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textid=172&lang=en
Date: 08-March-2014
Marx saw the key to the solution of the puzzle of work and wares in
the relationship of time to subjectivity - in a sort of crystallization
of time.
Cinema, video, and digital technologies suggest a different
crystallization of time: a new type of machine that, in contrast to
mechanical and thermodynamic machines, does not crystallize time
in general, but the duration of perception, sensitivity, and thought.
Bergson understands crystallization of time to mean a
process of creation and accumulation of powers. For him, duration
is a specific power. But what power is in question here? It is
neither a kinetic nor a potential power. Bergson fits into the
materialistic tradition, according to which power is closely
connected to emotion. He adds an important determination to the
qualification of affective power: affective power can only be
comprehended in relation to time, to duration. In this way, he
reveals a relationship between affective power, subjectivity, and
time/duration.
The activity implied by image technologies directly affects the
specific power that one calls the feeling of effort or
establish that
the human
the elements
production of
beyond the