Professional Documents
Culture Documents
In successful companies,
continuous achievement is driven
by innovation and understanding.
Creating a product or process is
only a first step - maintaining the
momentum of progress and success
over many years requires
a demanding set of disciplines.
Corporate Statement
04-05
06-09
10-12
LED Filters
13-16
17-22
Contents
The Science Behind The Art
23-24
Colour Range
25-47
Numerical Listing
48-51
Technical Filters
52-62
Architectural Series
63-75
Promotional Items
76-77
Index
78
4
Corporate Statement
5
Corporate Statement
And the reason why LEE Filters is able to hold its position as
the worlds leading manufacturer of lighting filter products?
Its because we understand and appreciate the fact that our
customers depend on us to produce filters of exceptional quality.
Our continual investment in research and development means
that our dedicated team is in a position not only to consistently
embrace new technologies, but also to listen to customers
requests and act upon them. Marrying our technical expertise with
our ability to respond quickly to consumer demand is what sets us
apart from our competitors.
In recent years, we have taken this communication one step further,
with the introduction of the Designer Series. All the colours in this
range are created in conjunction with some of the worlds leading
lighting designers. After all, who knows better than the users
themselves exactly which colour will realise their creative vision?
At LEE Filters, we are proud to lead the way in meeting the
requirements of lighting professionals the world over.
6
Roll Sizes
Our products come in many different sizes, please use the diagrams below as a guide.
Size
Size
Size
Size
Products
Products
Products
Products
216
250
251
252
416
450
452
201
204 - 211
223
270 - 275
298
299
400
402
404
414
414P
429
439
439P
430 - 434
460 - 464
7
Roll Sizes
Size
Size
Size
Size
Size
7.62m x 0.61m
(25 x 24)
15.24m x 0.3m
(50 x 12)
Products
Products
Products
Products
Products
Colour Effect HT
Black Foil
Black Foil
Quick Rolls
1 Core (2.54cm)
8
Sheet Sizes
Acrylic Panel
Acrylic Panel
Size
Size
Products
Products
A209
A205
A210
A207
A211
A208
A209
A210
A211
9
Sheet Sizes
Full Sheet
Half Sheet
Half Sheet HT
Polariser
Size
Size
Size
Size
Full Sheet
Half Sheet
Half Sheet HT
Products
Products
Products
Products
Colour Effect HT
Polariser
LED Filters
LED Filters
Tungsten Conversion
Tungsten Conversion
Daylight Conversion
Daylight Conversion
LED Conversion
LED Conversion
Neutral Density
Neutral Density
Fluorescent Correction
Fluorescent Correction
Arc Correction
Arc Correction
Diffusion Media
Diffusion Media
Heat Shield
Heat Shield
10
Quick Rolls And Lighting Packs
quick rolls
HT Quick Rolls
are available as a
special order.
lighting packs
Essential Toolkits for Lighting Control
Everything you need to control common lighting conditions. Each
pack contains a select assortment of 250mm x 300mm (10x12) pre-cut sheets of
LEE lighting filter. A rugged vinyl pouch is ideal for portable storage.
Diffusion Pack
No.
Name
Qty
No.
Name
Qty
No.
Name
106
Primary Red
216
200
Double CTB
139
Primary Green
250
White Diffusion
201
Full CTB
119
Dark Blue
251
White Diffusion
202
CTB
010
Medium Yellow
400
LEELux
203
CTB
790
Moroccan Pink
410
Opal Frost
218
CTB
181
Congo Blue
253
Hampshire Frost
720
Qty
Cosmetic Pack
No.
Name
Qty
No.
Name
Qty
No.
Name
184
Cosmetic Peach
204
Full CTO
216
187
Cosmetic Rouge
285
CTO
250
White Diffusion
188
Cosmetic Highlight
205
CTO
622
186
206
CTO
624
775
223
CTO
626
791
Moroccan Frost
208
628
Qty
11
Quick Rolls And Lighting Packs
No.
Name
Qty
No.
Name
201
202
Full CTB
200
Double CTB
791
Moroccan Frost
CTB
201
Full CTB
775
204
Full CTO
202
CTB
720
205
CTO
203
CTB
244
Plus Green
216
204
Full CTO
245
Plus Green
250
White Diffusion
205
CTO
219
Fluorescent Green
210
.6 ND
206
CTO
270
LEE Scrim
106
Primary Red
216
280
Black Foil
181
Congo Blue
250
White Diffusion
738
JAS Green
251
White Diffusion
187
Cosmetic Rouge
210
.6 ND
188
Cosmetic Highlight
106
Primary Red
791
Moroccan Frost
126
Mauve
775
181
Congo Blue
720
738
JAS Green
270
LEE Scrim
187
Cosmetic Rouge
280
Black Foil
188
Cosmetic Highlight
Qty
MUSIC PACKS
These convenient, pre-cut 250mm x 250mm
(10x10) sheets of LEE polyester filters come
complete with instructions on how to use
colour to enhance the mood of your music.
They are perfect for use in small night clubs
and are packaged in six different sets.
DJ Pack 2
Qty
No.
Name
Medium Red
063
Pale Blue
Moss Green
106
Primary Red
105
Orange
735
Velvet Green
113
Magenta
141
Bright Blue
764
Qty
180
Dark Lavender
197
Alice Blue
No.
Name
328
Follies Pink
116
Medium Blue-Green
735
Velvet Green
128
Bright Pink
744
Dirty White
781
Terry Red
158
Deep Orange
797
Deep Purple
181
Congo Blue
DJ Pack 1
No.
Name
015
Deep Straw
020
Medium Amber
024
Scarlet
026
Bright Red
048
Rose Purple
068
Sky Blue
116
Medium Blue-Green
181
Congo Blue
323
Jade
325
Mallard Green
328
Follies Pink
343
No.
Name
027
089
Inspiration Pack 2
No.
Name
048
Rose Purple
132
Medium Blue
327
Forest Green
341
Plum
No.
Name
009
058
Lavender
143
Qty
Inspiration Pack 1
195
Qty
Qty
Qty
12
Quick Rolls And Lighting Packs
Studio Pack
A range of technical filters for basic light
source control.
No.
Name
201
Full CTB
281
CTB
204
Full CTO
285
CTO
Original Pack
298
209
210
211
Qty
Name
Qty
202
CTB
203
CTB
218
CTB
205
CTO
CTO
CTO
No.
Name
Qty
101
Yellow
116
Complementary Pack
206
118
Light Blue
223
122
Fern Green
No.
Name
Tint Pack
126
Mauve
164
Flame Red
128
Bright Pink
124
Dark Green
119
Dark Blue
176
Loving Amber
174
138
Pale Green
129
144
Heavy Frost
No Colour Blue
1
1
Qty
Name
Qty
002
Rose Pink
048
Rose Purple
088
Lime Green
100
Spring Yellow
108
English Rose
131
Marine Blue
157
Pink
164
Flame Red
174
179
Chrome Orange
180
Dark Lavender
101
Yellow
192
Flesh Pink
115
Peacock Blue
228
Brushed Silk
128
Bright Pink
007
Pale Yellow
SaturatesPack
117
Steel Blue
035
Light Pink
No.
228
Brushed Silk
250
White Diffusion
344
Violet
Name
Qty
027
Medium Red
101
Yellow
No.
Name
105
Orange
003
Lavender Tint
116
007
Pale Yellow
009
035
Light Pink
No.
Name
Qty
CTO
120
Deep Blue
126
Mauve
129
Heavy Frost
135
Qty
061
Mist Blue
205
063
Pale Blue
206
CTO
103
Straw
219
154
Pale Rose
241
162
Bastard Amber
242
169
Lilac Tint
243
213
244
255
Hollywood Frost
245
Plus Green
139
Primary Green
181
Congo Blue
182
Light Red
332
13
LED Filters
LED FILTERS
If theres one problem that lighting designers can relate to, its the dramatic change in hue that occurs when
a coloured filter is placed in front of a cool white LED fitting. And the issue is only exacerbated when
combining cool white LED and tungsten light sources, making it almost impossible to match the colours.
Existing LEE 126 on tungsten (left hand side) and cool white LED (right hand side).
The colour is totally different.
With cool white LED systems increasing in use, it became obvious that something had to be done, so the
technicians at LEE Filters came up with a solution: the LED Filter range. These filters are designed to produce the
same colour on a cool white LED (>6000K) as their tungsten-lighting equivalent. Try to think of them as a range of
colour-corrected filters, as opposed to those that are colour temperature corrected.
Existing LEE 126 on tungsten (left hand side) and new LED CL126 on cool white LED
(right hand side). There is now a good visual colour match.
14
LED Filters
Filter Colour
Projected Colour
CL104
104
Filter Colour
CL117
Projected Colour
117
For use on cool white LED with C.T. >6000K to produce a silvery
moonlight wash. Similar to LEE 117 on a tungsten lamp.
Good for cycloramas.
CL105
CL118
105
118
For use on cool white LED with C.T. >6000K to produce a warm
medium amber. Similar to LEE 105 on a tungsten lamp.
CL106
CL119
106
119
For use on cool white LED with C.T. >6000K to produce a warm
primary red. Similar to LEE 106 on a tungsten lamp. Good for
cycloramas.
CL113
CL126
113
CL115
126
For use on cool white LED with C.T. >6000K to produce a bold
intense pink. Similar to LEE 126 on a tungsten lamp.
115
CL128
128
For use on cool white LED with C.T. >6000K to produce a fresh,
crisp, spearmint colour. Similar to LEE 115 on a tungsten lamp.
Good for cycloramas.
CL116
CL132
116
132
For best results use with LED fittings that have a homogenous beam (i.e. diffusion filter or focusing optic)
15
LED Filters
Filter Colour
Projected Colour
CL139
139
For use on cool white LED with C.T. >6000K to produce a vivid
primary green. Similar to LEE 139 on a tungsten lamp.
Good for cycloramas.
CL147
147
For use on cool white LED with C.T. >6000K to produce a warm
key light amber. Similar to LEE 147 on a tungsten lamp.
CL158
158
CL164
164
CL180
180
CL181
181
Filter Colour
Projected Colour
CL182
182
16
LED Filters
622
626
624
628
For best results use with LED fittings that have a homogenous beam (i.e. diffusion filter or focusing optic)
17
The Designer Series
18
The Designer Series
Peter Barnes
*707 Ultimate Violet
tanya burns
505 Sally Green
506 Marlene
507 Madge
Denser, saturated orange version of 135 avoiding pinky
red. Good for backlight, instruments, part of a sunset
palette, and generating a party atmosphere.
Lucy Carter
511 Bacon Brown
Paule Constable
731 Dirty Ice
Dirtier than 156 Chocolate, good for skin tones. Dims well
and doesnt go pink at low light levels.
19
The Designer Series
Chris Davey
712 Bedford Blue
A big thank you for a very interesting day. All the team
at LEE clearly take great pride in their products, shown
by the rigorous quality control checks.
Chris Davey
Dave Davey
701 Provence
Chris ellis
714 Elysian Blue
rick fisher
708 Cool Lavender
Peter Fisker
700 Perfect Lavender
20
The Designer Series
Henrik hambro
706 King Fals Lavender
A cold lavender.
777 Rust
746 Brown
To give a murky, dirty feel to tungsten. A darker, less
pink chocolate.
David hersey
724 Ocean Blue
776 Nectarine
763 Wheat
Jakob holst
*716 Mikkel Blue
21
The Designer Series
Jesper kongshaug
730 Liberty Green
ANDY LIDDLE
*713 J.Winter Blue
DURHAM MARENGHI
704 Lily
A cool lavender with little red content. Good for romantic
evening exteriors.
DECLAN RANDaLL
550 ALD Gold
602 Platinum
601 Silver
A silver-grey light at full power, dims through lavendergrey then warm brown-grey. Works well with 550 ALD
Gold. Good for creating a sense of intense darkness on
stage whilst still being useful.
22
The Designer Series
Mike robertson
500 Double New Colour Blue
David Whitehead
709 Electric Lilac
Kate wilkins
723 Virgin Blue
This is a pure blue, not too green and not too lavender,
yet still feels warm for a blue with an early morning feel.
patrick woodroffe
*715 Cabana Blue
23
The Science Behind The Art
ULTRA-VIOLET
INFRA-RED
400
500
600
700
Wavelength - Nanometres
24
The Science Behind The Art
abs
50
0.3 (1 Stop)
25
0.6 (2 Stop)
12.5
0.9 (3 Stop)
Absorption
abs
13.9
0.86
048
Chromaticity Co-ordinates
x
y
0.288
0.167
Wavelength - Nanometres
100
Rose Purple
Good for emulating evening.
Great backlight.
400
700
Transmission
Transmission
Y%
Colour Range
26
Colour Range
(Measured to source C, Correlated Color Temperature of 6774K)
Absorption
abs
4.5
1.35
Chromaticity Co-ordinates
x
y
0.287
049
0.102
Wavelength - Nanometres
100
Medium Purple
The following pages show a spectral chart and colour sample for
each filter within the colour range.
400
1.8
20
500
600
700
4.1
1.38
400
700
0.287
0.082
126
100
Mauve
800
100
Transmission
Infra-Red
Ultra-Violet
300 400
40
0.109
100
60
0.218
CL181
80
1.74
700
Transmission
Spectral Charts
Transmission
Y%
Wavelength - Nanometres
400
3.8
1.43
0.190
700
0.060
798
100
Chrysalis Pink
A new deep lavender with a dash of
rose blusher.
Transmission
Y%
Absorption
abs
13.9
0.86
Chromaticity Co-ordinates
x
y
0.288
048
400
0.167
9.4
Wavelength - Nanometres
21.5
0.67
0.301
700
0.204
CL180
0.199
0.098
701
100
Provence
The colour of the lavender fields of
the South of France. A redder version
of 180 for use on cameras balanced
to tungsten sources.
15.5
100
2.3
Transmission
100
Rose Purple
1.03
700
0.81
400
700
0.252
0.156
345
100
Fuchsia Pink
Musical revue, pantomime, sultry
scenes.
400
700
0.235
0.065
797*
20.4
100
Deep Purple
Used in musical performances for
general colour washes and
set lighting.
0.69
400
700
0.255
0.181
703
100
Cold Lavender
Made for front/key lighting, perfect
together with LEE 152.
400
700
400
700
27
Colour
Colour Range
Range
Absorption
abs
33.0
0.48
Chromaticity Co-ordinates
x
y
0.259
052*
0.218
Wavelength - Nanometres
40.0
0.40
400
700
0.267
0.221
704
A cool lavender with little red
content. Good for romantic evening
exteriors.
0.59
400
700
0.278
0.211
400
700
0.288
0.254
700
0.294
0.281
1.05
0.212
700
0.099
058*
100
Lavender
400
1.18
0.191
700
0.072
180
100
Dark Lavender
400
1.22
0.182
700
0.081
343
100
1.32
0.177
700
0.070
700
100
Perfect Lavender
Good for backlighting and romantic
atmospheres.
400
700
0.281
0.269
702
400
700
0.231
0.175
137
700
2.10
0.158
700
0.035
181*
100
Congo Blue
Looks like black light when used with
a fluorescent source. Great effect
colour. Very saturated.
400
2.0
100
Special Lavender
400
0.8
100
400
4.8
0.58
400
6.0
100
Lilac Tint
26.4
169
0.27
100
Surprise Pink
100
Pale Lavender
54.1
0.183
Wavelength - Nanometres
136
0.23
0.240
194
6.6
59.5
0.65
Chromaticity Co-ordinates
x
y
100
Deep Lavender
0.36
22.3
170
43.2
Absorption
abs
8.9
100
Lily
25.7
Transmission
100
Light Lavender
Transmission
Y%
Transmission
Transmission
Y%
1.69
0.170
700
0.042
707*
100
Ultimate Violet
Used in musical performances for
general colour washes
and set lighting.
400
700
28
Colour Range
Absorption
abs
5.5
1.26
Chromaticity Co-ordinates
x
y
0.186
706
0.091
Wavelength - Nanometres
A cold lavender.
400
3.0
1.53
0.164
700
0.061
508
400
0.158
700
100
0.151
700
0.148
700
0.91
0.180
700
0.133
710
100
400
1.78
0.159
700
0.066
198
100
Palace Blue
1.4
0.146
700
0.054
716*
100
Mikkel Blue
400
2.7
100
J.Winter Blue
A very dark blue with a high UV
content. Good when used in high
concentrations for a moody and
powerful stage colour wash.
400
0.037
713*
1.56
0.142
700
0.046
195*
100
Zenith Blue
Moonlight for dark sets, cycloramas.
400
700
0.238
0.227
709
700
0.209
0.148
142
700
1.17
0.152
700
0.075
715*
100
Cabana Blue
A deep blue that still has enough
transmission to work encouragingly
well on television.
400
7.0
100
Pale Violet
400
6.8
100
Electric Lilac
0.70
400
20.1
3.9
100
Tokyo Blue
0.47
100
Regal Blue
0.030
071*
34.0
0.070
Wavelength - Nanometres
400
1.97
0.161
199
1.7
1.1
1.26
Chromaticity Co-ordinates
x
y
0.035
2.00
5.4
799
1.0
Absorption
abs
12.2
100
Midnight Maya
1.4
Transmission
100
Transmission
Y%
Transmission
Transmission
Y%
1.16
0.158
700
0.100
723
100
Virgin Blue
This is a pure blue, not too green and
not too lavender, yet still feels warm
for a blue with an early morning feel.
400
700
29
Colour Range
Absorption
abs
6.5
1.19
Chromaticity Co-ordinates
x
y
0.147
721*
0.084
Wavelength - Nanometres
2.1
1.68
0.149
700
Transmission
100
Berry Blue
0.051
120*
1.37
0.141
700
400
0.143
700
0.065
085*
0.142
700
0.151
700
0.158
0.117
075
100
Evening Blue
400
0.77
0.171
700
0.143
525
100
Argent Blue
Great for a foreboding cold winters
night, but allows enough light
transmission to be useful for general
illluminance too.
0.98
400
0.164
700
0.118
197*
100
Alice Blue
400
0.75
0.183
700
0.158
712
100
Bedford Blue
0.097
714
400
16.2
100
Elysian Blue
A new deeper version of Alice Blue.
0.79
0.179
700
0.155
200
100
Double CTB
Converts tungsten to daylight.
400
1.25
0.90
700
5.6
400
17.9
100
Dark Blue
1.17
0.054
119*
6.8
100
1.51
0.086
Wavelength - Nanometres
Bray Blue
10.4
100
Deeper Blue
3.1
0.139
722
17.1
100
1.60
1.28
Chromaticity Co-ordinates
x
y
0.070
363*
2.5
5.2
4.2
Absorption
abs
12.5
100
Deep Blue
Transmission
Y%
Transmission
Transmission
Y%
0.145
700
0.072
079*
19.3
100
Just Blue
400
0.71
0.188
700
0.171
719
100
400
700
400
700
30
Colour Range
Absorption
abs
17.7
0.75
Chromaticity Co-ordinates
x
y
0.193
366
0.190
Wavelength - Nanometres
14.4
0.84
400
700
0.223
0.198
711
400
700
0.200
0.187
500
0.36
400
700
0.246
0.249
400
700
0.257
0.260
708
700
0.230
0.223
100
Platinum
At full power produces dazzling
grey light with slight red bias, when
dimmed warms up quickly to a useful
brown. Good for effect lighting as
400
well as a cold, white sidelight.
0.55
0.268
700
0.271
603
100
Moonlight White
A pleasant white light at full power,
dims down to a warm colour and at
low intensities has more yellow than
red content. Good for sunlight effect
as if through stormy clouds reflecting
400
off of the ocean.
0.21
0.284
700
0.284
053*
100
Paler Lavender
400
61.6
0.21
0.276
700
0.281
502
100
74.5
0.13
400
700
0.293
0.299
503
100
69.2
100
Arctic White
A bright, brilliant blue-grey light at
100%. It does not warm up as it
dims and is not affected by amber
drift. Useful as a backlight or for
special effects.
1.04
602
0.267
Wavelength - Nanometres
600
9.0
0.261
100
Cool Lavender
1.02
Chromaticity Co-ordinates
x
y
9.5
0.82
62.2
100
0.36
15.3
501
43.4
100
Absorption
abs
28.3
100
Cold Blue
23.3
Transmission
100
Cornflower
Transmission
Y%
Transmission
Transmission
Y%
0.16
400
700
0.285
0.294
203
100
Quarter CTB
Converts tungsten to daylight.
400
700
0.244
0.248
601
62.4
100
Silver
A silver-grey light at full power, dims
through lavender-grey then warm
brown-grey. Good for creating a
sense of intense darkness on stage
whilst still being useful.
0.21
400
700
0.268
0.284
061*
100
Mist Blue
Night scenes, cool wash.
400
700
400
700
31
Colour Range
Absorption
abs
54.4
0.26
Chromaticity Co-ordinates
x
y
0.252
063*
0.270
Wavelength - Nanometres
54.9
0.26
400
700
0.261
0.273
202
Transmission
100
Pale Blue
45.5
0.35
400
700
0.239
0.258
400
700
0.228
0.233
0.201
700
1.08
0.137
700
0.110
132*
100
Medium Blue
400
0.70
0.159
700
0.158
165
100
Daylight Blue
400
0.63
0.171
700
0.190
352
100
Glacier Blue
0.188
283
400
16.2
100
0.79
0.170
700
0.205
143
100
400
700
0.204
0.205
174
400
26.6
100
0.57
0.175
700
0.197
196
100
True Blue
Moonlight.
400
0.61
400
24.8
23.4
0.52
100
Sky Blue
100
Full CTB
30.0
0.128
Wavelength - Nanometres
Moonlight.
201
0.61
0.151
068
20.0
24.4
0.87
Chromaticity Co-ordinates
x
y
100
0.47
13.4
281
34.0
Absorption
abs
8.3
100
Half CTB
Transmission
Y%
Transmission
Transmission
Y%
0.176
700
0.176
161
4.5
100
Slate Blue
Pure medium blue. Good for skies,
moonlight, dusk.
400
700
400
1.35
0.120
700
0.167
CL119
100
400
700
32
Colour Range
Absorption
abs
6.6
1.18
Chromaticity Co-ordinates
x
y
0.109
727
0.210
Wavelength - Nanometres
18.6
0.75
0.129
700
Transmission
100
QFD Blue
0.159
141*
18.7
0.73
0.128
700
0.168
183
Moonlight, cycloramas.
0.65
0.149
700
0.270
Wavelength - Nanometres
100
0.26
400
700
0.223
0.278
117
100
Steel Blue
Good for cool washes. Adds a pale
green tint. Great for emulating icy
weather on stage.
400
0.38
0.201
700
0.245
140
100
Summer Blue
400
0.39
0.193
700
0.246
353
100
Lighter Blue
Daylight effects.
400
0.44
0.189
700
0.222
724
0.183
700
0.141
0.220
172*
100
Lagoon Blue
0.228
144
0.41
0.173
700
0.265
354
100
400
0.126
700
0.228
CL132
400
8.7
100
400
39.2
100
No Colour Blue
0.94
0.60
700
0.49
400
25.4
100
Ocean Blue
11.4
0.239
725
41.0
100
Light Blue
32.4
Chromaticity Co-ordinates
x
y
0.113
118*
36.2
0.24
22.2
56.2
41.4
100
Moonlight Blue
Absorption
abs
54.7
100
Bright Blue
Transmission
Y%
Transmission
Transmission
Y%
1.06
0.110
700
0.241
729*
100
Scuba Blue
Used in musical performances for a
rear colour wash, or set lighting.
400
700
400
700
33
Colour Range
Absorption
abs
16.5
0.78
Chromaticity Co-ordinates
x
y
0.113
116*
0.280
Wavelength - Nanometres
400
35.2
0.46
0.134
700
0.296
115*
0.38
0.199
700
0.305
131
0.42
0.201
700
0.150
700
400
0.165
700
0.367
323
400
0.93
0.103
700
0.536
735
100
Velvet Green
A beautiful background colour.
Victorian melodrama. A night-time
green.
400
0.53
0.123
700
0.586
124*
100
Dark Green
400
1.38
0.162
700
0.496
327
100
Forest Green
0.177
700
400
700
0.51
0.219
700
100
0.334
219
400
700
0.231
0.290
241
100
LEE Fluorescent
5700 Kelvin
Converts tungsten to fluorescent
light of 5700K (cool white/daylight).
45.9
100
0.416
CL115
400
27.4
100
Jade
0.47
31.0
100
34.1
100
0.316
CL118
0.50
0.400
Wavelength - Nanometres
32.0
CL116
4.2
100
Soft Green
0.59
0.126
0.364
322
25.8
0.75
Chromaticity Co-ordinates
x
y
400
38.3
17.9
29.7
100
Marine Blue
Absorption
abs
11.5
100
Peacock Blue
41.3
Transmission
100
Medium Blue-Green
Transmission
Y%
Transmission
Transmission
Y%
0.33
400
700
0.256
0.302
728
100
Steel Green
Approaching storms. Overcast
days. Cold steely light. Malevolent
moonlight.
400
700
34
Colour Range
Absorption
abs
58.2
0.24
Chromaticity Co-ordinates
x
y
0.271
504
0.317
Wavelength - Nanometres
67.5
0.17
400
700
0.277
0.330
730
Transmission
100
Waterfront Green
37.3
0.43
400
700
0.262
0.346
400
700
0.286
0.370
243
0.317
700
400
0.08
0.319
700
0.355
245
100
0.12
400
700
0.324
0.388
244
100
0.09
400
700
0.334
0.395
CL117
100
400
700
0.331
0.433
138
100
Pale Green
Good with gobos for wooded scenes.
400
0.315
700
0.337
246
70.9
100
0.20
79.9
63.8
100
Damp Squib
80.5
100
0.07
0.351
Wavelength - Nanometres
0.359
213
84.6
733
74.2
100
LEE Fluorescent
3600 Kelvin
0.10
0.312
Approximately equivalent to
CC30 green.
80.0
0.20
Chromaticity Co-ordinates
x
y
100
LEE Fluorescent
4300 Kelvin
0.34
63.6
Approximately equivalent to
CC15 green.
242
45.7
Absorption
abs
81.7
100
Liberty Green
Transmission
Y%
Transmission
Transmission
Y%
400
700
0.293
0.339
731
700
700
0.356
0.511
088
100
Lime Green
Use with gobos for leafy glades
- pantomimes - slightly sinister
atmosphere.
72.4
100
Dirty Ice
0.15
400
0.14
400
700
0.370
0.520
505
100
Sally Green
700
35
Colour Range
Absorption
abs
52.3
0.28
Chromaticity Co-ordinates
x
y
0.315
738*
0.20
400
700
0.302
0.534
121*
Transmission
100
JAS Green
64.0
0.28
400
700
0.234
0.543
122*
0.53
400
700
0.259
0.547
089*
0.196
700
0.196
700
1.43
400
700
0.337
0.617
740
1.48
100
400
700
0.506
0.491
741
100
Mustard Yellow
Spooky when used in haze. Removes
some red and blue. Works best with
daylight bulbs. Sodium lamp effect.
0.86
400
700
0.500
0.496
642
100
0.50
400
700
0.483
0.493
643
100
0.714
CL139
34.1
100
100
10.9
0.740
Wavelength - Nanometres
Twickenham Green
31.3
100
Primary Green
0.89
0.175
0.712
139*
13.0
Chromaticity Co-ordinates
x
y
0.92
736
13.7
100
Moss Green
11.9
1.14
3.3
100
Fern Green
29.8
7.2
3.7
100
LEE Green
51.5
Absorption
abs
0.587
Wavelength - Nanometres
Transmission
Y%
Transmission
Transmission
Y%
0.47
400
700
0.397
0.424
650
100
Industry Sodium
Used on tungsten to blend with
Sodium light.
400
0.184
700
0.641
090*
41.9
100
400
700
0.38
400
700
0.367
0.368
230
100
700
36
Colour Range
Absorption
abs
1.5
1.82
Chromaticity Co-ordinates
x
y
0.498
746
0.437
Wavelength - Nanometres
2.4
1.62
400
700
0.540
0.443
653
Transmission
100
Brown
1.6
1.79
400
700
0.563
0.406
400
700
0.430
0.423
742
0.81
400
700
0.442
0.394
208
400
700
0.435
0.386
207
0.43
0.58
400
700
0.380
0.363
156
100
Chocolate
0.31
400
700
0.402
0.368
626
0.35
0.415
700
100
400
700
0.428
0.371
622
100
0.366
624
0.38
100
38.5
100
37.4
100
41.5
0.49
0.369
Wavelength - Nanometres
44.2
100
32.5
0.387
628
49.1
100
Bram Brown
15.6
0.26
Chromaticity Co-ordinates
x
y
100
Bacon Brown
0.94
55.4
511
11.5
Absorption
abs
26.4
100
Lo Sodium
Transmission
Y%
Transmission
Transmission
Y%
400
700
0.430
0.365
237
100
400
700
0.423
0.385
232
31.1
100
700
0.51
400
700
0.389
0.344
747
100
Easy White
Primarily developed for fluorescents
to ensure warm, comfortable light
and flattering skin tones.
400
700
37
Colour Range
Absorption
abs
29.8
0.53
Chromaticity Co-ordinates
x
y
0.372
238
0.331
Wavelength - Nanometres
70.7
0.15
400
700
0.370
0.332
152
Transmission
100
77.7
0.11
400
700
0.348
0.328
400
700
0.358
0.344
0.376
700
700
0.365
0.380
100
0.09
400
700
0.336
0.359
103
100
Straw
0.10
400
700
0.346
0.340
206
100
Quarter CTO
79.8
100
0.10
400
700
0.338
0.349
443
100
Quarter CT Straw
Converts 6500K to 5100K - daylight
to tungsten light with yellow bias.
400
0.374
700
0.364
205
84.3
100
Half CTO
Converts daylight to tungsten light.
0.15
0.09
400
764
79.1
0.371
009*
71.2
400
0.15
100
Straw Tint
100
Marlene
70.8
0.392
Wavelength - Nanometres
506
0.15
0.392
013*
81.6
71.1
0.14
Chromaticity Co-ordinates
x
y
100
Bastard Amber
0.17
72.1
162
67.3
Absorption
abs
80.5
100
Pale Gold
Transmission
Y%
Transmission
Transmission
Y%
0.07
400
700
0.343
0.357
763
100
Wheat
Adds warmth, sunlight.
400
700
0.370
0.378
442
88.7
100
Half CT Straw
Converts 6500K to 4300K - daylight
to tungsten light with yellow bias.
0.05
400
700
0.340
0.363
212
100
400
700
400
700
38
Colour Range
Absorption
abs
85.4
0.07
Chromaticity Co-ordinates
x
y
0.339
007*
0.363
Wavelength - Nanometres
Sunlight.
80.2
0.10
400
700
0.389
0.412
765
Transmission
100
Pale Yellow
75.1
0.12
400
700
0.434
0.440
700
0.471
0.461
400
700
0.380
0.447
513
0.10
400
700
0.451
0.507
101
100
Yellow
0.16
400
700
0.481
0.501
767
100
Oklahoma Yellow
0.20
400
700
0.496
0.462
104
100
Deep Amber
Good for sunlight effect, accents,
side light. Be careful of skin tones
under the reddish tint of this colour.
400
0.22
0.517
700
0.460
015*
100
Deep Straw
Warm amber light. Good for effects
such as candlelight and fire.
400
700
0.403
0.486
514
55.6
100
Double G & T
Double 513, when only a double will
do. Has a more acidic bite.
0.26
400
700
0.522
0.469
768
100
400
0.08
60.8
84.2
100
Medium Yellow
63.9
100
0.06
0.509
Wavelength - Nanometres
87.3
010*
68.9
100
ALD Gold
0.06
0.426
550
87.1
0.06
Chromaticity Co-ordinates
x
y
100
Light Amber
0.33
86.5
102
46.8
Absorption
abs
80.0
100
LEE Yellow
Transmission
Y%
Transmission
Transmission
Y%
0.410
700
0.502
100
54.0
100
Spring Yellow
0.27
400
700
0.520
0.460
179
100
Chrome Orange
Combination of CTO and double
strength 104, sunlight.
700
400
700
39
Colour Range
Absorption
abs
50.7
0.30
Chromaticity Co-ordinates
x
y
0.523
020*
0.419
Wavelength - Nanometres
47.7
0.32
400
700
0.545
0.447
770
0.38
400
700
0.563
0.428
400
700
0.558
0.425
400
0.576
700
700
0.478
0.422
100
0.26
400
700
0.437
0.392
204
100
Full CTO
0.24
400
700
0.426
0.407
441
100
Full CT Straw
57.9
100
400
700
0.595
0.390
512
0.24
400
700
0.421
0.412
744
100
Dirty White
Correct a daylight source to an off
white tungsten source. Used with a
tungsten source provides a dingy
effect like a smoky bar.
61.3
100
Amber Delight
21.9
0.32
400
286
57.3
0.416
Rust
0.94
777
11.5
100
Double CTO
100
0.61
0.424
Wavelength - Nanometres
CL104
24.3
0.514
287
55.4
0.39
100
Orange
0.42
40.9
Chromaticity Co-ordinates
x
y
105
38.1
Absorption
abs
48.2
100
Burnt Yellow
41.3
Transmission
100
Medium Amber
Transmission
Y%
Transmission
Transmission
Y%
0.21
400
700
0.400
0.387
285
100
0.66
400
700
0.535
0.399
652
58.2
100
Urban Sodium
Used on tungsten to create the
orange glow associated with Sodium
light.
0.24
400
700
0.426
0.376
236
100
400
700
400
700
40
Colour Range
Absorption
abs
55.9
0.25
Chromaticity Co-ordinates
x
y
0.422
604
0.389
Wavelength - Nanometres
48.8
0.31
400
700
0.444
0.396
651
Transmission
100
19.6
0.71
400
700
0.439
0.372
0.501
700
700
0.446
0.381
700
0.498
0.347
008*
100
Dark Salmon
0.58
400
700
0.566
0.359
025
100
Sunset Red
400
0.41
0.501
700
0.336
779
100
Bastard Pink
27.3
100
Apricot
Sunrise, sunset, lamplight.
400
700
0.424
0.368
776
0.56
400
700
0.551
0.382
CL147
100
29.9
100
Nectarine
0.22
0.45
400
147
60.2
38.8
100
Golden Amber
0.27
100
English Rose
0.371
134
52.9
0.352
Wavelength - Nanometres
0.28
0.412
108
26.4
53.0
0.24
100
Surprise Peach
0.42
57.1
Chromaticity Co-ordinates
x
y
017
37.8
Absorption
abs
35.4
100
Hi Sodium
Transmission
Y%
Transmission
Transmission
Y%
400
700
0.588
0.403
158
100
Deep Orange
Fire effect.
400
700
0.400
0.351
773
31.3
100
Cardbox Amber
Warm tint for skin tones.
0.51
400
700
0.586
0.396
021*
100
Gold Amber
Great for sunsets, cyclorama lighting
and fire effects.
400
700
400
700
41
Colour Range
Absorption
abs
27.3
0.56
Chromaticity Co-ordinates
x
y
0.606
778*
0.382
Wavelength - Nanometres
0.58
400
0.614
700
0.385
CL105
400
700
0.623
0.376
400
700
0.647
0.339
400
700
0.631
0.367
CL158
700
0.664
0.310
100
Fire
0.75
400
700
0.659
0.302
164
100
Flame Red
0.87
400
700
0.669
0.317
CL164
100
400
700
0.670
0.313
182
100
Light Red
Theatre and television effect lighting,
cycloramas.
400
700
0.667
0.326
135
9.3
100
19.1
0.72
400
019*
11.0
100
0.71
13.6
Backlight.
19.5
100
Madge
100
Dark Amber
0.337
Wavelength - Nanometres
022*
0.63
0.662
507
18.0
23.3
0.87
Chromaticity Co-ordinates
x
y
100
AS Golden Amber
0.62
13.6
780
23.9
Absorption
abs
18.9
100
25.8
Transmission
100
Millennium Gold
Transmission
Y%
Transmission
Transmission
Y%
1.03
400
700
0.699
0.285
106
100
Primary Red
Strong red effect, cycloramas.
0.72
400
700
0.643
0.348
781
8.0
100
Terry Red
A strong amber red that works well
when used against reds, and dark
ambers, in wash combinations, and
on cycloramas.
400
700
1.10
400
700
0.697
0.303
CL106
100
400
700
42
Colour Range
Absorption
abs
8.4
1.08
Chromaticity Co-ordinates
x
y
0.696
CL182
0.303
Wavelength - Nanometres
1.91
400
700
0.677
0.314
789
2.00
0.714
700
0.283
787
1.44
0.712
700
400
700
0.693
0.303
029
0.712
700
700
0.457
0.272
157
100
Pink
Dance sequences (useful for
softening white costumes without
affecting skin tones).
0.32
400
700
0.407
0.284
107
100
Light Rose
0.26
400
700
0.391
0.295
109
100
Light Salmon
0.30
400
700
0.407
0.321
176
100
Loving Amber
58.1
0.281
026*
100
Bright Red
0.24
400
700
0.378
0.324
790
100
Moroccan Pink
A rich natural pink, good for
producing late afternoon sun effects.
400
700
0.672
0.291
CL113
64.1
100
0.44
400
1.05
50.2
8.9
100
Scarlet
100
PLASA Red
1.06
0.296
Wavelength - Nanometres
Interesting backlight.
8.6
0.561
024*
54.9
100
Medium Red
1.24
Chromaticity Co-ordinates
x
y
0.261
027*
5.8
0.73
3.6
18.7
48.0
100
Marius Red
Absorption
abs
36.4
100
Blood Red
1.0
Transmission
100
Transmission
Y%
Transmission
Transmission
Y%
0.19
400
700
0.370
0.335
004*
100
400
700
400
700
43
Colour Range
Absorption
abs
69.4
0.16
Chromaticity Co-ordinates
x
y
0.361
151
0.321
Wavelength - Nanometres
73.4
0.14
400
700
0.350
0.318
154
Transmission
100
Gold Tint
64.9
0.19
400
700
0.362
0.303
400
700
0.335
0.289
400
700
0.325
0.279
0.46
0.410
700
0.237
192
100
Flesh Pink
0.50
400
700
0.389
0.215
111
100
Dark Pink
0.50
400
700
0.328
0.202
002
100
Rose Pink
21.6
100
0.67
400
700
0.335
0.180
328
100
Follies Pink
Dramatic stage lighting.
Approximately equivalent to
CC30 magenta.
400
700
0.335
0.251
794
13.1
100
Pretty n Pink
0.88
400
700
0.327
0.138
795
100
Magical Magenta
Rich mixture of red and pinks.
0.32
400
247
47.5
32.7
0.33
100
Medium Pink
100
Light Pink
46.8
0.268
Wavelength - Nanometres
035*
0.22
0.360
036*
31.9
57.8
0.34
Chromaticity Co-ordinates
x
y
100
Pale Salmon
0.21
45.4
153
61.3
Absorption
abs
34.9
100
Pale Rose
Transmission
Y%
Transmission
Transmission
Y%
400
700
0.351
0.249
110
13.7
100
Middle Rose
Pleasing effects for theatrical lighting.
400
700
400
0.86
0.401
700
0.151
128
100
Bright Pink
Created for use as back lighting, side
lighting. Good for specials. Great
for musicals.
400
700
44
Colour Range
Absorption
abs
12.0
0.92
Chromaticity Co-ordinates
x
y
0.419
793
0.170
Wavelength - Nanometres
10.5
0.98
400
700
0.465
0.193
332
Transmission
100
Vanity Fair
5.2
1.28
700
0.504
0.215
CL126
0.84
400
700
0.482
0.238
400
700
0.572
0.223
0.84
400
700
0.373
0.263
748
100
Seedy Pink
400
0.14
0.317
700
0.297
248
100
400
0.08
0.312
700
0.307
249
100
0.06
0.312
700
0.311
279
100
400
700
0.563
0.217
113
75.7
100
Magenta
Very strong - used carefully for small
areas on set.
0.12
400
700
0.303
0.300
003
100
Lavender Tint
Subtle cool wash for stage and
studio lighting.
400
700
0.570
0.263
CL128
81.3
100
400
86.5
0.91
82.4
100
Dark Magenta
12.2
100
Smokey Pink
Approximately equivalent to
CC075 magenta.
046*
0.96
0.265
Wavelength - Nanometres
10.9
0.397
127
72.0
100
Bright Rose
1.22
Chromaticity Co-ordinates
x
y
Approximately equivalent to
CC15 magenta.
148
6.0
0.92
100
14.4
12.0
Absorption
abs
14.4
100
Transmission
Y%
Transmission
Transmission
Y%
0.09
400
700
0.299
0.307
218
100
Eighth CTB
Converts tungsten to daylight.
400
700
400
700
45
Colour Range
(Measured to source C, Correlated Color Temperature of 6774K)
Transmission
Y%
Absorption
abs
87.7
0.06
Chromaticity Co-ordinates
x
y
0.313
278
0.327
Wavelength - Nanometres
89.4
0.05
400
700
0.325
0.337
159
Transmission
100
100
No Colour Straw
Warm effect, sunlight.
85.2
0.07
400
700
0.328
0.332
223
100
Eighth CTO
Converts daylight to tungsten light.
83.1
0.08
400
700
0.323
0.332
444
100
Eighth CT Straw
Converts 6500K to 5700K - daylight
to tungsten light with yellow bias.
400
91.5
0.04
0.314
700
0.321
226
100
LEE UV
Transmission of less than 50%
at 410nms.
400
95.0
0.02
0.311
700
0.317
130
100
Clear
Used in animation and projection
work.
400
700
46
Coloured Frosts
(Measured to source C, Correlated Color Temperature of 6774K)
Absorption
abs
57.2
0.24
Chromaticity Co-ordinates
x
y
0.376
791
0.322
Wavelength - Nanometres
100
Transmission
Moroccan Frost
Smoothes PAR or flood washes of
large areas. Useful for houselights;
good for interior colour washes.
74.0
0.13
400
700
0.339
0.318
749#
0.15
400
700
0.366
0.348
400
700
0.409
0.363
400
700
0.264
0.217
705
0.216
700
0.316
0.312
0.317
0.235
0.219
Blue Frost
217
0.44
Blue Diffusion
0.65
224
25.0
0.209
720
100
700
0.227
0.225
100
Shanklin Frost
201 with frost to soften the beam of
profile units.
400
0.312
221
0.60
225
400
717
0.38
700
100
Lily Frost
0.43
400
37.6
22.6
0.49
100
100
32.3
0.270
Wavelength - Nanometres
775
0.42
0.263
36.0
38.5
718
Chromaticity Co-ordinates
x
y
100
0.23
0.25
774
58.4
56.3
42.0
70.6
Absorption
abs
100
Hampshire Rose
Transmission
Y%
Transmission
Transmission
Y%
700
0.318
0.326
47
Cosmetic Range
(Measured to source C, Correlated Color Temperature of 6774K)
Transmission
Y%
Absorption
abs
59.7
0.22
186
Chromaticity Co-ordinates
x
y
0.323
0.308
Wavelength - Nanometres
100
Transmission
58.8
0.23
400
700
0.336
0.328
187
100
Cosmetic Rouge
Pale tints complementary to
key lighting.
66.3
0.18
400
700
0.330
0.327
188
100
Cosmetic Highlight
Pale tints complementary to
key lighting.
58.6
0.23
400
700
0.328
0.328
184
100
Cosmetic Peach
Pale tints complementary to
key lighting.
71.7
0.15
400
700
0.327
0.347
189
100
65.8
0.18
400
700
0.300
0.318
191
100
700
48
Numerical Listing
002
Rose Pink
003
Lavender Tint
*004
*007
Pale Yellow
*008
Evening Blue
129
Heavy Frost
*079
Just Blue
130
Clear
*085
Deeper Blue
131
Marine Blue
088
Lime Green
*132
Medium Blue
Dark Salmon
*089
Moss Green
134
Golden Amber
*009
*090
135
*010
Medium Yellow
100
Spring Yellow
136
Pale Lavender
*013
Straw Tint
101
Yellow
137
Special Lavender
*015
Deep Straw
102
Light Amber
138
Pale Green
Surprise Peach
103
Straw
*019
Fire
104
Deep Amber
*020
Medium Amber
105
Orange
*021
Gold Amber
106
*022
Dark Amber
*024
017
075
*139
Primary Green
140
Summer Blue
*141
Bright Blue
Primary Red
142
Pale Violet
107
Light Rose
143
Scarlet
108
English Rose
144
No Colour Blue
025
Sunset Red
109
Light Salmon
147
Apricot
*026
Bright Red
110
Middle Rose
148
Bright Rose
*027
Medium Red
111
Dark Pink
151
Gold Tint
029
Plasa Red
113
Magenta
152
Pale Gold
*035
Light Pink
*115
Peacock Blue
153
Pale Salmon
*036
Medium Pink
*116
Medium Blue-Green
154
Pale Rose
*046
Dark Magenta
117
Steel Blue
156
Chocolate
048
Rose Purple
*118
Light Blue
157
Pink
049
Medium Purple
*119
Dark Blue
158
Deep Orange
*052
Light Lavender
*120
Deep Blue
159
No Colour Straw
*053
Paler Lavender
*121
LEE Green
161
Slate Blue
*058
Lavender
*122
Fern Green
162
Bastard Amber
*061
Mist Blue
*124
Dark Green
164
Flame Red
*063
Pale Blue
126
Mauve
165
Daylight Blue
068
Sky Blue
127
Smokey Pink
169
Lilac Tint
Tokyo Blue
128
Bright Pink
170
Deep Lavender
*071
* Also available in High Temperature (HT) version ** 254 available in High Temperature (HT) version only
49
Numerical Listing
Lagoon Blue
209
.3 Neutral Density
247
174
210
.6 Neutral Density
248
176
Loving Amber
211
.9 Neutral Density
249
179
Chrome Orange
212
LCT Yellow
250
180
Dark Lavender
213
251
Congo Blue
214
252
182
Light Red
215
253
Hampshire Frost
183
Moonlight Blue
216
White Diffusion
**254
184
Cosmetic Peach
217
Blue Diffusion
255
Hollywood Frost
186
218
1/8 CT Blue
256
187
Cosmetic Rouge
219
257
188
Cosmetic Highlight
220
White Frost
258
189
221
Blue Frost
261
223
1/8 CT Orange
262
224
263
225
264
226
LEE U.V.
265
228
Brushed Silk
269
229
270
LEE Scrim
230
Super Correction
LCT Yellow
271
Mirror Silver
*172
*181
191
192
Flesh Pink
194
Surprise Pink
*195
Zenith Blue
196
True Blue
*197
Alice Blue
198
Palace Blue
199
RegalBlue
232
272
200
Double CT Blue
236
273
201
Full CT Blue
237
274
Mirror Gold
202
1/2 CT Blue
238
275
BlackScrim
203
1/4 CT Blue
239
Polariser
278
204
Full CT Orange
241
279
205
1/2 CT Orange
242
280
Black Foil
206
1/4 CT Orange
243
281
3/4 CT Blue
207
Full CT Orange +
.3 Neutral Density
244
283
1 1/2 Ct Blue
245
285
3/4 CT Orange
208
Full CT Orange +
.6 Neutral Density
246
286
1 1/2 CT Orange
50
Numerical Listing
287
Double CT Orange
442
1/2 CT Straw
298
443
1/4 CT Straw
299
444
1/8 CT Straw
322
Soft Green
450
323
Jade
452
327
Forest Green
460
QuietGrid Cloth
328
Follies Pink
462
332
464
343
500
345
Fuchsia Pink
501
352
Glacier Blue
502
353
Lighter Blue
503
354
504
Waterfront Green
505
Sally Green
366
Cornflower
506
Marlene
400
LEELux
507
Madge
402
Soft Frost
508
Midnight Maya
404
511
Bacon Brown
410
Opal Frost
512
Amber Delight
414
Highlight
513
Perforated Highlight
514
Double G & T
416
525
Argent Blue
420
550
Ald Gold
429
Quiet Frost
600
Arctic White
430
Grid Cloth
601
Silver
432
602
Platinum
434
603
Moonlight White
439
604
439P
Perforated Heavy
Quiet Frost
622
Full CT Straw
624
*363
414P
441
626
628
642
643
650
Industry Sodium
651
Hi Sodium
652
Urban Sodium
653
Lo Sodium
700
Perfect Lavender
701
Provence
702
703
Cold Lavender
704
Lily
705
Lily Frost
706
*707
Ultimate Violet
708
Cool Lavender
709
Electric Lilac
710
711
Cold Blue
712
Bedford Blue
*713
J.Winter Blue
714
Elysian Blue
*715
Cabana Blue
*716
Mikkel Blue
717
ShanklinFrost
718
HalfShanklinFrost
719
720
*721
Berry Blue
51
Numerical Listing
722
Bray Blue
776
Nectarine
Cl158
723
Virgin Blue
777
Rust
Cl164
724
Ocean Blue
*778
Millennium Gold
Cl180
725
779
Bastard Pink
Cl181
727
Qfd Blue
780
AS Golden Amber
Cl182
728
Steel Green
781
Terry Red
*729
Scuba Blue
787
Marius Red
A205
Half Cto
730
Liberty Green
789
Blood Red
A207
731
Dirty Ice
790
Moroccan Pink
A208
733
Damp Squib
791
Moroccan Frost
A209
.3Nd
735
Velvet Green
793
Vanity Fair
A210
.6Nd
736
Twickenham Green
794
Pretty N Pink
A211
.9Nd
Jas Green
795
Magical Magenta
*738
740
741
Mustard Yellow
742
Bram Brown
744
Dirty White
746
Brown
747
Easy White
748
Seedy Pink
749
Hampshire Rose
750
Durham Frost
763
*797
Deep Purple
798
Chrysalis Pink
799
Special KH Lavender
Cl104
Cl105
Cl106
Cl113
Cl115
Wheat
Cl116
764
Cl117
765
LEE Yellow
Cl118
767
Oklahoma Yellow
Cl119
768
Cl126
770
Burnt Yellow
Cl128
773
Cardbox Amber
Cl132
774
Cl139
775
Cl147
52
Technical Filters
technical filters
In addition to our broad
range of lighting filter, we
also produce the highest
quality camera filters in both
resin and polyester.
53
Conversion Filters
54-55
Correction Filters
56-57
Acrylic Panels
58
Reflection Media
58
Protection Media
59
Diffusion Media
60-62
53
Conversion Chart
Original
Source
Lighting Filter
Kelvin
7000
+318 (287)
Double CTO
Cool Daylight
Fluorescent Tube
Electronic Flash
6000
Exa
mple
HMI, CID
Daylight
Fluorescent Tube
+134 (236)
HMI to tungsten
High Pressure
Mercury Cool White
+81 (442)
Half CT Straw
High Pressure
Mercury White
Tungsten Lamp
at 80%
+42 (443)
Quarter CT Straw
-35 (203)
Quarter CTB
3000
Household Lamp
-78 (202)
Half CTB
-112 (281)
Three Quarter
CTB
Tungsten Lamp
at 65%
-137 (201)
Full CTB
+159 (204)
Full CTO
(207)
Full CTO + 3ND
(208)
Full CTO + 6ND
+124 (285)
Three Quarter
CTO
+109 (205)
Half CTO
+49 (238)
CSI to tungsten
+64 (206)
Quarter CTO
+20 (444)
Eighth CT Straw
-18 (218)
Eighth CTB
Tungsten Lamp
at 100%
Warm White
Fluorescent Tube
+131 (237)
CID to tungsten
4000
3500
2000
-79 (242)
Lee Fluorescent
4300 Kelvin
-137 (241)
Lee Fluorescent
5700 Kelvin
Candle
+300
High Pressure
Sodium
+234 (14)
+219 (13)
+204 (12)
+200
2500
+173 (10)
+150
+131(85B/85BN3/
85BN6/85BN9)
+137(FL5700-B)
+81(85C)
+53
(81EF/81EFN3/
81EFN6/81EFN9)
+42 (81D)
+35(81C)
+27(81B)
+18(81A)
+9(81)
-10 (82)
-21(82A)
-32(82B)
-45(82C)
-56(80D)
+50
-50
+144 (8)
+129 (7)
Household Lamp
+113 (6)
+112(85/85N3/
85N6/85N9)
+100
Tungsten Lamp
at 65%
+159 (9)
Tungsten Lamp
at 80%
+99 (5)
+80(FL4300-B)
+83 (4)
3000
+69 (3)
+54 (2)
+35(FL3600-B)
+39 (1)
3200
-112(80B)
Tungsten Film
-51(FL4300-D)
White
Fluorescent Tube
CSI
4000
-96(FL3600-D)
-150
Carbon Arc
-200
5000
-300
-350
Mired Shift
Candle
-400
How to use
Simply draw a line from the Colour Temperature value of your Original Light Source, to that of the
required Source. Where the line crosses the central band, read off the Mired Shift value. For your
convenience we have added both our Lighting and Camera Filters at their appropriate positions in
relation to the Mired Shift Scale. The Lighting Filters are positioned on the left of the Mired Shift Scale,
whilst the Camera Filters are on the right.
Example 1 (Lighting Filter) - To convert an original source of 6500K to 3200K. The line has been
drawn as an example. You will note that it crosses the central band at just over +150 Mired Shift. This
indicates that the Filter required is 204 Full CTO (also available with two degrees of Neutral Density).
Example 2 (Camera Filter) - To convert an original source of 3250K (tungsten light) to 5600k
(daylight film) you can see that the line crosses the central band at -130 mired shift. This indicates
that the camera filter required is an 80A (-131 Mired Shift).
Daylight Film
-274 (200)
Double CTB
2000
Daylight
Fluorescent Tube
HMI, CID
-250
High Pressure
Sodium
Cool White
Fluorescent Tube
High Pressure
Mercury Cool White
-131(80A)
ple 2
2500
Tungsten Lamp
at 100%
3500
-81(80C)
-100
Warm White
Fluorescent Tube
High Pressure
Mercury White
+6(FL5700-D)
Exam
Tungsten Lamp
at 50%
Tungsten Lamp
at 50%
+188 (11)
+151
(624) Full Digital
LED CTO
+132
(626) Seven
Eighths Digital
LED CTO
+113 (628)
Three Quarter
Digital LED CTO
+26 (223)
Eighth CTO
-34 (243)
Lee Fluorescent
3600 Kelvin
+350
+250
White
Fluorescent Tube
+268
(286) One and a
half CTO
5000
Carbon Arc
Cool White
Fluorescent Tube
CSI
Converted
Source
Mired Shift
9000
8000
Daylight
Kelvin
+400
10000
Clear Blue Sky
Camera Filter
6000
Electronic Flash
Cool Daylight
Fluorescent Tube
7000
8000
Daylight
Note
The resulting Mired Shift Value can be negative as well
as positive
9000
10000
C. T.Straws
Arc Correction
Daylight Conversion
Tungsten to Fluorescent
Conversion
Coral
Try our easy-to-use Colour Temperature (Mired Shift) Calculator at
leefilters.com/lighting/mired-shift-calculator.html
54
Conversion
(Measured to source C, Correlated Color Temperature of 6774K)
Kelvin
Tungsten to Daylight
Mired
Shift
3200K to
26000K
approx
-274
16.2
0.79
0.179
0.155
3200K to
8888K
-200
24.4
0.61
0.201
0.188
3200K to
5700K
-137
34.0
0.47
0.228
0.233
3200K to
5000K
-112
45.5
0.35
0.239
0.258
3200K to
4300K
-78
54.9
0.26
0.261
0.273
3200K to
3600K
-35
69.2
0.16
0.285
0.294
3200K to
3400K
-18
81.3
0.09
0.299
0.307
Tungsten to Fluorescent
241 LEE Fluorescent 5700 Kelvin
27.4
0.56
0.231
0.290
37.3
0.43
0.262
0.346
45.7
0.34
0.286
0.370
31.0
0.51
0.219
0.334
Daylight to Tungsten
287 Double CTO
6500K to
2147K
+312
40.9
0.39
0.514
0.424
6500K to
2507K
+245
48.2
0.32
0.478
0.422
6500K to
3200K
+159
55.4
0.26
0.437
0.392
6500K to
3200K
+159
32.5
0.49
0.435
0.386
6500K to
3200K
+159
15.6
0.81
0.442
0.394
6500K to
3600K
+124
61.3
0.21
0.400
0.387
6500K to
3800K
+109
70.8
0.15
0.374
0.364
6500K to
4600K
+64
79.1
0.10
0.346
0.346
55
Conversion
(Measured to source C, Correlated Color Temperature of 6774K)
Kelvin
Mired
Shift
6500K to
5550K
+26
85.2
0.07
0.328
0.332
6500K to
3200K
+159
55.9
0.25
0.422
0.389
6500K to
3200K
+160
57.3
0.24
0.426
0.407
6500K to
4300K
+81
71.2
0.15
0.370
0.378
6500K to
5100K
+42
79.8
0.10
0.338
0.349
6500K to
5700K
+20
83.1
0.08
0.323
0.332
7000K to
3200K
+170
41.5
0.38
0.428
0.371
6200K to
3200K
+151
44.2
0.35
0.415
0.366
5550K to
3200K
+132
49.1
0.31
0.402
0.368
5000K to
3200K
+113
55.4
0.26
0.387
0.369
LED to Tungsten
622 One and One Eighth Digital
LED CTO
624 Full Digital LED CTO
626 Seven Eighths Digital
LED CTO
628 Three Quarter Digital
LED CTO
58.2
0.24
0.426
0.376
38.5
0.41
0.430
0.365
29.8
0.53
0.372
0.331
88.7
0.05
0.340
0.363
41.9
0.38
0.367
0.368
Converts White Flame arc to 3200K, for use with Tungsten film.
37.4
0.43
0.423
0.385
56
Correction
(Measured to source C, Correlated Color Temperature of 6774K)
Neutral Density
298 .15ND
70.2
0.15
0.311
0.319
209 .3ND
50.0
0.30
0.310
0.319
210 .6ND
25.0
0.60
0.308
0.317
211 .9ND
12.3
0.90
0.310
0.322
299 1.2ND
6.3
1.18
0.308
0.315
226 LEE UV
91.5
0.04
0.314
0.321
80.0
0.10
0.317
0.359
Minus Green - Used on lighting to eliminate unwanted green cast created by discharge light sources on film.
247 LEE Minus Green
57.8
0.22
0.325
0.279
72.0
0.14
0.317
0.297
82.4
0.08
0.312
0.307
86.5
0.06
0.312
0.311
Plus Green - Used on Daylight and Tungsten light sources to provide green cast when used in conjunction with discharge lighting.
244 LEE Plus Green
74.2
0.12
0.324
0.388
81.7
0.08
0.319
0.355
84.6
0.07
0.315
0.337
87.7
0.06
0.313
0.327
The above correction filters are to be used in conjunction with an appropriate LEE FL-B Fluorescent to Tungsten or LEE FL-D Fluorescent to Daylight camera filter.
57
Correction
(Measured to source C, Correlated Color Temperature of 6774K)
Mired
Shift
Polariser
Transmission Absorption
Y%
abs
+19
239 Polariser
Stop
Value
Note
single sheet
50.0
0.3
38.0
0.42
1 1/3
Axis
uncrossed
(double sheet)
<.05
>3
>10
Axis crossed
(double sheet)
Urban Effects
9.5
1.02
0.230
0.223
601 Silver
9.0
1.04
0.244
0.248
602 Platinum
At full power produces dazzling grey light with slight red bias, when
dimmed warms up quickly to a useful brown. Good for effect lighting as
well as a cold, white sidelight that has some warmth in it.
15.3
0.82
0.261
0.267
A pleasant white light at full power, dims down to a warm colour and at
low intensities has more yellow than red content. Good for sunlight effect
as if through stormy clouds reflecting off of the ocean.
28.3
0.55
0.268
0.271
Spooky when used in haze. Removes some red and blue. Works best
with daylight bulbs. Sodium lamp effect.
3.3
1.48
0.506
0.491
Half strength Sodium light effect, designed for use with daylight sources.
13.7
0.86
0.500
0.496
31.3
0.50
0.483
0.493
34.1
0.47
0.397
0.424
651 Hi Sodium
48.8
0.31
0.444
0.396
21.9
0.66
0.535
0.399
653 Lo Sodium
2.4
1.62
0.540
0.443
58
Acrylic Panels
These panels are manufactured specifically for LEE and exhibit the
same degrees of colour accuracy and consistency as our range of
lighting filters.
Specifically for use over windows for correcting daylight, these
hardwearing panels can be cut to size and installed permanently, or
used on location again and again.
The panels are available in a range of Colour Temperature Oranges and
Neutral Densities, including combinations that are unique to LEE Filters.
Thickness
Weight
Note
2.44m x 1.22m
(8 x 4)
3mm (1/8)
9.6kg (21lbs)
All panels
available in
this size
2.44m x 1.52m
(8 x 5)
3mm (1/8)
12kg (26.5lbs)
Only A209,
A210 & A211
available in this
size
Daylight to Tungsten
Mired
Shift
Transmission
Y%
+90
72.6
+175
30.2
+175
13.8
Neutral Density
A209 .3ND
48.0
A210 .6ND
22.2
A211 .9ND
13.1
Reflection Media
Reflector
Special note
Scrim
59
Protection Media
(Measured to source C, Correlated Color Temperature of 6774K)
Heat Shield
A transparent flexible film used to extend the life of a filter. The shield
should be placed between the light source and the filter allowing
distance between the shield and the filter. Air should be allowed to
circulate freely around the LEE Heat Shield.
Foil
280 Black Foil
91.0
0.04
0.311
0.317
Special note
60
Diffusion Media
Non-Flame Retardant
Polymer Film
Transmission Stop
Y%
Value
36
11/2
50
60
3 4
63
2 3
80
1 3
>85
<1/4
>85
<1/4
Special Notes
400 LEELux
A dense white diffuser used for soft light effects (125 micron
polyester base).
36
11/2
83
<1/3
60
3 4
Used for softening spotlight beam edges without altering shape (23
micron polyester base).
71
1 2
>85
<1/4
>85
<1/4
>85
<1/4
>85
<1/4
>85
<1/4
>85
<1/4
32.3
12/3
Full CT Blue
37
11/2
Full CT Blue
56
3 4
Half CT Blue
38
11/3
Colour = 704
57
3 4
Colour = 790
61
Diffusion Media
Transmission Stop
Y%
Value
74
12
Special Notes
Colour = 154
36
11/2
1 8
/ CT Blue
Used for soft light effects with the addition of tungsten correction 201.
22
21/4
Full CT Blue
Used for soft light effects with the addition of 0.6 Neutral Density.
25
18
21/2
30
13/4
60
34
15
23/4
22.5
21/4
47.5
18
21/2
36
11/2
60
34
.6 Neutral Density
Grid Cloth
430 Grid Cloth
Rolls only
1.37m x 7.62m
(54 x 25)
Rolls only
1.37m x 7.62m
(54 x 25)
Tough Spun
214 Full Tough Spun
Rolls only
7.62 x 1.22m
(25 x 48)
Flame Retardant
Polymer Film
129 Heavy Frost
25
39
11/3
42
11/3
1 8
>85
<1/4
HT only
(For sizes see p6-9)
71
12
58
34
/ CT Blue
62
Diffusion Media
Flexi Frost
Transmission Stop
Y%
Value
414 Highlight
Advantages of this
material are the
large roll width;
lack of noise when
handled or used in
windy conditions;
waterproof for use
outdoors, can be
sewn or grommetted
together for use on
large frames; flame
retardant.
1.52m width, 6.10m
length, (60 x 20)
Special Notes
7.8
32/3
Thickness
270 microns
(11 thou)
12.0
Thickness
100 microns
(4 thou)
18.4
21/2
Thickness
325 microns
(13 thou)
36.2
11/2
Thickness
100 microns
(4 thou)
39.6
11/3
Thickness
300 microns
(12 thou)
21/3
Thickness
270 microns
(11 thou)
11/3
Thickness
300 microns
(12 thou)
Perforated Diffusion
439P Perforated Heavy
Quiet Frost
414P Perforated
Highlight
Tough Spun
261 Tough Spun
FR - Full
25
32
12/3
41
11/3
50
60
34
Rolls only
7.62 x 1.22m
(25 x 4)
63
64
Fluorescent Sleeves
fluorescent Sleeves
Coloured Sleeves used
with diffusion create a
smooth wallwash.
Extend the life of coloured
inserts by adding LEE UV into
a T8 or T12 tube.
Pre-assembled Sleeves
Our pre-assembled sleeves are delivered ready to use. Made from a thermally stable,
electrically insulating polycarbonate, the sleeves are capped at the ends, allowing them to
be fixed easily to the fluorescent tube. The sleeves are available in standard lengths for T5,
T8 and T12 diameter tubes.
Please contact us if you intend to use sleeves on high-output T5 tubes, as not all of them are
suitable: the extreme heat at either end of these tubes can cause the filter to discolour.
T5 Sleeves
T8 Sleeves
T12 Sleeves
65
Fluorescent Sleeves
Amber filter.
Blue filter.
Magenta filter.
Self-assembly Sleeves
Should you wish to assemble the
sleeves yourself, LEE Filters can provide
pre-cut Quick Rolls, as well as clear
polycarbonate sleeves.
66
Fluorescent Sleeves
Get creative
Two-tone sleeves
Theres an easy way to increase the
versatility of your fluorescent sleeves
simply place one colour at the front and
another at the back. And with more than
250 colours to choose from, the possible
combinations are almost endless.
Diffusion Effects
216 White
Diffusion
coloured
fluorescent
sleeves
No Diffusion
67
The Glass Series
Professional Colours
Chosen after extensive research among design professionals,
the Glass Series colour palette provides a range of 51 consistent,
repeatable colours. This includes subtle, less saturated tones
suitable for architectural use. Building on our expertise in film
and theatre lighting, LEE has closely matched the glass series on
polyester lighting filter material to provide a convenient swatch
reference book. Available on request, lighting professionals can
use this book to test colour schemes or demonstrate the effects of
different filters.
68
The Glass Series
Framed Glass
Unframed Glass
Framed Glass
LEE Filters Dichroic Glass is
not tempered.
Transmission Y%
Transmission Y%
Transmission Y%
Transmission
700
O01
400
700
O18
100
Red 0
700
100
Sunset 8
400
15.0
400
100
Flame 9
700
700
100
Apricot 2
400
700
58.8
O14
100
Peach 4
400
700
O32
54.3
R99
100
71.0
O08
Wavelength - Nanometres
Peach 8
20.8
R50
400
100
Sunset 1
65.6
400
Wavelength - Nanometres
Transmission
100
Amber Blush 1
400
23.0
66.6
Wavelength - Nanometres
Transmission
82.8
R31
700
O42
100
Nectarine 2
400
700
69
The Glass Series
Transmission Y%
Transmission Y%
Transmission Y%
34.8
100
Transmission
Nectarine 3
400
700
G28
400
100
Orange 9
700
400
100
Gold Amber 0
700
B24
400
100
700
700
86.9
400
100
Gold Amber 9
700
700
75.1
400
100
Wheat 2
700
700
100
Navy Blue 4
400
700
53.7
B06
100
Lagoon 6
400
700
B64
23.2
Y02
100
Blue 3
100
Turquoise 7
400
24.8
C47
700
B53
17.6
O89
100
Royal Blue 4
100
Turquoise 5
400
34.6
C45
700
B44
48.6
Gold Amber 2
100
Crystal Blue 4
100
400
700
26.5
Blue Green 4
60.6
O82
400
700
C04
100
400
26.2
O80
400
100
Jade 6
Wavelength - Nanometres
Steel 4
31.7
G96
81.1
400
700
B14
43.4
O59
400
100
Lime 8
47.5
400
24.1
Wavelength - Nanometres
Transmission
Wavelength - Nanometres
Transmission
60.3
O43
700
B71
100
Cornflower 1
400
700
70
The Glass Series
Transmission Y%
Transmission Y%
Transmission Y%
56.9
100
Transmission
400
700
100
Indigo 0
400
700
100
400
700
700
400
LD156
28.5
400
100
Violet 3
700
700
1.1
700
42.8
V67
100
Rose Purple 7
700
M63
100
Carnation
Pink 3
400
12.9
700
57.7
V74
100
Plum 4
700
M91
100
Salmon 1
400
100
Eighth Plus
Green
100
Magenta 6
400
400
700
84.7
M56
700
LD278
18.8
V43
100
Chocolate
100
Fuchsia 1
400
700
86.0
M31
100
10.8
Lavender 8
100
Blueberry 8
400
Wavelength - Nanometres
Tokyo Blue
35.5
V28
400
700
V98
5.5
400
100
9.1
V10
400
Wavelength - Nanometres
Lilac 1
77.7
400
0.5
LD071
Transmission
Wavelength - Nanometres
Congo 3
V81
Transmission
27.4
B93
700
LD279
100
Eighth Minus
Green
400
700
71
The Glass Series
Transmission Y%
Transmission Y%
Transmission Y%
42.6
72.6
85.9
Transmission
400
700
LD205
400
63.8
100
Half CT Blue
700
400
700
49.4
LD203
100
Quarter CT
Blue
700
LD209
100
0.3 ND
400
51.4
700
23.6
LD204
100
Full CT Orange
400
100
Quarter CT
Orange
700
LD210
100
0.6 ND
400
Wavelength - Nanometres
100
Reflects heat
back into the
light source
400
900
93.2
LD206
58.5
400
700
Hot Mirror
70.9
LD202
400
100
Half CT Orange
Transmission
100
Full CT Blue
Wavelength - Nanometres
Transmission
LD201
Wavelength - Nanometres
700
UV Blocker
100
Absorbs Ultra
Violet light
200
700
72
The Glass Series
Transmission Y%
71.0
O32
Wavelength - Nanometres
100
Apricot 2
Transmission
400
700
81.1
O80
100
Gold Amber 0
400
700
82.8
R31
Stocked in 49.9mm diameter (custom sizes are available
upon request).
Five stock Dichroic Series colours (custom colours are
available upon request).
100
Amber Blush 1
400
700
70.8
LD205
100
Half CT Orange
400
700
79.1
LD206
100
Quarter CT
Orange
400
700
73
Frosted Dichroic Glass Colours
frosted dichroic
glass colours
Unfrosted Glass
Frosted Glass
74
Glass Diffusion
Linear Diffusion
Softening Diffusion
Frosted Diffusion
Prismatic Diffusion
The diagram below shows the diffusion effect created when using
an 8, 24 or 36 50w MR16 bulb, at a distance of 92cm (3ft).
75
Architectural Series
Clip-on Baffle
Clip-on Barndoors
LOUVRES
A Honeycomb Louvre is designed to reduce the
glare from a light fitting. They are available in 45
and 60 angles, and are also available in custom
shapes and sizes, enabling them to be used on a
number of different light fittings.
76
Promotional Items
swatches
In order to give our end-users the highest possible levels of information and support, LEE
Filters makes available a package of technical information.
8
5
1
2
3
6
77
Promotional Items
Swatch App
The LEE Swatch iPhone app puts the complete range of LEE lighting filters
on one screen, with an innovative colour picker so you can easily build
palettes anytime inspiration strikes.
http://appstore.com/leefilters
posters
For a useful, at-a-glance reference for LEE products and essential lighting
and filter topics, simply order one of our A1 posters.
Cutters
Safer than open blades and easy to use, these
filter cutters are suitable for cutting
LEE polyester material.
Website
For further information on all LEE Filters
products, visit www.leefilters.com.
78
Index
INDEX
Acrylic Panels
Acrylic Panels Sizes
An Investment in the Future
Architectural Series
Black Foil
Blues
Clip-on Accessories
Colour Magic Packs
Colour Range
Colour Temperature Adjustment
Coloured Frosts
Contents
Conversion Chart
Conversion Filters
Correction Filters
Cosmetic Range
Cutters
Daylight Conversion
Dichroic Colour Correction Filters
Dichroic Glass Filters
Dichroic Polycarbonate Filters
Discharge + Arc Conversion
Diffusion Media
Diffusion
Filter Sizes
Flexi-Frost
Fluorescent Correction
Fluorescent Sleeves
Frost
Frosted Dichroic Glass Filters
Page
58
8, 58
4
63
59
28
75
12
25-47
54, 55
46
3
53
54, 55
56, 57
47
77
54, 55
71
67-71
72
55
60
60
6, 7, 9
62
56
64, 65, 66
60, 61
73
74
67
33
61
Heat Shield
Holders
59
75
Lavenders
LED Filters
LED Conversion Filters
Lighting Packs
Louvres
26
13-15
16
10, 11
75
Magentas
Minus Green
MR16 Accessories
Music Packs
Neutral Density
Numerical Listing
Page
43
56
75
11
56
48-51
Oranges
38
Perforated Diffusion
Pinks
Plus Green
Polariser
Posters
Protection Media
62
42
56
57
77
59
Quick Rolls
Reds
Reflection Media
Reflector
Roll sizes
10, 65
41
58
58
6, 7
Scrim
Sheet sizes
Spectral Charts
Specialised Glass Filters
Straws
Swatch App
Swatches
58
9
26
71
37, 55
77
76
Technical Filters
The Designer Series
The Science Behind the Art
Tough Spun
Tungsten Light Conversion
52
17-22
23, 24
61, 62
54
56
57
Website
77
Yellows
37
LEE Filters
Central Way
Walworth Business Park
Andover
Hampshire, SP10 5AN
UK
T: + 44 (0) 1264 366245
F: + 44 (0) 1264 355058
e-mail: sales@leefilters.com
www.leefilters.com
www.leefilters.com