Mikekelleyps110 21 13

Mike Kelley
MoMA PS1
October 13, 2013 February 2, 2014
Mike Kelley American, 19542012

Bed Wetter One, 1974
Mixed media on paper
24 x 19" (60 x 48.3 cm)
Collection Margaret and Daniel S. Loeb

New!, 1974
24 x 19" (60 x 48.2 cm)
The Rachel and Jean-Pierre Lehmann Collection

Rib Cage, 1974
24 x 18" (60 x 45.7 cm)
Eileen and Michael Cohen Collection

Elegy to the Symbionese Liberation Army, 1975
Acrylic, ink and graphite on paper
24 x 36" (60.9 x 91.4 cm)
Courtesy Mike Kelley Foundation for the Arts
Mike Kelley
Page 1 of 60

Parallel Personality Development, 1975
24 x 19" (60 x 48.3 cm)
Collection De Bruin-Heijn

Shrimp, Head, Pot, 1976
18 3/4 x 27" (47.6 x 68.6 cm)
Falckenberg Collection

Last Tool In Use, 1977
Wood, acrylic, metal
29 x 21 3/4 x 3" (73.7 x 55.3 x 7.6 cm)

Birdhouse for a Bird that is Near and a Bird That is Far, 1978
Wood, acrylic, metal
27 9/16 x 37 x 11" (70 x 94 x 28 cm)
Private collection
Mike Kelley
Page 2 of 60

Catholic Birdhouse, 1978
Wood, paint, composite shingles
3 parts: 22 x 18 1/2 x 18 1/2" (55.9 x 47 x 47 cm)
Private collection, New York

Diagram for My Space Performance, 1978
Ink on board
10 1/2 x 8" (26.7 x 20.3 cm)

Gothic Birdhouse, 1978
Wood, Plexiglas, paint
19 x 13 x 14" (48.3 x 33 x 35.6 cm)
Kourosh Larizadeh and Luis Pardo Collection

Infinity Birdhouse, 1978
Paint, wood, lightbulb
20 1/8 x 21 5/8 x 16 3/4" (51.1 x 54.9 x 42.5 cm)
Private Collection, Switzerland
Mike Kelley
Page 3 of 60

Two Sound Producing Objects From A Dream 1977-78, 1978
Wood, metal
2 parts, part 1:17 x 9 x 7" (43.2 x 22.9 x 17.8 cm)
part 2:16 x 8 x 8" (40.6 x 20.3 x 20.3 cm)

Wide Bird to Tall Bird, 1978
Wood, paint
11 1/2 x 40 1/2 x 12" (29.2 x 102.9 x 30.5 cm)
Private collection

Worldly Problems, 1978
Acrylic on paper
49 1/4 x 26 1/2" (125.1 x 67.3 cm)

Birdhouse with an Egg Chute (A Collaboration: the bird has to build the
floor so the eggs won't roll out), 1979
Wood, acrylic, glass
39 1/2 x 13 x 10" (100.3 x 33 x 25.4 cm)
Collection of Margaret and Daniel S. Loeb
Mike Kelley
Page 4 of 60

The Monitor and the Merrimac (Performance Prop Models), 1979
Enamel on mat board, gelatin sulver prints
The Monitor: 2 1/2 x 3 3/4 x 9 3/4" (6.4 x 9.5 x 24.8 cm)
The Merrimac: 1 3/4 x 4 3/4 x 10 3/8" (4.4 x 12.1 x 26.4 cm)
The Museum of Contemporary Art, Los Angeles, Partial and
promised gift of Blake Byrne

The Poltergeist, 1979
Gelatin silver prints
7 parts, 1 photograph: 40 x 27 1/2" (101.6 x 69.9 cm)
1 photograph: 40 x 62 1/2" (101.6 x 158.8 cm)
Text photograph: 40 x 33" (101.6 x 83.8 cm)
4 photographs: 40 x 30" (101.6 x 76.2 cm)
Ringier Collection, Switzerland

The Past, 1980
Acrylic on paper
18 x 24" (45.7 x 60 cm)
Joni and Monte Gordon Family Trust, Los Angeles

The Future, 1980
Acrylic on paper
18 x 24" (45.7 x 60 cm)
Joni and Monte Gordon Family Trust, Los Angeles
Mike Kelley
Page 5 of 60

Banana Man Costume, 1981
Cotton, linen
Hat: 7 1/2" (19.1 cm); shirts and pants: men's small

Early American Landscape #2, 1980
Acrylic on canvas with painted cardboard frame
25 1/2 x 25 1/2" (64.8 x 64.8 cm)
The Robert A. Rowan Collection, Pasadena

Early American Landscape #1, 1982-1983
Acrylic on canvas with painted cardboard frame
31 1/2 x 31 1/2" (80 x 80 cm)

The Logo on a Can of Vernors Drawn from Memory, 1981
Acrylic on paper
20 x 15" (50.8 x 38.1 cm)
Mike Kelley
Page 6 of 60

The One-Eyed King, 1981/2012
Piezo print on paper, exhibition copy
9 1/4 x 6 3/4" (23.5 x 17.1 cm)

Amber-Gray, 1982
Colored wax, glass bell jar, wooden base, painted by the artist
7 x 7 x 7" (17.8 x 17.8 x 17.8 cm)

Ambergris Landscape (from Monkey Island series), 1982
Acrylic on paper
Without frame: 10 1/2 x 8 1/4" (26.7 x 20.9 cm)

Cell Dividing, 1982
Acrylic on sheet metal, wood
16 x 28 x 6 3/8" (40.6 x 71.1 x 16.2 cm)
The Museum of Contemporary Art, Los Angeles, Gift of Lannan
Foundation
Mike Kelley
Page 7 of 60

Expansions, 1982
Acrylic on brown paper
Part 1: 86 x 87" (218.4 x 221 cm)
part 2: 15 1/2 x 14 3/4 x 5" (39.4 x 37.5 x 12.7 cm)
The Museum of Contemporary Art, Los Angeles, The El Paso Natural
Gas Company Fund for California Art

Fence Figure / Compound Eye, 1982
Gelatin silver print, acrylic, ink
4 3/8 x 6 3/8" (11.1 x 16.2 cm)
Collection Peter Norton

Infinite Multiplication, 1982
Acrylic on foam core
4 parts: 43 1/8 x 160" (109.5 x 406.4 cm)

Personality Crisis, 1982
3 parts: acrylic on graph paper
Each: 22 1/2 x 28 1/2" (57.1 x 72.4 cm)
Private collection
Mike Kelley
Page 8 of 60

The Banana Man, 1983
Video: color/sound
28 min., 15 sec.

The Tiny Insect Magnified Becomes It's Own Farm, 1982-1983
Acrylic on paper
56 x 42 1/8" (142.2 x 107 cm)
The Museum of Contemporary Art, Los Angeles, The El PAso Natural

Infinite Expansion, 1983
Acrylic on paper
7 parts, superimposed
overall: 140 x 140" (355.6 x 355.6 cm)
The Broad Art Foundation, Santa Monica

The One-Eyed Parrot, 1983
Acrylic on paper
36 3/4 x 17" (93.3 x 43.2 cm)
Private collection
Mike Kelley
Page 9 of 60

If You Don't Want to Know the Definition Don't Open the Dictionary,
1984
Synthetic polymer on paper
69 x 48" (175.3 x 121.9 cm)
Sender Collection

Janitorial Banner, 1984
Glued felt, wood
49 x 17 x 2" (124.5 x 43.2 x 5.1 cm)
Collection Joel Wachs

Know Nothing, 1984
Synthetic polymer on paper
42 x 28" (106.7 x 71.1 cm)
Sender Collection

The Silent Scream, 1984
Acrylic on paper
37 3/8 x 37 7/8" (94.9 x 96.2 cm)
JP Morgan Chase Art Collection
Mike Kelley
Page 10 of 60

A Hippie's Bedroom, 1985
Wax on carpet, candle
70 3/4 x 70 3/4" (179.7 x 179.7 cm)
Wendy Gondeln

Alphabet and Bee-Beard, 1985
Acrylic on paper
56 x 42" (142.2 x 106.7 cm)
Collection Barry Sloane

Freedom, 1985
Ketchup on canvas framed in artist-painted and artist-constructed
frame
79 x 43" (200.6 x 109.2 cm)

Lincoln's Beacon, 1985
Glued felt on canvas
69 x 69" (175.3 x 175.3 cm)
Private collection
Mike Kelley
Page 11 of 60

Nazi War Cave #1, 1985
Acrylic on paper
68 7/8 x 104" (175 x 264.2 cm)
Collection Joe Austin

Rainbow Coalition (from Plato's Cave), 1985
Acrylic on unstretched canvas
102 3/4 x 88 3/4" (260 x 225.4 cm)
Courtesy David Zwirner

Sic Semper Tyrannis, 1985
Acrylic on board
3 parts, each: 48 x 48" (121.9 x 121.9 cm)
overall: 48 x 144" (121.9 x 365.8 cm)

Nazi War Cave #2, 1986
Acrylic on paper
60 x 87 1/2" (152.4 x 222.3 cm)
Private collection
Mike Kelley
Page 12 of 60

Untitled, 1986
Acrylic on carpet, artist-painted and artist-constructed frame
60 3/4 x 49 3/4" (156.9 x 126.4 cm)

Black-Eyed Susan, 1987
Glued felt, ribbons, buttons
96 5/8 x 59 7/8" (245.5 x 152 cm)
Goetz Collection

Incorrect Sexual Model: Hermaphrodite, 1987
Acrylic on wood panel
72 x 48" (182.9 x 121.9 cm)

Incorrect Sexual Model: Mommy's Penis, 1987
72 x 48" (182.9 x 121.9 cm)
Collection S.M.A.K., Stedelijk Museum voor Actuele Kunst, Ghent
Mike Kelley
Page 13 of 60

Let's Talk, 1987
Glued felt
94 1/2 x 59" (240 x 149.8 cm)
Goetz Collection

More Love Hours Than Can Ever Be Repaid, 1987
Found handmade stuffed animals and afghans on canvas, dried corn
96 x 127 x 5" (243.8 x 322.6 x 12.7 cm)
Whitney Museum of American Art, Purchase, with funds from the
Contemporary Painting and Sculpture Committee

Mike Kelley Foundation for the Arts / Kelley Studio Inc.
The Wages of Sin, 1987
wax candles on wood, metal base (exhibition replica)
52 x 23 x 23" (132.1 x 58.4 x 58.4 cm)
Whitney Museum of American Art, New York; purchase, with funds
from the Painting and Sculpture Committee 89.13a-d

Pay For Your Pleasure, 1987
Oil on tyvek, 43 banners, donation box, work of art by local murderer
or criminal, 2 donation boxes (collecting money to be given to a
victim's rights organization)
144 x 108 x 984" (365.8 x 274.3 x 2499.4 cm)
Banners: 96" (243.8 cm) each
The Museum of Contemporary Art, Los Angeles, Gift of Timothy P. and
Suzette L. Flood
Mike Kelley
Page 14 of 60

Three Point Program / Four Eyes, 1987
Glued felt with ribbon
94 x 59" (238.8 x 149.9 cm)

Trash Picker, 1987
Glued felt
94 1/2 x 59" (240 x 149.9 cm)
Museum Boijmans van Beuningen, Rotterdam

Antiqued (Prematurely Aged), 1987
Painted wood dresser, glass, magazine clippings, objects, mirror,
plywood, ephemera in drawers
Overall: 75 1/2 x 35 7/8 x 22 1/8" (191.8 x 91.1 x 56.2 cm)
dresser: 30 x 33" (76.2 x 83.8 cm)
mirror: 21 x 36 x 16 9/16" (53.3 x 91.4 x 42 cm)
Collection Norman and Norah Stone, San Francisco

Incorrect Sexual Models: Utopia, 1987
Two panels, each: 72 x 24" (182.9 x 60 cm)
Goetz Collection
Mike Kelley
Page 15 of 60

Garbage Drawing #17, 1988
Acrylic on paper
20 x 40 3/8" (50.8 x 102.6 cm)

Acrylic on paper
17 7/8 x 22 3/4" (45.4 x 57.8 cm)
The Museum of Contemporary Art, Los Angeles, Gift of Alan N.
Kleinman from the Estate of Marsha Kleinman

Acrylic on paper
30 x 42" (76.2 x 106.7 cm)
Collection Mandy and Cliff Einstein

Acrylic on paper
24 x 36" (60 x 91.4 cm)
Mike Kelley
Page 16 of 60

Acrylic on paper
24 x 30 3/4" (60 x 78.1 cm)

Acrylic on paper
28 x 42" (71.1 x 106.7 cm)

Reconstructed History: China Relief Expedition, 1989
Gelatin silver print
8 x 10" (20.3 x 25.4 cm)

Ascending Hosts, 1989
Glued felt
93 1/2 x 18 x 12 1/2" (237.5 x 45.7 x 31.8 cm)
Wendy and Robert Brandow
Mike Kelley
Page 17 of 60

Reconstructed History: Dancing the Quadrille, 1989
8 x 10" (20.3 x 25.4 cm)

Descending Order, 1989
Glued felt
93 1/2 x 17 x 16" (237.5 x 43.2 x 40.6 cm)
Sammlung Peter Pakesch

Estral Star #3, 1989
Found stuffed cloth animals, tied
19 1/16 x 10 1/2 x 5" (48.4 x 26.7 x 12.7 cm)

Eviscerated Corpse, 1989
Stuffed animals
71 1/2 x 99 1/2 x 166" (181.6 x 252.7 x 421.6 cm)
The Art Institute of Chicago, Gift of the Lannan Foundation
Mike Kelley
Page 18 of 60

Garbage Bag I, 1989
Acrylic on paper
40 1/4 x 32" (102.3 x 81.3 cm)

Girl, 1989
Acrylic on paper
40 x 32" (101.6 x 81.3 cm)
LAC

Kissing Kidneys, 1989
Acrylic on paper
40 1/4 x 32" (102.2 x 81.3 cm)

Male and Female Brain Halves, 1989
Acrylic on paper
40 1/4 x 32" (102.2 x 81.3 cm)
Private Collection
Mike Kelley
Page 19 of 60

Manly Craft #2, 1989
Yarn animals, tied
5 1/2 x 3 1/2 x 1 1/2" (14 x 8.9 x 3.8 cm)

Number One and Number Two, 1989
Found stuffed animals
32 x 16 x 8 3/4" (81.3 x 40.6 x 22.2 cm)
Private Collection

Stained Glass Mattress, 1989
Mattress with glued felt cover
9 1/4 x 60 1/2 x 80" (23.5 x 156.2 x 203.2 cm)
Goetz Collection

Reconstructed History: The Capitol Building, 1989
10 8" (25.4 20.3 cm)
Mike Kelley
Page 20 of 60

Reconstructed History: The Father of Our Country, 1989
10 x 8" (25.4 x 20.3 cm)

Reconstructed History: The Gateway to Freedom, 1989
10 x 8" (25.4 x 20.3 cm)

Reconstructed History: The Lincoln Memorial, 1989
10 x 8" (25.4 x 20.3 cm)

Arena #10 (Dogs), 1990
Stuffed animals on afghan
11 1/2 x 123 x 32" (29.2 x 312.4 x 81.3 cm)
Collection Metro Pictures
Mike Kelley
Page 21 of 60

Arena #7 (Bears), 1990
Found stuffed animals, blanket
11 1/2 x 53 x 49" (29.2 x 134.6 x 124.5 cm)
Private Collection

Arena #8 (Leopard), 1990
Found stuffed animal, blanket
12 x 65 x 43" (30.5 x 165.1 x 109.2 cm)
Collection Per Skarstedt

Empathy Displacement: Humanoid Morphology (2nd and 3rd remove),
#5, 1990
Acrylic on panel, found handmade doll, painted wood box
2 parts, part 1: 36 1/8 x 24" (91.8 x 60 cm)
part 2: 4 x 9 1/8 x 13 5/8" (10.2 x 23.2 x 34.6 cm)
Linda and Jerry Janger, Los Angeles

Empathy Displacement: Humanoid Morphology (2nd and 3rd remove),
#7, 1990
Mixed media construction comprising an acrylic painting on panel and
a found homemade doll in a painted wood box
2 parts, part 1: 24 x 19" (60.9 x 48.3 cm)
part 2: 4 x 7 7/8 x 9 1/4" (10.2 x 20 x 23.5 cm)
The Museum of Contemporary Art, Los Angeles, Gift of Alan Hergott
and Curt Shepard
Mike Kelley
Page 22 of 60

Empathy Displacement: Humanoid Morphology (2nd and 3rd Remove)
#3, 1990
Mixed media construction comprised of an acrylic painting on panel
and a found handmade doll in a painted wood box
2 parts, part 1: 66 1/8 x 27 1/8" (168 x 68.9 cm)
part 2: 3 1/2 x 10 1/2 x 24 1/2" (8.9 x 26.7 x 62.2 cm)
The Museum of Contemporary Art, Los Angeles, Gift of Alan Hergott
and Curt Shepard

Four Wire Sculptures, 1990
Mixed media with yarn and wire
Dimenions variable
4 parts, each approx: 20 x 10 x 2 15/16" (50.8 x 25.4 x 7.4 cm)
Collection Blake Byrne, Los Angeles

Manipulating Mass-Produced Idealized Objects, 1990
14 x 11" (35.6 x 27.9 cm)

Nostalgic Depiction of the Innocence of Childhood, 1990
Sepia toned gelatin silver print
14 x 11" (35.6 x 27.9 cm)
Mike Kelley
Page 23 of 60

Untitled (Chokwe Lumumba), 1990
Glued felt banner
93 3/4 x 70 1/2" (238.1 x 179.1 cm)
Museum Boijmans van Beuningen, Rotterdam

Untitled (Pasolini), 1990
Glued felt banner
93 3/4 x 70 1/2" (238.1 x 179.1 cm)
Collection Rena Conti, Chicago

Dialogue #5 (One Hand Clapping), 1991
Blanket, stuffed toy, casette player with audio
17 11/16 60 7/16 49 3/16" (45 156 125 cm)

Lumpenprole and Ageistprop, 1991
Lumpenprole: yarn, found objects
Ageistprop: synthetic polymer on paper
Lumpenprole: 240 x 360" (609.6 x 914.4 cm)
Ageistprop: 84 x 60" (213.4 x 153 cm)
Museum moderner Kunst Stiftung Ludwig, Vienna
Mike Kelley
Page 24 of 60

Minor Infraction, 1991
Acrylic on paper
60 x 72" (152.4 x 182.9 cm)
Private collection, courtesy BFAS Blondeau Fine Art Services

Untitled (Communicating Vessels), 1991
Acrylic on paper
60 x 83 3/4" (152.4 x 212.7 cm)

Colema Bench, 1992
Wood, plastic buckets, plastic tubing
84 x 67 x 17" (213.4 x 170.2 x 43.2 cm)
Grsslin Collection, St. Georgen

Colema Board Details, 1992
72 x 48" (182.9 x 121.9 cm)
Mike Kelley
Page 25 of 60

Orgone Shed, 1992
Wood, metal, glass wool, paper towels
88 5/8 x 89 x 59" (225 x 226 x 149.9 cm)

Orgone Shed Plans, 1992
Gelatin silver prints
2 parts, each: 72 x 48" (182.9 x 121.9 cm)

Two and Three Dimensions, 1994
Wood, enamel on aluminum, speakers, boom box
Bookshelf: 59 1/16 x 32 x 10" (150 x 81.3 x 25.4 cm)
painting: 66 x 46 1/16" (167.6 x 117 cm)
floor speaker: 14 x 12 x 5 3/4" (35.6 x 30.5 x 14.6 cm)
The Museum of Contemporary Art, Los Angeles, Collection of Alan
Hergott and Curt Shepard

Untitled (Study for Untitled #4, Movie Alien series), 1994
Acrylic on paper
35 x 23" (88.9 x 58.4 cm)
Mike Kelley
Page 26 of 60

Untitled #5, 1994
Acrylic on paper
35 x 23" (88.9 x 58.4 cm)
Private collection, courtesy Marc Jancou Contemporary

Untitled #6, 1994
Acrylic on paper
35 x 23" (88.9 x 58.4 cm)
Fonds National d'Art Contemporain (FNAC)

Educational Complex, 1995
Acrylic, latex, foam core, fiberglass, wood
51 x 192 x 96" (129.5 x 487.7 x 243.8 cm)
Whitney Museum of American Art, New York, Purchase with funds
from the Contemporary Painting and Sculpture Committee

Backward Masking, 1997
20 x 26" (50.8 x 66 cm)
Mike Kelley Foundation for the Arts, courtesy of Patrick Painter Inc.
Mike Kelley
Page 27 of 60

Blue Plaid Capp / Brown Plaid Boy, 1997
26 x 20" (66 x 50.8 cm)
Collection Joel Ehrenkranz

Ecstasy and Me, 1997
26 x 20" (66 x 50.8 cm)
Private collection, Switzerland

Fluid Structure, 1997
26 x 20" (66 x 50.8 cm)
Courtesy Metro Pictures

Grid, 1997
26 x 20" (66 x 50.8 cm)
Mike Kelley
Page 28 of 60

Plaid Dialogue, 1997
26 x 20" (66 x 50.8 cm)

Red, White and Blue, 1997
26 x 20" (66 x 50.8 cm)
Mike Kelley Foundation for the Arts, courtesy Patrick Painter Inc.

To the Tune of Batman, 1997
26 x 20" (66 x 50.8 cm)
Mike Kelley Foundation for the Arts, courtesy of Patrick Painter Inc.

Virgin, 1997
29 1/2 x 23 9/16" (75 x 59.8 cm)
Private collection, Switzerland
Mike Kelley
Page 29 of 60

Missing Time Color Exercise #2, 1998
Acrylic on wood panels, magazines, wood, plexiglas
46 x 91" (116.8 x 231.1 cm)
Private Collection

Performance Related Objects, 1998
Mixed-media installation comprising: The Spirit Collector (1978), Spirit
Voices (1978-79), Indianana Three B/W leitmotif photographs (1978),
Indianana-main prop (1978), Two Machines for the Intellect (1978-79),
The Base Man (1979), Tube Music: Wind and Crickets (1978-79), Tube
Music: The Flying Flower (1977-78), Tube Music: Unstoppable Force vs.
Immovable Object (1978-79); also including 6 documentation photos
from performances.
Overall dimensions variable
wood platform: 6 x 239 3/4 x 96 1/8" (15.2 x 609 x 244.2 cm)
Centre Pompidou, Muse National dArt Moderne, Paris

Abandoned Faux Rock Building, 1999
Chromogenic color print
44 x 64 1/2" (111.7 x 160.8 cm)
Private Collection

Duck Blind (Grassy Island Detroit River) (from Black Out), 1999
Chromogenic color print
44 x 64 1/2" (111.7 x 160.8 cm)
Private Collection
Mike Kelley
Page 30 of 60

The Secret, 2001
2 chromatic color prints, one movie poster
41 3/4 x 91 1/2" (106 x 232.4 cm)
Collection Judy and Stuart Spence

In Memory of Camelot, 2000
Mixed media installation
Tree: 70 x 16 x 16" (180 x 41 cm)
Pedestal: 67 x 12" (171 x 30.5 cm)
Newspaper: 30 1/2 x 21 1/4" (77 x 54 cm)
Foundation Louis Vuitton pour la Cration

John Glenn Memorial Detroit River Reclamation Project (Including the
Local Culture Pictorial Guide, 1968-1972, Wayne/Westland Eagle),
2001
Mixed media
136 1/2 x 216 1/4 x 249" (346.7 x 549.3 x 602.5 cm)
Rennie Collection, Vancouver

Photo Show Portrays the Familiar, 2001
Gelatin silver prints, matted
26 parts, each: 16 x 20" (40.6 x 50.8 cm)
overall dimensions variable
Collection Judy and Stuart Spence
Mike Kelley
Page 31 of 60

Psychic Waveforms (Gerome Kamrowski's Sculpture Garden, Ann
Arbor, MI), 2001
23 1/4 x 85" (59 x 215.9 cm)

Test Room Containing Multiple Stimuli Known to Elicit Curiosity and
Manipulatory Responses (Graham Action), 2001
Chromogenic color prints, from an edition of 3
23 x 49 3/4" (58.4 x 126.4 cm)

Drawing for Repressed Spatial Relationships Rendered as Fluid No. 3:
Reconfiguration of Wayne High in the Ritual Presentation of the
Educational Complex, 2002
Mixed media on butcher paper mounted on rag paper
48 x 66 1/2" (121.9 x 168.9 cm)

Missing Time Color Exercise (Reversed) #2, 2002
Acrylic on wood panels, magazines, wood, plexiglas
44 5/8 x 111" (113.3 x 281.9 cm)
Collection Gian Enzo Sperone, courtesy Sperone Westwater, New York
Mike Kelley
Page 32 of 60

Repressed Spatial Relationships Rendered as Fluid No. 3:
Reconfiguration of Wayne High into the Ritual Presentation Arena of
the Educational Complex, 2002
Aluminum, steel, ceramic, cloth
33 x 64 x 43" (83.8 x 162.5 x 109.2 cm)

Memory Ware Flat #42, 2003
Mixed media on wood panel
76 1/4 x 52 1/4 x 3 15/16" (193.6 x 132.7 x 10 cm)
Barbara Gladstone

Mr. and Mrs. Hermaphrodite, 2005
2 parts, each: 62 x 20 1/4" (157.5 x 51.4 cm)
Collection Broere Foundation

Sister, 2005
Mixed media
90 x 36" (228.6 x 91.4 cm)
Mike Kelley Foundation for the Arts, courtesy Gagosian Gallery
Mike Kelley
Page 33 of 60

Animation 19, 2007
Video on flat screen monitor, color/sound
20 min.

Animation 2, 2007
20 min.

Animation 20, 2007
20 min.

Animation 6, 2007
Video on flat-screen monitor, color/sound
20 min.
Mike Kelley
Page 34 of 60

City 5, 2007
Tinted urethane resin, illuminated base; edition 1/5
58 5/16 x 25" (148.1 x 60.5 cm)
Collection Allard and Natascha Jakobs

Kandor 15, 2007
Mixed media with video
95 1/2 x 123 1/4 x 85" (242.6 x 313.1 x 215.9 cm)
Jablonka Galerie, Cologne

Lenticular #15, 2007
Lenticular panel, light box
71 x 49 3/4 x 3 1/2" (180.3 x 126.4 x 8.9 cm)

Mixed media
51 3/16 x 30 1/2 x 3 1/2" (130 x 77.5 x 8.9 cm)
Mike Kelley
Page 35 of 60

City 6, 2008
Acrylic, resin, light, wood
50 3/4 x 22" (128.9 x 55.9 cm)
Collection Allard and Natascha Jakobs

96 1/2 x 72 1/2 x 3 1/2" (245.1 x 184.2 x 8.9 cm)
Private Collection, Brussels

Horizontal Tracking Shot of a Cross Section of Trauma Rooms, 2009
Acrylic on wood panels, steel, video media players, SD video cards,
wiring
96 x 192 x 24 1/16" (243.8 x 487.7 x 60.1 cm)
Glenstone

Odalisque, 2010
Mixed media
56 x 115 x 43" (142.2 x 292.1 x 109.2 cm)
Mike Kelley Foundation for the Arts, courtesy Gagosian Galley
Mike Kelley
Page 36 of 60

Extracurricular Activity Projective Reconstruction #36, 2011
Lenticular panel, light box; edition 1/5
32 1/4 48 1/4 4" (81.9 122.6 10.2 cm)

Kandor 16, 2011
Mixed media
77 1/4 x 49 3/4 x 40 3/8" (196.2 x 126.4 x 102.6 cm)
Mike Kelley Foundation for the Arts, courtesy Gagosian Gallery

Mechanical Toy Guts, 1991/2012
Mixed media with audio
30 x 240 x 156" (76.2 x 609.6 x 396.2 cm)
Mike Kelley
Page 37 of 60

Cottage Cheese, 1974/1994
24 x 19" (60.9 x 48.2 cm)

Pirate, 1975-1993
24 x 18" (60.9 x 45.7 cm)
Private Collection, courtesy Marc Jancou Contemporary

Bouncing Sheep Head, 1977-1978
Painted cast rubber, artist's made container bell jar, glass, wood base
5 x 7 3/4 x 4" (12.7 x 19.7 x 10.2 cm)

Nest, 1977-1978
Rubber, pencil shavings, bell jar, painted wood base
9 x 9 x 9" (22.9 x 22.9 x 22.9 cm)
Mike Kelley
Page 38 of 60

Perspectaphone, 1977-1978
Acrylic on wood
28 x 11 x 10" (71.1 x 27.9 x 25.4 cm)

The Monitor and the Merrimac (Three Leitmotifs), 1979-2005
Three gelatin silver prints
26 11/16 x 70 13/16 x 3 13/16" (67.8 x 179.8 x 9.7 cm)
The Museum of Contemporary Art, Los Angeles, Gift of the Artist

Studies for "The Banana Man" video (1983), 1981-1982
Acrylic, ink, pencil on paper
4 parts, each: 11 x 14" (27.9 x 35.6 cm)
Emi Fontana Collection, Milano/Los Angeles

Insect Face, 1981-1982
16 x 28 x 6 3/8" (40.6 x 71.1 x 16.2 cm)
Foundation
Mike Kelley
Page 39 of 60

Monkey's Ass, 1981-1982
16 x 28 x 6 3/8" (40.6 x 71.1 x 16.2 cm)
Foundation

Two Islands, 1981-1982
16 x 28 x 6 3/8" (40.6 x 71.1 x 16.2 cm)
Foundation

Choreographic Figure, 1982-1983
Acrylic on foam core
8 parts, each: 30 1/8 x 20" (76.5 x 50.8 cm)
overall: 120 1/2 x 60" (306.1 x 152.4 cm)

Shock, 1982-1983
Acrylic and Mercurochrome on paper
4 parts: panels a-c: 47 3/4 x 37 1/2" (121.3 x 95.3 cm)
panel d: 24 x 19" (60 x 48.3 cm)
Mike Kelley
Page 40 of 60

The Bells, 1982-1983
Acrylic on paper
23 1/2 x 77 1/2" (59.7 x 196.9 cm)

The Bug Eye, 1982-1983
Acrylic on paper
18 1/8 x 53 1/8" (46 x 134.9 cm)

Compound Eye, 1982-1983
Acrylic on newspaper
22 1/4 x 27 1/2" (56.5 x 69.8 cm)

Symmetrical Sets, 1982-1983
Acrylic, Mercurochrome, marker on paper
8 parts, each: 18 x 24" (45.7 x 60 cm)
Mike Kelley
Page 41 of 60

Monkey Island (Los Angeles Zoo #1), 1982-1983
11 x 14" (27.9 x 35.5 cm)

The Sublime, 1984/1998
Chromogenic color prints
21 parts, each: 20 x 24" (50.8 x 60 cm)

More Tragic! More Plangent!...More Purple!, 1985/1996
6 ilfochrome classic photographs, mounted on Dobond aluminium
board
30 x 24" (76.2 x 60 cm)

From My Institution To Yours, 1987/2003
Acrylic on paper mounted on board, ribbon, carrot, carpet, wood,
steel, aluminum
Overall: 194 x 186 3/8 x 123 1/2" (492.8 x 473.4 x 313.7 cm)
door: 36 x 84" (91.4 x 213.4 cm)
battering ram: 120 x 12" (304.8 x 30.5 cm)
Collection Eric Decelle
Mike Kelley
Page 42 of 60

Pansy Metal/Clovered Hoof, 1989/2009
Series of 8 photographs (Piezo print on rag paper)
Each: 14 x 10" (35.6 x 25.4 cm)

Extracurricular Activity Projective Reconstruction #25 (Devil's Door),
2004-2005
Mixed media with video projections and photographs
113 100 113" (287 254 287 cm)

Extracurricular Activity Projective Reconstruction #9 (Fresno),
2004-2005
Mixed media with video projection, video monitor, audio, photographs
98 221 185" (248.9 560.3 469.9 cm)
Rubell Family Collection, Miami

Extracurricular Activity Projective Reconstruction #28 (Nativity Play),
2004-2005
Mixed media with video projections and photographs
138 180 272" (350.5 457.2 690.9 cm)
Gagosian Gallery
Mike Kelley
Page 43 of 60

Switching Marys, 2004-2005
Mixed media with video projections
180 103 319" (457.2 260.6 810.3 cm)
Stedelijk Museum, Amsterdam

Naked Majas (Bettelheim's Genital), 2008-2009
18 parts on two shelves: acrylic on canvas, wood, enamel
70 1/2 x 192 x 6" (179.1 x 487.7 x 15.2 cm)
Collection Larry Gagosian

Kandor 2B, 2011
Mixed media
77 x 93 x 85" (195.6 x 236.2 x 215.9 cm)

Pansy Metal/Clovered Hoof, c. 1989
10 parts: silkscreen on silk, reproductions
Subtitles: Satan's Nostrils, The Orange and the Green, Unlicky Clover,
Twisted Shamrock, Peat Spade, Master Dik,
Hangin' - Heavy - Hairy - Horny, Emerald Eyehole, Country Cousin,
Blood and Soil (Potato Print)
53 x 38" (134.6 x 96.5 cm)
Mike Kelley
Page 44 of 60

Schematic Architecture 1-46, Dates unknown
Each: 12 1/2 x 9 1/2" (31.8 x 24.1 cm)

Title Drawing for Birdhouse for a Bird That is Near and a Bird That is
Far, 1978
Ink on lined paper, facsimile
9 1/2 x 6" (24.1 x 15.2 cm)
MIke Kelley Foundation for the Arts

Title Drawing for Birdhouse for Wide Bird to Tall Bird, 1978
Ink on lined paper, facsimilie
9 1/2 x 6" (24.1 x 15.2 cm)
Mike Kelley Foundation for the Arts

Title Drawing for Birdhouse with an Egg Chute, 1978
9 1/2 x 6" (24.1 x 15.2 cm)
Mike Kelley
Page 45 of 60

Title Drawing for Catholic Birdhouse, 1978
9 1/2 x 6" (24.1 x 15.2 cm)
MIke Kelley Foundation for the Arts

Title Drawing for Gothic Birdhouse, 1978
9 1/2 x 6" (24.1 x 15.2 cm)

Title Drawing for Infinity Birdhouse, 1978
9 1/2 x 6" (24.1 x 15.2 cm)

Test Room Containing Multiple Stimuli Known to Elicit Curiosity and
Manipulatory Responses, 1999
Video: color/silent
51 min., 18 sec.
Mike Kelley
Page 46 of 60

Kappa (with Bruce and Norman Yonemoto), 1986
Video: color/sound
26 min.
Paul McCarthy
Heidi, 1992
Video: color/sound
Superman Recites Selections from "The Bell Jar" and Other Works by
Sylvia Plath, 1999
Video: color/sound
7 min., 19 sec.

Ericka Beckman, American, b. 1955
Blind Country, 1989
Video: color/sound

Anita Pace
Tony Oursler American, born 1957
Pole Dance, 1997
Video: color/sound
31 x 18" (78.7 x 45.7 cm)
Recording of Yummy Puffy Mommy Yoni
Audio
Mike Kelley
Page 47 of 60

Bridge Visitor (Legend-Trip), 2004
Video: color/sound
17 min., 53 sec.

76 1/4 52 1/4" (193.7 132.7 cm)
Collection Metro Pictures, New York

Paper pulp, tile grout, miscellaneous beads, buttons, jewelry
70 1/4 46 1/2 4" (178.4 118.1 10.2 cm)
Collection Metro Pictures, New York

Archival material from various notebooks and performances, including
The Monitor and the Merrimac, My Space, The Banana Man,
Perspectaphone, Oracle at Delphi and Indianana
Ink on lined paper, facsimile
Dimensions variable
Mike Kelley
Page 48 of 60

Various Artists Various
Profondeurs Vertes (2012) with Scott Benzel
The Peristaltic AIrwaves (1986), performed live on KPFK radio
Plato's Cave, Rothko's Chapel, Lincoln's Beacon (1986), recorded live at
Artists Space

Recording of Plato's Cave, Rothko's Chapel, Lincoln's Profile, December
5, 1986
Recorded live at Artists Space
Audio
55 min., 36 sec.
With: Sonic Youth (Thurston Moore, Lee Renaldo, Kim Gordon, Steve
Shelley); Molly Cleator; and Adam Rudolf
Originally recorded by Carole Parkinson and digitally remastered by
Scott Benzel and Joel Habbeshaw in 2012
Courtesy of Mike Kelley Foundation for the Arts

51 73 4 1/4" (129.5 185.4 10.8 cm)

Paul McCarthy
Fresh Acconci, 1995
Video: color/sound
Mike Kelley
Page 49 of 60

Empathy Displacement: Humanoid Morphology (2nd and 3rd Remove)
#12, 1990
Acrylic on panel, handmade doll encased in painted wooden box with
Plexiglas window
Panel: 56 42 1 3/4" (142.2 106.7 4.4 cm)
Collection of Jill and Peter Kraus

Timeless/Authorless (9), 1995
Photo on museum board
31 24" (78.7 60 cm)

Timeless/Authorless (5), 1995
Photo on museum board
31 24" (78.7 60 cm)

Concretized Negative Space, 2002
Wood, colored polyester resin
45 60 55 1/2" (114.3 160 141 cm)
Mike Kelley
Page 50 of 60

Playroom Decor, 1995
Acrylic on wood
64 47" (162.6 119.4 cm)

Kandor 6, 2007
Mixed media with video Installation
Scuplture: 58 11/16 100 51 3/4" (149.1 254 131.4 cm)
Bottle/Plinth: 74" (188 cm); Diameter: 23" (58.4 cm)

Ahh...Youth!, 1991/2007
Eight cibachrome photographs
Each: 24 18" (60 45.7 cm)

City 000, 2010
Mixed media
108 80 73" (274.3 203.2 185.4 cm)
Mike Kelley
Page 51 of 60

Black Out (Detroit River), 2001
Series of 8 cibachrome prints mounted on board
26 1/2 50 1/8" (67.3 127.3 cm)
Courtesy Patrick Painter Editions, Santa Monica, California/Vancouver,
British Columbia

Rose Hobart II, 2006
Wood, metal, carpet, acrylic paint, with video projection and sound
72 178 240" (182.9 452.1 609.6 cm)

Butter Colored Vision of the Land O'Lakes Girl, Peche Island, 2001
Cibachrome print mounted on board
71 49" (180.3 124.5 cm)

Endless Morphing Flow of Common Decorative Motifs (Jewelry Case),
2002
Wood, glass, black lacquer, glue, string, buttons, jewelry
98 34 50" (248.9 86.4 127 cm)
Private Collection, Chicago Illinois
Mike Kelley
Page 52 of 60

Entry Way (Genealogical Chart), 1995
101 1/2 115 3" (257.8 292.1 7.6 cm)
Collection Susan and Michael Hort

White Garbage (Bob Lo Island) and Black Garbage (Grassy Island
[Canadian]), 2001
Cibachrome print mounted on board, framed
Each: 71 49" (180.3 124.5 cm)

Abuse Report, 1995/2007
Photograph mounted on plexi
42 32 1/2" (106.7 82.6 cm)

Intestinal Garland, 1982-1983
Cloth with acrylic paint
72 153" (182.9 388.6 cm)
Mike Kelley
Page 53 of 60

A Continuous Screening of Bob Clarks's Film Porky's (1981), the
Soundtrack of Which Has Been Replaced with Morton Subotnick's
Electronic Composition The Wild Bull (1968), and Presented in the
Secret Sub-Basement of the Gymnasium Locker Room, 2002
Collage, photography, photocopy, marker pen, pen and assemblage
70 7/8 326 3/4 143 11/16" (180 830 365 cm)
Museo Reina Sofia

Charming Fungus, 2008-2009
Acrylic on canvas with custom frame
26 20 1 1/2" (66 50.8 3.8 cm)
Beth Swofford

Pet Duplex, 1991
Cardboard, wood, blanket
Collection Joel Wachs

Repressed Spatial Relationships Rendered Fluid #1: Martian School
(Work Site), 2002
Aluminum, steel
42 54 54" (106.7 137.2 137.2 cm)
Mike Kelley
Page 54 of 60

Drawing for Repressed Spatial Relationships Rendered Fluid #1:
Martian School (Work Site), 2002
Mixed media on butcher paper mounted on rag paper
35 50 1/2" (88.9 128.3 cm)

Compound Temporal Conflation (Vertical) #1-4, 2002/2003
4 parts: color photograph
15 3/16 20 11/16" (38.6 52.6 cm)
Compound Temporal Conflation (Horizontal) #1-4, 2002/2003
4 parts: color photograph
20 11/16 30 1/2" (52.6 77.5 cm)
Kandor 17, 2007
Mixed media with video
Edition of 2
Overall: dimensions variable
Sculpture: 108 60 53 1/4" (274.3 154.9 135.3 cm)
Tank: 60 9" (152.4 22.9 cm)
Glenstone

Black Landscape, 2010
Mixed media
108 80 73" (274.3 203.2 185.4 cm)
Mike Kelley
Page 55 of 60

Street Sign, 2004
2 color silkscreen on white baked aluminum with 3 puncture holes
Edition of 100
3 pieces, each: 15 1/2 24" (39.4 60 cm)

Oh, The Pain of it All, 1980
12 parts: ink on paper, photographs,acrylic paint, wood
23 black and white photographs
Drawings: 6 parts: 26 5/8 18 3/4" (67.6 47.6 cm)
2 studies: 23 3/4 11" (60.3 27.9 cm)
3 photographs with mixed media: 8 10" (20.3 25.4 cm)
Painted model: 24 24" (60 60 cm)

Extracurricular Activity Projective Reconstructions #2, 3, 4, 5 (Purple
Reflected Institutional Exit), 2004-2005
Mixed media with video projection
Object: 112 204 111" (284.5 518.2 281.9 cm)
crate: 44 49 1/2 57" (111.8 125.7 144.8 cm)

Extracurricular Activity Projective Reconstruction # 36 (Vice Anglais),
2011
Video: color/sound
25 min., 15 sec.
Collection Julia Stoschek, Dsseldorf
Mike Kelley
Page 56 of 60

Extracurricular Activity Projective Reconstruction #18 (Morose Ghoul),
2004-2005
Mixed media with video projection and photographs
140 67 48" (355.6 170.2 121.9 cm)
2 hrs., 47 min., 10 sec.
Collection Barbara Gladstone

Untitled (Allegorical Drawing), 1976
15 parts: marker on file card
Each: 6 4" (15.2 10.2 cm)
Mike Kelley
Page 57 of 60

Mixed media
52 5/8 29 1/4 1 3/8" (133.7 74.3 3.5 cm)

Cubist Drawing, 1974
24 19" (60 48.3 cm)

Monkey Island: Travelogue, 1982-83
Felt-tip pen on nine pieces of paper
.a-.h: 24 x 19" (60 x 48.2 cm) each; .i: 13 x 17" (33 x 43.3 cm)
Museum of Modern Art, New York Gift of the Friends of Contemporary
Drawing and of the artist

Exploring from Plato's Cave, Rothko's Chapel, Lincoln's Profile, (1985)
Synthetic polymer paint on paper pinned to canvas
76 1/2 x 64" (194.3 x 162.6 cm)
The Museum of Modern Art, New York, Gift of the Friends of
Contemporary Drawing, the Contemporary Arts Council, and The Junior
Associates of The Museum of Modern Art
Mike Kelley
Page 58 of 60

Garbage Drawing #14, (c. 1988)
Synthetic polymer paint on paper
13 x 32" (33 x 81.3 cm)
The Museum of Modern Art, New York, The Judith Rothschild
Foundation Contemporary Drawings Collection Gift

Kandor 13, 2007
Mixed media and video projection
Overall dimensions variable, approximately 8' x 8' 3 1/8" x 10' 1/2"
(243 x 252 x 306.3 cm); base with tank 6' 4 1/2" x 72 x 48" (194.3 x
182.9 x 121.9 cm); Plexiglas unit 8' x 7' 11 1/2" x 8' 4" (243.8 x 242.6 x
254 cm)
The Museum of Modern Art, New York, Gift of Jill and Peter Kraus and
The Speyer Family Foundation

The Territorial Hound, 1984
Synthetic polymer paint on paper
38 x 60" (96.5 x 152.4 cm)
The Museum of Modern Art, New York, Richard S. Zeisler Bequest (by
exchange), acquired from the Over Holland Collection

Speech Impediment (from "The John Reed Club"), 1991-92
Felt
95 1/2 x 140" (242.6 x 355.6 cm)
The Museum of Modern Art, New York, Gift of Gwen and Peter Norton
Mike Kelley
Page 59 of 60

Deodorized Central Mass with Satellites, 1991/1999
Plush toys sewn over wood and wire frames with styrofoam packing
material, nylon rope, pulleys, steel hardware and hanging plates,
fiberglass, car paint, and disinfectant
Overall dimensions variable
The Museum of Modern Art, New York, Partial gift of Peter M. Brant,
courtesy the Brant Foundation, Inc., and gift of The Jill and Peter Kraus
Endowed Fund for Contemporary Acquisitions, Anne and Joel
Ehrenkranz, The Mimi and Peter Haas Fund, Ninah and Michael Lynne,
and Maja Oeri and Hans Bodenmann
Mike Kelley
Page 60 of 60

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Mike Kelley

Mike Kelley American, 19542012

Mike Kelley American, 19542012

Mike Kelley American, 19542012

Mike Kelley American, 19542012

Mike Kelley American, 19542012

Mike Kelley American, 19542012

Mike Kelley American, 19542012

Mike Kelley American, 19542012

Mike Kelley American, 19542012

Mike Kelley American, 19542012

Mike Kelley American, 19542012

Mike Kelley American, 19542012

Mike Kelley American, 19542012

Mike Kelley American, 19542012

Mike Kelley American, 19542012

Mike Kelley American, 19542012

Mike Kelley American, 19542012

Mike Kelley American, 19542012

Mike Kelley American, 19542012

Mike Kelley American, 19542012

Mike Kelley American, 19542012

Mike Kelley American, 19542012

Mike Kelley American, 19542012

Mike Kelley American, 19542012

Mike Kelley American, 19542012

Mike Kelley American, 19542012

Mike Kelley American, 19542012

Mike Kelley American, 19542012

Mike Kelley American, 19542012

Mike Kelley American, 19542012

Mike Kelley American, 19542012

Mike Kelley American, 19542012

Mike Kelley American, 19542012

Mike Kelley American, 19542012

Mike Kelley American, 19542012

Mike Kelley American, 19542012

Mike Kelley American, 19542012

Mike Kelley American, 19542012

Mike Kelley American, 19542012

Mike Kelley American, 19542012

Mike Kelley American, 19542012

Mike Kelley American, 19542012

Mike Kelley American, 19542012

Mike Kelley American, 19542012

Mike Kelley American, 19542012

Mike Kelley American, 19542012

Mike Kelley American, 19542012

Mike Kelley American, 19542012

Mike Kelley American, 19542012

Mike Kelley American, 19542012

Mike Kelley American, 19542012

Mike Kelley American, 19542012

Mike Kelley American, 19542012

Mike Kelley American, 19542012

Mike Kelley American, 19542012

Mike Kelley American, 19542012

Mike Kelley American, 19542012

Mike Kelley American, 19542012

Mike Kelley American, 19542012

Mike Kelley American, 19542012

Mike Kelley American, 19542012

Mike Kelley American, 19542012