fire,
the beast,
Lord of
Flies,boys