Professional Documents
Culture Documents
MASTER OF ARTS
MUSIC
2009-2010
DEPARTMENT OF MUSIC
FACULTY OF MUSIC & FINE ARTS
UNIVERSITY OF DELHI
DELHI-110007
MASTER OF ARTS
MUSIC
2009-2010
TW O YEAR PROGRAMME
AFFILIATION
The proposed programme shall be governed by the Department o f Music, Faculty
Music & Fine Arts, University o f Delhi-110007
of
VISION
To prepare competent musicians and musicologists who would excel in knowledge,
orientation and practice o f music with high musical standards and social relevance.
PREAMBLE
Keeping pace with the disciplinary advances the programme would address learning
about musical functioning and activities at individual and social levels. It would facilitate
acquiring specialized knowledge inculcating multidimensional values o f music and global
viewpoint of performance. The course would allow students to nurture their academic
interests in specialized field o f music.
The Department holds the provision for inclusion o f new courses and modification o f
presented ones during a given academic year. In preparation o f the courses the element o f
interdisciplinary is kept in view and embedded in the courses. Reading material for
various disciplines will be made available by concerned Department.
OBJECTIVES
1.
2.
3.
PROGRAMME STRUCTURE
The M.A programme is divided into two parts as under. Each part will consist o f two
Semesters to be known as Semester I and Semester II for Part-I; and Semester III and
Semester IV for Part-II
Part-I
Part-II
Semester-I
Semester -III
First Year
Second Year
Semester II
Semester-IV
PART-I
Course
No.
Semester-I
Title o f the Course
K A R N A TA K M USIC
H IN D U STA N I M USIC
101
102
103
104
Course
No.
201
202
203
Interdisciplinary Course
Interdisciplinary approach in Indian
Music
or
A course in any one of the following
disciplines:-
Practical
Practical
K A R N A T A K M USIC
- Stage Performance
- Viva voce
Interdisciplinary Course
Interdisciplinary approach in Indian
Music
or
A course in any one o f the following
disciplines:-
A.
B.
C.
D.
E.
F.
204
Part-II
A.
B.
C.
D.
E.
F.
Philosophy
Psychology
Sociology
History
Sanskrit
Any one o f the southern
languages
(Tamil/ Telugu/Malayalam/ Kannada)
Theory - Musical concepts,
compositions and instruments
Philosophy
Psychology
Sociology
History
Sanskrit
Persian
Sem ester-Ill
Title o f the Course
Course
No.
K A R N A TA K M U SIC
H IN D USTANI M USIC
301
302
303
304
Semester-IV
Course
No.
401
402
403
K A R N A TA K M U SIC
Practical - Stage Performance
Practical - Viva Voce
Interdisciplinary Course:
Interdisciplinary Course:
404
languages
(Tamil/ Telugu/Malayalam/ kannada)
Theory - Indian Music and its
aesthetic approach
Interdisciplinary Courses
Course N o 203
and
course in the disciplines other than music will be subject to the approval o f the
Departmental Council and the availability o f the particular course during the concerned
Academic Session.
SCHEM E OF EXAMINATIONS
1.
2.
3.
Each course will carry 100 marks, o f which 30 marks shall be reserved for
internal assessment based on tests, seminar, term courses
and attendance
etc. No student will be allowed to appear in the end Semester if he/she has
not participated in class tests, seminars, term courses etc. and has not been
awarded the marks of internal assessment. F o r reap p earin g in the next
applicable sem ester the candidate will be required to atte n d regular
classes in the concerned sem ester and fulfill all the activities related to
internal assessm ent. No special classes will be conducted fo r him /her
d u rin g oth er sem esters.
3.2
4.
Examinations
odd and
as
for
courses
shall be
conducted
only
Ex-Students
shall
be permitted
to
in the
respective
Regular as well
courses o f Odd Semesters only at the end of Odd Semesters and courses of
Even Semesters only at the end o f Even Semesters.
PASS PERCENTAGE
Minimum marks for passing the examination in each semester shall be 40% in each paper
and 45% in aggregate o f a semester. However, a candidate who has secured the minimum
marks to pass in each paper but has not secured the minimum marks to pass in aggregate
may reappear in any o f the paper/s of his choice in the concerned semester in order to be
able to secure the minimum marks prescribed to pass the semester in aggregate.
Promotion Criteria. W ithin the same Part, students shall be allowed to be promoted from
a Semester to the next Semester, provided she/he has passed at least half o f the courses o f
the current semester.
P A R T T O PA RT:
those students who have successfully passed at least 75% papers out o f papers offered
for the Pat-I courses comprising o f Semester I and Semester II taken together. However,
he/she will have to clear the remaining papers while studying in Part-II o f the
Programme.
DIVISION CRITERIA
Successful candidates will be classified on the basis o f the combined results of Part-I and
Part-II examinations as follows:
Candidates securing 60% and above
1st Division
Ilnd Division
All others
Pass
SPAN PERIOD
No student shall be admitted as a candidate for the examination for any o f the
Part/Semesters after the lapse of 4 years from the date o f admission to the Part-I Semester
- I o f the M.A Programme.
ATTENDANCE REQUIREMENT
No student shall be considered to have pursued a regular course o f study unless
he/she is certified by the Head o f the Department of Music, University o f Delhi, to have
attended 75% o f the total number o f lectures, tutorials and seminars conducted in each
semester, during his/her course o f study. Provided that he/she fulfills other conditions the
Head, Department o f Music may permit a student to the next Semester who falls short of
the required percentage o f attendance by not more than 10 per cent o f the lectures,
tutorials and seminars conducted during the semester.
101
Practical
Stage Performance
Practical
Viva Voce
Theory
Historical and
Theoretical study
o f Ragas
Theory
Music o f the
ancient world
102
103
104
Final Exam
Credits
70
Internal
Assessment
30
70
30
70
30
70
30
Credits
70
Internal
Assessment
30
70
30
70
30
70
30
201
Practical
Stage Performance
Practical
Viva Voce
Theory
Interdisciplinary
approach in Indian
Music
Theory
Music o f the Asian
Continent
202
203
204
Final Exam
301
Practical
Stage Performance
Practical
Viva Voce
TheoryEvolution and
Development of
musical concepts
TheoryAesthetics and
appreciation o f
Indian Music
302
303
304
Credits
70
Internal
Assessm ent
30
70
30
70
30
70
30
Credits
70
Internal
Assessm ent
30
70
30
70
30
70
30
Final Exam
401
Practical
Stage Performance
Practical
Viva Voce
Theory
M ultidimensional
Values o f Indian
Music
Theory
Indian M usic and
its aesthetic
approach
402
403
404
Final Exam
10
KARNATAK MUSIC
SEM ESTER-I (Total Marks-400)
Course No.
101
Practical
Stage Performance
Practical
V iva Voce
Study o f Ragas,
Scales and Forms
Historical study of
the evolution of
Ragas and Scales
102
103
104
Final Exam
Internal
Assessm ent
30
Credits
30
70
30
70
30
Credits
70
Internal
A ssessm ent
30
70
30
70
30
70
30
70
70
'
201
Practical
Stage Performance
Practical
V iva Voce
Theory Interdisciplinary
approach in Indian
m usic
Theory - Musical
Concepts,
Compositions and
instruments
202
203
204
Final Exam
11
301
Practical
Stage Performance
Practical
Viva Voce
Musicological
study and Lakshan
Granthas
Aesthetics and
appreciation o f
Indian Music
302
303
304
Final Exam
Internal
Assessment
Credits
70
30
70
30
70
30
70
30
Credits
70
Internal
Assessment
30
70
30
70
30
70
30
401
Practical
Stage Performance
Practical
Viva Voce
Multimensional
Values o f Indian
Music
Indian Music and
its aesthetic
approach
402
403
404
Final Exam
12
HINDUSTANI MUSIC
M A . I SEMESTER
Course 101
Stage Performance
70 Marks (Credits-8)
Internal Assessment
Course - 102
30 marks
Viva Voce
70 Marks(Credits-8)
(Practical test of Ragas)
30 marks
Theory
70 Marks(Credits-4
3 hours
Basant
Bhairav
Bilawal
Kanhara
Malhar
Todi
13
Internal assessment
Course - 104
30 Marks
Theory
70 Marks(Credits-4)
3 hours
(Music of the ancient world)
A . A detailed Study o f the music o f Arabia, Greece, Mesopotamia and Egypt with
special reference to the following:
i)
ii)
iii)
iv)
Internal A ssessm en t:
Appendix - 1 (Prescribed Ragas)
1.
2.
3.
4.
5.
6.
7.
8.
9.
10.
11.
12.
Ahir Bhairav
Basant
Darbari
Devgiri Bilawal
Gaud Malhar
Marwa
Miyan Malhar
Paraj/bairagi
Puria
Rageshri
Shuddha Sarang
Yamani Bilawal
30 Marks
14
II
Course 201
SEMESTER
Stage Performance
70 Marks(Credits-8)
Internal Assessment
30 Marks
Course 202
Viva Voce
70 Marks(Credits 8)
(P ractical T est o f R agas)
List of Ragas as per Appendix - II
Internal A ssessm en t:
30 Marks
70 Marks (Credits - 4)
3 hours
Interdisciplinary Approach in Indian Music
A.
B.
i)
or
A course in any one of the following disciplines in their relevant
departments:
Philosophy, Psychology, Sociology, History, Sanskrit, Persian.
Internal Assessm ent
30 Marks
15
70 Marks (Credits - 4)
A detailed study o f the music o f South East Asia, China, Persia, with special
reference to the following:
i)
ii)
iii)
iv)
B.
Internal Assessment:
Adana/Vibhas
Bahar
Bihagda
Gauri (Bhairav Anga)
Jhinjhoti
Maru Bihag
Mian Ki Sarang
Nat Bhairav
Poorvi
Shri
Shuddha Kalyan
Sindhura / Chandrakauns
30 Marks
16
III SEMESTER
Course 301
Stage Performance
70 MarksfCredits-8)
Internal Assessment
Course - 302
30 Marks
Viva Voce
70 Marks(Credits-8)
30 Marks
70 Marks(Credits - 4)
3 hours
A.
B.
Internal Assessment
30 Marks
17
Course - 304
Theory
70 Marks (credits - 4)
B.
C.
Bharatas theory of Rasa and its applicability to Indian music and Drama
with special reference to musical interval, Laya and Raga.
D.
Internal A ssessm en t:
30 Marks
18
IV - SEMESTTER
Course - 401
Stage Performance
70 Marks(credits-8)
30 Marks
Course - 402
Viva Voce
70 Marksfcredits - 8)
(Practical Test of Ragas)
List of Ragas as per Appendix - IV
Internal Assessment:
30 Marks
Course - 403
Theory
70 Marks(Credits-4)
(Multidimensional Values of Indian Music)
3 hours
Study o f the following musical concepts, th e ir origin and developm ent:
A.
i) Origin and Development o f Prabandha, Dhrupad, Dhamar, Khyal
and comparative study o f the ancient and modern compositional
forms.
ii) Principles of musical composition
iii) Importance o f Sanskrit treatises in Indian Music
iv) Vocational aspects o f Indian Music
B. Detailed study o f the Ragas prescribed in Appendix - IV
OR
A course in any one o f the following disciplines in their relevant
departments:
Philosophy, Psychology, Sociology, History, Sanskrit, Persian.
Internal Assessment
30 Marks
19
Course - 404
Theory
70 Marks(Credits-4)
3 hours
A.
B.
C.
d.
Internal A ssessm en t:
A p p e n d ix -I V : (Prescribed ragas)
1. Abhogi
2. Bhairavi/Sur Malhar
3. Bilaskhani Todi
4. Dev Gandhar
5. Gurjari Todi
6. Shyam Kalyan
7. Kaunsi Kanada
8. Komal Rishabh Asawari
9. Kukubh Bilawal/Gunkali
10. Nand
11. Shankara/Malkaunji
12. Shukla Bilawal/Jogia
30 Marks
20
Course :103
Recommended Books
1.
Sangeet Ratnakar
2.
Sangeet Ratnakar
3.
Ahobal
Sangeet Parijat
V.N. Bhatkhande
5.
V.N. Bhatkhande
6.
Sangeetanjali
Part I - VI
7.
V.R. Patvardhan
Rag Vigyan
Part I- VII
8.
A.N. Sanyal
9.
Sarang ke Prakar,
Kanhara ke Prakar
Malhar ke Parkar
4.
Course 104
Recommended Books
1.
Curt Sachs
2.
H.G. Farmer
3.
S.M. Tagore
4.
Curt Sachs
5.
6.
7.
8.
Swamy Prajnanananda
21
COURSE:2Q3
Recommended Books
1.
2.
G.H. Ranade
Hindustani Music
3.
A.K. Sen
4.
M.R. Gautam
5.
Vimla Musalgaonkar
Bhartiya Sangeet ka
Darshanparak Anusheelan
6.
V.N. Bhatkhande
7.
Omkarnath Thakur
Sangeetanjali I- VI
8.
V.R. Patvardhan
Rag Vigyan
I- VII
Recommended Books:
1.
Curt Sachs
2.
H.G. Farmer
3.
Curt Sachs
4.
5.
6.
S.M. Tagore
Hindu Music
7.
8.
22
9.
10..
Swamy Prajnanananda
Bharat
Natya Shastra
2.
Sharangdeva
Sangeet Ratnakar
3.
M aharana Kumbha
Sangeet Raj
4.
Abul Fazal
Ain-e-Akbari
5.
Faqirullah
Rag Darpan
6.
S.S. Paranjape
7.
K.C.D. Brahaspati
8.
V.N. Bhatkande
K. Vasudev Shastri
Sangeet Shastra
CQURSE-304
Books Recommended
1.
Nelson Goodman
2.
J. Hospers
3.
K.C. Pandey
4.
S.K. Langer
5.
Kitab-e- Nauras v .
6.
S.K. Saxena
7.
Delhi.
J
Nayak Nayika Bhed aur Rag Ragini
Vargikaran
23
8.
O.C. Gangoli
9.
Ganpati Chandragupt
10
Rasa Vishleshan
11.
Anjali Mittal
12.
Manjula Saxena
BharartM uni
Natya Shastra
2.
Sharangadeva
Sangeet Ratnakar
Maharana Kumbha
Sangeet Raja
COURSE-403
K. Vasudev Shastri
Sangeet Shastra
2.
Prajnanananda
3.
Indian Music
4.
Ramashrya Jha
Abhinav Geetanjali I - V
5.
Omkarnath Thakur
Sangeetanjali I-VI
6.
Subhadra Chaudhary -
Sangeet Sanchayan
7.
K.C. D. Brahaspati
Dhrupad
Books Recommended
1.
K.C. Pandey
2.
S. K. Saxena
24
Town, Delhi
3.
S. K. Langer
4.
Debussy
5.
Saundrya
6.
Anjali Mittal
7.
Manjula Saxena
Bharart Muni
Natya Shastra
2.
Sharangadeva
Sangeet Ratnakar
Maharana Kumbha
Sangeet Raja
Semester 1
Course 101
Performance
ju iy -N o v
70 Marks (Credits-8)
Internal Assessment
Course 102:(a)
(b)
(c)
(d)
Practical Test
30 Marks
70 Marks (Credits-8)
Internal Assessment
30Marks
L ist o f R ag as P rescrib ed
A.
1.
2
3.
4.
5.
6.
7.
B.
1.
2.
3.
7.
For Composition
A b h e ri
B a h u d a ri
B alah am sa
C h a ru k e si
D ev am an o h ari
G a ru d a d h w a n i
H indoiam
8. K a n n a d a
9. K api
10. M ayam alavagow la
11. R a m a p riy a
12. V achaspati.
13. Y a m u n a k aiy a n i
4. Saveri
5. K ed arag o w la
6. M o h an am
12
C.
For exposition.
1. S a n k a ra b h a r a n a m
4. K eerav a n i
7. G ow la
10. K h a r a h a r a p riy a
13. V arali
16. A n a n d a b h a ira v i
19. D hanyasi
22. H a m sad h w a n i
25. P oorvikalyani
28. K h a m a s
2. S im h e n d ra m a d h y a m a m
5. N a tta i
8. B h airav i
11. Sree
14. Saveri
17. V a sa n th a
20. M a d h y a m a v a th i
23. M o h an am
26. B egada
29. S h a n m u k h a p riy a
3. K aly an i
6. Todi
9. A ra b h i
12. M u k h a ri
15. S rira n ja n i
18. K e d a rag o w la
21. B ilah a ri
24. S u d h asav eri
27. P a n th u v a ra li
30. K a m b h o ji
Course.
103
Theory
70 M arks (Credits-4)
3 hours
Internal Assessment
30 Marks
13
Course . 104
Theory
70 Marks (Credits - 4)
3 hours
Internal Assessment
30 M arks
14
Semester - II
Course - 201
January - May
Performance
70 Marks (Credits-8)
Performance of one hour duration planed by the candidate within the prescribed
Ragas. From the list ( D & E )
Internal Assessment
Course - 202
30 Marks
Practical Test.
70 Marks(Credits-8)
( List D )
( List F )
( List D )
( List E )
Internal Assessments
30 marks
D.
For Composition:-
1. Chakravakam
4. Saraswathi
7. HamirKalyani
10. Poornachandrika
13. Vijayasri
E.
2. Dhenuka
5. Lathangi
8. HariKambhoji
11. Manji
3. Malayamarutham
6. Sama
9. Behag
12. Mandari
1. Kambhoji
3. Bhairavi
5. Mohanam
2. Todi
4. Anandabhairavi
6. Dhanyasi
29
1st
semester)
1. R itigaula
4. Saranga
7. M alayam arutham
10 Sourashtram
13. H indolam
16. Surati
19. Sam a
22. Asaveri
25. Kapi
Course 203
2. D urbar
5. M ayam alaw agoula
8. K anada
1 l.V achaspathi
14. N eelam bari
17. Latangi
20. Sahana
23. Harikam bhoji
26. Behag
3. N adanam akriya
6. N atakuranji
9. R am apriya
12. D evagandhari
15. C hakravakam
18. A thana
21. H am irkalyani
24. Y adukulakam bhoji
70 Marks (Credits-4)
Theory
3 hours
Inter disciplinary approach in Indian Music
1)
2)
3)
(4)
5)
6)
B.
OR
Internal Assessment
30 Marks
16
Course 204
Theory
70 Marks (Credits-4)
(1)
(2)
Advanced knowledge of musical prosody and rhetorical beauties met within the
Sahitya of Musical Compositions - gamakam, prasa and yati
3)
Knowledge about the formation of 175 and 108 systems of Talas. Rare talas
figuring in Tiruppugazh.
(4)
5)
Internal Assessments
30 Marks
17
SEMESTER III
Course 301
Perform ance
July - December
70Marks (Credits-8)
30 Marks
Internal Assessment
Course 302
70 Marks(Credits-8)
( List G )
(List I )
( List G & H )
( List H )
30 Marks
In tern al A ssessm en ts
(2) Kuranji
(5) Bhouli
(8) KamalaManohari
(11) Vagadeeswari
(3) Chenjurutti
(6) Bhairavam
(9) Hamsanadam
(2) Chenjurutti
(5) Punnagavarali
(3) Subhapanthuvarali
18
Course
303
Theory
70 M arks (Credits-4)
(1)
Detailed study o f Ragas with special reference to those, which are typical
examples of various Srutis, used in Indian Music .
(2)
Theory of Rettai Pallavi and Nadai Pallavi; Anuloma , Pratiloma and Tisram .
(3)
(4)
(5)
(6)
7)
A esthetics, Its main, app ro ach es, Linguistic , A n a ly tic a l, P h enom enological
A esthetics as a n o rm ativ e stu d y .
A esthetical elem ents fo u n d in the M usical form s o f K arnatak M u sic .
A esthetics as a th eo ry o f fine art and its appreciation.
A esthetic experience, A e sth etic attitude
A esthetical elem ents c o n ta in e d in the concepts and term s o f In d ia n M usicology
V iz. S v ara , Sthaya , G a m a k a , A lankara , R a g a , T ala Etc.
7) Im portance o f aesthetic in K arn atak M usic- geetham , swaraj ati, varnam , kriti, padam ,
ja v a li, tillan a and R agam -talam -pallavi.
Internal assessments
30 Marks
19
SEMESTER IV
C o u rse
January - May
70 Marks(CreditS-8)
401 P erfo rm a n ce
Internal Assessment
C o u rse
402
30 Marks
70 Marks(Credits-8)
P ractica l T est - V iv a V o ce
( List J)
( List L)
( List J & K )
30 Marks
In tern a l A ssessm en ts
List of Ragas Prescribed
J . F o r C om p o sitio n
(1) Lalitha
4) Manirang
(7) Paras
(10) Hamsanandi
K .
(2) Navaroj
(5) Ranjani
(8) Ahiri
(11) Natabhairavi
(3) PunnagaVarali
(6) Bhoopalam
(9) Jaganmohini
F or P a lla vi
(1) Kambhoji
(4) Mukhari
(7) Bilahari
(2) Simhendramadhyamam
(5) Anandabhairavi
(8) Panthuvarali
L .
F or E x p o sition
(1) Jaganmohini
(2) Bhupalam
(3) Huseni
(3) Bhairavi
(6) Dhanyasi
(9) Todi
(4) Manirang
(5) Ahiri
21
70 Marks (credits-4)
3 hours
Aesthetics and appreciation of Indian Music
(1)
(2)
(3)
(4)
(5)
6)
30 Marks
34
Course 403
70 Marks(Credits-4)
3 hours
Multidimensional Values of Indian Music
T h eory
1)
2)
3)
4)
5)
Usage o f Electronic gadgets in the presentation o f m usic (for public perform ances
and recording)
6)
OR
A course in any one of the following disciplines in their relevant
departments:
Philosophy, Psychology, Sociology, History, Sanskrit, any one of the
southern languages (Tamil/Malayalam/Telugu/Kannada).
Internal Assessment
30 Marks
35
70 Marks (credits-4)
3 hours
Indian Music and its aesthetic approach
(1)
(2)
(3)
(4)
(5)
6)
Internal Assessments
30 Marks