Professional Documents
Culture Documents
ARTICLE
ABSTRACT
Extravagant, fantastic claims about the past are not unique to the late
nineteenth century in European prehistory, yet those from that period
sound especially curious to twenty-first century archaeological ears
and invite reflection: their authors are our direct disciplinary ancestors,
yet, when we find fantastic what they took to be sound knowledge, we
appear to be of a radically different breed of scholars/subjects. In this
article, I explore the nature of the difference, and do so while attempting to re-member the presence in our disciplinary past of those ancestors. At issue is not the nineteenth century ideological context that
made their fantastic claims appear like solid knowledge to them but
the disciplinary ideology that sustains the practice of prehistoric
archaeology today, and from the standpoint of which the nineteenth
century factual claims are curious. This ideology, I argue, descends from
the very nineteenth century scholarship that it now finds replete with
fantasies. Demonstration of this requires that I leave aside the familiar
techniques of todays historicism and treat the difference in terms of
continuity and transformation of the subject.
KEY WORDS
disciplinary history disciplinary ideology disciplinization
historicism orientalism transformation of consciousness
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self-deception and the like are not simply notions we associate with the
work of ideology, they are also terms of the representational idiom, that is,
of the particular way in which we think and speak about ideology. As long
as we stay with the representational idiom, the issue, whether or not agents
are ever capable of putting down their ideological spectacles, seems to me
intractable (as does the related issue, whether agents truly believe in the
ideology they preach). I abide by the representational idiom for the longest
part of this article. When I say, for instance, that the nineteenth century
essays strike us as ideologemes (see above), quite clearly I am thinking of
the essays as representations and I do not usually worry whether their
authors were themselves deceived by, or had misgivings about, what they
wrote; I take their claims at face value.
In the last part of the article, however, I try to abandon the representational idiom. Inspired by Slavoj iek (1989, 2002 [1991]), I adopt the stance
that the work of ideology manifests itself not as a divergence between
reality and our representations of it, in our systematic misrecognition of the
workings of the social universe, but in our performance, in the very unfolding of our action: we perform upon our world as if that world were made
in a certain way, even though it does not escape us (we realize upon every
reflection) that the world is not made in that way. It is our doing, not our
thinking, which submits to, organizes itself in response to a fantasy. Or
and here I am only slightly paraphrasing iek (1989: 32; for variations, see
iek, 2002: 2415) we know that, in our practice, we are guided by an
illusion, but still, we keep on practicing. It follows from this that, were we
to step outside that illusion (were we, so to speak, to let go of the ideological veil that disguises and blurs the true fabric of reality), the effect
would not be to see reality as it really is; rather, practice the whole of
our practice would become disoriented and would call its right to exist
into question. Only by overlooking the fantastic nature of the reality upon
which we perform can we continue performing.3
What iek did was to invert the Marxian phrase that, according to him,
epitomized the work of ideology, they do not know it but they are doing
it, and to recast it as they know very well what they are doing, but still,
they are doing it. The justification iek offered for this inversion was that
Marxs phrase no longer applies to the world today: we live, in a sense, in
a post-ideological era, in which the ideological text is not meant to be
taken seriously, not even by its authors, and people are not fooled into
believing ideologemes (iek, 1989: 2833). Does this mean that people
(scholars included) were more nave, more prone to ideological deception
in the nineteenth century, in Marxs time? Perhaps in a complex way:
ieks justification for the inversion foregrounds subjectivity, or at least
consciousness, and invites reflection on the likelihood that these have
undergone a reconfiguration since the nineteenth century. Where scholars
are concerned, such reconfiguration may be related to the process of
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lasting till within quite recent years, when the glamour of the Orient
pervaded all inquiries as to the genesis of European civilisation (EQ: 909).4
From knowledge of agriculture to mythology, from monumental architecture and bronze metallurgy to the superior Indo-European languages and
the art of writing, the foundations of Europe were thought to be the work
of colonists and intermediaries whose origin or homeland was Asia. But
discoveries made in recent years showed that such views were ill-founded.
Scholarly opinion was at last swinging. The moment had come for Europes
prehistoric debt to Asia to be reassessed and be recognized for what it was:
a mirage. Reinach placed the first indications of this change already in the
period between 1880 and 1890: cest alors . . . que sest dessine, timidement
dabord, puis avec une assurance de mieux en mieux justifie par les faits, la
reaction contre le mirage oriental, la revendication des droits de lEurope
contre les prtentions de lAsie (MO: 3); a reaction, therefore, justified by
facts. Evans also spoke of a natural reaction, brought about by more
recent investigations. As a result, [t]he primitive Aryan can be no longer
invoked as a kind of patriarchal missionary of Central Asian culture (EQ:
909); furthermore: The days are past when it could be seriously maintained
that the Phnician merchant landed on the coast of Cornwall, or built the
dolmens of the North and West. And, commenting on Reinachs essay of
three years earlier, Evans noted a degree of exaggeration, but he also
remarked: For many ancient prejudices as to the early relations of East and
West [this essay] is the trumpet sound before the walls of Jericho (EQ: 910).5
Recent investigations and facts, then, as opposed to ancient prejudices and a mirage, not simply Europe pushing Asia off the cradle of
civilization. The present indeed was different from the past so much so
that the established views now appeared to be prejugs . . . dun autre ge
(MO: 28).6 They had been sustained, Evans indicated, by, among other
things, the Biblical training of the northern nations and the abiding force
of the classical tradition (EQ: 909). There was a paradox, however, for the
past appeared to linger on, to extend to the moment of writing and even
beyond: we must still remember that the Sick Man is not dead, Evans
observed with reference to the Asiatic theory of European origins (EQ:
910), and Reinachs precise citations make it clear that the mirage oriental
had important followers even as his essay went to print (see also Myres,
1933: 285). It is as if the facts were already speaking but scholars were not
yet understanding, not obeying their call; or, as if the present had come but
scholars had not yet noticed, did not yet believe in its coming. And so, this
paradox of a different present that is not yet fully present (a present
before the present, as it were, a pre-figuration of the present) returns us to
the issue of consciousness and its limits. The key dimensions of the paradox
were indeed hidden from Reinach and Evans in the 1890s: they clearly
thought of themselves as being beyond the paradox (on the side of facts);
in reality, they epitomized it.7
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The argument about vaulted tombs was part of a considerably longer one,
in which Reinach undertook a passage de la defensive loffensive (MO:
44). The point was that the Pelasgians and the Hittites were folks of Occidental that is, European, as opposed to Asiatic origin, and that les
trusques, les Mycniens et les Asiatiques non smitiques forment un
groupe; la civilisation commune qui les charactrise se relie dautre part . . .
celles de la Hongrie et de lEurope du Nord (MO: 63). In fewer words
that meant the unit europenne primitive . . . de lpoque de la pierre
polie et du cuivre (MO: 55). The argument began with a discussion of the
heraldic composition on top of the Lion Gate of Mycenae. This was claimed
to be European and was also made the ancestor of comparable compositions in Asia Minor and further east. Heraldic scenes were European, not
Oriental, as some people still believe, Reinach asserted: the earliest known
examples belonged to the arts of the Mycenaeans and the Hittites, and both
of these ought to be considered European. Central European art had
already been heraldic in the La Tne period, and it remained heraldic
through the Roman conquest and up to the end of the Middle Ages. As for
the heraldic motifs of Assyrian art, those the Greeks took from the Orient
in the eighth century BC, Reinach was convinced that they too drivent,
en dernire analyse, dinfluences europennes qui staient exerces une
poque bien antrieure sur lart oriental (MO: 48).
Undset (the Danish archaeologist Ingvald Undset, a contemporary
of Reinach) was wrong, Reinach continued: the mysterious monument of
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Bologna, with its heraldically arranged animals around a column, did not
prove that the Phoenicians had penetrated the interior of Italy. Nor did the
spirals and figurative scenes carved on a few stelae from the same city and
from Pesaro, so strikingly Mycenaean in character, imply as again Undset
had argued a decade earlier Phoenician interventions (MO: 4950). After
all, Undset knew that comparable scenes existed in the rock art of Scandinavia, and had also noticed that spirals and other decoration were common
to objects from Mycenae, the Bronze Age civilization of Hungary, and the
civilization of the north: un paralllisme infiniment curieux, which the
Phoenicians could not be called upon to explain (MO: 501). There were
other curious parallels too: affinities obtained between the megalithic
monuments of western Europe and the Cyclopean constructions of Greece;
crude representations of female figurines engraved on megaliths and on the
walls of French funerary caves had exact equivalents in the pottery of Troy
and Cyprus, and, in a later period, also occurred in Bavaria, Prussia, Galicia
and Russia; horseshoe motifs appeared not only on Mycenaean pottery but
also on the megaliths of Brittany and Ireland; the same type of bronze
dagger was found in Cyprus,Troy, southern Italy,Albania, Hungary, Switzerland and the Gaul; a bronze axe in Hungarian style had been discovered in
Dodona in western Greece, while a Danubian type sword came from
Mycenae (MO: 545, 61); and several other analogies in artefacts came from
all across Europe.
Reinach credited other scholars, Quatrefages and Montelius among
them, for having already noted most of those analogies. What was,
however, the secret of the puzzle? Against the chance of Phoenician intermediaries, Reinach repeatedly invoked the absence of truly Oriental
objects, such as scarabs, cylinder seals or hieroglyphic inscriptions, from
European sites. On the other hand, several facts for instance, the earlier
age of the western megalithic monuments vis--vis their eastern counterparts accorded well with the hypothesis of a courant plasgique occidental (MO: 578). The Pelasgians, that is, must have been an aboriginal
European people. Some of them stayed in Italy, others pushed toward Asia
Minor. Ces derniers se civilisrent, sorientalisrent, et, un beau jour,
revinrent stablir en Ombrie au milieu de leurs frres arrirs, avec
lesquels ils se sentaient encore cependant des affinits dorigine (MO: 61).
And so, in its flow and counter-flow, the courant plasgique gave us the
Hittites (i.e. those Pelasgians who went farther, to Asia Minor) as well as
the Etruscans and kindred western Mediterraneans (i.e. those who
returned hither to Italy). In other words, what explained the analogies in
artefacts from across the Mediterranean was the communaut primitive
dune civilisation (MO: 53). From here, and in view of the existence of
comparable artefacts from further north, it was a short step to suggesting
that this civilization was connected with those of Hungary and northern
Europe, and claiming the unit europenne primitive . . . de lpoque de
la pierre polie et du cuivre (see above).8
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Europe as well as Asia here emerge as birthmarks, and, as such, they are
ineffaceable, destined to accompany the one or the other civilization in
eternity. They remain indeed far more distinct in the bodies of those civilizations than any subsequent modifications brought about through contact;
the latter stay la surface, as also was the case, according to Reinach, of
the Pelasgians who became Hittites and, in spite of being Orientalized,
never lost their sense of being European.10
Fourth, certain claims consist entirely of layers of metaphorical
fabric with which the subject dresses the world; their chief source is
a subjects poetic imagination. The courant plasgique constitutes a
good example, as does the related notion of la marche dune civilisation
(MO: 55):
On se figure volontiers la marche dune civilisation sur le modle de celle
dune arme, qui, partie dun point de concentration, avec armes et bagages,
se dirige vers un autre point par une seule route ou par des routes
convergentes . . . Ce sont l des erreurs puriles. La marche dune civilisation
ressemble bien plutt celle de la mer envahissant une plage au moment du
flux: elle se produit par ondes successives, avec va-et-vient continuel qui
donne naissance dinnombrables courants.
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The intensity of these lines the effect of long sentences with repeated
concatenations of emphatically negative and positive clauses suggests that
their substance concerns the identity of the present, rather than the identity
of prehistoric figurines and their long-dead makers. Here is another
example indicating that the subject is prepared to occupy precarious positions in defending a distant past, which, logically, should be a dispassionate
affair. Schliemanns discoveries at Mycenae had been met with suspicion in
the 1870s, and opinion wavered for years over the issue of Mycenaes
chronology and origin (cultural affiliation). Several scholars had
contended that the shaft graves and their contents could not be prehistoric (or pre-Homeric, as was the word of the day). In Ludolf Stephanis
mot profond (see above), many of the contents were the work of Gothic
hands (Gardner, 1880), and other scholars thought of them as medieval,
Celtic or even Byzantine. Such issues had been largely settled in favor of a
prehistoric date by the early 1880s. They did not, therefore, preoccupy
Reinach in 1893, except in a strange way: Stephani was right in a sense, he
suggested, for, to speak of the Mycenaean treasures as Celtic and even
Byzantine was to recognize that their art was connected to that of central
Europe, o lornement byzantin nest gure quune forme plus avance,
une forme post-romaine du style celtique (MO: 44). The Europeanness
of Europe in the prehistoric past was by no means a distant issue for the
present.
The subject, then, appears caught heart and soul in the midst of such
fantasies. They are not, that is, fantasies merely in the everyday sense of
scenarios containing imaginary elements or having a dubious correspondence with reality, but, more crucially, in the sense of a subjects dreams and
nightmares. A strong psychological relationship obtains between them and
the subject that weaves them.
Comparable in these respects is The Eastern Question in Anthropology. Evans began with an oblique reference to the radical break modern
anthropology had accomplished with its past Travellers have ceased to
seek for the Terrestrial Paradise then he went straight to the heart of
the matter (EQ: 906):
in a broader sense, the area in which lay the cradle of civilised mankind is
becoming generally recognised. The plateaux of Central Asia have receded
from view. Anthropological researchers may be said to have established the
fact that the White Race, in the widest acceptation of the term, including,
that is, the darker-complexioned section of the South and West, is the true
product of the region in which the earliest historic records find it
concentrated . . . The continent in which it rose . . . embraced, together with a
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TIME EFFECTS
Nineteenth century Orientalism (protracted well into the twentieth
century) has been much more than a field of knowledge with a determinate
object: it shaped experiences and tastes, habits of thought and dispositions;
it formed subjects, it was a practice of self-definition that turned on dramatization of distance from the alien. Europe became European by Orientalizing the Near East, by turning differences from the latter into
Difference, by becoming what the Near East was not such has been the
going wisdom since Saids Orientalism appeared a quarter of a century ago
(1979). Le mirage oriental and The Eastern Question in Anthropology,
both devoted to the matter of Europe and its prehistoric origins, are
exemplary illustrations of that practice. Witness the theme that dominated
the last several pages of Evans essay:
Mycenan culture was permeated by Oriental elements, but never subdued
by them . . . We see the difference if we compare [the Aegean with] the
civilisation of the Hittites of Anatolia and Northern Syria . . . The native
elements were there cramped and trammelled from the beginning by the
Oriental contact. No real life and freedom of expression was ever reached;
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the art is stiff, conventional, becoming more and more Asiatic, till finally
crushed out by the Assyrian conquest. It is the same with the Phnicians.
But in prehistoric Greece the indigenous element was able to hold its own,
and to recast what it took from others in an original mould. Throughout its
handiwork there breathes the European spirit of individuality and freedom.
Professor Petries discoveries at Tell-el-Amarna show the contact of this
gean element for a moment infusing naturalism and life into the
time-honoured conventionalities of Egypt itself. (EQ: 919)
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factuality of every one of our claims to the very last, and we react nervously
at the suggestion that some of these claims, especially those that lend significance to our arguments, are held together in a web of ides reues.
We know, in other words, that our convictions about the prehistoric past
are part of the flow of history, and yet we will defend them as if they had
the permanency of bedrock. To put the matter one last time in terms of
consciousness and its beyond: the facts of prehistory are supposed to seize
our consciousness unnoticed by it, to penetrate and occupy it in its sleep,
as it were, while consciousness is taking a leave. The moment we suppose
otherwise, that our consciousness actively intervenes, the facts begin to look
tainted, and, if so, our practice will appear hollow, an unbearable selfdeception; it can no longer command our commitment. We cannot let go
of the fantasy without also letting our practice implode.
But it seems to me that, if we are reluctant to let go of the fantasy, this
is not out of fear that we will thus also let go of so good and noble a thing
as the pursuit of knowledge of the deepest human past. The real reason, I
suspect, is the very mode of our consciousness as historically shaped by the
process of Enlightenment (qua disciplinization). The fantasy envelops our
reality as its second nature, I indicated early on; it is an effect of times
arrow, I suggest here. We cannot reverse times arrow, revert to preenlightened modes of thinking, re-acquire the consciousness of those who
breathed before the process was set in motion. Privilege or predicament,
we cannot erase Enlightenment (discipline) from our unconscious and
cease to demand evidential proofs for our beliefs about prehistory. In fact,
living the fantasy to the fullest in practice and turning critical of it in reflection bears an uncanny resemblance to what being enlightened was once
thought to mean: argue as much as you want and about whatever you want
[in public], only obey [in private]!14
Acknowledgements
The first, short version of this article was read at the workshop Prhistoire et idologie, organized by Claudine Cohen at the cole des Hautes tudes en Sciences
Sociales, Paris, in May 2002. I am indebted to Claudine Cohen, Alison Wylie and
Marianne Sommer, participants in the workshop, for encouraging me to carry on
with the original idea. My presence in Paris at the time, where a significant portion
of the article was written, was made possible by a temporary appointment at the
CNRS. For this I am especially indebted to Ren Treuil and Pascal Darcque. Sally
Humphreys also read the manuscript at a near-final stage and provided insights.
Finally, I am indebted to three anonymous reviewers for their incisive comments.
Notes
1 For another critique of this historicism and its stifling consequences on reading
texts from other eras, see Humphreys (2002: esp. 21924). For yet other
problems of the historicism I take exception to, see Tosh (2003).
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References
Althusser, L. (1994) Ideology and Ideological State Apparatuses. Notes towards an
Investigation, in S. iek (ed.) Mapping Ideology, pp. 10040. New York: Verso.
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