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Sacrifice
The sacrifice at Mecone explains sacrificial ritual. It is therefore an aetiology
The Procedure
1. lead an animal (piglet, sheep, cow) to an altar; -hecatomb: a group of 100 cattle
2. the killing
3. thigh bones wrapped in fat and burned
4. feast
Sacrifice gone wrong:
boundary between gods and mortals and mortals and animals blurs
mortals behaving wrongly in the name of religion
breakdown of law and order
Pandora in Hesiod
In the Theogony
Hephaestus makes clay to look like a shy virgin
Pandora = all + gift
but not named in Theogony
Women are considered a different specie.
Men have no choice in marriage. They are compelled to have kids in order to pass down
inheritance
In the Works and Days
Pandora is named
We hear the story of Epimetheus (Hindsight)
And we hear about the jar of evils (pithos)
Storage jar is called a pithos
associated with the womb and women
only to be opened by husband
adultery brings evil to the family
Interpreting Prometheus and Pandora
Jean-Pierre Vernant The Myth of Prometheus in Hesiod (1966)
Pandora is appropriate punishment for the deceptive sacrifice and the theft of fire
Pandora has the qualities of an ox, the fire, and of the grain which Zeus had hidden
Pandora and the Ox
Both Pandora and the ox are attractive looking gifts
An appealing outside conceals an unpleasant inside
thieving nature underneath charm, mind of a dog underneath jewelry (hungry for
food and sex), deceitful voice underneath gorgeous body
inedible bones underneath fat
Pandora is a metaphorical stomach
constantly consuming food, a symbol of man's need to eat
Pandora and the Fire
Both Pandora and the fire are traps
Pandora's finery conceals her true nature
Agamemnon's dream
Agamemnon's failed test of morale makes him look like a bad leader
Odysseus steps up in Book 2 to discipline the restless army
The army literally leaves when Agamemnon tells the army to leave.
Odysseus is most like Sullenberger
Thersites
Thersites speaks out against Agamemnon (Il. 2.262-281)
Thersites is portrayed as ugly and disabled.
Therefore, people laugh at him when he is struck by Odysseus with a sceptor
Battle Narrative
1. Why is there so much battle narrative in the Iliad?
2. What do the similes contribute to the narrative?
3. Who is most responsible for the death of Patroclus?
4. How does Alice Oswald's Memorial compare to the Iliad?
Lecture 10/18/13
Achilles and Patroclus
The Heroic Code
Sarpedon (Iliad 12.359-362; 368-377) explains what's at stake for the fighters
shows trace of ambivalence heroes might as well die early on the front lines and receive
awards and valor
Achilles (Iliad 9.497-505) weighs the value of life with the value of glory
long life = less glory, short life = more glory
Zeus denied Achilles' prayer to allow Patroclus' safe return (Illiad 16.296-298)
Apollo strikes Patroclus
Hector finishes Patroclus off
Sarpedon
Zeus wants to save his son, but Hera talks him out of intervening
Hera explains that Zeus' action will cause the gods to impose their will on life events
Oswald's Memorial
Free translation of Iliad's similes and death scenes
list of the dead
similes are translated twice and lifted from their original position in the poem
doesn't differentiate which side the dead is from
parallel to the Vietnam war memorial
thinks of Iliad as an oral memorial
Hector
1. Why does Hector fight? How different are his reasons from the Greek heroes?
2. Does Athena's intervention in Book 22 against Hector mar Achilles' victory?
3. Does Book 24 offer a satisfying resolution to the Iliad?
Midterm Format
1 image with questions (Who is in the image? What is going on? What stories are involved?)
2 key terms (choice of 6) (similar to week 2 quiz)
2 passages with questions (choice of 3) (identify title and author, speaker, whats being talked
about and what is happening next?)
Lecture 10/21/13
Hector
Books 17-21
Day of fighting
Greek heroes wounded (Book 11)
Patroclus fights and dies (Book 16)
Hector strips Patroclus' armor but the Achaeans recover the body (Book 17)
Hephaestus fashions new armor for Achilles (Book 18)
Confrontation with Hector (Books 19-22)
Agamemnon and Achilles reconcile (Book 19)
Achilles fights the Trojans (Book 21)
Lycaon (Iliad 21.111-124)
The Battle with Scamander (Book 21)
Achilles kills so many Trojans that it overwhelms the river
Scamander the river god fights Achilles
Hephaestus puts the river on fire to defeat Scamander.
Book 22
Oswald Memorial (pp.71-72)
And HECTOR died like everyone else
Pleas from Priam and Hecuba (22.31-107)
Hector's soliloquy (22.118-156)
But Hector runs (should we blame him?)
Athena tricks Hector by disguising herself as Hector's brother
Hector and the beautiful death (Jean-Pierre Vernant)
beautiful death - to die at one's prime/ peak at his physical power
Book 24
Thetis instructs Achilles to ransom Hector
Hector's body is undefiled because of Apollo's protection
Priam goes by chariot to Achilles' tent
Priam reminds Achilles of his own father Peleus, and of his mortality
Achilles and Priam come to a tenuous truce
Battle stops for 12 days
Lecture 10/25/13
Ancient Myth Interpretations
The Pervasiveness of Myth
More widespread than modern poetry (or other media)
And experienced more communally
parents telling stories to children
local legends and cults
poems performed at festivals and victory celebrations (like Pindar's victory odes)
Athenian tragedy (choruses)
Homer in education
children would learn to write and read from Homer's works
Homer in the symposium (aristocratic male drinking party)
immortalized in Plato's Symposium
Greeks mixed alcohol with water
Myth in visual arts
vase painting (wasn't restricted to stick with the context)
statues
Xenophanes
500 BCE
Philosopher-poet who spent time in Sicily like Gorgias
Xenophones criticizes Homer for describing the gods as evil-doers. (Xenophones Fr.11)
questions gods' morality
criticizes anthropomorphic conception of divinity (Xenophones Fr. 15)
Favors a sphere-shaped and harmonious god (Xenophones Fr. 23)
Plato
429-347 BCE
Student of Socrates; author of The Republic, a dialogue about justice
e.g. Euthryphro is a dialogue about piety
According to Plato, gods are always responsible for good
and it is irresponsible and wrong to credit the gods with evil
e.g. the castration of Ouranos in Hesiod
Problems
the story is false
children cannot understand the story in any way but literally
children will imitate the violence in the story
Solutions
ban harmful myths and supervise storytellers
create myths that inculcate good (like the Myth of Metals in Republic III)
Allegory
alla other + agoreuein to tell
Practice most notably by the Stoics Heraclitus and Cornutus (1st C AD)
Pursuit of deeper meaning below the literal/surface level of the story
e.g. people aren't disinterested in sci-fi movies because they're not real.
Physical allegory: gods represent physical principles
Battle between Apollo and Poseidon is an opposition between fire and water
in Heraclitus
e.g. Hera is air (Gk: aer)
in Cornutus
example of etymology
Moral allegory: stories encode moral truths
conflict between Athena and Ares in Iliad 5 is actually a clash between thoughtfulness and
thoughtlessness
The Odyssey
1. How would you describe Odysseus?
2. Why does Odysseus forgo Calypso's offer of immortality?
Lecture 10/28/13
Odysseus and Calypso
Book 1
desperate situation on Ithaca in Odysseus' palace
Odysseus and Penelope Telemachus
At divine council, the gods tell us who to root for and ratchet up the suspense
If one of the suitors like Aegithus seduces Penelope, a tragedy like Agamemnon's murder might
happen.
Athena visits Ithaca to inspire Telemachus to seek news of his father (Homer Odyssey 1.132137)
(Homer Odysseus 1.249-251) to Athena
Penelope yearns for Odysseus but doesn't kick the suitors out from the palace.
Book 2-4
Telemachus calls the suitors to assembly and denounces them (Book 2)
Telemachus visits Nestor and learns about the death of Agamemnon (Book 3)
Telemachus visits Menelaus and learns about Odysseus at Troy (Book 4)
Book 5
Odysseus is homesick, trapped in a relationship with Calypso (Odyssey 5.165-175)
Odysseus is shrewd, calculating, suspicious (Odyssey 5.197-199)
Odysseus is a great flatterer (Odyssey 5.239-243)
Odysseus is a great craftsman (Odyssey 5.266-283)
Odysseus has a tremendous capacity for endurance (Odyssey 5.476-478)
Odysseus has imaginative vision (5.533-534)
Book 6
Phaeacians
they do no work but just enjoy leisure
temptation for someone like Odysseus
Alcinous and Arete Nausicaa
Athena appears to Nausicaa in a dream and encourages her to do laundry
Alcinous lets Nausicaa go to do the laundry
The girls are playing ball when Odysseus is startled awake
Odyssey Book 6.142
Odysseus shows great tact when he meets Nausicaa (Book 6.163-206)
Nausicaa's charmed, especially after she sees Odysseus after his bath (Odyssey 6.268-271)
Athena makes Odysseus look more appealing. (Odyssey 6.268-271)
Odysseus will meet Nausicaa at her father's palace by following her from behind.
Lecture 10/29/13
Odysseus and the Cyclops
Euripides' Cyclops
Only fully preserved satyr-play
Date unknown
Retells Homeric episode in Cyclops' cave
Satyrs are half-goat and half-human
enjoy sex and drunkenness
The difference between Euripides' Cyclops and Homer's Odyssey is the insertion of satrys and
their leader Silenus.
The World of Euripides' Cyclops
Set in Sicily, not Fairyland
Cyclops cook their own meal
Polyphemus and Galateia
In Theocritus
Story of unrequited love told in Theocritus Idyll 11 (early 3rd century BCE)
Idyll 11.50-53 (burning my one eye too)
Polyxena displays courage while Hector runs for his life in front of death.
Hecuba's desperate straits
Cassandra becomes Agamemnon's war bride, drawing connection between Hecuba and
Agamemnon.
Hecuba resembles Odysseus killing the Cyclops
blinding Polymestor vs blinding Polyphemus
Hecuba and Cynossema Bitch's Tomb
Polymestor foretells that Hecuba will turn into a dog.
Dog may symbolize Hecuba's protectiveness over her children
Aeschylus' Agamemnon
The plot
not much action, by design, but suspense builds gradually
the curse haunts and hinders the plot; action is cyclical, and forward-moving
nostos homecoming of Agamemnon
Cannibalistic Imagery in the Agamemnon
The watchman (delivered from roof of the skene)
the dark and gloominess describes the house itself
The parodos (the chorus' entry-song)
tells the backstory of the sacrifice of Iphigeneia
Artemis mourns the death of the pregnant hare and demands the life of Iphigeneia
The sack of Troy (described by Clytemnestra)
Clytemnestra explicitly describes her imagination of the sack of Troy.
Aeschylus connects the crime of Agamemnon to the crime of Atreus.
Agamemnon
Returns in triumph with war-prize Cassandra
Athena allows Odysseus to plan his returns while Agamemnon just enters his land.
Clytemnestra lays out crimson tapestries as a welcome mat.
Agamemnon refuses to walk on the tapestries as he thinks it's only for the gods.
However, Agamemnon ends up falling into the trap.
Clytemnestra makes Agamemnon think if Priam would've walk on the carpet if he had wont he
war.
Clytemnestra
Androgyne
Queen Clytemnestra who wears a mans' heart in a woman's body, a man's dreadful will in
the scabbard of her body like a polished blade. A hidden blade
Deceptively pretends the role of the lonely faithful wife
Embodies the curse of the House of Atreus
Clytemnestra appears as the symbol of the curse of the house.
T 11-12
Th 1-2
Dodd 2
Lecture Notes 11/8/13
Orestes in the Odyssey
Orestes kept safe in Phocis
Son of Agamemnon and Clytemnestra; brother of Electra
The Furies
Chthonic powers of retribution
Greek Erinyes
Born from the blood of Ouranos castration
Motive of the murder doesnt matter
Aeschylus Choephori
Orestes returns; dedicates lock of hair at Agamemnons grave
Orestes retreats when he spots the chorus and Electra
Choe-phori libation bearers
Clytemnestras Dream
o She gave birth to serpent, swaddled it and nursed it, but it bit her breast
o Parallel to eagle and hare omen in Agamemnon
o Swaddling clothes parallel Agamemnons death robe
o Biting breast looks ahead to Clytemnestra death-scene
o Snakes are a chthonic symbol
o Chorus doubts Clytemnestras sincerity
Electra
o I live among slaves. I live the life of a slave. Orestes is banished. How shall we get our
home back?
Recognition scene between Orestes and Electra (p. 99-103)
o The first sign of forward progress
Orestes Dilemma
The kommos (dirge) (p. 107-115)
o Comprises 150 lines of a 1000 line play
o Why is there so much lament in this play?
Plotting the Murder
o As in Agamemnon, the action consists of homecoming to the house
o The action comprises getting across the threshold
o Orestes disguises himself as a traveler with important news
o Orestes announces that Orestes has died
Reaction to Orestes Death
The Murders
o Aegisthus is killed quickly and without incident
o But Clytemnestra goes down swinging!
Orestes as Hero
o Kills metaphorical serpent (as Apollo killed the Python)
Echoes of Agamemnon
o Clytemnestra does NOT succeed this time at persuasion
o Clytemnestra and Aegisthus die, as Cassandra and Agamemnon die in first play
o Orestes as runaway charioteer (p. 141), just like Agamemnon killing Iphigeneia (p. 15)
Play ends with Orestes visions of the furies tormenting him
Submitting papers
1.
my.ucla.edu and click the Turnitin link under Classics 30
2.
Click the submit icon next to the assignment called paper and upload paper
3.
Save receipt and confirmation number
Include topic number on the title page
Lecture 11/13/13
Justice
Aeschylus' Eumenides
Hymn to Apollo
Apollo becomes a hero after killing the dragoness Pythos.
The Furies on Delphi
Apollo ceased Dephi unfairly and trampled over the older gods.
Eumenides means Kindly Ones
Name anticipates the Furies' becoming Athenian fertility goddesses
Orestes has fled to Delphi to seek Apollos protection and purification for the two murders
pollution (Gk miasma): ritual uncleanliness
caused by murder, cannibalism, incest, sex during the day, etc.
people who associate with ritually unclean people suffer disease in their household
purification (Gk: katharmos): cleansing
Odysseus cleans his hall with sulfur
cannot be avoided whether the reasons were justifiable.
The blood of the piglet purifies Orestes
Historical context
general: tragedies allude to 5th C concerns with war, barbarians, and persuasion
specific
Eumenides gives historical aetiology for Areopagus court
the play calls for an end to civil strife
462 BCE: Ephialtes reduces power of the court and lowers the income requirement
Then Ephialtes is assassinated.
General Themes
Cycle of retribution and violence gives way to rule of law (jury trial)
Female interest get subsumed to male interests
Scene changes from House of Atreus in Argos to Delphi to, finally, the Athenian acropolis
Athens and Suppliants
General Themes
Athens takes in Orestes as a suppliant
Apollo instructs Orestes to find shelter in Athens (p.154)
Emma Lazarus The New Colossus (1833)
Conflict at Delphi
Furies convict Apollo for violating the natural, unwritten laws.
Apollo argues that the laws do not apply to human justice and suggests to settle the case with
Athena's judgment.
The Trial
Marks an improvement on retributive justice
Why did Athena convene a jury instead of hearing the case herself?
To make it fairer?
But why does the jury deadlock 6-6?
The Arguments
The Furies prosecute Orestes
The Furies argue that Orestes killed his own bloodline
Apollo defends Orestes
Apollo argues that Orestes' blood only comes from his father. Clytemnestra is only like the
soil in a pot.
Pre-Socratic influence (Anaxagoras)
Athena acquits Orestes
Resolution
The Furies become the Semnai Blessed Ones
Lecture Notes 11/15/13
Mythology on the Athenian Acropolis
Athenian Exceptionalism
Athens is so great that two gods compete to earn patronage.
Athena receives all the attention as she is born.
Autochthony
the state of being indigenous; native to a place
being born from the earth itself without human parents.
Auto itself + chthon earth
Athenian vs. Theban autochthony
Thebans are always ruled by a king.
Cecrops and Ericthonius
Two important early kings of Athens
Cecrops (half man, half snake) close to the earth
judged the contest between Athena and Poseidon.
Erichthonius
Parents are Hephaestus and Gaea
Athena throws the wool she uses to wipe off Hephaestus' ejaculation on the earth.
Great Panatheneaea
Festival in honor Athena held in August
Poetic contests and athletic competitions
Procession from lower city up to the Acropolis
Robe (Grk: peplos) clothed the statue of Athena
Probably depicted on the interior frieze of the Parthenon
The Athenian Acropolis
1.
2.
3.
4.
Parthenon
Propylaea
Temple of Athena Nike
Erechtheum
Persians took over Athens, but then victory allowed the Athenians to retake their homes.
Pericles rebuilt the Acropolis after the Persian Wars.
The Parthenon
Construction begins 447 BE
Thank-offering for Athena after Persian Wars
Elaborated decorated
pediments
metopes
frieze
statue of Athena
Double colonade
Metopes run around outer columns
Frieze runs around inner columns
Pediments run along short ends of the rectangle (west and east)
Statue of Athena stood in larger inner room.
Pediments
West Pediment (reconstructed): The Patronage of Athens
East Pediment (reconstructed): The Birth of Athena
Metopes
East metopes: Gigantomachy
West metopes: Amazonomachy
North metopes: Sack of Troy
South metopes: Centauromachy
Inner frieze
The frieze: Represents a procession on all sides (identified as the Panathenaic procession)
The east frieze is best preserved; shows gods witnessing the procession
The Statue of Athena
Sculptedby Pheidias (438 BCE)
Holds a Nike in her right hand (victory of the Athenians over the Persians)
Near the spear at her left was a snake
The shiled at her feet depicts the Amazonomachy and Gigantomachy
Her sandals depict the Centauromachy
The base has the story of Pandora (an example of a woman out of control)
Athena keeps the evil under her feet, setting an example for women to follow
The Propylaea
437-432 BCE
Monumental gateway
Picture gallery on northwest wing including Trojan War scenes (Diomedes and Odyssesus;
Sacrifice of Polyxena; Orestes killing Aegisthus)
The Temple of Athena Nike
The Erechtheion
Temple of Athena Polias (Protector of the City)
Housed sacred wooden statue of Athena clothed with the Panathenaic robe
Caryatid columns
Patronage of Athens
Lecture 11/18/13
Oedipus and His Complexes
Sophocles
496-406 BCE
Won first prize 18 times at the Dionysia and never finished third
Oedipus the King dates to 420s (placed second)
Not a proper trilogy and Antigone (442 BCE) and Oedipus at Colonus (401 BCE)
The Founding of Thebes
Zeus seduces Europa
Agenor and his sons search for Europa
Cadmus goes to Delphi to inquire after Europa
The oracle at Delphi doesn't answer Cadmus' question
The oracle tells Cadmus to found a city where a cow collapses and not worry about Europa.
Cadmus slays the dragon that guards the spring
Athena tells Cadmus to plant the tooth of the dragon
From the earth spring the violent Sown Men (Gk. Spartoi)
Cadmus founds Thebes and marries Harmonia
The Early Life of Oedipus
Laius marries Jocasta
Laius gives Oedipus to a shepherd to expose him
The oracle tells them not to have a baby.
Laius cripples the baby by piercing his ankles
Corinthian shepherds bring the baby to Corinth
Delphi tells Oedipus not to go home
Oedipus stays away from Corinth but goes to Thebes
Oedipus fights a band of men at the crossroads
Oedipus confronts the Sphinx and kills the monster
Oedipus is welcomed by the Thebes as king and marries Jocasta
Sophoclean Irony
Sophocles emphasize the elements of ignorance, irony, and unexpected recognition of truth
Oedipus asks about who killed the late king when he killed him himself
Oedipus mocks Teiresias saying that he is blind
Title
Greek: Oidipous Tyrannos (absolute ruler who comes to power by other means rather than
by inheritance)
Oedipus comes from Corinth, but he is the son of Laius, the past king of Thebes
Latin: Oedipus Rex
English: Oedipus the King
Name
Oedipus
oid pous swollen foot
oida pous I know foot (known for his feet)
dipous two-footed
The clue to the riddle is encoded in Oedipus' name
The Plague
Oedipus the King 9-13, 60-64
Oedipus' curse: killing his father and sleeping with his mother causes the plague
Oedipus claims that he is the sickest among all of them, yet he doesn't realize that he is the
cause of the plague.
Athenian plague (430 BCE)
Teiresias
OT: 316-322
The Tragic King
OT: 337-340
Tragic kings allow themselves to be pulled into an argument with the rebels
Tragic kings usually have bad tempers
The stereotype of tragic kings make monarchy look bad
Hybris
Misconceptions
Not 'pride' or 'overconfidence'
Definition
Aristotle: doing and saying things at which the victim incurs shame, but simply to get
pleasure from it. They think themselves superior by harming people.
In a word: bullying
Oedipus eagerly interrogates Teiresias and the herdsmen.
Oedipus acts for the good of the city
Tragedy focuses on unjust or problematic sufferings
Audiences feel ambivalent towards the tragic hero.
Oedipus is already over the cliff and doesn't realize it
He reacts to the fall by blinding himself
Sigmud Freud (1856-1939)
Claude Levi-Strauss
Structuralism
The Structural Study of Myth from Structural Anthropology (1967)
Explains recurring elements (mythemes) in myth
like kin-killing, incest, and monster combat
Not interested in the literary treatments of myth, but in revealing the deep logical structure of
the myth itself
Myth mediates between binaries like male/female/, light/dark, raw/cooked
11/20/13 Lecture Notes
The Seven Against Thebes
Prologue
Antigone and Ismene argue whether they should bury Polyneices or not.
Ismene thinks that women should refrain from defying men.
Antigone reflects Hector and Achilles
Creon and Antigone
Creon is loyal to the state
Antigone is loyal to her family and the gods
(175-177; 181-182)
Creon shows his strictness on crime and rage when he finds out that Polyneices was buried.
He thinks that he knows the mind of the gods.
Antigone believes that Zeus is on her side.
The Bacchae led by Agave rips Pentheus' body when they see him as an intruder
The spell wears off as Agave shows off the head of Pentheus to Cadmus
Metamorphoses
15 books (about 12,000 lines)
dactylic hexameter
encyclopedia of mythology
Transformation
Transformation as part of fairytale
Transformation as part of Greek mythological
gods transform into humans to trick mortals and etc.
Ovidian transformation
interested in crossing the boundaries
Proem
Ovid doesn't disclose the name of the gods but calls on all gods.
Diana and Actaeon
Ovid asks Is the story just?
Ovid suggests that the death of Actaeon is not just but unfortunate
It draws parallel to his thought on his exile. (not just since he was deliberate)
Locus amoenus (pleasant place) conceals danger and brutality
Ovid describes the transformation of Actaeon to a deer.
Transformation focuses on weird in-between moments
Catalogue of dogs
Compare Actaeon with Erysichthon or Phaethon
Ovid leaves the question as to justice open-ended
Coherent, organized
Specific facts and details