Roland’ EXPANDABLE SYNTHESIZER oy oa OWNER'S MANUAL MMMMm Po i ATTENTION peouoccnoe ccrnit racine ‘CAUTION: TOREDUGE THE RISK OF ELECTRIC SHOOK, DO NOT REMOVE COVER (OF BACK, NOUSER-SERVICEABLE PARTS INSIDE, REFER SERVICING TO OUALLFIED SERVICE PERSONNEL. A “Te igting tach with arowhsad symone ‘ra ranges rtanded oat te usar io tho psec of ‘uit angeroue wage” win he procure: Sur bat ay be of sutton mega to canetie a ako ‘Seat shock te percna “Tne aciamaton pot win an equaling intended {ole te unto the ponorce a imperatorin eS ‘maintenance (ancng)nrasknsinte rate secon ‘yg te rsh, INSTRUCTIONS PERTAINING TO A RISK OF FIRE, ELECTRIC SHOCK, OR INJURY TO PERSONS. IMPORTANT SAFETY INSTRUCTIONS SAVE THESE INSTRUCTIONS WARNING - Whon using electric prosucts, basic precautions should always be fallowed, including the fotowing 1. Read ai the instructions before using the product. 2. Do not use ths product near water — for example, near @ fathtub, wasbbont kitchen sink, na wet basement, or near 8 ‘swimming poo, othe Fe, 3. This product shout! be used ory witha cart or stand that fs recommended by tre manufacturer. 4 This produc, ether alone on combination wih an ample and headphones or speakers, may be capable of prosuing sound lovois that could cause parmanant nearing ose. Do not ‘operate for along perog of time ata high volume lavel oat = levelthatis urcomiortabe. you experince ary heaving oss ‘or ringing inthe eas, you should consul an auctologst. '5. The procut should be locate so that its location or postion ) Use these buttons to move the cursor in the screen ar select & command, PATCH GROUP L. Patch Group Buttons You can use these buttons together with the Bank and Number ‘burons(M) o select sound. The sound group that can be scected withthe Patch Group buttons depends onthe selected made, Pressing the buton wil retrieve the previous display J. ENTER Button ‘ress this bution to execute the selected command or function FUNCTION K. FUNCTION Button ‘Use these butions to select a function or parameter. The parameter shown inthe screen will epend on the mode curently selected, PATCH GROUP. = ee, eee (M. Bank/Number Buttons ‘Use these buttons to selec a sound or name a Performance or Patchecce cece n@e m Rear Panel A edal Jacks 1 and 2 ‘Connectan optional foot witch e.g. FS-1, DP-2)orexpression pedal (EV-5 ee EV-10) to these jacks. By assigning the specified function tothe connected footswitch or pedal, you can sustain a sound or alter the tone ete. (See page 54) Hold Pedal Jack Connect an optional footswitch (eg. FS-1, DP-2)tothisjack and you can use i 45a bold (sustain) pedal (See page 54.) B. MIDI Connectors (IN]OUTTHRU) “These sockets are for establishing MIDI connections with external evices, (See page 42.) CC. V-EXP MIDI IN Selector Switch (INT/EXT) ‘When using the MIDI IN of the V-EXP, set this switch wo the EXT position, Whenitis setto EXT, however, youcanot play the sounds ‘onthe Voice Expansion Board optional rom the TV-90"skeyboard, [Normally this switch shouldbe set to INT. (See page 108. ) D. V-EXP MIDIIN Connector Use this socket for playing the sounds on the Voice Expansion Bosrd (optional) via MIDL. When the V-EXP MIDIIN connector is being ‘sed, be sue to set the V-EXP MIDI IN Selector switeh tothe EXT position. (See page 104) E. V-EXP Output Jack (V-EXP OUTPUT) ‘Sound ofthe Voice Expansion Board (optional) is output through this Jack. When the Voice Expansion Board isnot connected tothis jack, ‘no sound is outpu, F. Output Jacks (MIX(NT) OUT) ‘Through these jacks, sounds can be outpat to an amplifier or mixer. ‘When the V-EXP Output jack isnot being used, the sound ofthe JV- 90 and tht ofthe Voice Expansion Board (optional) are mixed and sent through the MIXONT) OUT jack. G. Headphone Jack ‘Connect headphones to this jack (Roland RH-20/80/120 (optional) Even when headphones areused, audio signals are curput through the Sreaian | ! a a Thanh 77a H. Power Switch |. acinet Connect the power cable to this inlet. Versions ofthis product designed for use with 117V current do not have an AC inet They are instead equipped with « power cord thet is permanently strached to the unit. J K J. DATA Card Stot Insert an optional DATA card (eg. M-2S6E) into this slot K. POM Card Siot Insert an optional PCM card (SO-PCM) Series) into this slot.™ Side Panel Aiea: oo bd ‘A. Master Volume Slider ‘Thisslidrcontrls the overall volume ofthe V-90. When the Voice Expansion Board (optional) is used, the volume ofthe sound outpat ‘through the V-EXP OUTPUT (LAR) jacks cannot be controlled with this slicer, B, Prosence Control ‘This comolsthe overall ‘brightness’ ofthe sound. Raising the sider willbrighten the sound. When the Voice Expansion Boar optional) jsused, the sound output fromthe V-EXP OUTPUT (LAR) jacks not affeced by this contro, C.c1 Sider ‘You can assign various parameters of functions to this slider and change the way the internal sound madule will respond. (See page 41) D. Bender/Modulation Lever Using this ever you can obtain eatime pitch bendor vibrato effectsChapter I1.QUICK Start MIDI Keyboara (MIDI Sequencer al Connection cable (Optional: PU-1M etc) i T Stereo hasdphones {Roland AH-20, RH-BO, RH-120, atc) Expression v5, a2)Connect the MIX(INT) OUT jack on the rear of the JV - 90 to an amplifiespeaker setup (stereo se). You can also connect stereo headphones tothe PHONES jack. ‘To achieve the best results, use a stereo output when possible. For stereo use, connect wo eables (Land R) to the smplifer. For monaural use, use the JV - 90's L(MONO) jack only. 4 You can use the V- EXP OUTPUT jk on the tear of the JV G0 when a Voice Expancion Board (etional is insta, If you connect pedal switch or expression pedal to the HOLD or PEDAL jack on the rear of the unit, you can sustain (hold) sounds, or control volume and tone using the foot pedal You can connects ped! swish (auich type) and expression peda (volume type) to the HOLD and PEDAL. jack at the same tine, Be sure o connect the padal switch (switch typo) tothe HOLD jack.tO elil ‘@ Switching on the JV - 90 1, Check ihe following point before switching onthe IV - 90: ‘The external units (suchas an amplifier) are correctly se up, ‘The volumes of the JV -90 andthe amplifier sre set to minimam 2. Switch on the IV - 90 ‘The LCD on the TV -90 responds with EXPANDABLE SYNTHESIZER Roland JU-96 43, Switch onthe amplifier and raise the volume to an appropriate level. 44, Raise the volume of the JV - 90 wih the VOLUME knob as you play the Keyboard. Then press the [PRESET] and NUMBER butions in PATCH GROUP to check thatthe Patch selection function is working properly. 4+ The JV-00 is equipped wih a protection circu. A brit interval (afew saconde) atar power up is raquted before the Lunt wit eperate normal 4+ Tako care when soting volume loves; excossive levels can damage aquipment and your hearing! @ Switching off the JV - 90 1, Check the following points before switching off the JV - 90: ‘The volumes of the JV -90 andthe amplifier are set to minimum. ‘+ Tuming of the unt wil instantly erase any sounds you have crested. To retain tis dats, save nto memory as shown In*Saving data" on page 68 2, Switch off the JV - 80.Playing the demonstration songs 1, Press [PATCH] while holding (LEVEL) in the EDIT PALETTE to select the Dero Song mode ‘The sereen will respond with ‘On LAY CPress ENTERVEXIT] 2, Press [ENTER], and the 1V - 90 sats playin the demonstration songs. To stop playing pres (EXIT) mete Tong nae imac Copyright 1 | Eka wex | abo Iara Setave ©1895, Roland Copoaton 2 | AaweRaveots | 2adeoRaveo | Adan Seat © 1060, Adan Seat 3 |W ene iV Bene | Manin Sandee @ 1668, Manctor Miso 3. Toexit the Demo Song mode and return tothe normal mode, press [EXIT] while no demo song is playing Won the JV - 90 inthe Demo Song mode, the keyboard or panel butons wil not work. '* Nopertormance data of he demonstration sangs ls ouput rom MID! OUT. @ Biographies of Composers Mitsuru Sakave ‘Mitsuru Saiave began composing and doing arrangements for commercials and videos while sill n schoo In pantcular, bis stdio work eared for him a solid reputation. Curealy, he produces commercial musics and Jingles for FM stations Adrian Scott ‘Adrian Scott formerly handled the vocals and keyboards for the popular Australian group, “Aic Supply.” Since following the solo path, he won the Silver Prize st the “World Song Festival Tokyo “8.” Currently, he is involved 354 producer of commercial music and musi for films. In edition, as session player, be has performed along with 1 number of Australia's top musicians, inciuding John Farnham and Kylie Minogue. He lives io Melbourne, Australia ‘Marvin Sanders ‘Marvin Sanders is @ somewhat wacky Los Angeles composer whose work can be heard on projects for Toyota, ‘Acora, Max Factor, Alpine, Thomes Brothers, Thester for Young Audiences, and Michael Jackson, He bat also ‘worked extensively with Roland, conducting clinics and writing music for numerous product videos and demos including ROM - plays ia the SC- 158 and JV - 880,Changing Patches (PATCH Play Mode) 16 Many different Patches (sounds) have been preprogrammed into the JV 90. Each Patch is creaed by senting dierent values forthe various parameters, 1. Press [PATCH] in MODE. The indicator will light and the Patch Play made has been selected. It ie from this ‘point that you select the various Patches 2. Use the (PRESET), [A], (BJ, [C] and [D] buttons, and buns [1}—[B] in PATCH GROUP to select the desired ‘Pateb. The sereen shows the name ofthe Patch you have selected, (See the Patch Table on page 127.) PATCH GROUP SSS See ‘To select a Patch on a card or Expansion Board: When you use any of the Roland PN -1VG0 series cards, insert the card into the DATA CARD slot and press TUSER] and [CARD] in the PATCH GROUP (the indicators will light). Press BANK and NUMBER buttons to select a Patch ‘Wen you use any ofthe Roland SO ~PCM series cards, insert the card into the PCM CARD slot and press (USER) and [PCM CARD A) or [PCM CARD B] (the indicators will ligt). Press BANK and NUMBER to select Patch, When you are using any of the Roland Wave Expansion Boards (SR - JV80 series), press [W- EXP}, [A], (B], (C). or (D] in PATCH GROUP (the indicators will light). Select the Patch you like using the BANK and NUMBER ‘batons. ‘When you are using # Roland Weve Expansion Board (VE-GS1 or VE JV1), press [V - EXP] in MODE, [V - EXP] in PATCH GROUP (the indicators will light) Select the Patch you lke using the BANK and NUMBER bbutons. I, however, the INT) EXT switch on the rear ofthe unt has been set to the EXT poston, no Peten on the Voice Expansion Board can be played from the JV - 90's keyboard. Please read “How wo change sounds in « Pat (VE GSI P.106 VE-1VI P.105) in detail of Patch selection. lore inserting a card of nstaling an Expansion Board, be sure thatthe JV - 90s switched ofEST Rue ak ce A deel) Velocity and Aftertouch ‘The volume, pitch or timbre (tone quality) of « sound can be altered withthe ute of keyboard aftertouch, Aftertouch effects are created by applying pressure 10 the keys after they have been played inially, (See Afterouch on age $4.) o Z : Play softly Psy stronghy—~ Press down ‘Bender and Modulation Lever ‘Moving the lever tothe left will lower the pitch ofthe sound, while moving it othe right will ase the pitch. This is called the Pitch Bend effect. Pushing the lever forward (away from you) will create the Ptch Modulation effect, (See ‘pege 54.) By moving the lever to the far left or right postion and then pushing it forwerd, you will create both pitch ‘bend and mocilation effects atthe same time. Ben pee —™ Berd pcr up a C1 Slider [By raising or lowering this slider, you can change the volume or the quality of the sound, How the sound changes depends on the parameter sentings, (See page 41.) LH] 0 (TET Presence Control ‘By moving tis sider you can change the brilliance of the sound. Rising the slider will brighter the sound. ”Playing Rhythm sounds (RHYTHM Play Mode) 1, Press (RHYTHM] in MODE (the indicator wil light). This selects the Rhythm Play mode tht allows you to play various percussion sounds, A different instrument is assigned to each key ofthe keyboard (page 131) ‘Some kaye donot have sounds assigned to them, 2, Press [PRESET] in PATCH GROUP (the indicator will ight), then select « Rhythm Set by pressing (Al, (B) (C] cor [D}. Sound assignment tothe keyboard difers with each Rhythm Set. li Mixing different sounds (PERFORMANCE Play Mode) Inthe Patch Play mode, you select and play one ofthe Patches. The Performance Play mode, however, allows you 0 play mote than one Patch at the same time. This combination of Patches is called Performance. Many different Performances are preprogrammed inthe JV -90. 1. Press (PERFORMANCE] in MODE (the indleator will ight). This selects the Performance Play mode that allows you to selet any Performance you ike, 2 Select a Performance using [PRESET], (Al, [B], {C] or [D] and {1}—[16) in PATCH GROUP. The screen shows the name of the Performance you have selected. (page 127) 3. Press (PRESET), (A) and [1] (te indicators will ight), andthe Performance named “Jazz Spit” is selected. Tis ‘Performance contains a bass sound inthe left section ofthe Keyboard and a piano sound in the right section. That i it simultaneously uses bass Patch anda piano Patch. You can even find Performances where two Patches are played athe same time by pressing one key. 44. Press (PRESET), [A] and [16] (the indicators will light). The Performance named “PopOrehestra”is selected, rohestrat Part Leve Betdazi127 0127127112 Ne PERFORM alé 5, Pressing (4 /{ P] will move the cursor and change Patches. You can select 7 Patches and one Rhythm Set “The Hashing underine inthe deplay is called the "Cursor Using MIDI (page 42), you can automatically play the JV - 90 from a sequencer or computer. This may be useful {for ensemble performances with many different sounds, A sequencers a device which records and plays MIDI data,’ Play deta oOo > ourpuT MoDI in ‘As shown inthe figure above, one Patch is assigned to exch Part of the ensemble Performance. By changing Patches, you can make an ensemble Performance with the ideal sounds for exch Par. '* By tating a Voice Expansion Board, you can increase the numberof Parts avaiable. (Ses page 102) 6. When the indicstor of the [LEVEL] button in EDIT PALETTE is lit, the sereen shows the sume display ab in Step 4 above, Pressing PERFORM D [PATCH] in EDIT PALETTE will then select the following sereen. PERFORM # Patcl is 4A411E ‘This sereen shows the aumbers and names of the Patches assigned to te & Pars. Move the cursor using [-€ VE > }t0 assign a Patch to each Pare. sing the three Key Modes (Layer, Zone and Single) We have referred to three diferent Modes so far; Patch Play, Performance Play and Rhythm Play. ‘The Performance Play mode includes thee different Key Modes. The two Performances (Jazz Split and PopOrchestea) introduced on the previous page ae played in diferent ways. This i because Jazz Split is stro the Zone Key mode ‘while PopOrchestra is sett the Single Key mode. The thi Key Mode, Layer, can mix two differen Patches. “+ Fora detaiod explanation sbout the Key Modes, seo page 67SSS Creating original sounds (EDIT PALETTE) |A Pateh is made from various parameters and consists of some Tones. A Patch on the JV - 90 ean include up to 4 ‘Tones, A Tone is made by modifying a Waveform. or Patch {tore 1 | Lwaveronm vr Hava Tone 2 Tone 3 Tone 4 Changing the values of sound parameters of a Patch Is called “editing”. The following shows a simple editing method, 1. Press [PATCH] in MODE (the indicator wil light) The Patch Play mode is selects. 2. Press (PRESET), [A], BANK D (2) and NUMBER D> (2) (the indicators will beh, The Patch named “Stack [Major is selected, This Patch contains 4 Tones. 3, Press buttons (1]—[4] in TONE SWITCH to urn the 4 Tones on or off. Be sute to listen to each of the Tooes ‘The Patch will sound differently by turning the Tones on or off. 44. Make sure 0 confirm thatthe indicator on the EDIT PALETTE’s (LEVEL) bution is lighted. I its not, press {LEVEL} totum it on. The screen at this time will show the volume level for each ofthe Tones. By altering the level foreach of the Tones, you can contol their relative prominence within mixture. The resulting mixture of ‘differing volume levels will affect the timbre obtained with the Patch PATCH fStack Major & TUA Level Azz a i27l 961 1131 i2? 5. Lighten 4 all TONE SWITCH indicators. Then move the cursor to the desired Tone using { <4 ¥{ PJ, tien change the volume (TVA Level) of each Tone with (DECV/INC]. Pressing [DEC] decreases the value while pressing (INC] inereases it, If you hold [DEC] down, the value will change continuously. If yoo press [INC] ‘while holding [DEC] dow, the value wil change more rapidly.e—_— _ 6. ‘The volume of each Tone can also be edited by moving the sliders (PARAMETER SLIDERS) 1, 2, 3 and 4 in EDIT PALETTE. If you move the slider while holding (ENTER) down, the cursor will move without the value being changed. 17. Press PATCH De [WAVE] in EDIT PALETTE (the indicator will light) The screen shows the waveform used in ‘each Tone. Move the cursor and ty changing the waveform using the [DECV{INC] buttons or Parameter Sliders (page 126) PATCH Stack Major (Be Piano 1 diave R22 4 i zt al i Pressing ( ¥ Jin this sereen will select a sequence of different displays for editing other parameter values. You can experiment with various sound changes by editing the values 8. Similarly, you can select a different sound parameter display by prestig the relevant button in EDIT PALETTE, sand then editing the value. For a detsled explanation about how each parameter affects the sound, below page 55. "= Sound data you have created here vl be erased when the unite surtched of If you wih to retain this data, save it Into memory using te Write procedure described below. Matra) ‘To retains sound you have mate, store it into memory as explained below, 1, Press [WRITEVICOMPARE] in FUNCTION, 2, Make sure thatthe cursor is positioned at Write, then press [ENTER]. Ifthe cursor isnot atthe Write position, move it using [€/E) 53, Press [WRITE/COMPARE] again while playing the keyboard, You can hear the new data and the old date that ‘exists at that place and compare them (Compare function). Writing new data will automatically erase the existing sound data, Press (WRITE/COMPARE] again, ew data sounds, 4. Specify the number where the data should be written using the BANK and NUMBER buttons. You ean also specify the number withthe [DECI/{INC] buttons, We call the place where data is writen the "User Area" or “User Bank" 5. Press [ENTER]. Ifthe sereen responds as follows, press [DEC] to tam OFF the Write Protect function, then press [ENTER] again. Once more press [ENTER], the sereen will espond with the mestage “Complete” showing ‘thatthe data has been saved, WRITE EInternalgexclu OnE sivel PROTECT I OFFE ‘= Wate Protectis a function that prevents the acckdental erasure of data = To-cancel wrting, pross (EXIM) ———s aIf Note on transmitting MIDI messages from the JV - 90 (INT ZONE, TX ZONE) Parameters of the TV - 90's keyboard belong to either the Transmit Zone or the Interal Zone. Some parameters in the Transmit and Internat Zone have the same names so you must be carefal not to confuse them. ‘To control an external MIDI device from the JV -90°s keyboard, you must edit the parameters (see page 70) inthe “Transmit Zone, such as when you set a transmit change or specify the range of note numbers to be transite. ‘To control the internal sound module of te JV -90 with the JV - 90's keyboard, you mast edit the parameters in the Internal Zone (See page 73), Parameter in the Lateral Zone include the Local Control Switch (see page 75) that can be set separately for each Part, The Part for which this switch is set to OFF will aot be played an the JV - 90's ‘keyboard (when the Key Mode (page 67) is tet to the Zone or Layer). The intern Zone also includes Master Local Control (page 43). Even when the Local Control is set to ON for a Part, it cannot be played on the JV - 80's ‘keyboard unless the Master Local Control is also se to ON. ‘When the JV-90 is set to the Patch mode (page 26), you must set a MIDI transmit or receive channel using the perametersin a Patch, (See page 42.) Setting « MIDI chanel here wil automatically cancel the previously specified ‘value ofthe paraméter inthe Performance (page 43) or Transmit Zone (page 72). If stuck notes occur ... (PANIC) ‘The following procedure will reset the entire system (including MIDI). Use this procedure to stop “stuck” o “hanging” noces @ Procedure ‘White pressing [CUTOFF/TX VOLUME], press (RELEASEJINT TRANS).If you press the button only for a short time (less than one second), the internal sound source will be muted, and Key Off/ Hold OFT messages will be transmitted to each channel for which tere is ¢ Key On / Mold On. If you press ‘the buttons for more than one second, the following meseages will be transmitted to all channels, AINota Of (noe off velocity 127) heh Bendor = contr CChannol Atetouch = 0 Modulation = 0 Hold = 10 Volume = 127 23Chapter 2 PERFORMANCE AND REALTIME EDIT IN THE PLAY MODE1.Patch Play mode Pach Play mode is when jst single Pach called into th emporery area and played. A Puch may const of up to fout Tones, nd you can we the parameter ser nd the TONE SWITCH batons to ajust each Tone in elie a you pla. ‘By adjusting parameters in rake you can a expresion o Your playing, create effects that ae not possible wth conventional ‘onl. This mode allows you maximum expressiveness wi single sound, andi sulabe fr playing soles, ex Changes you make with te paramotersidors ot. wil atloct only the data that has been read into the temporary area, “The orginal Patch data in intemal memory (or the DATA card) wil nat change. you wish, you can store the matified ‘settings rom the temporary area asa Patch n the user momory. (S00 p.67, Wite mode) _kcecoeo sass eee ene. + PCM card Preset A Prost c fo ssi = DATA cara -—-— 4m ting the System common} parameter Etfector crave Ploy data Tone Fecameter i th ew] [2 oureuT Mio INOperation guide @ How to use the TONE SWITCH buttons ‘You can ue the TONE SWITCH buon (1]—{4]) to tr te sound eal foreach Tone. Tis conveien when you wish to ear onl epee Tone. The bution lndator elt when on, _SSSeaeeane —— b The ont! soting you make for each Tone using the TONE SWITCH butions (1}—i) Is stored as part ofthe Patch ‘setings when you use the Welle operation (p 87). @ Use the assign buttons to select parameters Jn Pach Pay mode, you can pres the eit ssign buts to diretyelet Patch parameters which determine te basic sound of each Tone (oth, frequency speci, volume, and time -aryng change and effect), DATA card, 1/E//D = presatioroup), 5/8 = wave expansion board, & or b =JV-B0 compatible preset ‘The display wil show the parameter values fr each Tone. Use parameter lders 1—4 o adjust the vale for Tones 1—4, EDIT PALETTE sou sean le Be Bn de Su Bu To Bw att assign butons‘@ Parameters you can adjust while in Patch Play mode Jn he JV -90, display sreens in which you can molly parameters se aled Pages. Each of he asi buon has several pages assigned to i and by changing pages you can adjust various parameters in eae, When te astign batons heve been prested you can ute { V1 }toselet the ech parameters. You can modify these sings hile you pla. For des on each parameter, refer chapeer3- 1.9.48) Corresponding parameter of Parameter selected Patch Ealt mode ae bylayi] Function select Page button GITUALFO2 berth a | Par wavenro | uroperTH GITUALFO 1 berth x | Par ITUAU-Cry ow | Poe tever | ITUA Velo Sense vel ps2 vA TUALevel tev | Pe 1A WITUAKey Follow Kr | Pee Tone DelauTine Time | Pas Devay Witone Delay Mode ode | PES Reverb Send Reve | PSt [lChorus Send erect rxseno [onus | 51 pan [GlOry Level oy | Pst Pan ran | Poe vA WA Pankey Follow P-KF | pee Fitch LFO2Derth re | Par wavenro | UFO DEPTH Pitch LFOiDerth pi | Par EPitch Envelore ew | P58 tune | Coarse Tune os | Par (Fine Tune Parcs prc Fin | Par TiRandon Pitch Pre | PST Pitch kKeaFollow PoKF | Pe Wave no _| P58 WAVE Tivave Grour Grou | Ps Wave WaAvEAFO MFM Suitch Sich | P55 ra TAFRNDerth boon | PasCorresponding parameter of = yonae sete Pach mde 7 ae vy) Funetion select] Parameter selectea | Page button irsiaa) GITUF LFO2Derth re | Par wavenro | uFo pepra GITUF LFO i Depth ri | Par GITUF-EnveloSense wwe-ew+ | ve | Pet cuTorF | AITUF Envelore ew | P60 Cutort We eux | Pao Ne (Filter Tyre Tp | P58 utoff Key Follow F-KF | P60 reso. | Resonance Fes | P60 We ve NANCE | WiRescnance Mode Mode | P.60 GEITUF-EnvKewFollou T-KF | Pat GAITUF Envelore T4 | Pat GITUF EnveloreL3 We weews | is | pe GUTUF Envelore T2 A Pot TUF Envel 7 artack: (= nvelore Tt 1 Pst TUREnvelore Ti 1 | ee TITUR Envelore T2 2 | Pee ITUREnveloreL3 Wa wa-ewe [3 | Pee MATUR Envelore T4 4 Pes TITUA-EnvKeyFollow ‘time -KF | P64 LAITUF-EnvKeyFollow toKF | Pet TAITUF Envelope Ti 1 | Pat GEITUF Envelore TZ VF wwe-ewse [te | Pet TAITUF EnveloreL3 is | Par TAITUF Envelore T4 | pat RELEASE TUR Envelope T4 te | Pos TITUAEnvelore LS a | Pee WITUAEnvelare TZ VA Ta-ewve [12 | Pe TITUAEnvelore Ti | Pes WITUA-EnvkeyFollow Time KF | P68 Parameter seg plays masked by © vccupy wo sreens in Patch Beit Mode, Fy0 % In Patch Play mode, MIDI channels for tranemlcsion and reception can be eet indopendenty. However, these satings ‘are determined not by the Patch parameters, but rather by the System Common paramators. Thus, the MIDI channols wit not change when you select @ diferent Patch. i you wich to change the MIDI channals, modi the System ‘Common parameters (9.42) is possible to adjust the same parameter simuitaneously for al four Tones. n will show several In Patch Play mode, In Patch Edit mode (p.48), which is explained later in this manual, the sore parameters for ono Tone, g0 It may be dificult to keep track ofthe overall Patch. For this reason, It's effective to use Patch Play mode for Patch editing when you wish to adjust the Tones, since this helps you to remain aware of the overall structure of the Patch, balance betw«-CCMUII HiGe ray moge —_—_—_— About the Performance Play mode 4 Peformance Play mode you can combine 7 Patches one Rhythm Seto create richer and more complex wounds, Or you can play the vavous Patches independent cene an ensemble ‘Moricl dats trom the keyboard consoles and ter conuel das fom the parameter ser and other controllers) pases tough ‘he Herma! Zone semings an convo the Pach which has ben assigned to each Part. External MIDI devices can be controled on ght MIDI channels va the Transmit Zone. ‘Changes you make using the parameter sicors oc. fet ony the data which has been read into the temporary ares. ‘Tho orginal performance data in internal memory (or the DATA card) ramaine unchanged. # you wish, you can s tho modited data rom the temporary area into user momary as a Performance. (—+ Gommand reference; Wits mode) Frees A aan re Se a Ee a te os a =s52° {iment DATA ow plan a Lafranene tn output #201 our Pheer Uafrcean ao aOperation guid @ How to use the PART SWITCH buttons ] {performance play mode, the PART SWITCH bution ([1]—[6) cas be used orm sequeer muting, or he rns eceve/ toca switches on / off foreach Pat, The faction ofthe PART SWITCH buttons depends on the sae ofthe EDIT PALETTE’s (ran buns @ When [TX] is lit wot worsnit sien ars which renamed on will wanenit msc! data from the keyboard ete. fom MEDI OUT to extemal MIDI evies nd Parts ‘which are tured off wil ot ens da, @ When [AX] is lit m0 receive switch - Pts which ae turned on wil eceive asia data fom enteral MIDI devices connected» MIDI IN, und Pats which we trned off wil ot receive dss, @ When both [TX] and [RX] are lit Loca! swten ans which re tren wil pla tee Patch in response to musical data from the keybourd etc. and Pars whieh are trmed off wll nt pay % Settngs made using the PART SWITCH ((1}—IB}) and [TXVIAX} buttons are stored as part ofthe Performance data ‘when you use the Witte eperation (p87). % When the Key Mode (p.67) is at SINGLE, stings forthe Tranemit Switch and Loca! Switch wil be ignored. Only the “Transmit Sten and Local Gulch for he Part o which the cursor currently ponts wil be tured ON, @ The Part Information function 1n performance play mode you can press the INFO fonction select ton o see each ype of MIDI data whichis being recived by ‘ach Part from MIDI IN. To specify which type of MIDI messrges wil be spayed, use (VU J. The following types of deta ean be dipayed. PERFORM ECPART INFORMATION] Modulation Bt eal ol 8) at ai Br al 8 Modulation] Modulation o—127 Messages that conrol viata (pitch modulo) or remote (volume modslaton) a 2ss Volume] volume o—127 “Messages that control the vm Jvel Pan] Pan .ss—o—saa ‘Messages that eon stereo postion Expression] Expression o—127 “Meanags ta affect the character ofthe sound Hold-1] Hold + omorr "od pedal meager Aftertouch] Aftertouch o—127 Afenoush messages Bender] Pitch bend change -64—s63 Messrs that control epatimous change in pitch Voice] the number of voices used 0-26 ‘Tee mamber of curemly- sounding voices inthe ier! sound rare (chided voices we by playing the JV 9D keyboard) % The rumber of voices wil vary depending on the numberof tones used Yo form & pal. For ever four voices used,“ m wil appear inthe display “wil appear when the total numberof voles being used has exceeded 24 ‘Tho dupiay wil show the actual data valve of the MID) message received. The actual esutof the message may dior ‘rom the dlpiayed data value, The intemal synthesizer sound source will not receive the typo of MIDI message for which the Recsive switch (0.43) hhas been tumed of. Also, Parts whose MIDI Recolva switch (p52) has been tumed off wil nt receive any MID! ‘messages trom MIDI IN Ce elle R ke i SALLE Tessa me Each edit espn bution has severe pararcterpges assigned t The section explains ie parameter stings fr the page that ‘ppear when you fst prest an ei assign buon @ When pressing [LEVEL] PART LEVEL] Partievel 0-127 ‘Tis parame as the level ofeach Pat elt othe vale ofte Path parameter Level). I yu dont nee wo aust the volume lance bereea Pats its est oe thi othe miu vale (127). @ When pressing [PAN] PART PAN] Partpan ss —0- can ‘This pense the sero poo of ach Pan —————— 33* @ When pressing [TUNE] Part Coarse Tune] Part coarse tune ~48—+48, “This parameter adjusts the pitch of enh Par in semitone ses. Posve (+ values wil ise the pitch ad negative (-) values will rower ky Way 9? Part Coarse Tune al or Gi Gi ol @ PERFORM [Mi 4BT 1 + @ When pressing [PATCH] Patch Select] Patch select “his pruners Pah (or Ry Se for Part 8) signed each Par. F Use PATCH GROUP to eeloct the Patch group and BANK/NUMBER to solect the banknumiber. When you select a Patch, tne Patch name wil appear inthe upper right ofthe eiplay Its not possible to select PAYPB or EA —ED Patch groups unless @ PCM card is inserted ora wave expansion board ‘sinstaled Far some ypes of boards or cards, nat all Patch groups / bank numbers can bo solactd, When pressing [TX VOLUME] ‘Transmit Volume] Transmit volume o—12710FF “These paruneters adjust the volume of exes] MIDI devies. PERFORM tMilky Way oo: Transmit Uolune 41 HOFF IOFFIOFFIOFFIOFFIOFFIOFFIOFF @ When pressing [TX PAN] ‘Transmit Pan] Transmit pan Le+—o—sanorF “These parame sj the pan of exeraal MID dvies PERFORM #Mil soe Tran uot SOFF GFF LOFFIOFF I OFF you have solectad & Performance whose Transmit Volume or Transmit Pan setings are OFF, the disslay wil show “OFF wnen you press [TX VOLUME] or [TX PAN]. Howovar, i you then use the parameter siders or [DECYTINC} buttons to modly the seting, you wil nat be able tore select “OFF (P72) @ When pressing [TX TRANS] Transmit Transpose] Transmit transpose ~se—«36 “Tas praneter wenpotes the Transmit Zane in see ses on u——— When pressing [INT TRANS] Int-Transpose] intemal transpose -26—«36 ‘This parumesertngposes he Iavermal Zoo in semitone eee We recommend tht you uss the Pat parameter ‘Cosrte Tune' to aljst the charac of the woud, and ase this Transpote parameter to mae adjustents for playa PERFORM tMilky Way ¢ Int. Tran 4oL + ai at al ai “al ‘% The intemal Zone processes the musical data and passes fon tothe Past. The sound tha actualy resuits wil depend ‘onthe Patch setings. the Kay Mode is Single (6.67). this eating has no elec. @ Performance play mode parameter list ‘When ie assign batons bave been pressed, you can use { If W ] to aclect the pages containing the key range or velociy ‘psrumeters forte Transmit Zone and Internal Zone. You can mofy these stings wile you pay. Fr eu ox each parameter, refer to chapter 3-2, Peformance Et Mode. (268) Corresponding parameter of ae Parameter selected Patch Edit mode pe assign button wiley) Function | Parameter | Page select button | selected Part Level [su] Level P76 MikeceiveChanneli#) Receive Channel| P78 Mvoice Reservel*) Vole Reserve | P78 MiChorus Suitehi*) Chorus Switch P76 MiReverb Suitch(*) ean Rover Swicnh | P76 econ Program TireceiveP.£(«) : anno change eceive Yolune(*) Receive oume | 77 (Receive Hold-i(+) Receive Hold = 1 Par I] Part Pan Pan P75 Part Coarse Tune Coarse Tune P76 TURE] = WiPart Fine Tune Fine Tune Pe ACH) | PatchSelect Patch Select PIS 35= Corresponding parameter of Parameter selected ae rameter Patch Eult mode See mae wav Function | Porameter | Page select button | selected : “Tranami Progam lTransmitProgranChange mn a range Wvouumel| Transmit Volume TTanamitVoume | P72 [transmit Channel Tranent Charme! | P71 “Transmit Program itransmitProgranChange Cee |e (REAR) Transmit Pan CRZOE] Fnerntoan | ee MiTransnit Channel ‘ranemit Channel | 71 GalTx. Max Velocity wax Velcty | P71 [EITx. U-Cru volosty cuve | P.71 (EEZORE] 7K] |AITx, Velo Sense Velocty sense | P71 lraaw: Tx, Transrose Transpoee | P70 ATX. Range Lower Key Range Lowor | P70 CTKZONE! TMITx. Range Urrer Key Range Upper | P70 [ElInt. Max Velocity Maxveiony | Pre TalInt. U-Cre Velocty uve | P74 ir] | lint. Velo Sense Volosty Sense | P76 LRANS| Int. Transrose Taanapose | P76 TInt. Range Lover Key Range Lower | P73 Tint. Range Urrer Key Range Upper | P73 (+ ) Tis parameter can ako be accese bythe {PAN i the Eat assign baton, % In addtion to the parameters listed above, the JV-80 has other synthesizer sound source (Systom Common ps jarters) and are not specific an individual Performance. Setings of ‘hese parameters wil not change even when you selec a diferent Performance or enter a diferent mode. (p38)3.Mnytnm riay moae About the Rhythm Play mode ‘The JV -99 syniesizer sound source has @ Riythm Se (ast of rhythm sounds for each meron; interne pesei AB C ant D. ‘Wen you press [RHYTHM] yo cas play one of hese Rhy Ses fom the keyboard conor you ae in Performance Phy mode wien you press {RHYTHM}, the Rhythm Set agned to Part ofthe Peformance will be selected Ifyou are in Pach Play mode when you pres (RETYTHM), the Rhy Set assigned to Past 8 of the lst - soled Performance will be selected yu wish o ply a dffereat Rhythm Se, ue the Patch group batons to slect be desired memory. "When you play the keyboard the yt sound (Rhythm Tone) assigned to tht key wil Sound. The 76 keys fram El 19 G7 ean be signed as key numbers. Pago 191 lets he Ahythm Tones which ware assigned to each key atthe factory ‘Rhythm Sets cannot be played wen the Local Switch for PERFORM MID} (p49) is OFF. The transmiteceive channels ort Rhythm Play mode wi be the same as the ransmivrecelv channels for Part 8 in ‘he Performance mode. RCI ates melee) Jn Rhythm Play mode, the display ofthe synthesize secon wil ben follows. The et eof the spay wil show the note ame ae key number (Note Number of te kay that was pressed 2 1 5(Closed HAT 2) ‘AX his time you can ute the paramctr sides, (YD Jad {INC/IDEC] to modky the values of the fellowing paremeters Switch] Tone switch oworr “This parameter tars the cure selected Rhythm Tone ON (will sound) or OFF (twill nc sour). Group] Wave group wriexpicaro ‘This parameter slets the memory fom which the waveform ofthe Rhythm Tove wl be taken: imermal INT), wave expansion board (EXP), or POM card (CARD) No] Wave number ‘This parameter selects a waveform from the specified wave group. The wave name of the selected pumber wll be displayed io parenthess(). 34.Play mode System Common parameters ‘ress [TUNE], {CONTROL}, or IMIDI] to access the System Common parameter (parameters commen tothe ene 1V-90), ‘Here we wl xpi the System Common parameter rlevaa! to Patch Pay mode and Performance Ply mode, However be aware that modifieatons yoo make to these parameters wil emaln even if you select a diferent Peformance Patch, @ When Pressing [TUNE] TUNES une lTransroselLCDIJU FUNC ial wT DI TIONE4 43.6 51 et -LEVEL-EX al 1271127 Tune] Master tune 4274—4526 “This determines th overall ing of he JV - 90. The dsplayed vale isthe pitch requency of he A ky. Transpose] Transpose oworr-se—-26 “This tensposes teenie JV - 90a semitone step, The ating othe eft of the | * determines wheter transpose will be wed (ON) or not (OFF, Ta song tothe right ofthe" | specifies he amount of transposition LCD] LcD contrast 0—10 “his joni the conrast (hrighines) of the display. JV-LEVEL] JV Level 0-127 “This aunts the onp lve ofthe itera spend sure EX-LEVEL] EXP Level o—127 “This adjss the output evel ofthe Voie Expansion Hoard The valve you set are willbe invalid ithe V -EXP MIDIIN Selector onthe rea of the JV -90 i sett EXT. Scale Tune] Scale Tune Switch onorF “Tune ON to use th scale tne fete snd OFF whee tis noo be use PowerUp] Power up mode LASTSETIDEFAULT “Tis species the condition he JV - 90 wil bein when power ured on. LASTSET : The Patch or Performance last selected when the power was tumed off wil be selected. DEFAULT : Patch UI11 or Performance UIO1 will be selected. “The pages below are used for making the sting fo Sale Tune. The parla page tht appears wil be ifferent depending onthe sod —ea [From the Patch Play Mode] t Note! Tunel 1 cl BI- TUNES FUNCTION Note] Note os Provides for selection ofthe note for which » Scale Tae sting isto be made. The noe an be spel by ssoplypresing a eybosrd ky, Tune] Scale Tune -6410 +69 ‘Sette pitch of he specified note in sep of 1/10 of etn [From the Performance Play Mode) TUNES og Scale Tune C FUNCTIONE @t a1 61 G1 6I ol a1 oa ‘Seale Tune] Scale Tune -c410169 ‘The note for which a Scale Tune sting isto be made is specified by pressings keyboard Key, The pichof the specified note ean te setin step of 1100 of seatane, foreach Past 390 (@ The Scale Tune Feature ‘The sale Tune fea allows yoa to fisely adjust the individual ich af the note from C Wroogh B. Though Be ening are made while working with ne octave, the Fine austmete wil affect al octaves By making the aprorit Sale Tune seuings you ean cbuin a complete varity af waning methods other than equal emperament (© Equal Temperament ‘This method of tig dives the octave into 12 equal pans Is cunt he mos widely used form of ming especially ‘in ecidetal mac, On the JV - 90, eqaltemperement is use whenever Seale Tune is OFF. ‘© dust Temperament {Keytone ©) “The tne min chords resound mich more besufly than with equl temperament, bu this oe can only be obtained in ‘ne key. I wanspoed the chords endo become ambiuoes. The example give invclves seins for a key in which Cis the heypou. ‘OArabian Seale and B are aha of semitone lower than equal emperamen:, whereas CF, and Gt are a al ofa semitone higher in ‘his metho of wing. The iuervalsG-B, C-E,F.GH, A&-Cx, DI-FW are a petra thd (terval between a aor hid and 2 ‘minor hic). On the JV -90, be Arabian Scale can be enjoyed wit tbe ce keys of GC, and F [Example Setttings} woe | EavelTenpornon | SATeTPSRMO | pana sae ¢ 3 3 = oF 3 = ~ 3 ° = = oe 5 7 7 F 8 2 = 5 ° = = ¢ 8 2 = z 2 = 2 a ° me a0 a 8 ae =@ When Pressing [CONTROL] ‘These teings determine the parameters which wile consoled by foot pels connected to pil jacks 1 and 2 and by the Ct slides issianl< LUNE I~ Mode] Output mode oFFaNTanoueM ‘This seting determines te destnution ofthe contol messages seat by the pele or the Cl side, When INT ie selected, the messages wil be sen only tthe internal soand source, When MIDI ie slected tke meteges wil beset ony to MIDI OUT. When [eM is selected, the messages wil be sent w both the intl sound source end to MIDI OUT. When OFF is selec the pedals snd the Cl slider will ot traci any messages hi . Foot Pace! stor IM Le moi our Foot Pods! 2 MDT [ASSign] Assign cco — ccesAFTERTOUCHBEND- UP/BEND- DOWNIPROG -UP/PROG-DOWN ‘These sens determine te parameters which wil be contol by the ped! or Cl ser CCO—CC9S are contol change sumbers 095. END UP /BEND - DOWN indies pic bend up and down, PROO -UP/PROG-DOWN wl sl treat Nipher rower Perfomance Pac. The we in pueneses (neue he eteat postion of te etl oC slide PEDAL POLARITY pages PEDAL of Pedalil_ Pedal2! Hold! OLARITY#STANDARD I STANDARD | STANDARD | - PEDAL1 || PEDAL2 |[HOLD ]stanoanomevense ‘Toes eng allow the play of peda ices connected tthe pel jacks 1/2 te bad pedal jack to severed som tobe compete wt tie JV - 90, When sing Roland pel switch (DP -2) setts to STANDARD. I you reusing x reverse polarity pedal switch made by another manufecturer (ei the sound i hell even when the pedal Sich comet othe Hold Pel fck i not rested, set thi to REVERSE, aAFTER TOUCH page TER # Thresh! cH 1a1- [Thresh] Threshold o—127 ‘This ets the level (hrehol evel) at which afietouch will begin to faneon. If the afleouch value doesnot reach tis level, sferiuch willhave no effet If hs Taeshold sein is sto 127, afew wil not function tal Volume 7 ae Key touch strength Attertouch threthold @ When Pressing [MIDI] For some tpt of board or ar nol Pach groups / bak numbers canbe selected (When in Patch Play mode ] PATCH pT Loe Rx-Chl il 1 all a ONI Local Local switch ONOFF “The intemal soem source wil produce found ie response to musical data om the IV - 90 ise whes this s ON, and wil ior svc data whos thi OFF. This soning doesnot fect MIDI transmission or reception. Rx-Ch. Patch receive channel 1—16 Tx-Ch “his sete receive channel for Pach Play meds, Patch transmit channel 1—16/Rx-CvOrF “This st the transmit chanel for Patch Play mode. When this parameter set wo “Rx - Ch, the wens chansel wil be te same athe soe channel. When hs is ot OFF, data will not be transmit,1 [ When in Performance Play mode } oa ERFORM EF Loc TDI + 1-Chi 6 Local] Local switch oworr ‘The intel sound source wil prodace sound in vesponse to musical daa from the JV -90 tue when tise ON, and wl ignore Ctri-Ch Contro! channel 1—10/0FF sch dn when hiss OFF. This song des ot affect MIDI transmiston or reception This seting species the ctannel on which Pesformumces wil be selected (This i separate from (and in addon to) the ‘raamivreceive channels foreach Pat inthe Peformance.) If his sting isthe same asthe receive chanel seing for ove of te Pars inthe Performance, Performance selection wl ake pat. When thei set OFF, transmissonrception wil take place, ‘Tho MIDI ransmireceive channels or each Part aro determined bythe Performance parameters TRANSMIT MIDI, RECEIVE MIDI pages RECEIVE #P.CIBnkIC.CIUol|lBendI Modi Aft! MIDT 4 ON! GN! ONT ONT ONT ONI ONI-- P.G][Bnk][C.¢][Vol][Bend ][Mod][Aft|onorr ‘These seings specify whether each typeof MEDI message will (ON) or will ot (OFF) be tanemitedeccived. The varius types of mesiage ae sborvised a follows, Po Brk ce Vo! Program change Bank select Contro! change Volume Bend Mod Aft Pitch bender Modulation Aftertouch aSYS - EX MIDI pei EX fReceivelDev. 1 ON! Tot vt Receive] Exclusive receive switch oworF ‘This ening ns on/off reception of MIDI am specifi tothe JV -90 (such s Performance or Pach bt) Dev. 1D] Device 1D number 17—32 ‘When you wish o eansmit or rectve exclave messages, set this parameter to mack the device ID number of the other MIDI deve @ RX PART SWITCH ‘This selects whether or otto reopnize the MIDI messages received through MIDI IN fr each Pat n 1V = 90's itr sound ‘matule oe Voice Expansion Board. Move the cursor wih [4M Pr} to select a Part, then select | oO with [NCMPDEC} (sto _ecognize an 0s ignore), The Pat where Oe set wil be med > When the JV - 80s sotto the Performance Mode, changing the value also changes the MID} Receive Switch (Page 82) automaticaly, % When the JV-90 is set to the Patch mode, the Part of the Voice Expansion Board (Page 108) that has the same ‘cave channel asthe receive channel (Page 42) ofthe Patch is shown with an arow* | *, % When the V-EXP MIDI IN Selector Switch is set to EXT, the Voice Expansion Board wil be played wih the MID! ‘messages raceived on the V EXP MIDI IN. The MDI messages received trough MID] IN, howover, wl bo ignored by the Voice Expansion Bosrd. (Page 104)Effect parameters ‘Teese parameters determine effet wit setings (chorashevert) fore curtetly selected Pach or Performance In rythm Play mode, tne lowing operatone are not possible. @ When Pressing [EFFECT] In Pach Poy moe, hee sings modify Pach tet parameter. In Perfomance Pay mode, these stings modify Peformance ffs parameters PATCH iChorate!l Derth|Rev-Leyv! Tine EFFECTS ¥ 261 261 1081 86 Depth] Chorus depth o—re7 ‘This parameter set the modsition depth forthe chores eet. Rev-Lev] Aeverb level o—127 "This parameter st the volume ofthe revert. Time] Reverb time o—127 ‘This prumeier sel the reverberton ime 2% When using chorustever, pross [CHORUS){REVERS) to tum the effet on, 4sTransmit a Prog Change message Here you ean pacify a program change message tobe transmlted dct @ When Pressing [PGM CHANGE] * * TRANSMIT P.C page: TRANSNITE Tx-Chl PA 1 1101 ca) Tx+Ch] Transmit channel 1—16 ‘This parameter éetzrmines he MIDI channel on which Program Change msages willbe taasmied, P.C-No] Program change number 001/11 — 1207888 ‘Specify the program change tat willbe transite om the Tx - Ch ‘The display wil show the aurber inthe format of “program change number /group-bank-mumbee ‘The PATCH GROUP / BANK / NUMBER indicators wil ight to show the selected program change aber. ‘Press (ENTER to transmit he program change message |Whan the cursor is looatad at the program change number dlspay, you can dlecty ents a number frm 001 — 128. “The BANK {1]—[6] buttons wil entar the numerals 1—2, and the NUMBER {12} butons wil enter te numerals 9/0. Input the desired program change number, and press [ENTER] to transmit the program change message. ‘When the cursor i oeled a he groupfenk/mamber dpey, you can us te PATCH GROUP / BANK. / NUMBER batons 0 specify the program change mamber, Bnk-MSB/Bnk-LSB) Bank select number wacho—127 Specify the MSB (contol change #0) nd LSB (consol change #32) ofthe Bank Selest message oe ransnited from he Tx -Ch, “The Bank Selact massage wil be transmitad athe same me that ho Program Change message sransmitod, For information on the corespordence between the JV 90's Patch Groups (Media) and Program Change and Bank SSolectrumbers, retort the “MIDI mplementation“o.136)OTT amd DETAILS OF THE EDIT OPERATIONS1.Patch Edit mode ‘Each Pateh is made up of four Tones. Each Tone has various Tone parameters which determine the character of the frequency spectrum, loudness, and how these factors change). Tone parameters forthe four Tones, @ Patch name, snd effect unit settings used in Patch Play mode are collectively called "Patch parameters". The process of modifying Patch parameter settings is called "Patch editing”. “The sound produced by each Tone passes through several stages to create the final result, and function selet buttons ‘have been signed to acess the parameters for each of these stages. ir fe) ye @ Patch editing procedure In Patch Play mode, select the Patch you wish to edit. Then press [EDIT] to enter Patch Edit mode, Then press one ‘ofthe function select butions to select the desired Patch parameter. Function select butlons In Patch Edit mode, the following type of pages will eppear in the display. [Example] PATCH CHa! BUS ‘The values from left to right correspond to parameter sliders 18. Move the parameter slider (or [DEC/{INCD corresponding tothe parameter you wish to modify (P6). For pages in which " "or" & "is displayed, you can vse [4 V/[W ] to select other pages (p7) ee————— eee @ How to use the TONE SELECT buttons ‘The TONE SELECT butions are used in Patch Edit mode. For paremeters which can be set individvally for each ‘Tone (1-4), the display will indicate (for example) “I ~~~", This display indicates the number of the Tone ‘whieh is curently selected. Use the TONE SELECT ({1} (4) bation to select the Tone to display and edit —— eee ooec Snes ‘You cen also press two or more TONE SELECT buttons simultaneously. The display will indicate che number ofthe Ist Selected Tone, and other selcted Tones will be indicated by * ¥ “. In this condition, further edjustments you ‘make to a parameter will set the same value fr all selected Tones. oAbout the parameter: 50 {In this scction we will explain the main parameters for each bution, and how the parameters work. Press x function select button, and then vse [ak J[W ] 1 select pages. @ Parameters accessed by pressing [COMMON] Here you can make setings for parameters that are common tothe entire Patch, PATCH NAME page Patch name] space, a—2,a—z,1—9,0,+-"/#1, ‘You can give a 12 character name to the Patch you are edi 3g. Use parameter slider 2 of {4 Vr] 10 move the cursor, and use parameter slider 1 or (INCV/[DEC] to select a character atthe cursor location. (Characters can also be selected using the BANK/NUMBER buttons, (Characters and syrubols are printed in grey on the lower right ofthe buttons.) “The thee characters or symbols wil ahernste each dime you press the button, CAPS : This button switches between uppercase and lowercase letters. When the indicator is It, uppercase letters will be selected. SPACE: This button enters a space. PATCH COMMON page Level] Patch level o—127 ‘This parameter sos the level (volume) ofthe Patch Pan] Patch pan .se—o—s3n ‘This parameter sets the pan position, Velo -Sw] Velocity range switch oworr ‘The velocity range setting willbe valid when this is ON. VELOCITY RANGE page Tone 1|[Tone 2][Tone 3][Tone 4] eacno—127 ‘These parameters set the velocity range (lower/apper) for each Tone. Lower range i dsplayed at lft, andthe upper range at ight. The velocity values surroonded by the lower and upper stings ate the Velocity Range. “The velocities in its specified range is valid + tls not possible to set the Lower value above the Upper.@ Parameters accessed by pressing [EFFECT] ‘These parameters determine the settings of the built-in effects unit when a Patch is selected in Patch Play mode. ‘The effect setings apply to the entre Patch. The effects unit provides a wide range of possibilities, from deepening ‘and entiching the sound, o radical ransformetions of the tonal character, % in Performance Play mode, the effscs unit wil use the satings ofthe Performance. FX SEND (effect send) page Dry] Dry level o—127 This parameter sets the level ofthe dry (unprocessed) sound. Chorus] Chorus send level o—127 ‘This parameter sets the level ofthe signal sen othe chorus. Reverb] Reverb send level o—127 ‘This parameter sets the level of the signal sent tothe reverb PATCH CHORUS page [Type] chous ype cwot—2 This panel st te peo chor ee GHOT | A conventional chorus. CHO? | A chorus with slower rate. You can also apply feedback to use this ae a flanger. CHOS | A chorus with greater depth. An effect of extreme detuning can be produced, Lev] Chorus level o—127 ‘his parsmeter sets the level ofthe chorused sound. Rat] Chorus rate o—127 ‘This parameter sets the modulation speed of the chorus effect. Bep] chorus depth o—127 This parameter sets the modulation depth ofthe chorus effect. Fk] Chorus feedback 0—127 ‘This parameter sets te level at which sound is fed back into the chorus effect. A Excessively high settings of Fok can distr the sound, stOut] Output switch movmev ‘This parameter determines the output destination of the chorused sound. When MIX is selected, the chorss sound and the reverb sound wil be mixed withthe dry signal. When REV is selected the chorus sound willbe sent through ‘he reverb and then mixed with the dry signa, x nev Reverb Chorus an Ww ae 241 chorus ger PATCH REVERB px: Type] Reverb type ROOM —2/STAGE'—2HALL—2DELAYIPAN-DLY ‘This parameter selects the typeof reverb ROOM: || short revero wih dense rovarboration ROOM2 —_| shortrevero wih sparse reverberation STAGE! | reverb with more lato reverboraton STAGE? — | reverb wih strong early ralactions HALL — | clearrevero HALL2 | sich rover DELAY | conventional delay PAN-DLY | olay with echoss panned light Level] Reverb level o—127 ‘This parameter sts the level ofthe reverb sound. Higher values will result in a louder level. [Time] Aeverb time o—t27 If Reverb Type has been set © ROOM! —HALL2, this parameter determines the length of we reverb. If Reverb ‘Type has been setto DELAY/PAN - DLY, this parameter determines the delay time F-Back] Delay feedback o—127 Te Reverb Type has been set to DELAY, this parameter determines the level st which the delayed sound will be fed ‘bel into the delay ANALOG FEEL page Depth] Depth o—127 ‘This parameter seis the depth of the Analog Feel effect, which applies “If modulation” to level and pitch to give ‘eater “naturalness” tothe sound (le, make it sound less digital) Higher settings will result in more modulation.@ Parameters accessed by pressing [CONTROL] Hire you can make setngs for the IV -90 keyboard and controler, KEY ASGN & BEND RANGE (Key Assi Assign) Assign mode Po.visoLo ‘This parameter determines whether the Patch will be polyphonic (POLY) or monophonic (SOLO). If POLY is selected you can play chords, and if SOLO is selected, only the last - played note will sound, in & Bend Range) page Legato] Legato onorr ‘his parameter determines whether the Legato function willbe applied (ON) ont (OF, Even if Legtois ON, t will not foncon i tbe Assign Mode is POLY. Legato : The envelopes and LFO of the previous note continue. This allows you to simulate the ‘hammer - on/pul - off playing technique of a guitarist. Bender-Range] Sender range ~+8—0 (down) /0—12 up) ‘Bend Range Down determines how far (in semitone steps) the pitch will fall when the bender lever is moved to the Jeft. Bead Range Up determines how far the pitch will ise when the bender levers moved to the right PORTAMENTO page Portamento: Portamento is as effect in which the pitch changes smoothly between notes. In ‘Solo mode, it is appropriate to apply Portamento to guitar and wind instrument sounds. ‘Switeh] Portamento switch oniore This determines whether portamento will be applied (ON) or not (OFF). Mode] Portamento mode LEGATONORMAL ‘This determines how the portamento effect will be applied. When NORMAL is selected, portamento will always be applied. When LEGATO is selected, portamento will be applied only to notes played in legato style (Le., when you play # note before releasing the previous note), [Rype] Poramento time Taemate ‘This determines the type of the portamento effect. When TIME is selected, the pitch will move tothe new pitch over 4 specific time regardless of how far apart the two pitches are, When RATE is selected, the pitch will move 10 the new pitch at a specific rate, so that it wll ake longer to reach a more distant pitch. Time] Portamento time o—127 ‘This determines the time over which the pitch will move tothe new pit, PEDALS page Volume] Volume contro! switch oworr ‘This determines whether MIDI Volume messages will be received by the Tone (ON) or not (OFF) —————— 33Hold =1] Hold 1 Control Switch onoFF ‘This parameter determines whether Hold 1 (sustain) messages from HOLD / PEDALI / PEDAL? / Cl slider will, (ON) or will not (OFF) affect the Tone. Re-Damp] Re-damp switch oworr Ifa Hold 1 message is received after key off while notes are sill sounding, this parameter determines whether the sovod at thet ime will be held (ON) or not (OFF). Hold 11s OFF, Re - Damp wil have no offct even itis tuned ON. ‘The MIDI epeateaion defines contol change #7 as volume and contol change #64 as Hold 1 CONTROL px: Modulation} Modulation control ‘You can speify up to 4 Tone parameters to be controled by modulation messages. ‘Aftertouch] Aftertouch contro! ‘You can specify up to 4 Tone parameters o be controlled by aftertouch, Expression] Expression contro! ‘You can specify up to 4 Tone pareroetrs tobe controlled by an expression pedal ‘The Tone parameters that can be controlled en the ranges of consol are given below. Destination (parameter tobe controled) | Destn omena Display | Mesning {setting range) PCH _ [pt tertone) =e +63 ai oa = §3—463 | The parameter wil increase (ris) fr postive (6) valuas and decrease (fa or negative RES | resonance =63—+63 | (values LEU [oval volume) =83—+63 FL1 dopo FO 1 apotied open | —63—+63 PL2 |dopinofLFO2 apptiod pitch | —63—+63 Postive (+) and negative (—) values avert FL1 |depmoftFOt epptodweutot | —63—+63 |e phase ofthe LFO. Inather case, values FL2 |deptnof tFO2 appiedtocutot | —63—-+63 | Sverging tom 0 wil nave an increasingly star ac, FiL1 [depmotLFO 1 appiod io woume | —63—+63 AL2 [depinctLFO2 applied woumme | —63—+63 Link |awotlFot Testes | With postive Gi) was he LFO eyce wilbe shortened, end with negative (—) values the L2R [mwottro2 =63—+63 | oye wil be lengthened, (Gee diagram “The MIDI specifestion defines Expression as contol change #11 and Modulation as canto! change #1. The JV-80 transmits Modulation messapés when you move the bender/moduaton lever away tom you. Pedal 1, pedal 2 andthe (C1 slider wil each transmit the MIDI message that has been assigned to them. For datas refer to the MIDI ‘implementation chart. I@ Parameters accessed by pressing [WAVE/LFO] ‘These perameters select the waveform (the basic element of sound) and determine the LFO settings WAVE page ‘Switch] Tone switch onorr ‘This parameter determines whether the curently selected Tone will be used (ON) or not used (OFF). Voices will be sed only by Tones for which this parameter i turned ON. Group] Wave group wTexP:caRD ‘This parameter determines which memory the waveform will be taken from. The JV -90 has 152 waveforms i internal memory (INT), In addition, you can also use waveforms from optional wave expansion boards (EXP) or PCM cards (PCM). @ Inserting a PCM card When you wish to use POM card wavetorms, Insert the PCM card into the PCM card slot on the roar panel. Make sure the product name pon Printed on the card is facing upward. Push the ‘card careful athe way ito the sot The actual design of tho card wil ter trom the tustaton. No] Wave number ‘This parameter determines the waveform number ‘Tho deplay wil show only the memory numbete which can be rea. FXM page [FXM modulates the waveform by a different waveform (i. applies cross - modulation) to create anew waveform, Switch] FXM (Frequency X- Modulation) switch oNcoFF ‘This prameter determines whether FKM (Frequency Cross Modulation) wil be used (ON) or not used (OFF), Depth] FxM depth 1-16 “This parameter determines the depth of FXM. ssLFO 1/2 page “The following four pages contain the setings for LFO I and 2. (The parameters are the same for both LFOs.) Form] LFO waveform TAVSINISAW/SQAMND! —2 ‘You ean selec fom the following LFO waveforms: triangle, sine, sawtooth, square random 1, and random 2 Synchro} LFO synchronization oNoFF ‘When this parameter is turned ON, the LFO phase wil be synchronized with the key on timing, so thatthe phase of| feach LFO will be independent for each note, When this is turned OFF, the LFO phase will be the same forall sounding Patches, Rate] LFOrate o—127 “This parameter determines the speed of the LFO. Offset] Offset —100!-s01014s0/+100 “This parameter offsets the waveform of the LFO in a postive (+) or negative (-) destin, Ifa postive (negative) offset is applied wo pitch (volume) modulation, te center pitch (volume ofthe modulation willbe above (below) the normal pit (volume). Delay] LFO delay time o—127KeY- OFF ‘This parameter sets the length of the delay after The tone begins sounding (key -on) until when the LFO begins to take effect. If this parameter is set to KEY - OFF, the LFO will begin to take effect when the key is released (key - of. Fade] LFO fade mode wout ‘This parameter determines how the LFO willbe applied over time. When IN is selected, the LFO will gradually increase after key -on, according to the LFO fede time parameter (see below). When OUT is selected, the LFO will, be applied from Key - on until the LFO delay time elapses, and will then gradually diminish in effect according to the LFO fade time. Time] LFO fade time o~127 ‘This parameter set the fad in or fade out time ofthe LFO. Fax Fade = OUT Higher (increase) Higher increase) Delay time Fade tine Depth Depth Pitch mn Pah TVE Cutoff 0 IVE Gator of TVA Lovet TVA Level | eyo key-on Lower (decrease) Lower (decrease)_ er LFO DEPTH page P1][P2] Pitch LO 1 depth, Pitch LFO2 depth -es—s3 ‘These parameters determine how deeply LFO 1 and 2 wil affect the pitch of the Tone FA |[F2] Fiter LFO 1 depth, Fiter LFO 2 depth -s3—+63 ‘These parameters determine how deeply LFO 1 and 2 will affect the cutoff frequency ofthe Tone. A1[A2] Lever LFO 1 depth, Level LFO2 depth -6s—+6a ‘These paremeters determine how deeply LFO 1 and 2 will affect the level of the Tone. The change in pitch or volume will be opposite depending on whether Depth is postive (+) or ‘Negative (-). For example, f Depth is set to & postive (+) value for one Tone and to a negative (-) but equal value for another Tone, the two Tones wil be modulated with opposite phase. This could bbe used to cyclically interchange two Tones, of could be used In conjunction with the Pan parameter {explained later) to create cyclic changes In stereo position @ Parameters accessed by pressing [PITCH] _ ‘These parameters determine the pitch ofthe Tone, PITCH page Crs] Pitch shitt coarse —s8—149 ‘This parameter shifts the pitch ofthe Tone in sernitome steps Fin] Pitch shit fine ~s0—+50 ‘This parameter shifts the pitch of the Tone in steps of one “cen” (1/100 of a semitome step). % The pitch will change but the key numberof the keyboard wil not be alfeted. This means thatthe Pich Coarco/Fine ‘setinge wif not fect the range settings or the note numbers ofthe note messages ansmited trom MIDI OUT. Find] Fandom pitch depth ‘15 orgoe3040/80770/00r200/300/400/5001600"800/1200 ‘This paremeter randomly shifts the pitch of the Tone, The parameter value is displayed in units of 1/100 of « semitome step. stP=KF] Pitch key follow =100/-70)-S0/-20/-10/0/+10/:20/490/+404480/470/+190/«1204150/4200 ‘This parameter determines how the pitch of the Tose will change relative to the keyboard position. Ths siting is relative to the pitch of the C4 key. For postive (+) sentings, the piteb will rise asthe note mumber increases (2. 88, you play towards the right ofthe keyboard), and higher seuings wil result in a more rapid rise in ptch. For negative (©) sewings, the pitch will fall as the note number increases. For standard - pitch keyboard response, the Pitch Key Follow parameter shoald be et at 100 If Pitch Key Follow is st at 0, all keys will produce the same pitch Phteh Key number Env] Pitch envelope depth -12—+12 ‘This parameter determines how the Tone’s pitch will change in response to the the pitch envelope level setings ‘When this parameter is set to a positive (+) value, the pitch will rise as the pitch envelope levels ese, When this parameter is set to « negative (-) value, the pitch wil fll as the pitch envelope levels rise. ‘Wincressing the envelope lovels doos not provide enough change, incroaso the Depth seting. —— When the pitch snveiope dopth is postive (+) ‘Won the pitch envelope depth is negative () Vel] Velocity envelope level sensitivity —63—+63 ‘This parameter determines how the ptch envelope levels will change in response to velocity. P-ENV (pitch envelope) page ‘The parameters ofthe following 2 pages determine how the pitch will change over ime (the pitch eavelope) Velo-Ti] Velocity attack tine sensitivity =100/-70)-60-40/~30/-201- 1010-1 04204+304«404e50!670!+100 ‘This parameter determines how velocity wil affect the TI parameter of the pitch envelope Velo-T4] Velocity release time sensitivity 100/~70!-50/-401~30/-20/- 10/0 10/+20/430/+40/460/4704100 ‘This parameter determines how velocity wil affect the T4 parameter ofthe pitch envelope.Time- KF] Envelope time key follow ~100/-70/-60y- 40-30/-20/-10)0+10/+20/+90/+ 4048014704100 ‘This parameter determines how keyboard positon (key number) will affect the pitch envelope time, At the CA key the envelope times will be as specified by the envelope settings. With positive (+) setings of the Time KF rameter, the T2—T¢ times wil become shorter as the key number increases, With negative (-) stings the T2— “T4 times will become longer. With setting of O, keyboard position will not affect pitch envelope times. + For negative (—) values of Envelope Depth, the plenty GH/—) Time of the pitch change will be Inverted. Time T1)[F2)(73)[74) o—127 ‘These parameters set the pitch envelope times T], T2, T3 and 74, These determine the time over which the pitch will change to the next pitch (for example, 72 isthe time over which the pitch will move from L1 to L2). Higher values will eslt i longer times 1 )[L2)[E3)[L4) ~es—is3 ‘These parameters set the ptch envelope Jevels 1, L2, L3 and Lé. These determine the pitch (change) at each point. ‘These pitch changes are in relation to the pitch specified by the Pitch Shift and Coarte/Fine parameters. With positive (+) settings, the pitch wil be raised. With negative (-) settings, the pitch will be lowered, ig [TVF] @ Parameters accessed by pres: ‘These parameters determine how the TVF will fntion. TVF (filter) page Typ] Fiter ype orsapreer “his parameter selects the TVF type. LPF is low - pass iter nd HPF isa high- pat iter. When OFF is selected the filter will have no effect. LPF a HPF a requeney < uot reavency Cato rogue 59Cut) Cutoff frequency o—s27 ‘This parameter sews the frequency (cutoff frequency) at which the TVF will begin affecting the spectral content of the waveform. Filter Type and Cutolf Frequency ‘The conventional way to use the TVF is to sat the Fiter Type to LPF and use the TVF to reduce the ‘upper portion of the frequency spectrum. As the cutoff frequency Is raised, more of the upper ftequencies will be allowed to pass and the sound will become brighter. Conversely, as the cutott frequency is lowared, the upper frequencies will be cut and the sound will become softer. if the Filter ‘Type Is set to HPF, raising the cutoff frequency will increasingly cut the lower frequencies, leaving only the bright portion of the sound. Res] Resonance o—127 ‘This parameter determines the amount of emphasis applied to the spectral area around the eutoff frequency. LPF ES High Resonance] [T aie Low Mode] Resonance mode SOFTHARD ‘This parameter selects the type of resonance, “tthe Tone ie playad wih high level or Hf the cue Frequency Is high, the elac of resonance may te less noticeable. F=KF] Cutoff key follow ~1000-701-50/-901-1014104:20/430/440/450/670'+1004+120'+1804200, ‘This parameter determines how eutof frequency will be affected by keyboard position, Wit a Cutoff Key Follow setting of +100, the cutoff frequency will have the same rele 9 to not pitch for all notes. When this parameter has ‘a posiive (4) value higher note numbers will hve an increasingly higher cutoff frequency (relative to the C4 key). |As this paremeter ie increased, the cutoff frequeney will rise mote quickly. With negative (-) values, higher note numbers will have an increasingly lower cutoff frequency, Env] TVF envelope depth -cs—s3 ‘This parameter determines the maximum range over which the TVE envelope willafest the cutoff frequency.TVF-ENV (TVF envelope) pase ‘The parameters of the following two pages dexermine how the enol frequency will change overtime (ihe TVF envelope) Gry] Voloctty curve ype 1—7 ‘This parameter determines the way in which velocity will affect the cutoff frequency. A graphic indication of the curve shape will be displayed forthe selected curve type. Velocity envelope level sensitivity 23463 ‘This parameter determines bow velocity will affect TVF envelope levels. W=TH] Velocity attack time sensitivity ~1004-70/-50+-40/-90/-20/- 10/0/2014 304-40/+50470"e%00 “his parameter determines Row velocity wil affect the TVF envelope paramtr. V=T4] Velocity release time sensitivity ~100-70/-50/-40/-20/-20+ 10/0! Y0M201490140/450470!+100, ‘This parameter determines how key - ff velocity will afet the TVF envelope T parameter, [T= KF] Envelope time key follow = 100/-70/-50/-40~80-20/-10/0!+10/+20'80/+40/4501470%+100 ‘This parameter derecmines how keyboard posiion (relative to the C4 Key) will affect the TVF envelope. With positive (4) setings, T2—T times will become shorter as the key number increases, With negative (-)setings, ‘T2—TA times will become longer as the key number increases. For nogative (~) values of Envelope Depth, the polarity GE/—) of the cutoft frequency ‘change wil be inverted. [ri )[r2)[r3][T4] os ‘These parameters set the TVF envelope times T1, T2, TS and T'. La )L2)E3][04) or ‘These parameters set the TV envelope levels L1, L2, L3 and LA, oa @ Parameters accessed by pressing [TVA] ‘This is where you make TVA sertngs. TVA page Lev] Tone levet_ o—127 This parameter determines the level of te Too. L=KF] Level key follow = 100/-70/-6al-40(-30/-20!~ 10/0 10/+20490/«40/460/470H4100 ‘This parameter determines how keyboard position (key number) will affect tbe Tone level, Lovet Key number Crv] Velocity curve type ‘This parameter determines the way in which velocity will affect the level. A graphic indication of the curve shape willbe displayed forthe selected curve type. Vel] Velocity level sensitivity -63—163 ‘This parameter determines how grestly velocity will affect the level. With positive (+) setings, the level will Increase as velocity increases. With negative (-) setings, tbe level will inerease as velocity decreases. It is also possible to give Velocity Level Sensitivity setings of -32 and +32 to different Tones, so that your playing dynamics will shift between two different sounds (velocity switch), Pan] Pan .ss—o—ssn/RNo This parameter sets the stereo location ofthe Tone. A setting of L64 is far loft, 0s cemer, and GBR is far right. With ‘a seting of RND, the stereo location will change randomly. P-KF] Panning key follow ~100/-70'-0/-40!-30/-20/- 100/10/+20/30+40/480/+70'+100, ‘This peramoter determines how keyboard position will affect the stereo location Relative to the stereo location tthe (C4 key, positive (4) values will move the stereo loettion to the right as you play higher notes, and negative (-) values will move te sereo location tothe right es you play Jower notes. In either case, the movement willbe greater 45 this Penning Key Follow is set further away from a value of 0. With a value of O all noes will ave the same stereo location,ss DELAY (tone delay) page Mode] Tone delay mode NORMALHOLOIPLAYMATE ‘This parameter selects the type of Tone delay. With a setting of NORMAL, Tone delay will sl be valid even after the Key is released. In contrast, HOLD makes Tone delay valid only while the key is bed, 20 that if you release the key before the delay time elapses, the delayed Tone will ot sound. With a setting of PLAYMATE, the delay time ‘will be set equal to the interval between the previous note-on end the most recent note - on (only if this interval two seconds or ess, however) HOLD PLAYMATE ae Cs os ‘The delay time changes depending on the time difference between the frst ‘on and the second note on. [Time] Tone delay time o—127KeY -OFF ‘This parameter sets the time delay after key -on until the Tone begins to sound. Higher values wi result in a longer delay. If the Mode parameter has been Set 9 PLAYMATE, a Tone Delay Time seting of 64 imerval between the previous note oa and the current note-on. A Tone Delay Time setting of 127 will result in a set the delay ime to the elay approximately twice as long ata sting of 64 the Tone Delay Time parameter is set to KEY - OFF, the delayed Tone will begin sounding when the Key is rwleased, repardless ofthe Mode setting. Unlike the delay produced by the effect uni, this method allows the delayed sound to have a diferent ional character, or a diferent pitch so as wo crete arpegaio effects played by a single key, Unica the delay produced by the effect unit, the Tone Delay allows you to change the tonal coor ofthe delayed note, or modi the pitch for ch Tone to reais arpeggios played by a single key. TVA-ENV (TVA envelope) page 1--- #elo-T1|Velo-T4iTime-KFl TUR-ENY -341 al BI Velo-T1] Velocity attack time sensitivity ~100/-70F- 50! 40!-S0/-20(-10/0!+10/4204G0/+40/4504470/+100 ‘This parameter determines how velocity wil affect the TVA envelope T1 parameter, Velo-T4] Velocity release time sensitivity ~1001-70/-50- 40!~30/-20/- 10/0 10/+20/490/=40/450/470/100 ‘This parameter determines how key - ff velocity will affect the TVA envelope T parameter, 6Time-KF] Envelope time key follow 100-70H-80"-40/-30/-20/-10/0/+10!520/+30/+401450/470/4100 ‘This parameter determines how Keyboard position (key number) will affect the TVA envelope, With positive (+) senings, T2—Ts times will become shorter asthe key number increases, With negative (-) settings, T2—TS times ‘will become longer asthe key number increases. i>) # Til 12! T3! T4! Lal L2t ust TUA-ENU H 421 771 951 Bal137117711281 + For nagative (—) valuce of Envelope Depth, the plenty GE/-) of the cutoff frequency +] change wil be Inverted. Cuttt trequency foe Ti)[r2)[r3\[r4] 017 These parameters set the TVA envelope times Ti, 72,73 and T4 Li|[L2][3) 0-12 ‘Thete parameters set the TVA envelope levels 1, L2 and 13.¢.rPermormance Edit mode About the Performance Edit mode ‘The JV -90 allows you to create « “Performance” that assigns seven Patches and one Rhythm Set each to their own “Pan, wo cveate an ensemble in which more then one Patch can be played simultaneously. Performance Bait mode is ‘the mode in which you make these sexing (eye ey @ Performance Edit procedure ‘In Performance Play mode, select a Performance and then press EDIT. You will enter Performance Edit mode. Now press one ofthe function select butons to selet the desired Performance parameter. ‘When you press [COMMON] or (EFFECT], a display ike the following will appeat. [Example] _ whon [EFFECT] is pressed | + PERFOM tTypeilLeviRat!D: CHORUS S$CHOLIIG 8 ‘Wheo you press (TX ZONE}, [INT ZONE] or (PART). 2 display ike the following will appear. TExample] when [FX-ZONE] is pressed ee i (parameter) eanae TRANSNIT# cca ZONE $c2 1¢2 102 102 weg ee eo Fes" fecactacest +—+ parameter value Jn either case, the values from left to right correspond to parameter sliders 1—8. Use the parameter sliders to modify the desired valve | 65or pages in which “ # " or" §" are displayed, you cn press [A /[W Jo select other pages (p.7 Parameter Siders You can use the PART SWITCH ((t]—{8}) buttons to switch various functions for each Part, such as turning MIDI receptionstransmission on or of, or specitying whether or not a Part will sound. The function switched on/off by the PART SWITCH buttons will dependi on the function select button you press, a6 follows (9.6). Function select button | The setting controlled by the PART ‘COMMON Recaive Swich| ‘EFFECT CChorusevers Switch TXZONE “Trane Swkeh INT ZONE Local Switch PART Recowve Switch ‘To select he Part thatthe cursor current points to when in the Performance mode, hold down [ENTER] whe you press [PATCH]. Thereafter, you can edit that Part by pressing {EDIT}, To retum to the Performance mode, press [PERFORMANCE}Explanation of parameter ‘We will explain the parameters in te following order: Common, Transmit Zone, Internal Zone, and Pert @ Parameters accessed by pressing [COMMON] ‘These parameters are common to all Pats. These settings determine the Performance Name, Key Mode, and Effect (Chorusirever) seings. ‘When this button has been pressed, the PART SWITCH ((1]—{8}) buttons wil act as MIDI Receive ‘switches to turn on/off MIDI message reception for each Part PERFORM NAME page Performance Name space, A— 21-1 Oent/#t, ‘You can give a 12 - character name tothe Performance being edited. Use parameter slider 2 ar [ 4 J/[ P ] to move the curtor, and use paremeter slider 1 or INCY{DEC] to select characters. Create the Performance name using the ‘same procedure as when entering a Patch name. KEY MODE pags Mode Key mode LAYERIZONE/SINGLE How to send the performance data Data transmitted by MIDI LAYER “The sottings ofthe key range of the Internaltransmit zone become invalid; 76 keys data is sent to the eight Parts ‘and via MIDI OUT. ZONE ‘The performance data within the key range set in the internaltranmit zone i sont to the eight Parts and via MIDI ‘our. © When the Performance Is changed, rogram change data, as well a volume data and pan data, which are set in the tranamit zone, are ‘anemited, SINGLE ‘The settings of the intermavtransmit zone are ignored, and only the Part at the cursor postion can be controlled Playing the keyboard sounds the Patch fof the Part atthe cursor positon (© The receiving channe! numbers hich are assigned to the Parts are also used for the transmission channels. © Wnen the Patch is changed, bank select and program change messages, which correspond to the Patch number, are tranamitte, @ When the Performance is changed, bank select and program chango messages, which correspond to the Patch number that is assigned to the Par, are transmitted, 6@ Parameters accessed by pressing [EFFECT] ‘These parameters axe the chorus and reverb setings. Chorus and reverb can be used to give depth or spacious stereo ‘wid tothe sound ‘The setings of the built-in effect unit will apply to all Parts. The effect depth for each Par is determined by the ‘Patch perameter Send Level, bu the Patch parameter effect secings for use in Patch Play mode wil be ignored, PERFORM CHORUS page When this page Is selected, the PART SWITCH ({1]—{8) buttons will tum on/off the chorus for each Part. [Type] chorus type cHor—s ‘This parameter selects the typeof eborus effect. ‘CHOT | A conventional chorus. ‘CHO? | A chorus wit slower rate. You can also apply feedback to use this asa anger. ‘CHO | A chorus wih greater depth. An eftect of exreme detuning can be produced Lev] Chorus level o—127 “This parameter sets the evel ofthe chorased sound, Rat] Chorus rate 0—127 ‘This parameter ses the modul Dep] Chorus depth o—127 ‘This parameter sets the depth of the chorus. Fk] Chorus fecdback o—127 ‘This parameter sets the Jove! at which the chorused sound willbe fed back into he chorus effect Out] Output switch wounev “This parameter specifies the output destination ofthe choras sound. When MIX is selected, the chorus sound and the reverb soond will be mixed with the dry sigaal. When REV is selected, the chorus sound will be sent through the reverb, and then mixed with the dry signalSUEY PERFORM REVERB pace ‘When this page is selected, the PART SWITCH ([1]—(@)) buttons wil turn onvott the reverb for each Par. Reverb type ROOM! —2/STAGE’—2MALL1—2)DELAV/PAN-DLY ‘This parameter selects the reverb type, ROOM: | shortreverb with dense reverberation ROOM2 —_| short reverb with sparse reverberation STAGED | rover with more lato raverberation STAGE2 —_| rovor wih strong early refections HALL | clas rovers WALL? | vchroved DELAY | conventional delay al PAN-DLY | dolay wih echoes panned iotight Level] Reverb level o—127 “This parameter sets the level ofthe reverb sound, Time] Reverb time o—t27 If the Reverb Type has been set to ROOM —HALL?, this parameter sets the length of the reverberation. If the Reverb Type has been set to DELAY/PAN - DELAY, this parameter sts the delay time. F-Back] Delay feedback o—t27 If the Reverb Type has been set to DELAY, this parameter ses the level at which the delayed sound will be fed back Into the delay. This ean be used 0 create echo effets that repeat two or more times.@ Parameters accessed by pressing [TX ZONE] When this button has been pressed, the PART SWITCH ([t]—[e}) buttons will act as MIDI Transmit Switches to turn on/off MIDI transmission. Key Range Lower/Upper pags TRANSMITE Key Range Lover ZONE 4C4 C4 1C4 104 1C4 1C4 104 ICA TRANSMITS Key Range Urrer ZONE $69 169 1G9 1G9 169 169 169 16 Key Range Lower] Key range lower c-1—c9 Key Range Upper] Key range upper c-1—c9 “The parameters of these wo pages determine the lower and upper limits of the key runge of the Transmit Zone for ‘each part, Musical data from the keyboard will be transmitted only for notes within tbe specified key range. Musicst data wit! be transmitted only from this range. sey tare ve Tver Rowe vine ' Forthe Key Range settings to have an effact, tha Key Mode (p.67) must be setto ZONE. ‘ie not posetble to set the Kay Range Lower parameter above the Key Range Upper paramater ‘4 The Koy Range setng is speciiod as a range of keys onthe JV - £0 Keyboard ise, and isnot etoctod by parameters ‘such as Tranepose, oF parameters which affect the pch oft sound, Thus, whether or nota nol is ina certain Key ‘lange depends onthe physical acaton ofthe nate which you poss, and not onthe pitch that ie produced Transpose pace Transpose) Transpose -36—+36 “his parameter determines how nots from the keyboard willbe wansposed by the Transmit Zone foreach Part before being ransmited from MIDI OUT. “The parameters of these three pages determine how velocity from the JV -90"s Keyboard will be processed by the ‘Transmit Zone of esch Par.—_— Max Velocity page Max Velocity] Max velocity 0-127 Velocity wil elite othe Max Velocity Set value of Max Velocity Ccompraaticn of the perermence date Velocity Sense pace Velocity Sense] Velocity sensitivity -63—.83 ‘Velocity Sensitivity will determine how playing dyoamics affect the resulting velocity valu, For positive (sv of sensitivity, velocity will increase more rapidly as you play more strongly. For negative (-) values of sensitivity, velocity will increase more gradvally as you play more strongly. In ether case, the effect will be more pronounced asthe parameter value is modified away from 0, Velocity Curve page Velocity Curve] Velocity curve 1-7 In this cas, the dynamics ofthe original velocity will be ajuted by the Velocity Curve, A graphic indication ofthe ccrve shape for te edited part will be show inthe upper right comer ofthe display [Example] Max Veocty « Volocty Cuve Vetocty Seneiviy sr The folowing sotings wil resuk he veoty response cue fic that shown inthe graph to the ott Transmit Channal pace ‘Transmit Channel] Transmit channel 1—16 ‘This parameter sets the MIDI transmit channel forthe Transmit Zone of each Pat, However, ifthe Key Mode is set to SINGLE (p.67), the transmit channel will be the same as the receive chanel of the Part, andthe serings in this page will be ignored.Transmit Program Change page Transmit Program Change] Transmit program change a11—Asw/811—B880FF ‘This parameter specifies the Program Chaage number that will be tranmitied by the Transmit Zone for each Part. ‘The program change number ofthe edited Paris shown in the upper right comer ofthe display. If this parameter is set OFF, « Program Change message will not be wransminted. In the Eist mode, a Program Change massage wilret be transmitted. The speciiod program change message wil be ‘wanemited when the performance is selected. Transmit Volume page Transmit Volume] Transmit volume o—1270FF ‘This parameter specifies the Volume message thet will be transmitted by the Transmit Zone for each Part. The maximum volume is 127. If this parameter is set OFF, a Volume message will not be trnsmited, “The spaciied volume massage willbe transmitted when the Performance i selected Transmit Pan page Transmit Pan] Transmitpan .s4—o—ssR0rF This parameter specifies the Pan message that will be transmiced by the Transmit Zone foreach Par. A value of| 164 is far lef, is center, and 63R is far ight f this parameter is st OFF, a Pan message wil not be transmitted. ‘Tho epected Pan message willbe transmited when the Performance is selected Transmit Switch pace Transmit Switch] MID/ transmit switch oN‘oFF ‘This parameter determines whether data wil be transmited (ON) or will not be ansmitted (OFF) to MIDI OUT by ‘te Transmit Zone for each Part. If this parameter is set OFF, the Program Change, Volume and Pan messages will not be transmitted when the Performance is selected. you use the [7X] or PART SWITCH buttons fo tun onfof the MIDI transit switches, the soings ofthis page wil also change automaticaly \Wnen the Key Mode is SINGLE (p.67) nese settings wil have no etoc.@ Parameters accessed by pressing [INT ZONE] ‘These parameters determine how musical data from the IV -90 keyboard will be processed by each Internal Zone and sent to cach Pat ‘When this button has been pressed, the PART SWITCH ({1]—[8) buttons will act as Local switches {to tum on/off reception of data from the JV - 90 keyboard for each Part. Key Range Lower/Upper pace NTERNALE ey Range Lower INE 4C4 104 1C4 1C4 ICA 1C4 104 104 Key Range Lower] Key range iower c-1—cs INTERNALt Key Range Urrer 20NE 4G9 169 169 169 I1G9 169 1G9 169 Key Range Upper] Key range upper c-1—co ‘The parameters ofthese two pages determine the lower ‘ach Part, Musical data from the keyboard will be sen o each Pat only for notes within the specified key range. and upper limits of the key range for the Internal Zone of Musical data. wi be sounded only from Mn ieey Rane Upper For the Key Range sotings to have an offect, he Key Moda (p.67) must be sato ZONE, tis not possible to set the Key Range Lower parameter above the Key Range Upper parameter. Some commercialy avaiable ROM DATA cards conten Zone mode Performances in which the key range has been set 18 C2 to C7, so that notes outside his range wil not sound, In such cases, copy the Performance to user memery and modi the kay range. % Some commercalyavalable ROM DATA cards contain Zone mode Performances in which the key range has been set 125 62 1 C7, so that notes outside this range wil net sound, n euch casee, copy tha Performance to user memory and mast the kay range. BTranspose pase ‘Transpose] Transpose -s6—+96 ‘This parameter determines how notes from the Keyboard willbe transposed by the Internal Zone for each Part before ‘being sent to the Patch. Max Velocity/Sense/Curve paze ‘The parameters of these three pages determine how the Internal Zone will process velocities from the JV - 90 keyboard, Max Velocity] Max velocity o—127 Velocity wil be restricted tothe value ofthe Max Velocity the Max Veloety setting valocty date Velocity Sense] Velocity sensitivity -c2—es Velocity Sensiivity wil determine how playing dynamics affect the resulting velocity vale. for postive (+) values of Velocity Senso for negative (—) values of Velocty Senso vat a ety ate mone 7 wae od paying aviog . w Tar strength . cy Ta strength t #31 31 Velocity Curve] Velocity curve 1— ‘The dynamics of the original velocity will be adjusted by the Velocity Curve. A graphic indication of the curve shape forthe edited Part will be shown in the upper right corer of the display. (Example) Max Velocty ~ Voit Curve Vototy Senay The folowing setings wil resol ine velocity response eve tke hat shown In he graph fo te faLocal Switch page Local Switch] Local switch onorr ‘This parameter determines whether of not to send musieal data to the Pat, When this is tet OFF, musical data will, ‘ot be cent o the Part Therefore, the Part isnot sound by TV -90 keyboard. you uso the [TXFX] and PART SWITCH buttons to tur the Local swich ont tha sottngs of this page wil also change automaticaly. % the Key Mode is SINGLE (9.67), the inernal Zone setings are ignored @ Parameters accessed by pressing [PART] When this button has been pressed, the PART SWITCH ([1]--[8}) butions will act as MID! Receive switches to turn MIDI reception on/off for each Part. Patch Select page Patch Select] Paich select This parameter specifies the Patch assigned to each Par (the Rhythm Set inthe cas of Pact 8, 1a PCM card has not bean incored or a Wave Expansion Board has not been Installed, you wll not be able to select PCM CARD or W - EXP Patch groups, Level page Level] Part level o—t27 ‘This parameter sets the level of each Pat (relative to the value ofthe Patch parameter Level) f you do not need to adjust the volume balance between Parts, iis best to set this to the maximum value (127) Pan pave Pan] Partpan .ss—o—eon ‘This parameter sets the stereo postion ofeach PartCoarse Tune/Fine Tune pse- Coarse Tune] Coarse tune —s—v4e Fine Tune] Fine tune -so—ss0 ‘The parameters of these two pages determine the pitch of the Patch assigned to each Part. Coarse Tune adjusts the pitch in semitones. Fine Tune adjusts the pitch in steps of 1/100 of a semitone. ‘Those pich adjustments are colatve tothe pitch of the Patch isa The pitch that actualy results wil also depend on ‘he Patch parameters. Receive Channel page Receive Channel] Recaive channel 1—16 ‘This parameter ses the receive channel for each Par. 1¥ you set this parameter to the same channel asthe System Common parameter Control Channel (249), he conto! ‘channel setting wil take priory so that when a Program Change message is raceived a Performance wil be selected Voice Reserve page Voice Reserve] Voice reserve 0-20 ‘This parameter determines the number of voices that will be reserved for each Part. Since each note played by a Patch will require as many voices as the Patch has Tones, you should set this parameter to the number of notes you wish to reserve, multiplied by the number of Tones used by the Patch. It is not possible to make Voice Reserve setings that would total more than 28 for all Pans. ‘The maximum numberof voices (aote) that can be played simultaneously wil depend on how many Tones are used jn a Patch, If, for example, a Patch uses only one Tone, then up to 28 notes can be played simultaneously. 1f, hhowever, a Patch uses two Tones, then only 14 notes car be played at the same time. (Refer to page 33 “the number of voices used”) Chorus Switch page Chorus Switch] Chorus switch onorr ‘This parameter determines whether the signal will be sent tothe chorus (ON) or not (OFF). Reverb Switch race Reverb Switch] Reverb switch oNorr “This parameter determines whether the signal wil be sen 10 the reverb (ON) or not (OFF). Receive Program Change pace Receive Program Change] Program change receive switch oNOFF ‘This parameter determines whether each Part will receive Program Change messages (ON) or not (OFF) 6a Receive Volume page Receive Volume] Volume receive switch oNorr ‘This parameter determines whether each Part will receive Volume messages (ON) or not (OFF), Receive Hold - 1 page Receive Hold-1] Hold 1 receive switch oNorr ‘This parameter determines whether each Part wil receive Hold 1 messages (ON) or not (OFF), Receive Switch pags Receive Switch] MIDI receive switch oworr ‘This parameter determines whether each Part wil receive MIDI data (ON) or not (OFF). % you use the [RX] or PART SWITCH butions 1 turn the MIDI Racelve Switch ono the settings in this page wil also change automaticaly.3.Knytnhm edit mode This section explains how to edit a Rhythm Tone, and the role of each parameter. About the Rhythm Edit mo 1n Rhythm Edit mode you can edit the shythm sounds (chythm instruments) assigned to @ Rhythm Set Each rhythm instrament is aatigned to a key, and set of instruments for esch key is stored as Rhythm Set. One ‘Rhythm Set can be stored in internal memory (INT), and another canbe stored in & DATA card (CARD). “In Rhytim mode, the effect unit wil us the eotings of te Performance which le currany inthe temporary *% Pago 131 its the Rhythm Tones assigned to each key atthe factory. acetate @ Rhythm editing procedure (1) Press [RHYTHM] end you will enter Rhythm Play mode, The Rhythm Set selected for Part 8 of che current Performance will be selected, If you with to edit another Rhythm Set, use the PATCH GROUP SWITCH to select the memory ofthe desired Rhythm Set (2) Press (EDIT] to enter Rhythm Batt mode. 8_———— (3) in Rhythm Bait mode, screens lke the following will be displayed, [Example] Memory name to which presently selected Rhythm Setis stored [Merah K— 05 Pitty Parameter slsers ‘The values from the let correspond to parameter sliders 1-8, Mave the appropriate perameter slider to modify the esired value, For pages in which * "oc" J." are displayed, you can pres (4 Vf W 0 selet other sereens. (4) The upper ieft of the display will show a symbol indicating the memory ofthe Rhythm Set of the currently selected Rhythm Tone, and the key same to which the Rhythm Tone is assigned, To select « Rhythm Tone to edit, you can ceither press the Key to which that Rhythm Tone is assigned, or press TONE SELECT (1)—~(4). The key name display will change to indicate the selected key. TORE SELECT? Each time you press this burton, the curently dlaplayad key name wil go Gown one octave. Each tre you pas is buon, ky ae wl down sean TONE SELECTS) Esc ime you pros this button, the kay name wil go up a semitone, TORE SELECTS Each me you press this buton, te curently dlepiayod key name will go up one octave. oe an) ~Explanation of parameters Here we will explain the parameters you can set in Rhythm Tone Edit mode, and how to use the buttons. @ Parameters accessed by pressing [EFFECT] FX SEND (effect send) page Dry Dry level o—127 ‘This parameter sets the level ofthe dry sound (not procested by the effect, Chorus] Chorus send level o—127 ‘This parameter sets the level ofthe sound sen othe chorus Reverb] Reverb send level o—127 ‘This parameter sets the level ofthe sound sent othe reverb. PERFORM CHORUS/REVERB (Performance chorus/reverb) race ‘The following two pees contain paramere for chorus and rever. Be aware tht these are Psfommance parameters which have Boon rea ito the temportry sea Tis metas tht effect unit etings you make bere fra Rhythm Set, seed tobe stored as Performance dats, However, if this Rhythm Set selected fom a diferent Pecformance, te effec: seings ofthat Performance wil be sed [Type] Chorus type cito1—s This parameter selects the typeof chorus effect CHON | A conventional chorus. CHO? | A chorus with slower rats. You can also apply feecback o use tis asa anger. (CHOS | A chorus wit greater depth, An effec of exveme detuning can be produced. Lev] Chorus level o—127 ‘This parameter sets the level ofthe chorused sound, Rat] Chorus rate o—127 ‘This parameter sets the modulation speed of the chores. Dep] Chorus depth o—s27 ‘This parameter sets the modulation depth of the chorus. Fbk] Chorus feedback o—r27 ‘This parameter sets the level of the chorused sound that is fed back into the chorus. Ths allows more complex chorus effects to be produced.———— Out] Output switch mixmev ‘This parameter specifies the output destination ofthe chorus. When MIX is selected, the chorus sound and reverb sound willbe mixed with the dry sound. Whea REV is selected, the chorus sound will be sen through the reverb and them mixed withthe dry sound, Type] Reverb type ROOM —2STAGE!—2MALL1—2MDELAYIPAN- DRY ‘This parameter selects the type of reverb. ROOM | short ravero with dense reverberation ROOM2 | short reverb with sparse reverberation STAGE! | rover wth more lato reverberation STAGE2 —_| reverb wih song early reflections HALL | cearrovers HALL2 | ch rover DELAY —_| conventional delay PAN-DLY | delay with echoes pannod iofight Level] Reverb level o—s27 ‘This parameter sets the level ofthe reverb sound, [Time] Reverb time o—127 the Reverb Type has been st to ROOM —HALL2, this parameter ses the length of reverberacion, Ifthe Reverb “Type hes been se to DELAY/PAN - DLY, this parameter sets the delay time, F-Back] Delay feedback o—t27 1 the Reverb Type has been set to DELAY, this parameter sets che level of the delayed sound tht is fed back into the delay, @ Parameters accessed by pressing [CONTROL] CONTROL peso Bender] Send range o—12 ‘This parameter determines the range of pitch change that results when the bender/modalaton lever is moved to right orlet. Env-Mode] Envelope mode no-susisus ‘This parameter determines how the Rhythm Tone wil be sounded. Whea NO - SUS is selected the time between the sustain level (L3) and the key - off wil be ignored and the decay will begin immediately. This means thatthe sound wil always end after the same length of time (T1+T2+T34T4). When SUS is selected, the sustain level will be ‘maincained until key - off. This allows you to use key «off to mute the Rhythm Tone Le 82 Volume] sound ands sus Tine No — Sus pore ed varron vert Mute-Grp] Mute group orrn—st ‘This parameter assigns the Rhythm Tone to a Mute Group. When 2 Rhythm Tone is sounded, ny other curently ~ sounding Rhythm Tone in the same mute group wil be muted. 31 separste mute groups cun be used. When OFF is selected, that Rhythm Tone will nat mute any other Rhythm Tone, nor will tbe muted by any other Rhythm Tone. @ Parameters accessed by pressing [WAVE/LFO] WAVE page WI-C2 9 -f Switch!Grourl No 1 WAVE t ON| INTHE S7(LA Snare > Switch] Tone switch onoFF ‘This parameter specifies whether the currently selected Rhythm Tove will be sounded (ON) or nat (OFF). Group] Wave group NvexP/caRD Tn the same way as fors standard Tone, you can select the waveform that willbe the basis ofthe Rhythm Tone. The ‘Wave Group parameter specifies the memory from which the waveform will be read: Intemal (INT), Wave Expansion Bosrd (EXP) or PCM card (PCM). No] Wave number ‘This parameter specifies a waveform from the selected wave group. The wave name of the selected number will be splayed in parentheses (ee @ Parameters accessed by pressing [PITCH] PITCH page Crs] Pitch coarse c-1—ae This parameter select the key pitch within the waveform to be sounded. Some waveforms have an unper pith limit, you set Pitch Coarse above tis ii, the wavetorm wil sound at its upper ite it Fin] Pitch shitt fine -so—+s0 ‘This parameter adjusts the pitch of the Rhythm Tone i steps of 1/100 ofa semitone. Rind] Random pitch depth cg creaso4nrso70/ ov200no:4orSo0"s008001200 ‘This pacametr ads random varason othe pitch ofthe Rhythm Tone within the specified range. The sting value {sin unis of 1/100 ofa semitone Env] Pitch envelope depth ~12—+12 ‘This parameter determines the maximum pitch change produced by the pitch envelope. Vel] Velocity envelope level sensitivity ~ca—s63 ‘This parameter determines how velocity wil affect the pitch envelope levels, V-Tm] Velocity envelope time sensitivity ~100H-704-50- 40-301 20%- 10/0 10/+20/+90440/+50%+7044100 ‘This parameter determines how velocity will afect the overall pitch envelope time. P-ENV (pitch envelope) page ™ [eeeertea) % For negative (~) values of Envelope Depth. the polarity (+/—) of the | T Pitch change wi be inverted. Ti )[T2)[T3](F4] o—127 ‘These parameters set the pitch envelope times Tl, T2, T3 and 74, These determine the time over which one pte will change tothe next (for example, from L1 to 1.2, Piro Time L4)[L2][E3)[L4] ~cs—.03 ‘These parameters st the pitch envelope levels L1,L2, L3 and LA. These determine the pitch (change) at each point, rs@ Parameters accessed by pressing [TVF] “These parameters determine how the TVF will function, TVF pase Filter type UPFIMPFIOFF ‘This parameter selects the TVF type. LPF i low - pass iter and HPF i high pas filter. When OFF i selected ‘he fier will have no effec. Cut] Cutoff frequency o—127 ‘This parameter sets the frequency (cutoff frequency) at which the TVF will begin affecting the frequencies of the waveform, Res] Resonance o—127 ‘This parameter determines the amount of emphasis applied to the frequencies around the cutoff frequency, Mode] Resonance mode SOFTHARD ‘This parameter eelects the type of resonance, When SOFT is selected the resonance wil be soft, and when HARD is ‘elected, the resonance willbe sharp, “te Tone splayed wit «high love, or the extol requoncy Is high, te eect of resonance may be les noticeable. Env] TVF envelope depth -es—+53 ‘This parameter determines the maximum range over which the TVF envelope wil affect the cutoff frequency. Cutoff frequency so 1 ke dn poe When the TVF envelope depth is negative (—) Vel] Velocity envelope level sensitivity ~63—+05 “his parameter determines how velocity will affect TVF envelope level V=Tm] Velocity time sensitivity = 100/-70!-501-40/-20/-20/-10/D!+10/+20(490/+40/450/470/+100 “This parameter determines how velocity wil affecc the overall TVF envelope times.eee ‘TVF-ENV (TVF envelope) page ‘The parameters in this page determine bow the cutoff frequency will change over time (TVF envelope) ™ % For negative (—) values of Envelope Depth, the polarity (+/—) of the + ‘cutoff frequency change wil bo inverted. cutott ‘roguency nee Ti )[T2)[73)[74) o— ‘These parameters set the TVF envelope times T1, 12, T3 and T4, These will éewermine the ime over Which the ‘uioff frequency will move from one level tothe next (for example from Li to L2), La )(L2)(E3][64) or ‘These parameters set the TVF envelope levels L1, 12, 3 and L4. These will determine the cutoff frequency at each ‘Point, The values you set here are adjusted by the TVF Envelope Depth parameter before they are applied to the extoff frequency. @ Parameters accessed by pressing [TVA] ‘These parameters determine how the TVA will fanction, TVA page Level Tone level 0—127 Velo ‘This parameter determines the level ofthe Rhythm Tone. Velocity level sensitivity ~63—.63 ‘This parameter determines how greatly velocity will affect the level V-Time] Velocity time sensitivity Pan 100%-70/-50/-40/-20/-20/-10/0/+10/+20/+30'4-40/450/+70/+100 ‘This parameter determines how velocity will affect the overall time of the TVA envelope, Pan \64—0—63RvAND ‘This parameter determines the stereo position ofthe Rhythm Tone. With 4 seting of RND, th stereo position will change randomly,TVA-ENV page This page contains parameters which determine how the level will change over time (TVA envelope). ui-c2 0 @ T1I T2! TS! T4i Lit L2t Ls TUA-ENY BGI 181 381 7a112711601 851- Love 1 time Key-on Ti)[r2)0r3)(F4) o—12 ‘These parameters LA )[L2][E3] o—17 set the TVA envelope times TI, 72, T3 and 74. These will determine the time over which the volume will change from one level to the next (for example from L1 to L2) ‘Those parameters set the TVA envelope levels L1, L2 and L3. These will determine the volume at each point Higher levels result in higher levels. For the TVA envelope, the envelope leve following key - off will be 0.4.Commands a L rer ‘Write mode isthe mode in which you perform data management operations such as writing edited data into memory, ‘or copying or transmitting dats. % Data management operatons are cated ‘commande’, and to use & command to perform an operation isto “execute” the comma. @ Operation guide (1)tn Pate Play mode or any otvar mode, press [WRITE]. You wil ent Write made and he folowing will appear inthe leplay ofthe synthesizer sound tource section, WRITE MODE WritelCoryl Initializel Card! Bulk Protect (2) Use [4 V1 | or parameter sider 1 to select the command you wish to execute, The selected command wil blink. (3) Press [ENTER] and the command seting ceplay wi appear. (4) wnen you are expected to execute the command, the synthesizer sound source display will resd Pres [ENTER Aor you finish making all necessary sotings, press [ENTER] to execute the command, When complete, he folowing splay wil appear, Complete q The display which appeas before pressing [WRITE]. ‘The display will show “Complete”, and you will then be returned to the display (mode) before you pressed {WRITE} and the mode before you entered command mode. % tyou wish to quit wihout executing, press [EXIT], Each time you press the bition you wil lum to the immeciately previous diplay. 8 or" §*appoars in he command setting display, you can use| /[¥ to select other dspays. “The settings for step (4) willbe explained inthe sections covering each command. ————‘The Write command writes edited dts into user memory (such as internal memory or a DATA car), ‘The display that appears wil depend on the mode from which you pressed [WRITE], *% When wing data into moral user momory, protec (p.96) must be tuned off. you tempt to write date whilaprotct 's on, awarning message will appeer, and then the protect onfftseting dlspiay wil appear. Use [4H{P ]to get ha ‘word “intemal to in, and then press [DEC] totum protec ft When wtng dats into @ DATA card tum the protect swiich ofthe DATA card of wil its inortd into tho DATA card slot After wing the data, turn the protec switch on to protect the dat. Performance Play/Performance Edit Mode— Write PERFORM WRITE] Perform write By pressing [WRITE] from Performance Play mode or Performance Eait mode, you can write the data of the temporary aea into a Performance. PERFORM URITE [Press ENTER] (Milks Was 3 ence numba of wing cestnwtion (\ = nterat = DATA ext [Procedure] Uso the Patch group swiches and BANKINUMBER (or !NC}[DEC] end paremeter stir 1) to select he Performance ‘umber into which you wish to wit the data. The name ofthe selected Pertormance wil bo dlepayed in paranthosee O) aa on TEMP [Press ENTER] UTGICMilky Was 5 =n Pressing (PATCH] in the above display will tin the JV = 90 to the mode that allows you to write the Performance ata and the Patch used in the Performance all at once ‘The display shows the destination Patch ofeach Par.oe Here, the JV - 90 compares the data on the Temporary and Patch in each Media. Since i is unnecessary to write the same data," ~~~" is shown insteud of the Patch Number. ‘Now, you ean change the destination Patch Numbers using the Parameter Slider, Cursor or (INCVIDEC]. The same Patch Number, however, cannot be selected. ‘When ” ~~~" is selected, the Patch in that Parti aot writen. Performance data will be writen into the now Patch Number selecied here. 1f you wish to compare the Temporary Patch at the cursor positon with the destination Patch, press [WRITE] bere. ‘To leave the Compare mode, simply press [WRITE] agsin. Pressing [ENTER] causes the screen to show the following message. REFORM Ito UIBL [Sure?_Pre. cine Histii Here, the Parts that used to have the destination Media that coold not be writen, such as Preset in the previous display are shown as" ~~~", and therefore will not be writen, To write data select UI or UC. ‘Press [ENTER], and the specified Part will be writen, then the sereen wil be returned to the previous display before the unit being turned to the WRITE mode. ‘you we the new Patch ino the Patch used for he other Performance, the Perfomance wil sound arent coPatch Play/Patch Edit Mode —- Write PATCH WRITE] Paich write By pressing [WRITE] from Patch Play mode or Prch Edit mose, you can write the data of the temporary area into & Pach. PATCH Ifrom TEMP CPress ENTER/COMPARE) RITE Foo" Urticcrystal Vox) [Procedure) Use the Patch group switches and BANKINUMBER (or INCJIDEC] and parameter slider 1) o selact the Patch number ‘nto which you wish to wet tho data. The name of the selecied Patch witbe daplayedin parentheses ( Naxt, pross (WRITE (COMPARE)] and the Patch Compare display wil ppeer, lowing you to check ine sound ofthe wing destination Patch COMPARE HOOD [Press ARE O UL11¢Crustal Vox T Path oar of wie detain {= trol © = DATA ene) In this display you can still change Patch numbers. After checking the sound of the Patch to make sure of the writing Write RHYTHM WRITE] Ahythm set write By pressing [WRITE] from Rhythm Play mode or Rhythm Edit mode, you can write the data ofthe temporary area {nto a Rhythm Set RHYTHM rom TEMP [Press ENTER] WRITE u ewary numer of mite deainnion = wien € = DATA cre) [Procedure] Use the Patch group swiches (or INCVIDEC}, BANKINUMBER, and parameter sider 1) fo selact tha Rhythm Set into which you wish o wrt the data,$$ @ Copy ‘These commands copy Performance, Patch, or Tone data into the temporary sea. Performance Play/Performance Edit Mode -> Copy Performance part copy ‘This command copies a specified Part of a Performance ino a Part ofthe Performance inthe temporary area. lit 7) ress ENTERI T [Procedure] sa th Patch group evkches and BANK/NUMBER (or NCJIDEC] and paramata slide: 1) 0 select the Peformance ‘umber rom which you wish copy the data. The name o the selected Petomance wil be dslayed in parernesos O Seiet the Pat ram which you wish 1 cony using parameter sider 2, or use { YL] 10 move the curs and {INCVDEC] © maka the salecton, co PAR SWITCH ([1}~[8 to elect the copy destination par the Past tobe copied is “TEMP, til be hewmporary area of pertrmames. Press [WRITE] 0 choose “TEMP*. Performance common copy ies the Performance name, key mode, and effect unit setings from a selected Performance in ‘memory into the Performance inthe temporary area. PERF! A 81 COMMONCJazz Split 7) copy Ito TEMP [Press ENTER] [Procedure] Soloct the cosy source Performance number using the Patch group switches and BANKINUMBER (or (NCY[DEC) and ‘rameter sider 1), The name of the selsciod Performance willbe dispiayad in parentheses).Patch Play/Patch Edit Mode —- Copy [Patch tone copy] ‘This command copies dats from a selected Tone of a Patch into the specified Tone of the Patch in the temporary PATCH rom All TiCA.Piano 1 > cory sto TEMP TZ CPress ENTERI eaten Fann for conan [Procedure] Select the copy source Patch number using the Patch group ewiishes and BANKINUMBER (or [NCVIDEC] and paramatarsiker 1) The name ofthe selacted Patch wil be deplayedin parentheses ( Soloct re copy source Tone using paramotor elder 2, or use [4 }{ >] 10 move he cursor and use [INCY[DEC] to make the selection. the tone io be copied is “TEMP, kt wil be the temporary area of patch Press [WRITE] to choose “TEMP” ‘Spoaty th copy destination Tone using TONE SELECT(t]—IA), Patch common copy. ‘This command copies parameters common to all Tones from a selected Patch into the Patch inthe temporary area. on COMMONCA,Piano 1 UI > TEMP tPress ENTERI GH afr % Hho. ‘This il copy data such as elect unit setings, key assign (POLYISOLO), etc. (—~ Patch Est mode, p48) [Procedure] Solect the copy source Paich number using the Patch group swiches and BANWNUMBER (or [INGYIDEC] and parameter siar 1). The name ofthe selected Patch wil be displayed in parentheses (Rhythm Play/Rhythm Edit Mode ~+ Copy Rhythm key copy ‘This command copies the Rhythm Tone data ofa key in a specified Rhythm Set ato a key ofthe Rhythm Set in the temporary area. stanery 08 oft Ri Sa 1 bn copy TUM 1” cont a RHYTHM from TENP C2 (Press ENTER] Copy) ito” TEMP C3 T (Procedure) ‘Select the copy source memory using the Patch group ewiches and BANK/NUMBER (or SNCHIDEC] and parameter sider 1). Solect ne copy source key number using parameter sider 2, or use [ J[D>] 0 move the cursor and use [NCVIDEC} to make the selection. ‘Specty the copy destination kay number by pressing the desires Key o! the keybotrd, tho Rnythm Set tobe copie is "TEMP", wil be the temporary area of rhythm set Press [WRITE] to choose “TEMP”. 93@ Initialize ntializaton isan operation which erases the data currently in the Temporary Area and restores the unit's intemal factory settings (the curent Bank No.) onthe internal area. ‘% Intaizaton automatically erases any data you have created inthe Temporary Area. 2 To etiaizo all the data Inthe JV - 80, switch of he unit, hen swch ion again while holding down {18} in PATCH GROUP. Performance Play/Performance Edit Mode ~ Initialize Performance Initialize ‘This operation eases the Performance data currently in the Temporary Area and restores the internal factory senting ‘onthe internal area (P.127) for that Performance Number. Patch Play/Patch Edit Mode — Initialize Patch Initialize ‘This operation initializes the Patch data curently in the Temporary Area and restores the internal factory seing (P.127) for that Patch Number. ‘% ityou wantto select me patch, “INTIAL DATAT in JV - 1000/80, please select JV - 80 compatible preset BBB. (P.120} Rhythm Play/Rhythm Edit Mode — Initialize Rhythm Key initialize Tals persion does not intlize the enti Rhythm Set caren inthe Temporary Ares, Dut iniializes aly the Rhythm Tone daa assigned oa specified key. You can specily the key o be flaized by pressing Rhythm Set Initialize ‘This operation initializes the Rhythm Set currenly inthe Temporary Area. 4@ Card ‘These commands transfer data between the IV -90 and a DATA card, When you select this command, a display will sppear allowing you to select the typeof operation. DATA CARD IntsCardiCardsIntlIntescard {Procedure} Use [)[D>} or parameter sider 1 to selct te desiod kom (the solectod tom wit ink) snd press [ENTER}. Note ‘The JV-90 allows you to create Performances which use both internal and DATA card Patches. If You copy such a Performance from intemal memory to a DATA card, or from a DATA card to intemal ‘memory, you should be aware that the following situation wil occur. Example: Suppose that there is a Performance Ul01 (User Infernal 01) which assigns @ Patch UN2 to Part 1 and UCIT to Part 2. When this Performance is copied from intemal memory to DATA card, this Performance will be stored in the DATA card “UCO1"(User card 01), The Patch assignment for Part 1 will be stored as “UC12" and the Patch assignment for Part 2 wil remain UCI1, MW you later copy the data from the DATA card back to internal memory, the Performance Will be stored in intemal memory as *UIO‘" with Part 1 as “UI12", but Part 2 will be stored as “UI11", meaning that even though the Performance number is the same, the Patch number specified by Part 2 has now changed. Performance Performance Performance Ulot Ucor lo 1 ona 1 (vez 1 [om — —— 2( uci copy to | [UCIT copy to 2( um DATA card Internal the Patch number specified for Part 2 has changed you wish to save Intra data just as tis, use the Buk Dump command (p96). 95COPY INTERNAL -+ DATA CARD CARD HINTERNALSDATA CARD cory [Press ENTER] ‘This command copies all the Performance, Patch, snd Rhythm Set data in internal memory to DATA card “When this command is executed using a new DATA card (or a DATA card that has been used by another dovicn), tho DATA oatd wl be formatted (nitalzed} fr tho JV - 90. COPY DATA CARD INTERNAL ATA CARDSINTERNAL 1 (Press ENTER] 28 CAR cor ‘This command copies all the Performance, Patch, and Rbythm Set data in a DATA card to intemal memory. COPY INTERNAL +-—> DATA GARD NTERNAL¢3DATA CARD 1 [Press ENTER] CARD cory “This command exchanges all the Performance, Patch, and Rhythm Set data in DATA card withthe data in internal memory. @ Bulk (bulk dump) ‘These commends transmit Patch or Tone dats from internal memory oF the temporary aret via MIDE to the sequencer section, or t0 & MIDI device that is able to store bulk data. In this cas, the MIDI channels and device ID romber (P.44) of the transmitting and recsiving devices must match. (To set the device ID umber (P.4#), press ‘MIDI and make settings inthe SYS - BX MIDI page.) ‘Data tanemied using the “one way" protocol ‘When this command is selected, 2 display wil appear allowing you to select the memory from which data is to be veansmined, BULK DUMP Internall Cardi TemporarySs [Procedure] ‘Select the desired tem using }{ Pe] or parameter skder 1 (te eelctes ile wil Bink, and prose [ENTER], you have selected “Temporary”, another csplay wil appear allowing you to spaciy the type of data to be tansmite. BULK DUMP TEMPORARY. PerformancelPatchIRhythm1Aall Here, too, use { 4 V{ PJ or parameter sldar 1 to select the desired itm (te selected em wil ink), and press ENTER}, ‘When you have specified the data to be tansmited, press [ENTER]. The display will read “Now Sending”, and transmission will begin, ‘After «while the display will read “Complete”, indicating that date transmission has ended, INTERNAL DATA Internal data ‘This command transmit ll data from the JV - 90 internal memory; Performance, Patch and Rhythm Set data, CARD DATA Card data ‘This command transmits all daa from a DATA card; Peformance, Patch, and Rhythm Set data, PERFORMANCE TEMP Performance temporary ‘This commang transmit the Performance dats from th temporary area. PATCH TEMP Patch temporary ‘This command transwits the Patch data from the temporary area. RHYTHM TEMP Rhythm temporary ‘This command transmis the Rhythm Set daa Srom the temporary art ALL TEMP All temporary ‘This command transmis the Patch and Rhythm Set deta for the Performance in the teraporary area. —_—_ — — 97———$—$$$ $$ of Ifthe Voice Expansion Board is connected tothe JV -90, the following commands can be used INT V- EXP (Internal > Voice Expansion) ‘This fanction can be used to set the VE.- GSI to the actual pane! setings. (This may be necessary when the pane! settings in the Voice Expansion mode differ from the VE ~GSI"s actual settings because the V-EXP MIDI IN Selector Switeb was set to EXT.) If, however, the IV -90 was inthe Performance mode before entering the Write mode, this command transfers the ‘Temporery Area in the Performance mode tothe VE-JV1. By executing this command, you can play the loaded Performance using the VE - V1 (rather than the JV - 90's internal sound module) If the 3-90 was in the Voice Expansion mode before entering the Write mode, this command transfers the ‘Termporary Area sestings in the Voice Expansion mode to the VE ~SV1, ‘You can also se ths function 10 match the VE -IV1 tothe settings ofthe Temporary Area inthe Votee Expansion mode when the setingsdifer because the V - EXP MIDI IN Selector Switeb was set to EXT. V- EXP-INT (Voice Expansion — Internal) ‘This command transfers the parameter data on the VE ~ GSI to the IV -90. This ean be used to match the panel settings tothe VE - GS1's settings when the pane! setings inthe Voice Expansion mode differ (because the V - EXP [MIDLIN Selector Switch is set 9 EXT). If the JV-90 was inthe Performance mode before entering the Write mode, this command transfers the settings of| the VE-1V1 to the Temporary Ares i the Performance mode. By executing this command, you can play the loaded Performance on the JV - 90's sound module (rather than on the VE -JV1). If the JV-90 was in the Voice Expension mode before entering the Write mode, this command wansfee the Parameter data of the VE JV1 to the Temporary Area inthe Volce Expansion mode. You can use this operation to match the VE -IV1 tothe scting of the Temporary Arce in the Voice Expansion mode when the setting ofthe VE - {VI differs from that ofthe Temporary Area in the Voice Expansion mode, V-EXP —+ MIDI (Voice Expansion -+ MIDI) “Transfer the Parameter data on the Voice Expansion Board to « sequencer or a MIDI device that can record bulk ata@ Protect ‘The Imernal Protect seting prevents internal memory from accidentally being overwt The Exclusive Protect seting prevents user memory (internal / DATA card) from being overwritten by exclusive daca from MIDEIN, WRITE PROTECT WRITE Binternal PROTECT I ON TExcluss Internal] internal protect oNorr When this i ON, itemal memory protects easbled. Ifyou wish wo wite Patch or Tone data from te temporry ‘rea or from a card into intemal memory, this must be set to OFF. When the power is turned on thi setting will be on. Exclusive] Exclusive protect oworr ‘When this is ON, exclusive protect is enabled. If you wish to overwrite the contents of user memory (intemal / DATA card) with exclusive data from MIDI IN, this must be set to OFF. If weer memory contains important deta, yu should set this to ON. When the power i trmed on, this seting will be OFF, Wen Exclusive Protactis OFF, exclusive massages wll overwre inoral memory even i intemal Protect ia ON. [Procedure] Use INCHES} or parameter ser 1 orto tum each protec seting ON or OFF 981.Using a Voice Expansion Board @ Modes Voice Expansion Play Mode (P.105, 106) ‘To select the Voice Expansion Play mode, press the Mode Selection bation [V -EXP] and make sure that the indicator is lt. This mode allows you to play the Voice Expansion Board from the JV 90's keyboard (when the \V EXP MIDLIN Selector Switch is set 19 INT). The JV -90 reins the previous mode in memory, which can be ‘etemined by the indicator ofthe relevant Mode Selector button; [PERFORMANCE], [PATCH] or [RHYTHM}. ‘The JV - 90's sound mode is played in this mode withthe MIDI messeges received through MIDI IN. Voice Expansion Edit Mode (P.113) “To select the Voice Expanson Bait mode, press [EDIT] ia the Voice Expansion Play mode. This made allows you to ft vacious parameters onthe Voice Expansion Board, (@ Two Types of Voice Expansion Boards ‘There are two types of Voice Expansion Bounds; the VE -GS1 and VE- IVI. IV -90 operation will depend on Which you install. @ Structure of the VE - GS1 ‘The VE- GSI has 16 Pants and one Tone can be assigned to each Part. Part MIDI channels 1—16 are available (Page 108), ‘+ When you play the Voice Expancion Board with MIDI, change the position of the V-EXP MIDI IN Selector switch on the rear pane! ol the JV - 80 (dopanding on the type of performance you want). (Sae page 104) When a Voice Expansion Board is not installed, pressing (V- EXP] in MODE will cause the soreen to show the following display. ee emer BS-CTRL FG-1CA11y 4196/1051 148119811901 1f so, the parameters of « Roland GS sound module connected via MIDI can be edited on the JV - 90's sreen.eee @ Structure of the VE - JV1 ‘The VE -1V1 consists of exactly the sume structure asthe JV - 90's internal sound module when the Performance ‘Mode is set othe factory defaults. I: has 7 Parts and 1 Rhythm Part, anda Patch can be assigned to each Part (1-7) and a Rhythm Set tothe Rhythm Par. Exactly the same Performance Parameters, Patch Parameters, Rhythm Sets and Waveforms as the JV-90 are provided inthe VE -JV1, andthe control channel of the VE - JV1 is set to 16, ‘The VE-JV1 can also receiventransmit bulk data as System Exclusive messages, Therefore, the performance data ‘edited on the JV - 90 can be transferred tothe VE - JVs bulk date (See page 98.) @ VE - GS1 Maximum Polyphony ‘The VE -GS1 can play up to 28 notes simultaneously. However, depending on the number of voices ( ) used for ‘the Tone assigned to the Pat, the number of notes to be played simultaneously may be reduced. (Some Tones in VE GSI use two voices to create the most realistic result. This, however, reduces the maximum polyphony t0 14 notes) 4+ Tofind the number o! voles used forthe Tones ofthe VE - GS, refer othe “Tone List supplied wih the VE - GS. Al the Tones ofthe JV - 80 use one volce ony. @ The VE - GS1’s Sound Parameters are Part Parameters ‘The sound parameters ofthe VE GSI should all be set for a Part. None of them apply to a Tone. That i, if you ‘change the values ofa parameter then change Tones assigned tothe Pat, the edited parameter value wil be applied tothe new Tone. @ When the value in the screen differs from that on the Voice Expansion Board ft applies to the following cases, you ean change the vales indicated in the screen using the buttons or sliders on the JV - 90. This, however, does not change the actual vulue set onthe Voice Expansion Board. “+ you sot a parameter whon the V «EXP MIDIIN Selector Svteh on the rear of he uri is sat to EXT Change 10 te INT positon, + you st the parameter inthe Part whore the Local Canto! Switch le set to OFF + Sette Local Control Svtch o ON. (See page 106.) Etter send he data tothe Voice Expansion Board using the Buk command inthe Wrte mode, or snd the data ofthe Voice Expansion Board tothe JV - 80. (Page £8) Ss 103‘When the GM System On messages ate sent to the VE - GSI (such as when you play the VE -GS1 with GM score ata), the VE-GS1 works as 8 GM sound motile. The VE-GS1, however, does not recognize NRPN or ‘Bank(CCO) messages. This may cause some parameters to be unavailable for editing If this happens, follow “Reseting the VE - GS1” procedure. ‘When a Bank Select message whose value is other than O is sent ro the VE.-GS1, the Par that receives the Bank Select message may be muted. If this happens, set an appropriate Bank Select mumber (or a Program Change number) using the [BANK] and [NUMBER] buttons in s PATCH GROUP. Resetting the VE-GS1 Press [COMMON] ia the ¥. vipa eco ceuings. Expansion Edit mode, then press [ENTER]. This will reset the VE -GS1 to the @ V - EXP MIDI IN Selector Switch Ordinarily, set the V - EXP MIDI IN Selector Switch to INT. ‘When the V- EXP MIDLIN Selector Switch is set to INT, the MIDI messages received atthe V - EXP MIDIIN will be ignored, \When the Part on the JV -90, and that on the Voice Expansion Board are set to the same MIDI receive channel ‘mamber, two sounds will be mixed, If s0, parameters in the JV- 90's sound modile and in the Voice Expansion ‘Board may be altered by messages received through MIDI IN. When should I set the V - EXP MIDI IN Selector Switch to EXT ? If you wish to use more than 16 Parts in ensemble performances, set the V - EXP MIDI IN Selector Switch to EXT and use both the V-EXP MIDI IN and MIDI IN sockets. Then the Voice Expansion Board ignores any messages reetived through the MIDI IN Selector Switch and is played with the messages received through the V- EXP MIDI IN Selector Switch to the EXT position, the Voice Expansion Board can be used as a sound module completely separate from the IV -90. |& When the V- EXP MIDI IN Saloctor Switch ie st fo EXT, no sound on the Voice Expansion Board can be played rom the JV - 90's keyboard (60, should be normally set to INT) + When the V- EXP MIDIIN Salector Switch ls set fo EXT, prassing V- EXP in the Mode Selector butte wil show the following messago inthe screen: Warning! “Then it will change ro the normal seeea ofthe Voice Expansion Play Mode. Here, no message from the JV - 90 will ‘be transmitted tothe Voice Expansion Bostd and therafore the values edited in the Voice Expansion Edit Mode will snot affect the Voice Expansion Board2.Using the VE - JV1 Voice Expansion Board @ Select the Voice Expansion Play Mode Press [V- EXP] in the Mode buttons, and the following display appears showing thatthe Voice Expansion mode i selected. U-EXP rt Leu ait Wi2eit no Le Part, Level 2riigeis27ir271i27ii2eli2? @ How to select the Part to be played from the keyboard In the Voice Expansion Play mode, the Par indicsted with the cursor can be played from the keyboard, To change Parts 1 be played, move the cursor with [ YEP}, @ How to change sounds in a Part ‘The upper line ofthe screen shows the name of the Patch assigned to the Part currently selected. To select a new sound tobe assigned tothe Par, use the PATCH GROUP button. Combination of Combination of Disp || isp Patch to be sel jeplay) “O™mINANON CT | ato tobe select nine cea ected | Factory preset data of the ‘A |preset-a — |Jv-90PRESET A & Juser- it | JV-80USER INTERNAL @ [PRESET-8 |uv-00 PRESETS F_[USER-CARD [Data of PN-JVa0-04 ‘Compatiie data of JV-60 PRESET- +90 PRESET C 6 Juser-pom- o |preser-c |v ISER-PoM-A [compe D_ | PRESET-D JV - 90 PRESET D H |USER-PCM-B ec cdaee PRESETS ‘Nota can be storad in he USER INTERNAL or USER CARD area on the VE - V1 4 PN-VB0 -06 "RICH SOUND COLLECTION 2" @ How to edit the Sound Parameters of the VE - JV1 Select the sound parameter to be edited by pressing the relevant button in the EDIT PALETTE, then change the value on the seen of the JV-90. You can change values in the same way a8 with the VE-GS1 explained on pege 108. The contents of the parameters are exactly the same asthe JV - 90's sound module. (Page 48) ‘© _Ityou wish to sot all the parametors on the VE'-JV1 to tho sama values as the JV-90, select the Wirte Mode, then transfor llth cats tothe VE -JV1. (Page 98) ‘You can change the envelope ofthe Tone on the VE V1 by pressing TVF/TVA] in tha Voica Expansion mada, The ‘envelopes of alfour Tones, however, willbe changed relstivaly 10s3.Using the VE - GS1 Voice Expansion Board @ Select the Voice Expansion Play Mode Press [V - EXP] in Mode buttons, snd the following display appears showing that the Voice Exparsion Play mode Is no it Part Level G61 18611901 10011961 1081166 @ How to select the Part to be played from the keyboard Inthe Voice Expansion Play mode, the Part indicated with the cursor can be played from the keyboard. To change Pans tobe played, move the cursor with [4 Y{ Pe] tothe relevant Part. The screen shows the name ofthe sound of the Paras well as the GS Bank Number and the Program Number To play a Part 18, press [PART SEL(I—8) in the EDIT PALETTE and make sore that the indicator is lit. To play & Par from 9—16, press [PART SEL(—16)] ‘@ Part On/Off(play/mute) ‘When you play 2 Part with messages received through MIDI IN, you can turn on (play) or tua off (mute) each Par. When the indicator of the PART SWITCH buttons is lit, the corresponding Part is ted on and therefore will sound. Ifthe indicator is dark, the Part is muted. Pressing the PART SWITCH buttons turns on or off the Part. To turn Pans 9—16 onfoff, press [PART SEL(9—16)] and turn on the indicator. ‘To seta Part of 1—8, press (PART. SELB). ‘@ How to change sounds in a Part ‘To chenge the sound assigned to a Pa, press [PATCH] inthe EDIT PALETTE and call the following display. U-EXP EO Bnk/Pck 11 al al al a) 61 & HIE Ele Leelee at il ‘The upper line of the display show's the GS Bank Number an the lower line shows the Program Nomber, To select & sound on the VE - GS1, use the GS Bank Number and Progr ‘Number. When the indicator of [PART SEL(I—8)] in the BDIT PALETTE is it, the sereen shows the Bank Numbers and Program Numbers of Parts 1—8 from left ‘right. When the indiator of [PART SEL(9—16)} is It the sereen shows the Bank Numbers and Program Numbers of Pans 9—16,How to set the Program Numbers ‘There are three different methods for setting Program Numbers: 1, Move the cursor to the Part where you wish to change sounds using [PART SEL] in the EDIT PALETTE end {4/1}, then set the number with the Perameter Slider that corresponds tothe Part umber. 2, Move the cursor tothe relevant Part with [{Y{ De], then set the number with (INCY{DEC} 3. Move the cursor tothe relevant Part with {4 /[ Pe , then specify the Patch Number using V -EXP - [AIB] in te PATCH GROUP buttons and BANK/NUMBER buttons. When you use V-EXP- [AJ you can seta Patch Number of !—64 with BANK/NUMBER buttons, snd when you use V - EXP [B], you cen set numbers 65— 12. '* Soting « Paton Number with the Parametar Sliders or INCY{DEC} wil affect the indicators of BANK and NUMBER. buttons in the PATCH GROUP. How to set the GS Bank Number ‘To specify « Bank number, move the cursor to the Part where you wish to change Bank numbers using [€]/U>] ‘Then press V-EXP- [BANK LO} in the PATCH GROUP buttons to set a GS Bank number of 0—63, and \V-EXP. [BANK HI} to sta GS Bank number of 64— 128 Specify the Bank number as described in “How to set the Program Numbers” (sep 1, 2¢r3). How to set the Rhythm Set ‘osuign a Rhythm Set toa Pan, move the cursor to the Pant where you witht get he Rhythm Set using {TP}. Press [V -EXP RHY] in the PATCH GROUP busons, Select the Rhythm Set to be askgned with BANK and [NUMBER battons The sereen now shows the Program Nomber of the aclcted Riythm Set. At the Part where the Rhythm Set is assigned, "Ris shown instead ofthe Bank Number. You oan assign Fnyinm Sets to a maximum of 2 Pars, 4% Part 1Ohas been factory - designated as te Fythm Part 107@ How to edit the sound parameters of the VE- GS 1 ‘ress the relevant buttons in the EDIT PALETTE to select sound parameter to be edited, then edit the value on the 1V-- 90's sereen, Press [PART SEL(9—16)] and make sure thatthe indicator slit, and you can edt the parameters in Pars 9—16, To edit the parameters in Pants 1— 5, press [PART SEL (1—8)]. You ean change the values of a prameter using the Parameter Slider that corresponds to the Part Namber. You ean also edit a parameter using the ‘batons in FUNCTION, “+ Pressing [4 J }in the sereen of* + *or* | “wit sloct pages of other parametars. ‘The following shows the parameters that can be edited Parameters that can be edited by using buttons in EDIT PALETTE. Parameters that can be selected by pressing [LEVEL]: Part Level] o—127 ‘This adjusts the volume balance of esch Par. ‘Press [LEVEL], then the following parameters can be selected with [W. (Voice Reserve] 0-25 (Page76) “This ces the minimum numberof volces that should be retained foreach Par ‘4 The meximum number of voloes played on the VE -GS1 le 28. Bo sure that te total numbor of voices forall Pats is tess than 28, Part MIDI Channel ‘This sets the receive channel of a Part and the MIDI transmit channe! of the JV 90's keyboard (in the Voice Expansion Mode), Parameter that can be selected by pressing [PAN]: Part Pan] 1s+—o—esrmnp ‘This adjusts the sound position (within the stereo positioning) of each Par. ‘¢ x some Patchos, a small amount of sound may be heard from the opposite speaker oven with pan settings of ful left (or Fight ‘+ Inne Ahytnm Set, the Pan Is s0t for each Rhythm Tone. Tha sf you change the pan seting of a Part where the Rhythm Sets essigned, the sound postion of the ante Anythm Sat wil move, ‘4 Wen the Part Pan is eet 69R, pressing INC] wil select "AND" that moves the sound postions to the right andl at random,Parameter that can be selected by pressing [TUNE]: Part Coarse Tune] -24—124 This adjusts te pitch of each Par in semi -tone steps ‘When {TUNE} is pressed, the following parameter ean be selected with [DOWN]. Part Fine Tune] -so—.50 ‘This adjusts the pitch of each Partin steps of 1/100 of semi - tone. Parameter that can be called by pressing [PATCH]: Patch Select This specifies the Tone and Roythm Se stgned to each Pan. The upper line ofthe screen shows the Bank Number of the Tone andthe lower line shows the Program Number Parameters that can be selected by pressing [TVF/TVA]: TVF Cutoff Freq.| -so—+s0 ‘This controls the cutoff frequencies ofthe TVF. ‘When [TVF/TVA] is pressed, the following parameters can be selected with (JCI [TVF Resonance] -so—.50 ‘This controls how the harmonics around the cutoff frequency will be emphasized, TVF-TVA Env Attack] -s0—.s0 ‘This controls the ime needed forthe volume and eutott frequency fo resch a cetzn level, TVF-TVA Env De ‘This determines the time needed forthe sound to reach the sustain level after the attack time has elapeed, -50—450 TVF- TVA Env Release] -so—.50 ‘This determines th time needed forthe sound to fall to the minimum level, Parameter that can be selected by pressing [REVERB]: Reverb Send Level] o—127 ‘This adjusts the depth ofthe reverb effect Parameter that can be selected by pressing [CHORUS]: ‘Chorus Send Level] o—127 ‘This adjusts the depth of te chorus effect. Parameters that can be called by pressing [VIBRATO]: Vibrato Rate] -s0—150 ‘This controls the rate ofthe vibrato effect ‘When (VIBRATO) is pressed, the following parameters can be selected with [4 JC 109no Vibrato Depth ‘This controls the depth 50-450 of the vibrato effect, Vibrato Delay =50—160 ‘This determines the time needed forthe vibrato effect to art working. Parameters that can be edited by pressing buttons in FUNCTION: 4+ What you set hore wil be common tal the Parts. Parameters that can be selected by pressing [EFFECT]: Reverb Type Chorus Type Rooms 1 - 3 ‘Sharp and spacious reverberations are obtained. Halls 4 and 2 Longer and deeper reverbs than those provided by the Room settings. Plate This simulates @ plate echo (the reverb that uses the vibrations on a metal plato. Delay ‘A conventional delay affect. inning Delay ‘Special delay where the sound moves to the right and left. Especially effective with a stereo output, Choruses 1 - 4 ‘These are standard chorus effects. Feedback Chorus ‘A chorus that creates a flanger - lke effect. This makes tha sound softer. Flanger ‘Creates the sonic Hlusion of a jet plane ascending and descending. ‘Short Delay ‘A delay with a short delay time ‘Short Delay (FB) Shor detays repeated many times. Parameters that can be selected by pressing [PGM CHANGE]: Tx-Ch] (Transmit Channel) 1—16 ‘This sets the MIDI channel on which the Program Change messages are transmited. P.C-No] (Program Number) oo1/ai—126668 ‘This selets the Program Number oe transmitted on the Tx - Ch. ‘The sereen shows the Program Change namber in the form of "Program Number/Group - Bank - Number". The {indicators of PATCH GROUP BANK and NUMBER botton will light according 1 the selected Program Nurse.———— "4 When the cursor is atthe postion ofa Program Number, you can set the Number directly using numbers (1—126), [BANK {1]—[8} coresponds to 1—8, and NUMBER {1 and [2] conespond to 9 and 0. Simply enter the Program Number you wish then press [ENTER] and it wil be transmitted, TRANSMITE Tx-Ch! P,C-Nol8nk-MSB|Bnk-LSB Pec 1 LiegizAlll al 8 ‘When the cursor is at the position of Group/Bank/Number, you can specify the Program Change Number using PATCH GROUP/BANK/NUMBER. Bnk-MSB/Bnk-LSB] (GS Bank Number) 000—127 each ‘These set the MSB (the value of Control Change 0) and LSB (the value of Control Change 32) of the GS Bank [Nomber to be trnsmined on the Tx -Ch. ‘The Bank Number willbe sent ogethar with the Program Number when [ENTER] is pressed. Parameters that can be selected by pressing [TUNE]: Tune] (Master Tune) 415.s—66.242 ‘This controls the pitch ofthe Voice Expansion Board, The values are the frequencies ofthe AA key. [Transpose] onorr -s6—s96 ‘This transposes the performance information (ia semi - tone steps) sent from the Keyboard controller to the Voice ‘Expansion Board, The left side of” | " determines whether to use the Transpose function (ON) ot not (OFF), while the right side of“ | sets the amount of wansposition. LED) (Lc Contrast) o—10 This adjusts the contrast of the display (JV-LEVEL] (JV Master Level) o—127 ‘This adjusts the overall ouput level ofthe internal sound module, EX-LEVEL] (V-ExP Master Level) o—127 ‘This adjusts the volume level ofthe Voice Expansion Board. The value you st here will be invalid if the V -EXP MIDIIN Selector onthe rear ofthe JV - 90 set to EXT. Key-Shift] (Master Key Shit) ~24—124 This hie the pitch ofthe Voice Expansion Board in semi -tone steps. Pan] (Master Pan) .ss—o—res ‘This adjusts the overall pan setng (sound position) forthe output of the Voice Expansion Board mParameters that can be selected by pressing [CONTROL| ‘Yoo can contol the parameters assigned to foot pedals 1 and 2 connected to the Pedal Jacks 1 and 2, snd the C1 Sider. Mode] (Output Mode) oFFavrauouiew ‘This determines which sound module (MIDI device) should be contrlled with the pedals or the C1 sider. The INT ‘mode sends the messages only tothe VE - GS1, The MIDI mode sends messages o only the MIDI OUT om the rear ‘of the unt. Inthe 14M mode, messages are sent to both the VE - GSI end MIDI OUT, When it is set to OFF, neither the VE - GSI or external MIDI device can be controlled using the slider or pedals. [Assign] cco—ccss/arTERTOUCH/SEND - UP/BEND - DOWNPROS - UP/PROG - DOWN ‘This determines the parameter tobe controlled with the pedal or C1 slider. When CCO-—CC9S is selected, the value of MIDI Control Change number 095 is affected. When AFTERTOUCH is seleced, the value of Aftertouch is affected. When BEND - UP/BEND - DOWN is selected, the up and down value ofthe Pitch Bend is affected. When PROG - UP/PROG - DOWN is selected, the value of the Program Number inreases or decreases, The value shown inthe sereen() represents the curent value ofthe pedal/C1 sides, STANDARD/REVERSE] tor Pedal 1, Pedal 2 and Hold This selects Standard or Reverse polarity for the IV-90 in accordance with the polarity of the pedal switch connected tothe Pedal Jack 1/2 or Holé Pedal Jack. When you use a Roland Pedal Switch (e.g. DP-2), st polarity to STANDARD. ‘When you uses pedal switch that has opposite polarity ( ), set to REVERSE. ++ Switch polarity may ba the problom whon the sound is sustaned, even wihout pressing the pedal, when a pedal is ‘connected to the Hold Pedal Jack. Thresh] (Threshold Level) 0 - 127 ‘This set the threshold level where the aftertouch effect stars working. That is, the aftertouch effect does not work ‘unless the eftenouch value exceeds the threshold level. When the Thresholds st to 127, no aferouch effect ean be biained. Parameters that can be selected by pressing [MIDI]: Move the cursor fo any Part you like then press MIDI, and you can sleet the parameter setting display for MIDI in ‘hat Pat ‘This selects whether to send each MIDI message (ON) or not (OFF). ‘The MIDI messages are: P.G.] ; Program Change C.C.]: Control Change Vol] : Volume naSS Bend] : Pitch Bender Mod]: Modulation Aft]: Aftertouch When [RX PART SWITCH] is pressed : ‘This selects whether or not to recognize the MIDI messages received through MIDI IN for each Partin JV - 90's {ntemal sound module or Voice Expansion Board. Move the cursor with { 4 /{ D>] to select Part then select 1 or With [INCY{DEC] (1 isto recognize and O iso ignore). The Part where 0 is set will be muted. = Whan the JV - 90s set tothe Performance Mad, changing the vals automaticaly, 50 changes te MIDI Receive Switch (Page 22) Whon the JW - 80s eet othe Patch mode, the Par ofthe Voice Expansion Board (Page 42) that has he same recelve ‘channel as the receive channel (Page 108) ofthe Patch is shown wit an arow" 4 *. When the V-EXP MIDI IN Selector Switch is set to EXT, the Voice Expansion Board wil be played wit the MID! ‘messages received on the V - EXP MIDI IN. The MIDI messages received through MIDI IN, however, wil be ignored by the Voice Expansion Board. (Page 104) Parameters that can be edited by pressing [EDIT] in FUNCTION: ‘To eae parameters in a specified Pan, move the cursor to the relevant Part in the Voice Expansion Play mode, then press [EDIT] in FUNCTION (Voice Expansion Edit Mode). Inthe Voice Expansion Edit mode, you can select the Aesired parameter by pressing the corresponding FUNCTION button @ Other Editing Procedures Parameters that can be selected by pressing [CONTROL] Assign] (Key Assign) Powvmono This selects whether to play each Part polyphonicslly (POLY) or monopbonically (MONO). Bend Range] (Bender Range) 02+ ‘This sets the maximum level ofthe pitch change caused by the pitch bend lever tan be setup to 2 octaves in semi tome steps Mod = Depth] (Modulation Depth) o—s27 ‘This ses the depth ofthe modulation (e.g, vibrato effect caused by the modulation lever, DEPTH] Velocity sensitivity depth o—127 ‘As the Velocity Sensitivity Depth is increased, changes in playing dynamics will havea greater effect on volume. With a setting of 0, playing dynamics will have no effect on volume. OFFSET] Velocity sensitivity offset o—127 ‘This parameter determines the velocity at which volume changes will reult. As tis setting is increased above 6 the volume will change for softy played notes. As this setting is decreased below 64, the volume will change for strongly played notes. ee 13Parameters that can be selected by pressing [TVA/TVF] TVF Cutoff Freq.) (TVF Cutoff Frequency) -s0—+50 ‘This determines the cutoff frequency (hat cuts off the harmonics in a sound), 'TVF Resonance] -so—+s0 This sets how much the harmonics around ibe cutoff frequency will be emphasized. TVF-TVA Attack] (Envelope Attack) ~50—+50 “This determines the time needed forthe volume and cutoff frequency to reach a cerain level TVF-TVA Decay] (Envelope Decay) -s0—-50 ‘This determines the time needed forthe sound 1 reach the sustain evel TVF-TVA Release] (Envelope Release) -50—~50 ‘This determines the time needed for the sound to fade away. Parameters that can be selected by pressing [PITCH]: Coarse Tune] (Part Coarse Tune) ~24—+24 ‘This adjuns the pitch ofeach Part in semi - tone steps. Fine Tune] (Part Fine Tune) -100—+100 ‘This adjusts the pitch of each Part in steps of 1/100 of a semi - tone. Parameters accessed by [EFFECT] ‘These are the parameters related to chorus and reverb. Chorus and reverb give depth to the sound or creste = spacious stereo effect. ‘Chorus overt Send Lavel parameters (P.108), which are set independent foreach Pat. w Q Revers [-+() out @ Chorus UTEP OPCHRILPEILULITIMN| FEISEN| REVERE # 41 Gi 461 451 81” BI-- CHR] Aeverb character 0—7 ‘This parameter determines the type of reverb “The effect unit settings of VE -GS1 are common to ali Pans, The depth ofthe etec for each Part wll depend on theLPF] Reverb pre LPF o—r ‘This parameter sts the LPF (low pass filter) placed before the reverb. LVL] Reverb evel 0—127 ‘This parameter set the level (Volume) ofthe reverberant sound. [TIM] Reverb time o—127 When the reverb type is ROOMI—PLATE, this parameter sets the reverb time, When the reverb type is DELAYIPAN-- DELAY, this parameter sets the delay time. FB] Delay feedback o—127 ‘When the reverb type is DELAY, this parameter sets the level at which the delayed sound is fed beck into the delay. [SEN] Reverb send level o—x27 ‘This parameter sets the level at which the reverb output is sent othe chorus U-EXP ELPFILUI CHORUS A Bl L! FBIDELIRAT 461 81 561 3 LPF] Chorus pre LPF 0—7 ‘This parameter sets the LPF (low pass filter placed before the chorus. LVL] Chorus level o—t27 ‘This parameter sets the level (volume) ofthe chorused sourd. FB] Chorus feedback o—127 ‘This parameter sets the level at which the chorused sound is fed back into the chor DEL] Chorus delay o—127 ‘This parameter sets the delay time, RAT] Chorus rate o—127 ‘This parameter sets the modulation speed of the chorus. DEP] Chorus depth o—127 ‘This parameter sets the modulation depth of the chorus, SEN] Chorus send level o—i27 ‘This parameter sets the level at which the chorus output is sent to the reverb.OTT cael1.Error Messages @ Internal RAM Write Protect Problem: The internal memory wrte-protect function is on land data cannot be written or stored Solution: After this message is displayed, the screen auto- ‘matically switches to the write-protect display. Set mal protect function to OFF trom this @ Internal RAM Read Error Problem: The data of the internal memory he been destroyed. Solution: Consult with your nearast Roland Service Station, ‘somehow @ Internal Battery Low Problem: ‘The internal backup battery has run down. Solution: Consult with your nearest Roland Service Station. @ DATA Card Not Ready Problem: The DATA card has not been inserted into the DATA card slot or has not been inserted correctly, Solution: Insert the DATA card correctly and securely @ DATA Card Not Properly Formatted Problem: The DATA card inserted has not been properly formatted for use with the JV-80 or JV-80 series. Soluten: Format the card from the Write mode (P.95).. @ DATA Card Write Protect Problem: The protect switch of the DATA card is on and data cannot be stored on the card. Solution: Set the protect switch of the DATA card to off (P.88), thon perform the desired operation agaln. When operations have been incorrectly executed, or when some unexpected condition arises, an error message will be displayed. Check he displayed error message and implement the suggested solution (or solutions) inthis section. Alltha massages listed below are dioplayed for about 1.5 saconds, after which the screen retums to the previous display. @ DATA Card Read Error Problem: The data of the DATA card has somehow been destroyed. Solution: Consult with your nearest Roland Service Station. @ DATA Card Battery Low Problem: The DATA card backup battery has run down. Solution: Transfer the data to another DATA card, then roplace the battery in the orginal card, @ PCM Card Not Ready Problem: The POM card has not been Inserted into the POM card slot or has not been inserted correctly, Solution: Insert the PCM card correctly and securely. @ PCM Card Not Properly Formatted Problem: A POM card not designed for use with the JV-80 has bean inserted into the POM card slot. Solution: Use only a proper POM car @ MIDI Communication Error Problem: Either an excessive amount of data was received at once, or the active sensing function was cut oft Solution: Do not attempt to continuously transmit large amounts of data (ike program change messages) that require processing on reception ‘and, hence, take more time then usual. Also make sure that all MIDI cables are connected correctiy@ BULK DUMP: MIDI Buffer Full Problem: Excessive data has been transmitted at once by the bulk dump function, Solution: Make adjustments to the exclusive data so that it is sent in several ‘packets’ of smaller amounts. @ BULK DUMP: Check Sum Error Problem: The checksum value of the bulk dump is Incorrect. Solution: Correct the exclusive data, @ BULK DUMP: DATA Card Not Ready Problem: A DATA card has not been inserted and the dat recelved by the bulk dump function cannot be written or stored. Solution: Insert a DATA card correctly and securely into the DATA card slot. @ BULK DUMP: Improper DATA Card Problem: A DATA card not propery formatted for use with the JV-90 oF JV-80 series has been inserted and the data received by bulk dump cannot be written or stored, ‘Solution: After formatting the DATA card from the Write ‘mode (P.98), perfarm the operation again, @ BULK DUMP: DATA Card Write Protect Problem: The protect switch of the DATA card is on and data recolved during execution of the bulk dump function could not be written or stored, Solution: Set the protect switch of the DATA card to off {P.88), then perform the operation again @ Warning !! V-EXP Parameters Would Be Ignored. Problem: You cannot play or edit the Voice Expansion Board in the V-EXP mode because the V-EXP Selector Switch is set to the EXT position, Solution: if you wish to play or edit in the V-EXP mode, ‘change the V-EXP MIDI IN Selector Switch to tha INT position. @ Please Set V-EXP MIDI IN Selector INT. Problem: You cannot transfer data between the JV-90 and the Voice Expansion Board because V-EXP MIDI IN Selector Switch is set to the EXT postion. ‘Solution: Set the V-EXP MIDI IN Selector Switch to the INT position.2. Troubleshooting ‘Check through the following situations and conditions when ‘your JV-90 fails to operate propery. ES Talieieccmesro rs micels encd No sound © Check that the JV-80, ampitfer and mixer are all tumed @ Chock that all the devices are connected correctly and securely © Check that the connecting cables are not defective, © Check whether the sound is output through a connected sot of headphones. If you can hear the sound normally through the headphones, the connected device or cable are probably the cause of the problem. © Chock that the volume of the amplifier, mixer or external MIDI sound source are set to suitable levels. © Check that the volume of JV-90 is set to a suitable level. For the internal sound souree, check the following: (© The poston of he master volume © Te intemal level value which isee tor each part of a Performance (© The Part level value which isso for the Par of@ Performance (© The Patch evel valve whch is set fora Patch (OLTVA level value wich is et forthe Tone ofa Patch ora Ath Tone ‘© The postion of the pedal or sider when CC7/VOLUME Is ‘assigned to Pedal 112 or C1 © The value ofthe volume data received via MIDI IN For connected Sythesizer MID! devices, check the following (© The transmit volume setting which is made fer the transmit zone oa Periormance (© The postion of the pedal or sider when CO7VOLUME is, ‘assigned to Patil 1/2 or C1 © Chook that the locel switch is OFF: © ‘The seting of te loca! ewicn inthe eystom common parameters (O The setting ofthe face! switch which is set forthe internal zane of, a Performance © When the Key Mode is set to Single, only the Part indleated with the cursor will bs played. That is, no other Part cannot be played by the Keyboard even if the Local SSwiton Is get to ON. @ Check that the receive switch which is set for the Part of ‘a Performance is on. @ Check that the transmit switch which Is set for the transmit zone of a Performance is on. © Check that the Patch transmit channel of the system parameters is on © Check that the Tone switch which is sot forthe Tone of a Patch is on (© Chock thatthe range of the zone has been properly set: (© The kay range value which (set for the wansmit or intoal zone, when the key mode ofthe Performance is Seto 2000 (© Some Data Coard on the market have the Keyboard 1Age varying from C2 to C7. © Check that the MIDI channel has been set properly: (© The Patch transmitrecsive channel value which is set In the system commom parametors (© Transmit channel value which is set by he transmit zone ofthe Performance (© Receive channe! value which Is set for the Partot a Performance @ Sound may not be produced if: 1) the cutott is set to 0 ‘and the TVF fier type for the Tone of a Patch or a Flhythm Tone is set to LPF, or 2) the cutoff is set to 127 and the fiter type is set to HPF. (Check the folowing: © TVF cutot value (© -TVF envelope depth (© The velocity senstvly value and the key folow seting of the TVF envelope (© The level seting of TF envelope (© The depth soting and te controler postion whon the madulationatencuctiexpression control parameter is sat to cot (© The value of Velocity Range when the Velocity Switch of the Patch is set to ON.© Check that the TVA lovel of the Patch Tone or Rhythm Tone is set to 0. ‘Check the folowing: (© Diy lov! vatue which i cet by the ettect ene © TWAtevolvatue (© The velociy sensitvty value and the Key flow sating of the ‘TWA envelope (Q Thelevel seting of TVA envelope The depth seting and the controller postion when the moduiatonfatentoueh/expression contol patametar le set to tovel (© The Tone doay mo va (© The value of Velocity Range when the Velocity Switch of the Patch is set to ON, @ The sound range may be limited depending on the wave selected. Check the folowing: © Transpose value ofthe sysiam common parameters value which Is set for the Inigmal zone of @ © Coarse tune value which is set for tho Part of a Performance (© Conse tuno value which ie sat forthe Toe ota Patch (© Coarse tune value which ie set forthe Rhythm Tone Mi Volume cannot be controlled @ Chock that either pedal 1/2 or Ct is a CCTIVOLUME. signed to {© Chock thatthe receiving ewitch for the volume is not of ‘Check the folowing: (© The receve volumw seting whichis set by MIDI receive in the ‘som commen parameters (© The receive volume cating which Ie set for the Pan of a Performance (© The volume setting which i et forthe pedel of he Patch Tone © Tho volume is not transmitted even though the value of the transmit volume of the transmit zone is changed in the Performance Edit mode, Dynamic changes in the sound do not respond correctly or as you expect them to © Check the velocity sensitivity settings: (© The value ofthe velocity curvelsensivty and maximum velcty, ‘which are satin ansmivinteral zone ofthe Performance (© The value ofthe TVA velocty curvelsensivy, which are got for the Rhytwn Tone ota Patch i The sound is distorted © Check the levels of the ampliior and mixer and the ‘master volume of the JV-90 are set propery © When the Part lovel parameter of a Porformance is set to0 high, the sound sometimos may be distorted, © When the TVA level or the resonance value set for a Patch Tone or Rhythm Tone is set t00 high, the sound sometimes may be distorted MThe pitch is wrong or does not change © Check that the tune settings are correct: (O The master tunervanspose values ofthe systam parameters (© The ranepose value set for he intemal zone of «Performance (© The coarse tunetine tune values set for tho Pant of a Performance (© The coarse tunefine tuneirandom pitch values set forthe Tone of Patch or a Rhythm Tone (© The pitch key follow value set for tho Tone ofa Patch (© The pitch envelope value sot for the Tone of a Patch or 2 Bhytim Tone (© Tho tuning value of ho extemal MIDI sound source (© The setting of the Scale Tune. © Check that the pitch bender has not been moved ‘Check the following: © The poston ofthe bender ever © The poston of pedals 1/2 and C1 when the assignment of pedal ‘We and G1 are soto BEND-UP/BEND-DOWN (© Tho pitch bond value recsived via MIDI IN (© The bender range value which isso for he Patch (© The bender range value which is for the Fyn Tons (© The bender range value ofthe extamal MIDI sound source © Check that the receiving switch of the pitch bender is OFF. Check the following: (© The bender seting which is set by the transmitreceive MIDI functions ofthe system common parameters (© The bendar range value which ie set for he Patch (© The bendar range value whichis et for ha Aryeh Tone (© The bender range valueieceiving switch of the extemal MIDI ‘sound eource 121(© Chock thatthe effects and LFO are correctly sot (Check the following: (© The chorus value which ie sot fr the Porfommanca/Patch (© The analog fee! value which is set forthe Patch (© The swtchidepth value of FXM which Is set or the Tone of @ Pach (© The pteh LEO depth value which is st forthe Tone of a Patch (© The depth value ard the contoller postion of the moduilon! attorouctexproseion control which is set for tho Tone of a Patch, whon the parameter is sotto pch LFO @ It may happen that the sounding pitch range is limited, or that a Tone dooan't deviate trom a certain pitch range, or that the tuning sounds off, depending on the selected @ The controllers do not work © Check the mode/assign settings of pedals 1/2 and C1, Which are set in the system common parameters. (© Check the transmission/recolving switch ofthe controler. Check the following: (© The MIDI vansmiirecelve sottngs made In the system common parameters (© The receive volumaMalé 1 sotings made for tho Pant of a Pedormance (© The volumemold 1 satings made forthe pacal ofthe Tone of a Patch © Check the modulation/alterouchlexpression control settings made for the Tone of a Patch. The effect is not applied when the parameter is set to off or the depth is set 100. (© The Theshold Level ofthe Atertouch should be set to an appropriate value. If its set to 127 no aftertouch affect ‘can be obtained. MiThe sound color does not change or program change messages are not sent @ Chock that the switches which allow sending and recelving of program change messages are net sel to OFF: (© The program change seting for MIDI ransmivrecaive which Is {at n the system common parameters (© The transmit program chenge value whichis sat forthe transmit one ota Performance © The receive program change valve which is set for the Part of a Performance © Check that the MIDI channel settings are correct: (© The conta! channal value which Is set in the systom commen parameters (© The Paton tranemitteceive channel value which is sot in the ‘system common parameters (© The tranemit channel value wrich is st fr the traneret zone of ‘a Performance (© The recowve channel value which is set for the Part of a Performance © The layerizone key mode and the single key mode of a Performance may have differont satings for the program ‘change to be transmited and the MIDI channel. @ When the Patch select display is selected in the Performance Play mode, the Performance cannot be changed. © Chock that the Edit mode has not been selected: (© Changing Performances or raceiving program changos is not possible in the Performance Edit mode. (© Changing Patches or receving program changes is not possible fn the Patch Edit mode, (© Changing Rhythms of recohing program changes isnot possible in the Phythm Eat mode. (© From the Performance Edt mode, program change meseagoe ceannot be transmited even though the value of the transmit program change ofthe transmit zone hes been changes. I The effects do not work © Check thatthe eft switch ison: (O The chonsrvetb such on ha font pane! (OThe chorusteveib switch setting which ls made forthe Par of @ Perfomance © Check thatthe sotting ofthe Performance and the etfect of a Patch have been made correctly. The effect is not applied when the chorus/reverb level is set to 0.oe © Check that the setting of the Patch and Rhythm Tone have been made correctly. The effect is not applied when the chorusfrever® send, which is set by the effect send parameter, is set to 0. @ Portamento does not work @ Check that the portamento switch, which is set for the Patch, is on. @ Whon the portamento mode for the Patch is set to legato, portamento is not applied unless you actually play the keyboard with logato technique; that is, holding down fone key and not releasing it untl affer the next koy has boen pressed. @ Portamento is not applied to Fnythm Tones. i The sound is muted @ The maximum Polyphony of the JV-90 is twenty-oight. Decrease the number of Tones you are using or adjust ‘he Partial reserve @ When the key assign parameter of the Patch is set to 010, only a single Tone sounds even when several keys are played. @ I the mute group of a Rhythm Tone is on, the sound which has been sounding is muted when another sound {rom the same group is played. MiThe Tone of a Patch cannot be edited as intended © Check tnat the condition of the Tone select and the Tone number to be edited match, @ The sound doesn't change when editing a Tone whose Tone switch has been tumed off. MiThe Rhythm cannot be edited as intended @ Check that the key which Is being edited and the sounding key match. The key to be edited isn't affoctod by the note data received via MIDI IN. @ No sound results when -edkting a Tone whose Tone switch has been tured oft ll Card cannot be used © Cards which have not been formatted for use with the JV-80 oF JV 80 series cannot be used. Format the DATA card by transferring tho intornal data to the card (the card will automatically be formatted). Data cannot be transferred by MIDI exclusive messages © Check that the receive exclusive switch, which Is set in the system common parameters, is OFF. (© Check that the unit number, which Is set in the system common parameters, is correct. Match it to the unit ‘number of the connected devies. © The temporary data will not be changed, even though the ata is transferred by exclusive messages to intemal memory or DATA card. Transfer tothe temporary area or ‘witch the Performance/Patch by program change after transferring the data by exclusive message, © Check that @ DATA card has been inserted. Data cannot be stored on the DATA card if it has not been properly Inserted, (© Chock that the DATA card has been formatted for uso ‘with the JV-90 or JV-80 series. Data cannot be stored ‘on the DATA card if it has not been property formatted {or the JV-90 or JV - 80 series, @ Check that the wrte-protect switch is ON. When transferring data to elther the internal memory or DATA card, the data cannot be writen unless the corresponding write-protect switch is set to of. 3Wastes) No sound is heard © Check if the volume Is set 10 low. © Gnock no poston of he Master Volume. © Check he value of the Part Level © Gheck te postions of te pedal and sider wnen CC7/VOLUME are assignod to Pedal 12 and Ct (© Chock the value of the Volume information from the MIDI IN. (© Check tthe lave ofthe V-EXP sysiam common parameter is set ‘10 fw. © Check ifthe MIDI Receive switch is tumad to OFF. © Check if the Receive Volume set with the Receive MID! Is tumed OFF. @ When the Cutoff is set to —50, no sound may be heard {© Check the setting of the Velocity Sens. ‘© Chock ne value of ne Votocty Sens Depth (© Check te value ofthe Votocty Sons Otis @ Some Patches or Rhythm Sots have limited sound range tobe played. (© Cheek the Transpose value of tho V-EXP eysiem common parameter. (© Cheek the value ofthe Coarse Tune. © Cheok if you have selected the Bank where no Patch is assigned. ™@ Pitch is strange/Pitch does not change © Chock ifthe Tune is correctly se. (© Chock the values ofthe Master Tune/Transposo of the V-EXP. ‘system common parametae. (© Chock he values of Coarse Tune/Fine Tune © Check if the Pitch Bender has been operated. (© Chock he postions of the Pedal V2 and C1 whon the Pedal 1/2 ‘and C1 assignmant is BEND-UPBEND-OOWN. (© Cock he value of the Bender Range. ‘© Check if the Receive Switch of the Plich Bender is sot to OFF, (© Check tthe Bender's receive switch st wih the Racoive MIDIS tured OFF. @ Cheok the Effector Vibrato Is correctly cot. (© Check no value of te Chorus Depth (© Chock the value ofthe Vibrato Depth (© heck ne value ofthe Moduaton Depth {© Owing to the nature of the Wave, it may happen that the pitch is strange or does not change at all in a certain ‘sound range. WM You cannot call a Patch to be assigned to a Part. © Chock Ifthe MIDI Receive switch is set to OFF. © Check it the receive switch of the Program Change set with the Receive MIDI is tured to OFF, © Check it you have selected the Bank where no Patch is assigned, @ The Voice Expansion Edit mode does not allow you to change Patches.I No effect is obtained © Check if the Chorus/Roverb Switch on the front panel of the unitis tuned ON. © Check if the effect is correctly st. (© Check he value of the Chorus/Reverb Send Depth (© Chock he value of the Chonus/Raverb Level @ Missing sounds @ The maximum number of voices to be simultaneously Played on the expansion sound module is 28. If it exceeds 28 voices, adjust the settings of the Voice Rosene. {© When the Key Assign is set to MONO, only @ single note willbe played even with more than one Key On. @ You cannot edit data properly (© When the unit receives the GM System On from MIDI after itis being switched on, some parameters can no longer be edited. if this happens, reset the expansion ‘sound module, @ You cannot edit the Part where the MID} Recelve Switch Is set to OFF, © Check it he Receive Switch of the Control Change or Volume on the Raceive MIDI page is set to OFF. @ | the value set with the switches on the panel citfers from the value set on the expansion sound module, send ‘the value set on the panel to the sound module again. 1253.Waveform List No] WaveName [No.| WaveName [No.| WaveName [No] WaveName 1] Ac Piano t at SYNVOX1 81] Ratles: tat] REVSN4 2|_SA Rhodes 1 | SYNVOXe ‘e2| Tin Wave 122 | REV Kick 1 3]_SA Rhodes 2 43 Male Ooh 83] Spectrum 7 123] REV Cup 4] EPiano 1 “44|_ORG VOX ‘34| 808 SNA 124] REV Tom 3] Piano? 45] VOX Noi 'a5| 008 Snare 125] REV Gow 5 6] Gav 1 ‘a6 |_ Sof Pad) '86| Piccolo SN 726) REV TAMB, 7|_Organ 4 a7 oP Strings a7] LASnare 127 | REV Conga, 8] Jazz Organ 48] Pop Voice 8] Whack Snare 128) REV Maracas 9] Pipe Organ’ 49|_Fine Wine Rim Shot 128 REV Grash 1 70] Nylon GTR 0] Fantasynth 90] Bright Kick 130) REV Brush + Ti] 6sTAGTR 31) Fanta Bell at] Verb Kick 131] REV Brush 2 12) GTA HARM 52] ORG Bel 92] Round Kick 132] REV Brush 3 13| Mute GTR 3] Agogo 93] 808 Kick 133) REV Tom Hi Ta] Pop Strat 54) Botle Hit 94) Closed HAT 1 194] REVTomLo 15] Stratus 35| Vibes 95] Closed HAT 2 135] REV Rice 16] SYN GTR 36| Marimba Wave '96| Open HAT 136| REV Ped Hat 17] Harp ¢ 7|_Log Drum 97|_Grash 1 737) Brush Slap 8) SYN Base 38] DIGIBell + 98] Ride 1 138] Brush Swish 19] Pick Bass 39| DIGIGhime ‘99 Aide Bell? 138] Brush Rol 20] EBass 0] Stool Drums 100] Power Tom Hi 740] Tom Hi ai) Fretless 1 61] Mun VOX 101| Power TomLo 141] Tomto 22[ Upright BS 62|_Spark VOX 102 | Gross Sticky 142|" Ride 2 25] Slap Bass + 63] _Wave Scan 103] 608 Claps 143|_Pedal HAT? 26) Slap & Pop 64 | Wire String 104] Cowbell + 144 |" Open Triangl 25] Slap Bass 2 65| Lead Wave 105| Tambourine 145 | “Ac Piano pA 26| Slap Bass 9 Synth Saw 1 106] Timbale 148 | Ac Piano2 pB 27] Flute t ‘Synth Saw 2 107] CGA Mute Hi 147 | Ac Piano2 pC 28| Trumpet? ‘Synth Saw 3 108| CGA Mute Lo 148 | Ac Pianod 1A 29| Trombone 1 89) Synth Square 108] CGA Slap 149] Ac Plano? 18 30] Harmon Mutet 70] Synth Pulse? 110] Conga Hi 760) Ae Piano? fe 31] Ato Saxt 7A] Synth Pulsed 111] Conga Le 181] AcP 2 Thump 32| Tenor Sax 72) Triangle 112] Maracas 152] Ac 2Up TH 38) French 1 73) Sine 113] Cabasa Gut 134] Blow Pips 7a]_OAG Glick 114] Cabasa Up 35] Bottle 75| White Noise 118] Cabasa Down 36] Trumpet SECT 76| Wind Agogo 116] REV Steel OA, a7] ST.Stings-A 7|_ Metal Wing Ta7|_ REV Tin Wave 36] ST.Stings-L 7a] Fosdbackwave 118] REVSNI 38] Mono Stings Te] _Ankiungs 719) REVSN2 ao[ Piz 80] Wind Chimes 720] REVENS Numbers 190—195 end 187—142 use the wavelors of te commercaly available “POP” (SF.-JV- 80-01) expancion board. Ao, numbore 145 - 152 were radesigned based onthe wavelorms ofthe commercially available “Grand Piano 1" (SO -POM1 -04)4.Preset Data Bf internal Mi Preset A @ Performance: @ Patch @ Performance @ Patch fo] _vene ][Wo | tame [vo] tome] [to] Wome ][ no] nave [no] Name fan uy way | [i] Cowalvox | isilSeasioe | faufuemepm || AU[APareT | asi] Tibor ta) wid Rip — usa Coan Set “Au]APiro2 | aza| Wave Bote eee ‘uni3| Soundtrack UI53| Mighty Pac AI3] APiano 3 ASS) Vibrobell fs|atowrans | [irs] Poy ass [ise Anwo Base —| [acs] possenove || ala[APino 4 [-as4| Came nn ial wove sw | [US| Neo Pano | use| mse Dee7 | TT eraove || Als] APune Tet | Ass] EOmen uid) Bow iad [use Saxton AN Rock rand_| a8 Jazz Oran uss] Anetog Pad ‘Un17| Uitima Bass _| UIS7| Untamod Bass | A17] MiDied Grand | As7] Jazz Organ 2 tin anaog Buna | [EB] Arazon Moca [Us Neng ree Funny] [-a18| Pop Paro [ons Roc rare ‘aa Von Greece [Ul]. Heaven ‘ai Coury Bar| ea uz ator heal iad urza| BrightGuiter | UI62| Gtr Strings [Ae7| Pop Fusion *A22] Stack Major AG Fine Organ jor] ac stton | [un Ocava Seng | we wavor aoe Fusionsat || azs] pop Pano2 | as] weil Oran Foafoenres | [Stal meee [ere] aonem —| bao 724] RO hades + |_a]Organarina Us| ests | es st Coast ‘ai Di hoes | Ass] Pie Oven [Eute) Anatog Swell | | ua6| Square Lead | Utes] Doctor BOD |A10} Rokin Split ‘A26| Dig Rhodes 2 | AG6| Pipe Organ 2 | Ripper Poa | [BE uber | wer] S-sung 650] lara] erece Roan | | 427] Sth Rodos | ae] Guach Orman ta evi [ee rouse Homi 1424] Guts Foes [Ace Wen Tire [ua] Analog Brass | Tor Pulsynswoll | UI71) Utakata [A12] Hard Wire A31| Pop PianoS | _A71| Nylon Gtr 1 fan anwiog Orch | [aaa jen Choe [ra] Caescel@e | [ats[reretermnin || as2[ru.reno | a7alNvon Gra anf uomnenay | [| OerPever [ra] CwoRsVer| scape | [|= Coes | Ae raraed | wise Bre re) ass Avec si MOiEPiano | Are SorGutart [Us] Hamming Gtr | [unas] Stackoid “Ur7s| Mr.Matiow! }A15| Pere Strings ‘A35| Clav 1 A75| SteetGuttar2 ad oa Te Sewest [76 ely Laat | aro[popocenva | [6] Plo Ray [are] Valo Hari UT] Sap [U7] Mondo ass 7a Wie ay [ari] 2 ings 38 Kot wae Hat =Aai| ange Gav —[-a7a Favetasing i] Sraasphre [uml =o Tao ‘ai| Warn vio | sil sat ‘a Riytate [ue Gr Fanaa ‘xa bo ‘a Cian Svat ‘1 Vocal Gonz [us] Rese Sve aa] Matbe [a Sta a yd Bones [Ub Jam Brass ‘4¢| ume aome| te] Sans es Farnie JV [Us J Rhodes ‘ai Toy Bo | | Siena Trae oo tad [un Kay Power 1a6| Sica Beam | ass] Syn Seat ‘re Sup axSe [er acl ass xa wanda | a Syn Guar a eho sor — [us] ac Wings raat] Aiahanie | ass] Over Pathos indicatad wih a (+ ) are identical to tose contained in the Roland Sound Library, “Contemporary COMPOSER by ANDREW ‘SHLESINGER (PN - JV20-05), © Torestore the JV 80's Internal memory to the factory detault settings rst um ts power OFF. Then whita holding down the NUMBER {B) button. tum power back ON again. You can thon folow the massages that appear inthe display and press [ENTER] then [WRITE], To cancel he procedure, press [EXIT 12