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burried with her. One of the rustics, Christopher Conny, digs out the coins and spends them on
drink, for says he,"Why should death rob life of four pence ?" The rustics at once see the reason of
it and agree that as money is scarce and throats get dry, it would be folly to waste even four pence
on death. Often in their philosophic comments, they represent Hardy's own point of view. They
often serve as the novelist's mouthpieces.
Represent the Norm
The rural-folk represent the norm, the commonsense point of view by which things are to he
judged. When the main protagonists are carried off their feet by, the passions of the moment,
these rustics, of the earth, earthy, keep their feet firmly planted, and judge things by normal
human standards. They stand for sanity and normal healthy life. Excess of sentiment or passion
always get adverse comments from them.
Further the Main Action
Not only that, sometimes they do actually help in the development of action. In the Return of
the Native, the burning of their bonfires helps the meeting of Wildieve and Eustacia, and their
'mumming', brings together Eustacia and Clym. It is Jonny Nunsuch who informs Clym of the
visit of his mother to his cottage and of the real facts about her death, and in this way hastens the
final catastrophe. In the Mayor of Casterbridge, the"Skimmity ride" causes the death of Lucetta
and has far reaching repercussions.
Conclusion
Hardy's rural-folk, though not drawn at full length and not individualised, are, 'like similar
characters of Shakespeare, among the immortals of literature. In the Wessex novels, they form the
human background against which the drama of elemental passions is enacted. They are (a) The
representatives of Wessex life, (b) The depositories of its customs and traditions, (c) Provide
humour, (d) Comment on character and action, (e) Provide useful information, (f) Give
expression to the philosophy of the novelist, and (g) Often play a direct role in the action of the
novel and contribute to its development.