Professional Documents
Culture Documents
WHALES OF GOLD
A film by Lucia Duncan
Every winter, following the migration of grey whales, tourists, scientists, and
conservationists descend upon the San Ignacio Lagoon in Baja California, Mexico.
Their presence - and the establishment of Latin America's largest biosphere
reserve - brings profound change to the lagoon’s small fishing community.
Twelve-year-old Antonio negotiates between the different points of view
of locals and outsiders about the changes and what the future will bring.
“Whales of Gold” raises questions about how to conserve habitat and species
in a way that also sustains the livelihoods of local people. (38 min.)
direct
cinema
limited
I am fascinated by the way in which ecotourism is marketed as a trip to paradise – a form of tourism that
does no harm, a win-win situation for tourists, local people, and the environment. Ecotourism is the
fastest growing sector of the global tourism industry and is especially important to the economies of
developing countries. While tourists delight in their immersion in untouched nature - beautiful scenery and
exotic animals - they often have no real contact with local people. I wanted to make a film that would
explore the impact of ecotourism on one community from the perspective of local people.
The San Ignacio Lagoon in Baja California Sur is famous for the annual migration of grey whales that give
birth in its protected waters. This phenomenon draws thousands of tourists, scientists, and conservationists and
has brought profound change to what is otherwise a remote fishing village. One of the most significant changes
was the establishment of the Vizcaíno Biosphere Reserve, the largest Natural Protected Area in Latin
America, to protect the whales and other natural resources. The San Ignacio Lagoon is held up as a model
of successful ecotourism and conservation, but in fact the benefits to the local community have been
limited. There is only one local family-owned whale watching company, which struggles to survive. While
some local people work seasonally in tourism, most are fishermen who would like to see support for other forms of
economic development such as a fish processing plant. They feel marginalized from decision-making about
the lagoon’s future and fear that their families will be displaced as ecotourism grows. My hope is that
WHALES OF GOLD will help viewers think more critically about the multiple impacts of ecotourism and conservation
and who benefits from the changes they bring.
Boom Operators
Fernando Garcia
Marcos Sedano
Juan Carlos Rodriguez
Luís Blanco
Editing Consultants
Susan Duncan
Anne Lewis
Marcia Pirmez
Joanna Rabiger
Composer
Jim Hershman
Sound Editor
Greg Armstrong
Sound Mixer
Bradford Engleking
Color Correction
Video Post & Transfer
Post-Production Supervisor
Susanne Kraft
Translation
Anna Duncan
Lidia Marte
Nain Yepez
Partial Funding by
Austin Film Society
Direct Cinema Inc.
Puffin Foundation
The University of Texas at Austin
University Film and Video Association
WHALES OF GOLD
Documentary, 40 min, 2009
Director/Producer/Cinematographer/Editor
Residents of a fishing village in Baja California Sur, Mexico, reflect on changes brought to their community
by tourism and conservation. Screened at Bordocs Film Festival, San Diego Latino Film Festival, Fri Cine
Environmental Film Festival, Future Places Film Festival; awarded best documentary at the U.Frame and
NextFrame film festivals, 2009.
NORTH CROSSING
Narrative, 12 min., Super 16 mm, 2006
Director/Producer/Screenwriter/Editor
A young soldier about to be deployed to Iraq struggles to tell his father and brother of his doubts.
Broadcast on Austin’s Community Access Station and screened in Austin high schools in partnership with
a local organization, Non-Military Options for Youth.
GRANDFATHER
Narrative, 5:30 min., Super 16 mm, 2005
Director/Producer/Screenwriter/Editor
A young girl comforts her dying grandfather in a way that his adult caregivers do not.
LORD OF OLINDA
Documentary, 22 min., 2005
Director/Producer/Cinematographer/Editor
For over 60 years the Lord of Olinda has been a beloved character of Olinda’s carnival. Interweaving scenes of his daily
life and of carnival, this film explores the man behind the character. Screened on public TV and at the municipal
theater in Olinda, Brazil; Boston Latino Film Festival; Cine Las Americas; and the Sin Fronteras Film Festival.