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How Different Hair Types Influence a Bow's

Sound and Feel
Take a closer look and listen to your bow hair
By Josh Henry posted October 2010

As a player of a bowed stringed instrument, at some point youve needed to have your bow
rehaired. Most of the time, musicians just take their bows to the closest violin shop without
thinking about the source or type of hair that will be used. But there are differences in bow
hairwith names like stallion, mare, Mongolian, Siberian, and so onand those differences can
have an impact on your playing and your sound.
Just how different are those various types of bow hair? And how do the characteristics determine
the quality of hair that goes into your bow?
First, a few basic facts about the origin and nature of horse hair.

How Hair Is Graded

Regardless of the hair type or source, the most important factor determining the quality of bow
hair is how well it has been sorted, or graded. Only a relatively small number of hairs from each
tail are suitable for bow hair. The grading process involves pulling strands of horsehair through
human fingers to feel the thickness, roundness, stretchiness, and strength of each hair. Hairs that
are kinky, vary in thickness, or have knots, splits, deposits of crud, or other defects get sorted out
and saved for use in paintbrushes. Sorting is done by hand which is an expensive, labor-intensive
process. This helps to explain prices that can vary anywhere from $75 to more than $600 per
pound wholesale: less expensive grades of hair are sorted en masse to eliminate only the most
obvious bad hairs, while the most expensive bundles have been carefully selected.
The final grading of the hair is done by the bow maker at the time of the rehair. The rehairer may
eliminate as much as one-fourth of the hair in a bundle in order to end up with the most
consistent ribbon of hair in a bow.

Where Hair Comes From

Horsehair for bows comes from several regions in the worldmost notably Mongolia, Siberia,
Argentina, and Canada. Even though hair is sourced from different places around the world, the
vast majority is shipped to northeastern China for processing and sorting in Hebei Province, near
Beijing.

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Traditionally, the regional or country-of-origin designation of bow hair has identified not only
where the hair actually came from, but also significant characteristics of the hair. However, with
increasing globalization of local industries, the same country distinctions are now used to
describe different properties of hair, and not so much where the hair actually originates. So, the
bow maker or rehairer has almost no way of knowing the actual origin of bow hair due to the
way hair is bought, processed, and bundled in China. Few hair processors have direct
relationships with those who raise the horses, as most hair is purchased at large wholesale
auctions in bales and pallets weighing more than 50 pounds.
Oftentimes, horsehair from different sources is blended or mixed to provide a superior, uniform
product.
Further Resources

Know Your Bow Hair

Even though hair is associated with country of origin, the identification and marketing of hair is
based primarily on its thickness, but also on its color, elasticity, and shape. The major types of
hair and their general characteristics are:
Mongolian Tends to be slightly finer than other hair. This is probably the most popular and
widely available hair for bows.
Siberian Slightly thicker, but more elastic (slightly stretchier) than Mongolian hair. This
additional elasticity can be good for climates that have extremely low humidity, which causes
hair to contract more.
Canadian Grayer in color, slightly thicker, and more elastic than either Mongolian or Siberian
hair.
Argentinian The coarsest of all the white bow hair types, has more color drift than other hair,
and is more oval-shaped than round. This hair is commonly used in bows of cellists, bassists, and
aggressive players.
Black The thickest and strongest of all bow hair, but tends to get a grittier sound to it. This
hair is used almost exclusively for bass bows.

Mare vs. Stallion Hair

Similar to country-of-origin designations, bow hair is advertised and often sold as stallion hair or
mare hair. However, due to the way hair is sorted and processed en masse, there is little, if any,
differentiation and few ways to determine the gender of the horse from which the bow hair
actually came. For practical purposes, what is sold as stallion hair is often whiter and slightly
thinner than mare hair (and more expensive), while mare hair is a bit thicker and more aggressive
than stallion hair. Color drift is the industry term that describes the variation in color from one
end to the other in a bundle of hair. The whitest hair, with very little color change throughout the
length, is often bundled and sold as stallion hair, while hair that has more color drift to a darker
color is sold as mare hair.

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String players often associate quality with the color of the hair. The white or light tan color that
is seen in bow hair is the natural color, but color alone does not indicate the quality of the hair.
The whitest bow hair is often of the highest quality, but it is also true that off-white hair can be
well-sorted and of the highest quality. Nonetheless, whiter horsehair with less color drift is often
preferred by string players, even at a premium price.
Because of this color preference, some processors will bleach the hair to lighten the color.
However, bleaching damages and weakens the structure of the hair. Most rehairers and violin
shops would never knowingly offer bleached hair, but it is on the market. So, how do you
recognize bleached hair? One way is if the color is white uniformly throughout the length of the
hair. Another clue is that bleached hair breaks much more easily than non-treated hair.

How Hair Affects the Sound

The quality of the hair has a direct impact on what players notice when they get their bow back
from a rehairer. If youve ever noticed that something just wasnt right with the hair, chances are
there were problems with inferior hair due to poor sorting. Some rehairers sort more carefully
than others. Players may notice that sometimes hair doesnt last long or wont hold rosin. Other
times, if the hair is inconsistent in diameter, it will result in loose bow hairs and produce a grittier
sound. And a player may observe that some hair stretches more than others. Another observation
regarding poor-quality hair is that it tends to sound scratchier than higher quality hair.
You might notice minor differences in the way your bow feels and sounds with different hair
(see Know Your Bow Hair). The most noticeable change is usually the aggressiveness or the
bite of the hair on the strings. There is also a difference in the low-level surface noise that the
hair makes (often referred to as the scratchiness of the hair). Coarser hair tends to be more
aggressive on the strings and will produce more surface noise than finer hair.
And then there is the relationship between bow hair and rosin. The application of rosin will
dramatically affect the feel of the bow and sound production. Even with the many different types
of bow hair, its actually the amount and brand of rosin, and not the hair, that has the greatest
affect on the feel of the bow and the sound that it pulls from an instrument.
In the end, opinions from players, rehairers, and bow makers differ as to which type of hair is the
best. But as a player in search of a bow rehair, the main thing to look for is a good result. Ask
around for recommendations from other players. Getting your bow rehaired need not be a
complicated process, and most rehairers are happy to answer questions about the hair they use.
The most important thing is to take your bow to an experienced and trusted professional who
uses high-quality hairone who knows what type of hair works best for the climate and the
clientele.

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Know Your Bow Hair

Even though hair is associated with country of origin, the identification and marketing of hair is
based primarily on its thickness, but also on its color, elasticity, and shape. The major types of
hair and their general characteristics are:
Mongolian Tends to be slightly finer than other hair. This is probably the most popular and
widely available hair for bows.
Siberian Slightly thicker, but more elastic (slightly stretchier) than Mongolian hair. This
additional elasticity can be good for climates that have extremely low humidity, which causes
hair to contract more.
Canadian Grayer in color, slightly thicker, and more elastic than either Mongolian or Siberian
hair.
Argentinian The coarsest of all the white bow hair types, has more color drift than other hair,
and is more oval-shaped than round. This hair is commonly used in bows of cellists, bassists, and
aggressive players.
Black The thickest and strongest of all bow hair, but tends to get a grittier sound to it. This
hair is used almost exclusively for bass bows.

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