Professional Documents
Culture Documents
DOO
WOP
*Which of these recordings you prefer, aesthetically, and why?
LISTEN:
ShBoom by Chords (1954)
-nice warmth in vocal harmony; voices like instrumental
accompaniment
-more fluid, less breaks and changes
-blend of lead voice w/backup
-sax solo
-vocal timbremore active, engaging, less sappy
-more relaxed rhythmic feel, reggae-ish
ShBoom by Crew Cuts (1954)
-lead voice stands
-more intricate instrument
-break with tympany
-very bright vocal blend
[DANCELinda Townsend]
5/5
Doo Wop very mixed race
Relation to African American gospel quartets
LISTEN: The Sun Didnt Shine Golden Gate Quartet
LISTEN: Peter Paul and Mary The Answer is Blowing in the Wind
(1963)
-Dylans anti-war song
-guitar, vocal harmonies
Bob Dylan
-born in Minnesota
-learned fr. Woodie Guthrie, on scene in Greenwich village NYC
-influential song writer, brought sophisticated poetry and social
commentary into lyrics in early Columbia recordings 1962-64.
-infused the counter culture with new seriousness and conscience
LISTEN: The Times are a-changing 1963
Strophic ballad
Jackson Five
VIDEO: Michael dancing, singing ABC
https://www.youtube.com/watch?v=ho7796-au8U
SOUL
*What is soul music?
-soul in spiritual sense, gospel music influence
-deep essence or feeling
-soul food, soul brother (racial meaning)
Ray Charles began recording w/Atlantic in 1952 (lived in Seattle
before that, born in GA)
Aretha Franklin
-started as professional gospel singer
-produced by Jerry Wexler as pop star
LISTEN: Respect 1967 Aretha Franklin (c.Otis Redding)
*What influences of African American church music can you
hear?
-call and response between lead singer and backup singers
-gospel vocal ornament, timbre